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  1. Ich habe heute Morgen wieder einmal die neuen Scores auf Spotify gecheckt. Hier doch hängen geblieben. Ich hatte nur Sounddesign erwartet und wurde mit einem großen symphonischen old-school Score überrascht. Dass es so etwas noch gibt. Für 'nen Zehner gleich gekooft. https://www.qobuz.com/de-de/album/supercell-original-motion-picture-soundtrack-corey-wallace/xblq5t00zo6ia
  2. Ich dachte mir, ich mache mal einen Sammelthread für alle Volumes, die LLL davon noch veröffentlicht. Music by Alexander Courage and Fred Steiner Limited Edition of 1701 Units RETAIL PRICE: $29.98 La-La Land Records and CBS Studios proudly present STAR TREK: THE ORIGINAL SERIES – THE 1701 COLLECTION VOL. 1, the first in a series of limited edition CD releases that showcase original score from the landmark sci-fi television series STAR TREK (1966-1969). Containing music originally from our long out-of-print 2012 Original Series Box Set, these exciting volumes utilize the same restored master as that acclaimed release, but feature new packaging by Dan Goldwasser, along with brand new, exclusive liner notes by film music writer and Trek historian, Jeff Bond. This ground-breaking, iconic music, from one of television’s most acclaimed and beloved series, is now again available for fans everywhere! Vol 1 of the 1701 Collection focuses on the Trek TOS music of renowned composers Alexander Courage and Fred Steiner, containing original music from the classic episodes THE MAN TRAP, THE NAKED TIME, CHARLIE X, MUDD’S WOMEN, THE CORBOMITE MANEUVER, BALANCE OF TERROR, WHAT ARE LITTLE GIRLS MADE OF? and THE CITY ON THE EDGE OF FOREVER, along with MAIN and END TITLES. Produced by Lukas Kendall, Neil S. Bulk and Jeff Bond, restored by Chris Malone and mastered by Doug Schwartz, this limited edition 2-CD release of 1701 units, as well as forthcoming volumes of this series, illustrate how the original Trek series scores not only teem with action, adventure and drama, but how they are also infused with deep emotion and the greatness of the human spirit. Such characteristics have kept these richly orchestrated tracks vital and relevant decades beyond their original recording. TRACK LISTING: DISC 1 The Man Trap Music Composed and Conducted by ALEXANDER COURAGE Episode #6, Recorded 8/19/66 • Aired #1, 9/8/66 Total Time: 34:21 1. Main Title (electric violin version) 0:50 2. Small Planet Visit / The Changeling M10/M11 3:27 3. Episode Titles / Genuine Affection M12/M13 1:00 4. First Goner / Salty Cat / Dressing Down M14–21/M22/M23 1:52 5. Circle One / Monitor Gizzard / Down Again / Grey to Greene M24/M25/M26/M31 3:16 6. Salt Chaser M32 1:34 7. Noisy Plant M33 1:06 8. At First Sight / Pill Tosser M34/M35–41 2:52 9. Nancy Schmancy M42 1:54 10. The Unreal McCoy M43 2:02 11. Top Security / Lazer Dazer / Dodo Girl M44/M45–51/M52 4:03 12. Conference M53 4:47 13. Dead Crater / Last of the Last M54/M61 4:13 14. Warp One* M62 0:44 15. Trailer (“The Man Trap”) 1:03 The Naked Time Music Composed and Conducted by ALEXANDER COURAGE Episode #7, Recorded 8/31/66 • Aired #4, 9/29/66 Total Time: 33:55 16. Brass Monkeys* / Out of Glove M10/M11 2:58 17. Breaking Planet* / Sweaty Palm / Itchy Hand M12/M13/M14 1:21 18. Joe Berserk M21 3:02 19. Pulled Down* / It Spreads M22/M23 1:12 20. Joe Goes / Sulu Finks Out M24/M31 1:01 21. Up the Rebels / D’Artagnan-san M32/M33 3:09 22. Banana Farm M34 2:11 23. Out of Control / Lurch Time / Punchy Kid M41/M42/M43 1:49 24. Party Time M44 1:35 25. Medicine Girl / Hot Skin M45–51/M52 4:30 26. Off the Cloud M53 1:06 27. Captain’s Wig M54–61 4:02 28. The Big Go* M62 2:42 29. Time Reverse* / Future Risk and End Title* M63/M64 1:46 30. Trailer (“Mudd’s Women”) 1:02 31. End Title* (electric violin version) 0:46 Total Disc Time: 70:09 DISC 2 Charlie X Music Composed and Conducted by FRED STEINER Episode #8, Recorded 8/29/66 • Aired #2, 9/15/66 Total Time: 23:44 1. Main Title* (cello version, arr./cond. Steiner) 0:51 2. Space Orbit† / Charlie X / That’s a Girl M10/M11+M11S/M12+M12 chimes 1:20 3. Kirk’s Command / Charlie’s Mystery / Charlie’s Gift M13/M14+M14S/M15–20 3:03 4. Card Tricks M22 1:40 5. Zap the Antares / Kirk Is Worried M23+M23S/M24 0:47 6. Kirk’s Command #2 / Chess Game M31/M32+M32S 1:33 7. Charlie’s Yen M33 1:05 8. Kirk Puzzled M34 0:51 9. Zap Sam / Zap the Pistol M41/M42 1:37 10. Standoff M43 1:12 11. Kirk Waits / Charlie in Control M44/M45 1:08 12. Charlie’s Mad M51 1:10 13. Zap Janice M52 0:56 14. Zap the Cap M53 1:33 15. Zap the Spaceship M54 1:26 16. Zap the Broad / Charlie’s Friend M55/M61 2:02 17. Goodbye Charlie / Finale† M62/M63 1:50 † Based on a Theme by Alexander Courage Mudd’s Women Music Composed and Conducted by FRED STEINER Episode #4, Recorded 9/7/66 • Aired #6, 10/13/66 Total Time: 22:01 18. Distant Spaceship / Hint of Danger M11/M12 0:55 19. Still in Danger / Meet Mr. Mudd / Three Venuses M13/M14/M15 1:58 20. Venus Walks / Hello Girls M16/M21 1:29 21. Venus Aboard / Exit Mr. Mudd/ Venus Aboard #2 / Strange Glances / The Last Crystal / Mudd Laffs M22/M23/M24/M24A/M31/M32 2:50 22. Hello Ruth M33 1:03 23. Eve to Magda / Mudd Plan / Mudd’s Perfi dy M34–41/M42/M43 1:07 24. The Venus Drug / Dwindling Power M44/M45 3:03 25. Planet Rigel M51 0:43 26. Space Radio M52 2:46 27. Planet Rigel #2 / Eve Is Out M53/M54 1:20 28. Eve Cooks/Eve Is Tired / Pretty Eve M55/M56–61/M62 3:06 29. Mudd’s Farewell / Back in Orbit† M63/M64 1:20 † Based on a Theme by Alexander Courage The Corbomite Maneuver Music Composed and Conducted by FRED STEINER Episode #3, Recorded 9/20/66 • Aired #10, 11/10/66 Total Time: 7:12 30. Space Cube / Condition Alert M12/M13 1:22 31. Quiet Cube / Radiation M12A/M23A 1:11 32. Cube Radiation M23 1:20 33. Fesarius / Fesarius Approaches M31/M31A 2:06 34. Hideous Balok M33 0:27 35. Baby Balok M61A 0:35 Balance of Terror Music Composed and Conducted by FRED STEINER Episode #9, Recorded 9/20/66 • Aired #14, 12/15/66 Total Time: 5:35 36. The Enterprise / In the Chapel† M11/M11A 1:23 37. Romulan Agitato 9MB 0:58 38. Romulan B.G. 9MC 0:41 39. Romulan Theme M22 0:56 40. Theme From STAR TREK* / Romulan Warship / Romulan Theme 9MA pt 4/M31/M22A tk 3 0:56 41. Romulan Centurion M43 0:32 † Contains “Long, Long Ago” by Thomas Haynes Baly and “Bridal Chorus” by Richard Wagner What Are Little Girls Made Of? Music Composed and Conducted by FRED STEINER Episode #10, Recorded 9/20/66 • Aired #7, 10/20/66 Total Time: 7:18 42. Big Ruk M17A/M17/M17B 0:56 43. Meet Andrea / Android Kirk M22/M22A/M42 1:11 44. Ruk Protect / Ruk Attacks M43/M43A 3:18 45. Ruk Attacks / Enter Andrea M43AB/M54 1:47 The City on the Edge of Forever Music Composed and Conducted by FRED STEINER Interpolating “Goodnight, Sweetheart” by Jimmy Campbell, Reginald Connelly and Ray Noble Episode #28, Recorded 3/24/67 • Aired #28, 4/6/67 Total Time: 9:42 46. New York 1930 M26–30,M26–30B 1:38 47. Edith’s Theme† M33 1:25 48. Edith Suspects† M43 1:21 49. Goodnight, Sweetheart (vocal)† M44 1:28 50. Edith’s Fate† / Edith Must Die M47/M47A 1:16 51. Edith’s Vision† M51 0:46 52. Edith Falls† M61 0:55 53. Edith’s Death† M65 0:38 † Contains “Goodnight, Sweetheart” by Jimmy Campbell, Reginald Connelly and Ray Noble, published by Campbell, Connelly Inc. and EMI Robbins Catalog Inc. (ASCAP). 