Bastet
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Beiträge von Bastet
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Habe Alben gefunden, wo er arrangiert und dirigiert hat. Kannst du da was empfehlen?
Mir sind diese beiden Alben bekannt:
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Sehr schön. Ich sehe, Thomas, das wird hier eine fruchtbare Zusammenarbeit zwischen uns. Kleiner Scherz.
Freue mich sehr, das ist mein erster Lewis und ausserdem eine filmmusikalische Richtung, in die ich noch nicht gegangen bin, glaube ich. Vielen Dank!
Glückwünsch Max,
Michael J. Lewis' Komposition zu Der Fluch der Sphinx ist nicht zu verachten. Lewis schrieb auch wunderschöne walisische Chormusik.
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Deine Covergestaltung kommt der Sache schon näher!
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Nee, nee, nee! Du hast immer noch 9 Cent zu viel bezahlt, die fehlen Dir ganz bestimmt bei Deinem nächsten Einkauf!
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Habe heute Gutschrift erhalten, weil die CD am Erscheinungstag auf 16,99 reduziert wurde...[emoji4]
Andere Anbieter verramschen, auf Amazon, die CD bereits für 13.90 € plus Porto!
Was habt ihr nur gegen die Covergestaltung? Sie entspricht in etwa der Kinoplakatgestaltungen der 50er Jahre des letzten Jahrhunderts.
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Heute aus dem Briefkasten gefischt:
Die Musik ist von Craig Safan und die CD ist schon lange vergriffen!
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Amazon.de mit prime 18,53€
Was soll ich denn mit prime?
Um mir 1 oder 2 Mal im Jahr was von Jeff schicken zu lassen, ist das zu teuer! -
Ich finde es immer noch bedauerlich, dass die Masterbänder der Musik verschollen sind. Ich mag diese Musik sehr und werde mir die CD kaufen (wenn auch Neueinspielung).
22.99 € einschl. Porto, wenn Du dort direkt bestellst!
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... mich hat der Film schon damals nicht interessiert!
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Trauer um einen großen Schauspieler.
Der Brite Alan Rickman, vor allem bekannt durch seine Rolle als „Professor Snape“ in „Harry Potter“, ist im Alter von 69 Jahren gestorben.
Das berichten verschiedene britische Medien unter Berufung auf den Sprecher des Schauspielers. Demnach habe Rickman an Krebs gelitten.
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Quartet Records, Telecinco Cinema, Ikiru Films and Paramount Pictures present the original soundtrack from the successful sci-fi animated film Capture the Flag, directed by Enrique Gato in 2015.
The mammoth symphonic score composed by Diego Navarro (Oscar, Mimesis, Look at the Moon), and performed by the Tenerife Symphony Orchestra and Chorus under the baton of the composer, is an astounding orchestral tour-de-force. Navarro has composed a score that employs big choral passages and wondrous melodic themes, bringing us back to the glorious sound of American adventure films in the ’80s.
The album also includes the original song “I’ll Reach You,” performed by Auryn. Full-color package includes a 12-page booklet with statements and quotes by Diego Navarro and Enrique Gato.
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Quartet Records and MGM present the world-premiere complete 2-CD edition of the classic score composed by Gato Barbieri for the no-less-classic film directed by Bernardo Bertolucci in 1972, Last Tango in Paris, starring Marlon Brando, Maria Schneider and Jean-Pierre Leaud.
The Argentinian-born composer and saxophonist Gato Barbieri—one of the most prestigious Latin-jazz artists and a living legend (awarded a Latin Grammy last year in recognition of his career)—composed one of the most sensual, unforgettable, catchy and infectious scores of the seventies, whose main theme immediately became a hit.
The successful album released in 1972 by United Artists Records was in fact a re-recording made in New York with great musicians, and a real gem in terms of sound recording. It was first released on CD in the mid-nineties by Ryko, who added to the album about 25 minutes from the original film recording in mono (Varèse Sarabande reissued this same program a few years later). For this edition, we have been fortunate to find the original 8-channel multi-tracks with the complete original film recording, made in Rome.
