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  1. LLLCD1660 Music composed, arranged and conducted by John Barry Title Song sung by Shirley Bassey Lyrics by Leslie Bricusse & Anthony Newley Limited Edition of 5000 Units 90 DAY EXCLUSIVE! For the first 90 days of its release, this title can only be purchased EXCLUSIVELY HERE or at www.007Store.com La-La Land Records, Metro-Goldwyn-Mayer, EON Productions and Universal Music Enterprises proudly commemorate the 60th Anniversary of 007 film GOLDFINGER, with a remastered and re-sequenced CD re-issue of composer John Barry's original motion picture score. The 1964 film stars Sean Connery as James Bond in his third turn as 007 and is directed by Guy Hamilton. The bold GOLDFINGER orchestral score defined the mood and style of the entire series. The historic title song, sung by Shirley Bassey, packs a sonic punch that still hits as strongly today as it did six decades ago. Thrilling, dramatic, romantic, suspenseful, exhilarating - John Barry's GOLDFINGER has it all! Produced by Neil S. Bulk, restored by Chris Malone and mastered by Doug Schwartz, this remastered CD release re-sequences the original album tracks into film order for the first time and includes additional material, including a mono mix of the title song that offers a different vocal performance by Shirley Bassey. This special release is limited to 5000 units with new, exclusive liner notes by journalist and author Jon Burlingame and art design by Dan Goldwasser
  2. Sudden Death (1995) was the second of two Peter Hyams films starring “the muscles from Brussels,” Jean-Claude Van Damme. After 1994’s Timecop, Sudden Death was patterned on the durable “Die Hard in a…” premise: here, the contained space is Pittsburgh Civic Arena, wired to explode by terrorists at the conclusion of game seven of the Stanley Cup finals. Sudden Death was received as an above-average action film, with strong action and suspense as well as an emotional element: fire marshal Darren McCord (Van Damme) must rescue his daughter from the terrorists, even as he fights and kills their underlings—and saves a game-winning goal on the ice. Peter Hyams’ directorial vision has always been to score action with percussion and raw affect, not artifice. Sudden Death was the first of his three collaborations with John Debney (followed by The Relic and End of Days), receiving a pulse-pounding, orchestral tour de force from the young composer. “John Debney understood every emotion and where they needed to be amplified,” Hyams says today. “He’s a wonderful talent, and I adored working with him.” Sudden Death was released by Varèse Sarabande in a 9-track, half-hour program at the time of the film. This Deluxe Edition expands the program to 28 tracks and 64 minutes, with Hyams and Debney newly interviewed by Daniel Schweiger for the liner notes. Produced by: John Debney Deluxe Edition Executive Producer for Varese Sarabande Records: Cary E. Mansfield Deluxe Edition Mastered by Chas Ferry and Melinda Hurley Track List: 1. Sudden Death 2. Game Day/ Roadblock / Grand theft Auto 3. Preparations 4. The Kitchen / Mrs. Ferrara Gets A Visitor / Badge Men 5. Loading Dock / Vice President Arrives / New Assistants 6. The Action / The Dome Again 7. Emergency Response 8. A Killing By The Numbers 9. Emily Sees 10. The Abduction of Emily 11. Kitchen Fight 12. Fight For the Bone 13. Phone's Dead / The Feone 14. Not Alone / Building Weapons 15. Vantage Point 16. The Roof / The Zamboni / A Dangerous Fireman 17. The Mayor Checks Out 18. The Sign / Le Dome 19. The Materials At Hand / The Meeting 20. Flame Thrower / Looking For Bombs 21. Locker Room Chase / Darren Sees Tyler 22. To Sudden Death 23. A Miracle / Scaling The Dome / Roof Fight 24. Through The Dome 25. Panic In the Arena 26. Foss's Escape Plan / Foss Flies Away 27. Foss Eats Ice 28. Sudden Death https://varesesarabande.com/collections/cd-club-and-limited-editions/products/sudden-death-original-motion-picture-soundtrack-cd
