Oliver79
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Beiträge von Oliver79
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vor 23 Stunden schrieb Sebastian Schwittay:
Stimmt, natürlich!
Und wenn Jansen, dann auch Antoine Duhamel oder Jean Prodromides.
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David Shire, Jerry Fielding, Gil Melle, Billy Goldenberg, Pierre Jansen, Giovanni Fusco... fallen mir da so spontan ein.
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Oh, super, was für eine Überraschung!!!
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Seit 11 Jahren lediglich als Download jetzt halt auch als CD von denen. Und?
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Buysoundtrax arbeiten sich weiter am Backkatalog von Tangerine Dream ab und veröffentlichen eine Neuauflage des Scores zu dem TV-Drama Deadly Care.
ZitatBSX Records presents the soundtrack release of DEADLY CARE, featuring music composed by Tangerine Dream (SORCERER, THIEF, RISKY BUSINESS) for the 1987 drama directed by David Anspaugh (HOOSIERS, RUDY), written by Lane Slate, starring Cheryl Ladd (CHARLIE'S ANGELS), Jason Miller (THE EXORCIST), Jennifer Salt, Belinda Balaski, Joe Dorsey, and Richard Evans. DEADLY CARE was a television film that aired in March 1987. The film tells the true story of Anne Halloran (Ladd), a lead nurse in one of the busiest intensive care units in the country. Anne finds herself becoming addicted to drugs and alcohol as she tries to balance the stress from work with her lonely existence at home. The tipping point for Anne is the declining health of her alcoholic sister, Terry (Balaski). After Terry dies, Anne starts leaning harder on drugs and alcohol, ultimately putting her life at risk and the lives of the patients under her care. The music for DEADLY CARE was composed by the pioneering German electronica band Tangerine Dream. Founded in 1967 by Edgar Froese, Tangerine Dream is a ground-breaking musical act that veered away from the influence of traditional Anglo-American rock/pop and instead relied upon hypnotic rhythms, sustained drones, musique concrète, tape-music looping techniques, and the proliferation of early synthesizers. Throughout their seven-decade existence (which continues to this day) the band has released over eighty-five studio, extended play, or mini albums, fifty-two motion picture scores, and a handful of episodic television or video game scores. The score was composed by Edgar Froese and Christopher Franke. For Franke, DEADLY CARE was one of his last projects as a member of the band before he left to start his career as a composer in 1987.
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Und von BSX Records kommt ein weiteres Album mit Hörspielmusiken von Joe Kraemer:
The Wonders of the Universe - Music from the Big Finish Space: 1999 Audio Dramas
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Und am 15. Mai kommen wieder drei neue CDs von Dragon's Domain:
The Disappearance of Flight 412 / The Strange Possession of Mrs. Oliver - Morton Stevens
An Elephant Called Slowly - Howard Blake
Munchie Strikes Back - Chuck Cirino
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Jetzt habe ich mir erst vor nicht allzu langer Zeit die Chandos-Einspielung besorgt. Frage mich, ob sich bereits jetzt wieder dieses Update lohnt.
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ZitatRalph Vaughan Williams (1872–1958)
49th Parallel: the complete music written for the film (1940–41)
[American title: The Invaders]
Performing edition and transcription from the original manuscripts by Martin Yates (2022)1 Main titles
2 Prologue panorama
3 The control room sends an alert
4 Aircraft searching for the U-boat
5 The U-boat in Hudson Bay
6 Hudson’s Bay Company trading post
7 The Nazis loot the trading post
8 The Nazis steal the floatplane
9 Death of Kuhnecke
10 Anna’s Volkslied JM
11 The Hutterite settlement [original version]
12 The Hutterite settlement [revised version]
13 The Hutterite settlement: Haymaking
14 Vogel’s decision to stay
15 The Nazis journey to Winnipeg
16 Valse: Winnipeg
17 Dance music: In the restaurant
18 The Nazis march onward
19 Banff: “Indian Days”
20 Journey through the mountains
21 The Nazis with the British writer
22 The railway bridge and Niagara Falls
23 End titlesWorld premiere recording of the complete music
BBC Concert Orchestra
conducted by
Martin Yates
JM Jessica Millson singerMulti-Channel/Stereo
All tracks available in stereo and multi-channel
This Hybrid SACD can be played on any standard CD player-
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ZitatQuartet Records, in collaboration with GDM and Universal Music Publishing Ricordi, presents the premiere release of the complete score by Nino Oliviero (MONDO CANE, UNA MOGLIE GIAPPONESA, RINGO DAL NEBRASKA) for Ugo Tognazzi’s Italian romantic-comedy vehicle UNA MOGLIE AMERICANA (aka RUN FOR YOUR WIFE), directed by Pier Luigi Polidoro in 1965.
