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  1. LA-LA LAND RECORDS FEELS THE NEED FOR SPEED!!! NEW RELEASE: MARCH 1, 2024 Available to order NOW at www.lalalandrecords.com “TOP GUN: LIMITED EDITION (2-CD SET)” Music by Harold Faltermeyer Limited Edition of 5000 Units RETAIL PRICE: $29.98 STARTS SHIPPING MARCH 11 The first 150 orders of TOP GUN will get a CD Booklet autographed by the composer at no additional charge. Autographs are available while supplies last and ARE NOT GUARANTEED. La-La Land Records, Paramount Pictures and Columbia Records present the world premiere official release of renowned composer Harold Faltermeyer’s (FLETCH, BEVERLY HILLS COP, THE RUNNING MAN) original motion picture score to the iconic 1986 aerial blockbuster action/drama TOP GUN, starring Tom Cruise and Kelly McGillis, and directed by Tony Scott. Composer Faltermeyer defined the 80’s film score pop-synth landscape with such legendary scores as BEVERLY HILLS COP and FLETCH only to re-define it further with TOP GUN, a propulsive and imaginative musical juggernaut that still inspires and influences film scores today – including the recent smash TOP GUN: MAVERICK. Aside from two previously released tracks, this remastered and expanded deluxe 2-CD presentation marks the first time Faltermeyer’s TOP GUN score has been made officially available in any format! Disc One showcases the brilliant film score, along with bonus demo cues, and Disc Two presents songs from the film, including the #1 hits “Danger Zone,” performed by Kenny Loggins and the Oscar-Winning “Take My Breath Away,” performed by Berlin – both co-written and produced by the great Giorgio Moroder – as well as “You’ve Lost That Lovin’ Feeling,” performed by The Righteous Brothers and more, plus additional bonus tracks. Produced by for La-La Land Records by Dan Goldwasser, mastered by Doug Schwartz and approved by the composer, this limited edition of 5000 units includes exclusive, in-depth liner notes by writer Tim Greiving, with new interview quotes from Faltermeyer, and high-flyin’ art design by Goldwasser. A must-have for all film music and pop culture fans that’ll take your breath away! TRACK LISTING: DISC 1 1. Main Title* 2:41 2. Carrier Takeoffs and Landings** 1:46 3. Two Migs, Not One†/Cougar Chased by Mig/Mav Flips the Bird*/Cougar’s Troubled Landing 6:58 4. Mav Goes to Fightertown** 1:49 5. Jester Flying*** 3:10 6. Tower Flyby* 1:10 7. Viper Comes Down on Mav 0:50 8. Mav and Goose In Room 2:06 9. Dinner at Charlie’s§ 1:32 10. Mav Says Goodbye to Charlie§ 2:40 11. Love Scene§ 3:41 12. Mav vs Viper 2:11 13. End Locker Room and Photo 0:46 14. Aerial Sequence** 1:27 15. Goose’s Death/Memories 4:10 16. Mav Reflects in Goose’s Room/Board of Inquiry/Charlie and Mav in Airport Bar 11:03 17. Viper’s House Pt. 1# 1:15 18. Viper’s House Pt. 2 1:57 19. Carrier Ready Room and Takeoffs# 2:47 20. Mav is Launched/Mav Bugs Out/Mav Returns to Battle#/Return to Carrier* 11:11 BONUS TRACKS 21. Top Gun Theme (original demo - May 4, 1985) 3:34 22. Top Gun Theme (revised demo - August 1, 1985) 4:18 23. Top Gun Theme (revised demo reprise - August 1, 1985) 4:12 TOTAL DISC 1 TIME = 77:58 DISC 2 1. “Danger Zone” - Kenny Loggins 3:36 2. “Mighty Wings” - Cheap Trick 3:51 3. “Playing With the Boys” - Kenny Loggins 3:59 4. “Lead Me On” - Teena Marie 3:47 5. “Take My Breath Away (Love Theme From “Top Gun”)” - Berlin 4:15 6. “Hot Summer Nights” - Miami Sound Machine 3:38 7. “Heaven In Your Eyes” - Loverboy 4:04 8. “Through the Fire” - Larry Greene 3:45 9. “Destination Unknown” - Marietta 3:48 10. “Top Gun Anthem” - Harold Faltermeyer & Steve Stevens 4:12 11. “(Sittin’ On) the Dock of the Bay” - Otis Redding 2:41 12. “Memories” - Harold Faltermeyer 2:55 13. “Great Balls of Fire” - Jerry Lee Lewis 1:50 14. “You’ve Lost That Lovin’ Feelin’” - The Righteous Brothers 3:42 15. “Playing With The Boys (Dance Mix)” - Kenny Loggins 6:41 16 .“Dog Fight #3” - Harold Faltermeyer 2:40 17. “Radar Radio” - Giorgio Moroder feat. Joe Pizzulo 3:42 BONUS TRACKS 18. First Shot of Mav and Goose (unused)* 0:53 19. Don’t Worry About the Mig (unused)§ 0:24 20. Top Gun Theme (extended album mix) 4:44 TOTAL DISC 2 TIME = 69:45 TOTAL ALBUM TIME = 2:27:43 * consists of “Top Gun Anthem” ** consists of “Danger Zone” *** consists of “Mighty Wings” § consists of “Take My Breath Away” † contains material not in film # contains an interpolation of “Top Gun Anthem” This is a CD format release.
  2. Hallo Soundtrack-Boarder, wir starten einen erneuten Versuch, die manchmal aufkommende Flut neuer Soundtrack-Veröffentlichungen ein wenig übersichtlicher zu kanalisieren. In diesen Thread sollen künftig Veröffentlichungen hinein, die höchstwahrscheinlich eher ein kleineren, sehr überschaubaren Kreis von Filmmusikfreunden ansprechen. Beispiele für solche Veröffentlichungen sind in der unten angeführten Grafik (courtesy of Stefan Jania ) angegeben. Score-Veröffentlichungen von hoher oder höherer Popularität bekommen weiterhin ihre eigenen, einzelnen Threads. Der Grund für diesen Sammelbereich liegt in der Tatsache begründet, dass zwar oft viele kleinere, obskurere Releases vorgestellt werden, es jedoch seitens der User sehr wenig bis gar kein Feedback dazu gibt. Darunter leidet die Übersichtlichkeit im "Veröffentlichungs-Unterforum". Sollte sich jedoch aus diesem Sammelthread heraus zu bestimmten Veröffentlichungen eine längere Diskussion entwickeln, werden wir Mods/Admins diese in einen separaten Thread auslagern, damit dort weiter debattiert werden kann.