  3. One of Jerry Goldsmith’s most unusual horror projects comes to CD in complete form courtesy Varèse Sarabande’s Deluxe Edition. The Other (1972) used bucolic 1935 Connecticut to tell a truly disturbing story of twin boys with dangerous supernatural powers. Directed by Robert Mulligan (To a Kill Mockingbird) from a script and book by Tom Tryon, and costarring Uta Hagan and Diana Muldaur, the film has earned a cult reputation as a unique and affecting piece of 1970s horror. Jerry Goldsmith tackled The Other amongst a string of oddball film and television projects during the changing tastes of the early ’70s. At the peak of his creative powers, he managed to combine the polar opposites of The Other’s tones into a perfect unity: beautiful music for the film’s nostalgic setting and childhood intimacy (with a gorgeous main theme), and dark strains for the unspeakable horrors of the story’s revelations. Long admired as one of Goldsmith’s most offbeat horror scores—made even more mysterious by the fact that cues were dropped from the finished film—The Other was released in an extended suite by Varèse Sarabande alongside The Mephisto Waltz in 1997. This Deluxe Edition features the complete stereo score in a new audio restoration by Chris Malone with liner notes by Tim Greiving. The Deluxe Edition Produced for Varèse Sarabande Records by Cary E. Mansfield Album Produced for 20th Century Studios by Mike Matessino Music Restored, Mixed and Mastered by Chris Malone Track List: 1. Main Title (“The Other”) 1:39 2. Summer Fun 1:26 3. The Apple Cellar 3:07 4. The Well 2:20 5. The Flight 2:19 6. The Finger and Free Admission 1:35 7. The Game :56 8. The Ice Truck :58 9. Alexandra 2:03 10. The Pond 2:19 11. Mother Knows 3:38 12. The Portrait 1:21 13. The Cemetery 2:55 14. The Casket 5:26 15. No More Games and A Visit with Mother 4:05 16. Angel of Fire 3:06 17. End Title (“The Other”) 1:35 18. Oriental Source (Chan-Yu) 2:33 19. Main Title (“The Other”) (Alternate) 1:40 https://varesesarabande.com/collections/cd-club-and-limited-editions/products/the-other-original-motion-picture-soundtrack-deluxe-edition-cd
  4. Intrada announces a new, 2-CD expansion of James Newton Howard's beloved score to the Walt Disney animated feature Dinosaur (2000). The score was the first of three animated features Howard would score during that time for Disney, followed shortly thereafter by Atlantis and Treasure Planet. Originally released in a generous 51-minute program, this new Intrada release features the full score running some 82 minutes, featuring a wealth of new material previously only heard in the film. One of the absolute highlights is the entire opening sequence, relying primarily on music as there is no dialog. It's well over an hour of soaring themes, aggressive action music, comedic moments—everything you'd expect from a prehistoric dinosaur adventure. For this new release, Intrada was given access to the complete multi-track sessions stored at Disney, which were remixed by Chris Malone. Douglass Fake assembled the album program (one of the last projects he was able to personally produce before his passing). Fake was a huge fan of Newton Howard's work and was thrilled with the opportunity to revisit this epic work. He would have been proud of the final result. The film is a groundbreaking blend of traditional animation and computer-generated imagery. Directed by Eric Leighton and Ralph Zondag, the film follows the journey of an iguanodon named Aladar, who is raised by a family of lemurs after being orphaned. As he grows, Aladar and his adoptive family face the challenges of a changing world and struggle to survive against the backdrop of a dramatic asteroid collision. Dinosaur is notable for its innovative visual effects, which combine CGI dinosaurs with live-action backgrounds, creating a visually stunning and immersive prehistoric world. CD 1 THE SCORE 01. Inner Sanctum/The Nesting Grounds (3:20) 02. The Attack (1:17) 03. The Egg Travels (2:47) 04. The Egg Hatches (3:46) 05. Playing Monster (2:13) 06. The Mating Ritual (4:19) 07. The Meteor (4:07) 08. Arrival On The Mainland (2:12) 09. Raptors/Aladar Meets The Herd (4:29) 10. Aladar Meets The Misfits (Film Version) (5:47) 11. The Trek (2:34) 12. Finding Water (5:14) 13. Aladar And Neera (6:11) 14. The Cave (5:27) 15. Attack In The Cave (3:54) 16. Neera Rescues The Orphans (1:15) 17. A Dead End (1:06) 18. Breakout/Comes With A Pool (5:48) 19. Kron And Aladar Fight (3:01) 20. Carnotaur Stand-Off (4:53) 21. Epilogue (2:34) CD 1 Time: 76:09 CD 2 THE SCORE (Cont.) 01. End Credits (6:20) Total Score Time: 82:20 THE EXTRAS 02. Aladar Meets The Misfits (Alternate Ending) (3:34) 03. The Trek (Alternate) (2:55) 04. Enough For Everyone (Alternate) (1:32) 05. End Credits – Version 2 (6:05) 06. End Credits – Version 3 (6:18) The Extras Time: 20:33 2000 SOUNDTRACK ALBUM 07. Inner Sanctum/The Nesting Grounds (3:00) 08. The Egg Travels (2:44) 09. Aladar & Neera (3:29) 10. The Courtship (4:14) 11. The End Of Our Island (4:01) 12. They’re All Gone (2:09) 13. Raptors/Stand Together (5:38) 14. Across The Desert (2:26) 15. Finding Water (4:15) 16. The Cave (3:41) 17. The Carnotaur Attack (3:53) 18. Neera Rescues The Orphans (1:13) 19. Breakout (2:44) 20. It Comes With A Pool (3:02) 21. Kron & Aladar Fight (2:58) 22. Epilogue (2:33) Soundtrack Album Time: 51:53 Total CD 2 Time: 78:48
