Oliver79
-
Gesamte Inhalte
699 -
Benutzer seit
-
Letzter Besuch
Beiträge von Oliver79
-
-
Neben dem bereits in einem anderen Thread erwähnten Reissue des Hill/Spencer-Titels von De Angelis, bringen Beat Records am 10. November auch eine Neuauflage von Ennio Morricones Scores für die beiden Provvidenza-Filme (der zweite Teil co-komponiert mit Bruno Nicolai).
ZitatBeat Records is glad to propose again on CD the brilliant music by Ennio Morricone for LA VITA, A VOLTE, È MOLTO DURA, VERO PROVVIDENZA? directed in 1972 by Giulio Petroni and by Ennio Morricone and Bruno Nicolai for CI RISIAMO, VERO PROVVIDENZA? directed in 1973 by Alberto De Martino, two comic westerns starring the legendary Tomas Milian.
For Provvidenza's first adventure, Ennio Morricone composed a cheerful and brilliant score in which a recurring piece of religious/folk flavor emerges for female choir, with pop rhythms and tubular bells. A truly varied OST with suspense music, saloon pieces for piano, a romantic orchestral love theme, Indian music with sitar and a piece that winks at Rossini's Figaro. For the sequel, the varied soundtrack bears the signature of both Ennio Morricone and Bruno Nicolai (who'd previously worked with director De Martino on the films ''Dalle Ardenne all'inferno," ''OK Connery," ''Roma come Chicago'' and ''L'anticristo''). The prestigious duo composed a comic main theme with pop rhythms and choir alternating with square dance music, the delicate love theme ''Bocca a bocca'', saloon pieces, baroque pop music, Asian atmospheres and a great orchestral Can-Can. This long-running CD (76:45), derived from the stereo masters of the original sessions, will transport the listener to the torrid lands of the West in the company of Provvidenza, the funny, kind-hearted character who mocks Charlot with pleasant background music by Ennio Morricone and Bruno Nicolai.
-
Seit Freitag bei Quartet Records erhältlich.
ZitatQuartet Records, in collaboration with Atresmedia Music, present the new score composed by Fernando Velázquez (A MONSTER CALLS, PATRIA, SAVAGE GRACE, THE IMPOSSIBLE, ALMA) for the Spanish thriller-drama directed by Oriol Paulo, based on the best-seller novel written by Torcuato Luna de Tena.
The film is about detective Alicia Gould, investigating the murder of a client’s father, decides to go undercover to an asylum. This is the fourth collaboration between Fernando Velázquez and Oriol Paulo after CONTRATIEMPO, DESPUÉS DE LA TORMENTA and the TV series THE INNOCENT.
Velázquez provides an intense, exciting and highly vigorous score with thick orchestral colors—lyrical, dark and rhythmic, including a haunting main theme and echoes of Bernard Herrmann. The music is sensitively performed by the Orquesta Sinfónica de Navarra under the baton of the composer.
-
Von Milan Records kommt eine CD von Anne-Sophie Versnaeyens Musik zu Nicolas Bedos' Gaunerkomödie Mascarade mit Pierre Niney, Isabelle Adjani, Francois Cluzet und Marina Vacth in den Hauptrollen.
ZitatPrésentée à Cannes, la nouvelle comédie dramatique de Nicolas Bedos "Mascarade" réunit un casting prestigieux : Pierre Niney, Isabelle Adjani ou encore François Cluzet. Pour la musique de ce film, Nicolas Bedos s’est une fois de plus tourné vers Anne-Sophie Versnaeyen, après le succès public et critique de "La Belle Epoque" (2019) ainsi que du dernier "OSS 117 : Alerte rouge en Afrique noire" (2021). La talentueuse compositrice nous offre une sublime partition subtile où le romantisme se fait l'echo de thèmes plus sombres.
Connue pour ses sublimes morceaux en piano, Anne-Sophie Versnaeyen a souhaité s’entourer cette fois-ci de la violoniste soliste Sarah Nemtanu, du violoncelliste Gregoire Korniluk et du pianiste Julien Carton pour composer cette sensationnelle Bande Originale.
On y retrouve de magnifiques valses, des ballades émouvantes ainsi que des morceaux ou se répondent piano et violoncelle qui accompagnent avec perfection le quatrième long métrage de Nicolas Bedos.
