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  1. LA-LA LAND RECORDS FEELS THE NEED FOR SPEED!!! NEW RELEASE: MARCH 1, 2024 Available to order NOW at www.lalalandrecords.com “TOP GUN: LIMITED EDITION (2-CD SET)” Music by Harold Faltermeyer Limited Edition of 5000 Units RETAIL PRICE: $29.98 STARTS SHIPPING MARCH 11 The first 150 orders of TOP GUN will get a CD Booklet autographed by the composer at no additional charge. Autographs are available while supplies last and ARE NOT GUARANTEED. La-La Land Records, Paramount Pictures and Columbia Records present the world premiere official release of renowned composer Harold Faltermeyer’s (FLETCH, BEVERLY HILLS COP, THE RUNNING MAN) original motion picture score to the iconic 1986 aerial blockbuster action/drama TOP GUN, starring Tom Cruise and Kelly McGillis, and directed by Tony Scott. Composer Faltermeyer defined the 80’s film score pop-synth landscape with such legendary scores as BEVERLY HILLS COP and FLETCH only to re-define it further with TOP GUN, a propulsive and imaginative musical juggernaut that still inspires and influences film scores today – including the recent smash TOP GUN: MAVERICK. Aside from two previously released tracks, this remastered and expanded deluxe 2-CD presentation marks the first time Faltermeyer’s TOP GUN score has been made officially available in any format! Disc One showcases the brilliant film score, along with bonus demo cues, and Disc Two presents songs from the film, including the #1 hits “Danger Zone,” performed by Kenny Loggins and the Oscar-Winning “Take My Breath Away,” performed by Berlin – both co-written and produced by the great Giorgio Moroder – as well as “You’ve Lost That Lovin’ Feeling,” performed by The Righteous Brothers and more, plus additional bonus tracks. Produced by for La-La Land Records by Dan Goldwasser, mastered by Doug Schwartz and approved by the composer, this limited edition of 5000 units includes exclusive, in-depth liner notes by writer Tim Greiving, with new interview quotes from Faltermeyer, and high-flyin’ art design by Goldwasser. A must-have for all film music and pop culture fans that’ll take your breath away! TRACK LISTING: DISC 1 1. Main Title* 2:41 2. Carrier Takeoffs and Landings** 1:46 3. Two Migs, Not One†/Cougar Chased by Mig/Mav Flips the Bird*/Cougar’s Troubled Landing 6:58 4. Mav Goes to Fightertown** 1:49 5. Jester Flying*** 3:10 6. Tower Flyby* 1:10 7. Viper Comes Down on Mav 0:50 8. Mav and Goose In Room 2:06 9. Dinner at Charlie’s§ 1:32 10. Mav Says Goodbye to Charlie§ 2:40 11. Love Scene§ 3:41 12. Mav vs Viper 2:11 13. End Locker Room and Photo 0:46 14. Aerial Sequence** 1:27 15. Goose’s Death/Memories 4:10 16. Mav Reflects in Goose’s Room/Board of Inquiry/Charlie and Mav in Airport Bar 11:03 17. Viper’s House Pt. 1# 1:15 18. Viper’s House Pt. 2 1:57 19. Carrier Ready Room and Takeoffs# 2:47 20. Mav is Launched/Mav Bugs Out/Mav Returns to Battle#/Return to Carrier* 11:11 BONUS TRACKS 21. Top Gun Theme (original demo - May 4, 1985) 3:34 22. Top Gun Theme (revised demo - August 1, 1985) 4:18 23. Top Gun Theme (revised demo reprise - August 1, 1985) 4:12 TOTAL DISC 1 TIME = 77:58 DISC 2 1. “Danger Zone” - Kenny Loggins 3:36 2. “Mighty Wings” - Cheap Trick 3:51 3. “Playing With the Boys” - Kenny Loggins 3:59 4. “Lead Me On” - Teena Marie 3:47 5. “Take My Breath Away (Love Theme From “Top Gun”)” - Berlin 4:15 6. “Hot Summer Nights” - Miami Sound Machine 3:38 7. “Heaven In Your Eyes” - Loverboy 4:04 8. “Through the Fire” - Larry Greene 3:45 9. “Destination Unknown” - Marietta 3:48 10. “Top Gun Anthem” - Harold Faltermeyer & Steve Stevens 4:12 11. “(Sittin’ On) the Dock of the Bay” - Otis Redding 2:41 12. “Memories” - Harold Faltermeyer 2:55 13. “Great Balls of Fire” - Jerry Lee Lewis 1:50 14. “You’ve Lost That Lovin’ Feelin’” - The Righteous Brothers 3:42 15. “Playing With The Boys (Dance Mix)” - Kenny Loggins 6:41 16 .“Dog Fight #3” - Harold Faltermeyer 2:40 17. “Radar Radio” - Giorgio Moroder feat. Joe Pizzulo 3:42 BONUS TRACKS 18. First Shot of Mav and Goose (unused)* 0:53 19. Don’t Worry About the Mig (unused)§ 0:24 20. Top Gun Theme (extended album mix) 4:44 TOTAL DISC 2 TIME = 69:45 TOTAL ALBUM TIME = 2:27:43 * consists of “Top Gun Anthem” ** consists of “Danger Zone” *** consists of “Mighty Wings” § consists of “Take My Breath Away” † contains material not in film # contains an interpolation of “Top Gun Anthem” This is a CD format release.
