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Erscheint als Doppel-LP: Mutant, in partnership with Sony Music, is proud to present the premiere physical release of the soundtrack to Vince Gilligan's hit Apple TV+ Series PLURIBUS, produced by Sony Pictures Television. Featuring one disc of original score cues by long-time Gilligan collaborator, composer Dave Porter, and 12 songs from the critically acclaimed series. Featuring original artwork by Mike Koelsch and liner notes by the series creative team, and pressed on 2x 140gm "Milk" colored vinyl, this special release is essential for fans of this series. Disc One - Score selections by Dave Porter (Score tracklist will be announced soon. Check back for details.) Disc Two - Original Soundtrack SIDE A 1. Dancing Folk: Movement 1 - Oliver Davis 2. Nobody Told Me - Murat Evgin 3. Sonnet (Pluribus Edit) - DakhaBrakha 4. Sumac - Loris 5. Vessel (Pluribus Edit) - John Lamke 6. Deo gratis - Huelgas Ensemble, Paul Van Nevel SIDE B 1. A Calf Born in Winter - Khruangbin 2. Blues (Pluribus Edit) - Nina Becker Marcelo Callado 3. People Are Strange - Kit Sebastian 4. Esperanza - Hermanos Gutiérrez 5. You Got To Be Sure! - Traffic Sound 6. Conquistadora (Pluribus Edit) - Chantal Claret

YOUNG & CURSED Music Composed by PATRICK O'MALLEY For Intrada's latest release, composer Patrick O'Malley chose to eschew the current sound-design approach of many modern-day horror films and lean into a more traditional (and frankly fan-embraced) style of horror scoring. Composers from earlier decades always lauded the opportunities provided by horror films to embrace experimentation that were not often afforded in other genres. It provided an opportunity not only to embrace dissonance as would be expected, but also the lyrical side so often ignored in horror films today. Think Jerry Goldsmith's delicate theme for Carol Ann balanced alongside the aggressive action in Poltergeist. The two can easily coexist in a horror setting. As O'Malley describes in his notes: One of the best things that can be given to any composer (of film music or otherwise) is a large canvas. When I first read Andrew [Chiaramonte] and Emmett [Alston]'s script for Young & Cursed, I initially thought that the film would only need light touches from the music: subtle electronics with the occasional reverb-submerged piano and grit-filled jump-scare stinger (after all, the plot outline is a bunch of kids in a cabin getting spooked for 90 minutes!). But, upon seeing a rough cut of the film and hearing [director] Andrew passionately discuss his goal of putting the audience in a larger frame of mind about the spiritual nature of good and evil, a much different sound came to me: a traditional-style score combining orchestra, choir, synths, electronics and a battery of homemade “found object” instruments. O'Malley may not be a name known to many, as Young & Cursed is his first full-length film score after working on several shorts and in the classical music scene. Hopefully this score is the harbinger of many more feature-length film assignments to come. Check out the soundtrack trailer here: The film is a supernatural psychological horror film directed by Andrew Chiaramonte, centering on five young strangers who retreat to a remote wilderness cabin, only to find themselves under the sinister influence of a mysterious woman possessed by an ancient force. As they become trapped and isolated, the group’s trust erodes and paranoia grows, forcing each person to confront their deepest fears and inner demons. INTRADA INT 7190 Barcode: 7 20258 71900 3 Retail Price: $24.99 AVAILABLE NOW ON CD AND DIGITAL PLATFORMS EVERYWHERE. 01. Lilith's Theme (3:33) 02. Hope and Sorrow (2:27) 03. Prologue & The Calling (4:32) 04. First Escape (2:28) 05. Kyra (3:07) 06. Two Of Them (1:07) 07. Food, Love, Death (3:09) 08. The Apparition (2:14) 09. Donny's Trap (2:53) 10. The Waiting (1:27) 11. God's Children (4:58) 12. The Curses (1:01) 13. Blood Moon (3:32) 14. Possession Dance (8:33) 15. Childhood Nightmares (0:50) 16. The Attack (3:42) 17. Temptations (03:51) 18. Death Light (5:04) 19. Demons Past (4:33) 20. The Sacrifice (2:17) 21. Adagio Religioso (06:42) Total CD Time: 1:12:11

LLLCD 1669 Music by Don Davis Limited Edition of 1000 Units La-La Land Records and Paramount Pictures present the official world premiere CD release of acclaimed composer Don Davis’ (THE MATRIX TRILOGY) original motion picture score to the renowned 1996 feature film thriller BOUND, starring Jennifer Tilly, Gina Gershon and Joe Pantoliano and directed by The Wachowskis. One of contemporary cinema’s most notable, envelope-pushing and entertaining neo-noir thrillers needed an on-target and knowing score to sync perfectly with its seductive and suspenseful tale of two women falling in love as they scheme to rip off a dangerous mobster. Enter composer Don Davis, who pulls it off in enthralling fashion, providing a mood-drenched, propulsive score that shines brilliantly in this presentation. This first remarkable collaboration between the composer and The Wachowskis forged a union that would become legend with THE MATRIX TRILOGY. A new recording of Davis’ concert piece inspired by the film score, “Illicit Felicity”, is included as a bonus track, performed by pianist Jenny Lin. Produced by Don Davis and Dan Goldwasser, and mastered by James Nelson, this special CD release is limited to 1000 units and includes exclusive, in-depth liner notes by writer Daniel Schweiger, featuring new comments from the composer. The cracking art design is by Dan Goldwasser. TRACK LISTING: 1. Closet Diving 2:48 2. Fix My Pipe 5:42 3. Rug Rangers Qu’est-ce Que C’est 2:22 4. Hand It To Shelley 2:01 5. Ravine Cuisine 4:37 6. Yodeling In The Canyon 2:37 7. Girls Having Fun 2:39 8. Ceasar Gets Corked 1:41 9. Thelma And Louise From Hell 1:26 10. Tang Bangers 5:21 11. Dying For His Money 0:20 12. I Am Gino Marzzoni, Capice? 1:59 13. Chicago’s Finest 2:09 14. Jail Bait 0:52 15. Curiosity Cops 1:15 16. Corky’s Peephole 1:06 17. Ceasar Bizarro 3:02 18. Holy Mackerel 1:35 19. In Utero Morituri Te Salutamus 1:17 20. Girl Talk 0:31 21. Bang The Bangers 2:02 22. Out Of The Closet And Down The Stairs 6:38 23. Mambo Mamacita 3:02 24. Illicit Felicity (BONUS TRACK) 3:58 Performed by Jenny Lin TOTAL ALBUM TIME: 62:39 This is a CD format release

