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77 Ergebnisse gefunden

  1. THE FIRST 100 COPIES ARE SIGNED BY JOE KRAEMER! (Check your retailer!) Caldera Records is proud to present the new score for the motion picture “Sunrise” from 1927, directed by F.W. Murnau, featuring music by Joe Kraemer, commissioned by the Dallas Chamber Symphony. Featuring enormous stylized sets in order to create an idealized view of the world, “Sunrise” tells the story of three characters with no real names given. The Man and The Wife had been living happily on their farm until the appearance of The Woman From The City, who seduced the husband prior to the beginning of the story. In order to get rid of the farm that is tying The Man to country life, The Woman From The City convinces him to get rid of The Wife by staging a boating accident. When The Man realizes he is unable to commit the deed, The Wife flees to the City. He follows her and they rediscover their love for each other in the exotic world of the City. In 2016, Joe Kraemer got the chance to prove himself as a masterful composer for silent film when he was commissioned by the Dallas Chamber Orchestra to write an original score for Murnau’s masterpiece. In terms of the overall picture, Kraemer shares his inspirations: “I created themes for each of the major characters and concepts in the film, and then used those themes to carry out the plot of the film. It is a highly programmatic composition. I was influenced by composers like Copland, Gershwin, and Strauss. Additionally, I had just finished a three-week stay in Austria when I began writing the score, and I was very influenced by the culture I experienced in the wonderful town of Baden.” The score had its world premiere, live-to-picture, in Dallas in October 2016, where it was conducted by Richard McKay. It had a second performance in August 2017 in Baden, Austria, where Kraemer himself conducted it live-to-picture with members of the Synchron Symphony Orchestra. A few weeks after the live performance, the orchestra reconvened at the Synchron Stage in Vienna to record selections from the score for this CD release. The 26th CD-release of Caldera Records features a detailed booklet-text by Gergely Hubai, an exclusive audio commentary by the composer, and elegant artwork by Luis Miguel Rojas. The CD was produced by Stephan Eicke and John Elborg. Music Composed and Conducted by Joe Kraemer Album Produced by Stephan Eicke Executive Producers for Caldera Records: John Elborg, Stephan Eicke Sunrise 1. Sunrise (2:23) 2. The Train Sequence (1:50) 3. The Other Woman (2:15) 4. Whistle (1:52) 5. The Husband Sneaks Away (3:26) 6. The Marsh Sequence and City Song (4:27) 7. Gathering Reeds (2:27) 8. To Bed (2:23) 9. Off to the City (2:16) 10. The Dog Scene (2:47) 11. A Man Posessed (4:34) 12. City Arrival (1:36) 13. Buying Flowers (2:28) 14. The Wedding Scene (3:26) 15. Traffic Jam (2:02) 16. Pictures in a Window (1:19) 17. The Photo Session (2:01) 18. Antics in the Studio (2:41) 19. Night in the City (2:22) 20. Pig on the Loose (3:53) 21. The Dance (2:54) 22. Storm at Seam (4:24) 23. Salvation (4:53) 24. Finale (1:43) Bonus: 25. Audio Commentary by Joe Kraemer (13:09) Listen to a 5 min clip here: https://soundcloud.com/alderaecords/sunrise-joe-kraemer For more information please visit: http://caldera-records.com/portfolio/sunrise/gallery/soundtracks/
  2. Hey, Ich suche diesen Track (Anhang). Leider weiss ich weder den Interpreten, Songtitel noch den Film (falls er überhaupt in einem war) Ich benötige den Song für eine Show und die Angaben damit ich das ganze bei der Gema anmelden kann. Ich habe schon einige Leute gefragt, die auch in de bereich arbeiten, leider ohne Erfolg Ich würde mich freuen, wenn mir jemand den Interpreten und titel nennen kann. Ggf. auch hinweise wo ich noch suchen könnte Ps. Der name der Datei ist natürlich nicht der Name des Titels Danke schonmal freundlichen Gruß, advexxx THE VOID.mp3
  3. Hallo zusammen, ich hatte in den letzten Wochen die Gelegenheit, den Score für den Kurzfilm HERO zu schreiben und mit dem City of Prague Philharmonic Orchestra aufzunehmen. Die Regisseure wollten einen "good old fashioned" 80er/90er Orchester-Score, gaben mir aber ansonsten komplette kreative Freiheit, was eine seltene und großartige Gelegenheit für jeden Komponisten ist. Der komplette Score ist jetzt zum Anhören auf Soundcloud verfügbar: Freue mich auf Kommentare! Viele Grüße, Robin