54. End Title* (cello version, arr./cond. Steiner) 0:45 55. Desilu I.D. (Wilbur Hatch) 0:05 Total Disc Time: 77:56 * Contains “Theme From STAR TREK (TV Series)” by Alexander Courage and Gene Roddenberry This is a CD format release. Order yours at www.lalalandrecords.com starting Sept. 5 at 12noon (pst) La-La Land Records and CBS Studios proudly present STAR TREK: THE ORIGINAL SERIES – THE 1701 COLLECTION VOL. 2, the second in a series of limited edition CD releases that showcase original scores from the landmark sci-fi television series STAR TREK (1966-1969). Containing music originally from our long out-of-print 2012 Original Series Box Set, these exciting volumes utilize the same restored master as that acclaimed release, but feature new packaging by Dan Goldwasser, along with brand new, exclusive liner notes by film music writer and Trek historian, Jeff Bond. This ground-breaking, iconic music, from one of television’s most acclaimed and beloved series, is now again available for fans everywhere! Vol 2 of the 1701 Collection focuses on the Trek TOS music of renowned composers Sol Kaplan, Joseph Mullendore, Gerald Fried, Wilbur Hatch, Fred Steiner and Alexander Courage, containing original music from the classic episodes THE ENEMY WITHIN, THE CONSCIENCE OF THE KING, SHORE LEAVE, CATSPAW, FRIDAY’S CHILD, along with FIRST SEASON LIBRARY CUES and MAIN and END TITLE VARIATIONS. Produced by Lukas Kendall, Neil S. Bulk and Jeff Bond, restored by Chris Malone and mastered by Doug Schwartz, this limited edition 2-CD release of 1701 units, as well as forthcoming volumes of this series, illustrate how the original Trek series scores not only teem with action, adventure and drama, but how they are also infused with deep emotion and the greatness of the human spirit. Such characteristics have kept these richly orchestrated tracks vital and relevant decades beyond their original recording. TRACK LISTING: DISC 1 1. Main Title* (2006 recording, cello version) 0:52 THE ENEMY WITHIN (Total Time: 22:59) 2. The Rock Slide*/Beam Up*/ The Evil Kirk M11/M12/M13 1:11 3. Alter Ego* M14 1:01 4. The Tired Captain* M15 0:42 5. Brandy M16 0:48 6. The Lascivious Captain M17–21 2:37 7. Bruised Knuckles/An Impostor M22/M23 1:34 8. Kirk’s Log*/Indecisive*/Evil Fury M24/M31/M32 2:48 9. Confrontation* M33 2:18 10. The Prone Body*/Shivering Sulu*/No Repair M34–41/M42/M43 0:37 11. What to Do?* M44 0:43 12. Another Brandy/The Evil Grin/Double Dog Death* M45/M46/M51 1:24 13. Spock Takes Over*/Help Me* M52/M53 2:04 14. Evil Triumphs M54–61 1:06 15. Two Into One* M62 2:18 16. One Captain Kirk*/Thank You, Yeoman* M63/M64 1:19 THE CONSCIENCE OF THE KING (Total Time: 26:14) 17. Dagger Sweet’ner/Go for Baroque/Play-Off #1 M11A/M11/M12 1:26 18. Spaceship Titles*/Dr. Leighton’s Face/Bridge #1* M13/M14/M15 1:12 19. Quasi-Sex* (Theme From STAR TREK, jazz version; Courage/Roddenberry, arr. Mullendore) LM5 1:37 20. Lenore M16–21 1:45 21. Kirk and Lenore*/He’s Dead M22/M23 1:43 22. Spaceship*/5 Sex and a ½/Play-Off #2* M24/M25/M26 1:10 23. Spaceship Play-On*/Toast and Corridor*/Lenore’s Kiss/Short Bridge M27/M31/M32/M33 2:31 24. Poison M41 0:37 25. Play-On #2*/Quick Ship*/Phaser Overload M42/M43/M44 1:39 26. Kodos?/Voice Test M45/M46 1:33 27. Everything Is Later*/Play-Off #3* M51/M52 1:52 28. Ship Play-On*/Woodwind Fanfare/Riley Gone M53/M54/M55 1:10 29. Go for Baroque M11 (M56) 1:25 30. I Know That Voice/All Ghosts Dead M57/M58–61 3:02 31. Opheliamania*/Bridge #2*/Last Cue* M62/M63/M64 3:02 SHORE LEAVE (Total Time: 20:35) 32. New Planet/Rabbit Music M10A/10B 2:21 33. School Chum/Finnegan M23/M23A 1:40 34. 2nd Ruth (Ruth) M31A 2:38 35. Old English/Tiger/Costume/Birds/SamuraiM33/M33A/M33B/M34/M34A 3:51 36. Knight/Joust M41/M41A 1:28 37. Dummy/Like Real M43/M44 0:57 38. A Clue/Finnegan’s Return/The Leg Trick/Dirt Trick M45–50 Pt. 1/M45–50 Pt. 2/M51/M53 4:34 39. Tiger Thoughts/Strafing/2nd Samurai/Caretaker/Lazarus M55–60/M55–60A/M55–60B/M61/M62 2:03 40. 2nd Ruth/Ruth to Commercial (2nd Ruth) M31A/M24B 0:51 FIRST SEASON LIBRARY MUSIC (Total Time: 7:38) 41. Impension* LM1 (cond. Steiner) 1:10 42. Lonely to Dramatic* LM3 (cond. Steiner) 1:27 43. Romantic Scene* LM6 (cond. Steiner) 0:47 44. Love Scene* LM4 (cond. Steiner) 1:16 45. Pensive Mood* 13LM2 (cond. Mullendore) 2:10 46. Play-Off (with button)* 13LM5 (cond. Mullendore) 0:15 47. Play-Off (with sustain)* 13LM5A (cond. Mullendore) 0:19 Total Disc Time: 78:41 * Contains “Theme From STAR TREK (TV Series)” by Alexander Courage and Gene Roddenberry Tracks 41–44 recorded with “The Corbomite Maneuver,” “Balance of Terror” and “What Are Little Girls Made Of?” (Vol. 1). Tracks 45–47 recorded with “The Conscience of the King” (pg. 7). ----------- DISC 2 1. Main Title* (2nd Season, Soprano Version) 1:01 CATSPAW (Total Time: 31:30) 2. Starship*/Captain Kirk M11/M12+M12X 1:13 3. Orbiting Ship*/Fog Planet M13/M13A+M13B 1:51 4. Thicker Fog/Witches M14+M14A/M15 1:48 5. Fog Storm/Castle/Second Castle M16–20+M16–20A/M21/M22 2:28 6. Cat Music/Enterprise* M22X/M22A 1:05 7. Follow That Cat/Brain-Washed M23/M24 2:10 8. Drugged/Scene Change Sweetener/Korob/Lap Kitten/Cat as Hostess/Free Meal/The Bribe M25/M25A/M26/M31/M32/M33+M33A/M34 3:27 9. Sylvia/Unguarded Entrances/Sympathetic Magic M35/M36/M37+M37X 2:42 10. Cooking Lesson/Force Field M41/M42 1:31 11. Defeated Captain/Music to Dent Force Fields By M43/M44 1:06 12. Bones, the Zombie M45 0:45 13. Love, Sort Of M51 3:26 14. Kirk Caught/Rescue M52/M53 0:52 15. Racial Memories/Captain Kirk/Mace Fight M54–60/M54–60A/M61 3:32 16. Giant Cat M62+M25A 1:32 17. Wand-Breaking/The Prototypes/Five to Beam Up* M63+M25A/M64+64B/M64A 1:33 FRIDAY'S CHILD (Total Time: 23:23 18. Ship*/Capella IV M11/M12 1:09 19. Captain’s Log* M13A/M13 2:06 20. Klingon Ship/Music for Fruits/The Teer M14/M15/M16-20 1:26 21. The Challenge/Klingon Blip M21/M21A 1:09 22. Distress Signal M22 1:43 23. Arm Barbeque/Slow Turn/Call of Duty M24/M25/M26 0:56 24. Scott/Bones’ Good Idea/Capellan Desert M31/M32/M33A 2:16 25. Belly Feeler M34 2:13 26. Sonic Ambush/Bouncing Boulder M35/M36 1:03 27. Kras on the Rocks/Paternity Case/New Capellan in Town M41/M45/M51 1:43 28. Negative Report/Old Russian Saying/The Mother Splits M53/M54/M55 1:34 29. The Baby Sitter/Road Hog M56/M57 0:44 30. Down the Throat M58 1:13 31. Arrows M61 1:29 32. Forfeit M62 1:32 33. Coochy Coo*/Godfathers* M63/M64 0:40 FIRST SEASON LIBRARY MUSIC (Total Time: 17:11) 34. Love Scene* 13LHM3 (cond. Mullendore) 1:29 35. Humoresque* 13LHM7 (cond. Mullendore) 0:43 36. Humoresque (tag)* 13LHM7A (cond. Mullendore) 0:13 From “Charlie X” (cond. Steiner) 37. That’s a Girl M12X 0:42 38. Kirk’s Command M13X 0:57 39. Charlie’s Mystery M14X 0:45 40. Kirk