  2. Danke Intrada! CD1 01. Jaws – Main Title (0:59) 02. The First Victim (1:45) 03. Remains On The Beach (0:59) 04. The Empty Raft (Extended Version) (1:45) 05. The Pier Incident (2:30) 06. Father And Son (Film Version) (1:59) 07. The Alimentary Canal (1:58) 08. Ben Gardner’s Boat (3:33) 09. Montage (1:35) 10. Into The Estuary (2:53) 11. Out To Sea (Film Version) (1:01) 12. Tug On The Line (2:39) 13. Man Against Beast (Film Version) (5:34) 14. Quint’s Tale (2:48) 15. Brody Panics (1:16) 16. Barrel Off Starboard (1:41) 17. Great Chase (3:02) 18. Shark Tows Orca (0:41) 19. Three Barrels Under (2:17) 20. From Bad To Worse (1:07) 21. Quint Thinks It Over (1:14) 22. The Shark Cage Fugue (2:02) 23. The Shark Approaches (Film Version) (0:53) 24. The Shark Hits The Cage (2:03) 25. Quint Meets His End (1:27) 26. Blown To Bits (3:17) 27. Jaws – End Title (1:57) Total Score Time: 54:55 The Extras 28. Jaws – Main Title (Alternate) (1:12) 29. The Typewriter (0:21) 30. Man Against Beast (Alternate) (5:38) 31. Barrel Off Starboard (Alternate Segment) (0:54) 32. Great Chase (Alternate) (3:03) 33. Shark Tows Orca (Alternate) (0:42) 34. The Shark Approaches (Alternate) (0:55) 35. Quint Meets His End (Alternate) (1:32) 36. Wild Shark Theme (1:10) Total Extras Time: 15:15 Total CD1 Time: 70:20 CD2 Original 1975 MCA Soundtrack Album 01. Main Title (Theme From Jaws) (2:24) 02. Chrissie’s Death (1:42) 03. Promenade (Tourists On The Menu) (2:48) 04. Out To Sea (2:30) 05. The Indianapolis Story (2:27) 06. Sea Attack Number One (5:25) 07. One Barrel Chase (3:10) 08. Preparing The Cage (3:26) 09. Night Search (3:34) 10. The Underwater Siege (2:34) 11. Hand To Hand Combat (2:34) 12. End Title (Theme From Jaws) (2:21) Total Album Time: 34:52 The Extras Music From Amity Town Beach 13. Joplin Rag (Original Rag) (Scott Joplin) (2:07) 14. Winter Stories Waltz (Alphons Czibulka) (1:46) 15. In The Good Old Summertime (George Evans & Ren Shields) (1:29) 16. Thousand And One Nights Waltz (Johann Strauss Jr.) (1:49) 17. Marching Band No. 1 (1:09) 18. Marching Band No. 2 (2:05) Total Source Music Time: 14:30 Total CD2 Time: 45:29 http://store.intrada.com/s.nl/it.A/id.9909/.f?sc=13&category=-113
  3. Hallo Soundtrack-Boarder, wir starten einen erneuten Versuch, die manchmal aufkommende Flut neuer Soundtrack-Veröffentlichungen ein wenig übersichtlicher zu kanalisieren. In diesen Thread sollen künftig Veröffentlichungen hinein, die höchstwahrscheinlich eher ein kleineren, sehr überschaubaren Kreis von Filmmusikfreunden ansprechen. Beispiele für solche Veröffentlichungen sind in der unten angeführten Grafik (courtesy of Stefan Jania ) angegeben. Score-Veröffentlichungen von hoher oder höherer Popularität bekommen weiterhin ihre eigenen, einzelnen Threads. Der Grund für diesen Sammelbereich liegt in der Tatsache begründet, dass zwar oft viele kleinere, obskurere Releases vorgestellt werden, es jedoch seitens der User sehr wenig bis gar kein Feedback dazu gibt. Darunter leidet die Übersichtlichkeit im "Veröffentlichungs-Unterforum". Sollte sich jedoch aus diesem Sammelthread heraus zu bestimmten Veröffentlichungen eine längere Diskussion entwickeln, werden wir Mods/Admins diese in einen separaten Thread auslagern, damit dort weiter debattiert werden kann.