  4. Caldera Records is proud to present the original score for the motion picture “That Good Night” from 2017, directed by Eric Styles, featuring music by Guy Farley. The film, based on the stage play by N.J. Crisp, tells the story of Ralph, a successful writer whose life is full of regrets. With a curious personality that’s both charming and rude, Ralph has built a number of “love him or hate him” relationships over his life – unfortunately, his family seems to fall into the latter group. Now in his seventies and terminally ill, Ralph sets out two goals before entering that good night: he wants to mend his relationship with long-abandoned son Michael and also make sure that he is not a burden to his much younger second wife, Anna. “That Good Night” marks the last screen performance of John Hurt who passed away in January of 2017. Hurt is joined by Charles Dance and Sofia Helin in a stellar cast. The music for “That Good Night” was written by Guy Farley (“Modigliani”, “Maria di Nazaret”). Farley provided an elegant underscore, recorded with a small orchestra of strings, woodwinds, harp, piano, and world instruments such as a Cavaquino, Spanish guitars, an accordion and ethnic percussion which capture the Mediterranean flavour of the Portuguese Algarve, while the chamber orchestra works its magic on the emotional element of the story. The score, one of Farley’s best to date, is filled with memorable themes and motifs that are both uplifting and touching, paying tribute to the character’s struggles and the film’s hopeful message. The 24th CD-release of Caldera Records features a detailed booklet-text by Gergely Hubai and elegant artwork by Luis Miguel Rojas. The CD was produced by Stephan Eicke and John Elborg. Music Composed and Conducted by Guy Farley Album Produced by Stephan Eicke Executive Producers for Caldera Records: John Elborg, Stephan Eicke That Good Night 1. That Good Night (2:22) 2. The Horizon (1:41) 3. The Villa (1:57) 4. Reynaldo (2:14) 5. Try Harder (1:28) 6. I Love Portugal (1:16) 7. The Fee (1:49) 8. An Injection (1:36) 9. Call Your Dad (2:05) 10. Terminal (2:37) 11. Birth (3:07) 12. How Soon? (0:54) 13. You’re Despicable! (1:46) 14. John, Michael and Cassie (2:46) 15. Symposium (1:05) 16. His Beloved Rolex (1:21) 17. You Can Be So Nasty (1:22) 18. Trust Me (2:32) 19. October (1:45) 20. We Call it ALS (1:07) 21. A Grandfather! (1:37) 22. Reformed Character (0:55) 23. Death and Poetry (1:28) Bonus: 24. Audio Commentary by Guy Farley (6:45) For more information please visit: http://caldera-records.com/portfolio/that-good-night/ For an exclusive 5 min audio clip please visit: https://soundcloud.com/alderaecords/that-good-night-guy-farley
  5. Caldera Records is proud to present the original score for the motion picture “Wild Geese II” from 1985, directed by Peter Hunt. The film is loosely connected to “The Wild Geese” from 1978, starring Richard Burton, Richard Harris and Hardy Kruger. Unfortunately, Burton passed away shortly before the filming of the sequel began and some sections of the screenplay had to be re-written. The story revolves around top level Nazi Rudolph Hess (Laurence Olivier) who has important intel on prominent political figures. Ruthless TV executives Michael and Kathy Lukas (John Terry and Barbara Carrera) want to get him out of his Spandau prison to appear on live television. Faulkner declines their offer to lead such a mission, but recommends Lebanese American soldier turned mercenary Haddad (Scott Glenn) as a substitute who agrees to take on the mission that soon turns into a nightmare for everyone involved. The music was composed by Roy Budd (“Get Carter”) who had already written the music for “The Wild Geese”. Budd had to create new musical material for the sequel and delivered a more contemporary direction for underscoring the mission. Besides the funky action music which is the obvious main draw of the score, there are plenty of other great moments in the score, such as a catchy main title march and the soulful ballad “Say You’ll Be Mine”, sung by Peter Hoffmann and dedicated to Budd’s wife Sylvia Budd who served as co-producer of this album. This release of “Wild Geese II” fills an important hole in Roy Budd’s discography. A soundtrack was originally released on LP by CBS Records, but it had no legitimate CD release since then. The score was carefully restored and mastered from the original tapes. Recorded with the London Symphony Orchestra, the music sounds as fresh as if it was recorded today and stands as one of Budd’s very best works. The 22nd CD-release of Caldera Records features a detailed booklet-text by Gergely Hubai and an elegant artwork by Luis Miguel Rojas, excerpts from the handwritten score, a detailed biography of the composer, as well as an exclusive audio commentary by the composer’s wife, Sylvia Budd. The CD was produced by Stephan Eicke, John Elborg, and Sylvia Budd. Music Composed, Orchestrated and Conducted by Roy Budd Recorded with the London Symphony Orchestra Album Produced by Stephan Eicke Executive Producers for Caldera Records: John Elborg, Stephan Eicke, Sylvia Budd Wild Geese II 1. Main Title (4:35) 2. Cat and Mouse in Berlin (3:35) 3. Solitary Confinement (3:46) 4. Moving Around Spandau (3:16) 5. The Wall (1:50) 6. The Romance Begins (2:36) 7. Plot and Deceit (2:22) 8. Attempt to Free Hess (8:31) 9. Escape (1:37) 10. End Titles (2:46) 11. Say You’ll Be Mine (4:45) Performed by Peter Hoffmann Bonus: 12. Audio Commentary by Sylvia Budd (5:14) Listen to a 4 min clip here:
  6. Dunge_Onmaster

    Musik für Horrorfilm

    Hallo zusammen, ich habe mich nun endlich wieder einmal an ein bisschen Filmmusik versucht und für einen Horror-Thriller (Filmstudentenprojekt) den Soundtrack gebastelt. Ist weitestgehend eine Mischung aus orchestralen Klängen mit hier und da ein bisschen Elektro-Elementen. Das Hauptmotiv besteht aus vier Tönen: einem absteigende Quart-Tritonus-Wechsel und wird eigentlich ständig irgendwo variiert. Vielleicht entdeckt es ja der eine oder andere. Der Film selbst wird leider erst in ca. einem halben Jahr frei im Netz veröffentlicht werden, da die Produktionsleiter ihn gerne bei verschiedenen Wettbewerben/Festivals einreichen würden. Würde mich aber schon sehr über Rückmeldungen zur Musik freuen. War echt eine Heidenarbeit (weit über Hundert Stunden). https://soundcloud.com/dustin-naegel/resolution-and-end-credits https://soundcloud.com/dustin-naegel/a-dark-discovery https://soundcloud.com/dustin-naegel/shortcut-through-the-woods https://soundcloud.com/dustin-naegel/interrogation https://soundcloud.com/dustin-naegel/an-axe-in-a-nature-reserve https://soundcloud.com/dustin-naegel/run-away https://soundcloud.com/dustin-naegel/opening-teaser Viele Grüße Dustin
  7. Dunge_Onmaster

    Main Theme für Fantasy-Film

    Hallo zusammen, ich habe die letzten Tage sehr intensiv an folgendem Stück gearbeitet: https://soundcloud.com/dustin-naegel/journey-onward Das dazu gehörende Filmprojekt (liegt schon Jahre zurück) ist leider nie komplett abgeschlossen worden, aber mich hat es schon seit langem gereizt, endlich mal Musik für dieses Genre (Fantasy) zuschreiben, da sich unglaubliche viele Möglichkeiten ergeben und man als Komponist vergleichsweise uneingeschränkt arbeiten kann. Der eigentliche Hauptteil der Arbeit war für mich aber das Instrumentieren, Aufnehmen (alles DAW-gestützt über Midi natürlich) und dann vor allem auch das Abmischen der letztlich 45 Spuren. Ich würde mich extrem über ein paar Tipps vor allem in Bezug auf den Mix freuen. Also was man wo vielleicht noch besser machen könnte, wo Stimmen eventuell nicht präsent genug bzw. zu präsent sind etc. Ich habe mir die ganze Geschichte mittlerweile wohl schon so oft angehört, dass mir ein bisschen der objektive Blick verloren gegangen sein dürfte. Vielen Dank schon mal! Dustin
  8. Caldera Records is proud to present George Kallis’ original score for the motion picture “The Black Prince” from 2017, directed by Kavi Raz. The films tells the touching and exhilarating story of Maharaja Duleep Singh, the last king of Punjab before its British annexation. After the First Anglo-Sikh War, the king sees himself torn between his own country and England and struggles to regain his own kingdom. The title role of the Maharaja is portrayed by Punjabi poet and singer Satinder Sartaaj who delivers a strong performance in the film that also stars Jason Flemyng and Amanda Root. One of the main stars of the film is the music, composed and conducted by George Kallis who has composed music for over 20 films and Emmy and BAFTA award-winning TV programs. With this colourful and highly entertaining score, highlighting tender moments and fierce action, Kallis delivers one of his strongest efforts to date. The score showcases several memorable themes and leitmotifs, such as a main theme for the Maharaja, a theme for his mother and for his first wife, with several other motifs which portray Punjab and its characteristics. There are delicate elements of ethnic music in the score but with its soaring orchestral concept “The Black Prince” has its own universal language that connects all countries. The music was recorded in Hungary, conducted by the composer himself. The 20th CD-release of Caldera Records features a detailed booklet-text by Gergely Hubai and elegant artwork by Luis Miguel Rojas. The CD was produced by Stephan Eicke and John Elborg. Music composed and conducted by George Kallis Album Produced by Stephan Eicke Executive Producers