  3. NOW SHIPPING Universal Pictures Film Music Classics Collection LLLCD 1635 Music by Maurice Jarre Limited Edition of 2000 Units RETAIL PRICE: $21.98 La-La Land Records and Universal Studios proudly present the eighteenth title within the acclaimed Universal Pictures Film Music Classics Collection – TOPAZ, music by Maurice Jarre (LAWRENCE OF ARABIA, DOCTOR ZHIVAGO). Remastered and expanded beyond its previous soundtrack release, and in stereo for the first time, renowned composer Maurice Jarre’s original motion picture score to TOPAZ, the 1969 big-screen dramatic thriller starring Frederick Stafford and John Veron, and directed by the legendary Alfred Hitchcock, shines brilliantly throughout this deluxe limited edition CD release. Vividly demonstrating Jarre’s remarkable versatility and invention, TOPAZ is a notable and unique work in the composer’s canon, finding the maestro experimenting with early synthesizers and colorful percussion, while also employing orchestra in expert fashion to support the film’s varied textures of drama, romance and suspense. Produced, mixed, edited and mastered by Mike Matessino, from studio vault elements, this special limited edition of 2000 units features in depth, exclusive liner notes written by author Jeff Bond and classic art direction by Jim Titus. TRACK LISTING: SCORE PRESENTATION (57:04) 1. ‘Topaz’ March (Main Title) 2:36 2. Kidnapping 1:42 3. Going To America 2:55 4. Arcy’s Office 2:32 5. Russian Defector 2:56 6. The Attaché Case 3:44 7. Arriving In Cuba (Part 1) 4:11 8. Arriving In Cuba (Part 2) 2:57 9. Love With Juanita 3:49 10. Mendoza 3:45 11. Last Farewells To Juanita 4:49 12. Rico Shoots 2:39 13. Back To The States 2:39 14. Sad Comeback 2:53 15. Lunch At Pierre 2:16 16. Francois Arriving At Jarré 17. Something Has Happened 2:07 18. Portrait Of A Dead Traitor 2:01 19. Duel And ‘Topaz’ Finale 2:01 20. Love Theme From ‘Topaz’ 2:49 ADDITIONAL MUSIC (9:14) 21. ‘Topaz’ March (Alternate) 2:17 22. ‘Topaz’ Finale (Alternate) :44 23. Main Theme From ‘Topaz’ 2:57 24. Love Theme From ‘Topaz’ 3:07 TOTAL ALBUM TIME: 66:22 This is a CD format release.
  4. CITY HALL - Jerry Goldsmith (1996) 01. The Bridge (2:05) 02. The Meet (2:57) 03. The Hospital (2:17) 04. When I Was A Kid (2:21) 05. The Cabin (1:06) 06. The King Maker (2:22) 07. Old Friends (2:49) 08. Swartz Is Dead (2:45) 09. Think About It (1:22) 10. The Report (1:37) 11. Take A Vacation (3:31) 12. Count On It (4:50) CITY HALL gehört sicher nicht zu seinen großen Meisterwerken, aber der Score nimmt im Schaffen der 90er Jahre dennoch eine kleine Sonderrolle ein. Dies hängt in erster Linie mit der eher ungewöhnlichen Orchestrierung zusammen. Goldsmith greift hier nicht ausschließlich auf seine vielfach erprobte Mischung aus Orchester und Elektronik zurück, sondern räumt einigen Instrumenten eine deutliche Sonderrolle ein. Im Vordergrund stehen dabei die Kesselpauken, die teilweise wie ein Soloinstrument behandelt werden und weite Teile der Musik dominieren. Außerdem fällt der Flügel auf, der hier vornehmlich als Rhythmusinstrument genutzt wird. Die vor allem von Holzbläsern getragenen Themen des Scores weisen eine an Jazz erinnernde Trägheit auf und verleihen der Musik eine gewisse Melancholie, die sich bei Goldsmith sonst eher selten findet. Die brillant strukturierten Actionpassagen weichen dabei deutlich von den anderen Werken dieser Zeit ab und man hat nie den Eindruck, dass Goldsmith in seine Action-Routine verfällt. Einige Elemente von CITY HALL erinnern an die Musik zu A STREETCAR NAMED DESIRE von Alex North, die Goldsmith im selben Jahr für Varèse eingespielt hat. Der Beginn des Titels "Old Friends" könnte sogar fast als direktes Zitat durchgehen. Für mich persönlich handelt es sich bei der Musik zu CITY HALL um ein kleines Juwel im (nicht immer überzeugenden) Spätwerk von Jerry Goldsmith.
  5. Alexandre Desplat durfte mal wieder die Musik für eine Regiearbeit von George Clooney komponieren. Startet Weihnachten in den amerikanischen. https://m.youtube.com/watch?v=dfEA-udzjjQ&pp=ygUQYm95eiBuIHRoZSBib2F0IA%3D%3D
  6. Morgen, am 23. Februar, wird Hollywood Records das offizielle Soundtrack-Album für die FX-Miniserie SHŌGUN veröffentlichen. Das Album umfasst 17 Stücke, komponiert von Atticus Ross, Leopold Ross und Nick Chuba. Der Soundtrack wird digital erhältlich sein. 1. Erasmus (0:45) 2. Main Title (1:51) 3. Osaka Castle (2:14) 4. The Council Will Answer to Me (2:28) 5. Tanto (1:06) 6. Crimson Sky (2:47) 7. Three Hearts (5:23) 8. The Pull of Death (3:38) 9. Willow World (2:05) 10. This Is War (2:14) 11. A Dream Within a Dream (2:39) 12. Land of Tears (1:43) 13. All Men Can Be Broken (7:00) 14. Shinobi (3:20) 15. Why Tell a Dead Man the Future (2:06) 16. The Bureaucrat (1:50) 17. Two Hearts (3:06)
  7. Ende Januar kommt Robert Folks Rock-A-Doodle von MSM. Bin gespannt, wie der Score dort klingen wird - verglichen zur sehr mäßigen deutschen CD von damals. https://moviescoremedia.com/newsite/coming-soon/
  8. LLLCD 1632 Music by John Williams Limited Edition of 5000 Units RETAIL PRICE: $39.98 STARTS SHIPPING DEC 1 La-La Land Records, Sony Pictures, Amblin Entertainment and Sony Music present HOOK – THE ULTIMATE EDITION, a remastered and expanded 3-CD soundtrack presentation of legendary composer John Williams’ (STAR WARS, E.T., HARRY POTTER) original motion picture score to the 1991 adventure-fantasy HOOK, directed by Steven Spielberg. An undisputed masterwork within the treasured John Williams and Steven Spielberg collaboration that has spanned five glorious decades, HOOK is an astounding orchestral odyssey that exemplifies the Maestro’s musical genius—a sonic epic that soars with imaginative joy, wonder and adventure! This remastered ultimate presentation unleashes Williams’ iconic score as never before, expanded beyond any previous soundtrack release, with never-before-released score, alternate tracks, songs and source music. Produced, edited and mastered by Mike Matessino, in consultation with the composer, Disc One of this deluxe reissue contains the score presentation, which continues through Disc Two with additional music tracks. Disc 3 offers a sumptuous bounty of songs (highlighting the wonderful songwriting talents of Leslie Bricusse), alternate cues and source music! With stellar art direction by Jim Titus, this limited-edition release of 5000 units features a 48-Page booklet that includes exclusive in-depth liner notes by Matessino and associate producers John Takis and Jason LeBlanc. The track listing is featured on a 12-page second booklet within the package. TRACK LISTING: DISC 1 SCORE PRESENTATION 1.Hook Prologue (Extended Version) 1:33 2.We Don’t Wanna Grow Up (Extended Version) *2:57 3.Banning Back Home (Film Version) 3:21 4.Wendy’s Entrance 2:12 5.The Bedroom1 :08 6.The Nursery Scene 1:40 7.Saying Goodnight :57 8.Hook Returns To Kensington 2:00 9.Hook Is Back 2:09 10.Forgotten How To Fly :56 11.The Stories Are True 2:24 12.The Arrival Of Tink 3:33 13.The Flight To Neverland 2:40 14.Pirate Town And Presenting The Hook 5:09 15.Hook’s Entrance 2:42 16.Draw Your Sword! 