The film is about Riccardo (Tognazzi), an unhappy employee of a shoe factory who decides to use his next business trip for a more personal reason. Based on the positive experiences of one of his colleagues, he sets out to find an American wife and marry her in order to get a Green Card that allows him a move to the New World. His enterprising friend reminds him that he doesn’t have much time, so until his tourist visa expires, Riccardo must race through the United States in search of a wife…
The Mancini-like score was composed by Nino Oliviero, famous for having co-written with Riz Ortolani the music for MONDO CANE, which was a worldwide hit, and whose song “More” reached number 1 in the charts. For RUN FOR YOUR WIFE, Oliviero was expected to deliver a theme song along the lines of “More” from Mondo Cane—and just like that with that picture, the vocal version of “All” had no prominent placement in the film. The theme itself however is almost omnipresent in the score, from the orchestral splendor of “Titoli,” to the sultry saxophone of “Tutto per Carol” and the various lounge arrangements for party sequences heard in the film. Oliviero’s approach to the different women also has a distinct quality to it with musical parodies describing each new conquest in brilliant set pieces.
Although the film was more successful in Italy than in the U.S., the LP prepared by Nino Oliviero appeared solely in the American market on the RCA label, where the song “All” was performed by Frankie Randall and promoted as “the new song from the composer of ‘More.’” This new Quartet CD includes not only the original album, but the complete score and a large number of unused cues and alternates, almost all in pristine stereo. This release was produced by Claudio Fuiano and mastered by Chris Malone. The booklet includes liner notes by Gergely Hubai.
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ZitatQuartet Records, in collaboration with Beat Records and Liuto Edizioni Musicali, presents world premiere release of the catchy, infectious score by Piero Umiliani (I SOLITI IGNOTI, SVEZIA INFERNO E PARADISO, ORGASMO, PARANOIA) for the successful Spanish-Italian comedy NO DESEARÁS AL VECINO DEL 5º (aka DUE RAGAZZI DA MARCIPIEDE), directed by Ramón Fernández in 1969, and starring Alfredo Landa, Jean Sorel and Ira von Fürstenberg.
The film is about Dr. Andréu, who runs a gynecological practice in a provincial town without any success because he’s too handsome for the husbands of his patients. Meanwhile, his neighbor Antón, a dressmaker who pretends to be gay, succeeds because the parents and husbands of his customers do not object to him seeing them in their underwear. The doctor goes to Madrid to attend a conference and his colleagues take him to a cabaret. There he is amazed to see how Antón displays his hidden Celtiberian masculinity. The dressmaker confesses: he pretends to be what he is not in order to outwit the backwards society in which they live. In this environment, the two men’s friendship is misinterpreted as a sexual relationship, creating a confusing situation for which the doctor’s girlfriend and the dressmaker’s wife appear to find a solution.
Piero Umiliani provided a memorable comedy score, with a theme typical of the composer (Oh che bella festa!) subjected to several variations, flirting with bossa nova, beat, swing, soft jazz and samba. Both the climate of extreme sensuality and the conflicts generated by the various misunderstandings of the film found a good ally in Umiliani’s score.
Four cues were released on an EP in 1970 by Umiliani’s own label, Omicron. The complete score has been made possible thanks to the cooperation of the Umiliani family who found the original tapes—mislabeled with the wrong title—with the complete score in mint condition and beautiful stereo. Mastered by Chris Malone and supervised by Claudio Fuiano, the package included a 12-page booklet with liner notes by Spanish cinema specialist and documentarist Juan Sánchez.
