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Hallo Soundtrack-Boarder, wir starten einen erneuten Versuch, die manchmal aufkommende Flut neuer Soundtrack-Veröffentlichungen ein wenig übersichtlicher zu kanalisieren. In diesen Thread sollen künftig Veröffentlichungen hinein, die höchstwahrscheinlich eher ein kleineren, sehr überschaubaren Kreis von Filmmusikfreunden ansprechen. Beispiele für solche Veröffentlichungen sind in der unten angeführten Grafik (courtesy of Stefan Jania ) angegeben. Score-Veröffentlichungen von hoher oder höherer Popularität bekommen weiterhin ihre eigenen, einzelnen Threads. Der Grund für diesen Sammelbereich liegt in der Tatsache begründet, dass zwar oft viele kleinere, obskurere Releases vorgestellt werden, es jedoch seitens der User sehr wenig bis gar kein Feedback dazu gibt. Darunter leidet die Übersichtlichkeit im "Veröffentlichungs-Unterforum". Sollte sich jedoch aus diesem Sammelthread heraus zu bestimmten Veröffentlichungen eine längere Diskussion entwickeln, werden wir Mods/Admins diese in einen separaten Thread auslagern, damit dort weiter debattiert werden kann.

Caldera Records is proud to present Gerald Fried’s music for Stanley Kubrick’s films “Fear and Desire” and “Day of the Fight”. Gerald Fried and Stanley Kubrick became friends as teenagers. The musician enabled the latter to join a baseball team while the future director served as the conduit for Fried to join intellectual circles. They would first collaborate professionally in 1951, when Kubrick needed music for his short film, “Day of the Fight.” A year previously, the photographer had portrayed boxer Walter Cartier for Look magazine, and henceforth decided to make him the subject of a moving picture. “Day of the Fight” follows Cartier during the hours preceding a seminal fight, with the tightly focused 12-minute documentary including trivia from the boxer’s life, as narrated by Douglas Edwards. Then in 1952 Kubrick started to develop his first feature film, a drama he saw as a poetic allegory about a man lost in a hostile world. “Fear and Desire” – describing the two dominant human passions – is not to be taken literally, as it depicts the struggle of four soldiers who find themselves behind enemy lines. As opposed to opening the film with a boisterous main title fanfare (as he had done in “Day of the Fight”), he used only a solo bassoon to introduce the theme, reminiscent of Stravinsky’s famous opening of “Le Sacre du Printemps.” Kubrick loved this approach and showered his friend with compliments during the recording. Fried set out to write a profound, meaningful, touching, despairing and yet triumphant score – which he duly achieved and with which he paid tribute to the film’s qualities. Incidentally, and although he had ended their working-relationship in 1957, Kubrick was very much inspired by a film Fried worked on in 1964: “To the Moon and Beyond” was produced for the World Fair in 1964/65 in New York. The short film, narrated by “Twilight Zone” creator Rod Serling, depicted a voyage “to the moon and beyond,” showing the earth continually shrinking while the camera zooms further and further out. Because of its Kubrick connection, we included the score for “To the Moon and Beyond” here. The 41st CD-release of Caldera Records – a world premiere – features a detailed booklet-text by Stephan Eicke and elegant artwork by Luis Miguel Rojas. The CD was mastered by Richard Moore and produced by Stephan Eicke and John Elborg. Music Composed and Conducted by Gerald Fried Album Produced by Stephan Eicke Executive Producers for Caldera Records: John Elborg, Stephan Eicke Fear and Desire 1. Opening Credits (1:37) 2. Heading for the River (1:36) 3. All Clear (0:15) 4. Approaching the Cabin (1:12) 5. Madness (3:04) 6. “Girls Always Love Stories” (1:04) 7. Sidney and the Girl (2:48) 8. The House Down the River (0:13) 9. Mac’s Departure (3:43) 10. Waiting to Kill (5:04) 11. Drifting Through the Night (0:51) 12. End Credits (0:50) Day of the Fight 13. March of the Gloved Gladiators (2:48) 14. Examination and Preparation (3:53) 15. Waiting for the Big Fight (2:52) 16. Victory (0:39) 17.-27. To the Moon and Beyond (9:13) Listen to a 5 min clip here: For more information please visit: http://caldera-records.com/portfolio/fear-and-desire/

Klingt nach einem schönen Projekt für Bruce Broughton.

