Alexander Grodzinski

Neu von Dragon's Domain: Dragon’s Domain Records presents the premiere release of music composed by Don Davis (THE MATRIX films, JURASSIC PARK III, BEHIND ENEMY LINES) for the 1996 television mini-series PANDORA’S CLOCK, based on the novel by John Nance, written by David Israel, directed by Eric Laneauville, starring Richard Dean Anderson, Daphne Zuniga, Jane Leeves, Richard Lawson, Stephen Root, Tim Grimm, Robert Guillaume, Robert Loggia, Jerry Hardin, Kurt Fuller, Jennifer Savidge, Grant Goodeve, Vladimir Kulich, Michael Winters and Edward Herrmann as the President. Airing in two parts on television in 1996, PANDORA’S CLOCK follows a man infected with a deadly virus aboard a Boeing 747-200 who is traveling from Frankfurt to New York’s JFK Airport. The story begins in Bavaria, where Professor Ernest Helms (Winter), a wildlife documentarian, has a violent incident with a stranger attempting to break into his rental car. After treating a minor wound and despite exhibiting symptoms of an illness, Helms boards International Flight 66, piloted by Captain James Holland (Anderson). Shortly after takeoff, Helms suffers cardiac arrest. Flight attendants perform CPR, and the crew attempts to divert the flight to London, but their request is denied as the authorities have become aware of a potential virus outbreak. As tensions escalate, the U.S. President tries to reroute the flight to RAF Base Mildenhall but the British government mobilizes their forces to block the landing. Eventually, the flight is allowed to land at a U.S. base in Iceland, where a passenger is shot while attempting to break quarantine. Captain Holland takes off again in an attempt to land in Mauritania, only to face off against a Learjet armed with a missile. Anderson manages to outwit the enemy plane and land safely on an isolated volcanic island. The music for PANDORA'S CLOCK is entirely composed using electronic elements, produced by composer Don Davis. This innovative score is meticulously designed to enhance the action, from the thrilling opening chase scene featuring an infected individual, to a climactic tension-filled conclusion. Don Davis began playing trumpet and piano at the age of nine and started writing music at twelve. As his affinity for music grew, so did his aspirations and soon he was composing and arranging orchestral charts for local jazz ensembles that he also performed with. After graduation from high school, Davis furthered his study of music at UCLA, majoring in music theory and composition, playing trumpet in college jazz ensembles and orchestras. Although Davis' primary interest had been jazz and rock, he found himself enamored with the avant-garde side of modern music. UCLA introduced Davis to a new world of musical possibilities, and before long he'd begun to plan his future as a composer with an eye toward film music. After graduation from UCLA, Davis continued to study composition with Henri Lazarof and orchestration under Albert Harris. Harris introduced the young Davis to film and television composer Joe Harnell, best known for his work on TV shows such as V and THE INCREDIBLE HULK. Harnell was immediately impressed by Davis' attention to orchestral detail, especially as evidenced by a chamber symphony Davis was writing at the time and became a mentor to Davis and introduced him to the professional world of film and television scoring. His filmography includes music for films such as HYPERSPACE, BOUND, WARRIORS OF VIRTUE,THE MATRIX films, HOUSE ON HAUNTED HILL, ANTITRUST, VALENTINE, JURASSIC PARK III, THE UNSAID, BEHIND ENEMY LINES and THE MARINE. Dragon’s Domain Records presents the premiere release of PANDORA’S CLOCK, featuring music composed by Don Davis, with liner notes written by author G.B. Kemner and Scott Davis. The music has been mastered by James Nelson at Digital Outland. Starts Shipping week of July 23, 2025 PANDORA'S CLOCK is a limited edition release. 01. The Delirious Encounter (3:22) 02. Heart Attack (7:00) 03. Nowhere To Land (2:06) 04. Bad News (2:43) 05. Presidential Physician / Lisa Meets Her Creator (3:26) 06. Tarmac Of Terror (5:04) 07. The Roth Encounter (3:36) 08. Cabin Sadness / Yuri At The Station / Yuri's Evil Deed (3:46) 09. Message Of Mystery (5:22) 10. The Wrath Of Roth (6:15) 11. Sanders On The Run (1:55) 12. The Sanders Discovery (4:49) 13. Roth Inscrutable (4:18) 14. Rachel And Holland (1:06) 15. Yuri Again (1:50) 16. Homesick / A Flurry Of Yuri (4:45) 17. Evacuation / Forty-Eight Hours (2:27) Total Time - 78:21 Dragon’s Domain Records presents the premiere release of the original motion picture score composed by Steve Edwards (BRIDGE OF DRAGONS, NINJA, FEAST) for the 1998 action film directed by Dean Semler, written by Michael Sussman and John Kingswell, based on the novel by ‘The Last Canadian’ by William Heine, starring Steven Seagal, L.Q. Jones, Gailard Sartain, Camilla Belle, Whitney Yellow Robe, Brad Leland, Philip Winchester and Leonard Mountain Chief. Released in 1996, THE PATRIOT follows Dr. Wesley McClaren, a local doctor and former government research immunologist, also a weapons and self-defense expert with an interest in herbal medicine as he is called to a hospital where people start dying from an unknown and very deadly disease. After determining that the cause is a highly dangerous airborne virus, he calls in a Biological Response team who proceed to seal off the town while doctors start to treat patients with a vaccine. The source of the virus is traced to Floyd Chisholm (Sartain), a local militia leader. Chisholm gives himself up at the end of a long siege but not before ingesting the virus himself. Appearing court, he spits on the judge and starts the rapid spread of the disease... Floyd’s followers attack the prison where Floyd is being held and break him out. Floyd and his men proceed to lay siege to the hospital where patients are being treated and take hostages, including McClaren and his daughter, Holly. Can McClaren find a cure for the virus with all these distractions before it’s too late? Composer Steve Edwards’ music education began at an early age, with training by his mother, Rosalie Edwards. His musical passions broadened and deepened during his years as a student at Interlochen followed by studies at Lawrence University, where he received a Bachelor of Music in piano performance. While studying at Lawrence, Edwards won the Outstanding Classical Soloist award sponsored by Downbeat magazine and the All-American College Orchestra National Talent Search sponsored by Disney World. He was honored with the school’s Nathan M. Pusey Young Alumni Achievement Award. Edwards continued his studies at the Dick Grove School of Music in Los Angeles. As one of Hollywood’s most prolific composers, Edwards’ original compositions are featured in top grossing films including DALLAS BUYERS CLUB, NOMADLAND, AVA, SOUTHPAW, THE MECHANIC, AMELIA, I LOVE YOU, PHILIP MORRIS and many other films in genres ranging from comedy to action, martial arts and documentaries. His original songs and instrumental compositions can be heard on television series such as TWO AND A HALF MEN, IT’S ALWAYS SUNNY IN PHILADELPHIA, MAD MEN, THE BLACKLIST, ER, TRANSPARENT and many other series. Edwards is founder and artistic director of Source in Sync, an independent production music library that licenses music to NBC, CBS, ABS, Fox, WB, Paramount, and many other television and movie studios worldwide. He also co-founded mVibe in 2019, which is the largest licensing platform in the world for cover recordings of hit songs. Dragon’s Domain Records presents THE PATRIOT, featuring the premiere release of music from the original score composed by Steve Edwards, performed by Symphony Seattle. The album includes liner notes written by composer and author Brian Satterwhite. The music has been mastered by James Nelson at Digital Outland. THE PATRIOT is a limited edition release and is expected to begin shipping the week of July 23, 2025. 