for Caldera Records: John Elborg, Stephan Eicke The Black Prince 1. Opening Titles (3:19) 2. First Trip to India (2:21) 3. The Painting (3:20) 4. Holland Park (1:59) 5. Mother (3:06) 6. Arur Singh Captured (2:45) 7. No Passage to Punjab (1:24) 8. Back to England (2:17) 9. I Know Your Destiny (2:08) 10. The Prophecy (2:35) 11. The Bird (1:49) 12. Dr. Logan Passes (2:32) 13. First Meeting (3:14) 14. Treason! (2:35) 15. I Am Not a Prince (2:10) 16. Letters Intercepted (1:58) 17. Marriage Proposal (1:27) 18. Travelling to Paris (0:42) 19. Assassination Attempt (2:09) 20. Rest in Peace Bamba (1:46) 21. My Childhood (1:44) 22. The Sword of the Maharaja (2:39) 23. Death and Coronation (3:07) Bonus: 24. Audio Commentary by George Kallis (4:39) Listen to a 5 min clip here: https://soundcloud.com/alderaecords/the-black-prince-george-kallis For more information visit our homepage: http://caldera-records.com/portfolio/the-black-prince-2/
  9. Caldera Records is proud to present the original score for the motion picture “A Esmorga” from 2014, directed by Ignacio Vilar. Eduardo Blanco Amor’s novel of the same title is one of the most well known books in Galician language, but although it was already written in 1959, it took 55 years until a film based on the book was made in the Galician language with Galician actors. The book and therefore the film tell the story of three struggling men and accompanies them for 24 hours while they roam through the city, visit the pubs and brothels, before they find their tragic end. The film was a major hit with audiences and critics and became the most successful Galician film to date. Now, three years later, Caldera Records pays tribute to its achingly beautiful score by Zeltia Montes. The Spanish composer, who recently made headlines with her score for the documentary “Frágil Equilibrio”, has been very influenced by the music of Arvo Pärt and it clearly shows in this score. The music was written for a piano only to convey a sense of intimacy to the music and therefore the film, performed by Zeltia Montes herself. She delivers three key themes which are not only memorable in themselves but also receive several variations throughout the melancholy, minimalist score which is Montes’ most personal of all her works. It was high time to make this stirringly emotional and tragic score available on CD. The 19th CD-release of Caldera Records features a detailed booklet-text by Gergely Hubai and elegant artwork by Luis Miguel Rojas. The CD was produced by Stephan Eicke and John Elborg. Music Composed by Zeltia Montes Album Produced by Stephan Eicke Executive Producers for Caldera Records: John Elborg, Stephan Eicke A Esmorga 1. Opening Credits A Esmorga (1:50) 2. I Won’t Hurt You (4:56) 3. Dark Object of Desire (3:37) 4. Taking Care of My Love (1:54) 5. Though My Chest Walls Were Burning (3:48) 6. Tribal Call (2:11) 7. Looks that Say It All (2:05) 8. Impossible Love (1:39) 9. Raining in the Bridge and in the Heart) (3:34) 10. Temptation (1:38) 11. When Love Hurts (2:44) 12. As if I Remembered Them From the Other Shore of Death (3:39) 13. Tragic Destiny (4:42) Bonus : 14. Audio Commentary by Zeltia Montes (11:59) Listen to a 5 min clip here: https://soundcloud.com/alderaecords/a-esmorga-zeltia-montes For more information please visit: http://caldera-records.com/portfolio/a-esmorga/
  10. Caldera Records is proud to present the original score for the motion picture “Adam Resurrected” from 2008, directed by Paul Schrader and starring Jeff Goldblum, Willem Dafoe and Derek Jacobi. Goldblum stars as Adam Stein, a clown who is sent to a concentration camp in WWII. There he meets Commandant Klein, played by Willem Dafoe, whose dog Stein pretends to be by behaving like an animal. After the war, Stein is sent to a mental asylum where he meets a young boy who pretends to be a dog. This encounter brings back old memories for Stein which will haunt him forever. The film is based on a novel by Yoram Kaniuk and was directed by none other than Paul Schrader, the enfant terrible of the New Hollywood and the man behind the scripts for “Taxi Driver” and “Raging Bull”. The music was written by Gabriel Yared who delivered one of his most unusual and daring works and also one of his most satisfying. Yared, who won an Oscar for his work on “The English Patient”, wrote the score for an orchestra but later abandoned the idea to create a score which wouldn’t make the film into a schmaltzy melodrama. Instead, the composer used a solo piano, solo violin, solo guitar and solo cello to come up with the right tone for the film. These instruments are accompanied by electronic textures, bringing