2:14 17.Peter’s Challenge 5:42 18.From Mermaids To Lost Boys (Film Version) 4:26 19.Enter Rufio 1:19 20.The Lost Boy Chase 3:35 21.The Face Of Pan 2:42 22.Hook’s Epiphany 2:16 23.Smee’s Plan 1:46 24.Pick ’Em Up * 2:56 25.Hook’s Lesson 3:08 26.The Banquet 3:14 27.The Never-Feast (Film Version) 4:41 28.When You’re Alone * 3:17 29.Goodnight Neverland 1:45 Total Time Disc One: 78:54 DISC 2 SCORE PRESENTATION (Continued) 1.Stop That Clock! 4:05 2.Home Run And Follow That Shadow 5:24 3.Peter Remembers (The Flying Sequence) 8:23 4.You Are The Pan (Film Version) 1:26 5.Tink Grows Up 2:21 6.The Ultimate War (Film Version) 8:02 7.Death Of Rufio 4:23 8.The Sword Fight And The End Of Hook 7:07 9.Farewell Neverland 10:18 10.Hook End Credits And Exit Music 5:52 Total Score Time: 2:16:23 ADDITIONAL MUSIC 11.Hook Prologue 1:25 12.Banning Back Home (Extended Version) 4:24 13.From Mermaids To Lost Boys 4:26 14.The Face Of Pan (Choral Version) 2:43 15.The Ultimate War 7:54 Total Additional Music: 21:00 Total Time Disc Two: 78:32 DISC 3 SONGS, ALTERNATES AND SOURCE MUSIC 1.We Don’t Wanna Grow Up * 1:52 2.God Rest Ye Merry, Gentlemen 1:10 3.Childhood * 3:54 4.When You’re Alone – Moira’s Lullaby * :46 5.The Stories Are True (Alternate) 2:24 6.The Arrival Of Tink (Alternate) 3:35 7.The Flight To Neverland (Alternate) 2:33 8.Low Below – Pirate Sequence * 4:58 9.Hook’s Entrance (Alternate) 2:42 10.The Lost Boy Chase (Alternate) 3:34 11.The Never Song * 2:04 12.The Never-Band 1:20 13.The Never-Feast 4:42 14.When You’re Alone (Instrumental) 3:19 15.Mothers * 2:26 16.Stick With Me * 2:00 17.Take Me Out To The Ball Game 2:18 18.Remembering Childhood1 1:06 19.Believe * 3:01 20.Farewell Neverland (Short Version / Alternate) 6:54 21.Hook Exit Music (Alternate) 1:48 BONUS TRACKS 22.Pirate Sequence (Instrumental) 3:59 23.Smee’s Concertina Medley 4:50 24.Presenting The Hook (Vocal Version Segment) * 1:38 Total Time Disc Three: 79:17 Three-Disc Total Time: 3:56:43 *Lyrics by Leslie Bricusse This is a CD format release
  9. Hallo miteinander, ich habe gerade gesehen, dass wir noch kein Thema zu diesem Film haben. Freunde, die im Kino waren, sind sehr angetan gewesen. Ich habe es noch nicht geschafft und auch nur ganz kurz in den Score reingehört, was erstmal unspektakulär klang. Eine Passage erinnerte mich sehr an „The Might of Rome“, als ein klassisches Wagner-Idiom. Kann jemand mehr sagen?
  10. Varèse will nun wohl noch stärker ins Vinyl-Geschäft einsteigen und hat dafür eine neue Serie gestartet. Dafür verfolgen sie nun wohl das Modell von Waxwork und Co.: Schön bunt und mit Extras wie Postern. Coming soon to a turntable near you! Reel Cult is our brand-new soundtrack revival series for cinephiles, crate-diggers, and nostalgia nomads alike. Resurrected from the depths of bygone video stores and midnight repertory theaters, Reel Cult resurfaces the wildest B-movie soundtracks, cult classic creature features, Blaxploitation cinema, Wild West revenge sagas, and spine-tingling horror flicks that never stopped spinning in your head. Butter your popcorn, cue your tonearm, and crank that receiver to 11, because Reel Cult is coming to an independent record store near you on April 20th for Record Store Day 2024. Kicking off our series are two equally rambunctious titles, legendary composer Ennio Morricone's score for Orca, and the soundtrack to the classic Blaxploitation film Black Girl. Keep reading to get the lowdown. ENNIO MORRICONE - ORCA (MUSIC FROM THE MOTION PICTURE The only animal other than man who kills for revenge… is ORCA! Italian Maestro extraordinaire Ennio Morricone trades in his six-shooters for harpoons as he attacks the most dangerous creature in the sea, the killer whale! Morricone expertly instills his score with compassion for the oceanic familicide victim while echoing the whale’s vengeful bloodlust in a complex and rich soundtrack to the aquatic thriller. Available on vinyl in North America for the first time! Pressed on "Blood In The Water" colored vinyl, packaged in a tip-on jacket with brand-new liner notes and a fold-out poster. Dip your toes in, if you dare! VARIOUS ARTISTS - BLACK GIRL (ORIGINAL MOTION PICTURE SOUNDTRACK) Smooth Soul-Jazz at its best! Fantasy Records house producers/songwriters/engineers Ray Shanklin, Ed Bogus and Jesse Osborne collected the best soul vocal stylists including Betty Everett & Rodger Collins, and paired them with jazz giants like Merl Saunders and Sonny Stitt, to create an unforgettable musical tapestry for Ossie Davis’ seminal cinematic social commentary, 1972’s Black Girl. The music and score to Black Girl – as integral to the film as it is – makes for a timely and timeless stand-alone record as well. As fresh today as it was on its release fifty-plus years ago, Black Girl is one gem you’ll never forget. This long-sought-after rarity was cut (AAA) from the original analog tapes, and is pressed on 180-gram Clear Black Swirl-colored vinyl. Completing the package is a classic tip-on jacket.
  11. Der Absturz des Fuerza-Aérea-Uruguaya-Fluges 571 wurde erneut verfilmt. Den Film werde ich mir die Tage ansehen. Die Musik von Giacchino ist wirklich gelungen. Mir gefällt der "Weltmusik"-Einschlag mit Chor und klatschender Percussion. Schönes Album, aber um einiges zu lang, besonders in den "düsteren" Passagen. Eine CD kommt nächste Woche von Quartet. Meine beiden Anspieltipps: "I See The Sky" und das recht avatarige "Andes Ascent". Die letzten 10 Minuten sind auch nicht schlecht.