  4. Komponistenwechsel bei den Geisterjägern. Nachdem Rob Simonsen für GHOSTBUSTERS AFTERLIFE einen wirklich schönen Score schreiben durfte, ist nun Dario Marianelli an der Reihe, der Fortsetzung den hoffentlich nötigen Sound zu verpassen.
  5. OCTOPUSSY – 40th ANNIVERSARY: EXPANDED/REMASTERED LIMITED EDITION (2-CD SET) LLLCD 1637 Music by John Barry “All Time High” Composed by John Barry Lyrics by Tim Rice Performed by Rita Coolidge Limited Edition of 5000 Units RETAIL PRICE: $31.98 STARTS SHIPPING JAN 16 Available to order now at www.lalalandrecords.com La-La Land Records, Metro-Goldwyn-Mayer, EON Productions and Universal Music Enterprises proudly commemorate the 40th Anniversary of the 1983 James Bond film OCTOPUSSY, with a remastered and expanded 2-CD re-issue of composer John Barry’s original motion picture score to the film, starring Roger Moore in his sixth turn as 007 and directed by John Glen. Legendary composer John Barry (GOLDFINGER, YOU ONLY LIVE TWICE, DANCES WITH WOLVES) returns again to the Bond franchise with OCTOPUSSY, delivering another bold, thrilling, dramatic and romantic orchestral score, along with a dreamily smooth and sensuous title track performed by Rita Coolidge. The renowned composer combines his chase-and-action style from the’60s with his more sophisticated, symphonic approach of the late ’70s and early ’80s, giving 007 the best of both musical worlds. OCTOPUSSY – 40th ANNIVERSARY EXPANDED LIMITED EDITION showcases the film’s music in exhilarating fashion, with improved sound and never-before-released material. Produced by Neil S. Bulk and mastered by Doug Schwartz, Disc One of this deluxe release showcases the film’s Score Presentation and additional music, while a remaster of the original 1983 soundtrack album is housed on Disc Two, along with the CD premiere of the “Extended Instrumental Version” of “All Time High”! The film score on Disc One was sourced from ¼ inch stereo tapes of the film mixes, while Disc Two’s original 1983 soundtrack and the “Extended Instrumental Version” of “All Time High” are from ¼ inch stereo album masters. All of the tapes were newly transferred in high resolution for this set. This special release is limited to 5000 units and features exclusive, in-depth liner notes by “The Music of James Bond” author Jon Burlingame and sharp art design by Dan Goldwasser. TRACK LISTING: DISC 1 SCORE PRESENTATION 1. Gun Barrel And Airbase* :51 2. Bond Look-Alike* 2:59 3. Fill Her Up :44 4. All Time High (Performed by Rita Coolidge) 3:05 5. 009 Gets The Knife And The Property Of A Lady 1:35 6. Kremlin Art Repository And Sotheby’s 1:22 7. India 1:00 8. Magda And Spend The Money Quickly, Mr. Bond :50 9. Gobinda Attacks* 2:14 10. Easy Come, Easy Go* 1:50 11. All Time High (Instrumental) 1:48 12. That’s My Little Octopussy 3:13 13. Arrival At The Island Of Octopussy 3:23 14. Bond At The Monsoon Palace 3:04 15. Palace Intrigue 1:43 16. The Mysterious Octopussy 2:36 17. Bond Meets Octopussy 3:36 18. Yo-Yo Fight And Death Of Vijay (Extended Version) 3:54 19. Checkpoint Charlie And The Romanov Star 1:06 20. The Chase Bomb Theme (Film Version) 1:55 21. Fight With Mischka :56 22. Follow That Car* 1:02 23. The End Of General Orlov 1:51 24. Gorilla Suit And Death Of Grischka 1:26 25. The Bomb Arrives And Clowning Around 1:48 26. The Palace Fight (Extended Version)* 5:00 27. Kamal Khan’s Death And Finale 2:01 28. All Time High – End Title (Performed by Rita Coolidge) 3:03 Total Score Time 60:43 ADDITIONAL MUSIC 29. British Ambassador :48 30. Vijay’s Pungi* :32 31. Gangaur Ghat 1:20 32. Bazaar 1:09 33. Let The Sport Commence 2:59 34. The Hunt Continues 2:10 35. The Floating Palace :53 36. Distraction 2:07 Total Additional Music Time 12:11 Total Disc 1 Time 73:03 DISC 2 ORIGINAL SOUNDTRACK ALBUM 1. All Time High (Performed by Rita Coolidge) 3:04 2. Bond Look-Alike* 2:59 3. 