01. The Patriot Main Title (2:26) 02. Riding Home (2:19) 03. Meet Floyd / Floyd's Tirade / Real Americans (2:13) 04. Strangers At The Court / Plastic Beakers / Everybody's Sick (3:21) 05. Caravan (2:44) 06. Frank's Grimace / Military Action / We Got Work To Do (2:31) 07. Burn The Shit (2:12) 08. Floyd's Lawyer (3:09) 09. Wesley Escapes / Militia Regroups (2:43) 10. Fake ID (2:48) 11. Frank Attack / Frank Dies / Militia Looks For Cure (4:06) 12. Grandpa's House / Look Ma, No Bullets / Ride / Red Medicine (3:12) 13. Finding The Cure / Look Floyd, We're On TV (4:03) 14. Don't Die / Cure Found (4:32) 15. The Patriot End Credits (5:33) 16. The Patriot Main Title (Piano Version) (2:49) Total Time: 51:22 Dragon’s Domain Records presents the premiere release of the unused score for TABLE FOR FIVE composed by John Morris (BLAZING SADDLES, YOUNG FRANKENSTEIN, THE ELEPHANT MAN, THE SCARLET LETTER) for the 1983 drama directed by Robert Lieberman, written by David Seltzer, starring Jon Voight, Richard Crenna, Marie-Christine Barrault, Millie Perkins, Roxana Zal, Robby Kiger, Son Hoang Bui and Maria O’Brien. Released in 1983, TABLE FOR FIVE follows a divorced couple at odds over the welfare of their three children. Jon Voight plays J.P. Tanner, a former professional golfer, who is estranged from his children and longs to re-enter their lives. J.P. comes up with the idea of springing a surprise Mediterranean cruise to Egypt on them, in spite of his ex-wife Kathleen’s acquiescing and contrarian instincts. On the cruise, J.P. uses the time to reacquaint himself with his children while also pursuing a romance with Marie (Barrault), a French archaeologist. The plot thickens when news reaches the boat that Kathleen has been killed in a terrible car accident back in New York, leaving J.P. in conflict over the fate of the children with Mitchell (Crenna), Kathleen’s surviving husband. John Morris was the original composer brought on to compose the music for TABLE FOR FIVE. For reasons not publicly known, the majority of his music went unused in the final cut of the film and the filmmakers brought in composer Miles Goodman to provide additional music. Morris’ score is lush and full of kaleidoscopic orchestral color, in contrast with Goodman’s music for the film. John Morris was born in Elizabeth, New Jersey, to Thomas and Helen. He became interested in music as early as three years old when he started learning to play the piano and visiting friends in The Bronx with his parents. His family moved to Independence, Kansas, while he was young, and Morris continued studying piano. By the late 1940s, he moved back to New York City, where he studied at both Juilliard School and at The New School for Social Research. From the 1950s through the 1970s, Morris helped to compose incidental music and dance numbers for a number of Broadway productions. Morris worked with Mel Brooks, starting with Brooks' first film THE PRODUCERS. Prior to this, the two had worked together on two musicals, SHINBONE ALLEY and ALL-AMERICAN. Morris did the original arrangement for ‘Springtime for Hitler’ and the rest of the film's underscore. Morris would continue to work with Brooks on many of his films, including those produced by his production company, Brooksfilms. His filmography includes THE PRODUCERS, THE TWELVE CHAIRS, BLAZING SADDLES, YOUNG FRANKENSTEIN, THE ADVENTURE OF SHERLOCK HOLMES’ SMARTER BROTHER, SILENT MOVIE, THE LAST REMAKE OF BEAU GESTE, HIGH ANXIETY, THE IN-LAWS, THE ELEPHANT MAN, CLUE, HAUNTED HONEYMOON and IRONWEED. Dragon’s Domain Records presents TABLE FOR FIVE, featuring the premiere release of music from the original score composed and conducted by John Morris. The album includes liner notes written by composer and author Brian Satterwhite. The music has been mastered by James Nelson at Digital Outland. TABLE FOR FIVE is a limited edition release and is expected to begin shipping the week of July 23, 2025. 01. The Ship Goes To Sea (2:38) 02. Touring The Ship (1:03) 03. Love Theme and Montage (2:41) 04. No Way To Talk To Children (2:01) 05. The Accident and Bad News (4:03) 06. In Shock (2:44) 07. The Finest (1:54) 08. Grief (5:28) 09. Travel To The Sphinx (3:09) 10. To Your Mom (3:47) 11. Leaving The Sphinx / White Kangaroo (2:54) 12. Cocktail Time (2:06) 13. Another Cocktail (2:11) 14. Greek Chase (2:10) 15. Fathers Like You (2:24) 16. I’m Keeping Them (2:36) 17. Closing (0:55) 18. Ernie’s Disco (3:42) 19. Radio Cairo (2:11) 20. Tunis Radio (2:07) 21. Tunisia (2:04) 22. Italian Marching Band (2:44) 23. Dixieland (1:23) 24. Accordion Waltz (2:29) 25. I’m Keeping Them (Alternate Version) (2:36) Total Time: 65:02 Dragon’s Domain Records presents THE GIL MELLÉ COLLECTION – VOL. 2, featuring the world premiere releases of two scores composed by Gil Mellé from his lengthy filmography. Released in 1981, THE LAST CHASE is a dystopian science fiction film directed by Martyn Burke (POWER PLAY), written by Christopher Crowe, Roy Moore and Burke, starring Lee Majors, Chris Makepeace, Burgess Meredith, Alexandra Stewart, Diane D’Aquila, George Touliatos and Harvey Atkin. Set in a post-apocalyptic 2011, the United States has become a police state that outlaws private vehicles. Franklyn Hart, (Majors) a former race car driver who lost his family to a virus, secretly restores his orange Porsche to escape to 'Free California' with electronics expert Ring McCarthy (Makepeace). Their journey symbolizes the resistance against an oppressive regime, drawing huge public support. Initially tasked with stopping them, Air Force pilot J.G. Williams (Meredith) ultimately sacrifices himself to aid their escape. Gil Melle's score for THE LAST CHASE combines a full symphony orchestra with custom synthesizers, capturing themes of adventure and freedom. Airing on television in 1976, DYNASTY was written by James Michener (HAWAII, CENTENNIAL, TALES OF THE SOUTH PACIFIC) and Sidney Carroll, starring Stacy Keach, Harris Yulin, Harrison Ford, Sarah Miles, Gerritt Graham, Tony Swartz, Amy Irving, Charles Weldon, John Carter and Rayford Barnes. DYNASTY was a television movie that chronicled the rivalry between the Blackwood brothers over a period of 35 years. Gil Mellé's score for DYNASTY was composed for a large chamber orchestra, evoking a style reminiscent of Aaron Copland, effectively capturing the film's historical setting and the complex personal relationships within. For nearly five decades, composer Gil Mellé innovated in mixing electronic and orchestral music when he wasn’t playing the nuances of modern jazz or enjoying his collection of unique microscopes at home. Mellé had made a mark in the world of jazz as an outstanding baritone saxophonist and composer who was also noted as a painter. In film and television, his music has been extraordinarily notable, if not well preserved, on records and CDs. His TV-movie music in the early ’70s included a trio of high-profile films for television: MY SWEET CHARLIE, THAT CERTAIN SUMMER, and FRANKENSTEIN: THE TRUE STORY. His most well-known film score was THE ANDROMEDA STRAIN, but as an innovator in the use of electronic music in movies of the 1970s and ’80s, Mellé contributed to a many science fiction, fantasy, and horror television and feature film scores, including NIGHT GALLERY (theme and episodes), THE SIX MILLION DOLLAR MAN (original TV-movie), A COLD NIGHT’S DEATH, THE QUESTOR TAPES, KOLCHAK: THE NIGHT STALKER, STARSHIP INVASIONS, WORLD WAR III, and many others. Mellé’s efforts preceded almost everyone else’s experiments in electronic film music and resulted in the first true electronic film score. Dragon’s Domain Records presents THE GIL MELLÉ COLLECTION – VOL. 2, featuring the world premiere releases of music composed by Gil Mellé for THE LAST CHASE and James Michener’s DYNASTY. This release includes liner notes written by G.B. Kenmir and the music has been mastered by James Nelson at Digital Outland. THE GIL MELLÉ COLLECTION – VOL. 2 is a limited edition release. THE GIL MELLÉ COLLECTION – VOL. 2 is expected to begin shipping the week of July 23 2025. THE LAST CHASE 1. Main Title / The World Is Out Of Gas (2:55) 2. The Hacker (1:46) 3. Digging Up The Porsche / The Nightclub (3:20) 4. Ring Vs. The Student Body (1:35) 5. Escape From Boston (5:30) 6. Back In Uniform / The Outbackers (2:33) 7. The Last Jet (3:00) 8. Roadblock (1:09) 9. Eagle One In Flight (2:22) 10. The Last Chase Begins (7:49) 11. Escaping The Jet Attack (Unused) (3:24) 12. Native Land (Unused) (4:44) 13. Aircraft Boneyard / Escape Into The Desert (3:45) 14. Attacking The Laser (2:16) 15. The Wreck Of Eagle One / Into California (1:33) 16. End Title (2:42) JAMES MICHENER’S DYNASTY 17. Prologue And Titles (2:10) 18. The Blackwoods (3:19) 19. Going To Work (3:15) 20. The Years Pass (3:40) 21. A New Love (2:26) 22. A Family Divided (1:27) 23. Finale (1:43) 24. End Credit (1:19) 24. Bumpers (0:16) Total Time: 71:03

