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Neben CONAN THE BARBARIAN hat Intrada heute außerdem die Musik zu COOGAN'S BLUFF von Lalo Shifrin veröffentlicht:

Hour_sales_sheet.pdfGerade ne Mail von James Fitzpatrick bekommen. Auf der Tadllowseite noch nicht zu finden.

Und hier nun die Black Friday Titel von La-La Land Records:

Brian hat den Score zum Spiel Far Cry 3 komponiert. Der Soundtrack wird bei der Deluxe Edition des Spiels sowie als separater Download erhältlich sein. http://world.idolweb...0551742813.html http://store.steampo...com/app/220240/

Da John Powell eine Auszeit nehmen wird, wurde Henry Jackman für Paul Greengrass' neuen Film Captain Phillips verpflichtet. Starten soll der Film am 11.10.2013. http://filmmusicrepo...ips/#more-14014

Kritzerland is proud to present a world premiere limited edition soundtrack release: CAREER Music Composed and Conducted by Franz Waxman In 1959, Paramount brought Career (based on James Lee’s hit off-Broadway play) to the screen with a terrific cast including Dean Martin, Anthony Franciosa, Shirley MacLaine, Carolyn Jones, Joan Blackman, and Robert Middleton. The film was directed by Joseph Anthony, who was a successful theater director and an expert at turning plays into films – prior to Career he’d already done two for Paramount: The Rainmakerand The Matchmaker. The film was a success with audiences and critics, and received three Academy Award nominations – Best Art Direction (Hal Pereira, Walter H. Tyler, Samuel M. Comer, Arthur Krams), Best Cinematography (Joseph LaShelle), and Best Costume Design (Edith Head). But the film shines in every department, none more so than with its dynamic score by Franz Waxman. From the exciting opening chords that lead directly into the big city theme, the score is absolutely thrilling. It is the kind of dramatic scoring that Waxman did so brilliantly. He gets inside the drama and the characters – the yearning, the hunger, the nastiness, the competiveness, the romance, the first taste of success, the bitter taste of failure after failure – it’s brilliant music from start to finish. By the time of Career, Waxman’s own career was filled with masterpiece after masterpiece – the 1950s alone brought forth Sunset Blvd., My Cousin Rachel, A Place in the Sun, Prince Valiant, Demetrius and the Gladiators, Rear Window, The Silver Chalice, Mister Roberts, The Spirit of St. Louis, Sayonara, Peyton Place, and The Nun’s Story – to name just a few. During his long and distinguished career, he was nominated for twelve Oscars and took home the prize twice, for Sunset Blvd. and A Place in the Sun. He had a unique musical voice and will forever hold a high place in the pantheon of great film composers. Waxman’s score for Career is presented here complete and in stereo from the original session tapes housed in the Paramount vaults. We’ve included several bonus cues that appear in the film, including the source music song “(Love Is a) Career” by Sammy Cahn and James Van Heusen, and a little dance music cue composed by Gus Levene, as well as a couple of the cues from the mono music stem. It’s always thrilling to be able to bring an unreleased Franz Waxman score to CD, especially one as dynamic and beautiful as Career. Career is limited to 1000 copies only. The price is $19.98, plus shipping. CDs will ship the second week of December. Quelle: http://www.kritzerland.com/career.htm

Ich bezweifle zwar, dass es irgendein nennenswertes Board-Interesse gibt, aber irgendwer muss sich mal opfern und den ersten Schritt machen, von wegen Bildungsauftrag und Board-Vollständigkeit Ende November (UK) bzw. Mitte November (Deutschland) erscheint David Sardys Musik zu END OF WATCH auf CD; in den USA gibts das nur als Download. Ich war von dem Soundtrack - elektronisch mit instrumentalen Einlagen - sehr angetan (vom Film auch), Tracklisting und Hörproben siehe Amazon.com. P.S.: Ich finde es übrigens sehr bedauerlich, dass Sardys Musik zu PREMIUM RUSH nicht veröffentlicht wurde...

