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Ich habe heute Morgen wieder einmal die neuen Scores auf Spotify gecheckt. Hier doch hängen geblieben. Ich hatte nur Sounddesign erwartet und wurde mit einem großen symphonischen old-school Score überrascht. Dass es so etwas noch gibt. Für 'nen Zehner gleich gekooft. https://www.qobuz.com/de-de/album/supercell-original-motion-picture-soundtrack-corey-wallace/xblq5t00zo6ia

https://store.intrada.com/s.nl/it.A/id.12664/.f?sc=13&category=22848 Intrada Special Collection Volume ISC 487 Premier 2-CD expanded release of spectacular symphonic score by James Newton Howard! Lavish, sincere yet still magical filming of timeless books & stageplay by James M. Barrie gets 2003 release. Columbia Pictures & Universal Pictures with Revolution Studios presents, Jason Isaacs, Jeremy Sumpter, Richard Briers, Olivia Williams, Lynn Redgrave head cast, Ludivine Sagnier plays Tink, P.J. Hogan directs & scripts with Michael Goldenberg, Industrial Light & Magic creates the visual wonders. James Newton Howard scores for large orchestra plus chorus, fashions music that melds soaring flight music, mystical Tinkerbell moments with powerhouse action sequences - many of them omitted from previous highlights album issued at time of film’s release. Beloved characters include Peter Pan, Wendy, the fairy Tinkerbell and, of course, the villainous Captain Hook, who lost his hand to a crocodile. Howard offers truly wall-to-wall scoring that presents richly thematic material that evolves, changes throughout with stunning array of ideas both large and small. Contrast of material is stunning! Opening celeste, xylophone, strings are joined by female chorus to establish perfect tone to launch with quotes of darker Hook material soon making appearance, followed by twittering flute for Tink, triplet figure suggesting gentle love story to unfold ahead and heard more fully during “Is That A Kiss?”. Back-to-back “Learning To Fly” and “Flying” are early, rousing set-pieces, with “Flying” rising to especially grand peroration for full orchestra with chorus. “Fetch Long Tom” ushers in excitement, “Castle Swordfight” furthers action with lively rhythms, rousing statement of main theme in fanfare-treatment, climaxing in deadly serious, aggressive moment for crocodile encounter, a previously unreleased highlight. Lilting waltz-like idea alternating between major and minor builds in deliberate fashion, becomes emotionally rich “Fairy Dance”. Highlights abound in Howard’s massive, lengthy opus: “Please Don’t Die” offers powerful chords in orchestra and chorus, building to dramatic finish, dynamic low brass rhythmic procession as “Wendy Walks The Plank”. Latter portion of score is packed with energy: “Into The Rigging” opens with powerful 4/4 action motif then later erupts in chopping motif for brass, “He’s Mine” launches with riveting horn motif then becomes an action highlight for entire orchestra replete with brass fanfares, glissandi trombones, everything but the kitchen sink. When all is said and done, Howard bids farewell to Think in moving quote, then brings Peter’s soaring theme to the fore for climax of “Peter Returns” and finally melts with quiet, beautiful major-key finish. Unusually long “End Title/End Credits” sequence in film incredibly is all Howard, with over ten minutes of material both drawn from score and recorded specifically for closing suite, a magnificent wrap-up. Entire 112-minute score presented direct from digital two-track stereo session mixes made by Shawn Murphy in October & November 2003, colorful flipper-style package from Kay Marshall, detailed notes from Frank DeWald include new comments for this release by the composer. Intrada Special Collection 2-CD release available while quantities and interest remain! CD 1 01. Main Title (2:09) 02. Michael Takes A Bath (0:32) 03. Is That A Kiss? (1:40) 04. Peter’s Shadow (1:23) 05. A Note From The Teacher (2:49) 06. Tinkerbell (4:45) 07. Wendy Meets Peter (5:14) 08. Learning To Fly (3:10) 09. Flying (3:30) 10. The Parrot (0:46) 11. Captain Hook (1:39) 12. Spying On The Jolly Roger (1:30) 13. “Fetch Long Tom” (1:29) 14. Lost Boys Shoot Wendy (1:30) 15. Wendy Lives (2:04) 16. Build A House Around Her (1:24) 17. Come Meet Father (2:31) 18. Capturing Michael & John (1:58) 19. Mermaids (1:40) 20. Children On The Rock (1:44) 21. Set Them Free (3:06) 22. Castle Swordfight (3:50) 23. Fairy Dance (5:31) 24. Peter Visits Darlings (1:38) 25. Wendy Meets Hook (4:15) 26. “If You Wish It” (2:47) 27. Boys Want To Go Home (1:12) 28. Parrot Frees Tink (1:05) 29. Hook Captures Boys (1:57) 30. Poison (1:41) 31. Please Don’t Die (1:52) 32. I Do Believe In Fairies (2:45) CD 1 Total Time: 76:03 CD 2 01. Wendy Walks The Plank (4:12) 02. “Into The Rigging” (2:09) 03. “He’s Mine” (4:40) 04. Peter Falls To The Deck (1:48) 05. The Hidden Kiss (1:20) 06. Old, Alone, Done For (1:20) 07. Hook Is Dead/Flying Jolly Roger (4:51) 08. Adopting Lost Boys/Peter Returns (4:05) 09. End Title/End Credits (Extended Suite) (10:57) CD 2 Total Time: 36:19