Shipping starts on 12/10 Quartet Records, in collaboration with Universal Music Enterprises and Paramount Pictures, presents the restored and remastered 2-CD reissue of Hans Zimmer’s iconic score for Ridley Scott’s 1989 action-suspense film BLACK RAIN, starring Michael Douglas and Andy Garcia as two New York City cops who arrest a Yakuza member and must escort him to Japan for extradition. BLACK RAIN was the first collaboration of Hans Zimmer with Ridley Scott, kicking off a creative partnership that would go on to produce some of the most thrilling film scores of the next two decades. For this new release of the BLACK RAIN score, we were fortunate to access archival studio materials that had been transferred within the last decade—sources that were unavailable for previous editions. These included the original 24″ and 32″ multitrack recordings. With these elements in hand, the score was carefully restored, cleaned and remixed to achieve vastly improved sonic fidelity. Among the discoveries in these transfers were several unexpected bonuses. This expanded edition has been a long time coming, and we’re thrilled that fans can finally experience Hans Zimmer’s early action score in its most complete and dynamic form to date. Painstakingly produced by Stéphane Humez and Dan Goldwasser, mixed and mastered by Maxime Marion with the supervision and approval of the composer, the package includes detailed liner notes by Kaya Savas, including an exclusive interview with Mr. Zimmer. DISC 1. THE FILM SCORE I’ll Be Holding On (Opening Titles Version) 2:39 Gregg Allman Scalari’s 6:09 One-Way Glass – Osaka 1:05 Phony Cops – You Gonna Be Nice? 1:40 Club Miyako 4:58 Sato Watching / Circling Motorbikes 2:01 Sugai’s Photo / Police Observers 4:01 Stealing Money 2:08 Charlie’s Death – Aftermath: Nick & Joyce 5:17 Charlie’s Things 3:18 Sequins 2:44 Masa’s Reprimand 1:55 Following Miyuki 3:51 The Steel Mill / Meeting In The Steel Mill 2:55 Steel Mill Chase / Airplane / Escape 6:20 Sugai Has Nick Over For A Chat 9:01 Arrival Of Oyabuns – Sato’s Arrival / Meeting 7:57 Bikes / Fight – Bullpen / Awards (Film Version) 5:20 Airport (Film Version) 1:48 I’ll Be Holding On (End Titles Version) 4:01 Gregg Allman DISC 2. THE ORIGINAL ALBUM 1. Livin’ On The Edge Of The Night 3:40 Iggy Pop 2. The Way You Do The Things You Do 3:15 UB40 3. Back To Life (Jam On The Groove Mix) 5:09 Soul II Soul & Caron Wheeler 4. Laseman 4:48 Ryuichi Sakamoto 5. Singing In The Shower 4:23 Les Rita Mitsouko & Sparks 6. I’ll Be Holding On 5:40 Gregg Allman 7. Black Rain Suite: Sato 4:45 8. Black Rain Suite: Charlie Loses His Head 7:03 9. Black Rain Suite: Sugai 6:55 10. Black Rain Suite: Nick And Masa 2:52 Bonus Tracks 11. Airplane Muzak (Source) 2:06 12. Art Of The Fugue (Source) 4:21 13. Charlie’s Death (Monks Wild) 2:12 14. Charlie’s Death – Aftermath: Nick & Joyce (Alternate) 5:17 15. Masa’s Reprimand (Alternate) 1:53 16. Bikes / Fight (Alternate) 3:21 17. Bikes / Fight – Bullpen / Awards / Airport (Alternate) 9:28 Total Disc Time 1: 79:20 Total Disc Time 2: 77:18 Total Album Time: 156:38

Shipping starts on 12/10 Quartet Records and Paramount Pictures present a revised, greatly expanded edition of Dave Grusin’s delightful score for Warren Beatty’s classic HEAVEN CAN WAIT (1978), a remake of the 1941 Columbia Pictures film HERE COMES MR. JORDAN. Co-directed by Beatty and Buck Henry, starring Beatty himself, along with Julie Christie, James Mason, Jack Warden, Dyan Cannon and Charles Grodin, the film was a huge box office success and received nine Oscar® nominations, including Best Picture and for Grusin’s original score. The film is about a Los Angeles Rams quarterback, who, accidentally taken away from his body by an overanxious angel before he was meant to die, returns to life in the body of a recently murdered millionaire. “One of the joys of working on soundtracks for old scores is discovering music that was never used in the film. This was especially true in the case of HEAVEN CAN WAIT. While Dave Grusin spotted over 22 minutes of score for the film, the final cue sheet shows that only about 13 minutes were ultimately used. “The decision to source this new album from new, hi-res transfers of the original 2″, 16-track recordings suddenly showed us that there was more music here than we knew about. A lot more: we discovered not just additional music and unused cues, but five times as much as we had anticipated based on the previous soundtrack release of this score. “The recording timeline shows that Grusin recorded the bulk of his original score in late April 1978, followed by revisions and alternates in mid-to-late May, with one recorded reel dated June 9; the film was released on June 28. While some of these revisions made it into the final film, most were unused, with the filmmakers often opting for source material or musically editing previously used score cues. “Given the brevity and variety of the cues, editing them all into score suites was impractical, though a few were combined. The resulting presentation, past the main score portion, feels more archival and fragmentary than a pure listening experience. Nonetheless, hearing how Grusin modified and reworked the cues—or what he originally intended—provides valuable insight into his creative process.” (Dan Goldwasser, producer) Patiently and carefully remixed and mastered by Chris Malone, and meticulously produced by Dan Goldwasser, this 80-minute album includes a package with new liner notes by film music writer Jeff Bond discussing the film and the score. The Film Score 1. Heaven Walk 1:46 2. I Understand / Walk to House 0:49 3. Betty’s Entrance / Decision to Farnworth 0:50 4. Dinner at 8 / Dinner at 9 1:34 5. Meeting of the Bored / Head Home 1:46 6. At the Drive-In 1:01 7. Training Montage 1:33 8. Garden Walk 2:15 9. Marry Me 1:12 10. Bad News 0:47 11. Goodbye 0:52 12. Last Walk 1:22 13. Butler to Betty / Stadium Transition 1:08 14. Jordan Exits 1:07 15. Max 1:16 16. End Titles 2:54 Bonus Tracks 17. Heaven Walk (Alternate 1) 2:25 18. Heaven Walk (Alternate 2) 1:44 19. Heaven Walk (Alternate 3) 2:34 20. I Understand (Alternate) 0:36 21. Walk to House (Original) 0:37 22. Walk to House (Original Alternate) 0:38 23. Betty’s Entrance (Alternate) / Decision to Farnsworth (Alternate) 0:49 24. Dinner at 9 (Alternate) 0:26 25. Meeting of the Bored (Original) / Head Home (Alternate) 1:22 26. At the Drive-In (Original) 1:32 27. At the Drive-In (Revised Alternate Mix) 0:59 28. At the Drive-In (Revised Alternate) 0:49 29. Garden Walk (Original) 2:03 30. Garden Walk (Original Alternate 1) 2:05 31. Garden Walk (Original Alternate 2) 1:53 32. Garden Walk (Original Alternate 3) 1:52 33. Garden Walk (Revised alt. With sax improvisation) 2:15 34. Garden Walk (Revised Alternate) 2:20 35. Marry Me (Three Revisions) 1:08 36. Goodbye (Original) 2:05 37. Goodbye (New Alternate) 0:53 38. Last Walk (Original) 1:11 39. Last Walk (Revised Alternate) / Last Walk Extension (Alternate) 1:24 40. Butler to Betty (Original) 0:45 41. Butler to Betty (New Alternate) / Stadium Transition (Original) 1:23 42. Jordan Exits (Original) 1:08 43. Max (Original) 1:43 44. Max (Revised Alternate 1) 0:52 45. Max (Revised Alternate 2) 0:55 46. Max Extension (Version 1) 1:37 47. Max Extension (Version 2) 0:54 48. End Titles (Original) 2:50 49. End Titles (Revised Alternate) 2:51 50. Drive-In Source 4:04 51. Heaven Loop FX 4:11 Total Disc Time: 79:26

