Alexander Grodzinski
-
Gesamte Inhalte
13.726 -
Benutzer seit
Beiträge von Alexander Grodzinski
-
-
vor 2 Minuten schrieb TheRealNeo:
Ja, eine abgespecktere Variante wäre eine Option, bis dahin reicht mir meine Unrated-DVD.
Deutsche Synchro brauche ich nicht.
Die Chancen stehen zumindest nicht schlecht, da die Box Shop-exklusiv ist. Sprich, in den Handel könnte durchaus auch eine abgespeckte Variante kommen. Kann natürlich auch dauern. Die abgespeckte KNIGHT RIDER Box beispielsweise kam nun ein Jahr später.
-
vor 7 Stunden schrieb Sebastian Schwittay:
Eine solche abgespeckte Variante wünsche ich mir für THE FRIGHTENERS. Diese 90-Euro-Box war mir einfach zu teuer... aber das Bonusmaterial will ich eigentlich schon haben.
Die Box kostet im Turbine-Shop 66 Euro. Ist natürlich auch noch viel Geld, aber dafür bekommt man auch sechs Discs, darunter zwei UHDs und zwei Bonus-Discs, plus den Film in der Kinofassung und im ebenfalls vollständig neu synchronisierten Director's Cut. Aber vielleicht kommt auch hier noch mal eine nur 4k-Variante. Ob dann aber auch die zwei Bonus-Discs dabei sind?
-
vor 9 Stunden schrieb TheRealNeo:
In einer unnötig aufgeblähten VÖ für 50€ leider.
Na ja, was heißt aufgebläht? Inhaltlich hat man eben versucht, alles reinzupacken, was es zu dem Film gibt. Ob man das jetzt in so einer Box braucht, sei mal dahingestellt. Wobei man fairerweise sagen muss, dass Plaion oder auch Turbine manchmal später auch noch abgespeckte und damit günstigere Varianten anbieten, auch in Amarays.
Was den Preis betrifft: Andere Filme kosten als 4k-Variante im normalen Amaray auch schon bis zu 30 Euro. Und da fällt das Bonusmaterial oft wesentlich magerer aus. Nächste Woche erscheint beispielsweise TITANIC als 4k-Amaray, kostet derzeit 35 Euro. Und diese 4k-Collector's-Editions, die beispielsweise Warner von POLTERGEIST, THE EXORCIST oder auch THE LOST BOYS veröffentlicht hat, kosten auch 50 Euro. Aber auch hier gab es später abgespeckte Varianten.
Ich bin auch kein Freund überteuerter Editionen. Im Gegenteil, diesen 5-Cover-Mediabook-Steelbook-Wahn finde ich furchtbar. Aber es gibt schon noch Label, die sich wirklich viel Mühe geben und auch noch Sachen aufspüren, die schwer zu beschaffen sind. Oder wie im Fall von HARD TARGET sogar die neuen Szenen in der Unrated Fassung von den originalen Synchronsprechern neu einsprechen lassen. Da steckt schon viel Liebe zum Detail dahinter und natürlich richten sich solche Editionen dann eher an die Sammler. Aber wie gesagt, immer öfter kommen kurze Zeit später auch günstigere Varianten nach für die, die den Rest nicht brauchen.
-
Am 27.9.2021 um 17:18 schrieb Lars Potreck:
Hard Target (Sneak Preview)
Dank der neuen französischen Blu-ray kann man sich nun auch die 117 Min. Sneak Preview versteckt als Easter Egg anschauen. Die Bildqualität ist zwar abgenudelte VHS Qualität, aber im Großen und Ganzen kann man alles erkennen. Insgesamt ist diese Version die rundeste, weil Action, Handlung und Dramatik gut ausbalanciert sind. Die zusätzlichen und längeren Szenen machen den Film einfach runder und geben den Figuren zumindest noch etwas mehr Tiefe. Einige Szenen sind hier noch etwas grafischer und einige wenige Actionszenen wurden zu spät geschnitten, aber dennoch kommt die sehr zeigefreudige Gewalt sehr rund inszeniert daher. Wesentlich besser als in der Unrated Version, die zwar auch zeigefreudiger als die Rated Version ist, aber doch irgendwie ab und zu ungelenk daherkommt, weil auch dort dann hier und da geschnitten wurde. Was auffällt ist die Temp Musik, die zwar stilistisch durchaus Revells Score vorweg nimmt, aber größtenteils ruhig und düster ist. Coole heitere Passagen wie Streetfighting Van Damme oder New Orleans Mission fehlen komplett. Entsprechenden Szenen feht dann auch der gewisse Kick. Auch das New Orleans Lokalkolorit ist dort noch nicht vorhanden. Temp Musik die mir aufgefallen ist, sind Lethal Weapon 3 (Street Fighting Van Damme Szene + Finale) sowie ein Liebesthema von Randy Edelman. Der Temp Score hat gepasst und funktioniert auch sehr gut, aber das gewisse Etwas, das Revells Score auch atmosphärisch letztlich bietet, fehlt hier doch sehr. Die Sneak Preview in vernünftiger Bild- und Tonqualität + Revells Score und man hätte die perfekte Version von Hard Target.
Ende März 2024 veröffentlicht Plaion Pictures eine 4k Collector's Edition des Films, inklusive der Unrated Fassung und dem Workprint, der allerdings auch nur von einer VHS-Kassette von John Woo gezogen wurde.
-
World premiere release of Jerry Goldsmith’s original soundtrack from 1977 WWII film! Universal Pictures releases for Richard D. Zanuck/David Brown productions with Frank McCarthy producing, Hal Barwood & Matthew Robbins script, Joseph Sargent directs with Gregory Peck starring as the famed titular character of General Douglas MacArthur. Movie follows MacArthur in his combat exploits in the South Pacific during the latter years of WWII. Significant losses at Corregidor, victories in the Pacific, ultimate surrender of Japan, China’s conflict with Korea, all are captured in Jerry Goldsmith’s powerful score. The music anchors with a sturdy, propulsive military march given an unusual introductory idea: left-hand piano rhythms played with mallets on the strings. This dramatic effect reappears in several sequences. But Goldsmith’s march is judiciously used. Getting considerable attention is a much more nostalgic theme identifying MacArthur’s respect for West Point and the military traditions. Interestingly, a secondary idea heard as a “B” section of the composer’s march also gets considerable attention and in many instances becomes a major theme on its own. In fact, when the final end credits playout with a dynamic return of the march, Goldsmith adds a coda of powerful fortissimo major chords declaring that secondary idea to close the score. Commanding idea!
There is so much more in Goldsmith’s score as well: Film covers losses by both U.S. and Filipinos as well as the Japanese, and the loss of face and defeat in Japan is given darker material. “New Era” is a moving highlight with Goldsmith building on a traditional Japanese melody (“Sakura Sakura”) in low strings colored with striking solo phrases from bassoon. MCA Records issued highlights in a re-recorded album at the time of the film’s release but the actual film versions of Goldsmith’s score have never been released - until now. Some of the differences between the film and re-recorded versions are subtle, other differences are striking. The soundtrack version of the score also includes numerous cues not contained on the 1977 album. Newly re-mastered presentation of that original album also appears. Complete score is presented from 1/2” 3-channel session masters. Several extras include source material recorded at the sessions plus a powerful specially-recorded performance of Goldsmith’s exciting “Hard Gained Ground” cue from Lonely Are The Brave in which a few seconds of the take are heard as source music in MacArthur. Wow! John Neal engineers at The Burbank Studios, Arthur Morton orchestrates, Jerry Goldsmith composes, conducts. Intrada Special Collection 2-CD set available while quantities and interest remain!
