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Gibt's noch Safan Fans? BSX hat wieder etwas Altes ausgebuddelt. http://buysoundtrax....smrogrtedy.html

Kritzerland is pleased to present for the first time complete and in stereo, a new limited edition soundtrack release: DAVID AND BATHSHEBA Music Composed and Conducted by Alfred Newman David and Bathsheba was 20th Century-Fox’s initial entry in the Biblical-spectacular trend of the late 1940s and early ’50s. Released in August 1951, David and Bathsheba received five Academy Award nominations and became – at $7 million in domestic box-office rentals – not only the biggest moneymaker in Fox history to that time, but also the top box-office film for any studio that year. Starring Gregory Peck, Susan Hayward, and a large cast of supporting players, David and Bathsheba, with a script by Phillip Dunne and direction by Henry King, was, as producer Darryl F. Zanuck put it, “an honest, sincere Biblical story dealing with one of the greatest characters of all time,” but also added the all-important “Plus, it is a violent, sexy love story that involves illegitimacy and even murder.” Of course, one of the key components of the film was Alfred Newman’s stunning score. Alfred Newman, then eleven years into his twenty-year tenure at Fox, had already won four Academy Awards and another twenty-four nominations for his dramatic scores, songs and music direction. Newman took more than forty-five studio hours, spread over thirteen days (mostly between late April and late May 1951), to record the entire score. The orchestra at its height contained sixty-eight players. And what he delivered was one of his all-time masterpieces, filled with melody, memorable themes, drama, pageantry, and emotion. The Hollywood Reporter noted that “Alfred Newman’s score develops in intensity in the same fashion as the story, rising to powerful crescendos that sweep the action to its conclusion.” Among Alfred Newman’s many scores for religious pictures – including The Song of Bernadette, The Robe and The Greatest Story Ever Told – the music of David and Bathsheba ranks as one of his finest. David and Bathsheba was previously released on CD by Intrada, running a bit over fifty-five minutes and from the then available best sources, which were optical mono tracks mixed in with transcription discs. They did include one tantalizing stereo track at the end of their presentation and their CD sold out in just a few months. But sometimes miracles happen and the complete tracks, in stereo, were found in a vault they should not have been in – they were mis-labeled. Those tracks, in superb condition, were lovingly transferred and aligned resulting in a breathtaking stereo presentation, perhaps one of the best-sounding recordings of any score of this vintage. It is, in a word, spectacular. For fans of biblical film music, music of the Golden Age of film scoring, and one of the greatest film composers of all time, the CD is a must. David and Bathsheba is limited to 1500 copies only. The price is $19.98, plus shipping. Hervorhebungen im Text durch mich Quelle: http://www.kritzerla...m/davidbath.htm

Der Film läuft ja diese Woche auch in Deutschland an, nachdem er ja in Frankreich schon länger auf Rekorde- und Zuschauejagd ist. Nun habe ich eine Frage zur Musik, die u.a. von Ludovico Einaudi stammt. Er wird auch im Vorspann und Nachspann als Komponist genannt, aber dan dann auch jedes seiner Lieder nochmal einzeln aufgeführt wurde glaube ich, dass er oder man einfach schon vorhandene Stücke aus seinem Repertoire veröffentlicht hat und sich da die Frage stellt, ob sich da überhaupt eine Anschaffung der Soundtrack-CD lohnt oder es vielleicht ein Album von ihm gibt, dass die Musik und mehr von ihm bietet. Hab von ihm bisher nur die "Einaudi Collection". Es gibt zwei verschiedene Soundtrack-Veröffentlichungen: http://www.amazon.de...d=233COSAKZ7ICB http://www.amazon.de...d=233COSAKZ7ICB Tracklist der ersten CD: 01. Fly (Ludovico Einaudi) [04:39] 02. Writing poems (Ludovico Einaudi) [04:09] 03. The Ghetto (George Benson) [04:57] 04. Der Freischütz _ Act 1 - ''Nein, Länger Trag' Ich Nicht (Peter Schreier) [01:01] 05. You're Goin' Miss Your Candyman (Terry Callier) [07:18] 06. Blind Test (François Cluzet) [02:22] 07. L'origine Nascosta (Ludovico Einaudi) [03:13] 08. Feeling Good (Nina Simone) [02:53] 09. Cache-Cache (Ludovico Einaudi) [03:50] 10. Concerto Pour 2 Violons Et Orchestre A Cordes Op.3 N° 8 (L'Angelicum De Milan) [03:21] 11. Una Mattina (Ludovico Einaudi) [03:23] 12. Red Light (Vib Gyor) [04:29] #### Die zweite VÖ wurde wohl nachgeschoben, weil viele die Musik der Band "Earth, Wind & Fire" vermisst haben, die im Film auch eine Rolle spielt. Nun noch meine Frage wo am besten kaufen. Bei amazon.fr würde ich die zweite Version für 23€inkl. Versand nach Deutschland bekommen, was schon einiges ist aber aufgrund der hohen Versandkosten so kommt. Gibt es alternative, günstigere Varianten für französische CDs? Hätte eben gern diese Edition Prestige, wenn dann überhaupt.

