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Music Box Records: LE PROFESSIONNEL (Ennio Morricone)


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Music Box Records is pleased to reissue the classic Ennio Morricone soundtrack for Le Professionnel, one of the Maestro’s best known scores and themes that attained fame all over the world. Supervised and mastered by Claudio Fuiano, the soundtrack has the same program as the limited edition GDM CD released in 2002 that had been going for unreasonable prices on the secondary market.

For a long time, Le Professionnel has been notable for being one of the best-known Morricone scores even though very little of the composer’s music actually written for the film survived in the final cut. Instead of using the cues Morricone actually penned, director Georges Lautner and more importantly star Jean-Paul Belmondo decided to use a recording of "Chi Mai" a very famous Morricone composition that has been used and recorded in a number of different projects. The first appearance of the famous "Chi Mai" melody was in Maddalena (1971) and was later recorded as a pop song (in several languages) and a so-called disco instrumental was done in 1978. It was this recording that was used in Le Professionnel and is known as the theme from the film (even though it wasn’t specifically written for it).

As per usual, Morricone recorded longer, album only variations of his two primary motives: "Le vent, le cri" and his so called "Bach" motive whose album version was named "Le retour". The first theme represents Beaumont’s character, while the second one was designed as a sort of vengeance motive. The variations made for the film were featured on CDs as well, but due to the random nature of the naming and the random placement of the cues in the film, there’s a whole lot of music you never get to hear within the movie.

For those who missed the previous GDM edition, Music Box Records makes this new remastered definitive edition available once again. The limited edition of 500 copies comes with an 8-page booklet with French and English commentary by Laurent Perret.

LE PROFESSIONNEL    

1. Le vent, le cri (premier thème) (5:20)

2. Bach (première variation) (1:20)

3. Le vent, le cri (première variation) (0:26)

4. Le vent, le cri (générique) (1:48)

5. Décision finale (1:24)

6. Le vent, le cri (deuxième variation) (2:37)

7. Le vent, le cri (troisième variation) (2:14)

8. Le vent, le cri (quatrième variation) (1:46)

9. D'Afrique (première version) (2:12)

10. Le retour (sur le nom de Bach) (5:28)

11. Le vent, le cri (cinquième variation) (1:48)

12. Bach (deuxième variation) (1:30)

13. Le vent, le cri (sixième variation) (1:16)

14. Le retour (Bach - troisième variation)(0:53)

15. Le vent, le cri (septième variation) (2:25)

16. Le vent, le cri (changement d'octave) (0:52)

17. D'Afrique (deuxième variation) (2:09)

18. Le vent, le cri (neuvième variation) (2:40)

19. Le retour (Bach - quatrième variation) (1:01)

20. Le vent, le cri (dixième variation) (2:26)

21. Le retour (Bach - cinquième variation) (0:42)

22. Le vent, le cri (onzième variation) (0:39)

23. Le vent, le cri (douzième variation) (1:19)

24. Le vent, le cri (treizième variation) (2:42)

25. Chi mai (3:27)

Total Time • 51:26

 

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  • 11 Monate später...
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Und nochmal neu aufgelegt, jetzt zusammen mit LE MARGINAL:

Zitat

le-professionnel-le-marginal.jpg

Newly remastered edition. A 2-CD set.
8-page CD booklet with French and English liner notes by Nicolas Magenham.
Limited Edition of 500 units. 

In collaboration with EMI Music Publishing France, Music Box Records proudly presents a 2-CD edition of two complete scores which highlight the collaboration between composer Ennio Morricone and French actor Jean-Paul Belmondo: Le Professionnel (The Professional, 1981) and Le Marginal (The Outsider, 1983).

Le Professionnel is one of the Maestro’s best known scores and themes that attained fame all over the world even though very little of the composer’s music actually written for the film survived in the final cut. Instead of using the cues Morricone actually penned, director Georges Lautner and more importantly star Jean-Paul Belmondo decided to use a recording of "Chi Mai" a very famous Morricone composition that has been used and recorded in a number of different projects. The first appearance of this famous melody was in Jerzy Kawalerowicz's Maddalena (1971). As per usual, Morricone recorded longer, album only variations of his two primary motives: "Le vent, le cri" and his so called "Bach" motive whose album version was named "Le retour". The variations made for the film were featured on CDs as well, but due to the random nature of the naming and the random placement of the cues in the film, there’s a whole lot of music you never get to hear within the movie.

