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Feiner Western-Score von Federico Jusid. Tolles Artwork!

Nach längerer Zeit haben wir wieder mal ein Projekt abseits der Filmmusik: DIE FLÖTENORGEL Die Flötenorgel ist ein von Raphael Benjamin Meyer komponiertes, unkonventionelles Konzertprogramm für Blockflötenquartett, welches im Zeitraum 2020 bis 2022 geschrieben wurde. Mit Charme, Witz und einem Augenzwinkern fängt die Musik Jahrmarkts- und Zirkusstimmungen aus längst vergangenen Tagen ein und bewegt sich dabei irgendwo zwischen Jazz, Klassik und virtuoser Unterhaltungsmusik. Dargeboten wird die bunte Welt des musikalischen Variétés von ANDREAS BÖHLEN (Sopranino-, Sopran-, Alt-, Bass-Blockflöten, Lotusflöte & Sopran-Gemshorn), RAPHAEL BENJAMIN MEYER (Alt-, Tenor-, Subbass-Blockflöten, Bass-Gemshorn & Stimme), CLÉMENT GESTER (Tenor-, Großbass-Blockflöten, Tenor-Gemshorn & Stimme) sowie MARC PAUCHARD (Tenor-, Bass-Blockflöten, Lotusflöte, Alt-Gemshorn & Stimme). Gemeinsam sind sie die Basler Blockflöten Band. Wir von Alhambra Records sind sehr glücklich nach drei Veröffentlichungen überwiegend im Filmmusik- und Game-Bereich (Der Bestatter, Tangle Tower, sowie Musik für Games, Film, Fernsehen und Konzertsaal) nun auch eine andere Seite von Raphael B. Meyer präsentieren zu können. Das CD-Booklet umfasst 16 Seiten mit zahlreichen liebevoll gezeichneten Abbildungen – die Laufzeit des Albums beträgt ca. 76 Minuten. Die Musik ist (demnächst) auch auf allen größeren Online-Plattformen wie Spotify oder iTunes erhältlich und die Noten zur Flötenorgel sind bei Heinrichshofen & Noetzel erschienen. DIE FLÖTENORGEL 01. BONJOUR 2:39 02. MANEGE FREI! 4:17 03. SCHIESSBUDE 2:54 04. DER DREHORGELMANN 5:36 05. ROMANZE 4:05 06. IM BIERZELT 4:07 07. FUNK 3:26 08. DAS STECKENPFERDCHEN 4:12 09. DIE SEILTÄNZERIN 2:51 10. NOCTURNE 4:09 11. POPCORN 3:53 12. DER FLIEGENDE TEPPICH 4:38 13. DAS GRAMMOPHON 4:14 14. DER MAGIER 4:39 15. KUHHANDEL 4:35 16. MITTERNACHTS-TANGO 3:30 17. DIE FLÖTENORGEL 5:36 18. ADIEU 4:39 19. ZUGABE* 2:40 Basler Blockflöten-Band Musik komponiert von Raphael Benjamin Meyer *Ausnahme Track 19: Musik: Julius Fučík, Bearbeitung: Raphael B. Meyer Hörprobe:

Ich hatte vor ein paar Tagen schon auf die 90-minütige FYC des Scores hingewiesen. Das 42-minütige Album ist nun raus und gefällt mir außerordentlich gut. Weitaus besserer Hörfluss. Hypnotisch mit feiner Streicherarbeit. Auf den Film bin ich sehr gespannt. Interview: https://filmmusicinstitute.com/interview-with-colin-stetson-3/