Snow Files of the Week: eine Suite aus der X-Files Episode „Post-Modern Prometheus (Der große Mutato)" (1997). Für diese Episode aus der fünften Staffel der X-Akten komponierte Mark einen ungewöhnlichen Score. Das Hauptthema, eine Art Zirkus-Tanzmusik, würde man eher von Danny Elfman vermuten. Mark verbindet das Thema mit dem eher düster-melancholischen Rest seiner Musik und begleitet den "Großen Mutato" so auf seiner schmerzvollen Suche nach etwas, wonach wir uns alle sehnen: Liebe. Im Grunde greift die Episode die Frankenstein-Geschichte auf, in der das Monster eine Partnerin sucht. Am Ende der Episode, während Mutato seinen Monolog vor den Dörflern mit den brennenden Fackeln hält, erklingt in Snows Musik wieder ein Stück von Tschaikowskis "1812 Overtüre", welches auch in seiner Musik zur „MillenniuM"-Episode „Lament" zu hören ist. Die Musik erschien zuerst als Promo-CD, später dann war sie ein Teil des ersten X-Files-Box-Sets von LLL. Ausserdem erschien sie auf der CD "The X-Files 20th Anniversary", welche 2013 von BSX veröffentlicht wurde. Allerdings handelt es sich bei den Aufnahmen auf der CD um Re-Recordings. Die CD selbst ist auf 1.000 Stück limitiert und auch als Download erhältlich. Viel Spaß beim Hören!

Und nun wieder von Intrada: Intrada presents an updated edition of one of its most popular titles—Bruce Broughton's score to the 1985 Paramount Pictures film Young Sherlock Holmes.This refresh, overseen by Chris Malone, updates and addresses some anomalies in the prior release. As with the prior release, the album is sourced from the film mix created by Eric Tomlinson and from the original LP master. The 3-CD package includes the complete score from the Tomlinson mixes as well as additional extras and of course the complete LP program as originally assembled by Broughton in 1985. The album also features updated cover art by Stéphane Coëdel. Broughton was relatively new to the theatrical side of the business when he was tapped to score Young Sherlock Holmes, having worked mostly in television for the first decade of his career. Director Barry Levinson’s kinetic film, with its fluid pace and wide variety of tones, presented him with a fresh yet daunting challenge. Broughton responded with a stunning, wall-to-wall symphonic work that made a deep impression on soundtrack fans and industry professionals alike, earning a GRAMMY nomination for Best Instrumental Composition and winning a Saturn Award for Best Music from the Academy of Science Fiction, Fantasy & Horror Films. The original MCA Records album, released on LP and cassette, received high marks in Billboard, who praised it as “a traditional orchestral score, which Broughton infuses with both dash and sweetness.” Remarkably, the MCA album never made the transition to a commercial CD until Intrada licensed it. Young Sherlock Holmes was the brainchild of three primary parents: writer Chris Columbus, executive producer Steven Spielberg and director Barry Levinson.The central premise of Young Sherlock Holmes suggests that Holmes and Watson did not first meet as adults in a chemical laboratory at St. Bartholomew’s Hospital, but as adolescents. In the story, a series of baffling murders puts young Holmes on the trail of an Egyptian cult practicing human sacrifice in the bowels of London. Dismissed by the police and maligned by his peers, the budding detective sets out with only a few close allies to unravel the plot—culminating in a fiery confrontation with an evil mastermind bent on revenge. Play all clips CD 1 01. The First Victim (2:59) 02. The Old Hat Trick (1:45) 03. Main Title (2:03) 04. Watson’s Arrival (1:03) 05. The Bear Riddle (0:47) 06. Library Love/Waxflatter’s First Flight (2:54) 07. Fencing With Rathe (1:08) 08. The Glass Soldier (3:24) 09. Solving The Crime (4:56) 10. Second Attempt (1:11) 11. Cold Revenge (4:09) 12. Waxflatter’s Death (3:41) 13. The Hat (1:22) 14. Holmes And Elizabeth – Love Theme (1:59) 15. Getting The Point (6:21) CD 1 Total Time: 40:16 CD 2 01. Rame Tep (3:08) 02. Pastries And Crypts (6:48) 03. Discovered By Rathe (4:56) 04. To Cragwitch’s (1:35) 05. The Explanation (1:49) 06. Cragwitch Goes Again (1:24) 07. It’s You! (6:19) 08. Waxing Elizabeth (3:40) 09. Temple Fire (3:25) 10. Ehtar’s Escape (Revised Version) (4:06) 11. Duel And Final Farewell (5:42) 12. The Riddles Solved And End Credits (6:32) 13. Ytrairom Spelled Backwards (0:50) CD 2 Total Time: 50:33 CD 3 The Extras 01. Main Title (Film Version) (1:46) 02. Waxflatter’s Death (Original) (2:47) 03. Belly Dancer (1:02) 04. Rame Tep (Orchestra) (3:08) 05. Rame Tep (Chorus) (3:02) 06. It’s You! (Alternate) (6:18) 07. Waxing Elizabeth (Orchestra) (3:40) 08. Ehtar’s Escape (Original Version) (4:06) 09. God Rest Ye Merry, Gentlemen (arr. Bruce Broughton) (1:08) Total Extras Time: 26:57 Original 1985 MCA Soundtrack Album 10. Main Title (2:03) 11. Solving The Crime (4:57) 12. Library Love/Waxflatter’s First Flight (2:28) 13. Pastries & Crypts (5:49) 14. Waxing Elizabeth (3:40) 15. Holmes And Elizabeth – Love Theme (2:00) 16. Ehtar’s Escape (4:06) 17. The Final Duel (3:54) 18. Final Farewell (1:58) 19. The Riddles Solved/End Credits (6:30) Total Album Time: 37:25 CD 3 Total Time: 65:10