009 Gets The Knife And Gobinda Attacks* 3:06 4. That’s My Little Octopussy 3:13 5. Arrival At The Island Of Octopussy 3:23 6. Bond At The Monsoon Palace 3:04 7. Bond Meets Octopussy 3:36 8. Yo-Yo Fight And Death Of Vijay 3:45 9. The Chase Bomb Theme 1:57 10. The Palace Fight* 4:32 11. All Time High – End Title (Performed by Rita Coolidge) 3:03 Total Original Album Time 36:10 BONUS TRACK 12. All Time High (Extended Instrumental Version) 3:52 Total Disc 2 Time 40:08 Total Collection Time 1:53:11 * Contains “James Bond Theme” written by Monty Norman This is a CD format release
  6. Quartet Records, in collaboration with Aribage Limited and the Michael Kamen estate, is proud to present the premiere release of the early Michael Kamen (BRAZIL, LETHAL WEAPON, DIE HARD, LICENCE TO KILL) score for 1982 British thriller VENOM. Directed by Piers Haggard and based on the novel by Alan Scholfield, starring Sterling Hayden, Klaus Kinski, Sarah Miles, Nicol Williamson, Susan George and Oliver Reed, VENOM tells the story of a group of international terrorists who attempt to kidnap a wealthy couple’s child. Their plan comes unstuck when a deadly Black Mamba escapes with the terrorists and several hostages trapped in the boy’s London home. A tense evening is had by all as the snake creeps around the house, picking off the characters one by one. The young Michael Kamen composed a tremendous score, one of his best and an obvious precursor to some of his future successes. In VENOM, one can hear everything from a variation of his future and celebrated theme for THE DEAD ZONE to echoes of what would later be the CONCERTO FOR SAXOPHONE AND ORCHESTRA (as well as parts he later used in ROBIN HOOD and DIE HARD 2). Kamen wisely avoided mimicry, instead imprinting the film with his distinctive voice. Using low woodwinds, low strings and muted brass, he masterfully crafted an atmospheric and personality-rich soundtrack. VENOM is a pivotal score in the composer’s filmography, not only suitably serves the film, but also foreshadows Kamen’s rapid ascent to the ranks of Hollywood’s A-list composers in the years ahead. Performed by the National Philharmonic Orchestra under the baton of the composer (who also orchestrated the score in its entirety), this release utilizes three reels of two-track Abbey Road mixes by Eric Tomlison and provided by the Michael Kamen estate. Upon reviewing these masters, it became apparent that editorial adjustments had been made to Kamen’s original compositions for the film. Notably, the “End Titles” music, intended as an unsettling coda, was repurposed within the body of the film. In presenting this release, we restore Michael Kamen’s music to its intended sequencing, allowing the composer to present his story arc. Bonus tracks, including “snake” motifs and drones, conclude the listening program. This album has been meticulously produced, restored and mastered by Chris Malone. The package includes a 20-page booklet with in-depth liner notes by film music writer Jeff Bond. 1. Main Titles 2:52 2. Seduction 1:05 3. Mugambo 1:44 4. Picking Up Jacmel / Drive To Jacmel House 3:08 5. Boy In Car / First Kill 6:06 6. One Dead Maid 2:49 7. Preparate / Waiting 0:57 8. One Dead Rabbit 0:49 9. Grandfather Hunt 3:25 10. That’s It 1:35 11. Duct 1:43 12. On The Steps / Snake 2:09 13. Drinks? / Dave’s Leg 2:57 14. Final Death 3:44 15. End Titles 2:36 Bonus Tracks 16. Main Titles (Film Version) 2:49 17. Mugambo (Orchestral Only) 1:43 18. Snake 1 1:09 19. Snake 2 1:14 20. Snake 3 1:09 21. Snake 4 1:03 22. A Drone 0:39 23. C Drone 0:58 24. End Titles (Alternate) 2:29 Total Disc Time: 51:06
  7. Kommt auch auf Vinyl, einmal schwarze Pressung und einmal weiß mit blauem Streifen, limitiert auf 400 Stück, beziehungsweise 100 Stück.