Shipping starts on 12/10 Quartet Records, in collaboration with Universal Music Enterprises, Studiocanal and Calash Corporation, presents a 40th-anniversary, restored and remastered edition of Henry Mancini’s classic Christmas score for SANTA CLAUS: THE MOVIE. The film, directed by Jeannot Szwarc in 1985, starred Dudley Moore, David Huddleston and John Lithgow, was an ambitious and expensive project produced by Alexander and Ilya Salkind, and although it was not the box office hit it was expected to be, has gained fans over time to become a cult film. One of the most important aspects of the film was its score, for which Salkinds hired Henry Mancini. The composer was deeply involved in the production, composing more than 85 minutes of original music for the 109-minute film. This score is surely one of the biggest symphonic efforts of his career, beautiful, diverse and emotional, written during the same period as LIFEFORCE and THE GREAT MOUSE DETECTIVE. Recorded at CTS Studios in London with the National Philharmonic Orchestra, the score also features The Ambrosian Singers and The Ambrosian Children’s Choir performing several charming songs written by Mancini and Leslie Bricusse. For the original album, released in 1985 by EMI America, Mancini prepared a program of highlights lasting only 37 minutes. Some themes were modified for their album version—with different durations, slightly different mixes or the addition of pop elements. Almost all of Mancini’s underscore was missing. Quartet Records released Mancini’s score in its entirety in 2012 and reissued it in 2019 on a 3-CD set, mastered from ½̋″ 3-track. For this new edition, the recently discovered complete first-generation 2″ 24-track set has been transferred in high resolution, allowing engineer Chris Malone to offer a fully restored, remixed and remastered version from the scoring masters recorded by Dick Lewzey. Showcased in a 2-CD set, Disc 1 includes the complete score, while Disc 2 brings together the original songs by Mancini and Bricusse, as well as all the recorded versions intended for the 1985 original album and alternates, including two previously unreleased tracks. We have not included the two pop songs that had nothing to do with Mancini and were included in the film and the original album for commercial purposes. The package includes in-depth liner notes by film music writer John Takis, discussing the film and scores, and features art direction by Jim Titus. This deluxe presentation unleashes the Mancini Christmas magic sounding like never before. DISC 1. The Original Score Main Title – Every Christmas Eve / Santa’s Theme 4:32 North Star / Arrival of the Elves 4:09 Santa’s New Home 4:14 The Magic Workshop 1:46 Reindeer Stable 1:54 Making Toys (Film Version) 4:03 Season’s Greetings 1:40 The Ancient One 2:34 Santa Claus / First Sleigh Ride / Christmas Rhapsody 5:31 Naughty or Nice 1:01 Into the XXth Century 1:40 It’s Christmas Again (Film Version) 2:40 March of the Elves 2:58 Table Scraps 1:21 A New Sleigh Ride / Santa Meets Joe 1:47 Sleigh Ride Over Manhattan 4:18 Cornelia’s Home 1:32 Bad Toys 0:40 Sad Patch 3:12 Vanishing Elf 1:42 No Free Toys 1:11 Present for Joe 0:50 Patchmobile / Patch Versus Santa 5:18 Lollipop Flight 1:42 Stronger Formula 1:39 The World Is Different 1:07 A New Doll 0:49 Eavesdropping 2:31 Letter From Cornelia 2:34 Elf Portrait 1:48 Flight From Police 0:31 To the North Pole / Super Duper Looper / Reunited Again 6:10 DISC 2. Songs, Alternates, Outtakes and Other Gifts Thank You, Santa 4:47 Main Title – Every Christmas Eve / Santa’s Theme (Alternate Lyrics) 4:12 Making Toys (Album Version) 4:01 Christmas Rhapsody (Album Version) 3:53 It’s Christmas Again (Album Version) 2:30 Patch, Natch! 1:15 Sleigh Ride Over Manhattan (Album Version) 4:16 Patch Versus Santa (Album Version) 4:13 Thank You, Santa (Album Version) 3:11 Sleigh Ride Over Manhattan (Alternate) 4:18 Patch Versus Santa (Alternate) 4:35 The World Is Different (Alternate) 1:01 To the North Pole (Alternate) 3:50 Main Title – Every Christmas Eve / Santa’s Theme (Instrumental) 4:30 Making Toys (Children’s Choir) 4:01 Thank You, Santa (Alternate Vocal) 3:35 Making Toys (Men’s Choir) 4:02 It’s Christmas Again (Instrumental) 1:20 It’s Christmas Again (Christmas Bells) 1:18 Patch, Natch! (Instrumental) 1:15 Making Toys (Instrumental) 4:41 Thank You, Santa (Instrumental) 4:41 Making Toys (Little Band Overlay) 0:27 Making Toys (Percussion Overlay) 0:25 Making Toys (Choral Insert) 0:28 Chopin’s Waltz (Source) 0:30 Christmas Jingles (Rehearsal) 2:38 Total Disc Time 1: 79:41 Total Disc Time 2: 79:23 Total Collection Time: 159:04

Shipping starts on 12/10 Quartet Records proudly presents the premiere release of the brilliant, nostalgic score by renowned composer Carter Burwell (MILLER’S CROSSING, WATERLAND, FARGO, CAROL) for the 1995 iconic film THE CELLULOID CLOSET, celebrating its 30th anniversary. Directed by Rob Epstein and Jeffrey Friedman, this comprehensive documentary covers the history of gays and lesbians in cinema, from negative to positive portrayals of gay characters, as well as the challenges faced by actors and actresses. Carter Burwell provides a score that evokes the romanticism of Hollywood’s golden age, with a joyful and catchy main theme that radiates a sense of exuberant nostalgia, even when the score becomes more contemplative and dark. Burwell often plays with the narration’s ironic humor and the interviewees’ reflections, mirroring reality with melancholic orchestration. The score becomes a bridge between irony and sincerity, between memory, nostalgia, and desire. Recorded at the legendary MGM Recording Studios with a large orchestra conducted by the composer, the score also offers a touching arrangement of the song “Secret Love” (from the film CALAMITY JANE), emotionally performed by k.d.lang. The CD is rounded out with a selection of songs from films that were important in the development of the documentary. This album has been supervised by Carter Burwell, restored by Chris Malone, and mastered by Doug Schwartz. The package includes in-depth liner notes by film music writer Daniel Schweiger, including exclusive interviews with the composer and directors for this release. The design is by the creator of the original art for the film, Juan Gatti. Secret Love k.d.lang Titles Shades Give Me The Man Marlene Dietrich Will Hayes Raids I Wanna Be Loved by You Marilyn Monroe Silents The Code Of Liberation Ain’t There Anyone Here For Love? Jane Russell Gays Fight Back Men Where Men (Love Is Like A) Heat Wave Martha Reeves & The Vandellas Psychopaths Making Love Roberta Flack Kissing Finale Secret Love Doris Day

