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La-La Land Records: TRUE GRIT (Elmer Bernstein) und I, THE JURY (Bill Conti)


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FILL YOUR HANDS…with two new awesome releases from La-La Land Records next Tuesday, Sept 24, 2013 at 12 pm pst!

TRUE GRIT

MUSIC BY ELMER BERNSTEIN

LLLCD 1260

LIMITED EDITION OF 3000 UNITS

RETAIL PRICE: $19.98

EXECUTIVE ALBUM PRODUCERS: LUKAS KENDALL AND NEIL S. BULK

MASTERED BY DOUG SCHWARTZ

LINER NOTES BY JEFF BOND

ART DIRECTION BY JIM TITUS

La-La Land Records, Paramount Pictures and Capitol Records/UME are proud to present Elmer Bernstein’s rousing score to the classic Academy Award winning John Wayne Western TRUE GRIT. After waiting decades for a proper release fans can finally rejoice in this definitive presentation of one of the genre’s greatest films! The previous LP/CD, while an interesting experiment, never quite delivered the “goods” for any film score enthusiast. For many, it left them wanting more. Well, now you have it! Mastered from the original ¼ inch mono masters, Producers Lukas Kendall and Neil S. Bulk have put together what Western fans and film score fans alike have been clamoring for over the years! With help by audio wizard Chris Malone and mastering engineer Doug Schwartz fans can finally hear Mr. Bernstein’s score in all its brilliance on cd! In addition to the film score, we have included several songs licensed and recorded for the film including various versions of the Main Title song performed by Glen Campbell, as well as a demo of the song THE EYES OF THE YOUNG performed by Elmer Bernstein himself (co-written by Don Black)! Also included on this set are 3 versions of GO HOME GIRL one version performed by John Hartford and two other versions performed by Glen Campbell. Antique looking booklet design by Jim Titus adds to the authenticity of Jeff Bond’s rustic, informative notes.

Now we go from The Duke to the HAMMER!

I, THE JURY

MUSIC BY BILL CONTI

LLLCD 1275

LIMITED EDITION OF 2000 UNITS

RETAIL PRICE: $19.98

PRODUCED BY NICK REDMAN AND FORD A. THAXTON

SCORE RESTORATION BY MIKE MATESSINO

MASTERED BY DANIEL HERSCH AT D2 MASTERING

LINER NOTES BY JULIE KIRGO

ART DIRECTION BY JIM TITUS

La-La Land Records and 20th Century Fox get down and dirty with the World Premiere release of Bill Conti’s score to I, The Jury, based on the best selling novel featuring that iconic private eye Mike Hammer. This thrilling, jazz infused score is quite possibly the coolest soundtrack we have released this year! Like the film itself, the score is loud, sexy and in your face. It takes no prisoners and makes no excuses. Eye catching art direction by Jim Titus make you feel like you are flipping through the seedy pages of a Mickey Spillane novel as you read through the in depth liner notes by film score historian Julie Kirgo, taking you deep inside the pulpy mind of Bill Conti. Quotes from famed pianist Mike Lang round out this stellar package.

Both of these titles go on sale next Tuesday, Sept 24 at 12 pm pst at www.lalalandrecords.com as well as other fine online specialty stores.

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Aus der Pressemitteilung:

TRUE GRIT: LIMITED EDITION LLLCD 1260

Music by Elmer Bernstein

Limited Edition of 3000 Units

STARTS SHIPPING Sept 24th

RETAIL PRICE: $19.98

ORDER TRUE GRIT: LIMITED EDITION” starting Sept 24th at 12pm PST at www.lalalandrecords.com

La-La Land Records, Paramount Pictures and Capitol Records/Universal Music Special Markets present Elmer Bernstein’s (THE MAGNIFICENT SEVEN, THE SHOOTIST, GHOSTBUSTERS, DEVIL IN A BLUE DRESS) majestic score to the 1969 Academy Award-Winning Paramount Pictures western, TRUE GRIT, starring John Wayne, Kim Darby and Glen Campbell, and directed by Henry Hathaway. Finally, decades after the film’s debut in theaters, comes this definitive release of Mr. Bernstein’s landmark score to one of the great genre films of all time. Complementing the film score are a stable of bonus tracks, including various versions of the main title song performed by Glen Campbell and a demo version performed by Bernstein himself, and three versions of “Go Home Girl” (one performed by John Hartford and two by Campbell). Produced by Lukas Kendall and Neil S. Bulk and mastered by Doug Schwartz from the original ¼ inch mono masters, TRUE GRIT has finally been presented to the fans in a manner truly worthy of its legend. Limited to 3000 Units, this release contains exclusive, in-depth liner notes from film music writer Jeff Bond.