  8. Alexandre Desplat durfte mal wieder die Musik für eine Regiearbeit von George Clooney komponieren. Startet Weihnachten in den amerikanischen. https://m.youtube.com/watch?v=dfEA-udzjjQ&pp=ygUQYm95eiBuIHRoZSBib2F0IA%3D%3D
  9. CITY HALL - Jerry Goldsmith (1996) 01. The Bridge (2:05) 02. The Meet (2:57) 03. The Hospital (2:17) 04. When I Was A Kid (2:21) 05. The Cabin (1:06) 06. The King Maker (2:22) 07. Old Friends (2:49) 08. Swartz Is Dead (2:45) 09. Think About It (1:22) 10. The Report (1:37) 11. Take A Vacation (3:31) 12. Count On It (4:50) CITY HALL gehört sicher nicht zu seinen großen Meisterwerken, aber der Score nimmt im Schaffen der 90er Jahre dennoch eine kleine Sonderrolle ein. Dies hängt in erster Linie mit der eher ungewöhnlichen Orchestrierung zusammen. Goldsmith greift hier nicht ausschließlich auf seine vielfach erprobte Mischung aus Orchester und Elektronik zurück, sondern räumt einigen Instrumenten eine deutliche Sonderrolle ein. Im Vordergrund stehen dabei die Kesselpauken, die teilweise wie ein Soloinstrument behandelt werden und weite Teile der Musik dominieren. Außerdem fällt der Flügel auf, der hier vornehmlich als Rhythmusinstrument genutzt wird. Die vor allem von Holzbläsern getragenen Themen des Scores weisen eine an Jazz erinnernde Trägheit auf und verleihen der Musik eine gewisse Melancholie, die sich bei Goldsmith sonst eher selten findet. Die brillant strukturierten Actionpassagen weichen dabei deutlich von den anderen Werken dieser Zeit ab und man hat nie den Eindruck, dass Goldsmith in seine Action-Routine verfällt. Einige Elemente von CITY HALL erinnern an die Musik zu A STREETCAR NAMED DESIRE von Alex North, die Goldsmith im selben Jahr für Varèse eingespielt hat. Der Beginn des Titels "Old Friends" könnte sogar fast als direktes Zitat durchgehen. Für mich persönlich handelt es sich bei der Musik zu CITY HALL um ein kleines Juwel im (nicht immer überzeugenden) Spätwerk von Jerry Goldsmith.
  10. It’s been a decade since John Carpenter recorded the material that would become Lost Themes, his debut album of non-film music and the opening salvo in one of Hollywood’s great second acts. Those vibrant, synth-driven songs, made in collaboration with his son Cody Carpenter and godson Daniel Davies, kickstarted a musical renaissance for the pioneering composer and director. In the years since, Carpenter, Carpenter, and Davies have released close to a dozen musical projects, including a growing library of studio albums and the scores for David Gordon Green’s trilogy of Halloween reboots. With Lost Themes IV: Noir, they’ve struck gold again, this time mining the rich history of the film noir genre for inspiration. Since the first Lost Themes, John has referred to these compositions as “soundtracks for the movies in your mind.” On the fourth installment in the series, those movies are noirs. Like the film genre they were influenced by, what makes these songs “noirish” is sometimes slippery and hard to define, and not merely reducible to a collection of tropes. The scores for the great American noir pictures were largely orchestral, while the Carpenters and Davies work off a sturdy synth-and-guitar backbone. The noir quality, then, is something you understand instinctively when you hear it. “Some of the music is heavy guitar riffs, which is not in old noir films,” Davies notes. “But somehow, it’s connected in an emotional way.” The trio’s free-flowing chemistry means Lost Themes IV: Noir runs like a well-oiled machine—the 1951 Jaguar XK120 Roadster from Kiss Me Deadly, perhaps, or