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Hier die offiziellen Ankündigungen: BUYSOUNDTRAX Records presents the soundtrack for FIRE AND ICE, featuring music composed by William Kraft (AVALANCHE, THE CHISHOLMS) for the 1983 animated fantasy adventure directed by Ralph Bakshi (FRITZ THE CAT, WIZARDS, THE LORD OF THE RINGS), featuring characters created by artist Frank Frazetta, from a script by Roy Thomas and Gerry Conway, and featuring the voices of Randy Norton, Cynthia Leake, Steve Sandor, Sean Hannon, William Ostrander and Eileen O’Neill.. Produced during the height of the sword and sorcery craze, FIRE AND ICE takes place in a prehistoric land under siege by an evil queen, Juliana, and her son, Nekron. An ever expanding wall of glacial ice created by Nekron’s dark sorcery is their greatest weapon, smashing down the defenses of their opponents in the southern lands, which is quickly followed by their invading army of subhuman men who stomp out all resistance and capture whoever is left standing. Into this conflict is thrust the young warrior, Larn, who barely survives his first encounter with the subhumans. In a neighboring kingdom ruled by the kindly king, Jarol, a sinister plot unfolds as Nekron sends envoys to distract Jarol long enough to abduct his daughter, the beautiful princess, Teegra. Not to be underestimated, Teegra is able to escape from the subhumans on the road back to Nekron and she crosses paths with Larn. As they get to know each other and their feelings grow stronger, Teegra is recaptured by the subhumans during a crucial moment where Larn is occupied by the attentions of a giant octopus. Passing out from exhaustion. Larn awakens to find himself bound. Concerned he has been recaptured by the subhumans, Larn is relieved to discover that his captor is actually the lone warrior, Darkwolf, who only bound him to prevent him from opening up his wounds. Larn agrees to an alliance with Darkwolf, who has his own personal reasons for fighting and they form an alliance, agreeing to fight together against Nekron and Juliana and rescue Teegra. But can they reach her in time to prevent whatever cruel fate Nekron has in mind for her? Can Nekron’s dark reign be ended before the land is covered with glacial ice and there are no free men left to resist? Released in the summer of 1983, FIRE AND ICE offered the audience a unique visual experience. In his earlier features, Bakshi’s animation style had been marked by reliance on a technique called rotoscoping, in which his artists would take live action footage and trace over it, frame by frame, to create drawn images which were then animated. Unlike the use of silhouetted armies marching and battling through his previous animated films, the rotoscope process was used in FIRE AND ICE as the basis for the character movements and interactions, such as fights and chases. Presaging today’s use of motion capture in CGI-animation, Bakshi and Frazetta first spent 4-6 weeks filming live actors performing with simple props on a bare sound stage. That footage was rotoscoped and then animated one frame at a time in the manner of traditional cel animation. The end result was very fluid and lifelike movement. The effectiveness of those animated images was enhanced by the atmospheric background paintings that established the environment in which the characters lived, and it was in these paintings that Bakshi tried to replicate the look of Frank Frazetta’s artwork. The experience of watching FIRE AND ICE is greatly enhanced by its musical score, which was Bakshi’s first collaboration with William Kraft, a composer originally from the classical world. William Kraft’s music for FIRE AND ICE is a thunderous, large scale composition, developed and orchestrated not in a Hollywood fashion but in the manner of old school classicism. His previous film scores had been necessarily atmospheric and progressive but with FIRE AND ICE, the composer enjoyed the opportunity to be highly thematic. All of the main characters have their own themes, which interact constantly throughout the score. The music for FIRE AND ICE was orchestrated by Angela Morley, a noted film composer in her own right (WATERSHIP DOWN) who also orchestrated for John Williams throughout the 1990s. FIRE AND ICE was recorded at Paramount Studios with a large size orchestra, with Dan Wallin serving as music scoring mixer, which gave Kraft’s score a generously large sonic dimension. Evoking the sorceries of ages past and the unsung heroes of fable and fantasy, the score for FIRE AND ICE is a battle between beneficent heroism and dark sorcery, sculpting the film’s brutal landscape with heavy swaths of low horns, ascending trumpets, and plenty of percussion. William Kraft (b. 1923, Chicago) has had a long and active career as composer, conductor, timpanist/percussionist and teacher. He is Professor Emeritus at the University of California, Santa Barbara, where he served for 11 years (1991 - 2002) as Chairman of the Composition Department and Corwin Professor of Music Composition. From 1981 -85, Mr. Kraft was the Los Angeles Philharmonic's Composer-in-Residence. During his residency, he was appointed by executive director Ernest Fleischmann to serve as the founding director of the orchestra's performing arm for contemporary music, the Philharmonic New Music Group. Mr. Kraft had previously been a member of the Los Angeles Philharmonic for 26 years; eight years as percussionist, and eighteen years as Principal Timpanist. For three seasons, he was also assistant conductor of the orchestra, and thereafter, frequent guest conductor. Mr. Kraft has received numerous awards and commissions, including two Kennedy Center Friedheim Awards (first prize in 1990 for Veils and Variations for Horn and Orchestra, and second prize in 1984 for Concerto for Timpani and Orchestra; two Guggenheim Fellowships; two Ford Foundation commissions; fellowships from the Huntington Hartford Foundation and the National Endowment for the Arts; the American Academy and Institute of Arts and Letters Music Award; the Norlin/MacDowell