  5. A 2-CD set. Newly remastered and expanded edition. 16-page CD booklet with liner notes by Daniel Schweiger. Limited Edition of 2000 units. In collaboration with Warner Chappell Music, Sony Music and Paramount Pictures, Music Box Records proudly presents the remastered and expanded edition of Gabriel Yared’s score for the 1999 thriller The Talented Mr. Ripley, starring Matt Damon, Jude Law, Gwyneth Paltrow, Cate Blanchett and Phillip Seymour Hoffman, as written for the screen and directed by Anthony Minghella (The English Patient, Cold Mountain, Breaking and Entering). Nominated for five Academy Awards (including Best Original Score, Best Supporting Actor and Best Adapted Screenplay), this movie about a desperately murderous quest for identity, class and love was based on the most notorious character created by author Patricia Highsmith (Strangers on a Train). Previously adapted as Purple Noon with Alain Delon, Anthony Minghella’s version gave a new, tragically vulnerable take on the character, who insinuates himself among jazz loving expatriates (Jude Law and Gwyneth Paltrow), only to kill the brother he’d always wanted and assume his identity, all while trying to keep his illusion of innocence at any cost. Taking his lush Oscar-winning approach for The English Patient in a new direction to capture both the beat jazz era of the film’s 1959 setting alongside a multi-thematic approach that plays both Ripley’s increasingly psychotic quest for the good life and the wounded, child-like boy that yearns for love and purpose. The score combining striking orchestral melody with suspenseful rhythm, eerie female voices and the music of a dark lullaby (as personified by its title song by Sinéad O’Connor), The Talented Mr. Ripley is a masterpiece of dark romance and suspense that’s a highlight of Yared’s acclaimed collaborations with Anthony Minghella. Celebrating the film's 25th anniversary, this new expanded edition, supervised by Gabriel Yared, has been assembled and remastered from the recording session elements. Disc 1 ("The Film Score") presents the expanded film score with previously unreleased cues. Disc 2 ("The Extras") presents excerpts from the original Sony album, Yared’s demo cues and numerous instrumental tracks that highlight the alternative presentations and edits of the score. The CD comes with a 16-page booklet with liner notes by Daniel Schweiger, who discusses the film and the score including new comments by Gabriel Yared on his career-defining work with Anthony Minghella and film editor Walter Murch. The CD release is limited to 2000 units. DISC 1 - THE FILM SCORE 1. Lullaby for Cain (3:30) Performed by Sinéad O'Connor 2. Italia (0:50) 3. I Hate You (0:50) 4. No, I Like Him (0:54) 5. Italia (Part 2) (1:00) 6. Promise (1:11) 7. Syncopes (2:08) 8. Marge Maintenance (1:29) 9. Silvana’s Body (1:23) 10. Last Trip (2:26) 11. Heartbreak (1:47) 12. Lost Love (1:16) 13. Cain & Abel (2:51) 14. Syncopes (Part 2) (1:01) 15. Mischief (1:54) 16. Opera Intermission (1:50) 17. Meredith Meets Marge (1:58) 18. As If That Makes Sense (1:51) 19. Killing Freddie (2:17) 20. Dumping Freddie’s Body (2:08) 21. Syncopes (Part 3) (1:27) 22. Ripley (3:38) 23. Nightmare/Dickie’s Rings (0:59) 24. Suitable Instrument (0:42) 25. You’re Shivering (2:12) 26. Just Kidding (1:17) 27. Huis-clos (1:06) 28. Syncopes (Part 4) (3:16) 29. End Title (2:08) 30. Lullaby in D Minor (0:42) Disc 1 Time • 53:06 DISC 2 – THE EXTRAS ADDITIONAL SCORE FROM THE ORIGINAL SOUNDTRACK ALBUM 1. Italia (1:38) 2. Crazy Tom (4:46) 3. Mischief (2:27) 4. Ripley (3:29) 5. Proust (1:57) 6. Promise (2:48) 7. Syncopes (4:47) BONUS TRACKS 8. Lullaby for Cain (Opera Version) (3:44) Performed by MaryAnn McCormick & Toni Manoli 9. Italia (Alternate) (0:51) 10. Heartbreak (Alternate) (1:46) 11. Lost Love (Alternate Mix) (1:12) 12. Venezia (#1) (4:11) 13. Mischief (Alternate) (1:54) 14. Killing Freddie (Alternate) (2:18) 15. Promise (English Horn Version) (1:10) 16. Mischief (Alternate #2) (0:28) 17. You’re Shivering (Alternate) (2:09) 18. Venezia (#2) (1:55) 19. Ripley (Alternate) (3:27) 20. Lost Love (Alternate) (2:20) 21. Crazy Tom (Alternate) (4:38) 22. Lullaby for Cain (Instrumental) (3:30) DEMO CUES 23. Ripley (Main Theme) (2:33) 24. You’re Shivering (2:11) 25. Italia (Sailing) (0:59) 26. Promise (1:27) 27. Crazy Tom (2:32) Disc 2 Time • 68:12 Total 2-CD Time • 121:18