  12. Ich habe heute Morgen wieder einmal die neuen Scores auf Spotify gecheckt. Hier doch hängen geblieben. Ich hatte nur Sounddesign erwartet und wurde mit einem großen symphonischen old-school Score überrascht. Dass es so etwas noch gibt. Für 'nen Zehner gleich gekooft. https://www.qobuz.com/de-de/album/supercell-original-motion-picture-soundtrack-corey-wallace/xblq5t00zo6ia
  13. Danke Intrada! CD1 01. Jaws – Main Title (0:59) 02. The First Victim (1:45) 03. Remains On The Beach (0:59) 04. The Empty Raft (Extended Version) (1:45) 05. The Pier Incident (2:30) 06. Father And Son (Film Version) (1:59) 07. The Alimentary Canal (1:58) 08. Ben Gardner’s Boat (3:33) 09. Montage (1:35) 10. Into The Estuary (2:53) 11. Out To Sea (Film Version) (1:01) 12. Tug On The Line (2:39) 13. Man Against Beast (Film Version) (5:34) 14. Quint’s Tale (2:48) 15. Brody Panics (1:16) 16. Barrel Off Starboard (1:41) 17. Great Chase (3:02) 18. Shark Tows Orca (0:41) 19. Three Barrels Under (2:17) 20. From Bad To Worse (1:07) 21. Quint Thinks It Over (1:14) 22. The Shark Cage Fugue (2:02) 23. The Shark Approaches (Film Version) (0:53) 24. The Shark Hits The Cage (2:03) 25. Quint Meets His End (1:27) 26. Blown To Bits (3:17) 27. Jaws – End Title (1:57) Total Score Time: 54:55 The Extras 28. Jaws – Main Title (Alternate) (1:12) 29. The Typewriter (0:21) 30. Man Against Beast (Alternate) (5:38) 31. Barrel Off Starboard (Alternate Segment) (0:54) 32. Great Chase (Alternate) (3:03) 33. Shark Tows Orca (Alternate) (0:42) 34. The Shark Approaches (Alternate) (0:55) 35. Quint Meets His End (Alternate) (1:32) 36. Wild Shark Theme (1:10) Total Extras Time: 15:15 Total CD1 Time: 70:20 CD2 Original 1975 MCA Soundtrack Album 01. Main Title (Theme From Jaws) (2:24) 02. Chrissie’s Death (1:42) 03. Promenade (Tourists On The Menu) (2:48) 04. Out To Sea (2:30) 05. The Indianapolis Story (2:27) 06. Sea Attack Number One (5:25) 07. One Barrel Chase (3:10) 08. Preparing The Cage (3:26) 09. Night Search (3:34) 10. The Underwater Siege (2:34) 11. Hand To Hand Combat (2:34) 12. End Title (Theme From Jaws) (2:21) Total Album Time: 34:52 The Extras Music From Amity Town Beach 13. Joplin Rag (Original Rag) (Scott Joplin) (2:07) 14. Winter Stories Waltz (Alphons Czibulka) (1:46) 15. In The Good Old Summertime (George Evans & Ren Shields) (1:29) 16. Thousand And One Nights Waltz (Johann Strauss Jr.) (1:49) 17. Marching Band No. 1 (1:09) 18. Marching Band No. 2 (2:05) Total Source Music Time: 14:30 Total CD2 Time: 45:29 http://store.intrada.com/s.nl/it.A/id.9909/.f?sc=13&category=-113
  14. OCTOPUSSY – 40th ANNIVERSARY: EXPANDED/REMASTERED LIMITED EDITION (2-CD SET) LLLCD 1637 Music by John Barry “All Time High” Composed by John Barry Lyrics by Tim Rice Performed by Rita Coolidge Limited Edition of 5000 Units RETAIL PRICE: $31.98 STARTS SHIPPING JAN 16 Available to order now at www.lalalandrecords.com La-La Land Records, Metro-Goldwyn-Mayer, EON Productions and Universal Music Enterprises proudly commemorate the 40th Anniversary of the 1983 James Bond film OCTOPUSSY, with a remastered and expanded 2-CD re-issue of composer John Barry’s original motion picture score to the film, starring Roger Moore in his sixth turn as 007 and directed by John Glen. Legendary composer John Barry (GOLDFINGER, YOU ONLY LIVE TWICE, DANCES WITH WOLVES) returns again to the Bond franchise with OCTOPUSSY, delivering another bold, thrilling, dramatic and romantic orchestral score, along with a dreamily smooth and sensuous title track performed by Rita Coolidge. The renowned composer combines his chase-and-action style from the’60s with his more sophisticated, symphonic approach of the late ’70s and early ’80s, giving 007 the best of both musical worlds. OCTOPUSSY – 40th ANNIVERSARY EXPANDED LIMITED EDITION showcases the film’s music in exhilarating fashion, with improved sound and never-before-released material. Produced by Neil S. Bulk and mastered by Doug Schwartz, Disc One of this deluxe release showcases the film’s Score Presentation and additional music, while a remaster of the original 1983 soundtrack album is housed on Disc Two, along with the CD premiere of the “Extended Instrumental Version” of “All Time High”! The film score on Disc One was sourced from ¼ inch stereo tapes of the film mixes, while Disc Two’s original 1983 soundtrack and the “Extended Instrumental Version” of “All Time High” are from ¼ inch stereo album masters. All of the tapes were newly transferred in high resolution for this set. This special release is limited to 5000 units and features exclusive, in-depth liner notes by “The Music of James Bond” author Jon Burlingame and sharp art design by Dan Goldwasser. TRACK LISTING: DISC 1 SCORE PRESENTATION 1. Gun Barrel And Airbase* :51 2. Bond Look-Alike* 2:59 3. Fill Her Up :44 4. All Time High (Performed by Rita Coolidge) 3:05 5. 009 Gets The Knife And The Property Of A Lady 1:35 6. Kremlin Art Repository And Sotheby’s 1:22 7. India 1:00 8. Magda And Spend The Money Quickly, Mr. Bond :50 9. Gobinda Attacks* 2:14 10. Easy Come, Easy Go* 1:50 11. All Time High (Instrumental) 1:48 12. That’s My Little Octopussy 3:13 13. Arrival At The Island Of Octopussy 3:23 14. Bond At The Monsoon Palace 3:04 15. Palace Intrigue 1:43 16. The Mysterious Octopussy 2:36 17. Bond Meets Octopussy 3:36 18. Yo-Yo Fight And Death Of Vijay (Extended Version) 3:54 19. Checkpoint Charlie And The Romanov Star 1:06 20. The Chase Bomb Theme (Film Version) 1:55 21. Fight With Mischka :56 22. Follow That Car* 1:02 23. The End Of General Orlov 1:51 24. Gorilla Suit And Death Of Grischka 1:26 25. The Bomb Arrives And Clowning Around 1:48 26. The Palace Fight (Extended Version)* 5:00 27. Kamal Khan’s Death And Finale 2:01 28. All Time High – End Title (Performed by Rita Coolidge) 3:03 Total Score Time 60:43 ADDITIONAL MUSIC 29. British Ambassador :48 30. Vijay’s Pungi* :32 31. Gangaur Ghat 1:20 32. Bazaar 1:09 33. Let The Sport Commence 2:59 34. The Hunt Continues 2:10 35. The Floating Palace :53 36. Distraction 2:07 Total Additional Music Time 12:11 Total Disc 1 Time 73:03 DISC 2 ORIGINAL SOUNDTRACK ALBUM 1. All Time High (Performed by Rita Coolidge) 3:04 2. Bond Look-Alike* 2:59 3. 009 Gets The Knife And Gobinda Attacks* 3:06 4. That’s My Little Octopussy 3:13 5. Arrival At The Island Of Octopussy 3:23 6. Bond At The Monsoon Palace 3:04 7. Bond Meets Octopussy 3:36 8. Yo-Yo Fight And Death Of Vijay 3:45 9. The Chase Bomb Theme 1:57 10. The Palace Fight* 4:32 11. All Time High – End Title (Performed by Rita Coolidge) 3:03 Total Original Album Time 36:10 BONUS TRACK 12. All Time High (Extended Instrumental Version) 3:52 Total Disc 2 Time 40:08 Total Collection Time 1:53:11 * Contains “James Bond Theme” written by Monty Norman This is a CD format release