Hat es Robin Esterhammer nun doch geschafft... http://store.fortytw...san19cresc.html

Liebe Musikfreunde, habe heute Pakete aus dem Presswerk bekommen. Zum einen gibt es unsere vierte Lavagnino CD mit der Musik aus SOLEDAD und L`OCEANO CI CHIAMA. Wir haben sie auf 500 CDs limitiert. Hier hat Stefan Schlegel ja schon berichtet : http://www.soundtrac...d-auf-alhambra/). Dann bieten wir auch noch ein 6er CD Set mit Filmmusiken zu Rolf Wilhelm an. Wir haben ja schon 5 CDs in dieser Reihe gemacht, davon gab es noch Restposten. Wir haben jetzt eine neue sechste CD gemacht mit der Musik zu: Deutschland deine Schwaben, Lausbubengeschichten, Wenn Ludwig ins Manöver zieht und andere. Rolf Wilhelm ist natürlich ein deutscher Geheimtipp. Die Box gibt es nur in limitierter Auflage von 300 Stück, wobei nur 200 in den Handel kommen. Die bisherigen Wilhelm CDs sind hiermit nicht mehr lieferbar. Liebe Grüße, John

Ist der nächste Wes Anderson Film:

Endlich auf CD! Für mich ein Knüller! Was habe ich im Mai noch im "Ich höre gerade"-Thread geschrieben? http://buysoundtrax....slorsobyha.html http://www.youtube.com/watch?feature=player_embedded&v=sevCGy8VkxI

Im März bzw. April 2013 wird es von La-La Land Records ein 3 CD-Set mit der Musik zu WYATT EARP von James Newton Howard geben. Es wird außerdem Release Nr. 250 des Labels sein. Quelle ist ein Interview mit James Newton Howard bei FSM Online. Weitere Informationen folgen.

Was neues aus den Feder von Marcel.. Hier gibt es noch ein aktuelles Interview mit ihm, wo man auch ein klein wenig was von seiner Musik zu hören bekommt. Interview mit Marcel Barsotti Hier noch der Trailer zum Film

io9 berichtet, dass Bear McCreary den Score zu THE EUROPA REPORT schreiben wird. Bear McCreary - EUROPA REPORT Quelle: http://io9.com/59598...een-waiting-for

Gleich 3 neue Veröffentlichungen gibt es heute von Intrada:

Quartet Records is very proud to present two macabre, deliciously grotesque new releases... SHANKS Music Composed and Conducted by Alex North Alex North was one of Hollywood’s most versatile and renowned composers, with many familiar and justly celebrated scores to his credit (Spartacus, A Streetcar Named Desire et al). However, our latest Quartet Records release, in collaboration with Paramount Pictures, sheds light on an unfamiliar corner of the composer’s work: Shanks (1974). Produced by the composer’s son, Steven North, Shanks was the last film directed by William Castle, and the only feature to star celebrated French mime artist Marcel Marceau. Virtually unknown today, the film defies categorization: part fairy tale, part silent movie, part comedy, part horror flick. Marceau plays Malcolm Shanks, a deaf-mute puppeteer whose work for an eccentric old inventor (also portrayed by Marceau) leads to some of the most bizarre scenes in any Castle film. Like the film, North’s score is a genre-bending enigma—a profusion of styles in which early 20th-century musical expressionism rubs shoulders with Dixieland, and classic horror picture tropes coexist with passages of tenderhearted lyricism. Well over an hour in length, North’s score was brilliantly orchestrated by Henry Brant for two different ensembles (one comprised mostly of winds and the other consisting primarily of strings). It includes a jaunty theme for Malcolm and a sweetly gentle melody for his friend Celia. Both humor and pathos can be found in the music, as well as passages of unnerving suspense. We are delighted to finally release a true gem—one of the least-known works of Alex North. This unusual score was awarded a well-deserved Oscar nomination for Best Original Dramatic Score in 1974. This premiere CD release of Alex North’s complete score for Shanks, mastered from ¼" monaural tapes housed in the Alex North collection in the Margaret Herrick Library at the Academy of Motion Picture Arts and Sciences, features a 12-page booklet with notes by Frank K. DeWald and numerous film stills. WHAT'S THE MATTER WITH HELEN? Music Composed and Conducted by David Raksin Legendary David Raksin thriller score gets premiere CD release to commemorate the centenary of the composer's birth! Curtis Harrington's What's the Matter with Helen? (1971) is a film that was clearly inspired by the success of Whatever Happened to Baby Jane?, as well as other movies from the hagsploitation subgenre. Starring Shelley Winters and Debbie Reynolds, the film tells the story of two mothers whose sons have committed a horrible murder back in their Iowa hometown. After receiving a threatening phone call, Helen and Adelle leave for LA to start a new life and make a living through their dance school for little girls. Adelle seems to have it all: she finds a suitor who accepts her past and gets a taste of upper-class life. Meanwhile Helen starts to see ghosts from the past and tries to battle the shadows through the power of religion. The different choices of the two women lead to an inevitable tragedy. David Raksin's memorable score (featuring ingenious quotations of the chillingly incorporated "Goody, Goody") was previously released on a gray market LP shortly after the film's premiere. The LP had no track titles on it, mixed up the program and had several problems - the most noticeable being a missing saxophone overlay from the main title march!. During our two years’ research we managed to put together the most complete and best sounding release possible from the surviving elements, in a true labor of love. The original tapes being largely lost and Raksin’s personal copy decidedly useless (as it was fully impaired and was used for audio experiments in sound studios), our only option was to restore several copies of the infamous bootleg LP, incorporating an incomplete music stem in mono, courtesy of MGM, with good quality. This release may be short but contains over 90 percent of the score in addition to unused cues. Because of its running time and the only possible elements used, we offer the product at a special price. The CD is accompanied by a generous full color 20-page booklet with a preface by Raksin’s archivist Marilee Bradford and further details about the film, the composer and the score by Gergely Hubai (including a track-by-track analysis). Note: Both tiles are available for pre-order now. The CDs will ship by the third week of November. For more info and hear audio samples, please visit www.quartetrecords.com