CD 1 MacArthur – The Score
01. MacArthur – Main Title (MacArthur March) (2:08)
02. The Tunnel [Long Version] (0:36)
03. MacArthur March [March Indoors] (With Drum Intro) (1:10)
04. I Shall Return (3:53)
05. To Australia (0:51)
06. The Minefield (1:52)
07. Statistics (1:47)
08. Surrender (0:54)
09. Attack Training (0:43)
10. Casualties (0:51)
11. Propaganda (2:26)
12. Change Is Inevitable (1:22)
13. Stand By [Marcato Trumpets] (1:42)
14. The Landing (3:26)
15. The Prison (1:30)
16. The Reunion (0:50)
17. Missouri [Extended Version] (0:43)
18. The Treaty (2:16)
19. New Era (3:01)
20. Newsreel – #1 (0:40)
21. Newsreel – #2 (0:20)
22. Hard Gained Ground (From Lonely Are The Brave) (2:03)
23. The Last Gift (1:56)
24. Ambush (0:55)
25. Reflections (1:03)
26. MacArthur March [Newsreel] (1:05)
27. I Bid You Farewell (2:07)
28. MacArthur – End Title (MacArthur March) (1:54)
Score Time: 46:41
Score Alternates
29. The Tunnel [Short Version] (0:31)
30. MacArthur March – Drums (0:10)
31. MacArthur March [March Indoors] (Without Drum Intro) (1:07)
32. I Shall Return (Alternate Mix) (3:50)
33. Stand By [Legato Trumpets] (1:42)
34. Missouri [Original Version] (0:26)
Alternates Time: 8:06
Source Music
35. Waltzing Matilda (A.B. Paterson/Marie Cowan) (2:04)
36. Don’t Sit Under The Apple Tree
(Lew Brown/Charles Tobias/Sam H. Stept) (0:41)
37. Funeral March (Piano Sonata No. 2, Op. 35)
(Frederick Chopin) (0:57)
38. Symphony No. 7 In A Major – Mvt. 2 (Beethoven) (1:32)
39. Admiral Byrd (Billy May) (0:29)
40. Undecided – Instrumental (Sid Robin/ Charles Shavers) (1:08)
41. Orpheus In Hades – Can-Can (J. Offenbach, Arr. Hal Mooney) (0:20)
42. Mayday In Moscow (From The Front Page) (Billy May) (0:48)
Source Music Time: 8:27
CD 1 Total Time: 62:30
CD 2 Original 1977 Soundtrack Album
01. MacArthur March (Main Title) (2:48)
02. I Shall Return (3:56)
03. The Treaty (2:35)
04. The Tunnel (2:32)
05. Statistics (3:03)
06. Stand By (2:07)
07. A Last Gift (2:24)
08. New Era (3:24)
09. The Landing (3:40)
10. The Minefield (2:36)
11. I Bid You Farewell / MacArthur March (4:15)
CD 2 Total Time: 33:42
-
Snow Files of the Week: "Suite from The X-Files - Christmas Carol" (1998).
Für diese Episode der fünften Staffel X-Akten komponierte Snow einen sehr berührenden, manchmal auch etwas düsteren Score. Aber so ist das wohl, wenn man Weihnachten mit Mulder und Scully feiert.
Die Musik wurde zuerst auf einer Promo-CD veröffentlicht, zusammen mit Musik aus der Folge "Post-Modern Prometheus". Später erschienen Teile der Musik auf dem ersten 4-CD-Set von LLL. Ein Track der Musik befindet sich auch auf dem von BSX veröffentlichten Album "Music from The X-Files 20th Anniversary Celebration", welches auf 1000 Stück limitiert ist. Dort sind auch weitere Stücke enthalten, die auf dem ersten LLL-Set waren. Allerdings handelt es sich hier um Neueinspielungen.
Die Suite enthält sowohl Musik von der Promo-CD, als auch vom ersten LLL-Set.
Viel Spaß beim Hören!
-
Rusted Wave hat die Musik zum ersten Teil nun einzeln auf CD und Vinyl veröffentlicht.
In honor of its 35th anniversary, Rusted Wave and 1984 Publishing, in conjunction with Paramount Pictures, are pleased to release THE NAKED GUN score by renowned composer Ira Newborn, PLUS "The Star-Spangled Banner" (vocals by Leslie Nielsen) and "I'm Into Something Good" (vocals by Peter Noone / written by Carole King).
Starring the late, great Leslie Nielsen, THE NAKED GUN is a cult comedy classic and quintessential 80s flick. For the first time on vinyl, this LP is housed in deluxe gatefold packaging and pressed on hot pink opaque vinyl. LP also comes with a 7"x10" Japanese mini-poster! Limited to 500 copies. CD includes 4 bonus tracks not on the LP, plus a 12-page booklet with rare press stills of Leslie Nielsen and Priscilla Presley.
PLUS: WAX MAGE (“Condiment Fight Variant” - IYKYK) + Test Pressing (25 copies).
Limit 1 Wax Mage per order. Each Wax Mage hand pour record is unique and will vary in appearance. Preorder date at 1:00pm ET: November 20, 2023. Shipping begins 12/8!
-
Am 2.12.2023 um 11:53 schrieb Osthunter:
Nightbreed von Danny Elfman war schon vor Monaten bei Intrada angekündigt und ist bisher nicht gekommen. Weiß jemand, woran das liegt?
Könnte laut Daniel Schweiger im Januar kommen.
-
Quartet Records is proud to present a brand-new recording conducted by Fernando Velázquez of another film score that is either lost or inaccessible – in this case no fewer than five films scores by John Barry: a suspense classic from the ’60s, a film adaptation of a classic play, and three television movies starring Katharine Hepburn.
John Barry would have turned 90 on November 3, 2023. The unforgettable music of this five-time Oscar winner continues to be celebrated around the world, and indeed the impact of his innovative scores for dozens of movies from the 1960s through the ’90s continues to reverberate to this day.
Disc 1 includes the complete score of SÉANCE ON A WET AFTERNOON (1964), a major work previously missing from the composer’s discography. It was one of his masterpieces for Bryan Forbes that, unfortunately, remained unreleased due to the absence of master tapes. Orchestrated for a small ensemble featuring vibrant percussion and woodwinds, it’s a mysterious, suggestive, unsettling score, reaching its culmination in the long rescue sequence.
As a bonus, we have included another rarity that deserves to be rescued. A DOLL’S HOUSE (1973) was one of Barry’s briefest scores: a single, sad melody for celeste, harp, harpsichord and piano, repeated three times during the film’s length.
Disc 2 is devoted to three lovely telefilms: a trilogy of period play adaptations starring Katharine Hepburn. LOVE AMONG THE RUINS and THE CORN IS GREEN, both directed by George Cukor in 1975 and 1979, respectively, contain memorable main and love themes, brilliantly orchestrated. The two scores are stylistically similar, featuring strings, woodwinds, piano and harpsichord. THE GLASS MENAGERIE, adapted from Tennessee Williams’ famous play and directed by Anthony Harvey (with whom Barry had previously worked on THE LION IN WINTER) was written for solo piano, performed by the composer himself, who always claimed to be a not-very-good pianist, but it was precisely this innocence and imprecision that Harvey was looking for. For our recording, celebrated pianist Silvia Mkrtchian has approximated the spirit of the original Barry recording.