  6. Bei uns bereits eingetroffen, demnächst im Handel erhältlich: BERNHARD HOETGER – ZWISCHEN DEN WELTEN (2024) Bernhard Hoetger (1874 – 1949) war Bildhauer, Maler, Architekt und Kunsthandwerker – zu seinen Meisterwerken gehört die Gestaltung der Böttcherstraße sowie das Haus Atlantis in Bremen. Darüber hinaus war sein Schaffen derart vielseitig, dass es kaum in einem Satz zusammen gefasst werden kann. Für die Kino-/Spielfilm-Dokumentation von Regisseurin Gabriele Rose mit Moritz Führmann als Bernhard Hoetger schrieb Carsten Rocker (Prager Botschaft / Held der Gladiatoren) die Musik und konnte hierfür Stefan Pintev (aus dem Elbphilharmonie Orchester) für die Einspielung der Violine sowie der Bratsche gewinnen. Herausgekommen sind mitreißende (A Period of Change, Power of Creation…), aber auch ruhig-zerbrechliche Stücke (Paula…) von großer Intensität. Das CD-Booklet enthält neben zahlreichen Abbildungen auch ein Vorwort der Regisseurin Gabriele Rose sowie Anmerkungen zur Musik von Carsten Rocker. Wir wünschen viel Freude mit dem Album. Tracklisting 01. A Period Of Change 2:31 02. Main Titles 2:14 03. Power Of Creation 2:24 04. The House Of Arts 1:32 05. Paula 1:59 06. Old Manor House 0:42 07. Bernhard Meets Helene 1:52 08. Nocturne D – Dur 2:46 09. Farewell (A Period Of Change – Variation 1) 1:47 10. Circle Of Life 1:42 11. Darkness Rises 2:29 12. The House Of Arts – Variation 1:31 13. Dark Shadows 1:52 14. Picturesque Views 1:14 15. Medieval Impressions 1:18 16. Power Of Creation – Variation 3:45 17. Nordic Legends And Atlantis 1:58 18. Drums Of War And Fateful Days 1:18 19. Remembering Old Places 1:06 20. Mystical Memories (Paula – Variation) 1:51 21. The Sycamore Trees 1:14 22. A Search For Meaning 2:22 23. End Titles (A Period Of Change – Variation 2) 3:02 Musik komponiert, arrangiert & produziert von CARSTEN ROCKER Violine & Viola: STEFAN PINTEV Hörprobe:
  7. Jetzt schon digital erhältlich, eine CD reicht Intrada im Herbst nach. INTRADA Announces: KILLING ME SOFTLY WITH HIS SONGS Music by CHARLES FOX INTRADA INT 7180 The spirited 2024 documentary Killing Me Softly With His Songs, directed by Danny Gold, follows composer Charles Fox around the world exploring his past while showcasing songs performed by various groups and singers from around the world. Fox traveled from the US to Paris to Havana, Cuba. Following closely on Intrada's 2-CD release of Fox's Foul Play, this new release features brand new songs written with Rita Wilson, Common, Alain Boublil and Cuban songwriters, Edesio and Cristian Alejandro. The film has garnered numerous awards at film festivals and Best Music Documentary at the Hollywood Music In Media Awards. The album also includes new and innovative arrangements of some of Fox's most classic tunes, performed by the following wonderful artists: Sing a Brand New Song (Donald Webber, Jr.) Viene Acabando (Charles Fox with Cuba All Star Band Featuring Orquesta Aragon) At The Movies (Rita Wilson and Jason Alexander) Wonder Woman (Cristian Alejandro) I Got a Name (A. J. Croce) Night Life (Charles Fox Paris Sextette) On N'aime Qu’une Fois Comme Ça (Anne Sila) Sin Tu Amor (Cristian Alejandro) Ballade (Charles Fox with Cuba All Star Band) Elle Chantait Ma Vie En Musique (Anne Sila) Blue Pachanga (Charles Fox Paris Sextette Featuring Alexandre Desplat) Happy Days (Barenaked Ladies) A Day Our Love Has Put Together (Charles Fox with Cuba All Star Band) Salsa Suite (Charles Fox Paris Sextette Featuring Alexandre Desplat) Killing Me Softly With His Song (Charles Fox, Piano Solo) The film follows Fox’s life and career from the Bronx to Paris and the conservatoire in the Palace of Fontainebleau, France, where he studied with the legendary composition teacher Nadia Boulanger (who taught Aaron Copland, Quincy Jones, Elliot Carter, Michel Legrand and others), through his fabled career in Hollywood, and finally to his musical roots in Havana, Cuba. All of this is interspersed with some of the most phenomenal live music—shot with an emphasis on capturing the interactions of gifted musicians joyously making music together. Featuring Anne Sila (winner of the French version of The Voice), A.J. Croce (son of the legendary Jim Croce), Henry Winkler (Happy Days, Barry), Paul Williams (Academy Award-winning composer), Rita Wilson (recording artist, actor, producer), Jason Alexander (Seinfeld, and Tony Award winner), Donald Webber, Jr. (Hamilton), Alexandre Desplat (two-time Academy Award winner, and Alain Boublil (Tony Award-winning book writer/lyricist known for Les Misérables and Miss Saigon)—the film is a musical feast … with a great story! INTRADA INT 7180 Retail Price: $18.99 Bar Code: 7 20258 71800 6 Available digitally now on all major streaming platforms. CD coming this fall.