the 1958 Plymouth Fury from John’s own Christine. It’s a chemistry that’s helped power one of the most productive stretches of John’s creative life, and Noir proves that it’s nowhere near done yielding brilliant results. “This is who we are, I think,” John summarizes. “Daniel’s the adventurer. He pushes for new sounds, new directions. He tries things that I haven’t thought of. He’s a lot more daring than I am, and he enriches the whole thing. Cody’s the musician. He’s a savant at music. He understands music. We depend on him to rescue us.” And what about John’s contribution? With characteristic understatement, he concludes: “I’m the experience. I’ve done music for movies before.” -Brad Sanders ***Sacred Bones Exclusive Color: Edition of 1000 copies, pressed on Red on Clear Splatter vinyl w/ Screen Printed 7" and a Silver Foil Stamped Jacket*** ***Sacred Bones Record Society version: Edition of 150 copies, pressed on Black and White Splatter on Clear vinyl w/ Screen Printed 7" and a Silver Foil Stamped Jacket, in an exclusive wrap around sleeve, wax sealed, hand-numbered and available by mail-order only. ENROLL HERE.*** All vinyl copies come with a massive 24x36" fold-out poster. Release Date 5/3/24 1. My Name Is Death 05:40 Video 2. Machine Fear 3. Last Rites 4. The Burning Door 5. He Walks By Night 6. Beyond the Gallows 7. Kiss the Blood Off My Fingers 8. Guillotine 9. The Demon's Shadow 10. Shadows Have A Thousand Eyes
  11. NOW SHIPPING Universal Pictures Film Music Classics Collection LLLCD 1635 Music by Maurice Jarre Limited Edition of 2000 Units RETAIL PRICE: $21.98 La-La Land Records and Universal Studios proudly present the eighteenth title within the acclaimed Universal Pictures Film Music Classics Collection – TOPAZ, music by Maurice Jarre (LAWRENCE OF ARABIA, DOCTOR ZHIVAGO). Remastered and expanded beyond its previous soundtrack release, and in stereo for the first time, renowned composer Maurice Jarre’s original motion picture score to TOPAZ, the 1969 big-screen dramatic thriller starring Frederick Stafford and John Veron, and directed by the legendary Alfred Hitchcock, shines brilliantly throughout this deluxe limited edition CD release. Vividly demonstrating Jarre’s remarkable versatility and invention, TOPAZ is a notable and unique work in the composer’s canon, finding the maestro experimenting with early synthesizers and colorful percussion, while also employing orchestra in expert fashion to support the film’s varied textures of drama, romance and suspense. Produced, mixed, edited and mastered by Mike Matessino, from studio vault elements, this special limited edition of 2000 units features in depth, exclusive liner notes written by author Jeff Bond and classic art direction by Jim Titus. TRACK LISTING: SCORE PRESENTATION (57:04) 1. ‘Topaz’ March (Main Title) 2:36 2. Kidnapping 1:42 3. Going To America 2:55 4. Arcy’s Office 2:32 5. Russian Defector 2:56 6. The Attaché Case 3:44 7. Arriving In Cuba (Part 1) 4:11 8. Arriving In Cuba (Part 2) 2:57 9. Love With Juanita 3:49 10. Mendoza 3:45 11. Last Farewells To Juanita 4:49 12. Rico Shoots 2:39 13. Back To The States 2:39 14. Sad Comeback 2:53 15. Lunch At Pierre 2:16 16. Francois Arriving At Jarré 17. Something Has Happened 2:07 18. Portrait Of A Dead Traitor 2:01 19. Duel And ‘Topaz’ Finale 2:01 20. Love Theme From ‘Topaz’ 2:49 ADDITIONAL MUSIC (9:14) 21. ‘Topaz’ March (Alternate) 2:17 22. ‘Topaz’ Finale (Alternate) :44 23. Main Theme From ‘Topaz’ 2:57 24. Love Theme From ‘Topaz’ 3:07 TOTAL ALBUM TIME: 66:22 This is a CD format release.