Puzzled (Library Version #1) M34X 0:39 41. Kirk Puzzled (Library Version #2) M34Y 0:22 42. Kirk Puzzled (Library Version #3) M34Z 0:15 43. Zap Sam M41X 1:01 44. Zap the Pistol (Library Version #1) M42X s1 0:42 45. Zap the Pistol (Library Version #2) M42X s2 0:12 46. Standoff (Library Version #1) M43X 0:54 47. Standoff (Library Version #2) M43Y 0:17 48. Standoff (Library Version #3) M43Z 0:09 49. Zap Janice M52X 1:00 50. Zap the Spaceship (Library Version #1) M54X s1 0:09 51. Zap the Spaceship (Library Version #2) M54X s2 0:06 52. Charlie’s Friend (Library Version #1) M61X s1 0:41 53. Charlie’s Friend (Library Version #2) M61X s3 0:10 From “Mudd’s Women” (cond. Steiner) 54. The Last Crystal (Library Version #1) M31X 0:14 55. The Last Crystal (Library Version #2) M31X s3 0:08 From “The Corbomite Maneuver” (cond. Steiner) 56. Condition Alert M13A 0:14 57. Hideous Balok M33A 0:25 58. Baby Balok M61 0:31 From “Balance of Terror” (cond. Steiner) 59. Theme From STAR TREK* (Library Version #1) 9MA pt 1 0:13 60. Theme From STAR TREK* (Library Version #1) 9MA pt 2 0:15 61. Theme From STAR TREK* (Library Version #1) 9MA pt 3 0:12 62. Theme From STAR TREK* (Library Version #1) 9MA pt 4 0:12 63. Romulan Theme M22/M22A s1 0:52 64. Edith Must Die (Library) M47B (“City on the Edge of Forever,” Steiner) 0:12 65. Joe Berserk (alternate) M21 s3 (“The Naked Time,” Courage) 0:14 66. Leg Trick (alternate) M51/M51A (“Shore Leave,” Fried) 1:02 67. End Title* (2nd Season, Soprano Version) 0:47 Total Disc Time: 74:17 * Contains “Theme From STAR TREK (TV Series)” by Alexander Courage and Gene Roddenberry This is a CD format release.
  3. Pleasantville (1998) was a high-concept fantasy-comedy about high-school siblings (Tobey Maguire and Reese Witherspoon) transported into an idyllic, black-and-white 1950s Leave It to Beaver-type TV show. In the hands of writer/director Gary Ross, the film is more than just a fish-out-of-water tale with dazzling VFX—it is a touching character study and potent Civil Rights allegory that received critical acclaim and is fondly remembered today. Scoring Pleasantville was a master of Americana, humor and symphonic scoring, Randy Newman. Newman had cheeky fun with the show-within-the-film’s old-school traditions, but just as the story blossoms into a heartfelt tale of emotional awakening—with a beautiful performance by Joan Allen as a repressed mother—so does the gorgeous score. “Randy is unique in the fact that he can write with a depth of emotion, and he’s also an accomplished satirist,” says Gary Ross in the new liner notes by Tim Greiving. “He could write to the vernacular of what the movie was, but not be limited by it. That’s what the film is trying to do, and it really needs someone who can understand the breadth of those intentions... I’ve never been happier with any score, on any movie.” Features: Varèse Sarabande released Pleasantville’s score album in 1998 as a 17-track, 31-minute edition. As the film celebrates its 25th anniversary, this Deluxe Edition features an expanded program of 34 tracks and 66 minutes. Track List: 1. The Pleasantville Theme 2. Get Ready* 3. New TV Remote And The Fight* 4. We’re Stuck (The Breakfast Scene)* 5. School And Basketball* 6. Mr. Johnson And Missed Shots* 7. In The Bath 8. Bud’s A Hero 9. Make-Up 10. The Art Book 11. Real Rain (Extended Version)** 12. Let’s Go Bowling 13. Together 14. Waking Up 15. No Umbrellas (Extended Version)** 16. Nude Painting* 17. Punch 18. Burning The Books 19. The Aftermath (Extended Version)** 20. Mural 21. A New Day 22. Goodbye 23. Pleasantville Bumper* 24. The Sweater Additional Music: 25. Make-Up (Film Version)* 26. The Art Book (Alternate)* 27. Together (Film Version)* 28. No Umbrellas (Alternate)* 29. The Aftermath (Alternate)* 30. Mural (Film Version)* 31. A New Day (Alternate)* 32. A New Bus (Film Construct)* 33. Pleasantville Theme Play-Off* 34. Pleasantville End Credits Suite* * Previously unreleased ** Contains previously unreleased material
  4. Serenity (2005) was the feature film sequel of Joss Whedon’s short-lived space-western TV series, Firefly (2002–03). When fans lamented the loss of the canceled show, Universal rescued the titular spaceship and its charismatic crew (including Nathan Fillion, Morena Baccarin and Alan Tudyk) for a big-screen adventure written and directed by Whedon. Scoring Serenity was David Newman, whose vast and diverse filmography lent him well-prepared for anything the film might throw at him. From worldbuilding to character comedy to harrowing action, the score runs the gamut—but always hews to a sense of family and “home” for the Serenity and her offbeat crew. Solo cello and folksy percussion are found alongside eerie “ethnic” approaches, which turn dark and brutal for the barbaric villains, the Reavers, as the film explores their secret origin. But Newman balances the weirdness with familiar, dramatic orchestral scoring, ultimately creating an eclectic tapestry for Whedon’s unique vision. Features: Varèse Sarabande’s 2005 soundtrack CD for Serenity was released as a 23-track, 50-minute program. This Deluxe Edition expands the album into a 2CD set, with 54 tracks featuring 90 minutes of prime David Newman sci-fi action, adventure, and emotion, as chronicled in new liner notes by Daniel Schweiger. Track List: SERENITY: CD1: 1 Opening/Intro To River 3:11 2 Escape 1:30 3 The Operative 0:49 4 Death Of Mathias 3:12 5 Serenity 0:50 6 Going For A Ride 2:24 7 Trading Station Robbery 3:08 8 Reaver Chase 3:41 9 Pop Goes The Reaver 0:15 10 They Never Lie Down 0:39 11 Mal Reminices 1:25 12 Transition 1:23 13 Maidenhead Bar 2:14 14 River Goes Wild 1:28 15 Mal Takes River In 1:04 16 River’s Eyes 0:12 17 Mal’s Decision 0:45 18 Mr. Universe 0:28 19 Subliminal Message 1:08 20 River & Simon In Locker 0:55 21 Haven Guitar 1:01 22 Come At You Sideways 1:26 23 School Flashback 0:35 24 Mal & Inara 0:28 25 Flight To Training House 0:57 26 Training House Fight 1:57 27 Escape From Training House 0:56 28 School Flashback/Miranda 1:37 29 River Gets Out 2:08 30 River Shows Mal & Miranda 0:29 31 Haven Destroyed 0:54 32 Shepherd Book’s Last Words 1:00 33 Warn Everyone We Know 0:36 34 You’re Not A Reaver 0:57 CD2: 1 Mal Decides 3:09 2 Population Dead 3:55 3 Truth/Mal’s Speech 3:36 4 Universe Gets It 1:17 5 Space Battle 3:21 6 Crash Landing 1:59 7 Wash Killed/Run To Black Room 2:55 8 Mr. Universe Dead 2:28 9 Generator Room 3:06 10 Mal & OP Fight 2:11 11 Simon Shot/River Runs 1:57 12 Jayne & Zoe/Final Battle 2:44 13 Broadcast Beams/River Is Alive 1:39 14 Funeral/Rebuilding Serenity 2:19 15 Prep For Flight 1:33 16 Love/Serenity 1:06 17 Serenity End Credits Pt. 1 1:38 18 Serenity End Credits Pt. 2 2:03 19 Serenity End Credits Pt. 3 0:43