  8. WaterTower Music hat ein neues Soundtrack-Album zur HBO-Originalserie "House of the Dragon" veröffentlicht. Das Album enthält den Score aus der zweiten Staffel der Serie, komponiert von Ramin Djawadi (Game of Thrones, Westworld, Fallout, Iron Man, Eternals, 3 Body Problem, Uncharted, Kampf der Titanen). Der Soundtrack ist jetzt auf Amazon und allen anderen großen digitalen Musikdiensten zum Streamen/Downloaden verfügbar. Trackliste: 1. Main Title (from “Game of Thrones”) (1:45) 2. End a War Before It Begins (2:07) 3. The Whisper Network (1:33) 4. Blood and Cheese (3:38) 5. A Son for a Son (2:03) 6. Indulge in Darkness (2:14) 7. Remembering Those Who Came Before (3:22) 8. Patience and Restraint (2:56) 9. Right to Grieve (1:18) 10. Born Together (4:29) 11. The Feeling of Betrayal (2:16) 12. This Is Our Purpose (1:20) 13. Strange Victory (4:08) 14. Peace Will Be Restored (2:42) 15. A Final Journey (4:33) 16. I Do Not Know My Part (1:05) 17. A Matter of Honor (2:33) 18. Rook’s Rest, Pt. 1 (7:34) 19. Rook’s Rest, Pt. 2 (5:18) 20. A Sworn Protector (2:50) 21. A Mad Thought (1:37) 22. You Know What You Must Do (2:45) 23. Our Hope for the Future (3:00) 24. Bear the Burden Alone (2:15) 25. Claim a Dragon (2:34) 26. Stolen Inheritance (2:05) 27. Born with Other Names (1:39) 28. There Will Be No Mercy (2:28) 29. The Triarchy (0:50) 30. Fight for Our Queen (2:03) 31. All Must Choose (4:44)
  9. Im Film fand ich den Score völlig gesichtslos. Kompetent gemacht, doch leider hat Wallfisch weder einen Stil, noch gelingt ihm prägnantes thematisches Material. Die obige Track-Montage (Track 9 und 1) festigt diesen Eindruck. Mark Mancinas schöner TWISTER bleibt unerreicht.