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Neben dem von Stefan bereits im Hill-Spencer-Thread erwähnten neuen Gori-Album von CF / Beat bringt Beat ebenfalls am 20.04. ein Album mit Riz Ortolanis Musik für die Komödie Nessuno è perfetto (1981) mit Ornella Muti.
ZitatBeat Record releases for the very first time on CD the complete edition of the brilliant soundtrack by Riz Ortolani for the comedy "Nessuno è perfetto" directed in 1981 by Pasquale Festa Campanile and starring Renato Pozzetto and Ornella Muti. For a story in which a man falls in love with a beautiful girl (later it turns out that the woman is an ex-military transsexual), the author alternates a romantic love theme with female vocalism to another cheerful motif with a funky sound that takes up with variations throughout the OST. This CD with a total length of 48:35 derives from the stereo master tapes of the original session. Another record that adds to the ever-growing discography of one of the greatest film music composers.
Mastering by Claudio Fuiano, graphic layout by Daniele De Gemini, liner notes by Fabio Babini
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Danke für den Hinweis.
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Oha, das war das letzte Mal noch nicht so ^^. Danke für den Hinweis.
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Würde ich auch sagen... hatte das Problem vor einigen Jahren bei David Shires "Zodiac". Da konnte man die Varese-CD eine Zeit lang auch nur für ca. 30 - 35 Euro (ja, ich weiß, geht noch, aber für eine einst reguläre Varese-CD war mir das dann doch zuviel). Irgendwann habe ich sie dann doch gebraucht für 15 Euro bekommen.
Problematisch sind für mich sehr spezielle Titel, die ich einst verpasst habe, wie etwa "Funeral Home", "Salem's Lot", "Green Mansions", "Die Sister, Die!" oder der gerade erst in einem Such-Thread erwähnte "The Wonderful World of the Brothers Grimm" - Alben, die schon seinerzeit ein sehr spezielles Publikum gerichtet waren und eigentlich auch die Sammlungen der ursprünglichen Käufer kaum mehr verlassen werden dürften und wenn dann nur zu den oben genannten Kloppo-Preisen. Und Reeditionen wird es davon meistens keine geben.
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Ja, und er wird es immer wieder tun.
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Von Bluebelldisc Music kommt am 22. April 'RED EROS: A Selection of Italian Erotic Giallo Sounds - 1993 - 2003' - ein Kompilation von Natale Massaras Scores für die drei späten Gialli Graffiante desiderio (1993), Bugie rosse (1993) und Cattive inclinazioni (2003). Die Auflage beträgt gerade mal 100 Stück.
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Music Box Records haben Delerues Musik zu Philippe de Brocas Abenteuerkomödie mit Jean-Paul Belmondo und Ursula Andress in einer um gut 20 Minuten verlängerten Fassung veröffentlicht.
ZitatRemastered and expanded edition.
12-page CD booklet with French and English liner notes by Sylvain Pfeffer.In collaboration with EMI Music Publishing France, Music Box Records proudly presents the newly remastered and expanded edition of Georges Delerue's score to the 1965 classic adventure film Les Tribulations d'un Chinois en Chine (Chinese Adventures in China / Up to His Ears), directed by Philipe de Broca (King of Hearts, Chouans!) and starring Jean-Paul Belmondo, Ursula Andress and Jean Rochefort.
Following the huge success of That Man from Rio (1964), the film’s producer Alexandre Mnouchkine offered Philippe de Broca to direct a sequel. After acquiring the adaptation rights for Jules Verne’s novel Tribulations of a Chinaman in China (1879), Mnouchkine convinced de Broca to adapt it as an indirect sequel to Adrien Dufourquet’s adventures. George Delerue wrote a rich adventure score for the film with a dynamic and brassy main theme that uses the pentatonic mode characteristic of Chinese music and gives a taste of Asia. Built on a waltz rhythm, the theme also suggests Europe with its typical Western musical rhythm. The composer also wrote numerous pieces that create tension, with its double bass chords, shrill brass instruments and jittery strings. This dense score also offers one of the gems of musical romanticism written by the composer for cinema: Alexandrine’s theme. This delicate and bewitching melody played on the flute and the harp illuminates the passionate but complicated love story between the billionaire and the ethnologist.