  15. Ich dachte mir, ich mache mal einen Sammelthread für alle Volumes, die LLL davon noch veröffentlicht. Music by Alexander Courage and Fred Steiner Limited Edition of 1701 Units RETAIL PRICE: $29.98 La-La Land Records and CBS Studios proudly present STAR TREK: THE ORIGINAL SERIES – THE 1701 COLLECTION VOL. 1, the first in a series of limited edition CD releases that showcase original score from the landmark sci-fi television series STAR TREK (1966-1969). Containing music originally from our long out-of-print 2012 Original Series Box Set, these exciting volumes utilize the same restored master as that acclaimed release, but feature new packaging by Dan Goldwasser, along with brand new, exclusive liner notes by film music writer and Trek historian, Jeff Bond. This ground-breaking, iconic music, from one of television’s most acclaimed and beloved series, is now again available for fans everywhere! Vol 1 of the 1701 Collection focuses on the Trek TOS music of renowned composers Alexander Courage and Fred Steiner, containing original music from the classic episodes THE MAN TRAP, THE NAKED TIME, CHARLIE X, MUDD’S WOMEN, THE CORBOMITE MANEUVER, BALANCE OF TERROR, WHAT ARE LITTLE GIRLS MADE OF? and THE CITY ON THE EDGE OF FOREVER, along with MAIN and END TITLES. Produced by Lukas Kendall, Neil S. Bulk and Jeff Bond, restored by Chris Malone and mastered by Doug Schwartz, this limited edition 2-CD release of 1701 units, as well as forthcoming volumes of this series, illustrate how the original Trek series scores not only teem with action, adventure and drama, but how they are also infused with deep emotion and the greatness of the human spirit. Such characteristics have kept these richly orchestrated tracks vital and relevant decades beyond their original recording. TRACK LISTING: DISC 1 The Man Trap Music Composed and Conducted by ALEXANDER COURAGE Episode #6, Recorded 8/19/66 • Aired #1, 9/8/66 Total Time: 34:21 1. Main Title (electric violin version) 0:50 2. Small Planet Visit / The Changeling M10/M11 3:27 3. Episode Titles / Genuine Affection M12/M13 1:00 4. First Goner / Salty Cat / Dressing Down M14–21/M22/M23 1:52 5. Circle One / Monitor Gizzard / Down Again / Grey to Greene M24/M25/M26/M31 3:16 6. Salt Chaser M32 1:34 7. Noisy Plant M33 1:06 8. At First Sight / Pill Tosser M34/M35–41 2:52 9. Nancy Schmancy M42 1:54 10. The Unreal McCoy M43 2:02 11. Top Security / Lazer Dazer / Dodo Girl M44/M45–51/M52 4:03 12. Conference M53 4:47 13. Dead Crater / Last of the Last M54/M61 4:13 14. Warp One* M62 0:44 15. Trailer (“The Man Trap”) 1:03 The Naked Time Music Composed and Conducted by ALEXANDER COURAGE Episode #7, Recorded 8/31/66 • Aired #4, 9/29/66 Total Time: 33:55 16. Brass Monkeys* / Out of Glove M10/M11 2:58 17. Breaking Planet* / Sweaty Palm / Itchy Hand M12/M13/M14 1:21 18. Joe Berserk M21 3:02 19. Pulled Down* / It Spreads M22/M23 1:12 20. Joe Goes / Sulu Finks Out M24/M31 1:01 21. Up the Rebels / D’Artagnan-san M32/M33 3:09 22. Banana Farm M34 2:11 23. Out of Control / Lurch Time / Punchy Kid M41/M42/M43 1:49 24. Party Time M44 1:35 25. Medicine Girl / Hot Skin M45–51/M52 4:30 26. Off the Cloud M53 1:06 27. Captain’s Wig M54–61 4:02 28. The Big Go* M62 2:42 29. Time Reverse* / Future Risk and End Title* M63/M64 1:46 30. Trailer (“Mudd’s Women”) 1:02 31. End Title* (electric violin version) 0:46 Total Disc Time: 70:09 DISC 2 Charlie X Music Composed and Conducted by FRED STEINER Episode #8, Recorded 8/29/66 • Aired #2, 9/15/66 Total Time: 23:44 1. Main Title* (cello version, arr./cond. Steiner) 0:51 2. Space Orbit† / Charlie X / That’s a Girl M10/M11+M11S/M12+M12 chimes 1:20 3. Kirk’s Command / Charlie’s Mystery / Charlie’s Gift M13/M14+M14S/M15–20 3:03 4. Card Tricks M22 1:40 5. Zap the Antares / Kirk Is Worried M23+M23S/M24 0:47 6. Kirk’s Command #2 / Chess Game M31/M32+M32S 1:33 7. Charlie’s Yen M33 1:05 8. Kirk Puzzled M34 0:51 9. Zap Sam / Zap the Pistol M41/M42 1:37 10. Standoff M43 1:12 11. Kirk Waits / Charlie in Control M44/M45 1:08 12. Charlie’s Mad M51 1:10 13. Zap Janice M52 0:56 14. Zap the Cap M53 1:33 15. Zap the Spaceship M54 1:26 16. Zap the Broad / Charlie’s Friend M55/M61 2:02 17. Goodbye Charlie / Finale† M62/M63 1:50 † Based on a Theme by Alexander Courage Mudd’s Women Music Composed and Conducted by FRED STEINER Episode #4, Recorded 9/7/66 • Aired #6, 10/13/66 Total Time: 22:01 18. Distant Spaceship / Hint of Danger M11/M12 0:55 19. Still in Danger / Meet Mr. Mudd / Three Venuses M13/M14/M15 1:58 20. Venus Walks / Hello Girls M16/M21 1:29 21. Venus Aboard / Exit Mr. Mudd/ Venus Aboard #2 / Strange Glances / The Last Crystal / Mudd Laffs M22/M23/M24/M24A/M31/M32 2:50 22. Hello Ruth M33 1:03 23. Eve to Magda / Mudd Plan / Mudd’s Perfi dy M34–41/M42/M43 1:07 24. The Venus Drug / Dwindling Power M44/M45 3:03 25. Planet Rigel M51 0:43 26. Space Radio M52 2:46 27. Planet Rigel #2 / Eve Is Out M53/M54 1:20 28. Eve Cooks/Eve Is Tired / Pretty Eve M55/M56–61/M62 3:06 29. Mudd’s Farewell / Back in Orbit† M63/M64 1:20 † Based on a Theme by Alexander Courage The Corbomite Maneuver Music Composed and Conducted by FRED STEINER Episode #3, Recorded 9/20/66 • Aired #10, 11/10/66 Total Time: 7:12 30. Space Cube / Condition Alert M12/M13 1:22 31. Quiet Cube / Radiation M12A/M23A 1:11 32. Cube Radiation M23 1:20 33. Fesarius / Fesarius Approaches M31/M31A 2:06 34. Hideous Balok M33 0:27 35. Baby Balok M61A 0:35 Balance of Terror Music Composed and Conducted by FRED STEINER Episode #9, Recorded 9/20/66 • Aired #14, 12/15/66 Total Time: 5:35 36. The Enterprise / In the Chapel† M11/M11A 1:23 37. Romulan Agitato 9MB 0:58 38. Romulan B.G. 9MC 0:41 39. Romulan Theme M22 0:56 40. Theme From STAR TREK* / Romulan Warship / Romulan Theme 9MA pt 4/M31/M22A tk 3 0:56 41. Romulan Centurion M43 0:32 † Contains “Long, Long Ago” by Thomas Haynes Baly and “Bridal Chorus” by Richard Wagner What Are Little Girls Made Of? Music Composed and Conducted by FRED STEINER Episode #10, Recorded 9/20/66 • Aired #7, 10/20/66 Total Time: 7:18 42. Big Ruk M17A/M17/M17B 0:56 43. Meet Andrea / Android Kirk M22/M22A/M42 1:11 44. Ruk Protect / Ruk Attacks M43/M43A 3:18 45. Ruk Attacks / Enter Andrea M43AB/M54 1:47 The City on the Edge of Forever Music Composed and Conducted by FRED STEINER Interpolating “Goodnight, Sweetheart” by Jimmy Campbell, Reginald Connelly and Ray Noble Episode #28, Recorded 3/24/67 • Aired #28, 4/6/67 Total Time: 9:42 46. New York 1930 M26–30,M26–30B 1:38 47. Edith’s Theme† M33 1:25 48. Edith Suspects† M43 1:21 49. Goodnight, Sweetheart (vocal)† M44 1:28 50. Edith’s Fate† / Edith Must Die M47/M47A 1:16 51. Edith’s Vision† M51 0:46 52. Edith Falls† M61 0:55 53. Edith’s Death† M65 0:38 † Contains “Goodnight, Sweetheart” by Jimmy Campbell, Reginald Connelly and Ray Noble, published by Campbell, Connelly Inc. and EMI Robbins Catalog Inc. (ASCAP). 