  10. Und weiter geht es in der „Rob Zombie presents"-Reihe. Rob Zombie and Waxwork Records have partnered to release an exclusive, curated line of classic Horror movie soundtracks! “Rob Zombie Presents” features several never-before-released film soundtracks that were personally selected by the singer, songwriter, and filmmaker. “I have always been a huge fan of movie soundtracks. So I jumped at the opportunity to work with Waxwork on this project.” Says Zombie, “I can’t wait to release these albums. So many of these films are greatly under appreciated and, they all contain such great music. So, to be able to release these deluxe packages is a dream come true.“ - Rob Zombie Rob Zombie and Waxwork Records are thrilled to announce the debut vinyl release of THE LAST MAN ON EARTH Original Motion Picture Score by Paul Sawtell & Bert Shefter. The Last Man On Earth is a 1964 post-apocalyptic science fiction horror film based on the 1954 novel I Am Legend by Richard Matheson. Starring Vincent Price, the plot follows Dr. Robert Morgan (Price) who lives in a world where the human population is infected by a plague that has turned them into undead, vampiric creatures that cannot stand sunlight, fear mirrors, and are repelled by garlic. Every day, Morgan follows a routine where he marks days off the calender and sets out to hunt the vampires, killing as many as he can and then burning the bodies. After working together on the successful release of the official soundtracks to Zombie’s films House of 1000 Corpses, The Devils Rejects, 3 From Hell, The Lords of Salem, Halloween 1 & 2, and The Munsters, Zombie explored other ways to collaborate with Waxwork in an effort to unearth, re-master, and release classic, left-of-center Horror soundtracks from films that he is a life-long fan of. The line of soundtracks features deluxe packaging, heavyweight colored vinyl, new artwork by prominent Horror illustrator Graham Humphreys, liner notes and interviews conducted by Rob Zombie with filmmakers and actors. Titles include premiere releases of Spider Baby, Carnival Of Souls, The Last Man On Earth, The House On Haunted Hill, The Legend of the Seven Golden Vampires, and many selections from the HAMMER film library. Rob Zombie Presents THE LAST MAN ON EARTH Original Motion Picture Soundtrack Features: The Complete Score by Paul Sawtell & Bert Shefter Available For The First Time On Vinyl 2xLP 180 Gram Neon Green Vinyl with Green & Yellow Splatter Exclusive Interview by Rob Zombie with Victoria Price New Artwork by Graham Humphreys Deluxe Heavyweight Gatefold Packaging with Matte Satin Coating 11"x11" Booklet
  11. Wie es aussieht, wird dieser Score zum Horrorfilm mit Anthony Perkins demnächst erscheinen.
  12. For Love of the Game (1999) reunited Kevin Costner with one of his most popular subjects—baseball—as he starred as an aging pitcher who throws a perfect game at Yankee Stadium while reflecting upon his long-term relationship. An unexpected choice of material for director Sam Raimi, the film was lauded for its depiction of the sport and its uplifting Americana score by Basil Poledouris. By the late 1990s, Poledouris was renowned for his mastery of a film scoring genre that was, in a way, coming to its end: the romantic, orchestral depiction of masculinity. From barbarians to cyborg cops, cowboys to submariners, Poledouris found the beating heart of heroic male characters who upheld virtues of honor, loyalty and duty, while allowing themselves to be vulnerable to their loved ones. Costner’s Billy Chapel—pitching in his very last game—was an ideal protagonist, and Poledouris responded with a rich, warm, melodic score that goes from the grandeur and scope of America’s national pastime, to the romantic yearning and intimacy of its very human hero. The score navigates a range of orchestral size—from fully symphonic to heartfelt solos—as well as genre, with pop and R&B brought in for contemporary emphasis. For Love of the Game was released as 10-track, 33-minute CD from Varèse Sarabande at the time of the time. The program has been expanded to 35 tracks and over 78 minutes for this Deluxe Edition, with Daniel Schweiger’s liner notes incorporating interview material from Raimi, Poledouris, and the composer’s agent, Richard Kraft. Limited edition of 2,000.d Produced by: Basil Poledouris, Tim Boyle and Mi Kyoung Chaing Edited by: Curtis Roush Mixed by: Tim Boyle Mastered by: Chas Ferry & Melinda Hurley Track Listing: 1. Main Theme (from For Love Of The Game) 3:35 2. New York (not in final film) 2:41 3. Billy Traded 2:22 4. Run To Park 0:55 5. Park Farewell 1:44 6. Locker Room 0:49 7. Clouds 1:47 8. Tuttle Knockdown 1:50 9. Tuttle Out 1:37 10. Cat And Mouse 1:05 11. Jane To Game 1:47 12. Jane Putdown 0:42 13. Torn Dollar Bill (not in final film) 1:20 14. Dinner (1:03) / Elevator (0:32) 1:35 15. OK, Billy Chapel 0:55 16. Birch Strikeout 3:01 17. For Love Of The Music (not in final film) 1:50 18. Hard Pitching 1:48 19. Old School 1:37 20. Heather Comes Along 0:44 21. Jane’s Home 4:59 22. Relationship Montage (Pt. 1) 3:38 23. Gus Hits It 1:18 24. Accident 3:11 25. Coming Back? 0:37 26. Lemonade 2:12 27. Doesn’t Matter Anymore 1:04 28. No Hits 4:49 29. Mickey’s Save 2:50 30. The Decision 5:19 31. Can’t Get Clear 2:42 32. Last Pitch 5:19 33. Gus Farewell 0:53 34. Apology 1:55 35. I Need You 3:09