This present edition has been fully remastered from complete scoring session elements and features 20 minutes of previously unreleased music. The package includes a 12-page booklet with liner notes by Sylvain Pfeffer, discussing the film and the score. The CD release is limited to 1000 units.
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Am 21. April erscheint bei Rambling Records eine CD mit Anton Sankos Musik für das französische Drama Les passagers de la nuit.
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Ben Frosts Musik zur deutschen Mysteryserie 1899 ist bei Invada Records auf CD und LP erschienen.
Zitat1899 (Original Music From The Netflix Series) by Ben Frost is out now on vinyl and CD!
The CD is presented as a digipack with spot varnish front cover print.
The mystery series 1899 was created by Baran bo Odar and Jantje Friese (“Dark”), and streamed on Netflix worldwide November 17. A migrant steamship heads west to leave the old continent. The passengers, a mixed bag of European origins, united by their hopes and dreams for the new century and their future abroad. But their journey takes an unexpected turn when they discover another migrant ship adrift on open sea. What they will find on board, will turn their passage to the promised land into a horrifying nightmare.
Ben Frost is a Composer, Producer, Sound Artist and Director. His work includes the studio albums Theory of Machines (2007), By The Throat (2009), A U R O R A (2014) and The Centre Cannot Hold (2017) and spans an array of other forms including installations, live performance, scores for dance, theatre, and various studio collaborations. He has composed several scores for film including the Palme d’Or nominated Sleeping Beauty, the TV series Fortitude and Dark. Most recently he composed the score for Raised By Wolves with director Ridley Scott and wrote and directed The Murder of Halit Yozgat, an opera for the Hannover Staatsoper. He also recently scored Broken Spectre, a new installation piece made with long term artistic collaborators Richard Mosse and Trevor Tweeten which premiered at the National Gallery of Victoria in October displayed at 180 Studios in London.
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Ab dem 19. April von Dragon's Domain Records:
Alamo: Thirteen Days of Glory / The Happy Face Murders - Peter Bernstein
Dino / I, Mobster - Gerald Fried
The Manions of America - Morton Stevens
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Und wieder eine neue CD von Waxwork Records:
Malum - Samuel Laflamme
ZitatWaxwork Records is proud to present MALUM Original Motion Picture Soundtrack by Samuel Laflamme. MALUM is a bold and expanded reimagining of the 2014 horror cult classic, LAST SHIFT. On a search to uncover the mysterious circumstances surrounding her father’s death, a newly appointed police officer, Jessica Loren (Jessica Sula) is assigned to the last shift in a decommissioned police station where a notoriously vicious cult saw their demise years prior. The lone officer at the station, she soon finds herself barraged by terrifying paranormal events, and in the process, is taken on a journey during which she learns the shocking truth behind her family’s entanglement with a demented cult leader. MALUM takes the premise of the 2014 festival hit and flips it on its head, thrusting viewers into an unrelenting, adrenaline-fueled, bloody cult nightmare.
About the Composer
Samuel Laflamme is a composer who has strengthened projects across the film, television and video game worlds. Samuel Laflamme began his composing career scoring numerous television shows, documentaries, and ad spots across a multitude of genres. He has collaborated with many of the top video game companies in the industry, including Ubisoft, Activision, and Red Barrels where he worked on the critically acclaimed survival horror-game Outlast. Samuel’s other credits include French Canadian dramatic comedy series Le Chalet, along with the 2016 Canadian-American co-production, fantasy film Wait Till Helen Comes, based on Mary Downing Hahn’s best-selling novel from the 1980’s.
About the Director
Protégé of filmmaker/novelist Clive Barker, Anthony DiBlasi partnered in Barker’s production company Seraphim Films for nearly ten years, serving as a key executive & producer on films such as MIDNIGHT MEAT TRAIN starring Bradley Cooper and BOOK OF BLOOD. DiBlasi adapted and directed DREAD from the Barker short story, starring Laura Donnelly (HBO’s The Nevers) which won "Best Independent Feature" at the Spike Scream Awards. DiBlasi has adapted several Barker novels for the screen including THE DAMNATION GAME (Warner Bros) and THE THIEF OF ALWAYS (Fox).