54. End Title* (cello version, arr./cond. Steiner) 0:45 55. Desilu I.D. (Wilbur Hatch) 0:05 Total Disc Time: 77:56 * Contains “Theme From STAR TREK (TV Series)” by Alexander Courage and Gene Roddenberry This is a CD format release. Order yours at www.lalalandrecords.com starting Sept. 5 at 12noon (pst) La-La Land Records and CBS Studios proudly present STAR TREK: THE ORIGINAL SERIES – THE 1701 COLLECTION VOL. 2, the second in a series of limited edition CD releases that showcase original scores from the landmark sci-fi television series STAR TREK (1966-1969). Containing music originally from our long out-of-print 2012 Original Series Box Set, these exciting volumes utilize the same restored master as that acclaimed release, but feature new packaging by Dan Goldwasser, along with brand new, exclusive liner notes by film music writer and Trek historian, Jeff Bond. This ground-breaking, iconic music, from one of television’s most acclaimed and beloved series, is now again available for fans everywhere! Vol 2 of the 1701 Collection focuses on the Trek TOS music of renowned composers Sol Kaplan, Joseph Mullendore, Gerald Fried, Wilbur Hatch, Fred Steiner and Alexander Courage, containing original music from the classic episodes THE ENEMY WITHIN, THE CONSCIENCE OF THE KING, SHORE LEAVE, CATSPAW, FRIDAY’S CHILD, along with FIRST SEASON LIBRARY CUES and MAIN and END TITLE VARIATIONS. Produced by Lukas Kendall, Neil S. Bulk and Jeff Bond, restored by Chris Malone and mastered by Doug Schwartz, this limited edition 2-CD release of 1701 units, as well as forthcoming volumes of this series, illustrate how the original Trek series scores not only teem with action, adventure and drama, but how they are also infused with deep emotion and the greatness of the human spirit. Such characteristics have kept these richly orchestrated tracks vital and relevant decades beyond their original recording. TRACK LISTING: DISC 1 1. Main Title* (2006 recording, cello version) 0:52 THE ENEMY WITHIN (Total Time: 22:59) 2. The Rock Slide*/Beam Up*/ The Evil Kirk M11/M12/M13 1:11 3. Alter Ego* M14 1:01 4. The Tired Captain* M15 0:42 5. Brandy M16 0:48 6. The Lascivious Captain M17–21 2:37 7. Bruised Knuckles/An Impostor M22/M23 1:34 8. Kirk’s Log*/Indecisive*/Evil Fury M24/M31/M32 2:48 9. Confrontation* M33 2:18 10. The Prone Body*/Shivering Sulu*/No Repair M34–41/M42/M43 0:37 11. What to Do?* M44 0:43 12. Another Brandy/The Evil Grin/Double Dog Death* M45/M46/M51 1:24 13. Spock Takes Over*/Help Me* M52/M53 2:04 14. Evil Triumphs M54–61 1:06 15. Two Into One* M62 2:18 16. One Captain Kirk*/Thank You, Yeoman* M63/M64 1:19 THE CONSCIENCE OF THE KING (Total Time: 26:14) 17. Dagger Sweet’ner/Go for Baroque/Play-Off #1 M11A/M11/M12 1:26 18. Spaceship Titles*/Dr. Leighton’s Face/Bridge #1* M13/M14/M15 1:12 19. Quasi-Sex* (Theme From STAR TREK, jazz version; Courage/Roddenberry, arr. Mullendore) LM5 1:37 20. Lenore M16–21 1:45 21. Kirk and Lenore*/He’s Dead M22/M23 1:43 22. Spaceship*/5 Sex and a ½/Play-Off #2* M24/M25/M26 1:10 23. Spaceship Play-On*/Toast and Corridor*/Lenore’s Kiss/Short Bridge M27/M31/M32/M33 2:31 24. Poison M41 0:37 25. Play-On #2*/Quick Ship*/Phaser Overload M42/M43/M44 1:39 26. Kodos?/Voice Test M45/M46 1:33 27. Everything Is Later*/Play-Off #3* M51/M52 1:52 28. Ship Play-On*/Woodwind Fanfare/Riley Gone M53/M54/M55 1:10 29. Go for Baroque M11 (M56) 1:25 30. I Know That Voice/All Ghosts Dead M57/M58–61 3:02 31. Opheliamania*/Bridge #2*/Last Cue* M62/M63/M64 3:02 SHORE LEAVE (Total Time: 20:35) 32. New Planet/Rabbit Music M10A/10B 2:21 33. School Chum/Finnegan M23/M23A 1:40 34. 2nd Ruth (Ruth) M31A 2:38 35. Old English/Tiger/Costume/Birds/SamuraiM33/M33A/M33B/M34/M34A 3:51 36. Knight/Joust M41/M41A 1:28 37. Dummy/Like Real M43/M44 0:57 38. A Clue/Finnegan’s Return/The Leg Trick/Dirt Trick M45–50 Pt. 1/M45–50 Pt. 2/M51/M53 4:34 39. Tiger Thoughts/Strafing/2nd Samurai/Caretaker/Lazarus M55–60/M55–60A/M55–60B/M61/M62 2:03 40. 2nd Ruth/Ruth to Commercial (2nd Ruth) M31A/M24B 0:51 FIRST SEASON LIBRARY MUSIC (Total Time: 7:38) 41. Impension* LM1 (cond. Steiner) 1:10 42. Lonely to Dramatic* LM3 (cond. Steiner) 1:27 43. Romantic Scene* LM6 (cond. Steiner) 0:47 44. Love Scene* LM4 (cond. Steiner) 1:16 45. Pensive Mood* 13LM2 (cond. Mullendore) 2:10 46. Play-Off (with button)* 13LM5 (cond. Mullendore) 0:15 47. Play-Off (with sustain)* 13LM5A (cond. Mullendore) 0:19 Total Disc Time: 78:41 * Contains “Theme From STAR TREK (TV Series)” by Alexander Courage and Gene Roddenberry Tracks 41–44 recorded with “The Corbomite Maneuver,” “Balance of Terror” and “What Are Little Girls Made Of?” (Vol. 1). Tracks 45–47 recorded with “The Conscience of the King” (pg. 7). ----------- DISC 2 1. Main Title* (2nd Season, Soprano Version) 1:01 CATSPAW (Total Time: 31:30) 2. Starship*/Captain Kirk M11/M12+M12X 1:13 3. Orbiting Ship*/Fog Planet M13/M13A+M13B 1:51 4. Thicker Fog/Witches M14+M14A/M15 1:48 5. Fog Storm/Castle/Second Castle M16–20+M16–20A/M21/M22 2:28 6. Cat Music/Enterprise* M22X/M22A 1:05 7. Follow That Cat/Brain-Washed M23/M24 2:10 8. Drugged/Scene Change Sweetener/Korob/Lap Kitten/Cat as Hostess/Free Meal/The Bribe M25/M25A/M26/M31/M32/M33+M33A/M34 3:27 9. Sylvia/Unguarded Entrances/Sympathetic Magic M35/M36/M37+M37X 2:42 10. Cooking Lesson/Force Field M41/M42 1:31 11. Defeated Captain/Music to Dent Force Fields By M43/M44 1:06 12. Bones, the Zombie M45 0:45 13. Love, Sort Of M51 3:26 14. Kirk Caught/Rescue M52/M53 0:52 15. Racial Memories/Captain Kirk/Mace Fight M54–60/M54–60A/M61 3:32 16. Giant Cat M62+M25A 1:32 17. Wand-Breaking/The Prototypes/Five to