http://store.fortytw...charmed2cd.html http://store.fortytw....com/sejup.html

2 neue Veröffentlichungen von Intrada:

Nic Raine hat mal wieder einen Film vertont.. einen deutschen Thriller...

zum neuen Horrorfilm aus der Schmiede von Sam Raimi, dazu Regie Ole Bornedal, hat diesmal weder LoDuca, noch Young, noch Beltrami, sondern relativer Newcomer Anton Sanko (RABBIT HOLE) gemacht auf Itunes raus, immerhin orchestral. Da der Film auch eher wohl ein Drama sein soll, gibts immerhin recht sensible Klänge mit den obligatorischen Horrorattacken... klingt so bei den Clips zumindest handwerklich janz jot würde ich sagen... mal auf die Liste damit... http://itunes.apple.com/us/album/possession-original-motion/id554009082

Und wieder: Einer muss es ja machen... Auf die Preise verzichtet ich an dieser Stelle noch bewusst, da ich davon ausgehe, dass kaum jemand von uns bei der Comic Con sein wird und Veränderungen der generellen Preise gegenüber den Comic Con-Preisen gut möglich sind. Auch bereits bekannt:

huebscher Adventure Score fuer nen CGI Film aus Spanien http://itunes.apple....bum/id554944067

THE STRANG LOVE OF MARTHA IVERS Music Composed and Conducted by Miklós Rózsa It was 1946 and film noir was everywhere, from low budget quickies to major studio releases. Of course, the studios didn’t realize they were making films noir, since that term had just been coined by French film critic Nino Frank. The noirs of 1946 included: The Killers, The Blue Dahlia, The Big Sleep, Gilda, The Postman Always Rings Twice, The Stranger, The Dark Mirror, The Black Angel and The Strange Love of Martha Ivers. The Strange Love of Martha Ivers was an “A” picture from Paramount, produced by Hal B. Wallis. It featured a terrific cast, including Barbara Stanwyck (who’d been in the classic noir Double Indemnity two years prior), Van Heflin, smoky-voiced Lizabeth Scott, Judith Anderson and, in his film debut, a young actor named Kirk Douglas. It’sa terrific picture with wonderful dialogue, elegant direction and great performances – it’s noir, it’s melodrama, and the whole film crackles with electricity. And perfectly capturing every mood, every character and every situation is the classic score by Miklós Rózsa. The music for The Strange Love of Martha Ivers is almost a second cousin to Double Indemnity and The Lost Weekend, filled with the incredible Rózsa sound of that era. No one did this kind of thing better than Rózsa – he seemed to have a real affinity for these darker tales. The main title is everything a classic main title should be: It draws you in right from those great Rózsa-esque opening chords, introduces its beautiful main theme and then segues directly into the first cue for the young runaways. From there, Rózsa’s music weaves its magic, perfectly capturing the film’s moods, situations and characters as they travel their dark roads. The surviving music from Martha Ivers was taken from a set of incredible-sounding acetates preserved in the Paramount vaults. It’s almost fifty minutes of prime Rózsa and it’s nearly most of the score, with only a handful of missing cues. Only two tracks had material that was beyond repair – one of those tracks was only twenty-four seconds long and the material contained therein was well represented elsewhere. For the other track, through careful editing, we were able to save ninety percent of it and again, the material that wasn’t salvageable was represented elsewhere in the other cues. Miklós Rózsa is in the pantheon of greats, and it’s really gratifying to bring one of his classic noir scores to CD. The Strange Love of Martha Ivers is limited to 1000 copies only. The price is $19.98, plus shipping. CD will ship the third week of September – however, never fear, preorders placed directly through Kritzerland usually ship one to five weeks earlier (we’ve been averaging four weeks early). Quelle: http://www.kritzerland.com/ivers.htm Folgt dem Link und ihr könnt euch wieder einige Tracks anhören