  5. World premiere release of Jerry Goldsmith’s original soundtrack from 1977 WWII film! Universal Pictures releases for Richard D. Zanuck/David Brown productions with Frank McCarthy producing, Hal Barwood & Matthew Robbins script, Joseph Sargent directs with Gregory Peck starring as the famed titular character of General Douglas MacArthur. Movie follows MacArthur in his combat exploits in the South Pacific during the latter years of WWII. Significant losses at Corregidor, victories in the Pacific, ultimate surrender of Japan, China’s conflict with Korea, all are captured in Jerry Goldsmith’s powerful score. The music anchors with a sturdy, propulsive military march given an unusual introductory idea: left-hand piano rhythms played with mallets on the strings. This dramatic effect reappears in several sequences. But Goldsmith’s march is judiciously used. Getting considerable attention is a much more nostalgic theme identifying MacArthur’s respect for West Point and the military traditions. Interestingly, a secondary idea heard as a “B” section of the composer’s march also gets considerable attention and in many instances becomes a major theme on its own. In fact, when the final end credits playout with a dynamic return of the march, Goldsmith adds a coda of powerful fortissimo major chords declaring that secondary idea to close the score. Commanding idea! There is so much more in Goldsmith’s score as well: Film covers losses by both U.S. and Filipinos as well as the Japanese, and the loss of face and defeat in Japan is given darker material. “New Era” is a moving highlight with Goldsmith building on a traditional Japanese melody (“Sakura Sakura”) in low strings colored with striking solo phrases from bassoon. MCA Records issued highlights in a re-recorded album at the time of the film’s release but the actual film versions of Goldsmith’s score have never been released - until now. Some of the differences between the film and re-recorded versions are subtle, other differences are striking. The soundtrack version of the score also includes numerous cues not contained on the 1977 album. Newly re-mastered presentation of that original album also appears. Complete score is presented from 1/2” 3-channel session masters. Several extras include source material recorded at the sessions plus a powerful specially-recorded performance of Goldsmith’s exciting “Hard Gained Ground” cue from Lonely Are The Brave in which a few seconds of the take are heard as source music in MacArthur. Wow! John Neal engineers at The Burbank Studios, Arthur Morton orchestrates, Jerry Goldsmith composes, conducts. Intrada Special Collection 2-CD set available while quantities and interest remain! Play all clips CD 1 MacArthur – The Score 01. MacArthur – Main Title (MacArthur March) (2:08) 02. The Tunnel [Long Version] (0:36) 03. MacArthur March [March Indoors] (With Drum Intro) (1:10) 04. I Shall Return (3:53) 05. To Australia (0:51) 06. The Minefield (1:52) 07. Statistics (1:47) 08. Surrender (0:54) 09. Attack Training (0:43) 10. Casualties (0:51) 11. Propaganda (2:26) 12. Change Is Inevitable (1:22) 13. Stand By [Marcato Trumpets] (1:42) 14. The Landing (3:26) 15. The Prison (1:30) 16. The Reunion (0:50) 17. Missouri [Extended Version] (0:43) 18. The Treaty (2:16) 19. New Era (3:01) 20. Newsreel – #1 (0:40) 21. Newsreel – #2 (0:20) 22. Hard Gained Ground (From Lonely Are The Brave) (2:03) 23. The Last Gift (1:56) 24. Ambush (0:55) 25. Reflections (1:03) 26. MacArthur March [Newsreel] (1:05) 27. I Bid You Farewell (2:07) 28. MacArthur – End Title (MacArthur March) (1:54) Score Time: 46:41 Score Alternates 29. The Tunnel [Short Version] (0:31) 30. MacArthur March – Drums (0:10) 31. MacArthur March [March Indoors] (Without Drum Intro) (1:07) 32. I Shall Return (Alternate Mix) (3:50) 33. Stand By [Legato Trumpets] (1:42) 34. Missouri [Original Version] (0:26) Alternates Time: 8:06 Source Music 35. Waltzing Matilda (A.B. Paterson/Marie Cowan) (2:04) 36. Don’t Sit Under The Apple Tree (Lew Brown/Charles Tobias/Sam H. Stept) (0:41) 37. Funeral March (Piano Sonata No. 2, Op. 35) (Frederick Chopin) (0:57) 38. Symphony No. 7 In A Major – Mvt. 2 (Beethoven) (1:32) 39. Admiral Byrd (Billy May) (0:29) 40. Undecided – Instrumental (Sid Robin/ Charles Shavers) (1:08) 41. Orpheus In Hades – Can-Can (J. Offenbach, Arr. Hal Mooney) (0:20) 42. Mayday In Moscow (From The Front Page) (Billy May) (0:48) Source Music Time: 8:27 CD 1 Total Time: 62:30 CD 2 Original 1977 Soundtrack Album 01. MacArthur March (Main Title) (2:48) 02. I Shall Return (3:56) 03. The Treaty (2:35) 04. The Tunnel (2:32) 05. Statistics (3:03) 06. Stand By (2:07) 07. A Last Gift (2:24) 08. New Era (3:24) 09. The Landing (3:40) 10. The Minefield (2:36) 11. I Bid You Farewell / MacArthur March (4:15) CD 2 Total Time: 33:42
  6. LIVE AND LET DIE – 50th ANNIVERSARY: EXPANDED/REMASTERED LIMITED EDITION (2-CD SET) LLLCD 1625 Music by George Martin Title Song Composed by Paul and Linda McCartney Performed by Paul McCartney and Wings Limited Edition of 5000 Units RETAIL PRICE: $31.98 STARTS SHIPPING JAN 16 Available to order now at www.lalalandrecords.com La-La Land Records, Metro-Goldwyn-Mayer, EON Productions and Universal Music Enterprises proudly commemorate the 50th Anniversary of the 1973 James Bond film LIVE AND LET DIE, with a remastered and expanded 2-CD re-issue of composer George Martin’s original motion picture score to the film, starring Roger Moore in his debut portrayal of 007 and directed by Guy Hamilton. A new Bond demanded a fresh take on the film’s score and its title song - and famed composer and Beatles producer George Martin and former Beatle himself Paul McCartney more than succeed in this challenging mission, resulting in a film score and title track that, fifty years later, still resonates with Bond buffs and popular-music fans alike! LIVE AND LET DIE – 50th ANNIVERSARY EXPANDED LIMITED EDITION showcases the film’s iconic music in exhilarating fashion, with improved sound and never-before-released material. Produced by Neil S. Bulk, Disc One of this release showcases the Score Presentation, while a remaster of the original 1973 soundtrack album is housed on Disc Two, along with additional music tracks! The film score and original soundtrack album have been remixed from original 16-track masters by Chris Malone and mastered by Doug Schwartz in high resolution. (Please note only the score has been remixed – the McCartney song, the "Fillet Of Soul" tracks and "Just A Closer Walk With Thee/New Second Line" are all sourced from the original album masters.) This special release is limited to 5000 units and features exclusive, in-depth liner notes by “The Music of James Bond” author Jon Burlingame and sharp art design by Dan Goldwasser. TRACK LISTING: DISC 1 55:07 SCORE PRESENTATION 1. Gun Barrel / Voodoo Ceremony 1:30 2. Live And Let Die (Main Title) 3:11 Performed by Paul McCartney & Wings 3. Bond To New York 1:26 4. Whisper Who Dares 1:44 5. Oh Cult Voodoo Shop 1:18 6. James Bond Theme (Film Version) 1:45 7. Bond Meets Solitaire (Extended Version) 2:54 8. Baron Samedi's Dance Of Death (Film Version) 1:43 9. San Monique 1:58 10. Snakes Alive (Film Version) 2:41 11. Bond And Rosie 1:04 12. Fortune Telling :46 13. Rosie