Was Neues von Thomas Newman. Let Them All Talk. Gar nicht mein Ding, wie vieles aus seiner Feder. https://open.spotify.com/album/2ycFTGyjnzu5qB5xNgkOUt

Hans Zimmer tritt die Nachfolge von Rupert Gregson-Williams an und wird das nächste Wonder Woman Abenteuer vertonen. http://filmmusicreporter.com/2018/08/22/hans-zimmer-to-score-patty-jenkins-wonder-woman-1984/

Kommt am 21. Januar:

Dieses imposante 4-CD-Set ist zwar schon vor mehr als einem Jahr erschienen, aber es erscheint mir angebracht, es hier einmal vorzustellen, denn inhaltlich hat es mich wirklich mehr als überzeugt. EL HOMBRE Y LA TIERRA ist eine Dokumentarserie, die von 1974 - 1981 im spanischen Fernsehen ausgestrahlt wurde und in ihrem Heimatland hohes Ansehen genießt. Ich war zuerst skeptisch wegen der bloßen Menge an Musik. Doch nach dem ersten Hördurchgang (auf zwei Tage verteilt) war ich von der Vielseitigkeit und dem Unterhaltungswert der Musik einfach begeistert. Abril konnte hier offensichtlich aus dem Vollen schöpfen. Grundsätzlich ist es eine klassisch angelegte Komposition. Dramatisch, verspielt, melancholisch, humorvoll. Die ganze Emotionspalette wird bedient, ohne dass stilistische Brüche entstünden. Stets originell und einfallsreich. Mal experimentierfreudig, mal mit Anklängen von Popmusik oder Western-Motivik. Vor allem die ethnische Musik der bereisten Länder kommt hier zum Zuge und wird von Abril in den sinfonischen Kontext mit einbezogen. Großartige Filmmusik, die zur Zeit bei Quartet zum Sonderpreis angeboten wird. Es lohnt sich.

Dan Romer wird wohl der Komponist für den neuen Bond sein, damit kein David Arnold, Thomas Newman oder gar Hans Zimmer, wie ja Soundtrack Composer mal wo geschrieben hat. Hier der Indiewire-Artikel:

Da ich JWFan vertraue, dass die da nichts illegales posten, gibt es ein neues John Williams-Album umsonst.

Kommt auch auf Vinyl, einmal schwarze Pressung und einmal weiß mit blauem Streifen, limitiert auf 400 Stück, beziehungsweise 100 Stück.

Welch Überraschung... der neue Film von Nolan wird nicht von Zimmer Hans vertont, sondern von Ludwig Göransson. Gefällt mir! Nachtrag: Zimmer hatte für Nolan dieses Mal keine Zeit, daher wurde der schwedische Oscarpreisträger als Komponist eingestellt.