THE FACULTY Composed and Conducted by MARCO BELTRAMI INTRADA ISC 485 For the 1998 Miramax horror film The Faculty, composer Marco Beltrami pulled out all the stops to deliver a scary, exciting and sometimes reflective score. The score features orchestral chaos and cacophony, strange whisperings and explosive action, as well as some moments of beauty. Hypnotic, Bernard Herrmann-like suspense cues appear, as well as a melancholy, a reflective theme for the bullied main character. At the core is a defiant students-strike-back theme, first brought in somewhat romantically, then later fully unfurled in larger form. A laid-back but determined anthem growls on electric guitar, then more gently on acoustic, over a slow-jam rock groove which pulses all through the score. Beltrami only had a few moments in between all of the mayhem to break out this theme, which reprises with heroic relief in the climactic action sequence, so he extended and developed it as a stunning concert piece for the end credits. For this release, Buck Sanders and Scott Williams pulled together the program from the original session masters recorded at Skywalker Sound in crisp, detailed sound quality. The 2-CD set features the 88-minute score plus a couple of extras. Check out the soundtrack trailer here: https://www.youtube.com/watch?v=MiwF55I3exU&t=1s In the film, the angsty teens of Herrington High are mean, brooding monsters and preyed-upon victims, roaming the halls every day spitting on, cursing, and being generally horrible to each other. So they were arguably asking for it when a mysterious extraterrestrial virus infected the faculty lounge and began to spread violently throughout the school, turning adults and classmates alike into ghoulishly grinning hosts that mask giant squid creatures. It’s a loud enough wake-up call for a small crew of misfit students to set aside their mutual loathing and band together to fight back—thus enacting a common high school wish fulfillment—killing those pesky teachers. CD 1 01. The Shadow (0:31) 02. Forget The Keys (1:20) 03. Offensive Coach (3:48) 04. Exchanging Glances (2:52) 05. Marybeth’s Fishing (0:30) 06. Casey (0:45) 07. Coach And Casey (2:05) 08. Teacher’s Eye (0:34) 09. She’s A Breeder (0:54) 10. Worm Takes A Dip (2:49) 11. Stan Quits (0:46) 12. Spring Shower (1:01) 13. Hot For Teacher (1:34) 14. Lounge Lizards (4:44) 15. Tattletale (1:57) 16. Parental Guidance (3:12) 17. Roof Surfing (1:07) 18. Casey Enters School (1:44) 19. Heavy Drinkers (0:44) 20. Ear Exam (4:45) 21. Library Talk (1:53) 22. Convincing Stan (0:43) 23. Pop. Pop. Fizz. Fizz (2:07) 24. Too Cool For School (2:38) CD 1 Total Time: 45:59 CD 2 01. Zeke’s Lab (5:53) 02. Just Say No (5:43) 03. Spectator Sport (1:05) 04. Drake’s A Fake (1:49) 05. Death Pose (0:41) 06. Drake And Bake (0:43) 07. Stan Has A Fan (1:34) 08. Stanning Tall (2:45) 09. Zeke And The Geek (2:31) 10. Ridden Hard (2:21) 11. Prep Talk (1:30) 12. Love Me Tender (1:55) 13. Marybeth’s Best (0:43) 14. Modest Mary (3:10) 15. Drugs Kill (4:18) 16. The Kids Are Alright (2:15) 17. Extra Credit (2:59) Total Score Time: 88:33 THE EXTRAS 18. Casey (Alternate Version) (0:46) 19. Too Cool For School (Demo Version) (2:31) Total Extras Time: 3:19 CD 2 Total Time: 46:00 https://store.intrada.com/s.nl/it.A/id.12771/.f