If there is one thing that the five scores presented here have in common, it’s John Barry’s great ability to work with small, almost chamber-like ensembles, seeking the specific sound of each story without being an intrusive voice, always with a British personality of reserve and deftness.
Leigh Phillips has painstakingly reconstructed and orchestrated all five scores. They are performed by the prestigious Orquesta de Córdoba conducted by Fernando Velázquez. Recorded and mixed by Marc Blanes, the audio has been meticulously mastered by Chris Malone in the spirit of Barry’s original recordings. Elegant design by Nacho B. Govantes with cover art designed by Jim Titus graces a 28-page booklet with an in-depth essay by film music journalist and writer (and major Barry connoisseur) Jon Burlingame.
DISC 1. SÉANCE ON A WET AFTERNOON (1964)
1. Main Title From Séance On A Wet Afternoon 2:14
2. The Room 0:41
3. The Plan 0:22
5. Billy Leaves 0:55
7. The Ransom Letter 1:01
8. The Prayer / Good Morning, Amanda 1:04
9. The Drop (Part 1) 2:09
12. We’re Mad 0:33
13. Mrs. Clayton’s Reading / The Woods 1:21
14. The Final Reading 1:21
15. Arthur’s Waiting 0:54
16. Finale From Séance On A Wet Afternoon 1:51
A DOLL’S HOUSE (1973)
17. Main Title From A Doll’s House 1:26
18. The Children 0:29
19. Tarantella 0:48
20. End Title From A Doll’s House 1:19
Total Disc Time: 31:08
DISC 2. LOVE AMONG THE RUINS (1975)
1. Main Title From Love Among The Ruins 1:41
3. You Look, You Look… / Don’t You Remember? 0:36
4. The Boy Who Loved You 1:09
5. First Time I Saw You 1:53
6. I Pray You Know Me When We Meet Again 0:39
7. The Fire’s Gone Out 0:26
10. Sauerbraten With Egg And Milk 5:31
11. Vision Of Portia 2:02
12. End Title From Love Among The Ruins 2:44
THE CORN IS GREEN (1979)
13. Main Title From The Corn Is Green 1:44
14. First Look / Get The Rights 1:19
15. Going To See The Squire 1:03
16. Morgan Dreams 0:27
17. Good Day, Sir 0:56
18. First Composition 1:12
20. Two Year Birthday 0:41
21. Lady Moffat Studies 0:37
22. Morgan Upset 0:38
23. To The Squire, Again 1:26
24. How Kind You Are 0:48
25. Moffat Home 0:26
26. Enraged Morgan 0:46
27. I Don’t Understand You 1:06
28. Moffat Alone 1:29
29. Off You Go 0:21
31. Reflection 1:19
32. The Lady Gets A Baby 0:53
34. End Title From The Corn Is Green 1:08
THE GLASS MENAGERIE (1973)
35. Main Titles From The Glass Menagerie 1:11
36. An Old Maid / Father’s Charm 1:07
37. The Argument / A Nailed-Up Coffin 0:42
38. Laura’s World 1:14
39. The Unicorn 2:11
Total Disc Time: 56:46
Total 2-CD Time: 87:54
-
Quartet Records, in collaboration with Capitol Records and Universal Music Entertainment, present a 2-CD set with a revised, remastered, slightly expanded edition of scores for two landmark made-for-television filmscomposed by John Williams (STAR WARS, E.T., JURASSIC PARK, HOOK) between 1968 and 1970.
Both of these adaptations of classic stories were presented by Omnibus Productions and directed by Delbert Mann, and both also earned Emmy® Awards for John Williams’ original music. Through these scores, the composer shaped the destinies of two classic literary characters as well as his own.
Every effort was made to locate surviving audio elements for both HEIDI and JANE EYRE. The discovery of the original ½″ four-track masters from HEIDI containing all of the cues selected for the 1968 narrated story album facilitated an attentive new mix of the music and a presentation in narrative order. The narration record was newly transferred by Universal Music Group and is presented after the musical score.
For JANE EYRE, a new high-resolution transfer of the 1971 ¼″ stereo album master was provided by Universal Music Group, with audio then fully restored. This is followed by four tracks of additional material, including a short segment of source music that is heard in the film but was not on the album. The other three tracks are alternate performances of three selections recorded for the album, “To Thornfield,” “Restoration” and the “Love Theme.” This material was sourced from two ½″ 3-track tapes that were discovered at Twentieth Century Fox in early 2019. While no additional score cues could be located, the recovery of any new material from this enduring and highly regarded John Williams work is most welcome.
The entire collection has been painstakingly remixed, restored, assembled and mastered by Mike Matessino, preserving all the freshness of the original recording. The package includes a 28-page full-color booklet with in-depth liner notes by film music writer John Takis and classy art direction by Jim Titus.
Disc 1. HEIDI
Original Motion Picture Score
1. Overture (Theme From ‘Heidi’) 2:21
2. Arrival In Dörfli 3:12
5. At The Church :57
6. Meditation Rock 2:20
7. Dinner Table :47
8. Stealing Rolls 1:10
9. The Bedroom 1:55
13. Waiting With Grandfather 1:35
14. Separation 3:28
15. The Farewell 3:52
16. Klara Walks 3:51
Total Score Presentation: 35:27
1968 Original Soundtrack With Dialogue and Narration
17. Main Title And Overture 2:21 (John Williams and Orchestra)
18. The Old Man And The Child 2:49 (Sir Michael Redgrave, Jennifer Edwards)
19. A Place Of My Own 3:35 (Sir Michael Redgrave, Jennifer Edwards)
20. The Alm 3:39 (Jennifer Edwards)
21. The Sleeping Child 2:22 (Sir Michael Redgrave)
22. Meditation 2:25 (Sir Michael Redgrave, Jennifer Edwards)
23. A Place Of My Own (Heidi’s Theme) 2:41 (Carri Chase, Vocal)
24. Shadows 3:51 (Sir Michael Redgrave)
25. Reflections 4:16 (Jennifer Edwards)
26. A New Dimension 1:56 (Sir Michael Redgrave, Jennifer Edwards)
27. The Nature Of Things 2:25 (Sir Michael Redgrave)
28. Love Theme From ‘Heidi’ 2:54 (John Williams and Orchestra)
29. The Miracle 2:55 (Sir Michael Redgrave)
30. Finale And End Title 1:05 (Sir Michael Redgrave)
Total Soundtrack Album: 39:20
Disc 2. JANE EYRE
Original Soundtrack Album
1. The Love Theme From ‘Jane Eyre’ 3:17
3. Lowood 2:28
5. Festivity At Thornfield 2:11
6. Grace Poole And Mason’s Arrival 3:03
7. Meeting 3:09
8. Thwarted Wedding 2:40
10. Restoration 3:58
11. Reunion (End Title) 4:25
Total Soundtrack Album: 34:06
Additional Music
12. More Festivity :44
13. To Thornfield (Alternate) 1:54
14. Restoration (Alternate) 3:56
15. The Love Theme From ‘Jane Eyre’ (Alternate) 3:19
Total Additional Music: 10:02
-
Quartet Records, Universal Pictures, Amblin Entertainment, Universal Music Special Markets and Geffen Records present an expanded and remastered 2-CD edition of DAD, the sensitive score composed by James Horner (FIELD OF DREAMS, CASPER, BRAVEHEART, TITANIC) for the 1989 Steven Spielberg production. The film is a family drama written and directed by Gary David Goldberg, and features stars Jack Lemmon, Ted Danson, Olympia Dukakis and Ethan Hawke.