Varese Sarabande hat Looney Tunes: Back in Action: The Deluxe Edition von Jerry Goldsmith veröffentlicht. Disc 1: 1. Looney Tunes Opening (What’s Up Doc?) / Rabbit Fire† (1:09) 2. What’s Up? (1:25) 3. Another Take (:48) 4. Dead Duck Walking (3:14) 5. She Likes You (:46) 6. The Shimmy / Out Of The Bag / Save Dad / The Car‡ (3:53) 7. Not A Billion (:45) 8. Blue Monkey (:58) 9. Extra Crispy (:36) 10. The Shower / Psycho Parody* (1:15) 11. In Style (1:10) 12. The Bad Guys (2:57) 13. Hit Me (:30) 14. Car Trouble / Flying High (3:46) 15. Hurry Up (:25) 16. Nice Hair / Burning Tail (:55) 17. A Visit To Walmart / Free Drinks (:36) 18. Wrong Turn Coyote †† (:54) 19. The Launch ‡‡ (:27) 20. Thin Air° (1:26) 21. Area 52 (Take 54)(1:29) 22. You’re Next (:25) 23. Wacky Marvin In The Jar° (:49) 24. Hot Pursuit (2:26) 25. We've Got Company / Man & A Woman / I’ll Take That (3:21) 26. The Painting / The Scream/ It Is Spring / Bugs with Mandolin§§# (3:20) 27. The Red Balloon (:26) 28. Paris Street (1:22) 29. Free Fall (1:17) 30. The Hook / Africa (:33) 31. Tasmanian Devil (1:09) 32. Jungle Scene (1:42) 33. Pressed Duck (3:26) 34. Re-Assembled (:51) 35. Waiting For A Train*° (2:49) 36. A New Puppy*° (3:06) 37. To The Rescue*° (4:24) 38. Heroes* (2:39) 39. Merry-Go-Round Broke Down (That’s All Folks!) § (:16) 40. End Title Suite (5:17) DISC 2: 1. What’s Up? (1:29) 2. Another Take, #9 (:53) 3. Trumpet Wa-Wa (:07) 4. The Shimmy (:12) 5. Out Of The Bag (1:17) 6. The Car, Part 1 (:15) 7. The Car, Part 2 (:12) 8. Psycho (:37) 9. Car Trouble (3:22) 10. Wrong Turn, Part 1 (1:14) 11. Wrong Turn, Part 2 (:25) 12. Wrong Turn, Part 3 (1:08) 13. The Launch (:30) 14. The Blue Danube / The Barber of Seville / Can Can ## (:36) 15 Vivaldi Concerto # (:15) 16. The Hook (:29) 17. Pressed Duck (3:39) 18. Merry-Go-Round Broke Down (That’s All Folks!) § (:23) The Original 2003 Soundtrack Album: 19. Life Story† (:19) 20. What’s Up? (1:25) 21. Another Take (:48) 22. Dead Duck Walking (3:14) 23. Out Of The Bag (3:44) 24. Blue Monkey (:54) 25. In Style (1:09) 26. The Bad Guys (2:56) 27. Car Trouble (3:46) 28. Thin Air ° (1:26) 29. Area 52 (1:29) 30. Hot Pursuit (2:26) 31. We’ve Got Company (1:50) 32. I’ll Take That (1:22) 33. Paris Street (1:21) 34. Free Fall (1:15) 35. Tasmanian Devil (1:09) 36. Jungle Scene (1:40) 37. Pressed Duck (3:22) 38. Re-Assembled (:52) 39. Merry-Go-Round Broke Down (That’s All Folks!) (:55) Music Composed and Conducted by Jerry Goldsmith Additional Music by John Debney • Produced by Jerry Goldsmith • Performed by The Hollywood Studio Symphony *Composed by John Debney †Composed by Carl Stalling, Arranged by Cameron Patrick ††Composed by Carl Stalling with Additional Music Composed and Arranged by Cameron Patrick ‡Composed by Jerry Goldsmith with Additional Music Composed by Cameron Patrick ‡‡Composed by Cameron Patrick §Composed by Cliff Friend and Dave Franklin, Arranged by Cameron Patrick §§Contains Musical Pieces Composed by Modest Mussorgsky, Arranged by Mark McKenzie #Contains Musical Pieces Composed by Antonio Vivaldi, Arranged by Mark McKenzie ##Contains Musical Pieces Composed by Johann Strauss, Gioachino Rossini, and Jacques Offenbach, Arranged by Mark McKenzie °Contains Excerpts from “Powerhouse” Composed by Raymond Scott °°Contains Excerpts from “Un Homme Et Une Femme” Composed by Francis Lai and Pierre Barouh