back memories of Yared’s earliest scores from the 80s which are developed further here. The French-Libanese musician melts the sorrowful main theme of the film, beautifully played by Bogdan Vacarescu, with sometimes harrowing and sensual electronic counterpoints, fusing score and source music and thus delivering one of his most original and complex works which is deeply touching even outside the film. The music was recorded at Abbey Road in London and is now available for the first time on CD. The 18th CD-release of Caldera Records features a detailed booklet-text by Gergely Hubai and elegant artwork by Luis Miguel Rojas. The CD was produced by Stephan Eicke and John Elborg. Music Composed and Orchestrated by Gabriel Yared Album Produced by Stephan Eicke Executive Producers for Caldera Records: John Elborg, Stephan Eicke Adam Resurrected 1. Main Theme (6:57) 2. Tel Aviv (1:03) 3. Gina (1:46) 4. Adam Gets Bit (1:50) 5. Laughter (2:04) 6. Life and Death (3:08) 7. Adam and Gina on the Rooftop (2:06) 8. Desert (1:23) 9. Wolfie’s Story (1:38) 10. Shooting Rex (2:12) 11. Berlin 1950s (0:55) 12. Stand Up Dog (2:59) 13. Adam and Gina in Bed (2:11) 14. Boy Tries to Stand Up (0:50) 15. At the Graveside (2:48) 16. Adam Hallucinates (3:52) 17. Adam and Davey (1:08) 18. Epilogue (1:29) 19. Haifa Arrival (1:07) 20. Adam’s Idea (2:13) Listen to a 5 min clip here: https://soundcloud.com/alderaecords/adam-resurrected-gabriel-yared For more information please visit: http://caldera-records.com/portfolio/adam-resurrected/
  11. C6017 Caldera Records is proud to present the “Guy Farley Film Music Collection”, representing a selection of four soundtracks composed by Guy Farley. Included are “Anthropoid” (2016), “Tula: The Revolt” (2013), “Irish Jam” (2006) and “Dot.com” (2007). No compilation can highlight the versatility of the British composer as well as this one: For “Anthropoid”, Farley wrote a moving choral piece, while “Tula: The Revolt” shows his sure symphonic hand for romantic melodies and aggressive action. “Irish Jam” is a colourful score featuring influences from Irish folklore and “Dot.com” is a lively composition for small orchestra and solo instruments such as guitar and harmonica, portraying the joie de vivre of village life in southern Europe. All four scores are bound together by their catchy melodies and transparent orchestration, making Farley one of the most inspired British musicians who can always be trusted to deliver high-quality work. Caldera has already released three CDs with the Farley's works, “Secret Sharer”, “Maria di Nazaret” and “Modigliani”. This new CD is not only a celebration of our relationship, but also a celebration of great music. As a bonus, we included an exclusive audio commentary by the composer where he talks about his work. The 17th CD-release of Caldera Records features a detailed booklet-text by Gergely Hubai and elegant artwork by Luis Miguel Rojas with new, exclusive photographs taken by Madeleine Farley. The CD was produced by Stephan Eicke and John Elborg. Music Composed and Conducted by Guy Farley Album Produced by Stephan Eicke Executive Producers for Caldera Records: John Elborg, Stephan Eicke Anthropoid 1. Dulce et Decorum Est (3:35) Tula: The Revolt 2. Theme (1:38) 3. Sign From God (1:28) 4. Fire! (2:36) 5. My Brothers (1:36) 6. Onslaught (3:32) 7. Speranza's Theme (1:35) Irish Jam 8. My Love (2:07) 9. Michael and Maureen (1:28) 10. Cliffs of Ballywood (0:52) 11. Maureen's Story (1:21) 12. Cillian's Gig (1:29) 13. Ivy Leaf (1:58) 14. Morning Dew (2:45) 15. Careful Da (1:04) 16. Longstrom Pony (1:33) 17. Over the Hills (2:16) 18. I Love You Jimmy (1:58) 19. Kathleen Speaks (1:18) 20. The Kiss (0:49) Dot.com 21. Title Theme (2:52) 22. Village Life (1:39) 23. Victor Alone (1:16) 24. The Vote (1:24) 25. Sleep Outside! (1:26) 26. All's Quiet Until... (1:36) 27. Pedro and Elena (2:49) 28. Who Wrote That? (1:33) 29. The Fight (2:20) 30. Village Dance (1:17) 31. Celebrations (1:15) 32. All's Well That Ends Well (1:54) 33. Peace At Last (2:48) Bonus 34. Audio Commentary by Guy Farley (8:45) Listen to a 5 min clip here: SoundCloud Buy the CD here: Music Box-Records (France) http://caldera-records.com/portfolio/guy-farley-film-music-collection/ https://www.facebook.com/CalderaRecords/
  12. Ich bin mal wieder auf der Suche nach einem Musikstück mit dem altbekannten Problem, soll heißen das Lied kommt in der Serie mehrmals vor, es fehlt jedoch auf dem Soundtrack. Die Folge ist auf YouTube hochgeladen, hier mit Zeitcode es fängt direkt an: https://youtu.be/jH0Qu4R3mKo?t=32m14s Hat jemand eine Ahnung von wem das sein könnte oder erinnert es an jemanden?
