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Newcomer Nathan Whitehead hat den Nummer 1 Hit THE PURGE vertont. Score kann man bei Spotify schon hören. Erwartungsgemäss (Film hat nur 2-3Mille gekostet) nur ein Synth-Score, aber eigentlich ganz stimmungsvoll. Kann man bestimmt schlechter machen... sonst auch bei itunes https://itunes.apple.com/de/album/purge-original-motion-picture/id653824417 kann man irgendwie eigentlich Spotify Links erstellen???

Sony Music Classical veröffentlicht am 01.07.13 Trevor Morris' Musik zur Fernsehserie Vikings. Die Trackliste ist hier zu finden. http://www.amazon.co.uk/The-Vikings-Trevor-Morris/dp/tracks/B00CL42YBQ/ref=dp_tracks_all_1#disc_1

Und noch eine Vorankündigung von der Gorfaine-Schwartz-Agency: http://www.gsamusic.com/

Am 25.06.2013 veröffentlicht Varese Sarabande ein Album mit Becks Musik aus allen 3 Hangover Filmen.

Am 5. August 2013 gibt ein zweites Score Album mit der Musik von David Carbonara zur Serie "Mad Men"! Tracklist: 1. Pacific Coast Highway 2. The Man With The Miniature Orchestra 3. Beautiful Girls 4. Betty Home And Sally’s Story 5. Bunny’s Bop 6. Hurry Into The Far Away Places 7. Draper’s Ruse 8. Summer Man 9. The Arrival 10. Hotel Bossa 11. Lights Out 12. For Number Four And Anna 13. At The Codfish Ball 14. Don And Betty In Rome 15. Like A Good Girlfriend 16. First Kiss 17. A Little Kiss 18. The New York Times 19. Glo-Coat 20. Christmas Conga 21. Pete’s Not Talking 22. Betty’s Call 23. A Beautiful Mine

Da bisher noch kein Thread dazu gibt.. und ich gerade ein Bild von den Arbeiten daran sah.... dachte ich mir.. dann erstelle ich den halt Die Musik für den wirklich tollen ersten Teil "Monsters, Inc" war ja schon sehr gut.. hoffe Randy Newman kann da anschließen Bei Amazon schon vorbestellbar: [amazon=B00B9JDBCA][/amazon]

Ramin hat eben über fb bekanntgegeben, dass der Score zur 3. Staffel am 4 Juni als Download erscheinen wird. Eine CD wird es Später geben.

Kritzerland is proud to present a world premiere limited edition soundtrack CD release – two great film scores on one great CD: THE FAR HORIZONS Music Composed and Conducted by Hans Salter and SECRET OF THE INCAS Music Composed and Conducted by David Buttolph Two movies from the Golden Age, both starring Charlton Heston, a double bill in the old style – well-made pictures designed solely to entertain. The Far Horizons holds the distinction of being the only major motion picture made about the Lewis and Clark Expedition. Based on a fictional novel by Delia Gould Emmons, the film combined fact and fiction in its depiction of the two-year expedition. Heston played Lt. William Clark; co-starring as Captain Meriwether Lewis was Fred MacMurray. The director was Rudolph Mate, and the film was shot in gorgeous Technicolor and Paramount’s then-new widescreen process, VistaVision, by Daniel Fapp. And it has a terrific score by Hans J. Salter. For a composer whose name is rarely included among the top composers for film, Hans J. Salter scored an amazing number of beloved horror and sci-fi films, including Man Made Monster, The Black Cat, The Wolf Man, Frankenstein Meets the Wolf Man, Son of Dracula, House of Frankenstein, Creature from the Black Lagoon, This Island Earth, The Mole People and The Incredible Shrinking Man, but he was equally at home in every genre and wrote great scores for such diverse films as Hold That Ghost, Fritz Lang’s Scarlet Street, The Strange Affair of Uncle Harry, Magnificent Doll, The Reckless Moment, Against All Flags, The Black Shield of Falworth, Autumn Leaves, Hold Back the Night, Come September, If a Man Answers, and Bedtime Story, to name but a few from his extraordinarily prolific career. And he also scored a number of western and adventure films, including Bend of the River, The Far Country, Man Without a Star, Wichita and many others. His score for The Far Horizons is a majestic beauty, with a wonderful main theme that gets plenty of variations, along with some great dramatic scoring. For this CD, we present all the surviving cues, which thankfully constitute most of the score. It’s movie music in the grand tradition – full-bodied, emotional, and filled with melody. The score is presented in mono. Here’s the plot for Secret of the Incas: A legend says that the Inca Empire was destroyed by the gods when a starburst of gold and jewels was stolen from the Temple of the Sun many centuries ago. The legend continues that the empire will be reborn once the treasure is returned. Now, an adventurer is seeking the treasure, as is his nemesis. The adventurer wears a brown leather jacket, a fedora, tan pants, and an over-the-shoulder bag and revolver. Sound familiar? Can we say Indiana Jones? But this was 1954, and the adventurer was Harry Steele, played by Charlton Heston. Secret of the Incas was definitely an inspiration for the Indiana Jones series. It was and is a fun picture. Shot on location in Peru at Cuzco and Machu Picchu (the first major Hollywood film to shoot at those locations), with a great cast that, in addition to Heston, included Thomas Mitchell, Robert Young, Nicole Mauray, and the then very popular exotic singer, Yma Sumac. Helping to make it so much fun is the film’s musical score by David Buttolph. Like Hans J. Salter, David Buttolph is a bit of an unsung film composer. Buttolph, over the course of his extremely prolific career, scored hundreds of films, including some pretty great movies such as This Gun for Hire, The House on 92nd Street, Somewhere in the Night, 13 Rue Madeleine, The Brasher Doubloon, Kiss of Death, The Enforcer, House of Wax, The Beast from 20,000 Fathoms, Phantom of the Rue Morgue, Long John Silver, The Lone Ranger, The Horse Soldiers, and PT 109. He also moved into television scoring, working on such series as Laramie, Wagon Train and The Virginian. Buttolph’s score for Secret of the Incas is exotic and adventure-filled like the film. Because of Yma Sumac’s involvement, it was decided to use a piece of music that was from one of her albums, specifically “High Andes” by Moises Vivanco, which Buttolph uses sparingly. Otherwise, Buttolph has memorable themes of his own, underscoring all the adventure, romance and thrills. For this CD we present all the surviving film cues in glorious stereo sound. THE FAR HORIZONS/SECRET OF THE INCAS is limited to 1000 copies only. The price is $19.98, plus shipping. CD will ship the first week of August, but preorders placed at Kritzerland usually ship one to five weeks early (we’ve been averaging four weeks). Und wenn ihr dem Link http://www.kritzerland.com/horizons_incas.htm folgt, dürft ihr das hübsche Cover sehen und könnt in die Musik hineinhören!