Neu von Quartet: The Trilogy of Power or Neurosis, consisting of INDIGINE SU CITTADINO AL DI SOPRA DI OGNI SOSPETTO (1969), LA CLASSE OPERAIA VA IN PARADISO (1971) and LA PROPRIETÀ NON È PIÙ UN FURTO (1973), put director Elio Petri at the center of controversy in international cinema. With these films, he laid the foundation for a new vision of the Italian reality of the late 1960s. It was a time during which Petri experienced the student struggles, the red and black terrorism, the Piazza Fontana massacre, the death of Pinelli at the hands of the authorities, the growth of the Mafia and clientelism. He experienced it all firsthand and wanted to tell the story. Ennio Morricone created a particular sound for Petri’s social cinema based on grotesque forms and adding profane elements to the music itself. They formed one of the most special and memorable duos in 1970s Italian cinema, working together on seven films. Quartet Records, in collaboration wth Cinevox Records, GDM and Universal Music Publishing Italia, is proud to have been able to bring the three albums of the TRILOGIA DEL POTERE back to the market, with completely remastered sound. This strictly limited edition of 300 copies is an opportunity to present the three albums together, housed in an exclusive slipcase. The three scores are presented on separate CDs in separate jewel cases (exactly the same as the separate ones), supervised by Claudio Fuiano and carefully mastered by Chris Malone from the first-generation master tapes. They are complemented by richly illustrated booklets containing detailed essays on the films and scores written by Miguel Ángel Órdóñez. INDAGINE SU UN CITTADINO AL DI SOPRA DI OGNI SOSPETTO The Original Album (stereo) 1. Indagine su un cittadino al di sopra di ogni sospetto (titoli) 3:29 2. Ripresa l’indagine 1:16 3. Taglio primo 2:12 4. Indagine 4:36 5. Miraggio secondo 3:27 6. Indagine insabbiata 2:10 7. Miraggio terzo 1:59 8. Miraggio 2:35 9. Taglio secondo 1:31 10. Indagine su un cittadino al di sopra di ogni sospetto (finale) 4:12 Bonus Tracks (stereo) 11. Indagine su un cittadino al di sopra di ogni sospetto (alternate) 3:04 12. Miraggio (versione singolo lato) 2:04 13. Taglio primo (alternate 1) 1:38 14. Miraggio (alternate) 1:57 15. Taglio secondo (alternate) 1:00 16. Miraggio secondo (alternate) 2:55 17. Taglio primo (alternate 2) 1:48 18. Indagine su un cittadino al di sopra di ogni sospetto (alternate extended ending) 4:26 The Original Album (mono) 19. Indagine su un cittadino al di sopra di ogni sospetto (titoli) 3:34 20. Ripresa l’indagine 1:16 21. Taglio primo 2:12 22. Indagine 4:36 23. Miraggio secondo 3:27 24. Indagine insabbiata 2:10 25. Miraggio terzo 1:59 26. Miraggio 2:35 27. Taglio secondo 1:31 28. Indagine su un cittadino al di sopra di ogni sospetto (finale) 4:12 29. Indagine su un cittadino al di sopra di ogni sospetto (unused) 3:13 Total Disc Time: 77:23 LA CLASSE OPERAIA VA IN PARADISO The Original Album (stereo) 1. La classe operaia va in Paradiso 5:23 2. Metamorfosi 2:13 3. Sinfonia dell’ottimista 8:22 4. Inventario 3:02 5. Tempi di lavorazione 4:10 6. Il sogno 4:42 7. Pazzia di lavoro 2:28 8. Alienazione 3:51 Film Versions (mono) 9. La classe operaia va in Paradiso (#2) 3:43 10. Metamorfosi (#2) 1:59 11. Sinfonia dell’ottimista (#2) 10:35 12. Alienazione (#2) 5:48 13. Inventario (#2) 2:30 14. La classe operaia va in Paradiso (#3) 6:29 Total Disc Time: 65:21 LA PROPIETÀ NON E’PIÙ UN FURTO The Original Album 1. La proprietà non e’più un furto 2:38 2. Colpo 2:55 3. Ritratto di Anita 1:45 4. L’ultimo ascensore 2:27 5. Io sono… “avere” tu sei… “avere” 3:41 6. Al ladro 2:35 7. Io ho, tu hai 1:53 8. Rapina 1:49 9. Sui tetti 2:39 10. Mostra antifurto 4:11 11. Se po’ di… radica 1:38 12. Immobile come una bistecca 2:50 13. Albertone e Total 1:20 Film Versions 14. La proprietà non e’più un furto (#2) 4:20 15. Colpo (#2) 2:23 16. Al ladro (#2) 2:41 17. Immobile come una bistecca (#2) 2:08 18. Io ho, tu hai (#2) 3:45 19. Albertone e Total (#2) 2:37 20. Rapina (#2) 2:15 21. La proprietà non e’più un furto (#3) 3:15 22. Mostra antifurto (#2) 4:11 23. L’ultimo ascensore (#2) 2:04 24. Albertone e Total (#3) 1:56 25. Colpo (#3) 2:53 26. La proprietà non e’più un furto (#4) 2:07 Total Disc Time: 69:08 Quartet Records, in collaboration with Cinevox Records, presents a completely new edition of Ennio Morricone’s masterful score for Elio Petri’s masterpiece from 1969, INDAGINE SU UN CITTADINO AL DI SOPRA DI OGNI SOSPETTO. Academy-Award winner of Best Foreign Film in 1970, the film stars Gian Maria Volonté and Florinda Bolkan in a quintessential example of social and protest cinema. The intricate plot concerns a high-ranking police inspector who kills his mistress and deliberately plants clues indicating his responsibility for the crime in a sardonic test to prove that he is above suspicion. The iconic score written by Ennio Morricone is the pivot point of a grotesque substratum of black comedy that blurs over a subversive and iconoclastic drama. Starting from the instrumentation used—mandolin, classical guitar, out-of-tune piano, bassoons, synthesizer and mouth harp—the interpretation of the piece, careless, somewhat dirty and imprecise, brilliantly evokes the murkiness insinuated by the images. The album of INDAGINE has been released many times, both on vinyl and CD—although until the first simultaneous American and French LP releases in 1981, only a 45-rpm single with the two main themes had existed. But it was always in mono until, in 2007, Cinevox released an expanded edition with the original album in mono and some film versions and alternates remixed in stereo from an incomplete multi-track. Now, thanks to the discovery of the original elements, we are able to present the original album and all the film versions and alternates in full stereo for the first time. Since there was room, we have included the remastered mono album, as it featured unique mixes and takes. This 2025 edition was mixed, restored and mastered by Chris Malone and produced by Claudio Fuiano and Dániel Winkler. The accompanying booklet includes an essay by Miguel Ángel Ordóñez discussing the film and score. The Original Album (stereo) 1. Indagine su un cittadino al di sopra di ogni sospetto (titoli) 3:29 2. Ripresa l’indagine 1:16 3. Taglio primo 2:12 4. Indagine 4:36 5. Miraggio secondo 3:27 6. Indagine insabbiata 2:10 7. Miraggio terzo 1:59 8. Miraggio 2:35 9. Taglio secondo 1:31 10. Indagine su un cittadino al di sopra di ogni sospetto (finale) 4:12 Bonus Tracks (stereo) 11. Indagine su un cittadino al di sopra di ogni sospetto (alternate) 3:04 12. Miraggio (versione singolo lato) 2:04 13. Taglio primo (alternate 1) 1:38 14. Miraggio (alternate) 1:57 15. Taglio secondo (alternate) 1:00 16. Miraggio secondo (alternate) 2:55 17. Taglio primo (alternate 2) 1:48 18. Indagine su un cittadino al di sopra di ogni sospetto (alternate extended ending) 4:26 The Original Album (mono) 19. Indagine su un cittadino al di sopra di ogni sospetto (titoli) 3:34 20. Ripresa l’indagine 1:16 21. Taglio primo 2:12 22. Indagine 4:36 23. Miraggio secondo 3:27 24. Indagine insabbiata 2:10 25. Miraggio terzo 1:59 26. Miraggio 2:35 27. Taglio secondo 1:31 28. Indagine su un cittadino al di sopra di ogni sospetto (finale) 4:12 29. Indagine su un cittadino al di sopra di ogni sospetto (unused) 3:13 Total Disc Time: 77:23 Quartet Records presents a remastered CD reissue of the long-out-of-print soundtrack by Ennio Morricone for the 1983 police thriller COPKILLER (aka ORDER OF DEATH). Coproduced between Italy, France and the U.S., and directed by longtime Morricone collaborator Roberto Faenza, the film stars Johnny Rotten (famous punk-star from the group Sex Pistols), Harvey Keitel and Nicole Garcia. The plot is about a pair of corrupt cops spending their illegal cash on an uptown New York City apartment. Morricone’s score comes from the composer’s fertile period of poliziotteschi thrillers and his collaborations with Henri Verneuil in Belmondo’s French polars in the early 1980s. The music features the psychedelic, percussion-heavy and often ostinato-based cues that Morricone typically reserved for the steamy chaos of his crime-film scores. General Music released the score on LP in France and Germany in 1983, and GDM on CD in 2002. This new edition contains the same program, produced by Claudio Fuiano and Dániel Winkler, rebuilt and remastered by Chris Malone from the first-generation stereo master tapes. The package includes a richly illustrated booklet with in-depth liner notes by Daniel Schweiger discussing the film and the score. Sinfonia d’una città I 4:29 Sinfonia d’una città II 4:53 Sinfonia d’una città III 2:44 Sinfonia d’una città IV 2:51 Tchaikovsky’s Destruction 3:38 Copkiller 2:58 Nelle strade del centro 3:04 Periferia 1:49 Momento totale 2:43 Copkiller (#2) 2:58 Sinfonia d’una città I (alternate version) 1:43 Sinfonia d’una città II (alternate version) 3:04 Sinfonia d’una città II (alternate version #2) 3:03 Momento totale (alternate version) 2:44 Copkiller (#3) 0:47 Copkiller (Rock Music) 1:20 Total Disc Time: 44:57