Une musique poignante, sentimentale, touchante mais aussi entraînante qui n’est pas sans rappeler la BO de Jóhann Jóhannsson « The Theory of everything »
-
Und viel besser scheint es im angesagten LP-Sektor ja auch nicht zu sein. Jonny Trunk von Trunk Records hat in einem Interview erzählt, dass er bisweilen auch gut 1 Jahr warten muss, bis er einen Titel aus dem Presswerk bekommt.
-
Das chinesische Label Jiaoliu veröffentlicht am 14. November Ryuichi Sakamotos Musik für Ann Huis Drama Love After Love (2020) auf CD und LP.
ZitatMarvellous Japanese composer Ryuichi Sakamoto presents his first ever soundtrack for a Chinese film with 'Love After Love'. He provides a typically atmospheric score for a film which concerns a young girl getting mixed up in a tangled web of power and deceit. It has already been awarded Best Original Film Score at the Hong Kong Film Awards and now comes out physically.
-
1
-
-
Bei Incunabulum Records ist Jozef van Wissems Neukomposition für F.W. Murnaus Nosferatu, eine Symphonie des Grauens auf CD und LP erschienen.
ZitatJozef van Wissem – Lute, Electronics, Beats, Electric Guitar, Found Bird Sounds
I was commissioned by Cinémathèque Française in Paris to compose the soundtrack to the restored original version of the “Nosferatu” film (1922). When I was writing the score I found a Dutch double 7 inch record with sounds of extinct birds on the streets of Rotterdam. I manipulated these found bird sounds by using electronics and added them to the score. “Beginning with a lute solo, his soundtrack incorporates electric guitar and distorted recordings of extinct birds, graduating from subtlety to gothic horror.” My soundtrack goes from silence to noise over the course of 90 minutes, he said, culminating in “dense, slow death metal.” The New York Times
-
Bei Kadokawa ist ein Set zu dem japanischen SF-Film Segoku jietai * Time Slip (1979) mit Sonny Chiba erschienen. Zum umfangreichen Bonusmaterial zählt auch eine CD mit dem Score von Kentaro Haneda.
ZitatIn commemoration of the first anniversary of the death of Shinichi Chiba, who played the lead role of Yoshiaki Iba and was also the action director of this film, "Sengoku Jieitai" (aka "Time Slip", "I Want To") is now available on 4K Digital Restoration Ultra HD Blu-ray [HDR Version]!
* The original motion picture score from"Sengoku Jieitai" is included on CD for the first time!
6mm sound source that was said not to exist until now has been unearthed! In the past, a collection of image songs was released as the "Sengoku Jieitai" soundtrack (1979 LP, 1995 CD *currently out of print), but this time, the remastered 6mm play accompaniment that was unearthed has been released on CD for the first time!
* First time the original audio from the theatrical release is included!
In addition to the original 4-channel stereo sound, monaural sound and dubbed sound produced for overseas release are included for the first time!
* For those films with 5.1ch sound, Dolby Atmos conversion has been reconverted.
In this film, the 5.1ch remix sound source supervised by Fumio Hashimoto, a recording engineer, was converted to Dolby Atmos when it was released on DVD in 2005!
* Remastered in Dolby Vision!
UHD-BD is a triple-layer disc (100GB) in order to record the ultimate picture quality.
The original trailer and special features are also converted to 4KHDR and recorded in UHD.
* Sengoku Jieitai" Complete Document Collection is included!
The "Sengoku Jieitai" Complete Documentation Collection, consisting of newly discovered stills and interviews with related parties, is included in the package.
* "SENGOKU JIEITAI" with overseas version (English dubbing) selection playback function!
When the newly discovered English dubbed audio is selected, playback switches to the overseas version (English opening title and English ending roll), allowing you to watch the international version for export! In addition, Japanese subtitles can be selected for the English audio.
Release Date: 2022.10.28(限定盤) -
Auch dieses Jahr haben Howlin' Wolf Records zu Halloween einen thematisch passenden Score veröffentlicht: 10 / 31 Part 3 von Rocky Gray.