Fellowship; the Club 100 Distinguished Artist of Los Angeles Award, the ASCAP Award; the NACUSA Award; the Eva Judd O'Meara Award; first place in the Contemporary Record Society competition; commissions from the Library of Congress, U.S. Air Force Band, St. Paul Chamber Orchestra, Kronos Quartet, Voices of Change, the Schoenberg Institute, consortium of Speculum Mucicae/San Francisco Contemporary Music Players' Contemporary Music Forum, The Boston Pops Orchestra, consortium of Pacific Symphony/Spokane Symphony/Tucson Symphony, the Los Angeles Philharmonic, among others. His works have been performed by the New York Philharmonic, Boston Symphony, Chicago and Philadelphia Orchestras, the Los Angeles Philharmonic, and other major American orchestras as well as in Europe, Japan, Korea, China, Australia and Israel. Recently completed recording projects are with the Czech Philharmonic, New England Conservatory and the Royal Liverpool Philharmonic. BUYSOUNDTRAX Records presents the worldwide soundtrack release of FIRE AND ICE in time for the 30th anniversary of the film’s release, featuring music composed and conducted by William Kraft. FIRE AND ICE was produced using the master elements in the composer’s archive, mastered by James Nelson of Digital Outland featuring liner notes by author Randall Larson, including new comments from the composer on the creation of this fantastic score. FIRE AND ICE is a limited edition release of 2000 units.The first 100 copies purchased directly from BUYSOUNDTRAX.COM will be autographed by the composer, William Kraft. BSXCD-8926 Original Motion Picture Soundtrack Fire and Ice Music by William Kraft $15.95 Ships the week of 4/29/13 1. Main Title/Prologue/The Subhumans Appear/Nekron 7:01 2. Spoils Of War/On The Run 5:28] 3. Meet Teegra 1:07 4. Teegra Is Abducted 2:44 5. Escape From The Subhumans 4:09 6. Lunch Is Served 1:14 7. Teegra Kills 1:29 8. Wolves/Dinner Guest 4:30 9. Larn And Teegra 2:42 10. Cephalopod Attack 1:11 11. Darkwolf 00:46 12. Botched Rescue 4:30 13. Roleil/Darkwolf's Stand 3:29 14. Thoughts Of Teegra 2:57 15. Roleil's Deal/Larn In Pursuit 2:43 16. Nekron's Madness 3:19 17. Nekron's Power 1:25 18. Larn Versus Nekron 2:31 19. Larn Escapes/Darkwolf Appears 2:38 20. Flight Of The Dragonhawks/The End Of Nekron/Reunited10:00 21. Fire And Ice End Title 3:35 BuySoundtrax Records is proud to present THE FILM MUSIC OF MICHAEL NYMAN FOR SOLO PIANO featuring piano performances by Joohyun Park. The recording will be available digitally, in stores, and from www.buysoundtrax.com on April 10th. “I started this piano album by concentrating solely on music from THE PIANO,” said Park. “All music of Michael Nyman has stunning, beautiful and dynamic melodies and it really began to capture my attention. I wanted to record more of Nyman’s work after working on the pieces from THE PIANO.” Pianist Joohyun Park was born in Kwang-Ju, South Korea. She began studying music at age 6. Park received both a Bachelor’s and Master’s Degrees of Piano from Yon Sei Univeristy (Seoul, Korea) and a Bachelor’s Degree of Contemporary Writing and Production from Boston’s famed Berklee College of Music. She has worked as a score coordinator, pianist, orchestrator and assistant composer for movies including PRIEST, THE INFORMERS, DRAG ME TO HELL, CREATION, WHEN IN ROME, THE BLACK TULIP and LOVE HAPPENS. A frequent performer for BuySoundtrax, Joohyun also performed THE MUSIC OF BATTLESTAR GALACTICA FOR SOLO PIANO. Though it was THE PIANO that launched Nyman in the US, his career had already been some three decades in the making by the release of the film that earned him a Golden Globe, and Ivor Novello, and BAFTA Award. Nyman studied at the Royal Academy of Music through the 1960s and, as a music critic, is credited with coining the musical term ‘minimalism.’ In the mid 1970s he began scoring films, most notably for director Peter Greenaway on films including THE COOK, THE THIEF, HIS WIFE AND HER LOVER, DROWNING BY NUMBERS, and THE DRAUGHTSMAN'S CONTRACT. Nyman’s film credits also include THE LIBERTINE, THE END OF THE AFFAIR, THE DIARY OF ANNE FRANK, CARRINGTON and GATTACA. Jeff Bond describes (in the album’s liner notes), “Nyman’s trademark as a composer may be the way he derives deep emotions from an essentially minimalist style. His scores can be lushly orchestrated or paired down to solo instrumentation, but his music often plays as portraits in miniature that reveal constrained, expressive feeling—longing bursting beneath the surfaces of the characters he writes for.” “Minimalism is emphasizing musical ideas by repetition with the very basic and little materials,” explained Park. “Nyman is a minimal music composer and pianist with great passion. It was a challenge to express minimal music that was written by the person who invented the term, but his great music also gave my passion great momentum. I am honored to produce a piano album of this great musician’s work.” THE FILM MUSIC OF MICHAEL NYMAN FOR SOLO PIANO will be available digitally, in stores, and directly from BuySoundtrax on April 10, 2013. THE FILM MUSIC OF MICHAEL NYMAN FOR SOLO PIANO is a limited edition release of 1000 units. The first 100 copies sold through www.buysoundtrax.com will be autographed by Pianist Joohyun Park. BSXCD-8925 Music From The Films Of Michael Nyman For Solo Piano Featuring Music From THE PIANO • GATTACA CARRINGTON • ENEMY ZERO A ZED & TWO NOUGHTS THE DIARY OF ANNE FRANK DROWNING BY NUMBERS Arranged and Performed by Joohyun Park $15.95 Ships the week of 4/29/13 THE PIANO 1. Big My Secret (2:46) 2. The Mood That Passes Through You (2:03) 3. Deep Sleep Playing (2:16) 4. Silver Fingered Fling (3:45) 5. The Attraction of the Pedalling Ankle (6:00) 6. The Heart Asks Pleasure First (2:34) CARRINGTON 7. Fly Drive (0:52) THE DIARY OF ANNE FRANK 8. If (5:08) 9. The School Room (2:58) DROWNING BY NUMBERS 10. Ship and Tides (2:22) ENEMY ZERO 11. Digital Tragedy (1:06) 12. Love (2:50) A ZED & TWO NOUGHTS 13. Time Lapse (3:33) GATTACA 14. Tomorrow (3:13) 15. Departure (2:47) THE PIANO 16. Lost and Found (2:33) Total Time: 46:39