DiBlasi directed, co-wrote and edited “Last Shift” a critically acclaimed supernatural horror film released by Magnolia Pictures in 2015. Last Shift was named among the top 5 horror films of 2015 and won both a Golden Skull award and an iHorror award. DiBlasi has directed 8 features including the critically acclaimed thriller MISSIONARY and MOST LIKELY TO DIE for Netflix. DiBlasi recently wrapped production on MALUM, an expanded reimagining of “Last Shift,” and is currently in development on the thriller THE STEP COUNTER with his writing partner and wife Natalie Victoria and Malcolm Spellman’s The 51 (The Winter Soldier).
The debut CD release of MALUM features the complete soundtrack by composer Samuel Laflamme and new artwork by Jérémy Pailler.
MALUM Original Motion Picture Soundtrack Features:
The Complete Soundtrack by Samuel Laflamme on CD
Original artwork by Jérémy Pailler
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Buysoundtrax bringen eine Neuauflage des Album von Tangerine Dreams Musik für Catch Me If You Can (1989).
ZitatBSX Records presents the soundtrack release of CATCH ME IF YOU CAN, featuring music composed by Tangerine Dream (SORCERER, THIEF, RISKY BUSINESS) for the 1989 action comedy written and directed by Stephen Sommers (DEEP RISING, THE MUMMY, VAN HELSING), starring Matt Lattanzi, Loryn Locklin, Grant Heslov, Billy Morrissette, Geoffrey Lewis and M. Emmet Walsh.
Shot in writer/director Stephen Sommers’ home town of St. Cloud, MN and released in 1989m CATCH ME IF YOU CAN follows the students of Cathedral High and their efforts to save their school from being shut down because of a lack of funding. If Good girl Melissa (Locklin) can raise $200,000, the school board will match them for the rest. Melissa enlists Dylan (Lattanzi), the resident bad boy to help her meet her goal. Instead of serving out his detention, Dylan is sentenced to use his driving skills to help Melissa raise the money.
The music for CATCH ME IF YOU CAN was composed by the pioneering German electronica band Tangerine Dream. Founded in 1967 by Edgar Froese, Tangerine Dream is a ground-breaking musical act that veered away from the influence of traditional Anglo-American rock/pop and instead relied upon hypnotic rhythms, sustained drones, musique concrète, tape-music looping techniques, and the proliferation of early synthesizers. Throughout their seven-decade existence (which continues to this day) the band has released over eighty-five studio, extended play, or mini albums, fifty-two motion picture scores, and a handful of episodic television or video game scores.
An early compact disc release and very scarce, BSX Records is excited to bring CATCH ME IF YOU CAN back to the marketplace, remastered by James Nelson at Digital Outland.
CATCH ME IF YOU CAN is a limited edition release of 500 units.
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Ab dem 14. April erhältlich.
ZitatFirst appearing on TV screens in September 1968, Joe 90 was a unique nine year old boy with the ability to absorb the brain patterns of top experts enabling him to become the most special agent of W.I.N. (World Intelligence Network).
Whilst there are arguably better-known scores amongst Barry Gray's sublime catalogue of work with the Andersons, the composer's work for Joe 90 is in many ways the most consistent and inventive selection he ever wrote. Developing a theme for the new series was always the musician's starting point, and for Joe 90, the pop charts breezed into Gray's studio, with an opening tune featuring a genuine groove. Mixing Gray's inventive electronics with 60s surf rock guitars was an inspired decision. It is no wonder that this piece has gone on to enjoy a second life as a Northern Soul disco floor-filler.
For episodic incidentals, Gray was freed from the detached unearthly premise of Captain Scarlet and able to bring back a playful sensibility and a more mature musical palette which are amply illustrated in this 24 track collection.
Welcher Komponist der „zweiten / dritten Reihe“ gefällt euch sehr?
in Komponisten Diskussion
Geschrieben
Ja, ich finde auch das Shire und Fielding da schon schwieriger einzuordnen sind. Ebenso Michael Small.