Flees 2:05 14. Bond Drops In (Film Version) :55 15. The Lovers 2:18 16. If He Finds It, Kill Him 1:21 17. Low Bridge :59 18. New Orleans 1:02 19. Just A Closer Walk With Thee / New Second Line 2:19 Performed by Harold A. “Duke” Dejan & The Olympia Brass Band 20. Fillet Of Soul – New Orleans / Live And Let Die / Fillet Of Soul – Harlem 3:18 Performed by B.J. Arnau 21. Bond's Watch :58 22. Solitaire Gets Her Cards 1:51 23. Trespassers Will Be Eaten (Extended Version) 2:49 24. Boat Chase 2:04 25. Sacrifice (Film Version) 3:22 26. Underground Lair 4:01 27. On The Train / Finale 3:04 DISC 2 46:12 ORIGINAL SOUNDTRACK ALBUM 32:14 1. Live And Let Die (Main Title) 3:11 Performed by Paul McCartney & Wings 2. Just A Closer Walk With Thee / New Second Line 2:19 Performed by Harold A. “Duke” Dejan & The Olympia Brass Band 3. Bond Meets Solitaire 2:16 4. Whisper Who Dares 1:44 5. Snakes Alive 2:28 6. Baron Samedi's Dance Of Death 1:14 7. San Monique 1:58 8. Fillet Of Soul – New Orleans / Live And Let Die / Fillet Of Soul – Harlem 3:18 Performed by B.J. Arnau 9. Bond Drops In 3:28 10. If He Finds It, Kill Him 1:21 11. Trespassers Will Be Eaten 2:46 12. Solitaire Gets Her Cards 1:51 13. Sacrifice 2:31 14. James Bond Theme 1:29 ADDITIONAL MUSIC 13:51 15. San Monique (Early Version) 2:47 16. Boat Chase Pt. 1 (Early Version) 1:51 17. Fillet Of Soul – New Orleans / Live And Let Die / Fillet Of Soul – Harlem (Alternate) 3:19 Performed by B.J. Arnau 18. Underground Lair (Alternate Opening) :37 19. Sacrifice (Extended Album Version) 3:22 20. Baron Samedi's Dance Of Death (Extended Album Version) 1:43 Total Album Time: 1:41:19 This is a CD format release
  7. CUTTHROAT ISLAND: LIMITED EDITION (2-CD SET) LLLCD 1387 Music by John Debney Limited Edition of 1500 Units RETAIL PRICE: $19.98 STARTS SHIPPING JULY 12 La-La Land Records and Studiocanal present the remastered 2-CD re-issue of acclaimed composer John Debney’s (THE JUNGLE BOOK, IRON MAN 2, THE PASSION OF THE CHRIST) breathtaking original motion picture score to the 1995 pirate-themed action epic CUTTHROAT ISLAND, starring Geena Davis, Matthew Modine and Frank Langella, and directed by Renny Harlin. Previously out-of-print, Debney’s acclaimed orchestral thrill-ride of a score, performed by the London Symphony Orchestra, returns to the hearts and ears of film music enthusiasts everywhere! Produced by Neil S. Bulk and newly mixed and mastered by Mike Matessino from high resolution digital 3-track elements, this 2-CD re-issue of one of Debney’s finest works also showcases all-new art design by Jim Titus and new, in-depth liner notes from writer Jeff Bond, featuring new comments from Debney and director Renny Harlin. This is a limited edition of 1500 units. TRACK LISTING: DISC 1 1 Main Title: Morgan’s Ride 4:43 2 The Rescue 3:43 3 Purcell Snatcher 3:00 4 Shaw is Caught 1:19 5 The Funeral 1:33 6 Morgan in Command 2:50 7 The Language of Romance 2:42 8 A Lady Scorned 1:38 9 The Chase Begins / Carriage Chase 7:29 10 Ainslee Plots / To Spittlefield / Uncle Mordechai 5:40 11 Morgan Captured / Sword Fight 5:30 12 Escape from Mordechai’s 2:13 13 Setting Sail 1:05 14 Charting the Course 2:22 15 First Kiss 1:56 16 Dawg’s Plan / Shaw Discovers Location 3:22 17 The Betrayal 2:16 18 The Storm Begins 2:45 19 To the Bottom of the Sea 2:46 20 The Island 3:40 21 Shaw Steals the Map 3:33 22 Discovery of the Cave (extended version) 5:28 Total Time CD1 71:38 DISC 2 1 Discovery of the Treasure 2:25 2 Caught 1:37 3 Dawg’s Pets 2:16 4 The Big Jump 2:40 5 Shaw Captured 2:33 6 Morgan Takes the Ship 4:32 7 The Hangman’s Noose 3:56 8 The Battle 6:12 9 To Dawg’s Ship 2:32 10 Morgan Battles Dawg 6:05 11 Dawg’s Demise / The Triumph 3:35 12 It’s Only Gold / End Credits (extended version) 10:03 13 The Wedding Waltz 2:49 14 Main Title: Morgan’s Ride (alternate take without choir) 4:39 15 Carriage Chase (album ending) 7:24 16 Dawg’s Demise / The Triumph (without choir) 3:35 17 Morgan’s Ride and The Rescue (synth demo version) 7:33 Total Time CD2 74:30 Total Album Time: 146:08 Wie schon erwartet...wird bestellt. %7BfileStore.core_Attachment%7D/monthly_07_2016/post-5784-0-70438100-1467706985.png
  8. In einem Interview sprach James Horner über die kommende Arbeit am Avatar-Sequel Damit ist wohl klar, dass er Pandora treu bleiben wird.
  9. Neben dem Goldie gab es von Intrada auch noch diese 4 CD-Box. Disc 3 Count Your Blessings (1959) 01. Main Title (2:29) 02. Dinner Date (0:32) 03. London Tour (2:29) 04. Honeymoon (3:27) 05. The Carpet (0:31) 06. The Duke (1:04) 07. Charles Is Back (3:08) 08. Sigi/Sigi Can’t Sleep (5:20) 09. Good Morning (0:45) 10. Biarritz (1:50) 11. The Measles (2:04) 12. Sigi’s New Room (1:09) 13. The Long Carpet (1:04) 14. The Other Place (0:51) 15. The Visit (0:51) 16. Outing With The Duke/The Duke’s Wife (4:24) 17. The Museum (0:43) 18. Revolt (0:46) 19. Paris Tour With Sigi (2:08) 20. Man To Man Talk (0:18) 21. Sigi Runs Away (4:52) 22. End Title (0:19) Score Time: 41:13 The Extras 23. Should I (Nacio Herb Brown & Arthur Freed) (2:25) 24. Liebestraum No. 3 In A-Flat Major (Franz Liszt) (1:34) 25. Swan Lake Ballet Act I – Excerpts (Pyotr Ilyich Tchaikovsky) (3:21) Extras Time: 7:22 Total Time: 48:41 Love on the Run (1936) 26. Main Title/Running Bride (2:05) 27. Ox Cart/Newspaper Montage (1:07) 28. The Castle (1:36) 29. The Statue (1:22) 30. The Ghost/Sally Alone (2:26) 31. Love Scene/Nice (2:11) 32. Gone (3:02) 33. Gone (Continued) And End Title (1:29) Total Time: 15:39 Fury (1936) 34. Opening Title Music (1:51) 35. Chatter Music (2:29) 36. At Joe’s Home (0:23) 37. Ghosts (1:03) 38. End Title And Cast (0:38) Total Time: 6:38 Disc 4 Suspicion (1941) 01. Main Title (1:00) 02. Honeymoon Montage (0:45) 03. Melbeck’s Office (3:22) 04. Looking For Johnnie (2:36) 05. Lina Alone (4:27) 06. Morning Mail (3:19) 07. Too Fast (1:12) 08. Finale (1:02) Total Time: 18:00 The Devil-Doll (1936) 09. Main Title (1:37) 10. Little Dog/Big Dog (1:07) 11. Laschna (2:40) 12. Buying Flowers (1:00) 13. First Victim/Revenge (1:04) 14. Nightmare/Jewel Thief (5:30) 15. In The Restaurant (1:43) 16. Lorraine And Her Father/Finale (4:36) Total Time: 19:32 King of the Roaring 20’s – The Story of Arnold Rothstein (1961) 17. Opening Scene And Main Title (2:51) 18. Young Arnold (1:38) 19. Rothstein And Burke (1:30) 20. Three Times Raided (1:29) 21. Rector’s Restaurant (4:42) 22. Goodnight, Carolyn (1:03) 23. Visit With Papa (2:15) 24. Goodbye, Papa (1:13) 25. Champagne (0:55) 26. Interrupted Romance (2:01) 27. That Feels Good (1:52) 28. Doublecross (0:54) 29. Down And Out/Burke’s Death (4:27) 30. It’s Midnight (3:32) 31. Montage (0:45) 32. No Dice (0:56) 33. Speakeasy Charleston 3 (1:05) 34. The Last Deal (1:07) 35. The Last Walk (1:15) 36. Hospital Scene And End (1:57) Total Time: 37:55
  10. Zum ersten Mal überhaupt erscheint der Score zu THE EXORCIST III als Album. Waxwork Records haben ihn angekündigt, allerdings scheint er nur auf Vinyl zu erscheinen. CD oder Streaming wurden bisher nicht erwähnt.