Von Screamworks Records ist heute SEXYKILLER von Fernando Velázquez erschienen: Weitere Informationen.

Music Box Records hat die Veröffentlichung von 3 neuen CDs für den 5. Dezember 2012 angekündigt:

Kritzerland präsentiert Alfred Newmans LOVE IS A MANY-SPLENDORED THING und THE SEVEN YEAR ITCH: Love Is A Many-Splendored Thing was a big, glossy, uber-romantic tale of an illicit interracial love affair back in the days when that sort of thing was rather scandalous. The screenplay was by John Patrick (from the novel by Han Suyin), who had won a Pulitzer Prize for adapting The Teahouse of the August Moon for Broadway. To direct, producer Buddy Adler hired the wonderful director Henry King, a Fox regular who’d helmed such pictures as The Song of Bernadette, Captain from Castile, A Bell for Adano, The Gunfighter, David and Bathsheba, The Snows of Kilimanjaro, King of the Khyber Rifles and many others. The stars were starry indeed – William Holden and Jennifer Jones. The film was a box-office and critical success, and audiences loved the story, the performances, and the lush cinematography of Leon Shamroy. The film was nominated for a whopping eight Academy Awards, including Best Picture and Best Actress, and it won for Best Costume Design, Best Song (by Sammy Fain and Paul Francis Webster) and, best of all, Best Music, Scoring of a Dramatic of Comedy Picture. Alfred Newman’s score is one of the most romantic and beautiful scores ever written. Newman’s stunning variations on the Fain and Webster song, along with his own gorgeous secondary themes creates a unique atmosphere with a swirling tenderness that’s almost indescribable. The music for Love Is a Many-Splendored Thing aches and roils with love, loneliness, lost feelings, and confused hearts. It’s a glorious listening experience and one of Newman’s crowning achievements in film scoring, and that’s saying something given the number of masterpieces he wrote during his long and illustrious career. Just a few months previously, before audiences would swoon to Love Is a Many-Splendored Thing, Billy Wilder’s film version of George Axelrod’s hilarious play, The Seven Year Itch, had audiences rolling in the aisles. With original star Tom Ewell repeating his Broadway role and the incandescent and stunning Marilyn Monroe as “The Girl,” The Seven Year Itch was a huge hit, due in part to the iconic image of Monroe standing on a subway grating with her dress (designed by Travilla) blowing up – it was not possible to escape that image that year, and it’s been hard to escape it ever since. As the tagline to the poster read: It TICKLES and it TANTALIZES, and boy did it ever. And equally as tantalizing is the score by Alfred Newman. Newman’s score is monothematic, with many variations on the same theme – “The Girl Upstairs.” It also has a classic Newman main title that gets things off to a rousing start. Love Is a Many Splendored Thing was released previously by Varese Sarabande and was a quick sellout. For this release, we’ve remastered it and moved two early source cues, one of which is by Leigh Harline, to after the film score proper, giving the actual early score cues a bit more prominence. The Seven Year Itch is making its world premiere on this CD. We’ve included the main title, and several variations on “The Girl Upstairs,” which represents most of what was usable from the somewhat problematic original materials. The entire program is presented in that unparalleled Fox stereo sound. Love Is a Many-Splendored Thing/The Seven Year Itch is limited to 1000 copies only. The price is $19.98, plus shipping. CDs are in stock and will ship within a day or two. Quelle: http://www.kritzerland.com/splendor_itch.htm

