Alexander Grodzinski

NOW SHIPPING Universal Pictures Film Music Classics Collection Music by Henry Mancini Limited Edition of 1500 Units RETAIL PRICE: $21.98 La-La Land Records and Universal Studios proudly present the seventeenth title within the acclaimed Universal Pictures Film Music Classics Collection – MOMENT TO MOMENT, music by Henry Mancini (THE PINK PANTHER, CHARADE, THE PRISONER OF ZENDA). Available for the first time in any format, composer Henry Mancini’s original motion picture score for the 1966 big-screen romantic thriller MOMENT TO MOMENT, starring Jean Seberg and Honor Blackman, and directed by Mervyn Le Roy is a long-buried musical treasure finally unearthed in all of its splendor! While the film’s famed title song, with lyrics by Johnny Mercer, has been covered and re-issued numerous times since the film’s initial release, this deluxe limited edition CD marks the world premiere of Henry Mancini’s sumptuous orchestral score – so that all of its distinctively modern detail, craft and soulful melody can finally be heard and appreciated as another of the composer’s masterful works of the 1960s. Exciting danger and tension, swirls of romance and beauty – it all comes to brilliant life in Mancini’s creation. Produced, mixed, edited and mastered by Mike Matessino from studio vault elements, this special limited edition of 1500 units features exclusive liner notes written by author Jeff Bond and sharp art direction by Dan Goldwasser. TRACK LISTING: SCORE PRESENTATION 1. Main Title (‘Moment To Moment’) 2:46 2. ‘Moment To Moment’ Prologue 2:45 3. The Flower Stalls 3:11 4. Daphne Drops In 2:04 5. Chicken Salad 1:06 6. First Goodbye / Invitation 3:24 7. Hotel Terrace 2:43 8. On The Road 2:42 9. Mougins 2:16 10. Pier Parting 2:13 11. Missing Mark 1:58 12. Beach Party 2:15 13. Gallery Montage 2:40 14. Stormy Romance 2:15 15. Pick It Up / Help 2:53 16. Scene Of The Crime 2:16 17. Passport 1:16 18. Homecoming 2:16 19. Mark’s Return / Something Clicks 1:34 20. More In Mougins 2:29 21. Flower Stalls Dance 1:29 22. Moment To Moment Dance 2:55 23. The Missing Piece 4:10 24. Mark Remembers 1:54 25. The Terrace And End Title (‘Moment to Moment’) 3:08 26. ‘Moment To Moment’ End Cast 0:36 TOTAL SCORE TIME: 61:34 ADDITIONAL MUSIC 27. The Flower Stalls (Alternate) 1:14 28. Hotel Terrace (Alternate) 1:10 29. Moment To Moment Guitar 2:03 TOTAL ADDITIONAL MUSIC: 4:30 TOTAL TIME: 66:07 This is a CD format release.

NOW SHIPPING Universal Pictures Film Music Classics Collection LLLCD 1635 Music by Maurice Jarre Limited Edition of 2000 Units RETAIL PRICE: $21.98 La-La Land Records and Universal Studios proudly present the eighteenth title within the acclaimed Universal Pictures Film Music Classics Collection – TOPAZ, music by Maurice Jarre (LAWRENCE OF ARABIA, DOCTOR ZHIVAGO). Remastered and expanded beyond its previous soundtrack release, and in stereo for the first time, renowned composer Maurice Jarre’s original motion picture score to TOPAZ, the 1969 big-screen dramatic thriller starring Frederick Stafford and John Veron, and directed by the legendary Alfred Hitchcock, shines brilliantly throughout this deluxe limited edition CD release. Vividly demonstrating Jarre’s remarkable versatility and invention, TOPAZ is a notable and unique work in the composer’s canon, finding the maestro experimenting with early synthesizers and colorful percussion, while also employing orchestra in expert fashion to support the film’s varied textures of drama, romance and suspense. Produced, mixed, edited and mastered by Mike Matessino, from studio vault elements, this special limited edition of 2000 units features in depth, exclusive liner notes written by author Jeff Bond and classic art direction by Jim Titus. TRACK LISTING: SCORE PRESENTATION (57:04) 1. ‘Topaz’ March (Main Title) 2:36 2. Kidnapping 1:42 3. Going To America 2:55 4. Arcy’s Office 2:32 5. Russian Defector 2:56 6. The Attaché Case 3:44 7. Arriving In Cuba (Part 1) 4:11 8. Arriving In Cuba (Part 2) 2:57 9. Love With Juanita 3:49 10. Mendoza 3:45 11. Last Farewells To Juanita 4:49 12. Rico Shoots 2:39 13. Back To The States 2:39 14. Sad Comeback 2:53 15. Lunch At Pierre 2:16 16. Francois Arriving At Jarré 17. Something Has Happened 2:07 18. Portrait Of A Dead Traitor 2:01 19. Duel And ‘Topaz’ Finale 2:01 20. Love Theme From ‘Topaz’ 2:49 ADDITIONAL MUSIC (9:14) 21. ‘Topaz’ March (Alternate) 2:17 22. ‘Topaz’ Finale (Alternate) :44 23. Main Theme From ‘Topaz’ 2:57 24. Love Theme From ‘Topaz’ 3:07 TOTAL ALBUM TIME: 66:22 This is a CD format release.