  11. Und die „Rob Zombie Presents"-Reihe geht weiter: Rob Zombie and Waxwork Records have partnered to release an exclusive, curated line of classic Horror movie soundtracks. “Rob Zombie Presents” features several never-before-released film soundtracks that were personally selected by the singer, songwriter, and filmmaker. “I have always been a huge fan of movie soundtracks. So I jumped at the opportunity to work with Waxwork on this project.” Says Zombie, “I can’t wait to release these albums. So many of these films are greatly under appreciated and, they all contain such great music. So, to be able to release these deluxe packages is a dream come true.“ - Rob Zombie Rob Zombie and Waxwork Records are thrilled to announce “Rob Zombie Presents CARNIVAL OF SOULS Original Motion Picture Soundtrack by Gene Moore". Starring Candace Hilligoss, CARNIVAL OF SOULS is a 1962 American psychological Horror film directed by Herk Harvey. The plot follows a young woman whose life is disturbed after becoming the sole survivor of a car accident. Trying to put the incident behind her, she moves to Utah to take up a job as a church organist. Unable to assimilate with the locals, her life is soon interrupted by visions of a ghoulish stranger. As her visions become more frequent, she finds herself strangely drawn to an abandoned carnival on the outskirts of town. The alluring, deserted carnival may hold the secret to her tragic past. CARNIVAL OF SOULS features an organ score by Gene Moore. Employing various guerrilla filmmaking techniques and shot on a shoestring budget of only $33,000, CARNIVAL OF SOULS has become a cult classic and has been praised by critics and film scholars for its cinematography and its stark, foreboding atmosphere. Waxwork worked closely with the owners of the original CARNIVAL OF SOULS film elements which have been restored by and archived in the vaults of the Academy of Motion Picture Arts and Sciences. AMPAS restored the soundtrack from the film's original soundtrack negative, allowing the holders of this historical film to provide Waxwork with the best possible source material. This special release marks the first, official CARNIVAL OF SOULS soundtrack album. In addition to the original soundtrack, this release features segments of dialogue and sound effects eloquently and tastefully included, all sourced from the restored original soundtrack negative. After working together on the successful release of the official soundtracks to Zombie’s films House of 1000 Corpses, The Devils Rejects, 3 From Hell, The Lords of Salem, Halloween 1 & 2, and The Munsters, Zombie explored other ways to collaborate with Waxwork in an effort to unearth, re-master, and release classic, left-of-center Horror soundtracks from films that he is a lifelong fan of. The line of soundtracks features deluxe packaging, heavyweight colored vinyl, new artwork by prominent Horror illustrator Graham Humphreys, liner notes and interviews conducted by Rob Zombie with filmmakers and actors. Titles include premiere releases of White Zombie, Spider Baby, Carnival Of Souls, The Last Man On Earth, The House On Haunted Hill, Island Of Lost Souls, and many selections from the HAMMER film library. ROB ZOMBIE PRESENTS CARNIVAL OF SOULS Original Motion Picture Soundtrack Features: The Original Soundtrack Officially Available For The First Time "Carnival Ghoul" Blue Pinwheel Colored Vinyl Old Style Tip-On Gatefold Jackets with Matte Satin Coating New Art by Graham Humphreys 12"x12" Insert
  12. Quartet Records, in collaboration with Capitol Records and Universal Music Entertainment, present a 2-CD set with a revised, remastered, slightly expanded edition of scores for two landmark made-for-television filmscomposed by John Williams (STAR WARS, E.T., JURASSIC PARK, HOOK) between 1968 and 1970. Both of these adaptations of classic stories were presented by Omnibus Productions and directed by Delbert Mann, and both also earned Emmy® Awards for John Williams’ original music. Through these scores, the composer shaped the destinies of two classic literary characters as well as his own. Every effort was made to locate surviving audio elements for both HEIDI and JANE EYRE. The discovery of the original ½″ four-track masters from HEIDI containing all of the cues selected for the 1968 narrated story album facilitated an attentive new mix of the music and a presentation in narrative order. The narration record was newly transferred by Universal Music Group and is presented after the musical score. For JANE EYRE, a new high-resolution transfer of the 1971 ¼″ stereo album master was provided by Universal Music Group, with audio then fully restored. This is followed by four tracks of additional material, including a short segment of source music that is heard in the film but was not on the album. The other three tracks are alternate performances of three selections recorded for the album, “To Thornfield,” “Restoration” and the “Love Theme.” This material was sourced from two ½″ 3-track tapes that were discovered at Twentieth Century Fox in early 2019. While no additional score cues could be located, the recovery of any new material from this enduring and highly regarded John Williams work is most welcome. The entire collection has been painstakingly remixed, restored, assembled and mastered by Mike Matessino, preserving all the freshness of the original recording. The package includes a 28-page full-color booklet with in-depth liner notes by film music writer John Takis and classy art direction by Jim Titus. Disc 1. HEIDI Original Motion Picture Score 1. Overture (Theme From ‘Heidi’) 2:21 2. Arrival In Dörfli 3:12 3. To The Alm 2:00 4. Goat’s Milk 1:36 5. At The Church :57 6. Meditation Rock 2:20 7. Dinner Table :47 8. Stealing Rolls 1:10 9. The Bedroom 1:55 10. Library Talk 1:24 11. Return To Dörfli 2:56 12. Montage 1:34 13. Waiting With Grandfather 1:35 14. Separation 3:28 15. The Farewell 3:52 16. Klara Walks 3:51 Total Score Presentation: 35:27 1968 Original Soundtrack With Dialogue and Narration 17. Main Title And Overture 2:21 (John Williams and Orchestra) 18. The Old Man And The Child 2:49 (Sir Michael Redgrave, Jennifer Edwards) 19. A Place Of My Own 3:35 (Sir Michael Redgrave, Jennifer Edwards) 20. The Alm 3:39 (Jennifer Edwards) 21. The Sleeping Child 2:22 (Sir Michael Redgrave) 22. Meditation 2:25 (Sir Michael Redgrave, Jennifer Edwards) 23. A Place Of My Own (Heidi’s Theme) 2:41 (Carri Chase, Vocal) 24. Shadows 3:51 (Sir Michael Redgrave) 25. Reflections 4:16 (Jennifer Edwards) 26. A New Dimension 1:56 (Sir Michael Redgrave, Jennifer Edwards) 27. The Nature Of Things 2:25 (Sir Michael Redgrave) 28. Love Theme From ‘Heidi’ 2:54 (John Williams and Orchestra) 29. The Miracle 2:55 (Sir Michael Redgrave) 30. Finale And End Title 1:05 (Sir Michael Redgrave) Total Soundtrack Album: 39:20 Disc 2. JANE EYRE Original Soundtrack Album 1. The Love Theme From ‘Jane Eyre’ 3:17 2. Overture (Main Title) 3:57 3. Lowood 2:28 4. To Thornfield 1:53 5. Festivity At Thornfield 2:11 6. Grace Poole And Mason’s Arrival 3:03 7. Meeting 3:09 8. Thwarted Wedding 2:40 9. Across The Moors 2:39 10. Restoration 3:58 11. Reunion (End Title) 4:25 Total Soundtrack Album: 34:06 Additional Music 12. More Festivity :44 13. To Thornfield (Alternate) 1:54 14. Restoration (Alternate) 3:56 15. The Love Theme From ‘Jane Eyre’ (Alternate) 3:19 Total Additional Music: 10:02
  13. Irgendwie hätte ich es interessant gefunden, wenn die Musik von Joseph Bishara, der ja schon einige James Wan-Filme vertont hat, gekommen wäre, so ist es nun halt von Rupert Gregson-Williams.