Le Marginal, directed by Jacques Deray, tells the story of Commissioner Jordan (Belmondo) who arrives in Marseille to combat drug trafficking activities in his own unique way. After scuffles with local mafia godfather Mecacci’s men, as well as with his own superiors, he is transferred to Paris. Soon at loggerheads with various criminal elements, he turns to a resumption of the pursuit of drug kingpin Sauveur Mecacci (Henry Silva). The composer, in an unusual move, used a rock theme which would resurface in Copkiller that same year of 1983, and in Frantic in 1988. This urban score features numerous variations both similar and far off, from the most melodic (a catchy theme on oboe, which is both simple and elegant) to the harshest (tensed and percussive pieces).

Supervised by Claudio Fuiano, this present edition has been fully remastered from complete scoring session elements and recreates the original LP programs for both scores with bonus tracks. The package includes an 8-page booklet featuring liner notes by writer Nicolas Magenham. The release is limited to 500 units.

DISC 1 : LE PROFESSIONNEL

ORIGINAL SOUNDTRACK ALBUM
1. Le vent, le cri (premier thème) (05:20)
2. Bach (première variation) (01:21)
3. Le vent, le cri (première variation) (00:26)
4. Décision finale (01:25)
5. Le vent, le cri (deuxième variation) (02:37)
6. Bach (deuxième variation) (01:30)
7. D'Afrique (première version) (02:12)
8. Le retour (sur le nom de Bach) (05:28)
9. Bach (troisième variation) (00:53)
10. Le vent, le cri (troisième variation) (02:14)
11. Le vent, le cri (quatrième variation) (01:46)
12. Fée Morgane (2 interludes pour harpes) (04:55)
13. Chi Mai (03:27)

BONUS TRACKS
14. Le vent, le cri (générique) (01:48)
15. Le vent, le cri (cinquième variation) (01:48)
16. Le vent, le cri (sixième variation) (01:16)
17. Le vent, le cri (septième variation) (02:26)
18. Le vent, le cri (changement d'octave) (00:52)
19. D'Afrique (deuxième variation) (02:09)
20. Le vent, le cri (neuvième variation) (02:40)
21. Bach (quatrième variation) (01:01)
22. Le vent, le cri (dixième variation) (02:26)
23. Bach (cinquième variation) (00:43)
24. Le vent, le cri (onzième variation) (00:40)
25. Le vent, le cri (douzième variation) (01:19)
26. Le vent, le cri (treizième variation) (02:43)

Total Time • 56:31

DISC 2 : LE MARGINAL

ORIGINAL SOUNDTRACK ALBUM
1. Le marginal (06:19)
2. Thème classique (04:51)
3. Dreamer (04:06) Interprété par Blizzard
4. H.S.M. (02:33)
5. Le marginal (Pour Carole) (02:57)
6. Don't Think Twice (04:13) Interprété par Blizzard
7. Le marginal (La droguée et le garçon) (06:22)
8. Hypertension (Première partie) (02:44)
9. Hypertension (Deuxième partie) (01:58)
10. Le marginal (Conclusion) (06:22)

BONUS TRACKS
11. Générique début (première version) (02:07)
12. H.S.M. (Thème de Mecacci) (02:41)
13. Une charmante rencontre (01:05)
14. Enquête sur la drogue (01:58)
15. Le squat des Antillais (02:15)
16. Générique début (deuxième version) (01:51)
17. Pour Carole (deuxième version) (02:39)
18. À la gare de l'est (01:12)
19. Pour Carole (troisième version) (00:54)
20. Règlement de comptes (01:56)
21. Extrême tension (00:49)
22. Pour Carole (quatrième version) (01:03)
23. Forecast (04:16) Interprété par Blizzard
24. Générique de fin (02:29)
25. Le marginal (version alternative) (03:56)

Total Time • 74:40

 

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