Ist der neue Ron Howard Film über Niki Lauda und James Hunt:

Als Erich Kunzel am 1. September 2009 verstarb kam auch die Aufnahmetätigkeit seines Cincinnati Pops Orchestras zum erliegen. Auch weil das Telarc-Label umstrukturiert wurde und der Plattenvertrag nicht verlängert wurde. Fast ein Jahr dauerte die Suche nach einem neuen Chefdirigenten und mit John Morris Russell ging es dann weiter. Die Suche nach einem neuen Label blieb wohl erfolglos. Also gründete das Orchester sein eigenes Label (Fanfare Cincinnati) und begann wieder mit Aufnahmen! Nach dem ersten Album im letzten Jahr (ein Weihnachtsalbum) kommt nun endlich wieder ein FILMMUSIK-SAMPLER der Cincinnati Pops auf den Markt! Ganz dem Zeitgeist entsprechend wird Musik für Superhelden dargeboten! "SUPERHEROES!" JOHN MORRIS RUSSELL / CINCINNATI POPS ORCHESTRA Musik von Goldsmith, Silvestri, Zimmer, Williams, Elfman u.a. Wer die bisherigen Alben des Orchesters kennt, weiß das uns wahrscheinlich eine grandiose Einspielung erwartet. Lassen wir uns überraschen. VÖ: 24. September 2013 Trackliste: 1. Main Theme from Spider-Man 2. Captain's March from Captain America: The First Avenger 3. The Dark Knight Suite 4. To the Rescue! A TV Superhero Theme Medley feat. Adam West 5. End Credits from Supergirl 6. Superman March from Superman 7. Thor Suite 8. I Am Iron Man from Iron Man 2 9. Star Spangled Man from Captain America: The First Avenger 10. The Launch (Conduktor's Theme) 11. End Credits from X-Men: The Last Stand 12. Make Way for Tomorrow Today from Iron Man 2 13. The Avengers from The Avengers 14. The Lonely Man Theme from The Incredible Hulk 15. Iron Man (Black Sabbath) Ich mochte diese Sampler schon immer und bin froh das es damit weiter geht. Von diesen Scores besitze ich fast keinen und finde es gut, mir die jeweiligen Hauptthemen auf einer einzigen CD kaufen zu können.