LLLCD 1629 Music by James Horner Featuring Branford Marsalis Limited Edition of 3000 Units RETAIL PRICE: $29.98 La-La Land Records, Universal Pictures and Sony Music proudly present SNEAKERS: EXPANDED LIMITED EDITION, a remastered and expanded 2-CD presentation of renowned composer James Horner’s (GLORY, FIELD OF DREAMS, THE MASK OF ZORRO) original motion picture score to the delightful 1992 big-screen spy caper SNEAKERS, starring Robert Redford, Dan Aykroyd and Mary McDonnell and directed by Phil Alden Robinson. Delicate, playful and complex, Horner’s SNEAKERS score manages to be one of the legendary composer’s most original works while demonstrating his classical literacy and keen understanding of the needs of Hollywood cinema. Laced with wonderful saxophone flourishes performed by Branford Marsalis, Horner’s notable score is finally allowed to reveal its secrets in full within this deluxe, expanded presentation. Produced by Neil S. Bulk and Mike Matessino and mastered by Matessino, Disc One of this 2-CD re-issue features the original film score presentation, while Disc Two of the set showcases the remastered 1992 original soundtrack as well as additional alternate cues. The art design is by Dan Goldwasser and the exclusive, in-depth liner notes are by writer Jeff Bond. This is a limited edition release of 3000 units. TRACK LISTING: DISC 1 SCORE PRESENTATION 1. Jeremy Subharmonics 0:44 2. ‘Sneakers’ Main Title (Film Version) 2:17 3. Bank Penetration 2:05 4. How Much Do You Want? 1:45 5. Bishop Goes To NSA / Surveillance / Black Box 2:44 6. Janek’s Office 2:01 7. “Too Many Secrets” (Extended Version) 7:57 8. The Hand-Off (Film Version) 3:07 9. Cosmo…Old Friend (Film Version) 9:26 10. Phone Trace 1:19 11. What Did It Sound Like? 4:52 12. Planning The Sneak 3:23 13. Carl Enters Playtronics 3:04 14. Playtronics Break-In Part 1 4:15 15. Playtronics Break-In Part 2 4:01 16. Cosmo Sounds Alarm 1:53 17. Cosmo’s Monologue 3:07 18. The Escape / Whistler’s Rescue (Extended Version) 3:36 19. Goodbye 3:23 20. The Sneakers Theme 3:37 21. “…And The Blind Shall See” 4:32 Total Time Disc One: 73:24 DISC 2 ORIGINAL SOUNDTRACK ALBUM 48:30 1. ‘Sneakers’ Main Title 2:57 2. “Too Many Secrets” 6:16 3. The Sneakers Theme 3:37 4. Cosmo…Old Friend 7:09 5. The Hand-Off 3:06 6. Planning The Sneak 3:23 7. Playtronics Break-In 10:38 8. The Escape / Whistler’s Rescue 3:22 9. Goodbye 3:24 10. “…And The Blind Shall See” 4:32 ADDITIONAL MUSIC 10:10 11. Janek’s Office (Alternate) 1:59 12. The Sneakers Theme (Alternate) 3:36 13. “…And The Blind Shall See” (Alternate) 4:29 Total Time Disc Two: 58:41 TOTAL ALBUM TIME 2:12:05 This is a CD format release

LLLCD 1631 Music by James Horner Limited Edition of 3000 Units RETAIL PRICE: $29.98 STARTS SHIPPING DEC 1 La-La Land Records, Sony Pictures, Amblin Entertainment and Sony Music proudly present a remastered and expanded 2-CD presentation of renowned composer James Horner’s (GLORY, FIELD OF DREAMS, SNEAKERS) original motion picture score to the 1998 big-screen adventure THE MASK OF ZORRO, starring Antonio Banderas, Anthony Hopkins and Catherine Zeta-Jones and directed by Martin Campbell. James Horner’s THE MASK OF ZORRO is nothing short of magnificent – a grand orchestral wonder that expertly melds authentic Hispanic colors with the Hollywood blockbuster, both modern and classic. Rich in theme and teeming with drama, romance, action and humor, Horner’s score is one of his very best, as highlighted within this deluxe 2-CD presentation - expanded with a bounty of never-before-released music! This re-issue is produced by Neil S. Bulk and Mike Matessino,and mastered by Doug Schwartz from studio vault elements. The Original Score Presentation is showcased across both discs, with Disc Two also housing tracks from the original 1998 soundtrack release. The lovely ballad “I Want To Spend My Lifetime Loving You,” performed by Marc Anthony and Tina Arena is also included, as well as its Spanish-Language version “Quiero Vivir La Vida Amandote,” performed by Jon Secada and Ana Gabriel. This Limited Edition release of 3000 units features art design by Jim Titus and exclusive, in-depth liner notes by writer John Takis. TRACK LISTING: SCORE PRESENTATION 1:47:26 1. Main Title (From The Motion Picture "The Mask Of Zorro") 1:08 2. The Plaza Of Execution (Film Version) 7:58 3. Elena And Esperanza 8:17 4. Don't Touch My Brother :28 5. Interrupted Getaway 1:09 6. Joaquin's Death :59 7. Meeting On The Beach 1:11 8. Prison Escape 4:15 9. The Hand / Emotions Torn 3:04 10. Diego Meets Alejandro 1:29 11. The Medallion / The Master's Wheel 1:12 12. The Fencing Lesson (Film Version) 1:37 13. Lesson #3 1:15 14. The Black Tornado / First Meeting 3:10 15. Tornado In The Barracks 5:08 16. The Confession (Film Version) 2:50 17. Rooftop Getaway 1:23 18. Choose Your Weapon 1:17 19. Diego In The Study :39 20. Sexy Dance 1:11 21. The Mine (Montero's Vision) 2:57 22. Jack's Demise 1:06 23. Love's Suspicions 1:20 24. So Long Ago… 2:50 25. Sick Souvenirs 1:39 26. An Unknown Past 2:24 Total Time Disc One: 62:39 DISC 2 75:30 1.Stealing The Map 6:27 2. Alejandro & Elena's Duel 3:56 3. The Ride 3:22 4. Alejandro's Plea :51 5. Elena's Truth 4:07 6. "Leave No Witnesses..." 13:19 7. Diego's Goodbye (Film Version) 4:55 8. Zorro's Theme (Film Version) 2:56 9. I Want To Spend My Lifetime Loving You 4:42 Performed by Marc Anthony and Tina Arena ORIGINAL SOUNDTRACK ALBUM VERSIONS 25:51 10. The Plaza Of Execution 8:27 11. The Fencing Lesson 5:24 12. The Confession 3:38 13. Diego's Goodbye 5:19 14. Zorro's Theme 2:56 BONUS TRACK 15. Quiero Vivir La Vida Amandote 4:42 Performed by Jon Secada and Ana Gabriel Total Time Disc Two: 75:30 TOTAL ALBUM TIME 2:18:09 This is a CD format release