Shipping starts on 12/10 Quartet Records and Universal Pictures Film Music Classics Collection present the premiere release of THE DAY OF THE JACKAL (1973), celebrating the centenary of the renowned and much-missed composer Georges Delerue, born in 1925 in Roubaix (France) and who died suddenly in Los Angeles in 1992. THE DAY OF THE JACKAL was a brilliant, dynamic suspense thriller, masterfully directed by Fred Zinnemann, based on Frederick Forsyth’s bestseller. In the aftermath of France granting Algeria independence, a group of resentful military veterans hires a professional assassin, codenamed “Jackal,” to kill President Charles de Gaulle. Starring Edward Fox as the “Jackal,” along with Michael Lonsdale, Derek Jacobi, Alan Badel and Cyril Cusack, the film was a huge commercial and critical success. Georges Delerue had previously worked with Zinnemann on the historical drama A MAN FOR ALL SEASONS (1966), and they reunited again on JULIA (1977). For THE DAY OF THE JACKAL, the composer wrote a brief but energetic score with fatalistic overtones and dark textures. The score features suspense writing for strings in Delerue’s own style, with a hint of Bernard Herrmann in some of the repeating, minimalist suspense material. Delerue recorded about 30 minutes of music, about a third of which are source tunes, including pop music, Muzak-style pieces, accordion street music and a waltz. However, only about five minutes of dramatic underscore remain in the film, with no music in the second half. For this release, we have assembled Delerue’s score to include unused material and present what might have been and how the composer may have intended his score to play in the movie. For this premiere edition, painstakingly restored and mastered by Mike Matessino, we have used the surviving tapes courtesy of Universal Pictures and the Georges Delerue estate. The package includes an in-depth essay by film music writer Jeff Bond, discussing the film and the score. Jackal Opening 2:37 The Day of the Jackal – Main Title 0:45 Failed Assassination 1:10 New Identity 3:03 Assignment For Denise 3:06 Jackal Walking No. 1 2:16 Forger Dead / Love Theme 0:56 Leash Off Dog 1:46 Sexy 2:35 Street Sounds 2:33 Hotel Lobby Waltz 1:20 Lounge Coffee 1:57 Jackal Checks Into Hotel 0:46 Jackal Out Of Cab 0:56 Jackal Walking No. 2 1:40 The Jackal Gets It 2:45 Total Album Time: 30:15

Caldera Records proudly presents Zbigniew Preisner’s score for Soren Kragh-Jacobson’s “The Island on Bird Street.” A young boy named Alex lives with his father and a friend of the family, whom Alex with great affection calls Uncle, in a Polish ghetto at the height of the Second World War. The young boy is an immediate witness to the cruelty of the Nazi officers who use every opportunity to humiliate both his father and his so-called uncle. Though he may not be able to articulate it, Alex knows that his childhood has ended, cut short by fascists who made it their mission to eradicate people like him and his family. How do you grow up in an environment of threats, danger, and humiliation? Quickly. “The Island on Bird Street,” released in 1997, tells the story of Alex’ survival. Following the arrest of his father and his uncle, he has to fend for himself in the rubble that is his playground of death. Zbigniew Preisner received a Silver Bear at the Berlinale for his music in the film. It is indeed one of his grandest achievements. The director and his composer were careful to avoid the usual cliches in films about the horrors of the Holocaust. Thus, “The Island on Bird Street” doesn’t feature any instruments or orchestral colours that could be deemed ethnic. Instead, it is a both aggressive and tender meditation for large orchestra with solo instruments that get their chance to shine. The piano – and the harp, which also features prominently in the music – proved a particularly fitting choice since their fragility captured Alex’s situation and his fear, the fragility of his existence within the tragedy of the Second World War. Moreover, the pieces for piano and harp can be viewed as a depiction of the nobility of Alex’s spirit. Throughout the horror of the war, the young boy doesn’t lose his humanity. He remains firmly himself, adept at escaping danger and resolute in his stance to oppose the enemy and pray for the return of his father. The danger is expressed in aggressive, suspenseful, and propulsive pieces for full orchestra and a male voice. The staccato strings and relentless percussion add to the tension on the screen and make clear the harrowing circumstances of Alex’s existence in the rubble of Warsaw. That way, “The Island on Bird Street” is a score of two halves: one fittingly captures the brutality of the regime; one expresses the fragility of Alex’s situation. For the album, Zbigniew Preisner assembled shorter cues into more extended suites that reveal new facets of his composition. Their context is now different. It is as if a whole new work has emerged. The 68th CD-release of Caldera Records features a detailed booklet text by Stephan Eicke and elegant artwork by Luis Miguel Rojas. The CD was mastered by Zbigniew Preisner and produced by Stephan Eicke and Zbigniew Preisner. C6068 Music Composed and Produced by Zbigniew PreisnerCD Produced by Stephan EickeExecutive Producers for Caldera Records: John Elborg, Stephan EickeAlbum Art Direction and Design by Luis Miguel Rojas Part I Separation from the Family (6:33) Part II Empty Street (6:55) Part III Escaping the Ultimate Solution (8:30) Part IV Dream (1:53) Part V The Final Stage of the Fight for Life (13:15) Part VI The Island on Bird Street (4:23) For more information and sound clips, please visit our homepage: https://www.caldera-records.com/island-on-bird-street