Fox Music hat "The East" von Harry Gregson-Williams & Halli Cauthery digital veröffentlicht. https://itunes.apple.com/de/album/east-original-motion-picture/id696994130

Der neue Wong Kar Wai Film, wieder mit Umebayashi Score, nur das halt Machély Additional Music beigesteuert hat, da Umebayashi noch nen anderen Film nebenbei laufen hatte. LKS bringt den jetzt demnächst raus. Hat im Film echt sehr gut gewirkt, allerdings wurden da auch diverse Sachen von Morricone und Coulais verwendet.

Joseph LoDuca hat auf seiner Homepage geschrieben, dass er den Score zum ersten Evil-Dead-Film neu aufgenommen hat. Es ist der Teil eines Doppel-Albums, welches in naher Zukunft veröffentlicht werden soll.

Filmmusicreporter hat soeben berichtet, dass Ramin Djawadi die Musik für Del Toro's Projekt "Pacific Rim" komponieren wird. Ramin Djawadi - PACIFIC RIM Und hier noch das Zitat von Del Toro: what ever...

Burwell macht nicht Thor aber dafür den Wikileaks Film von Bill Condon.

Hörprobe: https://soundcloud.com/milanrecords/max-richter-the-release-from Klingt doch sehr nett wie ich finde Ist nun auf CD erhältlich. Die europäische Version hat übrigens ein anderes Cover.

Bei Intrada erscheint in der kommenden Woche eine Doppel-CD mit der Musik zu THE MIRACLE von Elmer Bernstein:

Neuer Score von Christoph M. Kaiser und Julian Maas kommt bei Colosseum raus.. Hörproben findet man unter diesem Link

BSX Records wird am 1. Juli eine CD mit Neueinspielungen der Musiken aus verschiedenen STAR TREK-Videospielen veröffentlichen. Es handelt sich dabei um Neueinspielungen von Dominik Hauser. Bereits am Mittwoch, den 19. Juni wird die Musik als Download erhältlich sein.

Was Neues von Intrada

Der Soundtrack-Club listet schon eine kommende Silva-Veröffentlichung: http://www.soundtrack-club.net/content/product_info.php?products_id=5264 Kommt anscheinend Anfang März. Bei Amazon als Download gelistet (mit Clips): http://www.amazon.de/gp/product/B00B3P179O

Nachdem Christophe Beck zum 1. Teil den Score abgeliefert hat, wird nun Andy Lockington Teil 2 machen:

Der Score von Adrian Sieber für den deutschen Mystery-Thriller "Lost Place" ist als digitales Release erscheinen. Als CD wird er am 8. Oktober von MovieScore Media nachgereicht.. Eingespielt wurde der Score von den Pragern.. hier ein Videoausschnitt von den Scoring Sessions und einen Gratis-Track kann man sich von seiner Homepage holen..

Hust... http://www.soundtrack-board.de/topic/11906-steven-price-fuer-the-worlds-end/?hl=%2Bsteven+%2Bprice#entry313007

Intrada veröffentlicht am 17. September 2013 die Musik zu THE WHITE DAWN von Henry Mancini.

Intrada veröffentlicht am kommenden Dienstag die Musik zu RAGING ANGELS von Terry Plumeri.