Der Film Music Reporter berichtet schon darüber, in ein paar Stunden kommt dann wohl die Ankündigung von Varèse. Here’s the track list of the album: 1. Opening Titles (Professor Alexander Hartdegen) (3:26) 2. Wish Me Luck (1:22) 3. Marry Me (1:11) 4. Emma Dies (1:31) 5. In a Week… (3:13) 6. Bleecker Street (2:28) 7. Emma Dies #2 (0:57) 8. I Don’t Belong Here (3:58) 9. In the Year 2030 (1:03) 10. Time Travel / Asteroid (4:37) 11. Where Am I? (2:12) 12. Are They Friendly? / Good Night (4:13) 13. The Stones and the River (4:56) 14. Morlocks Attack (7:06) 15. Where the Ghosts Are (1:44) 16. Descending Into Morlocks’ World (6:29) 17. The Master (5:45) 18. Time Machine Fight (4:06) 19. Alex Reconsiders (1:30) 20. The Escape (3:25) 21. Godspeed (5:21) 22. Moonsign (1:09) 23. Good Night: Suite (4:06)

Ab dem 22. Februar erhältlich:

Gustavo Santaolallas Serien Soundtrack zu "The Last of Us" wird demnächst von Sony Music veröffentlicht.

Music by Harry Manfredini RETAIL PRICE: $16.98 La-La Land Records presents an all-new restored, remixed, remastered and expanded “ULTIMATE” stereo presentation of renowned composer Harry Manfredini’s original motion picture score to the 1981 feature film FRIDAY THE 13TH PART 2, starring Amy Steel and directed by Steve Miner. In 2021, the discovery of original FRIDAY score elements culminated in La-La Land’s “Ultimate” restoration of the first film’s music. Now the label follows that acclaimed release with FRIDAY THE 13th PART 2: THE ULTIMATE CUT, the newly restored, remixed and expanded presentation of composer Harry Manfredini’s (F13 PARTS 1,2,3,4,5,6, 9, 10, HOUSE, DEEPSTAR SIX), iconic score to the famed horror franchise’s first sequel. Engineer Jerry Lambert, under supervision of Manfredini, has again restored and remixed the music with results nothing short of astounding! The score is richer, bolder and as unstoppable as Jason himself! Included in this deluxe assembly is music NEVER-before-heard-or-released! Produced by Dan Goldwasser and Brian Satterwhite, mixed by Jerry Lambert, and mastered by James Nelson, this special CD release features exclusive liner notes by Satterwhite that provide a detailed track-by-track breakdown along with an in-depth examination of the release’s restoration and remix process. The art direction is by Goldwasser and the original cover art is by Scott Saslow. A must-have for all FRIDAY fans and film score enthusiasts! TRACK LISTING: 1. The Dream 5:36 2. Alice Hangs Up 1:58 3. Keep a Cool Head / Main Title** 2:35 4. Prowler in the Woods** 0:49 5. Ginny Gets Followed*† 0:38 6. Ralph Gets Cursed** 1:44 7. Looking for Muffin**† 1:01 8. Jeff and Sandy Sneak Off to Camp Blood 0:55 9. The Chase / The Sheriff Visits Villa Jason**† 2:08 10. Terry in the Lake / Scott’s Out / Terry Finds Scott 2:46 11. Vickie Gets Ready / Mark Meets Jason**† 2:12 12. Jeff and Sandy Get a Visit from Guess Who?