Ein neuer Marianelli kommt bei Metropolis Movie Music raus.. Nur bei dem Cover haben sie ein wenig geschlampt

Hallo zusammen, die neue Cinema Musica wird in Kürze veröffentlicht und enthält wie gewohnt viele spannende und interessante Artikel: http://www.cinemamusica.de/1780/cinema-musica-32-die-neue-ausgabe-ab-dem-14-juni-2013-erhaeltlich Aus dem Inhalt: Die Tragödie des Lebens – Craig Armstrong über The Great Gatsby Ludovic Bource über seine Erfahrungen in Hollywood Auf den Spuren von Georges Delerues Oper Le Chevalier de Neige Hochschulreport – Interview mit den Professoren Karim Sebastian Elias und Ulrich Reuter Einfach raffiniert – Rachel Portmans Chocolat in der Analyse aktuelle Rezensionen, Termine und vieles, vieles mehr

Herbst diesen Jahres wird La-La Land Records die Musik zu POLICE ACADEMY von Robert Folk veröffentlichen: Quelle: Facebook-Ankündigung

Demnächst bei Quartet Records:

Terrence Malick bleibt sich treu und nimmt für jeden seiner Filme in letzter Zeit immer einen anderen Komponisten.. Nun ist der unbekannte Komponist Hanan Townshend an der Reihe, mal wieder Musik zu schreiben, die nicht im Film vorkommt

Wenn ich das richtig sehe leider nur als MP3-Download erschienen, oder? :motz: :motz: 01. Chasing Shadows (Atticus Ross, Claudia Sarne, Leopold Ross) [05:48] 02. Broken City (Atticus Ross, Claudia Sarne, Leopold Ross) [06:11] 03. Broken Men (Atticus Ross, Claudia Sarne, Leopold Ross) [03:28] 04. Missing Pieces (Atticus Ross, Claudia Sarne, Leopold Ross) [03:39] 05. 7 Years Later (Atticus Ross, Claudia Sarne, Leopold Ross) [01:16] 06. Left Alone (Atticus Ross, Claudia Sarne, Leopold Ross) [03:52] 07. The Baptism (Atticus Ross, Claudia Sarne, Leopold Ross) [01:25] 08. Kathleen (Atticus Ross, Kirk Hellie, Claudia Sarne, Leopold Ross) [05:43] 09. Relapsed (Atticus Ross, Claudia Sarne, Leopold Ross) [02:49] 10. Cut Rate Dick (Atticus Ross, Claudia Sarne, Leopold Ross) [02:58] 11. Bleeding Heart (Atticus Ross, Claudia Sarne, Leopold Ross) [03:39] 12. Bad Connection (Atticus Ross, Claudia Sarne, Leopold Ross) [01:38] 13. Valiant (Atticus Ross, Claudia Sarne, Leopold Ross) [04:42] 14. The Heart of the Matter (Atticus Ross, Kirk Hellie) [03:49]