Das macht mich natürlich sehr traurig, ist Snow doch unverkennbar einer meiner Filmmusik-Helden. Im Verlauf der letzten Jahre waren er und ich immer wieder per Mail im Austausch. Hauptsächlich wegen Nachrichten oder Anfragen, die über die Facebook-Seite reinkamen, die Anne, Oliver und ich für ihn einst eingerichtet haben und die ich immer noch gerne betreue. Er war immer sehr nett, hat sich auch immer wieder für die Arbeit bedankt, die wir uns damit machen. Unsere Unterhaltungen waren mal kürzer, mal länger, aber zuletzt leider eher einseitig, da er nicht mehr auf jede Mail reagierte. Ich weiß nicht, ob das schon Anzeichen für etwas waren. Er ließ sich zumindest nichts anmerken und auch, wenn ich nun im Nachhinein gerne das eine "letzte" Gespräch mit ihm gehabt hätte, so bin ich doch sehr glücklich über unseren Austausch und natürlich für immer dankbar für seine Musik.

M83 - A Necessary Escape Während alle über Zimmers F1-Score reden, höre ich mir das gerade erschienene Album zu den „Dakar Chronicles" an. Dabei handelt es sich um eine Doku über die Wüstenrallye Dakar, was man anhand der Musik zunächst wohl gar nicht so verorten mag. Es ist die vierte Filmmusik der Band M83, nach OBLIVION, YOU AND THE NIGHT und SUBURRA. Stilistisch handelt es sich hierbei wieder um ein Ambient-Album, welches eher Assoziationen zu den beiden Instrumental-Alben der Band, den „Digital Shades", weckt. Es gibt allerdings ein Thema, eine kleine, simple Melodie, die auf dem Album in den drei Tracks „A Necessary Escape Part One" bis „Part Three" auftaucht. Mal von zwei, drei etwas schnelleren Tracks abgesehen, ist die Musik sehr sphärisch und damit doch recht untypisch für einen Film über die Rallye Dakar. Ein typisches M83-Stück ist dabei „A Necessary Escape Part Two", welches man in dieser Form auch auf den „Digital Shades"-Alben findet. Dabei wird das Thema über die Laufzeit von acht Minuten wie in einem Loop wiederholt. Was sich ändert, sind der Klang des Themas, welches mit zunehmender Laufzeit leicht zu „leiern" beginnt, wie bei einem alten Tonband. Dazu werden erst dezent Klänge im Hintergrund hinzugefügt, welche gegen Ende das Thema nach und nach übertönen, bis es sich schließlich in den Klängen auflöst.

Snow Files of the Week: Suite from "Millennium - Season Two" (1997/98). Chris Carter verließ im Grunde die Serie nach der ersten Staffel, einerseits wegen Streitigkeiten mit dem Sender FOX bezüglich inhaltlicher Änderungen und andererseits wegen der Produktion des ersten Akte-X-Filmes, mit dem Carter alle Hände voll zu tun hatte. Als neue Showrunner setzte Carter seine beiden „Ziehsöhne" Glen Morgan und James Wong ein. Beide schrieben bereits einige X-Files-Episoden und gehörten zum Produktionsstab der X-Akten. Carter verblieb aber trotzdem als "Executive Producer". Im Vergleich zur ersten Staffel kommt die zweite Staffel nicht mehr ganz so düster daher. Außerdem bekam die MillenniuM-Gruppe nun eine Hintergrundgeschichte, die sich um biblische Prophezeihungen, Machtgier und innere Zerrissenheit rankte. Die Serie wurde eine Art "X-Files light", etwas, was Carter für "MillenniuM" niemals wollte. Eine Änderung von FOX bestand darin, dass die Serie auch dadurch nicht mehr so düster sein sollte, wenn es eine "lustige" Figur an Frank Blacks Seite gäbe. Zum Glück konnte sich Carter dagegen noch ganz gut wehren, allerdings scheint die Figur des Computer-Nerds Roedecker ein Zugeständnis an diesen Wunsch zu sein. Die zweite Staffel enthält die unter Fans sehr beliebten Folgen "Midnight of the Century", die Weihnachtsepisode und "The Curse of Frank Black", die Halloween-Episode. Beide kommen natürlich in der Suite vor, sowie auch ein Ausschnitt aus Richard Wagners Overtüre zu "Parsifal", da dieses Stück eine große Rolle in der Doppelfolge "Owls" und "Roosters" spielt. Die Musik stammt aus dem ersten 2-CD-Set, welches 2015 nach dem Ausverkauf der ersten Auflage von LLL wiederveröffentlicht wurde. Viel Spaß beim Hören!