** 1:16 13. Vickie Visits Jeff, Sandy, and You Know Who** 1:35 14. Paul and Ginny Meet Jason 3:49 15. Ragtop, Running Ragged / Ginny Under Bed** 3:38 16. Chairman of the Boards** 0:52 17. Ginny Pays a Visit to Chez Jason 5:33 18. Who’s at the Door? / Jason Pops In **† 2:01 19. Return to Chez Jason 0:37 BONUS TRACKS 20. The Dream Bed (Complete)* 1:06 21. Ralph Gets Cursed (w/o Flanger)* 1:11 22. Rock + Roll Source #1 (Mono)** 3:36 23. Rock + Roll Source #2 (Mono)* 4:21 24. Rock + Roll Source #3 (Mono)* 4:38 25. Harmonica Source**† 2:11 26. Random Dissolves* 1:02 27. Random Dissolves (no Brass, Mono)* 1:22 28. Title Buttons (Mono)* 0:24 TOTAL ALBUM TIME: 62:30 * previously unreleased ** contains previously unreleased material † not used in film This is a CD format release

LLLCD 1614 Music by John Barry Limited Edition of 3000 Units RETAIL PRICE: $21.98 La-La Land Records, StudioCanal and Sony Classical celebrate the 30th Anniversary of the 1992 big-screen biographical drama CHAPLIN with a newly remastered, deluxe presentation of the film’s original motion picture score by legendary composer John Barry. Barry’s notable and elegant orchestral score, considered one of late composer’s last great works for the cinema, is an integral part of this creative and thoughtful chronicling of the career of the great Charlie Chaplin starring Robert Downey, Jr. and directed by Richard Attenborough. Romantic, dramatic, comedic and more, Barry’s diverse and thematically rich original score, recorded at Abbey Road with the English Chamber Orchestra, also interpolates a number of Chaplin’s own music compositions such as “Smile” and his scores to CITY LIGHTS and LIMELIGHT. Produced by Neil S. Bulk and mastered by Doug Schwartz, this special limited edition CD presentation is expanded with previously unreleased material and includes exclusive liner notes by journalist/author Jon Burlingame. This release is limited to 3000 units and features art design by Scott Saslow. TRACK LISTING: 1. Chaplin-Main Theme 3:08 2. Hannah’s Hope† / Workhouse Chase / Mudflats 3:00 3. To The Asylum :57 4. Charlie On Riverbank 1:10 5. Charlie Proposes 3:01 6. Charlie Goes To The U.S. 2:57 7. In The Cutting Room 2:15 8. Discovering The Tramp / The Wedding Chase 4:03 9. Funny With A Hose / This Is My Work 1:26 10. News Of Hetty 1:01 11. Chaplin’s Studio Opening 1:58 12. The Roll Dance 2:34 13. To Salt Lake City 1:07 14. Salt Lake City Episode* 2:11 15. Tea For Four† 1:14 16. Hetty’s Dead / Smile** 2:43 17. Remembering Hetty 2:58 18. I Had No Home :31 19. From London To L.A. 3:21 20. The Hungry People / Smile** 1:50 21. Farewell Sweet Prince** 1:25 22. Joan Out Of Control :58 23. Joan Barry Trouble / Oona Arrives 2:15 24. Premiere Fanfare :43 25. It’s All Over / Guilty 1:20 26. Theme From “Limelight”* :48 27. They’ve Thrown You Out 1:14 28. Madness, Charlie? 1:00 29. Smile** 2:05 30. The Roll Dance 1:48 31. Chaplin-Main Theme / Smile* 4:47 32. Smile** 3:37 TOTAL SCORE TIME 66:25 ORIGINAL ALBUM SUITES 33. Early Days In London† 4:18 34. To California / The Cutting Room 3:44 35. News Of Hetty’s Death / Smile** 3:43 TOTAL SUITES TIME 11:48 TOTAL ALBUM TIME 78:13 *Composed by Charles Chaplin **Contains “Smile” composed by Charles Chaplin † Contains “The Honeysuckle and the Bee” by William Penn and Albert H. Fitz This is a CD format release.