ZitatHowlin' Wolf Records proudly presents Rocky Gray's score for 10/31 PART III, the third installment in the gruesomely popular 10/31 Anthology Series, with segments directed by renowned cult-cinema directors Michael Ballif (THE WITCHING SEASON, THEY LIVE INSIDE US), Jacob Perrett (WEIRD FICTION, CREATURE IN THE DARK), Brad Twigg (KILLER CAMPOUT, SHRIEKSHOW), Zane Hershberger (FORCE TO FEAR, and 10/31 PART II segment "Treaters"). 10/31 PART III is a perfectly eerie companion to create your own spooky Halloween ambiance. The soundtrack pays homage to great synth scores from the '80s accented by flourishes harkening back to scores by Italian progressive rock icons Goblin and Fabio Frizzi.
Rocky Gray is an award-winning composer of over 30 features, shorts, and video games. An accomplished musician, he was the original drummer for the multi-platinum goth rock band Evanescence, and later drummer and lead guitarist for We Are The Fallen and Living Sacrifice, respectively. He most recently earned raved reviews and a "Best Score" win for THE BARN II at the 2022 GenreBlast Film Festival.
10/31 PART III is beautifully packaged in a jewel case with a 24-page booklet including a foreword by film music journalist John Mansell and notes from segment directors (Ballif, Perrett, Twigg, Hershberger) and composer Rocky Gray, all presented against a frighteningly colorful web of All Hallows' Eve imagery with jack-o-lanterns, witches, bats, monsters, and demons. The booklet features original cover artwork by Gaz Jackson at Sinister Arts and beautiful packaging designs by Howlin' Wolf Records' acclaimed Art Director, Luis Miguel Rojas.
-
Von GAD Records kommt am 28. November eine CD mit Henryk Kuzniaks Musik für 'Anna' i wampir (1982).
ZitatMaster of Polish film music, known, among others from the music to both parts of the film "Vabank" or "Sexmission" in the most uncompromising edition. "» Anna «and the vampire" is a dark search in ambient and industrial circles. A fascinating study of how to paint a fog with sound. Original soundtrack from 1981 plus a contemporary postscript made by Henryk Kuźniak in 2022 on the album.
In the early 1980s, Janusz Kidawa, a respected documentary filmmaker, made a feature film about the case of the Vampire from Zagłębie. Dark, hard to read, although for some people a cult image intrigued by the use of original materials from the investigation and melted the entire narrative in low-suspended mists. Kidaw invited Henryk Kuźniak to prepare the music, with whom they knew each other very well from their work at the Documentary and Feature Film Studio in Warsaw. It is difficult to call what Henryk Kuźniak prepared for the needs of "Anna and the Vampire" as film music in the strict sense. It is a Polish search on the border of ambient and industrial - and all this before these notions were even more widely used in our country. A sound design that paints over with sound what the image could not convey to the director in the fog of screens.
The material was remastered from the original tape from the composer's archive. The program of the album was complemented by a contemporary composition, made in 2022, which is a tribute to the victims of the Vampire. The booklet contains extensive text about the film and music, as well as photos from the set.
-
Am 23. November kommt von Cinema-Kan eine CD mit Takeo Yamashitas Musik für den Anime Maken Liner 0011 Henshin Seyo! aus dem Jahr 1972.
-
Neben dem bereits von Stefan vorgestellten Sarde-Score gab es in dieser Woche noch drei weitere neue CDs von Music Box Records: Mathieu Lambouleys Jack Minoun et les secrets de Val Verde, ein Album mit den frühen Gabriel-Yared-Scores La scarlatine und Tir à vue sowie Eric Demarsans Notre-Dame, la Part du feu.
ZitatIn collaboration with Mandarin & Compagnie and Pathé Films, Music Box Records presents on CD the original motion picture soundtrack of the adventure comedy film Jack Mimoun et les secrets de Val Verde (Jack Mimoun and the Secrets of Val Verde, 2022) composed by Mathieu Lamboley (Lupin, Minuscule 2 - Mandibles from Far Away) and performed by the Orchestre National d’Île-de-France.
Two years after surviving alone on the hostile island of Val Verde, Jack Mimoun has become an adventure star. The mysterious Aurélie Diaz brings Jack unwittingly back in Val Verde to help in the search of the legendary sword of the pirate La Buse. His manager and an unpredictable mercenary embark on an incredible treasure hunt through the jungle of the island of thousand dangers.