TRACK LISTING:

1 True Grit (main title) 2:01

2 True Grit (alternate) 1:55

3 A Dastardly Deed :38

4 A Stiff Job / Businesslike Mattie 2:06

5 Papa’s Things / Pony Mine 2:09

6 Rooster and La Boeuf Off :55

7 Runaway Races Away / The Chase / On Their Way 3:54

8 Big Trail :48

9 Where There Is Smoke 1:25

10 The Dying Moon 3:24

11 Preparation Dugout 1:48

12 Dugout Stakeout / Shots Galore 4:01

13 Ruffled Rooster 1:27

14 Mattie and Little Blackie 1:04

15 Over Bald Mountain / Rooster in the Meadow 3:56

16 The Meadow Fight / A Long Shot / The Snake Pit / The Liftout / Sad Departure /

Chen Lee and the General (The Pace That Kills) 10:24

17 A Ride for Life 1:31

18 Warm Wrap Up 1:35

19 End Credits :57

Total Time: 46:45

Bonus Tracks:

20 Main Title (alternate, orchestral) 1:37

21 Go Home Girl

John Hartford

Vocal by John Hartford 3:30

22 Go Home Girl

John Hartford

Vocal by Glen Campbell 3:32

23 Go Home Girl (revised lyrics)

John Hartford

Vocal by Glen Campbell 3:06

24 The Eyes of the Young

Bernstein-Black

Vocal by Glen Campbell 2:20

25 True Grit (demo)

Bernstein–Black

Vocal by Elmer Bernstein 2:07

26 True Grit

Bernstein–Black

Vocal by Michael Dees 1:48

27 True Grit (record version)

Bernstein–Black

Vocal by Glen Campbell 2:30

28 End Credits (film version – main title [instrumental]/end credits) :56

Total Bonus Time: 21:46

Total Disc Time: 68:36

I, THE JURY: LIMITED EDITION LLLCD 1275

Music by Bill Conti

Limited Edition of 2000 Units

STARTS SHIPPING Sept 24th

RETAIL PRICE: $19.98

ORDER “I, THE JURY: LIMITED EDITION” starting Sept 24th at 12pm PST at www.lalalandrecords.com

La-La Land Records and 20th Century Fox present the world premiere release of composer Bill Conti’s (ROCKY, FOR YOUR EYES ONLY, MASTERS OF THE UNIVERSE) original score to the 1982 noir/thriller feature I, THE JURY, starring Armand Assante, Barbara Carrera and Alan King, and directed by Richard T. Heffron. Conti’s explosive, jazzy score is all kinds of cool, spraying bullets and bedding lovers in equal measure as famed gumshoe Mike Hammer takes it to the baddies. It’s a perfect match for this wildly fun and knowingly over-the-top Mickey Spillane adaptation. Produced by Nick Redman and Ford A. Thaxton, restored by Mike Matessino and mastered by Daniel Hersch from ¼’’ mono tapes, this special release of 2000 units also contains exclusive liner notes from film music writer Julie Kirgo, with comments from score pianist, Mike Lang.

TRACK LISTING:

1 Main Title 2:05

2 Stomach Ache :51

3 Wooden Arm 1:54

4 Widow’s Wake / Window Watcher / Tails Tale 1:51

5 Rummy Run 4:33

6 Mike To Set :57

7 Special Effects :51

8 Pat’s Patsy 3:24

9 Buddy’s Brochure :56

10 Hacking 1:32

11 Beni Hana Bounce 1:41

12 Chopin Nocturne / Stairway to Surrogate 5:18

13 Velda’s Vamp 1:29

14 Closet Cache :58

15 Kendrick’s Taxi Time :58

16 Kendrick’s Apt. Approach / Velda’s Vain Effort 2:31

17 Pleading Bleeding Velda :50

18 Michael’s Taxi Ride 2:30

19 Concrete Chase Conclusion 1:39

20 Daisy Cuttings 2:19

21 Mike’s Early Exit :57

22 Two Guard Takedown 1:00

23 Romero’s Wrong Way 1:52

24 End Credits 3:51

Bonus Tracks:

25 Widow’s Wake (alt.) :27

26 Michael’s Taxi Ride (alt.) 2.30

27 Harp (excerpt) 1:21

28 Unknown Cue #1 2:13

29 Unknown Cue #2 :44

30 Unknown Cue #3 1:06

31 Unknown Cue #4 1:09

32 Tribute to Mike Lang 4:16

Total Time: 61:21

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  • 4 Wochen später...

:music: True Grit

 

Bin gerade beim zweiten Hördurchgang. Die Einspielung hat Kraft und Biss, viel besser als Bernsteins spätere, etwas weichgespülte Suite für Varese aus Utah, das zeigte vor ein paar Monaten schon die Shootist CD sehr deutlich.

Schöne Überraschung ist der Titelsong in dem von Bernstein ursprünglich vorgesehenen Arrangement. Sparsamer, rauer, besser. Nicht wie die "Lounge"-Version der LP, die von den Produzenten ausgewählt worden ist.

 

Wunderbare Ergänzung neben der Tadlow-Neueinspielung

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Um es nochmal hier zu erwähnen, weil es in der Ankündigung im Kleingedruckten untergeht (und erst in der zweiten Ankündigung steht, nicht in der ersten): der Conti ist leider Gottes in mono. Warum, darüber lässt sich auch das Booklet nicht aus. Besonders bitter, da Conti-Fans schon seit vielen Jahren ein Bootleg des Scores besitzen. Das ist zwar nur 32 Minuten lang ist und spricht somit für einen alten nie veröffentlichten Album-Schnitt. Es hat allerdings einen Vorteil: es ist in feinem stereo.

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