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  1. Caldera Records is proud to present Loek Dikker’s score for the film “Diva Dolorosa.” Peter Delpeut’s work is a mesmerising found footage collage he assembled in the late 1990s after a flame of passion had been ignited within him: The filmmaker had watched “Rapsodia Satanica,” an expressive and exuberant melodrama with a staggering performance by Lydia Borelli as the leading lady, who had thrown herself into the role of the doomed femme fatale – the “diva.” Previously unaware of the subgenre of the “Diva Film,” Delpeut started to seek out similar works. He quickly found they were like operas. Everything was heightened, and the actresses seemed to dance on every individual frame. Delpeut created “Diva Dolorosa,” for which he assembled individual scenes from “Diva Films.” He put together a new work, a story in the tradition of the Italian classics, for which he needed the appropriate music. Delpeut entrusted experienced composer Loek Dikker with this Herculean task. The film required a wall-to-wall score, as expressive and lush as an opera. It became his magnum opus, a tribute to the great operas of the late 19th century with subtle jazz influences as they were invoked by, among others, Maurice Ravel and Darius Milhaud in the 1920s. Keen film music enthusiasts might even discover some hints of Nino Rota in the vaudeville music. Dikker’s score has it all – instrumental arias, jazz, vaudeville, and even some polyphony. It is the work the composer is proudest of, and indeed, it stands as a towering achievement in his impressive oeuvre. The 55th CD-release of Caldera Records features a detailed booklet text by Stephan Eicke and elegant artwork by Luis Miguel Rojas. The CD was mastered by Richard Moore and produced by Stephan Eicke and John Elborg. C6055 Music Composed by Loek Dikker Album Produced by Stephan Eicke, Loek Dikker Executive Producers for Caldera Records: John Elborg, Stephan Eicke Album Art Direction and Design by Luis Miguel Rojas 1. Prologue (4:48) 2. Love has a Bitter Taste (5:50) 3. The Flame (2:24) 4. Carnival (1:37) 5. Diabolical Delight (5:02) 6. Kiss My Feet (4:58) 7. Betrayal (6:09) 8. Storms of the Soul (5:01) 9. Revenge (6:48) 10. Grief (4:04) 11. Bitter Happiness (4:54) 12. The Isle of the Dead (2:24) 13. The Secret and the Garden of Sorrows (6:39) 14. Our Lady of Pain and Death’s Rhapsody (7:33) 15. Farewell (2:29) For soundclips and more information, please visit our homepage: https://www.caldera-records.com/diva-dolorosa
  2. Caldera Records is proud to present the original scores for the motion pictures “Flame in the Wind” and “Sheffey” from 1971 and 1977 respectively. Both films were produced by Unusual Film, a division of Bob Jones University in Greenville, South Carolina. “Flame in the Wind” is set during the time of the Spanish Inquisition and follows a young man named Carlos who is faced with a conflict throughout the course of the motion picture: should he, horrified by the Inquisition, follow the Bible, or adhere to religious tradition? “Sheffey” was an even bigger undertaking, a lavish and expensive production: Born in 1820, Robert Sheffey was a Methodist evangelist who spent his lifetime taking care of those in need, traveling through Virginia and Tennessee and preaching the word of God. The music for both films was composed by Dwight Gustafson. Born in 1930, Gustafson was named acting dean of the School of Fine Arts at BJU at 24. He served as administrator, taught, composed, conducted and preached until his retirement in 1997. The music for “Flame in the Wind” is based around three themes which recur throughout the score, which was issued on an LP by Unusual Films in 1971. Gustafson wrote a leitmotif for the film’s hero Carlos which is supposed to reveal the pathos and heroism of the young man as he tries to find his way. The second theme, a rather eerie, instrumental melody for the Inquisition expresses the repression and terror for which the inquisitors are responsible, while a triumphant chorale seeks to honor the true believers who have lost their lives due to their faith in Jesus Christ during the Spanish Inquisition. “Sheffey” follows a different musical conception, although Gustafon’s style is unmistakable. Since the film, through the life of Robert Sheffey, tells the story of folk religion, Gustafson decided to employ various folk tunes as seemed appropriate to backbone for his score. Both “Flame in the Wind” and “Sheffey” were composed, orchestrated and conducted by Dwight Gustafson and recorded with the Bob Jones University Symphony Orchestra, composed of students and faculty. LPs of both scores were made available by Unusual Films/BJU to coincide with the film releases. The 35th Caldera CD features a detailed booklet-text by Stephan Eicke and elegant artwork by Luis Miguel Rojas. The CD was mastered by Richard Moore and produced by Stephan Eicke and John Elborg. Music Composed by Dwight Gustafson Album Produced by Stephan Eicke Executive Producers for Caldera Records: John Elborg, Stephan Eicke Flame in the Wind 1. Title Music (4:25) 2. The Journey of the Inquisitors (1:59) 3. The Birth of Carlos (2:38) 4. The Monks Escape (2:57) 5. The Dungeon (2:15) 6. The Capture of Carlos (2:38) 7. Processional for the Auto-Da-Fe (3:44) 8. The Tribunal Hall (1:59) 9. The Torture (3:43) 10. The Penitent Returns to Christ (2:47) 11. The Burning of the Martyrs (3:07) Sheffey 12. Title Music (2:03) 13. Disturbance at Revival (1:26) 14. Salvation Hymn (1:35) 15. Young Sheffey in Hills (2:15) 16. Sheffey and Children (0:54) 17. Sheepskin (3:26) 18. Wabash (3:24) 19. Journey in Snow (1:45) 20. Engagement (1:16) 21. The Campground Returns (2:27) 22. Farewell to Gideon (3:54) 23. Tragedy in the Wilderness (2:18) 24. The Campground Burns (3:47) 25. Death of Elizah (2:05) 26. End of the Journey (3:42) Listen to a 5 min clip here: https://soundcloud.com/alderaecords/flame-in-the-wind-dwight-gustafson For more information please visit: http://caldera-records.com/portfolio/flame-in-the-windsheffey/gallery/soundtracks/
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