LLLCD 1675 Music by Dominic Lewis Limited Edition of 2000 Units RETAIL PRICE: $21.98 STARTS SHIPPING LATE JULY ORDER NOW and get your CD booklet autographed by composer Dominic Lewis at no additional charge. Autographs are available while supplies last and are NOT guaranteed. La-La Land Records and Milan Records proudly present acclaimed composer Dominic Lewis’ (THE FALL GUY, THE KING’S MAN) original motion picture score to the all-new big screen chapter in the famed KARATE KID franchise, KARATE KID: LEGENDS, starring Jackie Chan, Ben Wang and Ralph Macchio, and directed by Jonathan Entwistle. Bridging the past with the present in high-kicking fashion, KARATE KID: LEGENDS calls for a score that honors the classic KARATE KID films while ushering the franchise into a new, enthralling future. Composer Dominic Lewis unleashes a dynamic work, performed by the Hollywood Studio Symphony, that accomplishes all that and more - paying homage to Bill Conti and James Horner’s previous music while creating spirited original material that soars on its own! Mastered by Kim Rosen, this special limited edition CD release of 2000 units features knockout art design by Dan Goldwasser and a brief note from the composer. TRACK LISTING: 1. Two Branches, One Tree 2:39 2. Mother Knows Best 2:01 3. Tick Tick 0:45 4. Please 1:46 5. Li and Mia 1:16 6. The Best of Me* 0:46 7. Connor 0:55 8. Black Eye, Frozen Peas 0:54 9. Dragon Kick 1:07 10. Alone 0:53 11. Fong Song 1:40 12. Lanterns 2:13 13. Pizza Montage* 2:44 14. Bo 1:29 15. The Arena* 0:31 16. Fight Night 1:01 17. Down and Out 1:11 18. Push Down* 1:33 19. Too Many Cooks 0:34 20. Bedroom Blues 1:20 21. Daniel-San 2:34 22. Training Montage 4:23 23. Fetterman Gardens 1:18 24. 5 Boroughs 2:00 25. Old Dogs, New Kicks 1:31 26. Trap a Tiger 2:04 27. Timebomb 2:18 28. The Final Part 1 4:36 29. The Final Part 2 4:09 30. Touch The Stars* 1:36 TOTAL ALBUM TIME: 53:51 *not in feature

Music composed and conducted by John Barry Limited edition of 5000 units Exclusive release Sold exclusively at www.lalalandrecords.com for the first 90 days of release. La-La Land Records, Metro-Goldwyn-Mayer, EON Productions and Universal Music Enterprises present a remastered and expanded 2-CD re-issue of renowned composer John Barry’s original motion picture score to the sixth James Bond film, On Her Majesty’s Secret Service. Produced by Albert R. Broccoli and Harry Saltzman, the 1969 film stars George Lazenby as James Bond 007 and is directed by Peter Hunt, who edited the five previous Bond films. With four legendary Bond scores already to his credit, composer John Barry reported for duty for the fifth time to provide the musical continuity and introduce a new 007, as George Lazenby would be first to succeed Sean Connery in the iconic role of Bond. The score, like the film, is thrilling and powerful, bursting with action, drama and glamour – and considered by many to be one of Barry’s finest works, as demonstrated within this deluxe 2-CD release. This remastered and expanded presentation of Barry’s score includes the songs “We Have All The Time In The World,” performed by Louis Armstrong and “Do You Know How Christmas Trees Are Grown?,” performed by Nina, with lyrics by Hal David The album is produced and mixed by Neil S. Bulk, and mastered by Doug Schwartz, from the original 3-track 1/2" masters, with the song "We Have All The Time In The World" mixed from the original 1" 8-track tapes. Two cues that were unavailable on the stereo tapes are in the program’s bonus section, pulled from the mono film stem and processed into stereo by Chris Malone. Disc 1 and the opening of Disc 2 present the expanded score presentation. This is followed by the original 1969 soundtrack album, newly edited and mixed for this release. Disc 2 concludes with additional cues, including an unused film version of the song "We Have All The Time In The World" featuring Louis Armstrong. Limited to 5000 units, this release features sharp art direction by Dan Goldwasser, with a new front cover designed by Jim Titus. The exclusive, in-depth liner notes are by journalist and author Jon Burlingame, with an introductory note by composer David Arnold. TRACK LISTING: DISC 1 SCORE PRESENTATION 1:28:18 1. Gun Barrel (From “On Her Majesty’s Secret Service”) 0:30 2. This Never Happened To The Other Fella (Film Version) 4:42 3. Main Title: On Her Majesty’s Secret Service (Film Version) 2:43 4. We Have All The Time In The World (Film Version) 2:50 5. Try (Film Version) 3:10 6. James And Tracy 2:07 7. You Have An Appointment 1:36 8. The Capu 3:25 9. Resignation 1:02 10. Two Weeks Leave 1:11 11. Prelude For Guitar And Strings 3:20 12. We Have All The Time In The World (Film Mix) (Performed by Louis Armstrong) 3:14 13. Gumbold’s Safe 5:33 14. The College Of Arms 0:47 15. Journey To Piz Gloria 4:52 16. The Usual Comforts 1:31 17. Twelve Gorgeous Girls 0:35 18. Heraldry 1:56 19. Count Balthazar de Bleuchamp 1:18 20. Eight 2:32 21. It’s True! / The Hidden Persuader / You’ll Need To Be 3:34 22. Uncovered 1:25 23. I’ll Do What I Claim 1:09 24. Deep Hypnosis 6:35 25. Escape From Piz Gloria 4:52 26. Blizzard 1:04 27. Proposal 3:45 28. Ski Chase (Extended Version) 3:47 TOTAL DISC 1 TIME: 1:15:51 DISC 2 SCORE PRESENTATION CONTINUED 1. Don’t Be So Proud 0:42 2. Over And Out (Film Version) 3:11 3. Battle At Piz Gloria 4:03 4. Bobsled Chase 2:07 5. The Wedding Ring 0:40 6. We Have All The Time In The World – James Bond Theme (Film Version) 1:34 ORIGINAL SOUNDTRACK ALBUM 38:04 7. We Have All The Time In The World (Performed by Louis Armstrong) 3:14 8. This Never Happened To The Other Fella 4:28 9. Try 3:26 10. Ski Chase 2:53 11. Do You Know How Christmas Trees Are Grown? (Performed By Nina) 3:20 12. Main Title: On Her Majesty’s Secret Service 2:35 13. Journey To Blofeld’s Hideaway 3:28 14. We Have All The Time In The World 2:59 15. Over And Out 2:40 16. Battle At Piz Gloria 4:03 17. We Have All The Time In The World – James Bond Theme 4:34 ADDITIONAL MUSIC 25:09 18. We Have All The Time In The World (Unused Film Version) (Performed by Louis Armstrong) 2:15 19. Journey To Blofeld’s Hideaway (Unused Album Version) 4:06 20. Do You Know How Christmas Trees Are Grown? (Wild Instrumental) 1:11 21. Deep Hypnosis (With Full Overlay) 6:35 22. Escape From Piz Gloria (Mono Stem, Film Take) 3:50 23. Grand Christmas Eve Ball 2:55 24. Tracy To The Rescue (Mono Stem) 1:29 25. We Have All The Time In The World (Unused Album Version) 2:37 TOTAL DISC 2 TIME: 1:15:55 TOTAL ALBUM TIME: 2:31:46