For this action comedy film, Mathieu Lamboley composed an exciting and classic fully orchestral adventure score.
Jack Mimoun et les secrets de Val Verde, starring Malik Bentalha, Joséphine Japy, François Damiens, Jérôme Commandeur and Benoît Magimel, is released in French theaters in October 12, 2022.
ZitatNewly remastered edition.
8-page CD booklet with French and English liner notes by Nicolas Magenham.
Limited Edition of 350 units.In collaboration with Yad Music, Music Box Records proudly presents two original motion picture soundtracks composed by Gabriel Yared in the 1980s: La Scarlatine (Scarlet Fever, 1983) and Tir à vue (Fire on Sight, 1984).
La Scarlatine, the first feature film directed by Gabriel Aghion, tells the story of a ten-year-old boy, surrounded by an almost exclusively female environment, changes when his mother meets a man. The score composed by Gabriel Yared mixes several moods: pre-war jazzy style, soul song, an electronic 80’s vibe and some romantic pieces in keeping with the spirit of this decrepit, once-luxurious house. The album also features the premiere release of Tir à vue, a movie directed by Marc Angelo, about two young deliquents committing robbery and murder. Programmed by his faithful collaborator Georges Rodi, Gabriel Yared’s music for this film mostly relies on synthesizers and other beatboxes that give it a very urban tone.
Supervised by Gabriel Yared, this present edition has been fully remastered from complete scoring session elements. The package includes a 8-page booklet featuring exclusive liner notes by writer Nicolas Magenham, discussing the films and the scores. This is a limited edition of 350 units.
ZitatIn collaboration with Netflix, Music Box Records presents on CD the original score composed by Éric Demarsan for the series Notre-Dame (2022) directed by Hervé Hadmar and starring Roschdy Zem, Alice Isaaz, Simon Abkarian, Caroline Proust, Frédéric Chau, Victor Belmondo, Corentin Fila and Sandor Funtek.
Inspired by true accounts from French firefighters, this new drama series, created by Olivier Bocquet and Hervé Hadmar, explores the impact of the 2019 fire of Notre-Dame on a diverse group of Parisians.
The score of Notre-Dame, both intimate and dramatic, is based around several recurring themes and motifs, including the firefighters who face all kinds of different challenges and the destiny of men and women who have their own fire to put out.
The mini-series will be released on Wednesday, October 19, 2022 exclusively on Netflix.
-
ZitatDebuting at Halloween 2021, Flux was the first Doctor Who series in 36 years to tell one complete story across its entirety, rather than self-contained episodes. Jodie Whittaker returned for her third and final season in the title role. This three CD set features the score for Flux spread across two CDs and includes a bonus disc, the New Years’ Day special broadcast in 2021, Revolution Of The Daleks.
Segun Akinola is a composer for film and television who has strengthened many projects with his musical acumen. He is most known for his music in the latest series of Doctor Who, starring the first female Doctor, Jodie Whittaker. Segun’s work is a key immersive tool for showrunner Chris Chibnall and series directors to establish the many adventures the Doctor and her friends travel on. These include the impressive 80s influenced electronic score for The Tsuranga Conundrum to the heart-wrenching Demons of the Punjab which utilised specialist Indian musicians and orchestra, all recorded at Abbey Road Studios. He also scored the critically acclaimed Doctor Who VR experience, Doctor Who: The Runaway.
Segun scored Sundance 2019 favourite The Last Tree, which was also recorded at Abbey Road Studios. This is Segun’s second feature film collaboration with director Shola Amoo after A Moving Image, and it earned him a Discovery of the Year award nomination at the World Soundtrack Awards. A BAFTA Breakthrough Brit 2017, Segun’s other work includes scoring BBC Two’s landmark four-part series Black and British: A Forgotten History.
-
Buysoundtrax haben zwei neue CDs ausgeliefert: Eine Neuauflage von Bruce Rowlands Zeus and Roxanne und Jamie Blanks' Score zu dem Thriller Girl at the Window.