Listening to all the material prepared by Barbieri for the film (orchestrated and conducted by Oliver Nelson)—an hour of music on 49 different tracks (of which Bertolucci used only about twenty minutes)—adds a wide perspective to this marvelous score heard for the first time in pristine stereo sound.
The second disc features the original album, offered here for the first time mastered from the first-generation 3-track album master tape.
The package includes a 16-page booklet with in-depth liner notes by Tim Greiving, including new interviews with Mr. Barbieri and Mr. Bertolucci.
Quelle: http://www.quartetrecords.com/last-tango-in-paris.html
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Kritzerland is proud to present a new limited edition soundtrack release:
THE SNOWS OF KILIMANJARO
Music Composed and Conducted by Bernard Herrmann
In 1952, Twentieth Century Fox memorably brought Hemingway’s The Snows of Kilimanjaroto the screen in a lavish production directed by Henry King, with a screenplay by Casey Robinson, starring a stellar cast including Gregory Peck, Ava Gardner, and Susan Hayward, along with Hildegard Knef, Leo G. Carroll, and Torin Thatcher. The beautiful cinematography was by Oscar-winner Leon Shamroy.
With stunning location photography in Nairobi, Kenya, Cairo, Egypt and the French Riviera, the film was a Technicolor dazzler. The film was one of Fox’s biggest hits, earning huge grosses. It was nominated for two Academy Awards – one for Best Cinematography, Color and one for Best Art Direction, Color.
There could not have been a better choice for composer than Bernard Herrmann, who gave the film his completely unique sound and sense of drama. Herrmann had already written many scores for Fox films, including Jane Eyre, Hangover Square, Anna and the King of Siam, The Ghost and Mrs. Muir, The Day the Earth Stood Still, and 5 Fingers, and subsequent to The Snows of Kilimanjaro he would continue to compose brilliant scores for the studio, including White Witch Doctor, Beneath the 12-Mile Reef, King of the Khyber Rifles, Garden of Evil, The Egyptian (with Alfred Newman), Prince of Players, The Man in the Gray Flannel Suit, A Hatful of Rain, Blue Denim, Journey to the Center of the Earth, and Tender Is the Night.
In his score for The Snows of Kilimanjaro, Herrmann captures all moods of the story, from nostalgia to sadness to joy to romance. The music is achingly beautiful, most especially in the sublime “The Memory Waltz.” As always with Herrmann, his orchestral colors are uniquely his own (as are his orchestrations), and even though with most Herrmann scores you can easily say it’s one of his best, The Snows of Kilimanjaro is right up there with his greatest.
The Snows of Kilimanjaro was previously released as part of the Bernard Herrmann at Fox box on Varese Sarabande. This is the scores’ first standalone release.
Quelle: http://www.kritzerland.com/kilimanjaro.htm
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Gegenpart zu Louis de Funès: Schauspieler Michel Galabru ist tot
In Deutschland wurde er vor allem durch seine Rolle als Vorgesetzter und Gegenpart von Louis de Funès in dessen Gendarm-Filmen bekannt - der französische Schauspieler und Komiker Michel Galabru ist tot. Wie die Tochter Galabrus mitteilte, sei er im Alter von 93 Jahren im Schlaf gestorben.
Quelle: http://www.spiegel.de/kultur/kino/michel-galabru-ist-tot-a-1070402.html
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Für gestresste Eltern hält ein Streamingdienst in den USA einen besonderen Service für die Silvesternacht parat.
Netflix hat am Donnerstag sechs Filmchen mit einem gefälschten Countdown veröffentlicht, mit denen Kindern zu jeder beliebigen Zeit vorgegaukelt werden kann, dass schon Mitternacht ist.
So ist zum Beispiel der aus dem Film „Madagascar“ bekannte Halbaffe König Julien zu sehen („Irgendwo ist immer Mitternacht!“), der nach einem wilden Tanz von zehn runterzählt und dann „Happy New Year!“ wünscht.
„Wenn Sie Ihren Kindern nicht sagen, dass noch gar nicht Mitternacht ist - wir tun es auch nicht“, verspricht der Dienst.
So werden kleine Kinder verscheißert!
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Maf müsste eine Intrada cd sein. Aber was ist Obi?