  13. Miklós Rózsa’s penultimate film score comes to a comprehensive two-disc Deluxe Edition featuring both the film recording (previously unreleased) and album version. Eye of the Needle was a WWII thriller based on a 1978 novel by Ken Follett, starring Donald Sutherland as a Nazi spy living in England. Stranded on a Scottish island while trying to return to Germany with vital war information, he starts a torrid romance with the unhappy and lonely wife (Kate Nelligan) of the local shepherd. Richard Marquand’s direction so impressed George Lucas that it won him the job of directing Return of the Jedi. By the early 1980s, Miklós Rózsa was the only major Golden Age composer still alive and laudably writing the same kind of timeless symphonic score that made him a Hollywood institution. His grand, sweeping music for Eye of the Needle is unabashedly romantic—vintage Rózsa—at turns suspenseful and brooding, pastoral and uplifting. It magnificently connects the film to its period while enhancing the emotion and drama. Rózsa recorded his music for Eye of the Needle twice: first for the film, with the Royal Philharmonic Orchestra in London, and then in an album version with the Nuremberg Symphony Orchestra in Germany. While the 13-track, 42-minute album (on disc two) has been released by Varèse Sarabande, this is the premiere release of the 23-track, 61-minute film version (on disc one)—making for the ultimate Eye of the Needle release, with new liner notes by Rózsa expert Frank K. DeWald. Limited edition of 2,000. Produced by: Mike Matessino and Cary E. Mansfield Edited by: Mike Matessino Mixed by: Eric A. Tomlinson (Original Motion Picture Soundtrack Scoring Mixer), Willy Luther (Original Motion Picture Score Album Recording Mixer) Mastered by: Mike Matessino Track List: Disc One: The Original Motion Picture Soundtrack Performed by The Royal Philharmonic Orchestra 1. Prelude From Eye Of The Needle 1:57 2. English Wedding (Film Version) 1:27 3. The Boarding House / The Needle Strikes 1:30 4. Storm Island / The Blond Agent 2:21 5. The Bedroom 2:02 6. Blondie’s End / The Needle 3:18 7. Camouflage / Pursuit 4:28 8. Search On The Train / Confrontation 2:49 9. Escape / The Boat 2:24 10. The Meeting 1:14 11. Love Scene / No Regrets 2:37 12. Heartbreak / The Transmitter 1:49 13. The Fight (Film Version) 2:46 14. Passion (Film Version) 1:43 15. Frantic Drive (Film Version) 1:09 16. Despair / Realization 3:26 17. The Broken Heart / Revulsion (Film Version) 3:11 18. Escape (Film Version) 6:00 19. The Gun 1:20 20. The Axe / The Firebomb 2:28 21. The Hostage / The Lamp (Film Version) 3:18 22. Retribution (Film Version) 4:18 23. Finale / Epilogue From Eye Of The Needle 2:58 Disc Two: The Original Motion Picture Score (Album Recording) Performed by The Nuremberg Symphony Orchestra 1. Prelude From Eye Of The Needle 2:13 2. English Wedding 1:56 3. The Blond Agent / Blondie’s Death 2:54 4. Camouflage 3:08 5. Love Scene 1:56 6. The Fight 3:06 7. Passion / Love Theme 4:28 8. Frantic Drive / Despair 3:05 9. The Broken Heart / Revulsion 2:54 10. Escape 4:33 11. The Hostage / The Lamp 3:21 12. Retribution 4:40 13. Finale / Epilogue From Eye Of The Needle 3:19
  14. THE SUGARLAND EXPRESS Original Motion Picture Soundtrack LLLCD 1650 Universal Pictures Film Music Classics Collection Music composed and conducted by John Williams Limited Edition of 5000 Units RETAIL PRICE: $22.98 La-La Land Records and Universal Studios proudly present the twenty-first title within the acclaimed Universal Pictures Film Music Classics Collection – THE SUGARLAND EXPRESS, a world premiere release of music from the original soundtrack for the very first collaboration between director Steven Spielberg and composer John Williams (JAWS, E.T., SCHINDLER’S LIST). Celebrating its 50th anniversary, THE SUGARLAND EXPRESS, released in 1974, stars Goldie Hawn as a Texas mother who breaks her husband (William Atherton) out of a prison farm when she is denied custody of their baby. Together they hijack a highway patrolman (Michael Sacks) and lead a convoy of media, onlookers, and countless police cars across the state. Spielberg’s first feature film balances comedy, drama and action in what Pauline Kael of The New Yorker called “one of the most phenomenal debut films in the history of movies.” Although Williams’ score never received a prior album release, the 50th anniversary of his historic partnership with Spielberg, along with a revisitation of the film for Universal Studios’ new 4K restoration, yielded the proper conditions to at last create an original soundtrack, which now takes a place of honor in the successful Universal