LLLCD 1632 Music by John Williams Limited Edition of 5000 Units RETAIL PRICE: $39.98 STARTS SHIPPING DEC 1 La-La Land Records, Sony Pictures, Amblin Entertainment and Sony Music present HOOK – THE ULTIMATE EDITION, a remastered and expanded 3-CD soundtrack presentation of legendary composer John Williams’ (STAR WARS, E.T., HARRY POTTER) original motion picture score to the 1991 adventure-fantasy HOOK, directed by Steven Spielberg. An undisputed masterwork within the treasured John Williams and Steven Spielberg collaboration that has spanned five glorious decades, HOOK is an astounding orchestral odyssey that exemplifies the Maestro’s musical genius—a sonic epic that soars with imaginative joy, wonder and adventure! This remastered ultimate presentation unleashes Williams’ iconic score as never before, expanded beyond any previous soundtrack release, with never-before-released score, alternate tracks, songs and source music. Produced, edited and mastered by Mike Matessino, in consultation with the composer, Disc One of this deluxe reissue contains the score presentation, which continues through Disc Two with additional music tracks. Disc 3 offers a sumptuous bounty of songs (highlighting the wonderful songwriting talents of Leslie Bricusse), alternate cues and source music! With stellar art direction by Jim Titus, this limited-edition release of 5000 units features a 48-Page booklet that includes exclusive in-depth liner notes by Matessino and associate producers John Takis and Jason LeBlanc. The track listing is featured on a 12-page second booklet within the package. TRACK LISTING: DISC 1 SCORE PRESENTATION 1.Hook Prologue (Extended Version) 1:33 2.We Don’t Wanna Grow Up (Extended Version) *2:57 3.Banning Back Home (Film Version) 3:21 4.Wendy’s Entrance 2:12 5.The Bedroom1 :08 6.The Nursery Scene 1:40 7.Saying Goodnight :57 8.Hook Returns To Kensington 2:00 9.Hook Is Back 2:09 10.Forgotten How To Fly :56 11.The Stories Are True 2:24 12.The Arrival Of Tink 3:33 13.The Flight To Neverland 2:40 14.Pirate Town And Presenting The Hook 5:09 15.Hook’s Entrance 2:42 16.Draw Your Sword! 2:14 17.Peter’s Challenge 5:42 18.From Mermaids To Lost Boys (Film Version) 4:26 19.Enter Rufio 1:19 20.The Lost Boy Chase 3:35 21.The Face Of Pan 2:42 22.Hook’s Epiphany 2:16 23.Smee’s Plan 1:46 24.Pick ’Em Up * 2:56 25.Hook’s Lesson 3:08 26.The Banquet 3:14 27.The Never-Feast (Film Version) 4:41 28.When You’re Alone * 3:17 29.Goodnight Neverland 1:45 Total Time Disc One: 78:54 DISC 2 SCORE PRESENTATION (Continued) 1.Stop That Clock! 4:05 2.Home Run And Follow That Shadow 5:24 3.Peter Remembers (The Flying Sequence) 8:23 4.You Are The Pan (Film Version) 1:26 5.Tink Grows Up 2:21 6.The Ultimate War (Film Version) 8:02 7.Death Of Rufio 4:23 8.The Sword Fight And The End Of Hook 7:07 9.Farewell Neverland 10:18 10.Hook End Credits And Exit Music 5:52 Total Score Time: 2:16:23 ADDITIONAL MUSIC 11.Hook Prologue 1:25 12.Banning Back Home (Extended Version) 4:24 13.From Mermaids To Lost Boys 4:26 14.The Face Of Pan (Choral Version) 2:43 15.The Ultimate War 7:54 Total Additional Music: 21:00 Total Time Disc Two: 78:32 DISC 3 SONGS, ALTERNATES AND SOURCE MUSIC 1.We Don’t Wanna Grow Up * 1:52 2.God Rest Ye Merry, Gentlemen 1:10 3.Childhood * 3:54 4.When You’re Alone – Moira’s Lullaby * :46 5.The Stories Are True (Alternate) 2:24 6.The Arrival Of Tink (Alternate) 3:35 7.The Flight To Neverland (Alternate) 2:33 8.Low Below – Pirate Sequence * 4:58 9.Hook’s Entrance (Alternate) 2:42 10.The Lost Boy Chase (Alternate) 3:34 11.The Never Song * 2:04 12.The Never-Band 1:20 13.The Never-Feast 4:42 14.When You’re Alone (Instrumental) 3:19 15.Mothers * 2:26 16.Stick With Me * 2:00 17.Take Me Out To The Ball Game 2:18 18.Remembering Childhood1 1:06 19.Believe * 3:01 20.Farewell Neverland (Short Version / Alternate) 6:54 21.Hook Exit Music (Alternate) 1:48 BONUS TRACKS 22.Pirate Sequence (Instrumental) 3:59 23.Smee’s Concertina Medley 4:50 24.Presenting The Hook (Vocal Version Segment) * 1:38 Total Time Disc Three: 79:17 Three-Disc Total Time: 3:56:43 *Lyrics by Leslie Bricusse This is a CD format release

Aus der Ankündigung von Disney: "Limited quantity" Relive the thrilling adventures of #IndianaJones with the first-EVER CD box set with all five soundtracks from the historic franchise! Don't miss this chance to own the full Indiana Jones collection of music from legendary composer John Williams in this complete limited quantity CD box set on DisneyMusicEmporium.com.

Laut der Trackliste ja, aber es fehlt eben die Bonus-Disc aus der alten Box. Also gibt es hier sogar weniger, dafür ist DIAL OF DESTINY dabei.

Und das zum Schnäppchenpreis. Ich weiß auch nicht, was diesen hohen Preis rechtfertigt. Die Discs bekommt man einzeln teilweise für nicht mal 10 Euro, DIAL OF DESTINY natürlich ausgenommen. Dazu fehlt auch noch die Bonus-Disc. Und dass Disney den Klang nochmal bearbeitet hat, glaube ich auch nicht. Das stünde sicherlich im Text. Von daher denken sie entweder, dass Fans alles kaufen, egal zu welchem Preis (das hat man bei DIAL OF DESTINY eindrucksvoll gesehen) oder es kommt doch noch eine Überraschung, die knapp 90 Euro Aufpreis für eine Pappschachtel rechtfertigt.

Nun beglückt uns Disney also doch mit einer Box aller Indy-Scores, inklusive DIAL OF DESTINY. Ob die Box überall erhältlich sein wird oder nur wieder über die Disney Music Emporium Seite, ist bisher nicht ersichtlich. Und 150 Dollar auch nicht gerade wenig. Zudem fehlt scheinbar die Bonus-Disc der Concorde-Box. Veröffentlichung ist für Ende März 2024 geplant. This is a pre-order. Expected ship date is March 27, 2024. Re-live the thrilling world of Indiana Jones with the first CD box set with all five soundtracks from the historic franchise in one place. This extraordinary compilation will take listeners on a journey around the globe. Experience the full collection of music from legendary composer John Williams as he takes us on an incredible journey of sound, emotions and storytelling with his iconic themes and melodies. His masterful soundtracks capture the true spirit of the characters, excitement and adventure that provide a musical experience as timeless as the films themselves. If you are a devoted fan or music aficionado, the Indiana Jones complete CD box set is a must-have.

Snow Files of the Week: "Ernest saves Christmas/Christmas Spirit" aus dem Film "Ernest Saves Christmas" (1988). Die Vorweihnachtszeit ist bereits in vollem Gange, Zeit auch für Mark Snow, um ein wenig "Christmas Spirit" zu verbreiten. Der Score zu "Ernest Saves Christmas" ist wohl einer von Snows leichtfüßigsten Scores, eingespielt mit Orchester und voller weihnachtlicher Stimmung. Die "Ernest"-Reihe ist in Amerika sehr populär, es gibt eine ganze Reihe von Filmen davon (z. B. "Ernest Goes To Camp" oder auch "Ernest Goes To Jail"). Marks Score wurde bisher nicht offiziell veröffentlicht, es existiert nur eine Promo-CD davon. Vielleicht wird sich eines der kleinen Label irgendwann mal dieses Scores annehmen. Viel Spaß beim Hören!