ZitatBSX Records presents the original motion picture soundtrack to ZEUS AND ROXANNE, featuring music composed by Bruce Rowland (THE MAN FROM SNOWY RIVER, PHAR LAP, ANDRE) for the 1997 family adventure film directed by George Miller (ANZACS, THE MAN FROM SNOWY RIVER, ALL THE RIVERS RUN), written by Tom Benedek (COCOON), starring Steve Guttenberg, Kathleen Quinlan, Miko Hughes and Arnold Vosloo.
ZEUS AND ROXANNE revolves around the friendship between a dog, Zeus, and a dolphin, Roxanne. One morning, Zeus goes to the pier, spots a dolphin, and becomes fascinated by it. He returns home to his owner, Terry (Guttenberg), and his son, Jordan (Hughes). Later that morning, Zeus chases a cat and subsequently destroys the garden of Mary Beth (Quinlan), a marine biologist and their next-door neighbor. Terry calms Zeus down and apologizes to Mary Beth.
Mary Beth goes to her workplace and is followed by Zeus, who notices her photo of the same dolphin from earlier. Upon arriving, she is met by her partner, Becky, and her rival, Claude (Vosloo). Mary Beth and Becky travel out on a boat to follow the dolphin they are researching, whom they have named Roxanne, and Zeus stows away on the boat. While they are out to sea, Zeus slips off the boat. Roxanne saves him from a shark and gives him a ride back to the boat on her back, which surprises and fascinates Mary Beth and Becky, who find that Zeus and Roxanne are able to communicate with each other.
Returning home, Mary Beth asks Jordan if she can borrow Zeus for her research on Roxanne, who she hopes to release back into the wild. Jordan agrees, and he and Terry accompany her on her research. As time passes, Terry begins to fall in love with Mary Beth as he manages to find inspiration for his music, while Jordan bonds with her daughters.
Bruce Rowland’s fascination with music began as a child. He grew up in a musical household in Melbourne, and as a teenager studied piano and played with various pop bands. He worked with pop group The Strangers during the 1960s, and toured with international artists including Roy Orbison and The Beach Boys. Bruce developed much of his early skill as a composer on the popular teenage television series THE GO SHOW, where he was responsible for playing keyboard and writing arrangements for guest artists including Olivia Newton-John and Billy Thorpe. Later, he worked for five years as the composer for children’s television programs MAGIC CIRCLE CLUB and ADVENTURE ISLAND. His career spans a multitude of motion pictures, cable movies, mini-series, series, animations and special live events. Bruce is the proud recipient of multiple awards, including a 2006 APRA International Achievement Award for his services to film. In 2000, Bruce wrote and conducted the music for the Opening Ceremony of the Sydney Olympic Games, which included a special rendition of Bruce’s score for THE MAN FROM SNOWY RIVER.
Previously released on compact disc in 2001, BSX Records brings ZEUS AND ROXANNE back to the marketplace newly remastered by James Nelson at Digital Outland for improved sound quality.
ZitatBSX Records presents the original motion picture soundtrack to GIRL AT THE WINDOW, featuring music composed by Jamie Blanks for the new thriller written by Terence Hammond (LAST DANCE) and Nicolette Minster, directed by Mark Hatley (PATRICK: EVIL AWAKENS, ELECTRIC BOOGALOO: THE WILD, UNTOLD STORY OF CANNON FILMS), produced by Antony I. Ginnane (PATRICK THE SURVIVOR, THE LIGHTHORSEMEN), Phil Hunt, Compton Ross and Sabella Sugar, starring Radha Mitchell (PITCH BLACK, SILENT HILL, VISITORS), Ella Newton, Jackson Gallagher, Vince Colosimo, Sharon Johal and Nathan Hill.
GIRL AT THE WINDOW tells the story of a mother (Mitchell) and daughter (Newton) who deal with an ambiguous and uncertain threat that ultimately binds them closer together.
The music for GIRL AT THE WINDOW is composed by Jamie Blanks, who has the distinction of being a composer, a director and film editor. GIRL AT THE WINDOW is the third collaboration between Blanks and director Mark Hartley, which include Hartley’s previous documentary films MACHETE MAIDENS UNLEASHED and ELECTRIC BOOGALOO: THE WILD UNTOLD STORY OF CANNON FILMS. While the budget for GIRL AT THE WINDOW did not allow Blanks to record live players, his knowledge of modern music libraries allowed him to compose an exciting synthetic score that evokes the works of Bernard Herrmann, Jerry Goldsmith and Pino Donaggio.