  14. James Horner Film Music hat gerade auf ihrer Facebookseite ein neues Release von Intrada angekündigt, und es handelt sich um einen bisher unveröffentlichten Score von James Horner: Deadly Blessing
  15. JoAnn Kane Music Service Proofing John Williams' sketches for his latest movie project, "The Book Thief" https://www.facebook.com/photo.php?fbid=10151631974815326&set=a.10150658466000326.393754.62282245325&type=1&theater Bei Amazon.de kann die Musik bereits vorbestellt werden: John Williams - THE BOOK THIEF
  16. Quartet Records is proud to present a brand-new recording conducted by Fernando Velázquez of another film score that is either lost or inaccessible – in this case no fewer than five films scores by John Barry: a suspense classic from the ’60s, a film adaptation of a classic play, and three television movies starring Katharine Hepburn. John Barry would have turned 90 on November 3, 2023. The unforgettable music of this five-time Oscar winner continues to be celebrated around the world, and indeed the impact of his innovative scores for dozens of movies from the 1960s through the ’90s continues to reverberate to this day. Disc 1 includes the complete score of SÉANCE ON A WET AFTERNOON (1964), a major work previously missing from the composer’s discography. It was one of his masterpieces for Bryan Forbes that, unfortunately, remained unreleased due to the absence of master tapes. Orchestrated for a small ensemble featuring vibrant percussion and woodwinds, it’s a mysterious, suggestive, unsettling score, reaching its culmination in the long rescue sequence. As a bonus, we have included another rarity that deserves to be rescued. A DOLL’S HOUSE (1973) was one of Barry’s briefest scores: a single, sad melody for celeste, harp, harpsichord and piano, repeated three times during the film’s length. Disc 2 is devoted to three lovely telefilms: a trilogy of period play adaptations starring Katharine Hepburn. LOVE AMONG THE RUINS and THE CORN IS GREEN, both directed by George Cukor in 1975 and 1979, respectively, contain memorable main and love themes, brilliantly orchestrated. The two scores are stylistically similar, featuring strings, woodwinds, piano and harpsichord. THE GLASS MENAGERIE, adapted from Tennessee Williams’ famous play and directed by Anthony Harvey (with whom Barry had previously worked on THE LION IN WINTER) was written for solo piano, performed by the composer himself, who always claimed to be a not-very-good pianist, but it was precisely this innocence and imprecision that Harvey was looking for. For our recording, celebrated pianist Silvia Mkrtchian has approximated the spirit of the original Barry recording. If there is one thing that the five scores presented here have in common, it’s John Barry’s great ability to work with small, almost chamber-like ensembles, seeking the specific sound of each story without being an intrusive voice, always with a British personality of reserve and deftness. Leigh Phillips has painstakingly reconstructed and orchestrated all five scores. They are performed by the prestigious Orquesta de Córdoba conducted by Fernando Velázquez. Recorded and mixed by Marc Blanes, the audio has been meticulously mastered by Chris Malone in the spirit of Barry’s original recordings. Elegant design by Nacho B. Govantes with cover art designed by Jim Titus graces a 28-page booklet with an in-depth essay by film music journalist and writer (and major Barry connoisseur) Jon Burlingame. DISC 1. SÉANCE ON A WET AFTERNOON (1964) 1. Main Title From Séance On A Wet Afternoon 2:14 2. The Room 0:41 3. The Plan 0:22 4. Myra Remembers 5:26 5. Billy Leaves 0:55 6. Kidnapped 1:24 7. The Ransom Letter 1:01 8. The Prayer / Good Morning, Amanda 1:04 9. The Drop (Part 1) 2:09 10. The Drop (Part 2) 2:44 11. The Drop (Part 3) 3:02 12. We’re Mad 0:33 13. Mrs. Clayton’s Reading / The Woods 1:21 14. The Final Reading 1:21 15. Arthur’s Waiting 0:54 16. Finale From Séance On A Wet Afternoon 1:51 A DOLL’S HOUSE (1973) 17. Main Title From A Doll’s House 1:26 18. The Children 0:29 19. Tarantella 0:48 20. End Title From A Doll’s House 1:19 Total Disc Time: 31:08 DISC 2. LOVE AMONG THE RUINS (1975) 1. Main Title From Love Among The Ruins 1:41 2. There She Is 3:10 3. You Look, You Look… / Don’t You Remember? 0:36 4. The Boy Who Loved You 1:09 5. First Time I Saw You 1:53 6. I Pray You Know Me When We Meet Again 0:39 7. The Fire’s Gone Out 0:26 8. Freedom’s Prisoner 1:44 9. A Day In Court 0:50 10. Sauerbraten With Egg And Milk 5:31 11. Vision Of Portia 2:02 12. End Title From Love Among The Ruins 2:44 THE CORN IS GREEN (1979) 13. Main Title From The Corn Is Green 1:44 14. First Look / Get The Rights 1:19 15. Going To See The Squire 1:03 16. Morgan Dreams 0:27 17. Good Day, Sir 0:56 18. First Composition 1:12 19. Morgan Enrolls 1:44 20. Two Year Birthday 0:41 21. Lady Moffat Studies 0:37 22. Morgan Upset 0:38 23. To The Squire, Again 1:26 24. How Kind You Are 0:48 25. Moffat Home 0:26 26. Enraged Morgan 0:46 27. I Don’t Understand You 1:06 28. Moffat Alone 1:29 29. Off You Go 0:21 30. To Oxford 2:13 31. Reflection 1:19 32. The Lady Gets A Baby 0:53 33. Morgan Decides 2:51 34. End Title From The Corn Is Green 1:08 THE GLASS MENAGERIE (1973) 35. Main Titles From The Glass Menagerie 1:11 36. An Old Maid / Father’s Charm 1:07 37. The Argument / A Nailed-Up Coffin 0:42 38. Laura’s World 1:14 39. The Unicorn 2:11 40. Goodbye 1:41 Total Disc Time: 56:46 Total 2-CD Time: 87:54
  17. World premiere of complete James Horner early space opera soundtrack! Following on the heels of Intrada’s expanded release of Humanoids From The Deep is James Horner’s wildly popular early outer space epic, scored in 1980 when the young composer’s career was literally just getting underway. Highlights from the score were released on vinyl at the time, and that program has appeared numerous times on CD. Now Intrada is proud to finally present the entire score, newly expanded and remastered from the actual 2” 24-track recording session masters for the first time ever! Details in the recording come through with stunning clarity and power previously not available. In addition to the familiar cues, this new edition also offers many cues previously not released, including the powerful early cues for the “Hammerhead” and the “Sniper’s, Fire!” sequences. Other exciting new pieces include “Dr. Hephaestus’s Station”, “The Destruction Of Umateal”, “Kidnapped!” and many others, all in splendid stereo sound. The performance on the original release was less than perfect, but with current state-of-the-art technology, engineers Douglass Fake and Chris Malone were able to meticulously address some of the errant notes, particularly in the high trumpet parts. The complete score runs over an hour on CD 1. Intrada will be releasing it digitally as well. For fans of the popular original 1980 program, we have included that album as well, newly remastered on CD 2. And vinyl collectors can enjoy this expanded edition from the Shout! Factory label. Jimmy T. Murakami & Roger Corman directed this outer space fantasy in the wake of the exploding popularity of Star Wars and the many imitations that followed. Drawing inspiration from the famous Seven Samurai and Magnificent Seven feature films, the script from John Sayles now set the action in outer space, with Richard Thomas, Robert Vaughn, John Saxon, Sybil Danning starring and George Peppard grabbing the spotlight as “Cowboy”. Another asset: the special effects feature the imaginative early work of James Cameron. Initially released through Roger Corman’s New World Pictures, the movie was a modest box office hit. Trivia of interest: Bill Paxton was then working as a carpenter on the set. Horner’s energetic score was literally a launch pad for his later Star Trek II and Krull scores. David Newman conducts the orchestra, James Horner composes. Intrada Special Collection 2-CD set available while quantities and interest remain! Play all clips CD 1 The Score 01. Main Title (2:03) 02. Hammerhead (3:37) 03. Snipers, Fire! (1:19) 04. Shad’s Entrance (0:58) 05. First Flight (3:51) 06. Dr. Hephaestus’s Station (2:57) 07. First Conversation (4:16) 08. Jackers Ahead! (3:37) 09. The Destruction Of Umateal (1:22) 10. Nanelia’s Capture (1:31) 11. We Cruise For Akir! (1:32) 12. Kidnapped! (1:25) 13. Nascosto Flyaway (0:28) 14. Gelt’s Kill (2:32) 15. Hammerhead Stinger II (0:32) 16. Love Theme (1:35) 17. The Alarm Sounds (0:40) 18. Space Battle (4:36) 19. Battle In The Maze (2:25) 20. Zed’s Death (3:13) 21. Gelt Dies (1:31) 22. Shad And Nanelia (1:29) 23. Another Space Battle (1:00) 24. St. Exmin’s Death (1:33) 25. Cowboy Attacks (1:47) 26. Destruction Of Hammerhead (5:56) 27. Epilog/End Title (5:08) Total Score Time: 62:53 THE EXTRA 28. Gelt’s Chamber Music (1:35) CD 1 Total Time: 64:28 CD 2 Original 1980 Soundtrack Album 01. Main Title (2:00) 02. Malmori Rear Guard (3:51) 03. The Battle Begins (3:31) 04. Shad And Nanelia (1:29) 05. Cowboy And The Jackers (3:37) 06. Nanelia’s Capture (1:28) 07. The Maze Battle (3:10) 08. Shad’s Pursuit (3:22) 09. Cowboy’s Attack (1:44) 10. Love Theme (3:52) 11. The Hunter (1:38) 12. Gelt’s Death (1:28) 13. Nanelia (1:32) 14. Heading For Sador (0:59) 15. Destruction Of Hammerhead (2:35) 16. Epilogue / End Title (5:03) CD 2 Total Time: 42:39