  13. Hallo liebe Forenmitglieder, gerade habe ich den o.g. Film gesehen. Im letzten Drittel läuft ein Klavierstück im Hintergrund das ich gerne wieder hören würde Ich konnte zwar eine einzige Seite finden die auf den Soundtrack des Films eingeht, aber leider nicht auf dieses Klavierstück. Sollte jemand einen Tipp für mich haben, freue ich mich sehr. Lieben Dank schon einmal für eure Unterstützung. haluawua
  14. Caldera Records is proud to present the original score for the motion picture The Welts (Pregi) from 2004, directed by Magdalena Piekorz and starring Michal Zebrowski and Agnieszka Grochowska. The Polish movie tells the tale of Wojciech who was mistreated by his father at a young age and as a result becomes increasingly troubled when growing up. Although he does not want to repeat the same mistakes his father did, he has problems connecting to people. Then he meets Tania, his chance for redemption. But will he be able to solve his problems and become somebody who can not only love but who can also be loved by others? The music for the directorial debut by Magdalena Piekorz was composed by Adrian Konarski, a highly regarded musician for films, theater and concert in his native Poland. These Polish roots are evident in his music, bearing resemblance to work of his native countryman Wojciech Kilar in their melodic inspiration, thematic development and transparent arrangements. Performed by a small orchestra with haunting instrumental solos for piano and woodwinds, the music for “The Welts” is full of melancholy and yet offering a glimpse of hope for the troubled character of the movie. Konarski works with several themes and motifs such as a love theme which receives its variations throughout the score. Furthermore, Caldera presents several other works by Adrian Konarski, mounting to a running time of 80 minutes in total: Drowsiness and Citizen are two other elegiac scores for movies by Magdalena Piekorz, performed by orchestra and soloists such as a mesmerizing soprano. Several other pieces also assembled on this compilation were written by Konarski for different projects, offering a vast variety of melodies and styles. As a bonus, we included an exclusive audio commentary by the composer where he talks about his work. The 16th CD-release of Caldera Records features a detailed booklet-text by Gergely Hubai and elegant artwork by Luis Miguel Rojas. The CD was produced by Stephan Eicke and John Elborg. The Welts 1. Love Scene (2:43) 2. Prologue (1:18) 3. Music is Healing (1:22) 4. Pigeons (0:57) 5. Windmills and Holy Figures (1:52) 6. Street in the Rain (1:20) 7. Confession (1:12) 8. Escape From Home (1:11) 9. Impossible Escape (1:31) 10. Cave (2:43) 11. Childhood (3:56) 12. Wojciech and Tania (1:22) 13. Returning Home (1:33) 14. Telephone Call to Editorial Office (1:13) 15. The Welts (2:32) 16. Confession of Love (2:11) 17. Mountains (1:24) 18. Inscription on a Mirror (2:18) 19. Final Credits (3:14) Drowsiness 20. Cooking of Hallucinogenic Herbs (1:24) 21. Drowsiness (2:09) 22. Cello (0:57) 23. Ashes to the Sky (2:04) 24. Final Credits (3:47) Obywatel 25. Echo of Her Voice (2:19) 26. Why Me – Why Only Me? (1:52) 27. Beautiful Sweet Epic Reflection (2:28) 28. Woman From the Dark (2:06) 29. Theme of Journey (3:08) 30. Existence no Existence (1:42) 31. Charming and Moving (3:01) 32. Close-Ups (3:38) 33. People Like Pigeons (2:19) 34. Eugeniusz Bodo Lumiere Magique (2:06) 35. Soaring Dreams (3:35) Bonus: 36. Audio Commentary by Adrian Konarski (3:35) Listen to a 5 min clip here: https://soundcloud.com/alderaecords/caldera-september-release Buy the CD here: http://www.musicbox-records.com/fr/cd-musiques-de-films/3921-the-welts.html http://www4.screenarchives.com/title_detail.cfm/ID/32140/THE-WELTS-PREGI/
  15. Caldera Records is proud to present the original score for the motion picture “Under Suspicion” from 1991, directed by Simon Moore and starring Liam Neeson, Laura San Giacomo and Kenneth Cranham. Neeson plays a former cop who now works as a private investigator whose main job it is to collect evidence of adultery for his clients who wish to settle divorce cases. Neeson’s character runs into trouble soon though when he orders his wife to go to a hotel room with a well known painter in order to take photographs of the two and sell them to the wife of the painter. Things get nasty when the pair is shot death – and one of the prime suspects is: the investigator himself. Christopher Gunning delivered one of his darkest, most brooding scores which at times evokes the spirit of Bernard Herrmann’s well known and much celebrated style to underscore suspense and enhance the already dangerous situations in the film’s