The film tells the story of John Tremont (Danson) who returns home after his mother (Dukakis) suffers a heart attack, and ends up caring for, and developing a new bond with, his dad, Jake (Lemmon). This new stage in their relationship restores Jake’s will to live. Meanwhile, Jake’s relationship with his grandson Billy (Hawke), upset by the separation of his parents, encourages the rebuilding of the family.
James Horner composed a touching score, dominated by a beautifully heartwarming theme. This expanded collection has been produced by Mike Matessino and Neil S. Bulk and mastered by Matessino from original 2-track mixes by engineer Shawn Murphy. Disc one includes the film score presentation with never-before released material and additional bonus tracks. The original MCA album, long out of print, is on Disc 2, which features performance variation in some tracks. The package includes an in-depth essay by film music writer and conductor Deniz Cordell.
DISC 1. SCORE PRESENTATION
1. Prologue From “Dad” (1:55)
5. Farm Flashback / Visiting Mom (1:06)
6. Mopping The Floor (1:03)
8. The Farm (1:51)
9. The Hug (1:02)
12. Where’s Dad? (2:41)
14. Recovery (1:28)
15. Fashion Show (4:37)
17. Goodbyes (Film Version) (8:23)
Additional Music
18. Playing Catch (Alternate) (1:59)
19. Taking Dad Home (Alternate) (6:42)
20. Where’s Dad? (Alternate) (2:34)
21. The Greenhouse (Alternate) (4:09)
22. The Vigil (Alternate) (2:28)
Total Disc: 67:14
DISC 2. ORIGINAL SOUNDTRACK ALBUM
1. Prologue And Main Title (5:16)
2. Saying Goodnight (2:30)
3. Mopping The Floor (1:03)
4. Playing Catch / The Farm (3:27)
5. The Vigil (2:23)
6. Taking Dad Home (6:41)
9. The Greenhouse (4:04)
10. Goodbyes (9:09)
Total Disc: 39:16
Total 2-CD Time: 106:30
-
Quartet Records, in collaboration with Aribage Limited and the Michael Kamen estate, is proud to present the premiere release of the early Michael Kamen (BRAZIL, LETHAL WEAPON, DIE HARD, LICENCE TO KILL) score for 1982 British thriller VENOM.
Directed by Piers Haggard and based on the novel by Alan Scholfield, starring Sterling Hayden, Klaus Kinski, Sarah Miles, Nicol Williamson, Susan George and Oliver Reed, VENOM tells the story of a group of international terrorists who attempt to kidnap a wealthy couple’s child. Their plan comes unstuck when a deadly Black Mamba escapes with the terrorists and several hostages trapped in the boy’s London home. A tense evening is had by all as the snake creeps around the house, picking off the characters one by one.
The young Michael Kamen composed a tremendous score, one of his best and an obvious precursor to some of his future successes. In VENOM, one can hear everything from a variation of his future and celebrated theme for THE DEAD ZONE to echoes of what would later be the CONCERTO FOR SAXOPHONE AND ORCHESTRA (as well as parts he later used in ROBIN HOOD and DIE HARD 2). Kamen wisely avoided mimicry, instead imprinting the film with his distinctive voice. Using low woodwinds, low strings and muted brass, he masterfully crafted an atmospheric and personality-rich soundtrack. VENOM is a pivotal score in the composer’s filmography, not only suitably serves the film, but also foreshadows Kamen’s rapid ascent to the ranks of Hollywood’s A-list composers in the years ahead.
Performed by the National Philharmonic Orchestra under the baton of the composer (who also orchestrated the score in its entirety), this release utilizes three reels of two-track Abbey Road mixes by Eric Tomlison and provided by the Michael Kamen estate. Upon reviewing these masters, it became apparent that editorial adjustments had been made to Kamen’s original compositions for the film. Notably, the “End Titles” music, intended as an unsettling coda, was repurposed within the body of the film. In presenting this release, we restore Michael Kamen’s music to its intended sequencing, allowing the composer to present his story arc. Bonus tracks, including “snake” motifs and drones, conclude the listening program.
This album has been meticulously produced, restored and mastered by Chris Malone. The package includes a 20-page booklet with in-depth liner notes by film music writer Jeff Bond.
4. Picking Up Jacmel / Drive To Jacmel House 3:08
5. Boy In Car / First Kill 6:06
6. One Dead Maid 2:49
7. Preparate / Waiting 0:57
8. One Dead Rabbit 0:49
9. Grandfather Hunt 3:25
11. Duct 1:43
14. Final Death 3:44
Bonus Tracks
16. Main Titles (Film Version) 2:49
17. Mugambo (Orchestral Only) 1:43
19. Snake 2 1:14
20. Snake 3 1:09
21. Snake 4 1:03
22. A Drone 0:39
23. C Drone 0:58
24. End Titles (Alternate) 2:29
Total Disc Time: 51:06
-
Kommt nun noch mal als Doppel-CD von Quartet.
Quartet Records and Paramount Pictures present an expanded and remastered 2-CD edition of 1979 Ennio Morricone’s classy thriller-drama score for Terence Young’s BLOODLINE.
Based on a best-selling novel by Sidney Sheldon, BLOODLINE mixes bizarre stories of family inheritance, control over a failing international pharmaceutical company, family business, betrayal, infidelity, murder and snuff movies! It features a cast of international stars including Audrey Hepburn, Ben Gazzara, James Mason, Romy Schneider, Omar Sharif, Irene Papas, Maurice Ronet and Gert Fröbe.
Ennio Morricone was no stranger to Terence Young (with whom he had previously worked on L’AVVENTURIERO) and the studio, having just received his first Academy-Award nomination for DAYS OF HEAVEN. Morricone offers one of his best efforts for a Hollywood film, with an unforgettable love theme performed by Edda Dell’Orso, tension cues, dramatic and violent music. The score is mainly dark and fatalistic, in a style that the Italian maestro would continue in other Hollywood adventures such as THE THING, STATE OF GRACE and BUGSY
A 47-minute soundtrack album of BLOODLINE was released in 1980 by Varèse Sarabande. The same program was later reissued in their limited CD Club in 2012. Unfortunately, the film suffered several changes in the final cut, which moved some cues from their original places and omitted several important passages. Disc 1 includes the score as it was conceived by Morricone with music never heard before, plus some delightful source pieces for party and casino sequences that appear here for the first time. Disc 2 includes the newly remixed original soundtrack album as well as numerous alternate versions and extras.
The entire collection has been mixed and mastered by Chris Malone from the 16-track masters preserved in mint condition and courtesy of Paramount Pictures. The package includes a 16-page booklet with in-depth liner notes by film music writer John Takis.