BSX Records presents the world premiere release of GIRL AT THE WINDOW, featuring music composed by Jamie Blanks, mastered by James Nelson at Digital Outland and featuring liner notes written by the composer.
-
Wieder zwei neue Alben von Silva: Das Barry-Gray-Konzertalbum 'Stand by for Action' und die von Carmine Coppola arrangierte 'The Godfather Suite':
ZitatFrom death defying heroics to fantastic visions of the future and adventures beyond imagination. For decades the world has been enthralled by the television and film productions of Gerry Anderson. Perhaps the one thing which binds this remarkable canon of work together is an incredible tapestry of music which enriches each series and instalment. Despite all the impressive techniques and technical wizardry employed by Derek Meddings and his special effects crew, Stingray’s launch wouldn't have half the impact if robbed of Barry Gray’s sweeping crescendo. Similarly, the ponderous ache of the Alphans plight and a police cruiser chase in Demeter City are brought to life by their respective musical accompaniments. The Stand By For Action! concert in April 2022 was a celebration of this incredible body of music which helped to bring life to some of the most popular television series ever made. This sensational show transported fans through over 60 years of the Gerry Anderson back catalogue, paying homage to his special partnership with composers including Barry Gray, Richard Harvey and Crispin Merrell.
The iconic theme tunes and incidental music from classic Anderson shows – including Thunderbirds, Space: 1999, Captain Scarlet and UFO – all feature alongside that of his earliest work like The Adventures of Twizzle, Torchy the Battery Boy and Feather Falls, right through to Terrahawks, Space Precinct and his final production: New Captain Scarlet.
ZitatNot at all dangerous, but no less powerful and devoted to one another, the Coppola family have loomed large in film and the arts for decades. The head of this particular family was not a Don lurking in the shadows, but a brilliant composer arranger and conductor: Carmine Coppola. On the face of it, this album is a bit of a curiosity, though it was surely the first recording to bring together music from both Godfather films in this way. Its original release coincided with a high-profile television event called The Godfather: A Novel for Television (also known as The Godfather Saga).
The extended cut necessarily featured additional music and arrangements, which were overseen by Carmine Coppola. We can safely assume that at least some of that forms part of what is included in The Godfather Suite. For it, Coppola selected and re-arranged musical highlights from the two films, including all of Rota’s main themes and his own source music pieces, creating what is essentially a 14-part symphonic suite.
It’s all rather beautifully executed, with great romantic flourishes, and it’s a fitting tribute to Carmine Coppola’s talent, not to mention his contribution to two legendary films. Carmine Coppola himself passed away just months after the release of The Godfather Part III. A highlight of that final score is the ‘Love Theme’, which was the basis of Carmine Coppola and lyricist John Bettis’s Oscar-nominated original song ‘Promise Me You’ll Remember’. The instrumental arrangement is included here in addition to the Suite.
https://silvascreen.ochre.store/release/337751-carmine-coppola-the-godfather-suite
-
Wo wir gerade bei mäßig originellen Wiederveröffentlichungen aus Italien sind...
Von Cam / Sugar gibt es eine neue Single-Disc-Edition von Nino Rotas La dolce vita (hatten wir hier irgendwo schon, oder?) und eine verlängerte Fassung von Ennio Morricones Quando l'amore e sensualita.
ZitatOut on October 21st, 2022
Heritage Collection N°3
The complete 25-track score by Nino Rota for the 1960 timeless masterpiece that defined the career of Federico Fellini, starring Marcello Mastroianni and Anita Ekberg.
Including “La Dolce Vita (Original Vocal Version)” theme sung by Katyna Ranieri, as heard in the Fiat 500 advert starring Leonardo Di Caprio.
ZitatMorricone Segreto N°4 - Quando l’Amore è Sensualità” (1973)
For the first time ever on CD.