Vor einigen Jahren gab es bereits eine Zusammenarbeit zwischen Carpenter und der Band Gunship. Gunship ist eines der vielen Bandprojekte, die von den 80ern inspirierten Synthie-Pop machen. Auf ihrem ersten Album ist Carpenter bereits auf einem Track vertreten. Bei ihrem kürzlich erschienenen dritten Album wurde der Song von damals quasi fortgesetzt.

Kommt am 04.12. als CD und LP. Out December 4 on LP and CD - Disponibile dal 4 Dicembre in LP e CD Il bisbetico Domato music by Franco Piersanti (CD including Una prova d’innocenza) THE SOUNDTRACK The dear departed Detto Mariano wrote a very enjoyable comment, based on a love theme, that he retakes with pleasant instrumental variations alternated to funny tracks. The opening credits are introduced by the dance song “Step on dynamite” by “Clown”, which we will find later in two alternatives instrumental takes, and “La pigiatura”, performed by the choir with Patrizia Tapparelli, Mariano Perrella and Simona Aloisi. This latter track is the theme of the main movie scene, in which Elia dances while foot-crushing grapes in a big wooden vat. For this edition we utilized original recording session’s mono masters, integrated with rare stereo tracks, from Detto Mariano Estate archives, which bring the total CD running time up to 76:10 minutes. This edition also features the extremely rare “Si e no” (lyrics by the directors) both in Patrizia Tapparelli’s version and in the alternative take performed by Mariano Perrella, try-outs for the end credits that remained unused. DIRECTION AND CAST Directed by Castellano and Pipolo in 1980 and starring Adriano Celentano, Ornella Muti, Edith Peters, Pippo Santonastaso, Milly Carlucci, Sandro Ghiani, Nicola De Buono, Fosco Gasperi, Enzo De Toma, Jimmy il Fenomeno, Gianni Coletto, Marco Columbro, Guido Spadea, Angelo Mainardi, Elena Mari. THE PLOT Elia is a farmer from Rovignano, a small town in the countryside near Voghera. He’s a misanthrope, he can’t stand anyone except for Father Cirillo, which he always confesses to. He especially can’t stand women, a part from Mamy, his housekeeper, who always tries to find him a girlfriend able to appease him. However, Elia only loves his animals and seems to be able to communicate with them, so much that he plays chess with his dog. Everything changes in a night, when a charming woman named Lisa breaks down and asks for help with her car. She hopes that the farmer can host her for the night. The first impression is not the best: the man is grouchy and rude to the woman and his manners leaves a lot to be desired. As time goes by, though, she gets closer to him, so much that she cheats on her husband Vittorio. Although Elia’s stubborness is quite an obstacle to overcome, Lisa will try her best to seduce the grumpy farmer, until she succeeds. TRACKLIST CD 01. STEP ON DYNAMITE (Titoli) 3:50 02. IL BISBETICO DOMATO (seq.1) 2:33 03. IL BISBETICO DOMATO (seq.2) 1:38 04. LA PIGIATURA 4:04 05. IL BISBETICO DOMATO (seq.3) 1:22 06. IL BISBETICO DOMATO (seq.4) 0:55 07. IL BISBETICO DOMATO (seq.5) 1:54 08. IL BISBETICO DOMATO (seq.6) 1:35 09. IL BISBETICO DOMATO (seq.7) 1:38 10. IL BISBETICO DOMATO (seq.8) 1:05 11. IL BISBETICO DOMATO (seq.9) 1:21 12. IL BISBETICO DOMATO (seq.10) 2:17 13. IL BISBETICO DOMATO (seq.11) 1:19 14. STEP ON DYNAMITE (Titoli alternate version) 3:50 15. IL BISBETICO DOMATO (seq.12) 1:19 16. IL BISBETICO DOMATO (seq.13) 0:30 17. IL BISBETICO DOMATO (seq.14) 1:17 18. LA PIGIATURA (short version) 2:36 19. IL BISBETICO DOMATO (seq.15) 0:57 20. IL BISBETICO DOMATO (seq.16) 1:51 21. IL BISBETICO DOMATO (seq.17) 1:24 22. IL BISBETICO DOMATO (seq.18) 0:42 23. IL BISBETICO DOMATO (seq.19) 1:52 24. STEP ON DYNAMITE (Titoli alternate version 2) 3:50 25. IL BISBETICO DOMATO (seq.20) 1:22 26. IL BISBETICO DOMATO (seq.21) 1:19 27. IL BISBETICO DOMATO (seq.22) 1:44 28. IL BISBETICO DOMATO (seq.23) 1:28 29. IL BISBETICO DOMATO (seq.24) 1:46 30. IL BISBETICO DOMATO (seq.25) 0:41 31. IL BISBETICO DOMATO (seq.26) 0:45 32. IL BISBETICO DOMATO (seq.27) 1:23 33. IL BISBETICO DOMATO (seq.28) 2:27 34. LA PIGIATURA (Alternate version) 3:25 Bonus tracks – previously unreleased 35. SI E NO (unused End Titles demo) 3:47 36. IL BISBETICO DOMATO (seq.29) 0:23 37. SI E NO (unused End Titles demo #2) 3:47 38. IL BISBETICO DOMATO (seq.8 alt.) 1:36 39. SI E NO (unused End Titles demo#3) 3:07 TRACKLIST LP Side A 1. STEP ON DYNAMITE (Titoli) 3:50 2. IL BISBETICO DOMATO (seq.1) 2:33 3. IL BISBETICO DOMATO (seq.2) 1:38 4. LA PIGIATURA 4:04 5. IL BISBETICO DOMATO (seq.8) 1:05 6. IL BISBETICO DOMATO (seq.9) 1:21 7. IL BISBETICO DOMATO (seq.10) 2:17 8. SI E NO (unused End Titles demo) 3:47 Side B 1. STEP ON DYNAMITE (Titoli alternate version) 3:50 2. IL BISBETICO DOMATO (seq.14) 1:17 3. LA PIGIATURA (short version) 2:36 4. IL BISBETICO DOMATO (seq.16) 1:51 5. IL BISBETICO DOMATO (seq.17) 1:24 6. STEP ON DYNAMITE (Titoli alternate version 2) 3:50 7. SI E NO (unused End Titles demo #2) 3:47 8. LA PIGIATURA (Alternate version) 3:25 Out December 4 on LP and CD - Disponibile dal 4 Dicembre in LP e CD Il nido del ragno music by Franco Piersanti (CD including Una prova d’innocenza) available on / disponibile su shop.digitmovies.com THE SOUNDTRACKS A selection of six tracks from “Spider Labyrinth” appeared for the first time, on CD “Porte aperte”, from the homonymous movie of director Gianni Amelio. Compared to the original stereo masters, there are nine more unpublished tracks. The author composed and directed a symphonic score which alternates dissonant and calm, suspended musics. For the very first time, we are publishing the musics composed and directed by Franco Piersanti, from TV movie “Una prova d’innocenza”. Here we can find dramatic musics and pastorals accompanied by the pipe organ, which describes the priest figure. This CD, of a total running time of 75:28 minutes, intends to be a sincere homage to Franco Piersanti’s Art. SPIDER LABYRINTH DIRECTION AND CAST Directed by Gianfranco Giagni in 1988 and starring Roland Wybenga, Stéphane Audran, William Berger, Arnaldo Dell'Acqua, Claudia Muzii, Massimiliano Pavone, Paola Rinaldi, Valeriano Santinelli and Margareta Von Krauss. THE PLOT Alan Withmore, young American student, is sent to Budapest to work with Professor Roth to a mysterious project, called “Intextus”. Once arrived, Alan meets the terrified Roth, from whom he receives a black book that contains the key to the enigma. Roth is brutally killed. Alan does not give up, though. Through scary premonitions and homicides, he continues his risky investigation, which will take him straight to a horrific destiny. TRACKLIST CD IL NIDO DEL RAGNO 01. BUDAPEST 2:16 02. LABIRINTO 3:05 03. OMICIDIO 1:34 04. IL NIDO DEL RAGNO 2:57 05. ILLUSIONI OTTICHE 2:31 06. RADIO JAZZ (Titoli) 1:56 07. ILLUSIONI OTTICHE (#2) 2:03 08. IL NIDO DEL RAGNO (#2) 2:56 09. OMICIDIO (#2) 2:29 10. BUDAPEST (#2) 1:27 11. RADIO JAZZ (Titoli alternativi) 1:56 12. LABIRINTO (#2) 1:03 13. OMICIDIO (#3) 1:49 14. IL NIDO DEL RAGNO (#3) 4:31 15. BUDAPEST (#3) 1:25 UNA PROVA DI INNOCENZA 16. UNA PROVA DI INNOCENZA (seq.1 - Titoli) 3:34 17. UNA PROVA DI INNOCENZA (seq.2) 1:56 18. UNA PROVA DI INNOCENZA (seq.3) 4:04 19. UNA PROVA DI INNOCENZA (seq.4) 1:26 20. UNA PROVA DI INNOCENZA (seq.5) 4:05 21. UNA PROVA DI INNOCENZA (seq.6) 2:30 22. UNA PROVA DI INNOCENZA (seq.7) 1:39 23. UNA PROVA DI INNOCENZA (seq.8) 2:17 24. UNA PROVA DI INNOCENZA (seq.9) 4:12 25. UNA PROVA DI INNOCENZA (seq.10) 1:57 26. UNA PROVA DI INNOCENZA (seq.11) 1:45 27. UNA PROVA DI INNOCENZA (seq.12) 2:21 28. UNA PROVA DI INNOCENZA (seq.13) 1:51 39. UNA PROVA DI INNOCENZA (seq.14) 1:15 30. UNA PROVA DI INNOCENZA (seq.15 - Finale) 5:07 TRACKLIST LP Side A 01. BUDAPEST 2:16 02. LABIRINTO 3:05 03. OMICIDIO 1:34 04. IL NIDO DEL RAGNO 2:57 05. ILLUSIONI OTTICHE 2:31 06. RADIO JAZZ (Titoli) 1:56 07. ILLUSIONI OTTICHE (#2) 2:03 Side B 01. IL NIDO DEL RAGNO (#2) 2:56 02. OMICIDIO (#2) 2:29 03. BUDAPEST (#2) 1:27 04. RADIO JAZZ (Titoli alternativi) 1:56 05. LABIRINTO (#2) 1:03 06. OMICIDIO (#3) 1:49 07. IL NIDO DEL RAGNO (#3) 4:31 08. BUDAPEST (#3) 1:25