Disc 1. The Film Score
1. Main Title – Part I (Love Theme From Bloodline) 2:31
2. Main Title – Part II (Mountain Murder) 3:17
3. Arrivat At The Villa 2:38
4. Pills On Parade (Factory Fantasy) 3:29
5. Out Of The Past I 1:48
6. Out Of The Past II 2:48
7. Out Of The Past III 1:05
10. Extortion 1:55
11. Death Threat 1:51
12. Corporate Maneuvers I 2:23
13. An Almost Perfect Indiscretion (Extended Version) 4:15
16. Love Theme From Bloodline I 1:24
17. Reconciliation 1:22
19. Lights Out III 3:01
20. No Accident! 1:43
21. Resolution / End Credits 3:30
Source Music
23. Bedroom Muzak 1:58
24. Bobsled 0:37
26. Dinner At Maxim’s 2:39
Total Disc Time: 60:12
Disc 2. The Soundtrack Album Program
1. Main Title (Love Theme) 1:50
4. Out Of The Past 2:51
5. Pills On Parade (Original Version) 3:30
6. Bloodline Murder 2:23
8. Bobsled 0:38
10. Pills On Parade (Film Version) 4:51
11. An Almost Perfect Indiscretion 3:26
12. The Trip To Paris 1:39
13. Another Bloodline Murder 2:14
15. Reconciliation 1:22
16. Lights Out 2:36
18. Horrible Discovery 3:27
19. Resolution / End Title 3:52
Bonus Tracks
20. Out Of The Past II (Alternate) 2:50
21. Out Of The Past III (Alternate 1) 1:05
22. Out Of The Past III (Alternate 2) 1:06
23. Bloodline Murder (Alternate 1) 2:24
24. Bloodline Murder (Alternate 2) 2:25
25. Love Theme From Bloodline II 0:50
26. Corporate Maneuvers II 0:57
27. Bloodline Stingers 1:00
28. Main Title And Mountain Murder (Film Version) 3:35
Total Disc Time: 64:39
Total 2-CD Time: 124:51
-
Meine Bestellung, CD und LP, ist zumindest in Deutschland angekommen, verzögert sich aber durch die Wetterlage um einen Tag. Aber Bestellungen bei Beat haben eigentlich immer gut geklappt. War das vor zwei Jahren oder vor drei Jahren, da kam die Bestellung der CD und LP von ZWEI WIE PECH UND SCHWEFEL sogar pünktlich noch zum 24.12.. Und das obwohl damals die Info rausgegeben wurde, dass die Bestellungen wohl nicht mehr rechtzeitig zu Weihnachten verschickt werden können.
-
Snow Files of the Week: "Santos Elves/The Way it was" aus "MillenniuM", Episode "Omerta" (1998).
"Omerta" ist die Weihnachtsfolge der dritten Staffel von "MillenniuM". Darin geht es um zwei junge Frauen, die in den Wäldern leben, fernab der Zivilisation. Ihre Namen sind Lassa und Rose, Lassa hat heiliende Kräfte.
Für seine Musik benutze Mark opernhafte Gesang-Samples, die der Musik einen magischen Touch verleihen. Mark kombiniert seine düsteren Klanglandschaften mit dem wundervollen Thema für Lassa und Rose, womit "Omerta" eine der "MillenniuM"-Folgen mit der aussergewöhnlichsten Musik ist.
Die Tracks befinden sich auf dem ersten Volume mit "MillenniuM"-Musik von LLL, limitiert auf 1000 Stück.
Viel Spaß beim Hören!
-
Pleasantville (1998) was a high-concept fantasy-comedy about high-school siblings (Tobey Maguire and Reese Witherspoon) transported into an idyllic, black-and-white 1950s Leave It to Beaver-type TV show. In the hands of writer/director Gary Ross, the film is more than just a fish-out-of-water tale with dazzling VFX—it is a touching character study and potent Civil Rights allegory that received critical acclaim and is fondly remembered today.
Scoring Pleasantville was a master of Americana, humor and symphonic scoring, Randy Newman. Newman had cheeky fun with the show-within-the-film’s old-school traditions, but just as the story blossoms into a heartfelt tale of emotional awakening—with a beautiful performance by Joan Allen as a repressed mother—so does the gorgeous score.
“Randy is unique in the fact that he can write with a depth of emotion, and he’s also an accomplished satirist,” says Gary Ross in the new liner notes by Tim Greiving. “He could write to the vernacular of what the movie was, but not be limited by it. That’s what the film is trying to do, and it really needs someone who can understand the breadth of those intentions... I’ve never been happier with any score, on any movie.”Features:
Varèse Sarabande released Pleasantville’s score album in 1998 as a 17-track, 31-minute edition. As the film celebrates its 25th anniversary, this Deluxe Edition features an expanded program of 34 tracks and 66 minutes.
Track List:
1. The Pleasantville Theme
2. Get Ready*
3. New TV Remote And The Fight*
4. We’re Stuck (The Breakfast Scene)*
5. School And Basketball*
6. Mr. Johnson And Missed Shots*
7. In The Bath
8. Bud’s A Hero
9. Make-Up
10. The Art Book
11. Real Rain (Extended Version)**
12. Let’s Go Bowling
13. Together
14. Waking Up
15. No Umbrellas (Extended Version)**
16. Nude Painting*
17. Punch
18. Burning The Books
19. The Aftermath (Extended Version)**
20. Mural
21. A New Day
22. Goodbye
23. Pleasantville Bumper*
24. The Sweater
Additional Music:
25. Make-Up (Film Version)*
26. The Art Book (Alternate)*
27. Together (Film Version)*
28. No Umbrellas (Alternate)*
29. The Aftermath (Alternate)*
30. Mural (Film Version)*
31. A New Day (Alternate)*
32. A New Bus (Film Construct)*
33. Pleasantville Theme Play-Off*
34. Pleasantville End Credits Suite*
* Previously unreleased
** Contains previously unreleased material -
Serenity (2005) was the feature film sequel of Joss Whedon’s short-lived space-western TV series, Firefly (2002–03). When fans lamented the loss of the canceled show, Universal rescued the titular spaceship and its charismatic crew (including Nathan Fillion, Morena Baccarin and Alan Tudyk) for a big-screen adventure written and directed by Whedon.
Scoring Serenity was David Newman, whose vast and diverse filmography lent him well-prepared for anything the film might throw at him. From worldbuilding to character comedy to harrowing action, the score runs the gamut—but always hews to a sense of family and “home” for the Serenity and her offbeat crew. Solo cello and folksy percussion are found alongside eerie “ethnic” approaches, which turn dark and brutal for the barbaric villains, the Reavers, as the film explores their secret origin. But Newman balances the weirdness with familiar, dramatic orchestral scoring, ultimately creating an eclectic tapestry for Whedon’s unique vision.Features:
Varèse Sarabande’s 2005 soundtrack CD for Serenity was released as a 23-track, 50-minute program. This Deluxe Edition expands the album into a 2CD set, with 54 tracks featuring 90 minutes of prime David Newman sci-fi action, adventure, and emotion, as chronicled in new liner notes by Daniel Schweiger.
Track List:
SERENITY:
CD1:
1 Opening/Intro To River 3:11
2 Escape 1:30
3 The Operative 0:49
4 Death Of Mathias 3:12
5 Serenity 0:50
6 Going For A Ride 2:24
7 Trading Station Robbery 3:08
8 Reaver Chase 3:41
9 Pop Goes The Reaver 0:15
10 They Never Lie Down 0:39
11 Mal Reminices 1:25
12 Transition 1:23
13 Maidenhead Bar 2:14
14 River Goes Wild 1:28
15 Mal Takes River In 1:04
16 River’s Eyes 0:12
17 Mal’s Decision 0:45
18 Mr. Universe 0:28
19 Subliminal Message 1:08
20 River & Simon In Locker 0:55
21 Haven Guitar 1:01
22 Come At You Sideways 1:26
23 School Flashback 0:35
24 Mal & Inara 0:28
25 Flight To Training House 0:57
26 Training House Fight 1:57
27 Escape From Training House 0:56
28 School Flashback/Miranda 1:37
29 River Gets Out 2:08
30 River Shows Mal & Miranda 0:29
31 Haven Destroyed 0:54
32 Shepherd Book’s Last Words 1:00
33 Warn Everyone We Know 0:36
34 You’re Not A Reaver 0:57
CD2:
1 Mal Decides 3:09
2 Population Dead 3:55
3 Truth/Mal’s Speech 3:36
4 Universe Gets It 1:17
5 Space Battle 3:21
6 Crash Landing 1:59
7 Wash Killed/Run To Black Room 2:55
8 Mr. Universe Dead 2:28
9 Generator Room 3:06
10 Mal & OP Fight 2:11
11 Simon Shot/River Runs 1:57
12 Jayne & Zoe/Final Battle 2:44
13 Broadcast Beams/River Is Alive 1:39
14 Funeral/Rebuilding Serenity 2:19
15 Prep For Flight 1:33
16 Love/Serenity 1:06
17 Serenity End Credits Pt. 1 1:38
18 Serenity End Credits Pt. 2 2:03
19 Serenity End Credits Pt. 3 0:43-
1
-
-
Am 1.11.2023 um 21:53 schrieb TheRealNeo:
Eine physische Veröffentlichung soll wohl nun noch diesen Monat passieren.