One of the Maestro’s most obscure, psychedelic and dark-tinged soundtracks. Still unpublished in its entirety, the score is the manifesto of the Morricone Segreto series, featuring tonal experiments, timbric intuitions, enigmatic synths, obsessive lullabies, tribal drum beats and an overall compositional complexity showing the unrivaled genius of Ennio Morricone. Originally composed for Vittorio De Sisti’s “Quando l’Amore è Sensualità”, the music masterfully mirrors the bloody and lustful bourgeois hypocrisy portrayed in the cult film, thanks to a striking contrast between haunting primitive sounds (representing the male fury) and uplifting, crystalline and ethereal elements (symbolising the feminine innocence). The score features “Vie-Ni”, one of the most loved cuts from CAM Sugar “Morricone Segreto” collection, next to compositions featuring the whimsical and ethereal vocals by Edda Dell’Orso and furious psych-prog numbers embodying the most ‘segreto’ side of the Maestro.
Out on November 10th fully remastered from the CAM Sugar archive.
For the first time on CD... ja, sicher... ^^
-
Neben der Neuauflage von Lo chiamavano Bulldozer von den Guido und Maurizio De Angelis veröffentlichen Beat Records am 10. Oktober noch Fabio Frizzis Delitto in Formula Uno und Piero Piccionis Amore mio aiutami als Doppelalbum.
ZitatAfter almost 40 years since its theatrical debut, in collaboration with Ribot, we are proud to present the original motion picture soundtrack of the penultimate movie of the "Delitti" series interpreted by the Cuban star Tomas Milian, score signed by Maestro Frizzi.
Thanks to the finding, in one of the Maestro studio, of some master tapes of the original recording sessions, it was possible to realize 3 releases that will make all fans of this music excited: a CD, a 12" 180 grams black vinyl and a stylish 7" colored vinyl.
Three different productions on which is recorded the wonderful soundtrack by the Maestro, aside some bonus tracks let's not talk about cult music you can listen to in the scene in which Milian investigates in the gym. In that part of the movie we can experience a wonderful dance cue while he is interrogating Licinia Lentini and the following explosive "You and I", featuring the powerful voice of Tommie Babie which we have in 4 different versions!
ZitatBeat Records, in collaboration with Universal Music Publishing is glad to present the expanded version of the original motion picture soundtrack of the movie Amore mio aiutami, a famous 1969 film directed by Alberto Sordi and interpreted by Alberto Sordi and Monica Vitti, music by immortal Maestro Piero Piccioni.
The album features the original tracklist of the 1969 vinyl, the bonus tracks included in 2007 GDM release on CD and for the first time ever almost 15 minutes of unreleased material, here available for the first time in the 2nd CD bonus section. A discographic tribute to the beautiful music composed by the Maestro, an orgy of Bossanova, Shake, Lounge music in the artist canon, one more occasion to pay homage to divine Monica Vitti, recently passed away.
The CD is proposed in a double jewel case featuring a 12 pages illustrated booklet, liner notes and mastering by Claudio Fuiano, artwork edited by Daniele De Gemini. Limited Edition!
-
Die Bulldozer-CD kehrt auch nochmal aus dem Reich der Toten zurück.
http://www.beatrecords.it/shop.asp?lingua=i&idprodotto=DDJ18DLX&uscita=prox
-
Bei FSM vermuten einige User, dass wohl die Witwe von Produzent James Nicholson die Veröffentlichung verhindert.
-
Am 9.9.2022 um 16:10 schrieb Trekfan:
The Amazing Colossal Man war überfällig in der Reihe an Glasser-Veröffentlichungen der letzten Jahre seit Kritzerland den Anfang gemacht hat! Glassers berühmtester Score, wohl auch sein eigener Favorit. Die Rechte des Kultfilms sind problematisch, weshalb es bisher auch keine DVD in den USA gibt. Dieses neue Album auf Dragon's Domain bewegt sich wohl auch einmal wieder in der Grauzone, wenn man die fehlenden Rechteangaben auf dem Backcover sieht.
Die CD findet sich derzeit nicht mehr auf der Website von BSX. Ob sich da jetzt doch mal ein Rechteinhaber beschwert hat?
-
Das von Mathieu Chabrol nie zu zuvor etwas auf Tonträger erschienen ist, hat mich auch immer verwundert.
-
Zitat8-page CD booklet including statements from director Christian Carion and composer Philippe Rombi.
In collaboration with Une Hirondelle Productions and Pathé Films, Music Box Records presents the new score composed by acclaimed composer Philippe Rombi (Swimming Pool, Black Box). Une belle course (Driving Madeleine, 2022), directed by Christian Carion (Merry Christmas, My Son), stars Line Renaud and Dany Boon.