LLLCD 1685 Music by Jerry Goldsmith Limited Edition of 1000 Units La-La Land Records and MGM proudly present the restored and remastered re-issue of legendary composer Jerry Goldsmith’s original motion picture score to the 1985 big-screen action-adventure KING SOLOMON’S MINES starring Richard Chamberlain and Sharon Stone, and directed by J. Lee Thompson. This limited edition 2-CD set marks the 40th Anniversary of the film and its brilliant score, which has been meticulously restored, re-edited and re-mastered to shine like never before! Bold, rousing and propulsive, Jerry Goldsmith’s original KING SOLOMON’S MINES score is an orchestral wonder in the grand cinematic adventure tradition. Heroics, romance, high-stakes drama and suspense – Goldsmith delivers big on all of it, all the while retaining his unique artistry and flourish. Previous CD releases of this score have presented the music out of pitch – either too fast or too slow. This reissue finally corrects the issue, presenting the music in perfect pitch on disc for the very first time. Produced by Neil S. Bulk and mastered by Mike Matessino, this reissue boasts positively revelatory sound, with Disc One featuring the film’s “Score Presentation,” painstakingly edited to match the takes, where available, selected by Goldsmith and music editor Ken Hall, and Disc Two containing the “Original Soundtrack Album” and “Additional Tracks.” The “Score Presentation” and “Additional Tracks” were sourced from new high-res stereo tape transfers and the “Original Soundtrack Album” was sourced from the original ¼” stereo tapes prepared by Mike-Ross Trevor, also newly transferred in high-res for this release. Limited to 1000 units, this special release includes exclusive liner notes by writer Jeff Bond and cracking art direction by Scott Saslow, featuring a reversible cover with alternate art! TRACK LISTING: DISC 1 66:11 SCORE PRESENTATION 63:39 1. King Solomon's Mines (Main Title) 3:37 2. The Welcoming Committee :54 3. No Sale 3:33 4. The Mummy 1:16 5. Have A Cigar 3:36 6. Good Morning 2:31 7. Under The Train 3:08 8. Dancing Shots 3:35 9. No Pain (Film Version) 3:07 10. Forced Flight (Film Version) 5:22 11. The Chieftain 1:03 12. Pot Luck (Film Version) 3:22 13. Upside Down People (Film Version) 5:04 14. The Crocodiles 3:07 15. The Mines 1:26 16. The Ritual (Extended Version) 6:15 17. Low Bridge 3:32 18. Falling Rocks 1:11 19. Final Confrontation 3:15 20. No Diamonds (End Title) 4:19 SOURCE CUES 2:28 21. Percussion Sweetener :43 22. Ride Of The Valkyries (Excerpt) 1:45 (Composed by Richard Wagner) DISC 2 76:38 ORIGINAL SOUNDTRACK ALBUM 38:56 1. King Solomon's Mines (Main Title) 3:39 2. Upside Down People 4:49 3. The Crocodiles 3:07 4. Pot Luck 3:23 5. Forced Flight 5:20 6. Dancing Shots 3:37 7. Good Morning 2:32 8. No Pain 3:05 9. The Ritual 5:03 10. No Diamonds (End Title) 4:20 ADDITIONAL MUSIC 37:38 11. Ride Of The Valkyries (Excerpt With Insert) 1:59 (Composed by Richard Wagner) 12. No Sale (Alternate Edit) 3:33 13. Have A Cigar (Alternate Edit) 3:38 14. Dancing Shots (Alternate Edit) 3:35 15. No Pain (Without Insert) 3:08 16. Forced Flight (Alternate Edit) 5:20 17. The Crocodiles (Alternate Opening) 3:02 18. The Ritual (Alternate Edit) 6:13 19. Final Confrontation (Alternate Edit) 3:16 20. Theme From "King Solomon's Mines" 3:41 TOTAL ALBUM TIME: 142:49

LLLCD 1681 Music by Elmer Bernstein Limited Edition of 2000 Units La-La Land Records and Tri-Star Pictures present the official, world premiere CD release of renowned composer Elmer Bernstein’s (THE GRIFTERS, HEAVY METAL, THE AGE OF INNOCENCE) original motion picture score to the acclaimed 1995 big screen ‘40s era mystery thriller DEVIL IN A BLUE DRESS starring Denzel Washington and Jennifer Beals, and directed by Carl Franklin. In bringing writer Walter Mosley’s famed 1990 novel to cinematic life, director Carl Franklin called on legendary composer Elmer Bernstein to craft a score to help the lead character Ezekiel “Easy” Rawlins navigate his way through a seductive and dangerous post-WWII ‘40s Los Angeles. Elegant and mysterious, brooding and sensuous, Bernstein’s work is as retro-classic as it is contemporary, blending soulful blues and jazz motifs with traditional dramatic scoring. The result is both subtle and powerful and altogether mesmerizing. The previous original CD soundtrack release was song-centric, containing only three original score tracks. Finally, Elmer Bernstein’s score is unleashed in all its brilliance within this expanded score presentation, marking the film’s 30th Anniversary. Produced by Neil S. Bulk and mastered by Doug Schwartz, this release is limited to 2000 units, features exclusive liner notes by writer Jeff Bond, and is art directed by Dan Goldwasser. TRACK LISTING: SCORE PRESENTATION 39:51 1. Theme From Devil In A Blue Dress 2:31 2. Easy At Home 1:06 3. Coretta 2:38 4. Albright 1:55 5. Easy Leaves Jail :54 6. Dreaming Of Coretta :55 7. Ambassador Hotel / The Letter 2:07 8. Dead McGee / Mouse 1:54 9. To Carter's 1:11 10. Leaving Carter's :46 11. Drive To Dupree's :58 12. Finding The Pictures 1:52 13. Easy Confronts Daphne 2:21 14. Malibu Chase 1:28 15. Drive To Cabin 1:11 16. Cabin Window 2:08 17. Albright Is Killed / Joppy Dead 2:01 18. Daphne And Carter 3:16 19. Taking Daphne Home 2:21 20. The End 2:41 21. End Credits 3:02 ADDITIONAL MUSIC 12:34 22. Easy At Home (Alternate Version) 1:25 23. Coretta (Alternate Excerpt) 1:40 24. Albright (Alternate Version) 1:57 25. Dead McGee (Alternate Version) 1:06 26. To Carter's (Alternate Version) 1:09 27. Easy Confronts Daphne (Alternate Version) 2:21 28. Malibu Chase (Alternate Version) 1:16 29. The End (Alternate Version) 1:28 TOTAL ALBUM TIME 52:31

Am 21.11.2025 wurde die Filmmusik von Brian Tyler zum Film "Now you see me, now you don't" auf allen einschlägigen Streaming-Plattformen veröffentlicht. Informationen dazu, ob eine physikalische Veröffentlichung geplant ist, konnte ich nicht finden. Ich finde ein paar Tracks wirklich gut aber auf die Laufzeit von 73 Minuten trägt das ganze meiner Ansicht nach nicht. Ich kenne jedoch die Score zu den beiden ersten Teilen auch nicht.

Ich war gestern mit meinem Sohn im Kino und habe den Film gesehen und fand den Score im Film aber auch im Stream gut. Da ich noch keinen Beitrag dazu fand, habe ich diesen nun erstellt Stitch Head (Original Motion Picture Soundtrack) Quelle: https://www.air-edel.co.uk/records/stitch-head-original-motion-picture-soundtrack/