LLLCD 1671 Music by Basil Poledouris Limited Edition of 3000 Units La-La Land Records, Paramount Pictures and Geffen Records present an expanded and remastered 2-CD re-issue of renowned composer Basil Poledouris’ (CONAN THE BARBARIAN, ROBOCOP, STARSHIP TROOPERS) original motion picture score to the blockbuster 1990 Paramount Pictures espionage drama/thriller THE HUNT FOR RED OCTOBER, Based on Tom Clancy’s debut novel, the film stars Sean Connery, Alec Baldwin and James Earl Jones, and was directed by John McTiernan. Considered to be one of composer Basil Poledouris’ finest musical achievements, his iconic THE HUNT FOR RED OCTOBER masterwork is also heralded by many as among the very best film scores of the 1990s. A powerful orchestral and choral classic that is rousing, thrilling and even romantic, Poledouris also employs a keen grasp of contemporary electronics, resulting in the perfect blend for the film’s mix of Old-World duty, honor and patriotism with modern technological warfare. Expanded, re-mixed and remastered, this deluxe presentation unleashes the composer’s marvel like never before, in all its brilliance and in celebration of the film’s 35th anniversary! Produced by Dan Goldwasser and Neil S Bulk, this Limited Edition re-issue of 3000 units offers the score presentation on Disc 1, while disc 2 features the original 1990 soundtrack album and additional cues. While previous soundtrack releases, including the original 1990 soundtrack album, have been sourced from analog mixes and tapes, this limited edition 35th anniversary release has been newly remixed digitally and mastered by Chris Malone from the scoring masters. With access to these reels, additional bonus tracks were discovered that were never copied over to analog tape. The exclusive, in-depth liner notes are by author Jeff Bond and the sharp art direction is by Dan Goldwasser. TRACK LISTING: DISC 1 1:03:24 SCORE PRESENTATION 1. Never Happened* 0:43 2. Hymn To Red October (Main Title) (Film Version) 5:09 3. Putin’s Demise (Film Version) 1:00 4. Tyler’s Office / Ramius And The Doctor / Dallas Listens 2:47 5. Course Two-Five-Zero 0:25 6. Interlude / Two-Five-Zero* / Padorin Reads* 1:10 7. Ryan’s Wheels / Tupolev** / Buckaroo** 3:22 8. The Line 0:36 9. Red Route I (Film Version) 3:48 10. Ancestral Aid 2:19 11. Plane Crash (Film Version) 1:57 12. Ryan Lifts Off / Emergence* 1:38 13. Two Wives* 2:47 14. Chopper (Film Version) 4:13 15. Submarine Dive / Necessary Force** 3:18 16. Outer Doors 2:17 17. Nuclear Scam (Film Version) 7:24 18. Mini-Sub / Contact 3:14 19. Tupolev’s Torpedo / Torpedo Hits 3:32 20. Kaboom!!! (Film Version) 6:26 21. End Title (Ancestral Aid / Hymn To Red October / Nuclear Scam) 4:41 DISC 2 1:12:44 ORIGINAL SOUNDTRACK ALBUM 30:18 1. Hymn To Red October (Main Title) 5:06 2. Nuclear Scam 7:18 3. Putin’s Demise 0:55 4. Course Two-Five-Zero 0:22 5. Ancestral Aid 2:16 6. Chopper 2:53 7. Two Wives 2:42 8. Red Route I 3:30 9. Plane Crash 1:51 10. Kaboom!!! 3:24 ADDITIONAL MUSIC 42:20 11. Hymn To Red October (Main Title) (Orchestra Only) 5:06 12. Putin’s Demise (Alternate) 1:00 13. Putin’s Demise (Alternate Mix) 1:06 14. Tyler’s Office (Alternate Mix) 0:47 15. Course Two-Five-Zero (Orchestra Only) 0:25 16. Two-Five-Zero (Shorter Alternate) 0:20 17. Ryan’s Wheels (Original Version) 0:43 18. Ryan’s Wheels (Alternate Mix) 0:49 19. The Line (Alternate Mix) 0:36 20. Red Route I (Alternate Mix) 3:46 21. Ancestral Aid (Alternate) 2:08 22. Plane Crash (Alternate Mix) 1:56 23. Necessary Force (Alternate Mix) 2:26 24. Outer Doors (Alternate Mix) 2:17 25. Nuclear Scam (Orchestra Only) 7:24 26. Mini-Sub (Alternate Mix) / Contact (Alternate) 3:21 27. Kaboom!!! (Alternate Mix) 6:24 28. The Anthem of the Soviet Union (Vocal) 1:18 TOTAL ALBUM TIME 2:16:08 *NOT USED IN FILM **CONTAINS MATERIAL NOT USED IN FILM

LLLCD 1673 Music by Max Aruj and Alfie Godfrey Limited Edition of 2000 Units Autographed copies are no longer available. La-La Land Records, Paramount Pictures and Sony Classical present the 2 CD release of acclaimed composers Max Aruj and Alfie Godfrey’s original motion picture score to the big-screen blockbuster MISSION: IMPOSSIBLE – THE FINAL RECKONING, starring Tom Cruise, Haley Atwell, Ving Rhames and Simon Pegg and directed by Christopher McQuarrie. As the beloved blockbuster MISSION: IMPOSSIBLE franchise culminates in this year’s smash hit MISSION: IMPOSSIBLE – THE FINAL RECKONING, the film’s knockout orchestral score by Max Aruj and Alfie Godfrey is a vital, pulse-pounding component to all the on-screen action, thrills and drama. Using the classic, immortal Lalo Schifrin theme as a vibrant touchstone, the composers unleash a sonic wonder of a score, teeming with thematic emotion and excitement! Mastered by Ruben Cohen at Lurssen Mastering, this 2-CD set is limited to 2000 Units. The sharp art design by Dan Goldwasser features a CD booklet with a reversable front cover, as well as a note from the composers. TRACK LISTING: DISC 1 1. We Live And Die In The Shadows 0:45 2. Another Sunrise 2:28 3. Come Home Ethan 2:28 4. The Final Reckoning – Main Titles 1:07 5. Martial Law 3:06 6. Enter Paris 2:31 7. Origins 3:28 8. It’s Only Pain 1:42 9. It Will Change You (Ça Te Changera) 1:57 10. The Entity 4:07 11. The Entity’s Future 3:12 12. I’ll Be Waiting 2:49 13. This Is Where You Leave Me 3:08 14. I Know You 5:22 15. Mt Weather 2:07 16. Checkmate 3:12 17. I Have No Regrets 1:26 18. The Eye Of The Storm 2:04 19. Nothing Is Certain 4:37 20. Firefight 4:05 21. The Icecap 3:58 TOTAL DISC TIME: 59:41 DISC 2 1. The Sevastopol 5:33 2. Ascending 2:32 3. I Owe You My Life 7:22 4. Consequences 3:23 5. Your Final Reckoning 5:18 6. We’ll Figure It Out 2:04 7. Liftoff 1:28 8. Decisions 2:23 9. This Is Not Good 1:11 10. Problems 1:31 11. Tailstrike 1:05 12. Ten Seconds... Maybe 2:26 13. Good Luck 1:59 14. Descending 2:19 15. A Light We Cannot See 9:16 16. Curtain Call 1:53 Bonus Tracks 17. For Those We Never Meet 5:01 18. The Arctic 1:44 19. This Is My Mission 3:17 20. Encore 0:59 21. Final Reckoning – Sacrifice Teaser 1:59 TOTAL DISC TIME: 64:45 TOTAL ALBUM TIME 124:26