Madeleine (Line Renaud), 92 years old, calls a taxi to take her to the retirement home where she will be living. Charles (Dany Boon), a disillusioned driver with a tender heart, agrees to drive by the places that affected Madeleine’s life. Through the streets of Paris, her extraordinary past is revealed. They don’t know it yet, but they will forge a friendship during this drive that will change their lives forever.
Une belle course is the third collaboration between director Christian Carion and composer Philippe Rombi after The Girl from Paris and Merry Christmas. For this drama, Philippe Rombi composed a poignant orchestral score with electronic textures, both delicate (with a main theme played on a trumpet) and disturbing (with dark strings bringing the flavor of Bernard Herrmann to his score), to evoke the memories of Madeleine's life.
Une belle course is released in French theaters in September 21, 2022.
https://www.musicbox-records.com/en/cd-soundtracks/12254-une-belle-course.html
-
Am 2. November von Cinema-Kan: Ein 3-CD-Set mit den vollständigen Scores zu Hanzo the Razor: Sword of Justice (Kunihiko Murai), Hanzo the Razor: The Snare (Isao Tomita) und Hanzo the Razor: Who's Got the Gold (Hideaki Sakurai).
-
ZitatQuartet Records, in collaboration with Pentatone, presents the first album of classical works by Spanish composer Fernando Velázquez, best known for his orchestral soundtracks that have brought back the flavor of symphonic film music from past times.
Recorded with the Basque National Orchestra, the choir Kup Taldea and the prestigious international cellist Johannes Moser, Viento shows Velázquez’s skill in creating such genres as symphonic poems, cantatas and concertos.
The album opens with his cello concerto, which combines an elegiac opening movement with a heroic, rock-inspired middle movement and a finale that employs the Basque Zortziko dance rhythm. Moser’s masterly interpretation brings out all the colors of this exceptional score. The Cantata de Estío (Summer Cantata) was conceived as a companion piece to Beethoven’s Ninth to be performed prior to the symphony, sharing its scoring and key. Combining a Biblical text by King Solomon with poetry from the composer’s own father, José María Velázquez, the cantata celebrates the beauty and plenitude of nature and life as it explodes during summer. Viento del Oeste (West wind) contemplates a similar sensation, communicating those ineffable feelings that a perfect sunset can make us experience.
Overall, Viento is not only a glorification of sublime nature, but foremost an act of artistic liberation, for which Velázquez has written music that feels most beautiful and meaningful to him. The entire album has been recorded by Marc Blanes and mastered by Chris Malone.
-
ZitatQuartet Records is proud to present a brand new recording of one of the very first scores by Fernando Velázquez, composed right after THE ORPHANAGE in 2007.
SAVAGE GRACE was a bizarre film directed by Tom Kallin and starring Academy Award winners Julianne Moore and Eddie Redmaine, and it tells the true story of the beautiful and charismatic but mentally unstable Barbara Daly, who married above her class to Brooks Baekeland, heir to the Bakelite plastics fortune. Their only child is a failure in his father’s eyes, and as he matures and becomes increasingly close to his alienated mother, the seeds for tragedy are sown.
In spite of being one of the composer’s favorite scores, from one of his most creative periods, the album was never released in part due to an unfortunate and problematic recording, which had to be produced quickly for budget reasons. Velázquez was never happy with the result, so that’s why we have decided to record it again—respecting the original orchestrations—this time with the Basque National Orchestra under the baton of the composer. The music is intensely romantic and bittersweet, with echoes of Impressionism and jazz.
The album also includes the original music composed by Fernando Velázquez for the theatre show THE SERVANT, by Harold Pinter, and also performed by the Basque National Orchestra.
Recorded by Marc Blanes and mastered by Chris Malone, the package includes an in-depth essay by film music writer Daniel Schweiger, including exclusive interviews with Tom Kallin and Fernando Velázquez.
Kurz & knapp: Sammelthread für "kleine" Veröffentlichungen
in Scores & Veröffentlichungen
Geschrieben
Bei Alpha Classics ist eine CD mit Guillaume Roussels Musik für das französische Drama Couleurs de l'incendie erschienen.