World premiere of complete James Horner early space opera soundtrack! Following on the heels of Intrada’s expanded release of Humanoids From The Deep is James Horner’s wildly popular early outer space epic, scored in 1980 when the young composer’s career was literally just getting underway. Highlights from the score were released on vinyl at the time, and that program has appeared numerous times on CD. Now Intrada is proud to finally present the entire score, newly expanded and remastered from the actual 2” 24-track recording session masters for the first time ever! Details in the recording come through with stunning clarity and power previously not available. In addition to the familiar cues, this new edition also offers many cues previously not released, including the powerful early cues for the “Hammerhead” and the “Sniper’s, Fire!” sequences. Other exciting new pieces include “Dr. Hephaestus’s Station”, “The Destruction Of Umateal”, “Kidnapped!” and many others, all in splendid stereo sound. The performance on the original release was less than perfect, but with current state-of-the-art technology, engineers Douglass Fake and Chris Malone were able to meticulously address some of the errant notes, particularly in the high trumpet parts. The complete score runs over an hour on CD 1. Intrada will be releasing it digitally as well. For fans of the popular original 1980 program, we have included that album as well, newly remastered on CD 2. And vinyl collectors can enjoy this expanded edition from the Shout! Factory label. Jimmy T. Murakami & Roger Corman directed this outer space fantasy in the wake of the exploding popularity of Star Wars and the many imitations that followed. Drawing inspiration from the famous Seven Samurai and Magnificent Seven feature films, the script from John Sayles now set the action in outer space, with Richard Thomas, Robert Vaughn, John Saxon, Sybil Danning starring and George Peppard grabbing the spotlight as “Cowboy”. Another asset: the special effects feature the imaginative early work of James Cameron. Initially released through Roger Corman’s New World Pictures, the movie was a modest box office hit. Trivia of interest: Bill Paxton was then working as a carpenter on the set. Horner’s energetic score was literally a launch pad for his later Star Trek II and Krull scores. David Newman conducts the orchestra, James Horner composes. Intrada Special Collection 2-CD set available while quantities and interest remain! Play all clips CD 1 The Score 01. Main Title (2:03) 02. Hammerhead (3:37) 03. Snipers, Fire! (1:19) 04. Shad’s Entrance (0:58) 05. First Flight (3:51) 06. Dr. Hephaestus’s Station (2:57) 07. First Conversation (4:16) 08. Jackers Ahead! (3:37) 09. The Destruction Of Umateal (1:22) 10. Nanelia’s Capture (1:31) 11. We Cruise For Akir! (1:32) 12. Kidnapped! (1:25) 13. Nascosto Flyaway (0:28) 14. Gelt’s Kill (2:32) 15. Hammerhead Stinger II (0:32) 16. Love Theme (1:35) 17. The Alarm Sounds (0:40) 18. Space Battle (4:36) 19. Battle In The Maze (2:25) 20. Zed’s Death (3:13) 21. Gelt Dies (1:31) 22. Shad And Nanelia (1:29) 23. Another Space Battle (1:00) 24. St. Exmin’s Death (1:33) 25. Cowboy Attacks (1:47) 26. Destruction Of Hammerhead (5:56) 27. Epilog/End Title (5:08) Total Score Time: 62:53 THE EXTRA 28. Gelt’s Chamber Music (1:35) CD 1 Total Time: 64:28 CD 2 Original 1980 Soundtrack Album 01. Main Title (2:00) 02. Malmori Rear Guard (3:51) 03. The Battle Begins (3:31) 04. Shad And Nanelia (1:29) 05. Cowboy And The Jackers (3:37) 06. Nanelia’s Capture (1:28) 07. The Maze Battle (3:10) 08. Shad’s Pursuit (3:22) 09. Cowboy’s Attack (1:44) 10. Love Theme (3:52) 11. The Hunter (1:38) 12. Gelt’s Death (1:28) 13. Nanelia (1:32) 14. Heading For Sador (0:59) 15. Destruction Of Hammerhead (2:35) 16. Epilogue / End Title (5:03) CD 2 Total Time: 42:39