Moin Queenie,
Es ist nicht Obi ken wan, sorry ich konnte mir diesen Kalauer nicht verkneifen!
Es ist der zusätzliche Papierstreifen, den viele Käufer in ihrer Anfangssammelzeit einfach weggeworfen haben.
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Als die Serie vor Jahren nachts auf Sat1 lief, habe ich sie gerne geschaut. Ted Danson überzeugt als stets zynischer und miesgelaunter Arzt in der Bronx. Durch Zufall habe ich gesehen, dass die erste Staffel auf DVD veröffentlicht wurde. Hatte Ted Danson eigentlich immer die deutsche Stimme von Al Bundy?
Schau' doch mal hier: https://www.synchronkartei.de/?action=show&type=actor&id=572
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Ein Zaubertrick zum Weghauen
Dieser Orang-Utan im Zoo von Barcelona steht offenbar auf Zaubertricks. Als der Pfleger ihm einen vorführt, haut es ihn glatt um vor Lachen. -
Kritzerland is proud to present a new limited edition CD – two great scores on one CD:
THE PICK-UP ARTIST and RAPTURE
Music Composed and Conducted by Georges Delerue
James Toback’s The Pick-up Artist is an odd beast, but a likeable one and one that, today, seems a lot better than it seemed back in 1987 when it was released to a tepid reaction from critics and audiences. The cast, including Robert Downey, Jr., Molly Ringwald, Dennis Hopper, Harvey Keitel, Danny Aiello, and Mildred Dunnock are all wonderful. And all these years later, guess what? The film has a lot of charm – in the writing and directing and most especially the performances. The film also looks great, thanks to the amazing cameraman, Gordon Willis.
Composer Georges Delerue wrote a wonderful, romantic, and melodic score – in fact, it’s one of his best. But at some point Toback made the decision to remove most of it. The first note of score isn’t heard until forty-eight minutes into the film. In the released version of The Pick-up Artist, there’s probably not more than five minutes of the approximately twenty-five minutes that Delerue wrote and even what’s there reuses the same cue at least twice. But on its own the Delerue score is utterly captivating and lovely – just a perfect listening experience.
Our companion score is Delerue’s Rapture, director John Guillerman’s film which, until its resurrection on Blu-ray by Twilight Time, was mostly unknown. Guillerman assembled a terrific cast – Melvyn Douglas, Dean Stockwell, Gunnel Lindblom, and, in the film’s pivotal role of the troubled teen, Agnes, Patricia Gozzi. Three years earlier, Gozzi had given one of the most amazing performances ever given by a child actor, in the great French film, Sundays and Cybele. As in that film, she is the heart and soul of Rapture and every bit as good as she was in the earlier film.
For Rapture, Delerue captured every emotion and nuance of the story, his music almost acting as another character in the film. The beautiful writing for strings and reeds is uniquely Delerue-esque, and his use of the wordless soprano is incredible. It’s a stunning achievement and one of the high water marks of his career.
Both The Pick-up Artist and Rapture were originally released on Intrada, but as separate releases – both are out-of-print (The Pick-up Artist has been OOP for almost a decade and sold out in one day). Since the two Delerue scores are a perfect pair, we’re very excited to make them available again. The Pick-up Artist is in beautiful stereo from the masters housed in the Fox vaults. The tape for Rapture was provided to Intrada by Colette Delerue and is in mono. We’ve done a fresh new mastering for both scores and they sound wonderful.
The Pick-up Artist/Rapture is limited to 1000 copies only and is priced at $19.98, plus shipping.
CDs will ship by the second week of January, but we’ve been averaging three to five weeks early in terms of shipping ahead of the official ship date and it’s really our intention to get it out before Christmas.
Quelle: http://www.kritzerland.com/pickup_rapture.htm
Persönliche Anmerkung: oooohhhhhh yyyyyyeeeeeaaaaahhhhhh, es gibt nur ein Label!
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In der E-Mail ist aber nichts rauszulesen, wie es sonst weitergeht...
Warum sollte Herr Krohn Firmen- oder Privatinterna in die Öffentlichkeit tragen?
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