scenes. Gunning wrote several themes and motifs, notably a love theme for Neeson’s and Giacomo’s characters which receives its variations throughout the whole score. The highlight of the score is undoubtedly the famous hanging sequence for which the composer wrote a 7 minute piece which builds steadily until it collapses at its climax and makes your adrenalin rush through your body. Deservedly, Gunning won an Ivor Novello Award for his work on “Under Suspicion” in 1991. This is the third entry of a Gunning score in the Caldera catalog. As a bonus, we included an exclusive audio commentary by the composer where he talks about his work. The 15th CD release of Caldera Records features a detailed booklet text by Gergely Hubai and elegant artwork by Luis Miguel Rojas. The CD was produced by Stephan Eicke and John Elborg. Music Composed, Orchestrated and Conducted by Christopher Gunning Album Produced by Stephan Eicke Executive Producers for Caldera Records: John Elborg, Stephan Eicke Produced by ITV Recorded at Lansdowne Recording Studios, CTS Studios Wembley Under Suspicion 1. Opening Title (0:45) 2. Murder (2:58) 3. Murder Part 2 (1:03) 4. Tony in Danger (2:06) 5. Under Suspicion (1:01) 6. Meeting After Dark (1:00) 7. Growing Suspicion (1:51) 8. Suspicion and Romance (5:24) 9. Love – but did he do it? (4:04) 10. A Difficult Liaison (2:28) 11. Another Murder (1:26) 12. Knotty Questions (2:02) 13. Important New Evidence (1:08) 14. Frank Racing to the Hanging (7:24) 15. Tony and Angeline (2:51) 16. Tony and Angeline’s Doubts (1:12) 17. Closing Title (3:52) Bonus: 18. Brighton (3:52) 19. Audio Commentary by Christopher Gunning (3:20) Listen to a 5 min clip here: https://soundcloud.com/alderaecords/under-suspicion-christopher-gunning For more information please visit our homepage: http://caldera-records.com/portfolio/under-suspicion/gallery/soundtracks/
  16. Dunge_Onmaster

    Musik für Old-School-Adventure

    Hallo zusammen, ein Kollege von mir programmiert als Hobby ein kleines Point-and-Click-Adventure im Stil von Monkey Island oder Maniac Mansion. Geht um eine Katze, die sich als Detektiv verdingt und Mordfälle aufklärt. Ich soll dafür ein bisschen Musik beisteuern. Dachte mir, dass etwas leicht Jazziges gut zu dem Krimi-Genre passen würde (quasi "Crime Jazz"). Hab mich sehr schwer getan, die Soli und Fills möglichst natürlich und realistisch klingen zu lassen. So richtig zufrieden bin ich noch nicht. Vielleicht habt ihr da noch ein paar Tipps für mich, auch was den Mix angeht. Vermutlich hört man es eh, aber ich hab natürlich alles mit Software-Samples eingespielt, so richtig "echt" ist da leider nichts und mangels Gitarrenspielqualitäten auch nicht zu ändern Bin aber trotzdem mal gespannt, was ihr von den Stücken davon haltet. https://soundcloud.com/dustin-naegel/on-the-prowl https://soundcloud.com/dustin-naegel/main-menumap-screen https://soundcloud.com/dustin-naegel/downtown-chase https://soundcloud.com/dustin-naegel/feline-investigator-shuffle Viele Grüße Dustin
  17. Hallo ihr Lieben, ich suche einen ähnlichen Soundtrack wie "The Straight Story", also einfach ein paar sanfte Gitarrenstücke, hier und da begleitet von einer Fidel. Da heutzutage ja eher orchestraler Bombast im Vordergrund steht, sind ein paar leise ländliche Stücke ungeheuer schön - und selten. Vielleicht hat ja jemand einen Tipp? Mir fällt da nur noch Nancy Wilsons "Elisabethtown"(Score) ein. Danke euch ;-)
  18. Caldera Records is proud to present its newest CD with a deluxe edition of “Modigliani” by Guy Farley.”Modigliani” is probably the best known score by the British composer whose scores “Secret Sharer”, “Maria di Nazaret” and “L’uomo che sognava con le aquile” were already released on Caldera. Indeed, the score for the 2004 movie by Mick Davis starring Andy Garcia has a special place in the heart of its composer and is without doubt his richest work as it combines sensual symphonic compositions, ethnic music and arrangements of songs by Sasha Lazard. The main theme from “Modigliani” is a favourite of many soundtrack fans and probably Farley’s most beloved composition to date. The soundtrack was released ten years ago by Milan Records but the CD sold out quickly and can be found rarely on eBay and only for high prices. Because of that, we not only decided to re-release the score but also to give it a special treatment. The CD features a different presentation of the score than the Milan CD as we were never happy with the sequencing of it. Furthermore, it offers lots of special bonuses and a running time of over 70 minutes. The 14th CD-release of Caldera Records features a detailed booklet-text by Gergely Hubai and elegant artwork