Beam Up* M63+M25A/M64+64B/M64A 1:33 FRIDAY'S CHILD (Total Time: 23:23 18. Ship*/Capella IV M11/M12 1:09 19. Captain’s Log* M13A/M13 2:06 20. Klingon Ship/Music for Fruits/The Teer M14/M15/M16-20 1:26 21. The Challenge/Klingon Blip M21/M21A 1:09 22. Distress Signal M22 1:43 23. Arm Barbeque/Slow Turn/Call of Duty M24/M25/M26 0:56 24. Scott/Bones’ Good Idea/Capellan Desert M31/M32/M33A 2:16 25. Belly Feeler M34 2:13 26. Sonic Ambush/Bouncing Boulder M35/M36 1:03 27. Kras on the Rocks/Paternity Case/New Capellan in Town M41/M45/M51 1:43 28. Negative Report/Old Russian Saying/The Mother Splits M53/M54/M55 1:34 29. The Baby Sitter/Road Hog M56/M57 0:44 30. Down the Throat M58 1:13 31. Arrows M61 1:29 32. Forfeit M62 1:32 33. Coochy Coo*/Godfathers* M63/M64 0:40 FIRST SEASON LIBRARY MUSIC (Total Time: 17:11) 34. Love Scene* 13LHM3 (cond. Mullendore) 1:29 35. Humoresque* 13LHM7 (cond. Mullendore) 0:43 36. Humoresque (tag)* 13LHM7A (cond. Mullendore) 0:13 From “Charlie X” (cond. Steiner) 37. That’s a Girl M12X 0:42 38. Kirk’s Command M13X 0:57 39. Charlie’s Mystery M14X 0:45 40. Kirk Puzzled (Library Version #1) M34X 0:39 41. Kirk Puzzled (Library Version #2) M34Y 0:22 42. Kirk Puzzled (Library Version #3) M34Z 0:15 43. Zap Sam M41X 1:01 44. Zap the Pistol (Library Version #1) M42X s1 0:42 45. Zap the Pistol (Library Version #2) M42X s2 0:12 46. Standoff (Library Version #1) M43X 0:54 47. Standoff (Library Version #2) M43Y 0:17 48. Standoff (Library Version #3) M43Z 0:09 49. Zap Janice M52X 1:00 50. Zap the Spaceship (Library Version #1) M54X s1 0:09 51. Zap the Spaceship (Library Version #2) M54X s2 0:06 52. Charlie’s Friend (Library Version #1) M61X s1 0:41 53. Charlie’s Friend (Library Version #2) M61X s3 0:10 From “Mudd’s Women” (cond. Steiner) 54. The Last Crystal (Library Version #1) M31X 0:14 55. The Last Crystal (Library Version #2) M31X s3 0:08 From “The Corbomite Maneuver” (cond. Steiner) 56. Condition Alert M13A 0:14 57. Hideous Balok M33A 0:25 58. Baby Balok M61 0:31 From “Balance of Terror” (cond. Steiner) 59. Theme From STAR TREK* (Library Version #1) 9MA pt 1 0:13 60. Theme From STAR TREK* (Library Version #1) 9MA pt 2 0:15 61. Theme From STAR TREK* (Library Version #1) 9MA pt 3 0:12 62. Theme From STAR TREK* (Library Version #1) 9MA pt 4 0:12 63. Romulan Theme M22/M22A s1 0:52 64. Edith Must Die (Library) M47B (“City on the Edge of Forever,” Steiner) 0:12 65. Joe Berserk (alternate) M21 s3 (“The Naked Time,” Courage) 0:14 66. Leg Trick (alternate) M51/M51A (“Shore Leave,” Fried) 1:02 67. End Title* (2nd Season, Soprano Version) 0:47 Total Disc Time: 74:17 * Contains “Theme From STAR TREK (TV Series)” by Alexander Courage and Gene Roddenberry This is a CD format release.
  16. Kommt auch auf Vinyl, einmal schwarze Pressung und einmal weiß mit blauem Streifen, limitiert auf 400 Stück, beziehungsweise 100 Stück.
  17. Pleasantville (1998) was a high-concept fantasy-comedy about high-school siblings (Tobey Maguire and Reese Witherspoon) transported into an idyllic, black-and-white 1950s Leave It to Beaver-type TV show. In the hands of writer/director Gary Ross, the film is more than just a fish-out-of-water tale with dazzling VFX—it is a touching character study and potent Civil Rights allegory that received critical acclaim and is fondly remembered today. Scoring Pleasantville was a master of Americana, humor and symphonic scoring, Randy Newman. Newman had cheeky fun with the show-within-the-film’s old-school traditions, but just as the story blossoms into a heartfelt tale of emotional awakening—with a beautiful performance by Joan Allen as a repressed mother—so does the gorgeous score. “Randy is unique in the fact that he can write with a depth of emotion, and he’s also an accomplished satirist,” says Gary Ross in the new liner notes by Tim Greiving. “He could write to the vernacular of what the movie was, but not be limited by it. That’s what the film is trying to do, and it really needs someone who can understand the breadth of those intentions... I’ve never been happier with any score, on any movie.” Features: Varèse Sarabande released Pleasantville’s score album in 1998 as a 17-track, 31-minute edition. As the film celebrates its 25th anniversary, this Deluxe Edition features an expanded program of 34 tracks and 66 minutes. Track List: 1. The Pleasantville Theme 2. Get Ready* 3. New TV Remote And The Fight* 4. We’re Stuck (The Breakfast Scene)* 5. School And Basketball* 6. Mr. Johnson And Missed Shots* 7. In The Bath 8. Bud’s A Hero 9. Make-Up 10. The Art Book 11. Real Rain (Extended Version)** 12. Let’s Go Bowling 13. Together 14. Waking Up 15. No Umbrellas (Extended Version)** 16. Nude Painting* 17. Punch 18. Burning The Books 19. The Aftermath (Extended Version)** 20. Mural 21. A New Day 22. Goodbye 23. Pleasantville Bumper* 24. The Sweater Additional Music: 25. Make-Up (Film Version)* 26. The Art Book (Alternate)* 27. Together (Film Version)* 28. No Umbrellas (Alternate)* 29. The Aftermath (Alternate)* 30. Mural (Film Version)* 31. A New Day (Alternate)* 32. A New Bus (Film Construct)* 33. Pleasantville Theme Play-Off* 34. Pleasantville End Credits Suite* * Previously unreleased ** Contains previously unreleased material
  18. Serenity (2005) was the feature film sequel of Joss Whedon’s short-lived space-western TV series, Firefly (2002–03). When fans lamented the loss of the canceled show, Universal rescued the titular spaceship and its charismatic crew (including Nathan Fillion, Morena Baccarin and Alan Tudyk) for a big-screen adventure written and directed by Whedon. Scoring Serenity was David Newman, whose vast and diverse filmography lent him well-prepared for anything the film might throw at him. From worldbuilding to character comedy to harrowing action, the score runs the gamut—but always hews to a sense of family and “home” for the Serenity and her offbeat crew. Solo cello and folksy percussion are found alongside eerie “ethnic” approaches, which turn dark and brutal for the barbaric villains, the Reavers, as the film explores their secret origin. But Newman balances the weirdness with familiar, dramatic orchestral scoring, ultimately creating an eclectic tapestry for Whedon’s unique vision. Features: Varèse Sarabande’s 2005 soundtrack CD for Serenity was released as a 23-track, 50-minute program. This Deluxe Edition expands the album into a 2CD set, with 54 tracks featuring 90 minutes of