GNP erweitert anscheinend nicht nur die Trek-Film-Scores:

Ein neuer Film für Bishara:

Showing what he could do with film music arrangements (In Doctor No) , the young John Barry was given a (relatively) free hand this time! And what a terrific job he did too! Combining Lionel Bart’s wistful main theme, John conjoured up a world where East meets West in Istanbul. Brought back to life with a dazzling remastering job, we have added special bonus material as well as both versions of Matt Monro’s song. New notes bring a clearer understanding of this British knock-‘em-dead movie of 1963. A genuine must for all James Bond collectors! Titelliste: 1. MAIN TITLE (Movie version) 2. JAMES BOND WITH BONGOES (On the way from the airport) 3. OPENING TITLES – JAMES BOND IS BACK 4. TANIA MEETS KLEBB 5. MEETING IN ST. SOPHIA 6. THE GOLDEN HORN 7. GIRL TROUBLE 8. BOND MEETS TANIA 9. 007 10.GYPSY CAMP 11. DEATH OF GRANT 12. FROM RUSSIA WITH LOVE –Movie Version (Vocal by Matt Monro) 13. THE JAMES BOND THEME 14. SPECTRE ISLAND 15. UITAR LAMENT (YOU DECIDE JAMES) 16. MAN OVERBOARD! – SMERSH IN ACTION 17. LEILA DANCES 18. STALKING 19. DEATH OF KERIM 20. 007 TAKES THE LECTER (LONG VERSION) 21. FROM RUSSIA WITH LOVE – Single Version (Vocal by Matt Monro) 22. FROM RUSSIA WITH LOVE – Alternate Version 1 23. 007 – Alternate Version1 24. FROM RUSSIA WITH LOVE – Alternate Version 2 25. 007 – Alternate Version 2 Quelle: http://www.harkitrecords.com/russia_with_love.html

Kritzerland is proud to present a limited edition soundtrack CD release – three great film scores on one great CD: ELEPHANT WALK/BOTANY BAY/STALAG 17 - FRANZ WAXMAN AT PARAMOUNT Music Composed and Conducted by Franz Waxman Franz Waxman at Paramount. One great composer, one great studio, and an astonishing batch of scores. If Waxman had written only Sunset Blvd. and A Place in the Sun for Paramount he would have been assured his place in the pantheon of great film composers. But he wrote many other fantastic scores for the studio as well, including Sorry, Wrong Number, Alias Nick Beal, Rope of Sand, The Furies, Dark City, Come Back, Little Sheba, Rear Window, Career, and the three scores we’re offering on this world premiere CD release: Elephant Walk, Botany Bay, and Stalag 17. The films are as different as can be, but Franz Waxman brings his musical genius to each. For all three scores we present all of the surviving musical cues. We begin our triple bill with Elephant Walk, a Paramount picture from 1954 starring Elizabeth Taylor, which featured an outstanding score by Franz Waxman. Right from the first chords of the “Prelude,” its lush theme transporting us immediately into the world of the film, we know we are in the safe and brilliant hands of a composer at the top of his game. What follows demonstrates Waxman’s usual adeptness at capturing mood, incident and characters, including his splendid dramatic action cue for the film’s climactic “Elephant Stampede.” While it’s a shame that the entire score hasn’t survived, the cues presented here – in beautiful-sounding stereo – are an excellent representation of Waxman’s contribution to the film. Next up is the 1953 Paramount film Botany Bay, starring Alan Ladd, James Mason, Patricia Medina, Cedric Hardwicke, and Murray Matheson. Waxman’s “Prelude and Foreword” sets the tone of the film and its tale. From there he provides a textbook on film scoring, with adventure and drama on the high seas, with heroes and villains, with drama and suspense – all with the classic Waxman sound. Happily, the majority of the score cues have survived for Botany Bay – close to forty minutes of music, all in crisp, clear mono sound. Stalag 17, the last of our Waxman triple bill, began life as a stage play. In 1953, it was brought to the screen by Paramount Pictures and director Billy Wilder. The film starred William Holden, who won an Oscar for his performance. Stalag 17 is one of the great prisoner-of-war films, right up there with The Great Escape and The Bridge on the River Kwai, both of which came later. For the film, Franz Waxman came up with a brief but perfect score, utilizing “When Johnny Comes Marching Home” as its basis. Otherwise, it’s percussion and brief bits of scoring that work wonderfully well in the film. Again, Waxman’s innate approach to material and his knowing when music is necessary and when it isn’t is what made him one of the greatest film composers in the history of movies. The main title, with its propulsive drums and treatment of “When Johnny Comes Marching Home,” is the perfect start to the film. We present the surviving tracks in mono, as they were recorded. ELEPHANT WALK/BOTANY BAY/STALAG 17 – FRANZ WAXAN AT PARAMOUNT is limited to 1000 copies only. The price is $19.98, plus shipping. CD will ship the last week of July, but preorders placed at Kritzerland usually ship one to five weeks early (we’ve been averaging four weeks). Quelle: http://www.kritzerland.com/waxmanTrio.htm