Bereits letzte Woche ist die Musik zu Detlev Bucks neuem Film DIE VERMESSUNG DER WELT bei Scoring Records erschienen. Geschrieben wurde sie von Enis Rotthoff und ist sowohl auf CD als auch als Download erhältlich. Nähere Informationen gibt es in der FMDB.

Damit sollte das wohl klar sein, nachdem Lawrence auch bei Teil 3 die Regie macht. So darf Howard nun auch mal eine Saga von vorne bis hinten machen und der Musik Stil ändert sich nicht wie bei Twilight z.b. Quelle: comingsoon.net

Monstrous Movie Music veröffentlicht Nicholas Carras Missile to the Moon [bestie des Grauens] & Frankenstein's Daughter [Die Unheimliche / Frankensteins Tochter] Missile to the Moon & Frankenstein's Daughter (MMM-1970) contains two scores by the marvelous-but-unheralded composer and orchestrator, Nicholas Carras. Although written for two low-budget 1958 science fiction films directed by Richard Cunha, there is a wealth of invention and good, old-fashioned fifties sci-fi fun on this 60-minute CD. Besides soaring electric violin, pummeling Rock Men underscore, scary giant puppet-spider music, lovely melodies for gorgeous Moon maidens, and thundering Frankenstein music, there are bonus cues featuring spacey musical sound effects by the legendary team of Jack Cookerly (Atomic Submarine, The Black Scorpion) and Elliot Fisher. This is the first Nicholas Carras soundtrack ever released, and it contains a 20-page liner book discussing all aspects of the music, as well as containing copies of some of the written scores. It’s blessed with arresting cover art by celebrated space illustrator Vincent Di Fate. MISSILE TO THE MOON 1 Main Title - Prologue :17 2 Main Title 1:53 3 Suspense :33 4 Rocket Ship Suspense 1:13 5 Rocket Trap, Part 1 :42 6 Rocket Trap, Part 2 :42 7 Blues for a Blonde 1:29 8 Food for Thought 1:08 9 Panel Flash :34 10 Blast-Off 1:57 11 Airborne :19 12 Off Balance :28 13 Heavenly Bodies 2:29 14 Moonshine, Part 1 :51 15 Moonshine, Part 2 :10 16 On the Moon 1:34 17 Rock Man Rock 2:22 18 In the Caves 1:23 19 Cave Suspense 2:02 20 The Lido :50 21 Sweethearts on Parade :47 22 Medallion Suspense :40 23 Boy Meets Girl 2:02 24 Cat Fight :42 25 Mind Over Matter 1:06 26 Spider Monster, Part 1 :51 27 Spider Monster, Part 2 :58 28 Spider Bait :57 29 Mind Me! 1:20 30 Lido’s End 1:35 31 Court in Session 1:17 32 Crime & Punishment :17 33 Spider’s End :47 34 Minds Over Men 1:13 35 Lethal Lever :54 36 Electric Violin :28 37 Do or Die 2:28 38 Final Escape 1:20 39 End Title :38 FRANKENSTEIN’S DAUGHTER 40 Lab Suspense :43 41 Monster 1:26 42 Chase - Suspense 1:12 43 Lab Suspense #2 1:01 44 Hit and Run 1:04 45 Monster’s Return :38 46 Oliver’s Unveiling :38 47 Oliver’s Revenge :49 48 Suspicion #2 :57 49 Cop-Killer :42 Missile to the Moon Bonus Tracks! [7:19] 50 Dance 1:40 51 Electric Violin (weird sounds), Part 1 :45 52 Electric Violin (weird sounds), Part 2 :54 53 Percussive FX Patterns and Organ :55 54 Vibraphone Through a Signal, Part 1 1:03 55 Vibraphone Through a Signal, Part 2 :20 56 Drum Sweetener 1:41 Quelle: http://www.mmmrecord...o_the_moon.html