  12. Morgen, am 23. Februar, wird Hollywood Records das offizielle Soundtrack-Album für die FX-Miniserie SHŌGUN veröffentlichen. Das Album umfasst 17 Stücke, komponiert von Atticus Ross, Leopold Ross und Nick Chuba. Der Soundtrack wird digital erhältlich sein. 1. Erasmus (0:45) 2. Main Title (1:51) 3. Osaka Castle (2:14) 4. The Council Will Answer to Me (2:28) 5. Tanto (1:06) 6. Crimson Sky (2:47) 7. Three Hearts (5:23) 8. The Pull of Death (3:38) 9. Willow World (2:05) 10. This Is War (2:14) 11. A Dream Within a Dream (2:39) 12. Land of Tears (1:43) 13. All Men Can Be Broken (7:00) 14. Shinobi (3:20) 15. Why Tell a Dead Man the Future (2:06) 16. The Bureaucrat (1:50) 17. Two Hearts (3:06)
  13. Ende Januar kommt Robert Folks Rock-A-Doodle von MSM. Bin gespannt, wie der Score dort klingen wird - verglichen zur sehr mäßigen deutschen CD von damals. https://moviescoremedia.com/newsite/coming-soon/
  14. LLLCD 1632 Music by John Williams Limited Edition of 5000 Units RETAIL PRICE: $39.98 STARTS SHIPPING DEC 1 La-La Land Records, Sony Pictures, Amblin Entertainment and Sony Music present HOOK – THE ULTIMATE EDITION, a remastered and expanded 3-CD soundtrack presentation of legendary composer John Williams’ (STAR WARS, E.T., HARRY POTTER) original motion picture score to the 1991 adventure-fantasy HOOK, directed by Steven Spielberg. An undisputed masterwork within the treasured John Williams and Steven Spielberg collaboration that has spanned five glorious decades, HOOK is an astounding orchestral odyssey that exemplifies the Maestro’s musical genius—a sonic epic that soars with imaginative joy, wonder and adventure! This remastered ultimate presentation unleashes Williams’ iconic score as never before, expanded beyond any previous soundtrack release, with never-before-released score, alternate tracks, songs and source music. Produced, edited and mastered by Mike Matessino, in consultation with the composer, Disc One of this deluxe reissue contains the score presentation, which continues through Disc Two with additional music tracks. Disc 3 offers a sumptuous bounty of songs (highlighting the wonderful songwriting talents of Leslie Bricusse), alternate cues and source music! With stellar art direction by Jim Titus, this limited-edition release of 5000 units features a 48-Page booklet that includes exclusive in-depth liner notes by Matessino and associate producers John Takis and Jason LeBlanc. The track listing is featured on a 12-page second booklet within the package. TRACK LISTING: DISC 1 SCORE PRESENTATION 1.Hook Prologue (Extended Version) 1:33 2.We Don’t Wanna Grow Up (Extended Version) *2:57 3.Banning Back Home (Film Version) 3:21 4.Wendy’s Entrance 2:12 5.The Bedroom1 :08 6.The Nursery Scene 1:40 7.Saying Goodnight :57 8.Hook Returns To Kensington 2:00 9.Hook Is Back 2:09 10.Forgotten How To Fly :56 11.The Stories Are True 2:24 12.The Arrival Of Tink 3:33 13.The Flight To Neverland 2:40 14.Pirate Town And Presenting The Hook 5:09 15.Hook’s Entrance 2:42 16.Draw Your Sword! 2:14 17.Peter’s Challenge 5:42 18.From Mermaids To Lost Boys (Film Version) 4:26 19.Enter Rufio 1:19 20.The Lost Boy Chase 3:35 21.The Face Of Pan 2:42 22.Hook’s Epiphany 2:16 23.Smee’s Plan 1:46 24.Pick ’Em Up * 2:56 25.Hook’s Lesson 3:08 26.The Banquet 3:14 27.The Never-Feast (Film Version) 4:41 28.When You’re Alone * 3:17 29.Goodnight Neverland 1:45 Total Time Disc One: 78:54 DISC 2 SCORE PRESENTATION (Continued) 1.Stop That Clock! 4:05 2.Home Run And Follow That Shadow 5:24 3.Peter Remembers (The Flying Sequence) 8:23 4.You Are The Pan (Film Version) 1:26 5.Tink Grows Up 2:21 6.The Ultimate War (Film Version) 8:02 7.Death Of Rufio 4:23 8.The Sword Fight And The End Of Hook 7:07 9.Farewell Neverland 10:18 10.Hook End Credits And Exit Music 5:52 Total Score Time: 2:16:23 ADDITIONAL MUSIC 11.Hook Prologue 1:25 12.Banning Back Home (Extended Version) 4:24 13.From Mermaids To Lost Boys 4:26 14.The Face Of Pan (Choral Version) 2:43 15.The Ultimate War 7:54 Total Additional Music: 21:00 Total Time Disc Two: 78:32 DISC 3 SONGS, ALTERNATES AND SOURCE MUSIC 1.We Don’t Wanna Grow Up * 1:52 2.God Rest Ye Merry, Gentlemen 1:10 3.Childhood * 3:54 4.When You’re Alone – Moira’s Lullaby * :46 5.The Stories Are True (Alternate) 2:24 6.The Arrival Of Tink (Alternate) 3:35 7.The Flight To Neverland (Alternate) 2:33 8.Low Below – Pirate Sequence * 4:58 9.Hook’s Entrance (Alternate) 2:42 10.The Lost Boy Chase (Alternate) 3:34 11.The Never Song * 2:04 12.The Never-Band 1:20 13.The Never-Feast 4:42 14.When You’re Alone (Instrumental) 3:19 15.Mothers * 2:26 16.Stick With Me * 2:00 17.Take Me Out To The Ball Game 2:18 18.Remembering Childhood1 1:06 19.Believe * 3:01 20.Farewell Neverland (Short Version / Alternate) 6:54 21.Hook Exit Music (Alternate) 1:48 BONUS TRACKS 22.Pirate Sequence (Instrumental) 3:59 23.Smee’s Concertina Medley 4:50 24.Presenting The Hook (Vocal Version Segment) * 1:38 Total Time Disc Three: 79:17 Three-Disc Total Time: 3:56:43 *Lyrics by Leslie Bricusse This is a CD format release
  15. Hallo miteinander, ich habe gerade gesehen, dass wir noch kein Thema zu diesem Film haben. Freunde, die im Kino waren, sind sehr angetan gewesen. Ich habe es noch nicht geschafft und auch nur ganz kurz in den Score reingehört, was erstmal unspektakulär klang. Eine Passage erinnerte mich sehr an „The Might of Rome“, als ein klassisches Wagner-Idiom. Kann jemand mehr sagen?