Ich glaube, es gibt schon einen Unterschied zwischen Egotrip und künstlerischer Integrität. Im Prinzip ist der Komponist natürlich Angestellter, aber normalerweise auch Künstler und Berater, wenn man so will. Denn auch Regisseur und Produzent können mit ihren Vorstellungen, wie was zu sein hat, daneben liegen und da ist dann jemand, der da eben auch beraten und überzeugen kann, nicht verkehrt. Natürlich lässt sich nicht jeder gern beraten und oftmals läuft es wohl auch so, entweder machen, was verlangt wird oder gehen. Aber jemand wie Elfman hat nun mal ein gewisses Standing, wie auch ein Williams, Zimmer oder damals eben Goldsmith. Und dann kann man sich eben erlauben, den Mund aufzumachen und zu sagen, dass der Weg falsch ist. Als Newcomer, der um jeden Auftrag kämpfen muss, ist das natürlich schwierig. Den reinen Dienstleistungsgedanken bedient ja beispielsweise Harald Kloser, der ja nach dem Motto agiert „You pay, I play". Der hat im Prinzip keine eigene Vision und macht genau das, was man ihm sagt. So eckt man sicherlich am wenigsten an, aber eine eigene Handschrift oder eben gar ein eigenes Standing bekommt man so nicht, was man wiederum auch an Kloser sehen kann. Wenn ein Komponist eben meint, dass er dieses oder jenes nicht macht, weil das gegen seine Prinzipien geht, dann bleibt eben nur ein Kompromiss oder er verlässt eben das Projekt. Das dürfte allerdings auch nicht so einfach sein, denn man hat ja schließlich einen Vertrag. Und wenn man einfach einen Temp Track eines anderen Komponisten kopiert, hat dieser ja auch im Normalfall nichts davon. Das finde ich als künstlerische Integrität dann schon nachvollziehbar, wenn jemand sagt, dass er das nicht macht. Der kopierte Komponist könnte ja nur was davon haben, wenn er dann in den Credits aufgeführt wird, was selten passiert oder er klagt eben, wie Goldenthal die Macher von 300 verklagt hat wegen Plagiats. Er hat zwar Recht bekommen, hat damit aber auch quasi sein eigenes Grab geschaufelt, was Aufträge in Hollywood betrifft. Aber Goldenthal war sein geistiges Eigentum wohl wichtiger. Aber deswegen verklagen auch viele nicht, weil sie natürlich Angst haben, danach keine Jobs mehr zu bekommen. Jemanden wie Elfman oder Williams beauftragst du eben auch, weil sie Elfman und Williams sind. Und deshalb können die sich natürlich auch etwas mehr erlauben als andere. Elfman hätte es finanziell sicherlich nicht so stark geschadet, wenn er nach dem Bruch mit Raimi nie wieder mit ihm gearbeitet hätte. Dafür hat Elfman genug andere Aufträge und große Projekte. Jemand anderes hätte sich das sicherlich nicht erlauben können. Und bei Elfman glaube ich schon, dass da eine starke, künstlerische Persönlichkeit dahinter steckt, die auch für ihre Überzeugungen eintritt. Kurioserweise scheint sich das bei Elfman aber in den letzten Jahren verschoben zu haben. Zumindest, was die großen Projekte betrifft. Da habe ich bei ihm schon lange das Gefühl, dass er die Sachen wirklich nur noch aus Geldgründen annimmt, aber dann eben so viel wie möglich an seine Assistenten Chris Bacon und TJ Lindgren abgibt. Er vergnügt sich derweil bei kleineren Projekten oder eben seit zwei Jahren auch wieder auf der Bühne als Rockmusiker.

Beim ersten SPIDER-MAN von Raimi lief noch alles glatt. Elfman und er kennen sich ja auch schon seit 1990. Beim zweiten Teil hatte sich das Studio dann so in den Temp Track verliebt, der hauptsächlich aus Elfmans Musik aus Teil 1 bestand, dass sie Elfman auftrugen, im Grunde nur sein Material neu zu arrangieren. Das wollte der aber nicht und schrieb so viel neue Musik wie möglich. Im Temp Track befand sich auch ein Stück von Young aus HELLRAISER, welches Elfman adaptieren sollte. Er machte mehrere Versionen davon, um dem Stück so nahe zu kommen wie möglich, ohne es einfach zu kopieren, aber dem Studio reichte das nicht. Also ist das Young-Stück im Film geblieben. Was Elfman am meisten störte war, dass sein alter Kumpel Raimi ihm nicht den Rücken stärkte, sondern vor dem Studio einknickte. Später wurde Young tatsächlich noch dazu geholt, um die Zugsequenz neu zu vertonen. Auch Joseph LoDuca und John Debney werden im Abspann als zusätzliche Komponisten genannt. Es muss also wild zugegangen sein. Daher verkrachte sich Elfman mit Raimi und machte deshalb auch nicht SPIDER-MAN 3. Und im Prinzip passierte Young dann genau das, wogegen sich Elfman bei SPIDER-MAN 2 noch halbwegs wehren konnte.

Unverständlich war das nicht, eher dem Chaos in der Post-Produktion geschuldet. Da wäre zum einen die Problematik, dass Youngs Score im Film in weiten Teilen zerschnitten und/oder durch Arrangements von Elfmans Material ersetzt wurde. Youngs ursprünglicher Score kommt also im Film gar nicht wie komponiert zum Einsatz. Und genau das ist die andere Sache. Durch die Verwendung des Elfman-Materials (und wohl auch Elfmans schlechten Erfahrungen bei SPIDER-MAN 2) pochte dieser auf eine entsprechende Vergütung, sollte das Material veröffentlicht werden. Daher wurde da bisher nichts veröffentlicht und wird wohl auch zukünftig eher unwahrscheinlich sein. Wohl ein ähnlicher Fall wie Goldenthals BATMAN & ROBIN. Das Studio möchte dem "unkooperativen" Komponisten nicht auch noch Geld zahlen müssen. Bei SPIDER-MAN 3 müsste man, wie bei ALIEN, zwei Varianten des Scores veröffentlichten. Die komponierte Fassung und die tatsächliche Filmversion.