Mimic (1997) was the second film of master filmmaker, Guillermo del Toro (Hellboy, Pacific Rim, The Shape of Water), and his first with an American studio. A modern-day horror classic, it tells the story, in del Toro’s inimitable style, of a “bug hunt” for mutated cockroaches (capable of mimicking humans) infesting New York’s undergrounds. Scoring Mimic was Marco Beltrami, who had recently made a splash with Scream and was beginning his long (and ongoing) career as a go-to composer for everything from blockbusters to upscale horror, sci-fi and thriller films, to prestigious Academy Award winners. Mimic displays the hallmarks of Beltrami’s popular style: bold, pulse-pounding action; eerie suspense and scares; and—most importantly—a sensitivity to human emotion. All of this is carefully and immaculately produced in a symphonic-electronic package that calls upon elevated, avant garde orchestral traditions while remaining accessible to modern audiences. Mimic was last available within Varèse Sarabande’s 2016 12CD set, Little Box of Horrors. For this new release, the 34-track Deluxe Edition has been newly assembled and remastered from first-generation sources, and the score packaged with new cover art and liner notes by Randall D. Larson. Limited to 1000 copies. Main Titles 2:37 Children's Hospital 1:26 Release The Judas 2:24 Press Conference 1:49 Bathtub 0:51 Priest Dies 3:19 Investigation Begins 0:45 Dark Angels 1:01 Problems In The Lab 5:18 Funny Shoes 1:12 Delancey St. Station 1:17 Locker Room 2:28 Susan Meets Chuy 1:10 Goodbye Boys 2:34 Susan & Dr. Gates 1:12 Chuy Steps Out 3:15 Pregnancy Test 2:52 Manny's Search 1:48 Manny's Underground 1:04 Susan Joins The Photos 0:51 Mimic Snatches Susan 1:22 Scaffolding Falls 1:24 Alone In Den 3:05 Chased By A Bug 1:17 Josh Bites 4:19 Race To The Subway 2:57 Mimics 1:21 I'll Go 1:03 Fleeing Terror 4:50 Bug Killer 1:25 Reunited 2:51 End Credits 2:01 Slow Tango 2:17 Manny's Tango 2:01

No composer was better suited to score a picture than Jerry Goldsmith with L.A. Confidential (1997), director Curtis Hanson’s masterpiece of the James Elroy novel about corruption in 1950s Los Angeles. Not only was a Goldsmith a master of the thriller and crime genres, but his own career started in the era depicted in the film, and he had scored the all-time great detective noir, Chinatown. L.A. Confidential starred Russell Crowe, Guy Pearce and Kevin Spacey as police detectives, with Kim Basinger as a Veronica Lake-lookalike prostitute, in a labyrinthine but brilliantly constructed plot connecting city hall and the cops, organized crime, Hollywood tabloids and the gutter. The film received nine Oscar nominations—including for Goldsmith’s score—and won two, for Basinger and Best Adapted Screenplay. It was heralded as an instant classic and, 25 years later, is every bit as captivating. Goldsmith’s score combines a modern pulse, pace and suspense with period idioms—notably a bluesy trumpet theme, performed by Malcolm McNab, which to Goldsmith represented masculinity. The score distills the 1950s atmosphere of smoke and seediness, as well as a certain bygone era of honor and justice, while making the film ingeniously slick and contemporary—and, as always for Goldsmith, emotional. L.A. Confidential’s score album was released by Varèse Sarabande after the film in 1997. This Deluxe Edition features two programs on one disc: 28 tracks, running 45 minutes, representing the cues heard in the film, followed by the original 11-track, 30-minute score album. New liner notes are by Tim Greiving. Limited to 2000 copies. Bloody Christmas 1:46 Turn It In / The Deal 2:07 The Badge 0:46 The Café 1:23 The I.D. / Odds 1:37 Late Arrival / The Raid 1:31 Questions 1:59 Back-Up 0:58 Don’t Move 0:37 Bud And Lynn 1:09 False Information 2:31 Susan Lefferts 0:32 Rats / A Gift 2:11 Rodents 0:51 Rollo Tomasi 2:06 Not So Dumb After All 1:11 The Facts 0:48 The Perp / Know Him? 1:38 Ex-Cop 0:30 Photos 1:26 Out Of The Rain 0:59 Records 1:52 Out The Window 1:05 Patchett’s Dead 0:40 The Keys 1:53 Shootout 4:36 Good Lad 2:24 The Victor 2:31 Bloody Christmas 2:51 The Café 2:20 Questions 2:20 Susan Lefferts 2:54 Out Of The Rain 2:47 Rollo Tomasi 3:08 The Photos 2:28 The Keys 1:52 Shootout 4:09 Good Lad 2:19 The Victor 2:32

Recht hübsch und ruhig geworden. Gefällt mir wesentlich besser als seine Krawall-Scores der letzten Zeit. Und eindeutig "Elfman". Noch nicht bei Spotify, aber bei Deezer. https://www.deezer.com/de/album/370990677