Faltermeyers Filmmusik erscheint nun auch als separate Score-Veröffentlichung. Es gibt bereits ein Song-Album, einige Songs wurden auch von Faltermeyer komponiert, auf dem auch Score-Tracks von ihm enthalten sind. Das alte Song-Album ist hier auf Disc 2 mit dabei. Der Titeltrack wurde von Giorgio Moroder komponiert. Quartet Records, Geffen Records and Paramount Pictures present the premiere release of the complete score by Harold Faltermeyer (BEVERLY HILLS COP, TOP GUN, FLETCH, TANGO AND CASH) for Douglas Day Stewart’s 1984 sexual, romantic drama-thriller THIEF OF HEARTS, starring Steven Bauer, Barbara Williams and John Getz. The film is about a woman trapped in a boring marriage who begins an affair with a handsome man who seems able to read her mind. She doesn’t know that he has broken into her house and read her diaries, in which she has recorded her deepest thoughts and fantasies. Harold Faltermeyer provided an intense, romantic and suspenseful electronic score, varied and rhythmic. The composer also wrote and produced several pop songs for the film, and arranged the original song “Thief of Hearts,” composed by Giorgio Moroder and performed by Melissa Manchester, which was a huge hit in its single version. The popular THIEF OF HEARTS soundtrack album was released by MCA on LP and CD and reissued several times over the years, although in its 40-minute length it included only the five songs and five score cues specifically arranged for the album. This limited 2-CD edition from Quartet Records includes, for the first time, the complete score composed and recorded by Faltermeyer for the film, and also the remastered MCA album, unused cues, demos, and alternate versions of both score and songs. A treat for all fans of 80s synth sound! Meticulously produced by Dan Goldwasser and mastered by Doug Schwartz, the 20-page full color package includes in-depth liner notes by film music writer Daniel Schweiger. DISC 1. SCORE PRESENTATION 1. Stolen Secrets (film version)* (5:22) 2. Robbery Discovered / You’re a Bad Girl* (1:42) 3. Second Journal – Food (1:21) 4. Watching You (1:14) 5. The Bath (2:07) 6. First Meeting – Eyes (unused) (1:04) 7. First Meeting – Fingers / I’ll Get That (0:49) 8. Second Robbery (1:06) 9. Marina / Oil (2:10) 10. Gun (0:49) 11. Seductions (3:05) 12. Third Robbery / What Am I Doing Here? (4:01) 13. Second Sailing (1:09) 14. Ray Chases Scott (2:03) 15. Rooftops / Motorcycle (4:19) 16. Office Fight* (2:49) 17. He’s Gone / Final Confrontation (6:35) Bonus Tracks 18. The Bath (early version) (2:17) 19. What Am I Doing Here? (extended early version) (3:33) 20. Ray Chases Scott (early version) (2:06) 21. Romantic Theme I (demo) (3:06) 22. Romantic Theme II (early demo) (3:04) 23. Chase (demo) (2:49) 24. Romantic Theme II (demo) (3:08) *contains material not used in film DISC 2. ORIGINAL 1984 SOUNDTRACK 1. Thief of Hearts (3:41) Performed by Melissa Manchester 2. Love in the Shadows (4:20) Performed by E.G. Daily 3. Stolen Secrets (4:57) Performed by Harold Faltermeyer 4. Tear Me Up (3:40) Performed by Darwun Hastings 5. Love Theme From “Thief of Hearts” (instrumental) (3:14) Performed by Harold Faltermeyer 6. Just Imagine (Way Beyond Fear) (4:08) Performed by Beth Anderson and Joe “Bean” Esposito 7. Passion Play (4:17) Performed by Annabella Lwin 8. Thief of Hearts (instrumental) (3:03) Performed by Harold Faltermeyer 9.Collage (instrumental) (3:54) Performed by Harold Faltermeyer 10. Final Confrontation (instrumental) (2:54) Performed by Harold Faltermeyer Bonus Tracks 11. Love in the Shadows (Single Version) (3:57) Performed by E.G. Daily 12. Thief of Hearts (Dance Mix) (6:14) Performed by Melissa Manchester 13. Love in the Shadows (Special Remix) (8:40) Performed by E.G. Daily 14. Just Imagine (Way Beyond Fear) (instrumental) (4:35) 15. Love in the Shadows (instrumental) (4:32)