Von Joel hätte ich gerne immer noch THE MAN WITH TWO BRAINS, aber das ist Warner. Ansonsten ist doch damals relativ kurz nach Joel auch sein Assistent (?) gestorben, der sich wohl als Einziger noch kümmerte und auch auskannte, was Joel wo hat. Und seitdem tut sich da eigentlich nichts mehr.

Kommt ebenfalls auf CD und Vinyl. Quartet Records, in collaboration with MGM, presents a remastered 50th anniversary edition of Michael J. Lewis’ score for the 1973 cult classic THEATRE OF BLOOD, directed by Douglas Hickox and starring Vincent Price and Diana Rigg, with guest victims Ian Hendry, Harry Andrews, Robert Morley, Michael Hordern and Jack Hawkins, among others. The film is a macabre British black comedy about a Shakespearean actor who is systematically humiliated by critics who consider him hammy and old-fashioned. The actor becomes a serial killer and murders every critic by emulating the sadistic crimes in Shakespeare’s plays. Michael J. Lewis (SPHINX, THE MADWOMAN OF CHAILLOT, THE NAKED FACE, THE MEDUSA TOUCH) composed a delightful score, with a catchy, charming main theme that is opposed to the brutality of the story. Contrasting strains of old-fashioned lyricism and modern soundscapes frame a score of great stylistic diversity. Even though THEATRE OF BLOOD was a success—and has become even more widely admired over the last half-century—no commercial album of the full soundtrack existed until 2010, when the score made its debut on La-La Land Records. The program has now been freshly remastered and slightly re-sequenced in film order for this Quartet fiftieth anniversary edition, produced and mastered by Chris Malone from new transfers in high resolution of the original master tapes. The package includes a 16-page booklet with detailed liner notes by John Takis, including a new interview with Maestro Michael J. Lewis. 1. Main Title (2:46) 2. Ides of March (3:32) 3. Oh Pardon Me, Thou Bleeding Piece Of Earth (3:32) 4. Friends, Romans, Countrymen (2:38) 5. The Dragon Wing Of Night (1:23) 6. The Trojan Trail (1:10) 7. Master Of The Killing Phrase / Fear No More The Heat Of The Sun (2:04) 8. Cymbeline (3:51) 9. Sexy Lips And Swinging Hips (1:13) 10. A Pound Of Flesh (1:53) 11. To Be Or Not To Be (2:10) 12. Now Is The Winter Of Our Discontent (1:33) 13. Here Clarence Comes / Drown In A Butt Of Wine (2:30) 14. Alive In Triumph (3:22) 15. Fugato (1:34) 16. I’m So Glad You’ve Come (3:22) 17. Flame, With Ash Highlights (3:18) 18. Where Are My Doggy Woggies? (1:52) 19. Edwina’s Theme (2:27) 20. Come Fire, Consume This Petty World (7:32) 21. Partita Of Blood (1:34) 22. He Did Know How To Make An Exit (2:14) Total Dic Time: 55:02

Na dann...

Und hoffentlich stellen sie die Neuveröffentlichungen nicht mittendrin ein, wenn die Verkäufe doch nicht so passen.

Kommt auf CD und Vinyl. Quartet Records and StudioCanal present a re-issue of Trevor Jones’ majestic orchestral score for the action blockbuster CLIFFHANGER, celebrating its 30th anniversary. Directed by Renny Harlin and starring Sylvester Stallone, John Lithgow and Janine Turner, the plot is about a botched mid-air heist that results in suitcases full of cash being searched for by various groups throughout the Rocky Mountains. Considered one of the 90s best action scores, and one of the Trevor Jones’ (EXCALIBUR, THE DARK CRYSTAL, LABYRINTH, FROM HELL) most highly regarded works, this orchestral tour de force returns to CD with the same program as the previous La-La Land Records album released in 2017 and long sold out. Disc 1 and the first three tracks of Disc 2 present the score to the film from the original digital 5.1 film mixes while the remainder of disc 2 presents the original soundtrack album remastered from the original stereo digital album mixes. An additional track that was cut from the original soundtrack album is included as a bonus. This 30th anniversary edition has been produced and supervised by Neil S. Bulk, mixed by Michael McDonald from the original digital master tapes and mastered by James Nelson. The package includes a 16-page booklet with updated liner notes by Jeff Bond and original artwork by Renato Casaro. Disc One: FILM SCORE 1. Cliffhanger Theme (Film Version) 3:52 2. Sarah’s Farewell (Film Version) 2:14 3. Sarah Falls (Film Version) 4:06 4. Gabe Returns (Film Version) 3:12 5. I Understand (Film Version) 1:39 6. Being Tracked 4:02 7. Matheson Revives 3:00 8. Plane Crash 1:49 9. Two Man Job (Film Version) 2:08 10. Tolerated Help (Film Version) 2:56 11. Fetch / Expensive Funeral 6:16 12. Hal Leads 1:23 13. Ice Castle 0:46 14. Sunset Searching /Night Searching 3:52 15. Face Flare 1:47 16. Qualen In Hut / Fireside Chat 1:13 17. Brettís Death / Evan’s Dive 4:04 18. Bats (Film Version) 2:24 19. Wolves Away / Footbridge 2:33 20. Gabeís Caught 1:27 21. Kynette Is Impaled (Film Version) 3:59 22. Qualen’s Time Bomb 1:04 23. Jessie’s Close Call 3:02 24. Frank’s Demise (Film Version) 2:36 25. Blown Bridge 0:50 26. Kristel’s Sacrifice 2:15 27. Rabbit Hole (Film Version) 1:34 28. Delmar Falls 2:28 Disc Two 1. Rabbit Surprise 2:57 2. Icy Stream / Jessie’s Release / Hooked Copter / Helicopter Fight 9:35 3. End Credits (Cliffhanger) (Film Version) 7:21 ORIGINAL SOUNDTRACK ALBUM 4. Cliffhanger Theme 3:51 5. Sarah’s Farewell 2:14 6. Sarah Falls 3:51 7. Gabe Returns 3:12 8. I Understand 1:39 9. Sunset Searching 1:20 10. Tolerated Help 2:56 11. Base Jump 4:08 12. Bats 2:24 13. Two Man Job 2:08 14. Kynette Is Impaled 4:00 15. Fireside Chat 0:34 16. Frank’s Demise 2:36 17. Rabbit Hole 1:34 18. Icy Stream 1:38 19. Jessie’s Release / Helicopter Fight 5:12 20. End Credits (Cliffhanger) 7:21 Bonus Track 21. Hooked Copter (Stereo Album Mix) 2:52 Total Disc 1: 73:24 Total Disc 2: 74:09 Total 2-CD Time: 147:33