Gibt es unter anderem bei Disney als CD und LP.
-
Kommt im Januar nun auch auf Vinyl von Waxwork.
This Item is a pre-order that ships January, 2024
Waxwork Records in association with WaterTower Music is thrilled to present the debut vinyl release of SE7EN Original Motion Picture Score by Howard Shore. Directed by David Fincher, Se7en is a 1995 gritty neo-noir film starring Brad Pitt, Morgan Freeman, Gwyneth Paltrow, and Kevin Spacey.
Pitt and Freeman star as Detectives Mills and Somerset as they search for the elusive serial killer John Doe (Spacey), who has been carrying out meticulously planned murders based on each of the Seven Deadly Sins. As the murders pile up, the detectives gain insight to John Doe’s twisted philosophy, leading to the grizzly end of his terrible crime spree.
The score by master composer Howard Shore brings a somber and menacing component to the movie. The dark and symphonic orchestrations undercut Fincher’s gruesome images with an unyielding tension throughout the film. Shore’s deep resonant brass and high eerie strings drag the listener deeper into the cruel and chaotic world of SE7EN.
Waxwork Records is proud to release SE7EN Original Motion Picture Score by Howard Shore for the first time on vinyl as a deluxe 2xLP. Features include 150 gram colored vinyl, heavyweight gatefold jackets with matte satin coating, 11"x11" printed insert, and layout and design by Steve Reeves.
The Complete 1995 Score by Composer Howard Shore
150 Gram "Lust & Sloth" Colored Vinyl
Heavyweight Gatefold Jackets with Matte Satin Coating
11"x11" Art Print
Layout Design From The Original Film Elements By Steve Reeves
-
1
-
-
Von Intrada kommt am 12. Dezember Goldsmiths MACARTHUR.
-
Am Freitag bringt Varese dann auch noch mal einen Schwung CD-Club.
-
Dann auch mal so.
PRODUCT DESCRIPTION:
A much waited unreleased score in De Angelis Bros discography dedicated to mythical Piedone (Bud Spencere), after so many time finally available thanks to the original recording session master tapes found in Roman label Cabum archives.
A rich soundtrack which allows us to close the circle realized for the vicissitudes of many cinephiles and music lovers generations, coadiuvated assisted by Enzo Cannavale, Angelo Infanti, Cinzia Monreale and funny Bodo, young mascot of the movie.
The beautiful music by the two Maestro are based on the classic Piedone main theme, Flat Foot Cop, here rearranged for this cop new adventure and many other delicious sounds among which the cool Sphinx, performed by Sunrise, which will make us revive in music memorable movie's moments, is finally available on CD AUDIO featuring a 16 pages booklet, mastering by Claudio Fuiano, graphic layout by Daniele De Gemini featuring Renato Casaro beautiful artwork on the cover.
Tracklist
1 Sphinx 4:31
2 Flat foot cop - Titoli 2:10
3 Piedone D'Egitto - Sequenza 1 4:31
4 Piedone D'Egitto - Sequenza 2 1:49
5 Piedone D'Egitto - Sequenza 3 2:44
6 Piedone D'Egitto - Sequenza 4 2:04
7 Piedone D'Egitto - Sequenza 5 5:04
8 Piedone D'Egitto - Sequenza 6 2:04
9 Piedone D'Egitto - Sequenza 7 2:21
10 Piedone D'Egitto - Sequenza 8 1:42
11 Piedone D'Egitto - Sequenza 9 1:44
12 Piedone D'Egitto - Sequenza 10 1:15
13 Piedone D'Egitto - Sequenza 11 1:31
14 Piedone D'Egitto - Sequenza 12 1:53
15 Piedone D'Egitto - Sequenza 13 2:01
16 Piedone D'Egitto - Sequenza 14 2:36
17 Piedone D'Egitto - Sequenza 15 1:48
18 Piedone D'Egitto - Sequenza 16 2:19
19 Piedone D'Egitto - Sequenza 17 1:44
20 Piedone D'Egitto - Sequenza 18 1:47
21 Piedone D'Egitto - Sequenza 19 3:15
22 Sphinx - Finale 4:20
PRODUCT DESCRIPTION:
A much waited unreleased score in De Angelis Bros discography dedicated to mythical Piedone (Bud Spencere), after so many time finally available thanks to the original recording session master tapes found in Roman label Cabum archives.
A rich soundtrack which allows us to close the circle realized for the vicissitudes of many cinephiles and music lovers generations, coadiuvated assisted by Enzo Cannavale, Angelo Infanti, Cinzia Monreale and funny Bodo, young mascot of the movie.
The beautiful music by the two Maestro are based on the classic Piedone main theme, Flat Foot Cop, here rearranged for this cop new adventure and many other delicious sounds among which the cool Sphinx, performed by Sunrise, which will make us revive in music memorable movie's moments, is finally available on a 12'' colored (dark green in pale green), mastering by Claudio Fuiano, graphic layout by Daniele De Gemini featuring Averardo Ciriello beautiful artwork on the cover.
Tracklist
Lato A
1 Sphinx * 4:31
2 Flat foot cop ** Titoli 2:10
3 Piedone D'Egitto - Sequenza 1 4:31
4 Piedone D'Egitto - Sequenza 3 2:44
5 Piedone D'Egitto - Sequenza 4 2:04
6 Piedone D'Egitto - Sequenza 5 5:04
Lato B
1 Piedone D'Egitto - Sequenza 6 2:04
2 Piedone D'Egitto - Sequenza 14 2:36
3 Piedone D'Egitto - Sequenza 16 2:19
4 Piedone D'Egitto - Sequenza 17 1:44
5 Piedone D'Egitto - Sequenza 19 3:15
6 Sphinx -
Auch neu von Beat:
Goblin - Squadra Antimafia
PRODUCT DESCRIPTION:
In the immense Goblin discography, an enormous void has always been represented by the original motion picture soundtrack of Squadra Antimafia, a score which we have tried to find, since many years, but that is apparently lost.
A 1978 movie full of absolute cult icons among which Tomas Milian, Bombolo, Enzo Cannavale, Eli Wallach, Massimo Vanni directed by Bruno Corbucci: to this incredible list of stars to add Goblin is exciting.