C6048 Caldera Records is proud to present “The Roy Budd Playathon”, a previously unpublished selection of a legendary jazz marathon featuring Roy Budd, drummer Chris Karan and bass player Pete Morgan. In 1989, the trio played a 24 hour Playathon in Knightsbridge, London. The tapes were recently recovered from Budd’s estate and showcase the composer and pianist at the height of his talent as a supremely gifted entertainer with an incomparable knack for breathing new life into standards that were especially close to his heart. In the late 80s, Budd decided to set up an Anti-Drug Abuse Foundation (ADA) after he had seen close friends of his get addicted to crack and other substances. In order to collect funds, he and his colleagues Pete Morgan and Chris Karan staged a 24 hour jazz marathon in London. While playing feverishly, they took calls from friends and supporters such as Henry Mancini, Dudley Moore, Jeremy Irons and George Fenton. Roy Budd was at the time in the throes of depression. On top of his psychological problems came physical ones: throughout the Playathon, Budd was under constant, strict observation of a French doctor who had to give him multiple back injections due to severe pain. Over the course of the 24 hours, Budd also complained of nose bleed several times. His pain is never evident in his music: the performance of his trio is one of unbridled joy. In close collaboration with Sylvia Budd, we decided to release a selection of the concert on disc. Choosing the numbers was challenging: Budd, Morgan and Karan had repeated only a few standards. Since they didn’t want to repeat themselves, it left us with roughly 280 untitled pieces that we could choose from. We decided to put a varied selection on this CD: film music (the Legrand suite), French chansons (“Sous le ciel de Paris”), Brazilian songs (“Aguas de marco” by Jobim of which Budd was a great admirer and personal friend), standards (“Tea for Two”), and two conversations between Budd and celebrities Henry Mancini and Jeremy Irons to fully capture the mood and diversity of the Playathon. The 48th CD-release of Caldera Records features a detailed booklet-text by Stephan Eicke and elegant artwork by Luis Miguel Rojas. The CD was mastered by Richard Moore and produced by Stephan Eicke and John Elborg. Music Performed by Roy Budd, Chris Karan and Pete Morgan Album Produced by Stephan Eicke Executive Producers for Caldera Records: John Elborg, Stephan Eicke The Roy Budd Playathon 1. Anoiteceu/Berimbau (10:44) 2. Michel Legrand Suite (18:45) I Will Wait For You/Watch What Happens/You Must Believe in Spring/Parapluies/Lola 3. Conversation with Henry Mancini (5:16) Moon River/The Pink Panther 4. Sous le ciel de Paris/Sous les ponts de Paris/I Love Paris (12:47) 5. Ja-da/Tea for Two (7:48) 6. Conversation with Jeremy Irons (3:18) 7. I’m Looking Over A Four-Leaf Clover (5:13) 8. Upa Neguinho/Aguas de marco/Opao/Corcovado (13:54) For more information and sound clips, please visit: http://caldera-records.com/portfolio/the-roy-budd-playathon/

Man glaubt es kaum, die Ankündigung war vor über zehn Jahren. Kommt am 12. Dezember http://www.intrada.net/phpBB2/viewtopic.php?f=4&t=8984&sid=bff7e530033d9174efb8292dacd60e2c

Wieder mal sehr gelungen!

Erscheint auch als Vinyl LP.

SUPER FURBALL SAVES THE FUTURE ist ein themenreicher, bunter und lebhafter Score von Panu Aaltio. Die Tracks 2, 3 und das letzte Stück gefallen mir besonders gut. Der Score kann über die üblichen Streaming-Plattformen angehört werden (siehe Link). https://moviescoremedia.com/newsite/catalogue/super-furball-saves-the-future-panu-aaltio/?fbclid=IwAR2mLhmOOIf3MdYLuhTEOU_TxrjH_m1sZqwAoGIAUhWqSFZSjRQGW-XX7kA

Neuverfilmung von Hellraiser. Ben Lovett hat Christopher Youngs Material ins neue Jahrtausend versetzt. Ich find's geil. 63 Minuten-Album von Lakeshore.

Wie schon im Gerüchte etc. Thread geschrieben, ist nun seit Freitag die Deluxe Edition von einen der (aus meiner Sicht) schönsten Scores von Jerry Goldsmith erhältlich. Ich kriege immer noch Gänsehaut, wenn im Track "Main Title" plötzlich Goldsmith zu hören ist, wie er das Thema mitsummt. Der Score gehörte ja auch zu seinen persönlichen Favoriten. Btw sehr interessant, dass Michael Abels damals bei den Scoring Sessions mitgearbeitet hat.