  18. Nach der sagenhaft günstigen Box "Vladimir Cosma - 40 Bandes Originales pour 40 Films" (17 CDs für weniger als 45 Euro) erscheint Ende Oktober nun eine zweite große Cosma-Box - offenbar genauso umfangreich und genauso spottbillig: Vladimir Cosma 47 Bandes Originales pour 47 Films - abeillemusique.com In der Ankündigung wird es zwar nicht erwähnt, aber die Abbildung enthält einen buchstäblich ganz kleinen Hinweis darauf, dass diesmal auch L'AS DES AS enthalten sein könnten. Urs
  19. Für mich persönlich ist es die größte Überraschung des Jahres überhaupt, daß Quartet nun die zwei von mir heißest ersehnten Piero Piccioni-Filmmusiken TRE FRATELLI (1981) und LO SCOPONE SCIENTIFICO (1972) auf einen Schlag herausbringt. Ich hatte die Veröffentlichung beider Titel eigentlich schon längst abgeschrieben, da bei TRE FRATELLI Sugar im Weg stand und bei SCOPONE Laurentiis als Rechteinhaber. Quartet hat sich auf irgendeine Art mit Sugar nun doch einigen können und hat auch einen Weg gefunden, bezüglich SCOPONE an Laurentiis vorbeizukommen, indem man das zusammen mit den Piccioni-Erben gemacht hat. Daher SCOPONE auch identisch mit der hyperraren alten LP - aber das ist ja im Prinzip auch ausreichend. Für mich handelt es sich um die beiden schönsten CDs des ganzen Jahres - das wird nicht mehr zu toppen sein, von den US-Labels ja sowieso nicht, die ja eigentlich gar nichts mehr bringen, was mich noch anspricht. Ich jedenfalls bin absolut begeistert von diesen beiden Veröffentlichungen, die ich an sich gar nicht mehr für möglich gehalten hätte. Klar ist die CD von TRE FRATELLI sicher viel zu lange mit mehr als 50 Minuten - da ist mal wieder alles drauf gepackt worden, was überhaupt nur eingespielt wurde an Alternativ-Tracks bei den Recording Sessions. Da hätte man sicher auch 5-6 Tracks weglassen können, aber gut was solls: Hauptsache die komplette Musik erscheint jetzt überhaupt endlich mal, denn sie enthält eines der schönsten und berührendsten Themen, die Piccioni je geschrieben hat. Und Varianten davon in allen möglichen Abwandlungen kann man sich auf alle Fälle mindestens ein knappes Dutzend anhören ohne daß es langweilt. Ich kenne den hervorragenden Film selbst auch seit 1981 - damals im Kino gesehen - und er hat mich zusammen mit der Musik sehr beeindruckt, so daß ich ihn später noch ein paar Mal gesehen habe. Es gab ja dann das Hauptthema wenigstens auf der Francesco Rosi/Piero Piccioni-Doppel-LP - aber eben nur dort. Insofern ist es schlicht und ergreifend ein Hochgenuß, jetzt endlich nach so vielen Jahren die vollständige Filmmusik zu erhalten, nach der ich mich schon über Jahrzehnte hinweg gesehnt hatte. Der Film selbst dürfte nur etwa 20-25 Minuten an Musik enthalten, sicher nicht mehr, aber die ist gezielt und an ganz entscheidenden Stellen eingesetzt und wirkt daher sehr lange nach. Insofern kann man sich schon mal vorstellen, daß mehr als die Hälfte der CD eigentlich nur mit Alternates bestückt ist, die im Film nicht verwendet wurden. Aber die Musik ist ungeheuer bewegend, es ist für mich eines der ausdrucksstärksten Filmmusik-Themen aus den 80ern überhaupt, das mir in all den Jahren nie mehr aus dem Kopf ging. Auch den SCOPONE SCIENTIFICO-Film kenne ich im Prinzip seit 1976 als er erstmals im ZDF unter dem Titel TEUFLISCHES SPIEL lief. Der hat eine einfach großartige Besetzung mit Alberto Sordi, Joseph Cotten, Bette Davis und Silvana Mangano. Eine hinreißende schwarze Komödie, zynisch und unglaublich einfallsreich - absolut vom Feinsten. Auch die sehr nostalgische und charmant-delikate Piccioni-Musik ist mir damals sofort sehr positiv aufgefallen und ins Ohr gegangen - die LP war aber in all den Jahrzehnten unheimlich schwer aufzutreiben, da es sich dabei nur um eine Promotion-LP von General Music gehandelt hat. Und da es eigentlich eine Laurentiis-Produktion war, kam die LP auch nie in der Art auf den Markt wie die meisten anderen General Music-LPs aus der Zeit. Zu kaufen gab es die also so gut wie nirgends. Hier noch die Infos von Quartet: Quartet Records, in collaboration with Camille 3000 and the Piero Piccioni estate, presents the premiere CD release of a delightful score by Piero Piccioni (FUMO DI LONDRA, COLPO ROVENTE, CAMILLE 2000, I GIOVANI TIGRI) for Luigi Comencini’s film LO SCOPONE SCIENTIFICO, a 1973 Italian comedy-drama starring Alberto Sordi, Silvana Mangano, Joseph Cotten and Bette Davis. The story is about an aging and wealthy American woman who journeys to Rome each year with her chauffeur, George, to play the card game scopone with destitute Peppino and his wife, Antonia. The annual scenario remains unchanged: she donates the initial stakes, then ultimately wins the game, shattering the couple’s dream of scoring a victory and improving their lot in life. Eventually their daughter, Cleopatra, seeks revenge on her parents’ behalf. Piero Piccioni composed a colorful, bittersweet score, dominated by a celebrated theme for piano and orchestra, as well as a beautiful love theme. The score also features a bossa, a waltz and a tango. A coveted promotional LP was released by General Music in 1973, currently one of the composer’s most expensive LPs when one appears on the second-hand market. This is the first CD edition thanks to the discovery of the original tapes vaulted at the Piccioni estate. The album has been restored and mastered by Chris Malone, and is packaged in a three-sided folding digipack. https://quartetrecords.com/product/tre-fratelli/ Quartet Records, in collaboration with Camille 3000 and the Piero Piccioni estate, presents the premiere CD release of a delightful score by Piero Piccioni (FUMO DI LONDRA, COLPO ROVENTE, CAMILLE 2000, I GIOVANI TIGRI) for Luigi Comencini’s film LO SCOPONE SCIENTIFICO, a 1973 Italian comedy-drama starring Alberto Sordi, Silvana Mangano, Joseph Cotten and Bette Davis. The story is about an aging and wealthy American woman who journeys to Rome each year with her chauffeur, George, to play the card game scopone with destitute Peppino and his wife, Antonia. The annual scenario remains unchanged: she donates the initial stakes, then ultimately wins the game, shattering the couple’s dream of scoring a victory and improving their lot in life. Eventually their daughter, Cleopatra, seeks revenge on her parents’ behalf. Piero Piccioni composed a colorful, bittersweet score, dominated by a celebrated theme for piano and orchestra, as well as a beautiful love theme. The score also features a bossa, a waltz and a tango. A coveted promotional LP was released by General Music in 1973, currently one of the composer’s most expensive LPs when one appears on the second-hand market. This is the first CD edition thanks to the discovery of the original tapes vaulted at the Piccioni estate. The album has been restored and mastered by Chris Malone, and is packaged in a three-sided folding digipack. https://quartetrecords.com/product/lo-scopone-scientifico/
  20. Über drei Stunden Musik für Animation-Freunde. Nichts für mich, zu synth. Aber die Batman-Animations haben ja ihre Fans. https://www.qobuz.com/de-de/album/batman-beyond-original-soundtrack-vol-1-various-artists/xa8rhp3hk4qaa
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