So, a while ago, following the initiative of Fabio Capuzzo, veteran musicians of the prog and funky Italian scene are involved and gathered to work to a new recording session of this amazing score. The result isn't intercepted too late by Beat Records radars and so we are proud to give a discographic life to this wonderful project through which, with extreme precision and care has been realized again the soundtrack now expressed through the sonorities of Marcello Bonetta (keyboards), Diego Vergari (drums, percussions) Giorgio Giuseppe Tonazzo (bass), Antonio Micheli (Guitar).
All the funk created by Goblin to comment Milian vicissitudes is replicated with renovated vigor and vintage charm, to the program couldn't be missing the cue ''E lassame perde'' that, thanks to the collaboration between Fabio Capuzzo and Alan Donati, son of the original singer Aldo, could count on the real voice of the crooner taken from a demo stored in the family estate archive.
Also present a new version of the Goblin cue AMO NON AMO, arranged by Marcello Bonetta and Diego Vergari, as a special bonus track.
Squadra Antimafia is the result of the profusion of much love by its protagonists and deserved a special treatment by Beat Records with this CD AUDIO deluxe edition featuring a 16 pages booklet, graphic layout by Daniele De Gemini supported by Fabio Capuzzo photo archive, recording, mix and mastering by Marcello Bonetta, Diego Vergari and Fabio Capuzzo.
Tracklist
01 Squadra Antimafia - Seq. 1 (New York Funk) 3'03''
02 Squadra Antimafia - Seq. 2 (Rome Chase) 2'56''
03 Squadra Antimafia - Seq. 3 (Don Girolamo) 1'56''
04 Squadra Antimafia - Seq. 4 (Nico in Las Vegas) 2'25''
05 Squadra Antimafia - Seq. 5 (Notte di luna calante) 2'35''
06 Squadra Antimafia - Seq. 6 (E lassame perde instrumental version) 3'21''
07 Squadra Antimafia - Seq. 7 (Disco Nico) 2'08''
08 Squadra Antimafia - Seq. 8 (Nico in Las Vegas, Reprise) 1'58''
09 Squadra Antimafia - Seq. 9 (Night Investigation) 4'00''
10 Squadra Antimafia - Seq. 10 (Desert Chase) 3'03''
11 Squadra Antimafia - Seq. 11 (In the Gas Chamber) 2'44''
12 E lassame perde (featuring Aldo Donati) 3'19''
13 Amo non amo (Ghost Link) 3'22''
14 Squadra Antimafia - Seq. 12 (New York Funk ‘70 mix) 3'03''Fabio Frizzi - Blastfighter
PRODUCT DESCRIPTION:
Sometimes some releases are born through a quick waltz step, some other, such as this one, even if waited since eons and requested by fans more than once, they get a laborious and long gestation. In Blastfighter's case the long waiting is also due to the label and the artist need to dedicate the correct amount of energy to the relevant release, in order to obtain the best possible result.
A score which is dear to Fabio Frizzi, with funky sounds infested with cool bursting electronics, typical of the artist musical canon of the early 80s, it has been played many times by the Maestro, worldwide, during his concerts with his band. Audiences always delighted by a vibrant suite dedicated to Lamberto Bava movie.
Numerous inputs by fans finally pushed the artist to take a ride into his private archive, to find the original recording session and to work on it and now, at last, we have this explosive score on CD audio, in a transparent jewel case featuring liner notes by Fabio Frizzi, mastering by Enrico Scopa (Octopus Studio, Roma) and graphic layout edited by Daniele De Gemini featuring the wonderful painting by Renato Casaro on the cover
Tracklist
1 Blastfighter - Seq. 1 4:21
2 Blastfighter - Seq. 2 1:46
3 Blastfighter - Seq. 3 3:42
4 Evening Star (cover) 3:48
5 Blastfighter - Seq. 4 4:10
6 Blastfighter - Seq. 5 3:47
7 Blastfighter - Seq. 6 2:59
8 Blastfighter - Seq. 7 4:10
9 Blastfighter - Seq. 8 2:13
10 Blastfighter - Seq. 9 0:42
11 Blastfighter - Seq. 10 0:42
12 Evening Star (Cover, Instr.) 3:42
13 Blastfighter - Seq. 11 4:39
14 Blastfighter - Seq. 12 2:26 TT 45:53 -
Und noch eine Box:
PRODUCT DESCRIPTION:
Not always the result of researches in which we are involved refers to findings of master tapes featuring unreleased scores, maybe waited since a long time. Sometimes, such as in this case, we end to find something else.
So in Cabum warehouse is born the possibility to offer again this wonderful box, just through the exam of a long forgotten corner outside radars in which some boxes were stored, in a good shape, holding the beautiful release of the historical Roman label of the De Angelis Bros.
At the beginning of this century a 7 CD omnibus was produced, featuring many hours of music composed for twenty (twenty!) original TV series soundtracks whose music can't be listened otherwise, unless you watch these series.
At the time speaking this box was more a promotional release than a commercial one and it received a really spare distribution up to nowadays. This is the point in which Beat Records is involved, making available on the market these boxes of which only around 150 exemplars still exist, gems for all fans of Guido & Maurizio De Angelis music, may hours of entertainment for a music overdose dedicated
to our favorite brother musicians!
Tracklists
CD1
TOMORROW (1985)
1 JUST REMEMBER (Stumentale) 2:47
2 LA DISPERAZIONE DEI MIMI 2:22
3 DANZA GIAPPONESINA 2:11
4 JUST REMEMBER (Strumentale) 1:39
5 TEMA DARIO E JULIE 2:19
6 JUST REMEMBER (Strumentale) 1:15
7 TOMORROW (L'addio di Tony) 1:31