  16. Varèse will nun wohl noch stärker ins Vinyl-Geschäft einsteigen und hat dafür eine neue Serie gestartet. Dafür verfolgen sie nun wohl das Modell von Waxwork und Co.: Schön bunt und mit Extras wie Postern. Coming soon to a turntable near you! Reel Cult is our brand-new soundtrack revival series for cinephiles, crate-diggers, and nostalgia nomads alike. Resurrected from the depths of bygone video stores and midnight repertory theaters, Reel Cult resurfaces the wildest B-movie soundtracks, cult classic creature features, Blaxploitation cinema, Wild West revenge sagas, and spine-tingling horror flicks that never stopped spinning in your head. Butter your popcorn, cue your tonearm, and crank that receiver to 11, because Reel Cult is coming to an independent record store near you on April 20th for Record Store Day 2024. Kicking off our series are two equally rambunctious titles, legendary composer Ennio Morricone's score for Orca, and the soundtrack to the classic Blaxploitation film Black Girl. Keep reading to get the lowdown. ENNIO MORRICONE - ORCA (MUSIC FROM THE MOTION PICTURE The only animal other than man who kills for revenge… is ORCA! Italian Maestro extraordinaire Ennio Morricone trades in his six-shooters for harpoons as he attacks the most dangerous creature in the sea, the killer whale! Morricone expertly instills his score with compassion for the oceanic familicide victim while echoing the whale’s vengeful bloodlust in a complex and rich soundtrack to the aquatic thriller. Available on vinyl in North America for the first time! Pressed on "Blood In The Water" colored vinyl, packaged in a tip-on jacket with brand-new liner notes and a fold-out poster. Dip your toes in, if you dare! VARIOUS ARTISTS - BLACK GIRL (ORIGINAL MOTION PICTURE SOUNDTRACK) Smooth Soul-Jazz at its best! Fantasy Records house producers/songwriters/engineers Ray Shanklin, Ed Bogus and Jesse Osborne collected the best soul vocal stylists including Betty Everett & Rodger Collins, and paired them with jazz giants like Merl Saunders and Sonny Stitt, to create an unforgettable musical tapestry for Ossie Davis’ seminal cinematic social commentary, 1972’s Black Girl. The music and score to Black Girl – as integral to the film as it is – makes for a timely and timeless stand-alone record as well. As fresh today as it was on its release fifty-plus years ago, Black Girl is one gem you’ll never forget. This long-sought-after rarity was cut (AAA) from the original analog tapes, and is pressed on 180-gram Clear Black Swirl-colored vinyl. Completing the package is a classic tip-on jacket.
  17. Der Absturz des Fuerza-Aérea-Uruguaya-Fluges 571 wurde erneut verfilmt. Den Film werde ich mir die Tage ansehen. Die Musik von Giacchino ist wirklich gelungen. Mir gefällt der "Weltmusik"-Einschlag mit Chor und klatschender Percussion. Schönes Album, aber um einiges zu lang, besonders in den "düsteren" Passagen. Eine CD kommt nächste Woche von Quartet. Meine beiden Anspieltipps: "I See The Sky" und das recht avatarige "Andes Ascent". Die letzten 10 Minuten sind auch nicht schlecht.
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