Babe: The Deluxe Edition (CD) Original Motion Picture Soundtrack Nigel Westlake UPC: 888072198562 Release Date: 1/8/2021 Limited Edition Of 1500 Babe was a massive surprise hit in 1995. A children’s film starring a talking pig seemed to be the last thing anybody expected from visionary filmmaker George Miller (Mad Max), but writer-producer Miller, adapting a 1983 book with director and cowriter Chris Noonan, created a universally praised, moving film about a farm pig (a combination of animatronics and computer graphics) who longs to be a sheepdog. With a memorable lead performance by James Cromwell as Babe’s farmer-owner, Babe received glowing reviews and seven Oscar nominations, winning for Best Visual Effects. A major part of Babe’s exquisite, perfectly pitched storybook tone is the charming, resonant symphonic score by Australian composer Nigel Westlake. Westlake interpolated a tapestry of classical works, most notably the maestoso section of Saint-Saëns’ third (Organ) symphony, to perfectly capture the human emotions of the film’s animal characters, while ironically treating the humans with an animal-like comedy and whimsy. (The Saint-Saëns melody had been adapted into the British reggae pop hit, “If I Had Words,” by Scott Fitzgerald & Yvonne Kelley; a sped-up version is used in Babe’s end credits.) Babe was released as a music-and-dialogue album at the time of the film. This CD Club edition features the expanded score as music only, packaged with a new essay by Tim Greiving featuring insights from Miller, Noonan, Cromwell and Westlake. 1. Opening Titles (From the Motion Picture Babe) – Piggery (4:02) 2. Fairground (Extended Version) (3:16) 3. I Want My Mum / The Way Things Are (4:40) 4. Fly Would Never / Crime And Punishment (3:50) 5. Anorexic Duck Pizzicati (Extended Version) (3:21) 6. Repercussions / Into The Knackery (2:23) 7. Pig, Pig, Piggy / Mother And Son (2:28) 8. Pork Is A Nice Sweet Meat (3:26) 9. Christmas Morning (Extended Version) (5:08) 10. Separate The Chickens / Round Up (2:37) 11. Babe’s Round Up (Extended Version) (3:59) 12. Mad Dog Rex (1:14) 13. The Sheep Pig (Extended Version) (1:47) 14. Dog Tragedy (1:36) 15. Hoggett Shows Babe / Maa’s Death (2:58) 16. Home Pig / Hoggett With Gun (2:48) 17. Pig Of Destiny / Up To Trouble (3:29) 18. The Cat / What Are Pigs For (2:26) 19. Where’s Babe / Hoggett’s Song (3:23) 20. Babe In The Kitchen / Help For Babe (4:32) 21. Baa Ram Ewe / Rex On Truck (1:46) 22. The Gauntlet / Moment Of Truth (Extended Version) (1:45) 23. Finale - That’ll Do, Pig, That’ll Do (1:39) 24. If I Had Words (2:54) 25. Toreador Aria (Excerpt) (:22) 26. Pork Is A Nice Sweet Meat (With Vocals) (3:51) 27. Blue Moon (Excerpt) (:40) 28. Cantique de Jean Racine (Excerpt) (:41) 29. If I Had Words (Hoggett’s Song) (1:52) Music Composed and Produced by Nigel Westlake Performed by the Victorian Philharmonic Orchestra

Keine Ahnung, was das Cobra Kai ist.. aber der kommt am 22. Mai von LLL auf CD raus.

Neu von Intrada am 27.10 Quelle: http://www.intrada.net/phpBB2/viewtopic.php?f=4&t=8575&fbclid=IwAR0wi3TxJrLywn5GBmhfXxae30PYPStdHAHZyzN_GmMAep6bqn5Xa0levc8