Neuauflage: LLLCD 1672 Music by Jerry Goldsmith Limited Edition of 3000 Units RETAIL PRICE: $31.98 STARTS SHIPPPING LATE JULY Order yours NOW at www.lalalandrecords.com La-La Land Records, Paramount Pictures and WEA present an expanded and remastered 2-CD re-issue of legendary composer Jerry Goldsmith’s (THE OMEN, STAR TREK – THE MOTION PICTURE, BASIC INSTINCT) original motion picture score to the 2002 Paramount Pictures espionage thriller THE SUM OF ALL FEARS. Based on the acclaimed Tom Clancy novel, the film stars Ben Affleck, Morgan Freeman and Liev Schreiber, and was directed by Phil Alden Robinson. This Goldsmith treasure returns to La-La Land Records better and bigger than ever in an all-new 2-CD presentation that unleashes the Maestro’s power in all of its brilliance. Striking themes and motifs abound in the composer’s powerhouse orchestral score, expertly weaving patriotism and hope with chilling dread and nail-biting suspense in equal measure – an undoubtedly important work from this iconic maestro’s final chapter. Produced by Neil S. Bulk and Bruce Botnick, this special release offers the score presentation and additional music, newly mixed and mastered by Botnick, on Disc 1, while Disc 2 features the remastered original 2002 soundtrack album with its unique takes, songs and segues. This limited edition of 3000 units features liner notes by writer Jeff Bond (updated from our 2014 release) and thrilling new art direction by Dan Goldwasser. TRACK LISTING: DISC 1 78:13 SCORE PRESENTATION 64:34 1. The Mission (Includes “If We Could Remember”) 5:56 2. Do It! / I’ll Go 1:53 3. The Bomb 2:55 4. 14 Months 1:35 5. The Deal 2:34 6. Thanks A Lot :44 7. That Went Well (Film Version) 2:44 8. The Shipment / Moscow Time 1:20 9. Nice Going 2:01 10. The Docks 1:44 11. Mrs. Spassky / The Lab 2:11 12. The Reservoir / Night Landing 1:50 13. Deserted Lab 1:50 14. Shoot Him :53 15. Changes 2:26 16. Clear The Stadium (Film Version) 1:31 17. Not The Russians / Man Your Aircraft 3:07 18. Further Aggression 1:41 19. State Of War 1:14 20. Supplies :49 21. To The Docks 1:21 22. Real Time 2:50 23. Cabot Is Dead 1:03 24. His Name Is Olson 1:50 25. Snap Count 2:11 26. Maximum Readiness / Get A Doctor 2:02 27. How Close? 6:05 28. The Same Air (Extended Version) 2:16 29. If We Could Remember 3:29 ADDITIONAL MUSIC 13:33 30. The Mission (Excerpt, Synth Choir Version) 4:31 31. The Bomb (Synth Choir Version) 2:55 32. The Star-Spangled Banner 1:54 33. His Name Is Olson (Synth Choir Version) 1:49 34. Theme From “The Sum Of All Fears” (Synth Demo) 2:14 DISC 2 49:40 REMASTERED ORIGINAL SOUNDTRACK ALBUM 1. If We Could Remember 3:30 2. The Mission (Includes “If We Could Remember”) 5:57 3. The Bomb 2:56 4. That Went Well 2:45 5. Clear The Stadium 1:33 6. If We Get Through This 3:36 7. The Deal 2:35 8. Changes 2:27 9. Snap Count 2:13 10. His Name Is Olson 1:52 11. Nessun dorma (From “Turandot”) 2:59 12. Deserted Lab 1:52 13. Real Time 2:51 14. How Close? 6:06 15. The Same Air 2:01 16. If We Could Remember (Reprise) 3:35 TOTAL ALBUM TIME 2:07:53

Kurz nach seinem 93. Geburtstag ist Lalo Schifrin nun leider verstorben. https://variety.com/2025/music/news/lalo-schifrin-dead-mission-impossible-film-composer-1236442000/

Star-Trek-Vinyl von Varese: Boldly go! We’re excited to announce brand-new 2-LP vinyl editions of Star Trek: Music Adapted from The Paramount TV Series, featuring themes and cues from the first two seasons of the iconic TV series, packaged in a gatefold jacket featuring artwork by acclaimed illustrator Malachi Ward depicting USS Enterprise and its legendary crew. ORDER HERE: https://found.ee/startrek-tv

Intrada presents the world-premiere release of Ernest Gold's score for the western The Last Sunset, the latest release in the Universal Pictures Classics Collection. Right at the outset, Gold's main title lays out the themes that form the backbone of the score, in the bold Americana style of Aaron Copland. On screen, as camera pans across rugged desert terrain, two different men, one dressed in black and the other in browns and blues, ride toward their destiny to music reminiscent of Fanfare for a Common Man. It sets the tone for a music score that has all the trappings of a complex yet robust western. In addition to Gold's often thundering score, is a recurring theme not by Gold, but none other than Dimitri Tiomkin by way of his melody for the song "Pretty Little Girl in the Yellow Dress." Intrada founder Doug Fake had often asked about releasing this soundtrack, but it seemed there was always another title to prioritize. With his passing nearly a year ago, it seemed like the right time but also too late. It's a gem of a score and just another way the Intrada team can honor his memory and passion for film music. Produced with love and care by the Grammy-nominated producer Mike Matessino, the album was sourced from the full-track master tapes stored at Universal in excellent condition. The package is rounded out with detailed liner notes by Frank K. DeWald and restored cover art by Stephane Coedel. The western drama was directed by Robert Aldrich and stars Rock Hudson and Kirk Douglas. In the film, Brendan O'Malley (Douglas) is a fugitive gunslinger who flees to Mexico and joins a cattle drive led by Dana Stribling (Hudson), a lawman pursuing him for murder. As tensions rise between the two men, complications deepen when O'Malley falls in love with the daughter of his former lover—unaware of a shocking truth about her parentage. THE SCORE 01. Main Title (From The Last Sunset) (3:34) 02. Breckenridge Ranch (3:02) 03. Reunion (3:16) 04. O’Malley’s Indecision (4:32) 05. Crazy Cowboy (7:00) 06. The Drive Starts (3:46) 07. Breckenridge’s Death (3:54) 08. Fist Fight (1:04) 09. A Friendly Hand (2:41) 10. Lesson For The Kid (2:08) 11. Dangerous Dreams (5:43) 12. Stribling Takes Over (5:29) 13. Quicksand And Journey To Sundown (5:03) 14. At The Border (3:03) 15. Missy Proposes (3:49) 16. More Indecision (2:37) 17. O’Malley Bows Out (4:57) 18. Death Duel (3:53) 19. End Title (From The Last Sunset) (3:44) Total Score Time: 73:34 THE EXTRAS 20. La Mesticita (2:28) 21. Concheros/Fiesta/La Torto Lito (1:51) 22. Mexican Hat Dance (1:30) Total Extras: 5:50 CD Total Time: 79:27