Monstrous Movie Music veröffentlicht Leith Stevens Destination Moon [Endstation Mond] Destination Moon (MMM-1967) is the first complete release of Leith Stevens’ classic 1950 soundtrack. Simply one of the greatest outer space scores, these original soundtrack recordings have never been released on CD. The spectacular score totals over 56 minutes, a half-hour more than was released on ten-inch album over 60 years ago! From the composer’s original acetate recordings, this CD includes every drop of Stevens music, including some that was edited from the movie. The disc also contains Clarence Wheeler’s fantastic accompaniment written for the Woody Woodpecker cartoon that’s shown in the George Pal motion picture. This most important science fiction score is finally available so film music fans can revel in its brilliance. This Monstrous Movie Music release contains a 20-page liner book discussing all aspects of the music, as well as containing copies of some of the written scores. Stunning cover painting by Hugo Award-winning artist Vincent Di Fate. 1 Main Title 1:43 2 The Blockhouse 1:07 3 Let’s Start Again 1:41 4 Barnes Inc. 1:15 5 Introducing Woody* :35 6 Woody Shoots Gun* 1:07 7 Woody’s Rocket* 1:32 8 Woody Come Home* :55 9 Let’s Get to Work :44 10 Building Montage 2:13 11 Planning the Trip 2:00 12 Dead Serious :09 13 Goodbye 2:01 14 Countdown 1:02 15 On the Trip 1:06 16 The Harmonica Solo :29 17 Out in Space 2:06 18 Adrift in Space 2:00 19 The Rescue 1:55 20 They’re Safe 2:12 21 Preparing to Land 1:28 22 Landing on the Moon :10 23 We’re on the Moon :30 24 On the Moon 4:18 25 Fun on the Moon :58 26 Adventure on the Moon :35 27 Cargraves Takes a Picture 2:11 28 Bad News 2:33 29 Lightening Ship 2:32 30 It Looks Hopeless 1:47 31 The Dilemma 2:37 32 Sweeney’s Sacrifice 3:22 33 Escape from the Moon 2:56 34 End Title 1:35 Bonus Track 35 Harmonic Glissando 1:09 Quelle: http://www.mmmrecord...ation_moon.html