Studios Film Music Classics Collection. While Spielberg originally hoped for a larger scale score for his first movie, Williams convinced him that THE SUGARLAND EXPRESS called for something more intimate. The great Belgian harmonica soloist Toots Thielemans became the principal musical voice of the film, supported by an ensemble of top guitarists and percussionists and a small string ensemble. The resulting music reflects the complex characters and the building tension of the story, with a bluesy, country vibe evoking the landscape and cultural backdrop of the tale. The album presentation, produced by the composer, delivers a distinctive musical journey and features material not used in the completed film. Classics Collection producer Mike Matessino mixed, edited and mastered the album from high resolution transfers of pristine 8-track master tapes, archiving the material as well as conforming the music for a new stereo mix of the film. Matessino also contributes in-depth liner notes detailing the history of the production, the creation of the music, and its place in the legendary Spielberg/Williams collaboration. Art direction by Jim Titus appropriately celebrates this historic premiere release. TRACK LISTING: MUSIC COMPOSED AND CONDUCTED BY JOHN WILLIAMS 1. The Sugarland Express – Main Title 1:29 2. Freedom At Last :46 3. The First Chase 2:32 4. Taking The Jump 1:48 5. The Caravan Forms 2:01 6. To The Roadblock 1:27 7. Sugarland Dance 1:38 8. Road Ballad 2:05 9. Out Of Gas 2:24 10. Trading Stamps 1:14 11. Police Cars Move 1:00 12. Along The Route 1:18 13. Man And Wife 2:09 14. Franklyn Falls :29 15. Sealing The Bargain 1:27 16. The Deputies Arrive :55 17. The Onlookers 1:02 18. Open Highway 2:04 19. Pursuit 1:51 20. Over The Next Hill 1:04 21. Setting The Trap 1:41 22. Last Conversation 2:00 23. The Final Ride 3:36 24. The Sugarland Express – End Title 1:45 Total Album Time: 40:31 This is a CD format release.
  15. Wird wohl die erste CD dieses Labels, welche ich mir zulegen werde: https://www.howlinwolfrecords.com/storemurderbydecree.html
  16. Und es wird tatsächlich NIGHT PASSAGE sein am 14.5. Wunderbar! Wohl dann der erste 50s-Score in der Universal Classics Collection:
  17. Erscheint in den nächsten Monaten und ist dann die Dritte umfängliche Inkarnation dieser Reihe (nach Toshiba EMI/Futerland und nach Toho Music): Es war vor vielen, vielen Jahren nach einer langen und intensiven Suche, bis ich dann schließlich mit dem Score zum zweiten Film (Musik: Masaru Satoh), die Letzte der Toshiba EMI/Futureland CDs in Händen hielt. Wie es halt als Filmmusikhörer manchmal so ist, die Filme (bis auf Teil 1) haben mich hingegen nie sonderlich interessiert. Gelistet sind die CDs mittlerweile u.a. bei Amazon.com, Music Box Records & Ark Square.
  18. Kommt am 30. April ... https://www.facebook.com/groups/95015405220/permalink/10168942967095221/
  19. Quartet Records, in collaboration with Decca Classics and Universal Music Enterprises, presents a remastered CD edition of the unique, fascinating and controversial Bernard Herrmann recording of Gustav Holst’s THE PLANETS. Recorded during his post-Hollywood period when he was based in London, it was one of several albums he conducted for Decca Records’ Phase Four series, featuring both his own music and that of other composers. THE PLANETS has always been considered something of a cursed album, yet it is loved by his fans for an interpretation that is more Herrmann than Holst. The recording was not universally acclaimed when it was released. This was in part because several recordings of the work already on the market were considered classics, thus setting a very high bar for new entries. Some listeners, however, found the heavy tread of Herrmann’s “Mars” an actual plus, its mechanistic bombast far more threatening and imposing than the composer’s own recorded performance. Herrmann’s slow trek through the “big tune” in “Jupiter” was more widely criticized, but Herrmann was far from the only conductor who favored slower tempi in the later stages of their career—including in some of the Phase Four recordings of his own music. Nevertheless, Herrmann’s THE PLANETS sold well. Although reissued several times on LP in the 1970s, Herrmann’s recording of THE PLANETS was only released on CD in Australia in 2011 as part of a Holst compilation on Decca Eloquence. This new, first-ever solo CD edition has been restored and mastered by Chris Malone from the original master tapes transferred by UME in the UK, and features brilliant, extensive liner notes by classical and film music writer Frank K. DeWald alongside the original LP liner notes by renowned musicologist Harry Halbreich. Mars, The Bringer of War (8:43) Venus, The Bringer of Peace (10:04) Mercury, The Winged Messenger (4:34) Jupiter, The Bringer of Jollity (9:06) Saturn, The Bringer of Old Age (9:31) Uranus, The Magician (6:54) Neptune, The Mystic (8:11) Total Disc Time: 57:06
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