8 JUST REMEMBER (Strumentale) 1:12
9 TOMORROW (Strumentale) 4:57
NEL GORGO DEL PRCCATO (1987)
10 TELENOVELA 3:36
11 TEMA MATRIMONIO 2:32
12 SAPORE DI RUSSIA 2:18
13 NEL GORGO DEL PECCATO 1:38
14 DARKNESS 1:39
15 TELENOVELA 2:28
16 NEL GORGO DEL PECCATO 3:07
A BIG MAN (1989)
17 STARSHINE RAINBOW - Oliver Onions 3:40
18 A BIG MAN (Strumentale) 3:29
19 PIZZA (Strumentale) 1:51
20 INSEGUIMENTO 2:53
21 A BIG MAN - Oliver Onions 3:36
22 STARSHINE SUSPENCE 2:06
23 A BIG MAN SUSPENCE 2:12
24 INSEGUIMENTO 4:12
25 STARSHINE SADNESS 2:22
26 A BIG MAN IN THE DARKNESS 2:40
27 A BIG MAN - Oliver Onions 2:43
CD2
QUANDO ANCORA NON C'ERANO I BEATLES (1988)
1 LA MIA MUSICA È COSÌ - Oliver Onions 5:11
2 TE NE VAI (Strumentale) 2:12
3 TE NE VAI - Patrizia Tapparelli 4:01
4 TU NON FARAI MAI NIENTE CON ME - Patrizia Tapparelli 2:06
5 LA MIA MUSICA È COSÌ (Strumentale) 5:13
6 BEFORE THE BEATLES (Strumentale) 5:48
7 ATMOSFERA MARINA 1:37
8 BEFORE THE BEATLES - Anna Maria Vinci 3:20
PASSI D'AMORE (1989)
9 TITOLI (Passi d'amore) 3:04
10 DANZA 2:50
11 PASSEGGI D'AMORE 2:19
12 VERSO LA METÀ (Passi d'amore) 1:40
13 CUORE INFRANTO 2:48
14 BALLETTO CON LISA 3:18
15 SUSPENCE NEL TEATRO (Passi d'amore) 1:36
16 NELL' ATTESA (Passi d'amore) 1:11
17 VERSO LA META (Passi d'amore) 1:17
18 IO SONO QUI 4:11
LA STORIA SPEZZATA (1990)
19 LE TEMPS PREND SON TEMPS NICOLE CROISILLE 5:12
20 A CASA SUL LAGO 1:50
21 TEMA MARGHERITA 3:06
22 CHIARA TENTA SUICIDIO 5:46
CD3
IL CIELO NON CADE MAI (1992)
1 TITOLI (Tema Francesca) 2:16
2 INCONTRO (Tema Camille) 2:25
3 PIAZZA NAVONA (Tema Francesca) 1:29
4 A PARIGI (Tema Camille) 1:34
5 CON LEI 2:18
6 AMORE E GELOSIA (Tema Francesca) 2:50
7 SENTIMENTI (Tema Francesca) 2:17
IL RAGAZZO DAL KIMONO D'ORO (1991)
8 NOBODY MOVES LIKE THAT - Nitza 5:39
9 TEMA AMICIZIA 1:45
10 THE BETTER END (Strumentale) 2:55
11 FAT BOY REGGAE 3:23
12 NOBODY MOVES LIKE THAT (Strumentale) 2:06
13 TEMA MASURA 2:29
14 THE BITTER END - Ken Stacey 4:19
UOMO CONTRO UOMO (1989)
15 TEMA FAMIGLIA + TEMA MAFIA (Titoli di testa) 4:15
16 TEMA FAMIGLIA 3:08
17 TEMA MAFIA 1:19
18 TEMA FAMIGLIA (Titoli di coda) 4:23
CINQUE RAGAZZE A PARIGI (1987)
19 5 RAGAZZE A PARIGI (Strumentale) 4:14
20 CHITARRANDO 0:38
21 5 RAGAZZE A PARIGI (Strumentale) 4:12
22 5 RAGAZZE A PARIGI - Paula Nichols 4:04
TI HO ADOTTATO PER SIMPATIA (1991)
23 TITOLI DI TESTA 2:01
24 TEMA ELISA 2:08
25 SERATA INTIMA 1:47
26 TEMA ELISA (Titoli di coda) 3:11
CD4
LA MOGLIE NELLA CORNICE (1991)
1 TEMA ALBERTO 4:18
2 TEMA DI JO 1:25
3 MORTE DI ANGELO 2:20
4 SEULEMENT POUR AMOUR 1:41
UN AMORE RUBATO (1993)
5 LOVING A MEMORY - Nitza 2:21
6 TEMA FABIO 2:58
7 TEMA RICORDI 3:54
8 LOVING A MEMORY (Strumentale) 3:52
9 TEMA FABIO 2:09
IL PREZZO DELLA VITA (1994)
10 TEMA DI GLORIA 2:10
11 TEMA MARIANI 1:59
12 TEMA DI GLORIA 1:32
13 TEMA MARIANI 3:57
14 TEMA FINALE 4:59
VITE A TERMINE (1994)
15 TEMA MILENA 2:43
16 TEMA MILENA 3:47
17 TEMA INFANZIA 2:57
18 TEMA MILENA 3:01
19 TEMA MILENA 2:09
STORIA DI CHIARA (1995)
20 TEMA DI CHIARA (Titoli di testa) 2:50
21 TEMA SOLITUDINE 1:46
22 TEMA DRAMMATICO 2:21
23 TEMA SOLITUDINE (Suicidio Marco) 2:17
24 TEMA DI CHIARA 1:29
25 TEMA SOLITUDINE 1:23
26 TEMA MARTA 0:57
27 MINACCIA 2:21
28 TEMA SOLITUDINE + TEMA DI CHIARA 2:28
CD5
MIA PER SEMPRE (1995)
1 IRELAND THEME 2:43
2 STAY WITH ME - Nitza 4:23
3 DONNA'S THEME 3:21
4 MICHELE'S THEME 2:28
5 LILIBETH 2:35
6 PUB BLUES 3:21
7 MIA AND JOHNNY LOVE THEME 3:30
8 DONNA'S WEDDING 3:09
9 MICHELE'S THEME 2:35
10 LET THE WHISKEY FLOW 2:38
11 MIA AND JOHNNY LOVE THEME 3:43
12 DONNA'S DESPAIR 2:37
13 PUB DANCE 2:21
14 MAGIC NIGHT - Nitza 5:17
15 DONNA'S THEME 4:05
16 IRELAND THEME 4:38
CD6
ADDIO E RITORNO (1996)
1 ROSA - Curtis Womack 3:46
2 TEMA MALINCONICO 2:31
3 TEMA D'AMORE 1:24
4 TEMA D'AZIONE 1:20
5 TEMA PAURA 2:35
6 TEMA MALINCONICO 0:57
7 TEMA AZIONE 2:13
8 TEMA PAURA 1:33
9 TEMA AZIONE 1:18
10 TEMA SUSPENCE 3:57
11 TEMA D'AMORE 2:28
12 SUSPENCE ETEREA 1:24
13 TEMA TENTATO SUICIDIO 3:38
14 SUSPENCE PROCESSO 4:17
15 TEMA D'AMORE 2:34
DOVE COMINCIA IL SOLE (1996)
16 DRIFTING TO YOU - Anne Buckley 3:33
17 TEMA DI ELENA 3:13
18 SWEET FEELINGS 3:45
19 MARIA TRADITA 3:23
20 IL DOLORE DI ELENA 2:35
21 ELENA E MICHAEL 2:56
22 MARIA INNAMORATA MA INFELICE 1:44
23 ANGEL IN DISGUISE - Anne Buckley 3:56
24 PIETRO E MAMMA FRANCESCA 2:11
25 CARLA E MARCO SI BACIANO 2:56
CD7
SOTTO IL CIELO DELL'AFRICA (1998)
1 AFRICA'S THEME 4:06
2 SARAH'S THEME 3:09
3 FLIGHT AND SEARCH 2:08
4 LOVE'S THEME 2:26
5 DIDDLE DEE - Olivia Byron 2:12
6 KATE'S GOODBYE TO HER SON 3:01
7 TRIBAL SUSPENCE 2:17
8 INTRIGUE 3:06
9 HUNTER'S SUSPENCE 3:24
10 SOFT AHD TENDER THEME 1:59
11 TRIBAL SONG 1 3:12
12 KATE AND HER SON UNDER THE TREE 2:57
13 ALICIA'S THEME 1:47
14 LITTLE ELEPHANT THEME 1:03
15 AFRICA'S THEME IN THE SAVANA 2:54
16 TRIBAL SONG 2 0:56
17 LOVE'S THEME 2:01
18 SARAH WITH THE LITTLE LION 1:58
19 DIDDLE DEE - Olivia Byron 3:01
20 AFRICA'S THEME FOR THE ANIMALS 2:32
21 PRAY - Johnson e Fiore 4:27
Was habt ihr zuletzt gesehen?
in Film & Fernsehen
Geschrieben
Gute Frage. Wird sich wohl spätestens im März beantworten. In der Beschreibung heißt es nur: 4K-UHD (Dolby Vision) der Uncut-Version (nachsynchronisiert mit den originalen deutschen Sprechern). Vielleicht haben sie den Zusatz „...die noch leben" vergessen.
Oder eben auf einen anderen Sprecher zurückgegriffen, wenn es sich wirklich nur um eine Passage handelt.