Neben den X AKten kommt am 10. September auch diese Cd bei LLL raus

Kritzerland is proud to present a world premiere limited edition CD release: THE PLEASURE OF HIS COMPANY [In angenehmer Gesellschaft ] Music Composed and Conducted by Alfred Newman Take an all-star cast (including Fred Astaire, Debbie Reynolds, Lili Palmer, Tab Hunter, Gary Merrill and Charlie Ruggles), a hit Broadway show (The Pleasure of His Companyby Samuel Taylor and Cornelia Otis Skinner), a world-class director (George Seaton), and what could possibly go wrong? The answer is, in a word – nothing. The plot is a bubbly confection about a ne’er-do-well rich man named “Pogo” Poole (Astaire), who returns from his many travels to attend the wedding of his daughter Jessica (Reynolds), a debutante who hasn’t seen her father since he and her mother (Palmer) divorced. As in all bubbly confections, there are complications, misunderstandings, charm, laughs and the eventual happy ending. The Pleasure of His Company has all these in spades with an emphasis on the “pleasure.” Hired to compose the score was the great Alfred Newman, who’d recently ended his long tenure at Twentieth Century-Fox. Newman had scored several of director George Seaton’s early films, including Chicken Every Sunday, The Big Lift, For Heaven’s Sake and Anything Can Happen, and just as Seaton had migrated from Fox to Paramount, so, too, did Newman. There he scored both The Pleasure of His Company and Seaton’s next Paramount film, The Counterfeit Traitor. It’s hard to imagine a more luscious, melodic, beguiling and captivating romantic comedy score than what Newman delivered for The Pleasure of His Company. The score gets off to a stunning start with a great Newman theme, “Lullaby in Blue” – a theme that is the cornerstone of the score and will reappear at frequent intervals. The main secondary theme occurs soon thereafter, Newman’s Pleasure of His Company theme. There’s a wonderful theme for Astaire, a kind of “traveling music” that is infectious and fun. And there are other lovely themes along the way to the happy ending. The score is like a sparkling glass of champagne – sophisticated, lush, witty, tender and pure Newman. This is the first CD release for The Pleasure of His Company and we present the complete score, the source music, and some demo cues, mostly in stereo from the original session masters housed in the Paramount vaults. A world premiere score release by Alfred Newman is always cause for celebration – so, pop open the champagne and be prepared to be charmed by one of the greatest film composers who ever lived. The Pleasure of His Company is limited to 1000 copies only and is priced at $19.98, plus shipping. CD will ship the last week of October, but preorders placed at Kritzerland usually ship one to five weeks early (we’ve been averaging four weeks). Quelle: http://www.imdb.com/title/tt0055307/?ref_=fn_tt_tt_1 Dort könnt ihr auch mal ´rein

Void Recordings veröffentlicht am 10. September den Soundtrack zur Insidious Fortsetzung von Joseph Bishara digital. Die CD folgt am 8. Oktober. Tracklist: 1. Ghost Photographs (1:02) 2. Inside Your Dream (1:18) 3. The flickering Entity (1:46) 4. Insidious Chapter 2 (3:22) 5. You Think I Did This (0:45) 6. New Home (0:44) 7. Empty Crib (0:31) 8. Empty Home (0:50) 9. Had a Bad Dream (1:23) 10. Who Behind Eyes (2:01) 11. Don’t You Dare (2:09) 12. Are You Here (2:41) 13. Only Ghosts Left (1:36) 14. This Is My room (1:33) 15. To Live Again (1:23) 16. Mater Mortis (1:07) 17. Putrid Chamber (3:24) 18. Further Striking (1:14) 19. Feel Real Pain (2:01) 20. One of the Dead (2:24) 21. The Mother (1:26) 22. Good Little Girl (1:06) 23. Closing Further (2:17) 24. Time to Forget (1:15) 25. New Haunting (1:14) 26. Void Figure 7 (ch2) (2:28)

Laut den Trailer Credits. Folgt somit auf das Quattro Elfman, De Vries, Murphy & Jackman aus Teil 1. http://www.comingsoon.net/news/movienews.php?id=101495

La-La Land Records wird im Rahmen von Warner Brothers 90th Anniversary die komplette Musik von Don Davis zu MATRIX RELOADED auf 3500 Exemplare limitierte Doppel-CD veröffentlichen. Quelle: FSM Forum