Varese bringt ein Re-Release von Coulais LE PEUPLE MIGRATEUR aus dem Jahr 2001. Am 30. Oktober:

Kritzerland is pleased to present a world premiere limited edition soundtrack release: STRATEGIC AIR COMMAND Music Composed and Conducted by Victor Young In 1955, Paramount Pictures released the second film in their new VistaVision format –Strategic Air Command. With its extraordinary aerial footage and location shooting, VistaVision would really come into its own. The film was, in a word, breathtaking. Add to that a great cast headed by James Stewart, June Allyson, Frank Lovejoy, Barry Sullivan and Harry Morgan, the great cameraman William H. Daniels, a terrific screenplay by Valentine Davies (book and film of Miracle on 34th Street, The Bridges at Toko-Ri, The Benny Goodman Story, The Glenn Miller Story) and Beirne Lay Jr., and great direction by Anthony Mann (many great noirs, an incredible run of western films starring James Stewart, and the magnificent El Cid), and you had a recipe for success. Strategic Air Command was the sixth-highest grossing picture of 1955. The New York Times’ Bosley Crowther raved, “Never, in many years of looking at Air Force and aviation films, have we seen the familiar wide blue yonder so wide or so magnificently displayed as it is in the VistaVision process used to project Strategic Air Command. But above all, there are those airplanes, the roaring engines, the cluttered cockpits, the clouds and sky. These are the things that make your eyes bug out and your heart leap with wonder and pride.” And one of the primary reasons the heart leaps with wonder and pride is the film’s stunning musical score by Victor Young. Young’s body of work is astonishing, and includes such great scores as Golden Boy, Reap the Wild Wind, The Glass Key, The Palm Beach Story, The Uninvited, The Great Moment, Ministry of Fear, Love Letters, To Each His Own, Golden Earrings, The Big Clock, State of the Union, The Paleface, The Night Has a Thousand Eyes, Samson and Delilah, Gun Crazy, Bright Leaf, Rio Grande, Scaramouche, The Quiet Man, Shane, Three Coins in the Fountain, Johnny Guitar, The Country Girl, Around the World in Eighty Days, and that is only the very tip of the Victor Young iceberg. Young’s score for Strategic Air Command is one of his greats. It has everything you’d want in a score – a rousing main title march, beautiful and emotional music for the drama, and, above all, some of the greatest “flying” music ever written for the screen. Young’s scoring of the flying scenes virtually turns those sequences into ballets of flight, a sky symphony of enduring beauty. This is the world premiere release of Strategic Air Command. The music masters were mono (the film was also mono, but its original engagements used the Perspecta soundtrack, a kind of fake stereo) and mostly in very good condition, housed in the Paramount vaults. A couple of tracks only existed on acetates (which we cleaned up as best we could), and a handful were too damaged to use at all. There have not been nearly enough Victor Young scores released on CD, and we’re especially thrilled to bring out this particular example, as it presents all of Young’s strengths as a film composer and a brilliant melodist. They don’t come much better. Strategic Air Command is limited to 1000 copies only. The price is $19.98, plus shipping. CD will ship the second week of October – however, never fear, preorders placed directly through Kritzerland usually ship one to five weeks earlier (we’ve been averaging four weeks early). Wenn Ihr dem Link folgt, könnt ihr auch mal ´reinhören: http://www.kritzerland.com/sac.htm