Der hatte noch gar keinen Thread - ist hiermit behoben! Melodische, emotionale Musik für Gitarre und kleines Ensemble, am Ende in einem wunderschön pastoralen Satz für Orchester kulminierend ("The Great Wide Open (Reprise)"). Orchestriert von Conrad Pope!

Unsere letzte Veröffentlichung für das Jahr 2022: WIE GUT, DASS ES MARIA GIBT (1989 / 1990) Wie gut, dass es Maria gibt erfreut sich seit ihrer Erstausstrahlung 1989/1990 großer Beliebtheit. Die aus zwei Staffeln bestehende Serie handelt von Schwester Dr. Maria Pfeiffer, dargestellt von Thekla Carola Wied (Ich heirate eine Familie, Martha Liebermann – Ein gestohlenes Leben) und ihren kirchlichen als auch privaten Erlebnissen. Zentraler Bestandteil des Erfolgs der Reihe ist auch die Musik von Christian Bruhn, der nicht nur einige der berühmtesten Schlager überhaupt geschrieben hat (Marmor, Stein und Eisen bricht – Ein bisschen Spaß muss sein – Heidi…), sondern auch Filmmusiken, die heute Kultstatus erreicht haben (Captain Future…). Für Wie gut, das es Maria gibt komponierte er u. a. liebenswert, charmante Themen – allen voran das Maria-Thema, musikalische Landschaftsbilder für Italien und Österreich sowie den Song „Love Affair“ dargeboten von Lady Lily. Seit mehr als 30 Jahren war die Musik unveröffentlicht, lediglich das Hauptthema erschien auf einem Sampler. Daher sind wir von Alhambra Records sehr froh nach so langer Zeit einen umfangreicheren Blick in die Musik bieten zu können. Die CD umfasst 19 Tracks, das 16-seitige Booklet enthält einen Text von Christian Bruhn sowie zahlreiche Abbildungen. Wir wünschen viel Freude mit der Musik. WIE GUT, DASS ES MARIA GIBT 01. Anfangstitel 0:31 02. Italien 1:52 03. Maria Hauptthema 3:00 04. Die Spannung wächst 3:09 05. Kaplan Kümmerling 3:11 06. Die alten Damen 2:39 07. Nene 1:08 08. Österreich 1:20 09. Love Affair * 3:21 10. Sawatzky 1:45 11. Musik und Sport 3:36 12. Maria Illustration I 3:05 13. Der Ami-Schlitten 1:54 14. In der Disco 2:48 15. So traurig? 3:21 16. Kinderfest 3:14 17. Maria Illustration II 3:06 18. Muss i denn … 1:50 19. Schlusstitel 1:32 Musik komponiert, orchestriert und produziert von Christian Bruhn 1989/1990 in den CB Tonstudios München Gesang Track 09 – Love Affair: LADY LILY

Sony Music veröffentlichen Anfang Januar eine CD mit Alexandre Desplats Musik für das Kriegsdrama Tireilleurs auf CD.