This is a PRE-ORDER. Expected to ship the week of January 16, 2026. Medicine Man (1992) was a rainforest adventure, eco-thriller and, in a way, romantic comedy from director John McTiernan. Sean Connery starred as a researcher doggedly pursuing a cure for cancer in the Amazonian rainforest, with Lorraine Bracco the drug company biochemist sent to check on his progress. Their friction grows into a romance as they interact with a native tribe and face off against destructive loggers. Medicine Man found its perfect composer in Jerry Goldsmith, a Hollywood master at adventure and thriller music who was, at heart, enamored with “people pictures.” Medicine Man called on both approaches, and Goldsmith rose to the occasion with a grand, tuneful, dramatic score encompassing large orchestra, sophisticated electronics and tropical instrumentation. It runs the gamut from catchy travelogues, a soaringly romantic love theme, and dark, tragic action music as the rainforest comes under threat. Director McTiernan, working with Goldsmith for the first time, recalls (in a new interview for this release) asking the composer to “try to make it as indigenous sounding as possible.” Editor Michael Miller marveled at Goldsmith’s ability to unify the film’s tone: “Jerry enhanced every emotional beat,” he says, “and glued a lot of stuff together amazingly well. The thing that really excited me were the turns from light and romantic and comedic, to dark and dire—because they were perfect.” Medicine Man was released as a 14-track, 50-minute CD by Varèse Sarabande in 1992. This Deluxe Edition adds 13 minutes of previously unreleased cues plus an alternate mix of the opening “Rae’s Arrival.” The new liner notes are by Tim Greiving, who can neither confirm nor deny that Sean Connery’s ponytail in the film was inspired by Goldsmith’s hair. Features: Deluxe Edition Executive Producer for Varese Sarabande Records: Cary Mansfield Deluxe Edition Co-Produced by: Cary Mansfield & Mike Matessino Deluxe Edition Mastered by Mike Matessino Track List: 1. Rae’s Arrival 2. First Morning 3. Progress Reports * 4. Campbell And the Children 5. Night Clothes * 6. I Lost It * 7. The Trees 8. The Harvest 9. Mocara 10. Mountain High 11. Without A Net 12. Finger Painting 13. What’s Wrong 14. Unforgiven * 15. The Injection 16. Something’s Up / She’s in Love * 17. The Sugar 18. The Fire 19. Devastation / New Equipment * 20. A Meal and A Bath 21. Rae’s Arrival, (alternate mix )** *Previously unreleased ** Contains previously unreleased material

This is a PRE-ORDER. Expected to ship the week of January 16, 2026. Varèse Sarabande presents the Deluxe Edition of Brian Tyler’s score to Timeline (2003). Directed by Richard Donner (The Omen, Superman: The Movie, Lethal Weapon), the film was the last in a hugely successful run of high-concept, big-budget productions based on books by Michael Crichton (Jurassic Park, Congo, Sphere). Timeline follows a group of present-day archaeologists and students who travel to the 14th century in search of their team leader, who previously visited via a corporation’s “wormhole” time machine. When the group becomes trapped in the past, they must survive a brutal conflict between England and France to find a way home. Most of the cast were little known at the time, but Paul Walker, Gerard Butler, David Thewlis and Michael Sheen went on to considerable fame. Timeline was originally scored by Jerry Goldsmith, but ongoing reedits to the project, and the composer’s failing health, forced him to bow out. Brian Tyler was recruited to write the score for the final release version, which he considered “a tribute to one of my favorite composers and a director I had long admired.” Tyler’s score is action-packed and pulses with suspenseful rhythms and large symphonic flourishes—capturing the romantic sweep of the characters’ adventure, with a tense and modern sheen. The tender and gentle theme for Paul Walker and Anna Friel’s characters’ love story (“Lady Claire”) offers moments of hope and tranquility amidst the drama and suspense. Varèse Sarabande’s 2003 release of Timeline presented 26 tracks and 46 minutes. This Deluxe Edition features 37 tracks and over 79 minutes, chronicled by new liner notes by Jeff Bond. Features: Produced by: Brian Tyler Deluxe Edition Executive Producer for Varese Sarabande Records: Cary Mansfield Mixed by: Greg Hayes Deluxe Edition Mastered by Chas Ferry and Melinda Hurley Track List: 1. Opening 2. Descent 3. Bifocal Discovery 4. Mysterioso 5. Star Charts 6. Entering the Wormhole 7. 1357 France 8. Distraction 9. Marek’s Transition 10. Chase On 11. We Have to Try 12. Open Lane 13. Lord Oliver 14. Professor Found 15. Bail Out 16. Rooftop Escape 17. Battle Axe 18. False Marker 19. Lady Claire/De Kere Attacks (Suite) 20. Interruptus 21. River Crossing 22. A Lady's Kiss/Fire Arrangements (Suite) 23. Castleguard Burns/Red Attack (Suite) 24. Battalion 25. Battlefield Revealed 26. It Was Me 27. Galvanize the Troops 28. Night Arrows 29. Troops in the Fog 30. Fix It David 31. History Will Change 32. Storming the Castle 33. The Battle of La Roque 34. The Return Home 35. Eternal 36. Main Titles 37. End Credits

Brigham Young University Film Music Archive Production. All proceeds from this limited edition compact disc go towards the acquisition, preservation of film music elements and public future releases. Produced by David O. Selznick in 1937, A STAR IS BORN is the story, remade many times, of a young girl with dreams of fame who falls in love with a star whose talent and popularity are on the wane. Max Steiner’s score beautifully accompanies the on-screen romance and heartbreak of this classic Technicolor drama. But the story of the score is a drama in itself and this CD, taken from the composer’s personal acetates which are preserved in the Max Steiner Collection at Brigham Young University, presents, in comprehensive fashion, multiple versions of cues that were written and re-written for the film. In large part, the discs were in excellent condition, while a few had obviously been played numerous times over the years. The package includes a 40 page book with an introduction by Steiner biographer Steven C. Smith and notes by Ray Faiola, who also restored the score and produced the CD master. Package design by Jim Titus. Produced with the cooperation of Warner Bros. Entertainment. 01. Main Title 1:46 02. Advice from Granny (replaced) 3:47 03. Advice from Granny (film version) 3:44 04. Farewell at Depot (replaced) 1:13 05. Arrival at Hollywood 1:55 06. Job Search (replaced) 2:04 07. Job Search (film version) 2:05 08. A Drink With Danny 1:12 09. Finally a Job 2:08 10. Impressionable Waitress (unused) 1:59 11. Contemplations Waltz (unused) 1:27 12. Good For Amusement Only (unused) 6:24 13. Driving Esther Home (partially unused) 2:41 14. The Enchanted Hour Preview 1:32 15. Trocadero Terrace 2:23 16. Boxing Arena Exit Music 1:01 17. Honeymoon Trailer 0:44 18. Gossip Column / The Maine Mansion 1:48 19. A Star is Born / Box Office Poison 2:22 20. Home From the Studio (replaced) 0:57 21. Home From the Studio (film version) 0:57 22. Dressing Table (replaced) 2:48 23. Dressing Table (film version) 2:22 24. Sign Here Mr. Lester (replaced) 1:33 25. Sign Here Mr. Lester (film version) 1:33 26. Academy Award Foxtrot (replaced) 1:14 27. Academy Award Foxtrot (film version) 1:13 28. Oliver Offers to Help (replaced) 1:28 29. Bailed Out / Vicki’s Sacrifice 2:34 30. Norman Commits Suicide 4:03 31. Funeral Mob 1:34 32. Mrs. Norman Maine / Finale 1:03 33. Trailer Score Part Two 1:44

Kommt am 21. Oktober.