Snow Files of the Week: "My Name Is Not Buddy/Rod Serling Appears/A True Fan/Dr. Wuzzle/ Dr. Thaddeous They/The Untold History of The X-Files/To Find Each Other/Remember How It Was" aus The X-Files, Episode "The Lost Art of Forehead Sweat" (2018). Eine weitere abgedrehte Episode aus der Feder von Darin Morgan. Darin geht es um den "Mandela Effekt". Oder den "Mengele Effekt", was euch lieber ist. Dieser beschreibt das Gefühl, sich an etwas auf eine gewisse Art zu erinnern, was aber tatsächlich nie so war. Die Episode ist ein weiteres Beispiel für Darin Morgans Humor, da er sich mal wieder augenzwinkernd aktuellen Ereignissen und damit auch der Show nähert, dabei diese aber noch respektvoll behandelt. Es war außerdem eine weitere Möglichkeit für Mark, eine etwas ausgefallenere Musik zu schreiben. Wie das Thema für Reggie, der plötzlich auftaucht und Mulder erzählt, dass er und Reggie einst Partner waren bei den X-Akten, woran sich Mulder aber nicht erinnert, was für Reggie der Beweis dafür ist, dass jemand versucht, die Erinnerungen der Menschheit zu manipulieren. Oder auch die etwas parodistischen Hommagen an The Twilight Zone. Am Ende der Folge erklingt auch das "Home"-Thema von Snow aus dem zweiten Kinofilm "I Want To Believe". Die Musik stammt vom 2CD-Set von LLL. Das Set ist auf 3.000 Exemplare limitiert. Viel Spaß beim Hören!

Danke

Falls es hier noch Hörer der alten JAN-TENNER-Serie aus den 80ern gibt: 2006/2007 wurden alle 46 Folgen der sogenannten Jan Tenner Classics auf CD veröffentlicht. Seitdem wurden sie allerdings nicht mehr nachproduziert, was dazu führte, dass einige Folgen heute nur noch für teuer Geld im Second-Hand-Markt zu finden sind. Dazu war die Auflage nicht gerade liebevoll gestaltet. Ein Booklet gab es quasi nicht, der Einleger war innen einfach leer. Die Coverzeichnungen waren von den Kassetten übernommen worden und wirkten seltsam verwaschen und unscharf. Dazu gesellten sich kleine Fehler, wie bei der Folge 19, bei der nach dem Ende der Folge einfach noch mal die zweite Hälfte der Folge kommt. Das Label Kiosk (in den 80ern, von denen kamen auch Benjamin Blümchen und Bibi Blocksberg), heute Kiddinx, ist nicht interessiert an einer Neuauflage der alten Jan-Tenner-Serie auf CD. Das lohne sich für sie nicht, so die Aussage. Nun gibt es aber gute Neuigkeiten: Das Label R & B Company, welches auch seit 2019 die neuen Folgen JAN TENNER produziert, bringt die Classic-Serie wieder auf CD heraus. Kiddinx hat die Serie dafür lizensiert. Ab 30.11. geht es los, dann erscheinen die ersten sechs Folgen wieder auf CD. Laut Ankündigung wird es dieses Mal ein richtiges Booklet geben, die Folgen wurden remastered und der Schriftzug Jan Tenner auf dem Cover wird wieder geprägt sein, wie bei den Kassetten damals.

SUITES AND THEMES - MISSION: IMPOSSIBLE – DEAD RECKONING PART ONE LLLCD 1636 Music by Lorne Balfe RETAIL PRICE: $21.98 STARTS SHIPPING NOVEMBER 7th Order your CD starting November 7at 12noon pst at www.lalalandrecords.com La-La Land Records and Paramount Pictures present the CD release of renowned composer Lorne Balfe’s SUITES AND THEMES MISSION: IMPOSSIBLE – DEAD RECKONING PART ONE, a thrilling collection of music that informed and inspired his acclaimed score to the blockbuster film of the same name. Composer Balfe (MISSION: IMPOSSIBLE – FALLOUT, DUNGEONS & DRAGONS: HONOR AMONG THEVES) wrote and recorded many hours of music prior to recording his score for M:I - DEAD RECKONING PART ONE, and from within this musical treasure trove springs this exciting compilation -- both a wonderful companion to his film score and an exciting stand-alone listen on its own! Produced by Lorne Balfe and Cecile Tournesac, and mastered by Reuben Cohen, this remarkable and unique musical journey is a fascinating window into the composer’s creative process. The CDs art design is by Dan Goldwasser and the CD Booklet includes a note from the composer. “It’s great when we can have a standalone album to showcase the Suites and Themes from the Film, “says composer Lorne Balfe. “It’s a whole new listening experience for the fans whilst giving a deeper insight into the characters and the emotion. These compositions are the foundations on which the whole score was built.” About Lorne Balfe: GRAMMY-winning, and EMMY & BAFTA-nominated composer Lorne Balfe has created music in virtually all genres and for all visual media with projects ranging from major studio to independent films, tent pole video game franchises, beloved animated feature films, critically acclaimed television series, and documentary features. Consistently receiving accolades for his musical compositions, he received critical acclaim for his score in the most successful film of the Mission: Impossible franchise, Mission: Impossible –Fallout. Balfe has also worked on the critically acclaimed and Oscar nominated Top Gun: Maverick. Lorne served as Score Producer and contributed to the score alongside Hans Zimmer, Harold Faltermeyer, and Lady Gaga. He recently composed the music for the highly praised Luther: Fallen Sun and Dungeons & Dragons: Honor Among Thieves. In addition to his work with Christopher McQuarrie, Lorne has worked with many of the most prestigious directors in the industry including Christopher Nolan, Ron Howard, Michael Bay, Cate Shortland, Ang Lee, Christophe Waltz, Jerry Bruckheimer, Sean Baker, and Chris McKay. TRACK LISTING: 1. Ethan’s Fate 4:37 2. A Life Remembered 7:48 3. Point of No Return 2:40 4. The World Is Changing 3:36 5. The Iron Path 2:53 6. Ink and Keys 2:44 7. The Truth Is Vanishing 2:31 8. Shadows of Sorrow 2:58 9. Passion’s Embrace 3:18 10. The Excommunication of Autumn 1:36 11. Mission Conclusive 8:08 12. War Is Coming 9:04 BONUS TRACKS 13. Xm09 Barren Wilderness 4:45 14. Xm18 Dunes 2:17 15. Xm22 Hunt 3:28 TOTAL ALBUM TIME 62:26 This is a CD format release.