The Deluxe Special Edition COMPLETE Soundtrack by Jerome Moross The Western was of particular personal interest to Moross and here we have, for the first time on CD in this country the ENTIRE SCORE that was composed for this seminal 1958 movie that starred Charlton Heston and Gregory Peck. Feudin’ and fightin’aside, the music’s the thing here and the breathtaking score fairly rattles along with inventive and carefully arranged scoring. At a CD-busting 74 minutes, it’s time to re-examine the music which, for this deluxe edition has been meticulously remastered and sensitively re-processed to bring out every nuance of the studio orchestra. New notes are provided together with many extras such as full personnel details and a bio on the composer. If you only ever bought the 30 minute LP in 1958, it’s time to listen to this long-neglected complete gem which has influenced so many composers of the genre after him such as Elmer Bernstein some years later for “The Magnificent Seven”. So significant has this music been, that it was used in a British advertising campaign for McDonalds! Titelliste: 1. MAIN TITLE 2. JULIE’S HOUSE 3. THE WELCOMING 4. THE HAZING 5. COURTIN’ TIME 6. THE TERRILL RANCH 7. OLD THUNDER 8. THE RAID (PARTS 1 & 2) 9. McKAY’S DECISION 10. THE CAPTURE 11. McKAY’S TRIUMPH 12. MAJOR TERRILL’S PARTY - PART 1 13. MAJOR TERRILL’S PARTY - PART 2 14. WALTZ 15. POLKA 16. NIGHT IN BBLANCO CANYON 17. McKAY’S RIDE 18. McKAY IS MISSING 19. THE OLD HOUSE 20. WAITING 21. HORROR STORIES 22. BIG MUDDY 23. STILL WAITING 24. McKAY ALONE 25. NIGHT AT LADDER RANCH 26. THE FIGHT 27. CATTLE AT THE RIVER 28. PAT’S MISTAKE 29. BUCK COMES FOR JULIE 30. THE ABDUCTION 31. THE CAPTIVE 32. THE ATTEMPTED RAPE 33. THE WAR PARTY GATHERS 34. McKAY IN BLANCO CANYON 35. JIM & JULIE 36. THE MAJOR ALONE 37. THE DUEL 38. THE DEATH OF BUCK HANNASSEY 39. AMBUSH IN BLANCO CANYON - PART 1 40. AMBUSH IN BLANCO CANYON - PART 2 41. THE STALKING 42. END TITLE Quelle: http://www.harkitrecords.com/big_country.html

Der neue Shyamalan Film, war ja klar:

Seinen Much Ado About Nothing hat der Avengers Regisseur nun selbst Vertont:

Neues von Brian Tyler ( ) Momentan nur auf Amazon als Download angekündigt... Infos HIER! RELEASE: 28.05.2013 / LABEL: Glasnote Auf den Film bin ich auch schon sehr gespannt.. Jesse Eisenberg als Magier!

die super Horrorkomödie GRABBERS hat in UK auf Bluray den Score isoliert mit dabei. Drolliges Thema, gute Comedy-Thrillermusik, orchestral. Kommt bestimmt noch bei MSM raus, aber schön den Score schon mal so zu haben! Und lobenswert, dass es überhaupt mal wieder nen Isoscore gibt. Superfilm sowieso... http://www.amazon.co.uk/Grabbers-Blu-ray-Richard-Coyle/dp/B005FKSSFO/ref=sr_1_2?ie=UTF8&qid=1358419923&sr=8-2

vom koreanischen Spitzenregisseur Jee-woon Kim bekommt angeblich nen Score von Mowg, mit dem der Regisseur auch schon mehrmals (eigentlich immer) gearbeitet hat. Find dessen Scores zu Bittersweet Life, I saw the devil und The good, the bad and the ugly auch ganz grossartig und auf jeden Fall passend für diesen Thriller. Bin gespannt wie noch was auf den Film. Da ja relativ billig produziert, darf sich Kim sicher auch ausleben... Die FSK wirds freuen... haha