LLLCD1680 Music by John Morris Limited Edition of 1000 Units Back by popular demand and in celebration of CLUE: THE MOVIE’s 40th Anniversary! La-La Land Records and Paramount Pictures present a limited edition re-issue of renowned composer John Morris’ (YOUNG FRANKENSTEIN, BLAZING SADDLES, SPACEBALLS, THE ELEPHANT MAN) original orchestral score to the beloved 1985 Paramount Pictures comedy CLUE: THE MOVIE, based on the famous board game and starring Tim Curry, Madeline Kahn, Christopher Lloyd, Eileen Brennan, Martin Mull and Michael McKean and written and directed by Jonathan Lynn. Having gathered a notable, devoted cult following since its initial theatrical release, CLUE: THE MOVIE sports a wonderful score by composer John Morris – one that deftly weaves wit, slapstick, mystery and suspense with a masterful touch. Previously out of print, our acclaimed CD score release of CLUE: THE MOVIE has been re-issued for anyone who may have missed out on all the murderous fun – limited to 1000 units. Produced by Dan Goldwasser and mastered from ½ inch, 3-track Paramount vault elements by Mike Matessino, this special limited edition re-issue features new art design by Goldwasser, along with a new note from director Jonathan Lynn. The liner notes are by film music writer Daniel Schweiger. The audio presentation is the same as our initial CD release. TRACK LISTING: 1. Main Title / Trees to Dogs 3:10 2. Mrs. White 0:44 3. Miss Scarlet* / Car In Progress 1:48 4. May I Present Mr. Boddy 1:48 5. I Suggest We All Leave / Fight, You Bastard / Hallway Screaming Next Door 1:15 6. Bag In Hall 2:44 7. The Cook Chase / Boddy’s Fall / We’ll Throw It Away** 0:51 8. Stranger At Front Door / Match Cutting* / People In Hall** 2:37 9. Mrs. Peacock And Plum / Death Bridge / Bridge, White & Wadsworth / Billiard Cue Grab / Go Together 1:53 10. I’ll Search The Kitchen / Desk, Fire, Weapons / Let’s Try The Conservatory / I’ve Had A Good Life 2:02 11. Door Pounding to Chandelier Fall 1:31 12. Gun, Cupboard, Doorbell / Cop Panics 1:12 13. Yvette Upstairs to Bell 1:31 14. Step by Step 2:08 15. Remember What Happened Next / Don’t You See? Look! 1:57 16. I’ll Get To That / Beatnik 1:13 17. Ending A: Your Fatal Mistake / I Shot Her / Cavalry** 2:32 18. Ending B: Yvette to We All Ran to Her / To Check That Mr. Boddy Was Dead / Who, Who, Who / Cavalry 1:34 19. Ending A Top to You Were / Peacock At Door 1:06 20. End Title* 3:02 BONUS CUES 21. Main Title (Alternate 1) 1:30 22. Miss Scarlet / Car in Progress (Alternate) 1:46 23. Main Title (Alternate 2) 1:31 24. Peacock at Door (Alternate) 0:31 25. Main Title (Alternate 3) 1:42 26. End Title (Shorter Version) 1:39 27. Main Title (Alternate 4) 1:48 TOTAL ALBUM TIME 47:58 *not used in film ** contains material not used in film This is a CD format release

LLLCD 1678 Music by Maurice Jarre Limited Edition of 1000 Units La-La Land Records and StudioCanal proudly present a 35th Anniversary reissue of Oscar®-winning composer Maurice Jarre’s (LAWRENCE OF ARABIA, WITNESS, TOP SECRET!) original motion picture score to the 1990 psychological thriller JACOB’S LADDER, starring Tim Robbins and Danny Aiello, and directed by Adrian Lyne. A reality and genre bender of a film with serious cult status, JACOB’S LADDER is a wild, thrilling and thoughtful trip that charts Tim Robbins’s Vietnam veteran title character on a perilous and unpredictable journey through his war-torn past and grief-stricken present. Composer Maurice Jarre tackles the challenge of scoring this unique film with inventive vigor, creating a fully immersive sonic experience that expertly melds electronics and orchestra in fascinating fashion. Haunting and enthralling, this is a notable work by a legendary artist. Produced by Neil S. Bulk and mastered by Doug Schwartz, this special limited edition 2-CD reissue features the original 1990 soundtrack album on Disc One, with the Score Presentation showcased on Disc Two. Limited to 1000 units, this release features new liner notes by writer Jeff Bond and new art design by Dan Goldwasser. TRACK LISTING: DISC 1 ORIGINAL SOUNDTRACK ALBUM 1. Jacob’s Ladder 4:18 2. High Fever 7:43 3. Descent To Inferno 8:20 4. Sarah 7:18 5. The Ladder 7:15 6. Sonny Boy (perf. Al Jolson) 3:06 TOTAL DISC 1 TIME 38:00 DISC 2 SCORE PRESENTATION 1. Copter’s In 1:20 2. Convulsions / Stomach Ache 2:14 3. Train Trauma 1:41 4. Baby Pictures 0:59 5. Burning Pictures 1:29 6. Who Are You? / No File / Doctor’s Dead 1:47 7. Not Human 0:40 8. Ice Cold 2:16 9. Fever’s Gone 2:47 10. Am I Dead? 2:07 11. I See ’Em Too / Car Attack 3:10 12. Funeral 0:57 13. Spilled Beer / Surveillance 1:10 14. We’ve Been Watching You 1:05 15. What X-Ray? 1:59 16. You Okay? 2:03 17. Walk Again 1:13 18. Memorabilia 2:24 19. The Mirror 1:09 20. Aggressive Tendencies 2:05 21. Antidote 0:59 22. Pleasant Dreams 2:24 23. Demons 0:56 24. Demons Are Gone 1:19 25. Floor Play 1:31 26. Transformation 1:46 27. Happy Memories 1:51 28. Gabe Leads The Way 2:17 29. Sonny Boy (End Credits) 2:08 TOTAL DISC 2 TIME 49:48 TOTAL ALBUM TIME 87:48 This is a CD format release.

Na da war ja Alan mal wieder inspiriert! Sehr schöner Action/Suspense Score zu Shane Blacks neuester Actioncomedy (hoffentlich hat er sich von dem PREDATOR Disaster erholt und wieder Gutes abgeliefert)... voller Elan, flottem Thema, Jazz, Beats, grosses Orchester... auf den ersten Eindruck das Unterhaltsamste, was er lange geschrieben hat!