Mein Lieblingsfilmscore des Jahres.Grossorchestraler und choraler SciFi Adventure Score irgendwo zwischen Star Trek (The Orville), The Predator und Starship Troopers.Tolle Themen,fette Action ,emotional,mysteriös und bombastisch ohne Leerlauf.Sein bester Score.

Feiner Western-Score von Federico Jusid. Tolles Artwork!

Nach längerer Zeit haben wir wieder mal ein Projekt abseits der Filmmusik: DIE FLÖTENORGEL Die Flötenorgel ist ein von Raphael Benjamin Meyer komponiertes, unkonventionelles Konzertprogramm für Blockflötenquartett, welches im Zeitraum 2020 bis 2022 geschrieben wurde. Mit Charme, Witz und einem Augenzwinkern fängt die Musik Jahrmarkts- und Zirkusstimmungen aus längst vergangenen Tagen ein und bewegt sich dabei irgendwo zwischen Jazz, Klassik und virtuoser Unterhaltungsmusik. Dargeboten wird die bunte Welt des musikalischen Variétés von ANDREAS BÖHLEN (Sopranino-, Sopran-, Alt-, Bass-Blockflöten, Lotusflöte & Sopran-Gemshorn), RAPHAEL BENJAMIN MEYER (Alt-, Tenor-, Subbass-Blockflöten, Bass-Gemshorn & Stimme), CLÉMENT GESTER (Tenor-, Großbass-Blockflöten, Tenor-Gemshorn & Stimme) sowie MARC PAUCHARD (Tenor-, Bass-Blockflöten, Lotusflöte, Alt-Gemshorn & Stimme). Gemeinsam sind sie die Basler Blockflöten Band. Wir von Alhambra Records sind sehr glücklich nach drei Veröffentlichungen überwiegend im Filmmusik- und Game-Bereich (Der Bestatter, Tangle Tower, sowie Musik für Games, Film, Fernsehen und Konzertsaal) nun auch eine andere Seite von Raphael B. Meyer präsentieren zu können. Das CD-Booklet umfasst 16 Seiten mit zahlreichen liebevoll gezeichneten Abbildungen – die Laufzeit des Albums beträgt ca. 76 Minuten. Die Musik ist (demnächst) auch auf allen größeren Online-Plattformen wie Spotify oder iTunes erhältlich und die Noten zur Flötenorgel sind bei Heinrichshofen & Noetzel erschienen. DIE FLÖTENORGEL 01. BONJOUR 2:39 02. MANEGE FREI! 4:17 03. SCHIESSBUDE 2:54 04. DER DREHORGELMANN 5:36 05. ROMANZE 4:05 06. IM BIERZELT 4:07 07. FUNK 3:26 08. DAS STECKENPFERDCHEN 4:12 09. DIE SEILTÄNZERIN 2:51 10. NOCTURNE 4:09 11. POPCORN 3:53 12. DER FLIEGENDE TEPPICH 4:38 13. DAS GRAMMOPHON 4:14 14. DER MAGIER 4:39 15. KUHHANDEL 4:35 16. MITTERNACHTS-TANGO 3:30 17. DIE FLÖTENORGEL 5:36 18. ADIEU 4:39 19. ZUGABE* 2:40 Basler Blockflöten-Band Musik komponiert von Raphael Benjamin Meyer *Ausnahme Track 19: Musik: Julius Fučík, Bearbeitung: Raphael B. Meyer Hörprobe:

Ich hatte vor ein paar Tagen schon auf die 90-minütige FYC des Scores hingewiesen. Das 42-minütige Album ist nun raus und gefällt mir außerordentlich gut. Weitaus besserer Hörfluss. Hypnotisch mit feiner Streicherarbeit. Auf den Film bin ich sehr gespannt. Interview: https://filmmusicinstitute.com/interview-with-colin-stetson-3/