Der Spanier hat nun den neuen Film von James Mc Teigue gescored "THE RAVEN". Den Score gibts ab 2. April bei Sony:

Madison Gate Records veröffentlicht am 28. August 2012 den Score zum Drama Hit "BREAKING BAD", komponiert von Dave Porter. Tracklist: 1. "Breaking Bad Main Title Theme (Extended)" 2. "Matches In The Pool" 3. "Smoking Jesse's Pot" 4. "Gray Matter" 5. "The Morning After" 6. "Three Days Out" 7. "Vent" 8. "Baby's Coming" 9. "Jane's Demise" 10. "The Cousins" 11. "Hank In Pursuit" 12. "The Long Walk Alone (Heisenberg's Theme)" 13. "Searching For Jesse" 14. "Aztek" 15. "Four Corners / Waiting For The End" 16. "Jesse In Mexico" 17. "Crawl Space" 18. "Parking Garage Standoff" 19. "Cleaning House" 20. "Disassemble" Auf iTunes vorbestellbar: http://itunes.apple....ore/id553074870

Percepto bringt eine erweiterte Fassung ihrer älteren Scheibe zu The Changeling. Schöne, spookige Musik. Ich habe die alte CD und finde die mit 74 Minuten eigentlich mehr als ausreichend.

William Stromberg und sein Label Tribute Film Classics planen eine Neueinspielung von Max Steiners wundervollem DON JUAN. Hier eine kleine Kostprobe von den Proben: [ame=http://www.youtube.com/watch?v=Y9kLynQwObs]YouTube - Broadcast Yourself.[/ame]

Ja, er tut es wieder! Vor einigen Jahren konnte ich hier im Forum das Buch zur LOTR-Musik ankündigen, Diese Tradition setze ich nun fort und tauche deswegen mal wieder aus der Versenkung auf: Am heutigen 20.8. beginnen die Recording Sessions zum Hobbit und Doug Adams gibt bekannt, dass er erneut in die Musikwelt Mittelerdes ein tauchen wird und das Buch "The Music of 'The Hobbbit' Films" schreiben und veröffentlichen wird :-) Quelle (Doug Adams persönlich): http://www.musicoflo...mmencement.html LG Markus

zum neuen Stopmotion Film (der ma echt super aussieht), gibts den Score von Jon Brion nun auf Itunes... ein paar kurze Cues, dann aber bis zu 15min lange Cues, daher lässt sich mit reinhören schlecht sagen ob das was taugt, klingt aber weit orchestraler und netter als angenommen! weiss wer mehr? (link krieg ich irgendwie nicht hin grad... grübel...) eine CD erscheint in 3 Tagen auch schon in BRD Jon Brion - PARANORMAN

Der Horrorstreifen The Apparition wird von tomandandy vertont. Kinostart in den USA wird der 21. August sein. Zu diesem Zeitpunkt wird es den Zeitpunkt auch in Deutschland geben. Das Album wird von Colosseum vertrieben.

Quartet Records veröffentlicht einen bislang fast unveröffentlichten Delerue mit bescheidener Tonqualität, wie das Label selbst unumwunden einräumt.

Sony bringt am 28. die CD zu Cave & Ellis LAWLESS: Übrigens, wo ist denn der Thread hin, es gab doch einen. Jedenfalls hat die Suchfunktion ihn mir nicht geben wollen.

Zwei Wiederveröffentlichungen in der Encore-Reihe und zwei neue limitierte Editionen von Varèse: http://www.varesesar...CED!/Categories http://www.colosseum.de/

LSO Live bringt Neueinspielungen aus einigen Tiomkin-Scores heraus. The Greatest Film Scores of Dimitri Tiomkin Bei FSM online war schon jemand sehr erfreut über die CD und hat volle fünf Punkte vergeben. Bei Amazon.co.uk für aktuell nur knappe 8 Pfund: http://www.amazon.co.uk/dp/B008CJ8RU6