prime David Newman sci-fi action, adventure, and emotion, as chronicled in new liner notes by Daniel Schweiger. Track List: SERENITY: CD1: 1 Opening/Intro To River 3:11 2 Escape 1:30 3 The Operative 0:49 4 Death Of Mathias 3:12 5 Serenity 0:50 6 Going For A Ride 2:24 7 Trading Station Robbery 3:08 8 Reaver Chase 3:41 9 Pop Goes The Reaver 0:15 10 They Never Lie Down 0:39 11 Mal Reminices 1:25 12 Transition 1:23 13 Maidenhead Bar 2:14 14 River Goes Wild 1:28 15 Mal Takes River In 1:04 16 River’s Eyes 0:12 17 Mal’s Decision 0:45 18 Mr. Universe 0:28 19 Subliminal Message 1:08 20 River & Simon In Locker 0:55 21 Haven Guitar 1:01 22 Come At You Sideways 1:26 23 School Flashback 0:35 24 Mal & Inara 0:28 25 Flight To Training House 0:57 26 Training House Fight 1:57 27 Escape From Training House 0:56 28 School Flashback/Miranda 1:37 29 River Gets Out 2:08 30 River Shows Mal & Miranda 0:29 31 Haven Destroyed 0:54 32 Shepherd Book’s Last Words 1:00 33 Warn Everyone We Know 0:36 34 You’re Not A Reaver 0:57 CD2: 1 Mal Decides 3:09 2 Population Dead 3:55 3 Truth/Mal’s Speech 3:36 4 Universe Gets It 1:17 5 Space Battle 3:21 6 Crash Landing 1:59 7 Wash Killed/Run To Black Room 2:55 8 Mr. Universe Dead 2:28 9 Generator Room 3:06 10 Mal & OP Fight 2:11 11 Simon Shot/River Runs 1:57 12 Jayne & Zoe/Final Battle 2:44 13 Broadcast Beams/River Is Alive 1:39 14 Funeral/Rebuilding Serenity 2:19 15 Prep For Flight 1:33 16 Love/Serenity 1:06 17 Serenity End Credits Pt. 1 1:38 18 Serenity End Credits Pt. 2 2:03 19 Serenity End Credits Pt. 3 0:43
  19. World premiere release of Jerry Goldsmith’s original soundtrack from 1977 WWII film! Universal Pictures releases for Richard D. Zanuck/David Brown productions with Frank McCarthy producing, Hal Barwood & Matthew Robbins script, Joseph Sargent directs with Gregory Peck starring as the famed titular character of General Douglas MacArthur. Movie follows MacArthur in his combat exploits in the South Pacific during the latter years of WWII. Significant losses at Corregidor, victories in the Pacific, ultimate surrender of Japan, China’s conflict with Korea, all are captured in Jerry Goldsmith’s powerful score. The music anchors with a sturdy, propulsive military march given an unusual introductory idea: left-hand piano rhythms played with mallets on the strings. This dramatic effect reappears in several sequences. But Goldsmith’s march is judiciously used. Getting considerable attention is a much more nostalgic theme identifying MacArthur’s respect for West Point and the military traditions. Interestingly, a secondary idea heard as a “B” section of the composer’s march also gets considerable attention and in many instances becomes a major theme on its own. In fact, when the final end credits playout with a dynamic return of the march, Goldsmith adds a coda of powerful fortissimo major chords declaring that secondary idea to close the score. Commanding idea! There is so much more in Goldsmith’s score as well: Film covers losses by both U.S. and Filipinos as well as the Japanese, and the loss of face and defeat in Japan is given darker material. “New Era” is a moving highlight with Goldsmith building on a traditional Japanese melody (“Sakura Sakura”) in low strings colored with striking solo phrases from bassoon. MCA Records issued highlights in a re-recorded album at the time of the film’s release but the actual film versions of Goldsmith’s score have never been released - until now. Some of the differences between the film and re-recorded versions are subtle, other differences are striking. The soundtrack version of the score also includes numerous cues not contained on the 1977 album. Newly re-mastered presentation of that original album also appears. Complete score is presented from 1/2” 3-channel session masters. Several extras include source material recorded at the sessions plus a powerful specially-recorded performance of Goldsmith’s exciting “Hard Gained Ground” cue from Lonely Are The Brave in which a few seconds of the take are heard as source music in MacArthur. Wow! John Neal engineers at The Burbank Studios, Arthur Morton orchestrates, Jerry Goldsmith composes, conducts. Intrada Special Collection 2-CD set available while quantities and interest remain! Play all clips CD 1 MacArthur – The Score 01. MacArthur – Main Title (MacArthur March) (2:08) 02. The Tunnel [Long Version] (0:36) 03. MacArthur March [March Indoors] (With Drum Intro) (1:10) 04. I Shall Return (3:53) 05. To Australia (0:51) 06. The Minefield (1:52) 07. Statistics (1:47) 08. Surrender (0:54) 09. Attack Training (0:43) 10. Casualties (0:51) 11. Propaganda (2:26) 12. Change Is Inevitable (1:22) 13. Stand By [Marcato Trumpets] (1:42) 14. The Landing (3:26) 15. The Prison (1:30) 16. The Reunion (0:50) 17. Missouri [Extended Version] (0:43) 18. The Treaty (2:16) 19. New Era (3:01) 20. Newsreel – #1 (0:40) 21. Newsreel – #2 (0:20) 22. Hard Gained Ground (From Lonely Are The Brave) (2:03) 23. The Last Gift (1:56) 24. Ambush (0:55) 25. Reflections (1:03) 26. MacArthur March [Newsreel] (1:05) 27. I Bid You Farewell (2:07) 28. MacArthur – End Title (MacArthur March) (1:54) Score Time: 46:41 Score Alternates 29. The Tunnel [Short Version] (0:31) 30. MacArthur March – Drums (0:10) 31. MacArthur March [March Indoors] (Without Drum Intro) (1:07) 32. I Shall Return (Alternate Mix) (3:50) 33. Stand By [Legato Trumpets] (1:42) 34. Missouri [Original Version] (0:26) Alternates Time: 8:06 Source Music 35. Waltzing Matilda (A.B. Paterson/Marie Cowan) (2:04) 36. Don’t Sit Under The Apple Tree (Lew Brown/Charles Tobias/Sam H. Stept) (0:41) 37. Funeral March (Piano Sonata No. 2, Op. 35) (Frederick Chopin) (0:57) 38. Symphony No. 7 In A Major – Mvt. 2 (Beethoven) (1:32) 39. Admiral Byrd (Billy May) (0:29) 40. Undecided – Instrumental (Sid Robin/ Charles Shavers) (1:08) 41. Orpheus In Hades – Can-Can (J. Offenbach, Arr. Hal Mooney) (0:20) 42. Mayday In Moscow (From The Front Page) (Billy May) (0:48) Source Music Time: 8:27 CD 1 Total Time: 62:30 CD 2 Original 1977 Soundtrack Album 01. MacArthur March (Main Title) (2:48) 02. I Shall Return (3:56) 03. The Treaty (2:35) 04. The Tunnel (2:32) 05. Statistics (3:03) 06. Stand By (2:07) 07. A Last Gift (2:24) 08. New Era (3:24) 09. The Landing (3:40) 10. The Minefield (2:36) 11. I Bid You Farewell / MacArthur March (4:15) CD 2 Total Time: 33:42
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