Wurde für 7. Oktober (USA) angekündigt:

Das erste Mal, dass ich bei einer Alhambra Records Ankündigung in den Betreff nicht den Namen des Komponisten platziert habe - dafür sind es diesmal zu viele, was dieses Release zu einer besonderen Dokumentation von TV-Arbeiten aus den letzten 10 Jahren (2015 - 2025) macht. Ursprünglich war die Ankündigung für Oktober geplant, aber die Doppel-CD liegt bereits vor mir, warum also warten. Harter Brocken: Die Original-Musik aus Folge 1 – 9 Im Laufe der Jahre hat sich die Harter-Bocken-Reihe der ARD seine Fangemeinde erarbeitet. Im Mittelpunkt der Handlung stehen der Dorfpolizist Frank Koops, die Ermittlerin der Nachbargemeinde Mette Vogt sowie der Briefträger Heiner Kelzenberg, die es in der Kleinstadt Sankt Andreasberg im Harz nahe des Brocken mit nationalen und internationalen Verbrechern zu tun bekommen. Dabei gelingt es den Filmen eine besondere Atmosphäre zwischen Provinzkrimi und Western zu schaffen, welche zum einen auf die Hauptdarsteller um Aljoscha Stadelmann, aber auch auf die Musik zurückzuführen ist. Sowohl Ali N. Askin, Stefan Döring, Stephan Massimo und Johannes Kobilke schrieben jeweils einen Score der Reihe – Tobias Wagner war an insgesamt fünf Folgen beteiligt. Vier davon entstanden in Zusammenarbeit mit Justin Michael LaVallee, Steven Schwalbe und Marius Borjans, bei jeweils unterschiedlicher Beteiligung der einzelnen Komponisten – für „Die Erpressung“ erfolgte zudem die die erstmalige Kooperation beim Harten Bocken gemeinsam mit Arne Schumann und Josef Bach (kurz: Schumann&Bach). Wir sind sehr froh, diese Scores nun auf Tonträger präsentieren zu können. Insgesamt erklingt auf dem Album die Original-Musik aus den ersten neun Folgen der Reihe, also Folge 1 (ohne Untertitel, 2015) „Die Kronzeugin“ (2017), „Der Bankraub“ (2017), „Der Geheimcode“ (2019), „Die Fälscherin“ (2019), „Der Waffendeal“ (2021), „Das Überlebenstraining“ (2022), „Der Goldrausch“ (2023) und „Die Erpressung“ (2025). Das „Kauzige“ der Filme bewahren sich die Scores durch ihre eigenwillige Ausgestaltung zwischen Spielmannszügen-Klängen, unheilvoller bis mitreißender Suspense-Musik, einem Mafia-Thema sowie „tarentinohaften“ Instrumentalstücken. Jeder der Scores besticht durch die originellen Ideen seines bzw. seiner Komponisten und macht diesen damit zu etwas ganz Besonderem. Benannte Komponisten waren auch die Basis zur Aufteilung der Musik in 6 „Blocks“ mit mehreren Tracks, davon drei je CD. Das Album umfasst insgesamt ca. 150 Minuten an Musik, das CD-Booklet enthält neben zahlreichen Abbildungen auch eine kurze Vorstellung der Komponisten. Wir wünschen viel Freude beim Hören. Übersicht Track-Listing CD1 Track 01 – 14. Harter Brocken – Musik komponiert von Ali N. Askin 19:40 Track 15 – 27. Die Erpressung – Musik komponiert von Stefan Döring 28:00 Track 28 – 39. Die Fälscherin – Musik komponiert von Stephan Massimo 25:40 CD2 Track 01 – 06. Der Bankraub – Musik komponiert von Johannes Kobilke 22:40 Track 07 – 18. Der Geheimcode / Der Waffendeal / Das Überlebenstraining / Der Goldrausch 30:30 Musik komponiert von Tobias Wagner & Teams (u.a. Steven Schwalbe, Marius Borjans, Justin M. LaVallee) Track 19 – 27. Die Erpressung – Musik komponiert von Schumann & Bach mit Tobias Wagner 24:10 https://alhambra-records.de/portfolio/harter-brocken-die-original-musik-aus-folge-1-9/ Hörprobe:

THE DEVIL AND BERNARD HERRMANN includes suites from THE DEVIL AND DANIEL WEBSTER, OBSESSION and the composer’s own WELLES RAISES KANE, a suite from CITIZEN KANE and THE MAGNIFICENT AMBERSONS, featuring the composer conducting the London Philharmonic Orchestra and the National Philharmonic Orchestra in recordings from 1967 and 1975. Bernard Herrmann is one of the greatest composers of motion picture music in the twentieth century. He is considered the man behind some of the most original and distinctive film scores. He was a master at evoking psychological and dramatic tension in his music to suit the dramatic needs of a film. He won his only Oscar in 1947 for writing the score for THE DEVIL AND DANIEL WEBSTER. Herrmann made a powerful mark in radio and in 1934 he began a 25-year career as a conductor and composer in radio, working for the CBS. In 1938, he scored the notorious infamous presentation of Orson Welles’ Halloween production of H. G. Wells’ THE WAR OF THE WORLDS broadcast. He is best remembered for his collaborations with some of Hollywood’s most celebrated film directors like Alfred Hitchcock, Orson Welles, Martin Scorsese and Brian DePalma. Described as a perfectionist, he believed that most directors didn't have a clue about music so he would blithely ignore their instructions. His filmography includes CITIZEN KANE, THE MAGNIFICENT AMBERSONS, NORTH BY NORTHWEST, VERTIGO, MYSTERIOUS ISLAND, CAPE FEAR, FAHRENHEIT 451, OBSESSION, TAXI DRIVER and many hours of episodic television including THE TWILIGHT ZONE and HAVE GUN, WILL TRAVEL, among others. These historic recordings were originally released on vinyl in the 1970’s and later on compact disc in the 1990’s. Citadel Records, a division of BSX Records, is proud to bring these recordings back into the marketplace, under license from Unicorn Records Limited with the music newly remastered by James Nelson at Digital Outland and retaining the original liner notes written by Christopher Palmer including the participation of the composer. THE DEVIL AND DANIEL WEBSTER 01. Mr. Scratch (5:18) 02. The Ballad of Springfield Mountain (4:38) 03. The Sleigh-Ride (2:02) 04. The Miser's Waltz (5:26) 05. Finale / Swing Your Partners (2:48) WELLES RAISES KANE 06. Overture (2:36) 07. Theme and Variations (5:10) 08. Ragtime / The Saturday Night Band Concert (1:44) 09. Meditation / Antimacassar (2:42) 10. Finale / Pursuit and Happiness (2:37) OBSESSION* 11. Main Title / Valse Lente / Kidnap (6:02) 12. Newsboy / The Tape / The Ferry (4:58) 13. The Tomb / Sandra (8:06) 14. The Church / Court's Confession / Bryn Mawr (9:26) 15. New Orleans / Wedding / Court, The Morning After (4:33) 16. The Plane / Court and La Salle's Struggle / Airport (6:00) Total Time: 74:05

Nicht bei uns, sondern von Solo Musica. MOVIE THEMES MADE IN GERMANY WDR Funkhausorchester + Frank Strobel Zusammenstellung: 01 - 06. verschiedene Themen (s.u.) 07 - 10. Die Flucht - Orchestersuite 11 - 13. Evolution. Konzert für Klavier und Orchster 14. Das Wunder des Mauerfalls zu Track 1 - 6 01. Jenseits der Sehnsucht 02. Caterina von Siena, die Mystikerin 03. Mondsee 04. Die andere Frau 05. Leise Schatten 06. Movie Themes made in Germany