Monstrous Movie Music veröffentlicht Walter Greenes The Brain from Planet Arous [Die Augen des Satans] & TEENAGE MONSTER The Brain From Planet Arous/Teenage Monster (MMM-1968) proves that dreams can come true. Walter Greene’s amazingly inventive score for the 1957 John Agar/Joyce Meadows B-movie classic is here in amazing fidelity and in its 43-minute entirety. Easily the greatest score for a film about a giant, evil, floating, sex-crazed brain from outer space, the music provides endless fun and incredible artistry. Greene scored the movie without a string section, instead incorporating four saxophones into his powerhouse orchestra. In case this isn’t more fun than your brain can stand, 1957’s Teenage Monster might not be a classic flick, but Greene’s background score can now be heard on its own. This 33-minute soundtrack is an MMM bonus that will help shine a spotlight on an incredibly underrated composer who has never had an album devoted to his work. This Monstrous Movie Music release contains a 20-page liner book discussing all aspects of the music, as well as containing copies of some of the written scores. Striking cover art by the renowned Robert Aragon. Order THE BRAIN FROM PLANET THE BRAIN FROM PLANET AROUS 1 Main Title 1:17 2 Explosion :14 3 Barbecue 02:04 4 Ride to Mountain :45 5 The Canteen #1 1:26 6 The Cave #1 1:51 7 The Flash 1:59 8 Geiger Starts :20 9 The Brain :47 10 Barbecue #2 2:37 11 Starts to Kiss 1:15 12 Steve Suffers 2:00 13 Steve Suffers #2 :22 14 Steve Suffers #3 :54 15 Hot Trip :13 16 The Canteen #2 2:39 17 The Cave #2 :50 18 Another Flash 1:34 19 Vibraphone Shimmers :22 20 Steve Suffers #4 1:20 21 Girl Sees Brain 1:45 22 Barbecue :55 23 Steve and Plane :41 24 Car Ride :13 25 Barbecue 2:02 26 Dog Objects :09 27 Car Radio :28 28 Outside This World :48 29 Girl and Dad :32 30 I Killed Dan 1:12 31 O.K. :21 32 Indian Springs :17 33 Radiation Eyes :43 34 The Ultimatum 2:08 35 Radiation Eyes #2 :47 36 Girl in Lab 1:58 37 Gor Is Out :48 38 The End of Gor :44 39 Brain Leaves Dog 1:11 40 End Title :17 TEENAGE MONSTER 41 Teen Age Monster 1:32 42 Forward :30 43 The Cabin :32 44 The Mine :31 45 Aftermath 1:29 46 Seven Years Later :08 47 Teenage Monster #2 1:49 48 Find Gold 1:16 49 Town :34 50 Realization :43 51 Back Home & Teenage Monster #3 2:48 52 Teenage Monster #4 :58 53 The Killing :23 54 Kids Playing 1:03 55 Grabs Girl :37 56 Girl Asleep :16 57 The Scream 1:09 58 Back Home :20 59 See Girl :32 60 Girl and Monster 2:26 61 The Collusion :52 62 Kills Kid 1:09 63 Sneak :50 64 Hits Sheriff :25 65 It Was Cathy :47 66 Find Body :32 67 Bed Room, Pt. 1 1:57 68 Bed Room, Pt. 2 :13 69 Feelings Hurt :43 70 Girl Starts 1:05 71 The Window 1:04 72 To the Hill 2:28 73 Mountain Top :59 74 End Title :18 The Brain From Planet Arous Bonus Track 75 Car Radio (tag) :17 Quelle: http://www.mmmrecord...anet_arous.html

Monstrous Movie Music veröffentlicht The Last Man On Earth, komponiert von Paul Sawtell und Bert Shefter, limitiert auf 1.000 Stück. 1 Prologue 1:29 2 Main Title 1:36 3 Dead Vampires 1:00 4 Survival 2:18 5 The Stakes :41 6 Dead Vampires (Taken Away) 1:48 7 Pit Smoke 1:16 8 Goes for Supplies 2:46 9 Killing Vampires 2:03 10 Vampire Bop 1:21 11 To the Chapel :52 12 Beside Casket 1:27 13 Fights off Vampires :41 14 Finds Vampires at House 1:48 15 Watching Home Movie 1:42 16 Retrospect :16 17 Baby’s Room :36 18 Smoke :09 19 Taking the Dead Away :47 20 Still Troubled :12 21 The Deserted Lab :27 22 Death of Baby :57 23 Raging Inferno 1:47 24 Wife Gone :30 25 To the Cemetery 1:24 26 Face From the Grave :43 27 Sunrise :11 28 New Discovery 2:08 29 Vampires Iron Stakes :50 30 Dog Is Hurt 1:00 31 Buries the Dog 1:41 32 Girl’s Existence 1:24 33 Injection Needle :58 34 Girl Infected :47 35 Transfusion 1:45 36 Transfusion a Success 1:15 37 Iron Lancers Attack 1:31 38 After the Last Man 1:09 39 Last Man Shot (93X) :11 40 Last Man Shot 1:58 41 End Title 1:12 Bonus Tracks! 42 Beside Casket* 1:29 43 Fights Off Vampires* :44 44 Finds Vampires at House* 1:48 45 Face From the Grave* :43 46 End Title* 1:11 *without vocal overdubs Quelle: http://www.mmmrecord...n_on_earth.html