by Luis Miguel Rojas. The CD was produced by Stephan Eicke and John Elborg. Bonus Features - different sequencing than the Milan CD - including several cues never released before - an extensive essay by the films director Mick Davis about working with Guy Farley - an arrangement for violin and piano as written score - a new recording of the key themes for cello and piano, recorded at AIR Studios in London - the handwritten score for the main theme included in the booklet - an audio commentary by Guy Farley - complete new mastering resulting in better audio quality - the first 100 copies are signed by Guy Farley, every retailer (who wanted them) has a certain amount available as indicated on their website Music Composed and Conducted by Guy Farley Album Produced by Stephan Eicke Executive Producers for Caldera Records: John Elborg, Stephan Eicke Recorded at AIR Studios London Orchestrated by Andrew Pearce Theme from Modigliani Arrangement for cello and piano Cello: Josephine Knight Piano: Huw Watkins Modigliani 1. Jeanne’s Death (1:40) 2. The Hat (1:39) 3. Ancient Law (0:53) 4. Unfit Mother (1:43) 5. Opening Titles (1:07) 6. Confession (1:20) 7. To Renoir (1:35) 8. No Eyes (1:05) 9. 5000 Francs (1:30) 10. You’re Gonna be Hung (0:48) 11. The Competition (1:08) 12. Never Again (1:19) 13. Opium Den (1:54) 14. Sleep Modi Sleep (1:50) 15. Wait for Me (1:33) 16. My Empty Life (2:06) 17. Am I Dying (1:28) 18. To Hospital (1:19) 19. It’s Wonderful (1:39) 20. Rich Beyond Belief (3:48) 21. Opium Trip (3:11) 22. Call the Police (4:19) 23. Work in Progress (1:38) 24. Baptism (0:49) 25. Picasso’s Party (1:28) 26. Sanie Cu Zurgalai (2:07) 27. Chilvatu (1:22) 28. The Meat Burglary Tango (0:49) 29. Ode to Innocence (4:51) 30. Angeli (6:01) Bonus: 31. Main Theme for Cello and Piano (4:53) 32. Audio Commentary by Guy Farley (14:00) http://www.musicbox-records.com/en/cd-soundtracks/3518-modigliani.html http://www.rosebudbandasonora.com/catalog/product_info.php?cPath=1_432&products_id=22416 For more information visit our homepage: http://caldera-records.com/portfolio/modigliani/
  19. Ich suche das Lied aus diesem Trailer des Film Züchte Raben. Der Tailer läuft momentan auf arte: Link zu YouTube: https://www.youtube.com/watch?v=61XpYvTtjSY Link zu Arte: http://www.arte.tv/guide/de/002549-000-A/zuechte-raben
  20. Caldera Records is proud to present a two CD set with works by beloved composer Abel Korzeniowski. Before he rose to fame with scores like “A Single Man” and “Penny Dreadful”, the Polish born musician wrote several compositions for stage plays in his home country. Among them were “I Served the King of England” (2003), “The Odyssey” (2005), “Kafka” (2001), “Antigone” (1996) and “The Tempest” (2003) which celebrate their premiere release on this set. Excerpts from some of these works were previously released on a digital promo by the composer. The works presented here show the wide variety of styles Korzeniowski applies due to his incredible talent. “I Served the King of England” is one of his most original scores with a distinctive Eastern European flavour due to the use of a hammered dulcimer and accordion. “The Odyssey” is something completely different altogether, evoking ancient Greek music mixed with modern Western influences, using traditional as well as medieval instruments while “Kafka” is probably the quirkiest music ever written by its composer – and yet surprisingly sorrowful and dark at times. “Antigone” is as experimental as “Kafka”; written for choir, the complex music is certainly demanding for the singers but rewarding to listen to with its unusual harmonies, counterpoints and motifs which are not obvious at first. “The Tempest” is more traditional in that sense and immediately accessible with its elegant melodies and interesting musical colors. If you either like Korzeniowski because of his biggest successes like “A Single Man” or if you are just discovering this composer, this CD set is the perfect accompaniment for you: a most diverse collection which presents treasures to discover for everybody. As a bonus, we included an exclusive interview with the composer where he talks about his work. Due to the length of the interview, it is not included on the actual CD but can be downloaded on the interview via a link provided. Furthermore, we printed examples of the written score for “Antigone” in the booklet. The 13th CD-release of Caldera Records features a detailed booklet-text by Gergely Hubai and elegant artwork by Luis Miguel Rojas. The CD was produced by Stephan Eicke and John Elborg. Music Composed, Orchestrated and Conducted by Abel Korzeniowski Album Produced by Stephan Eicke Executive Producers for Caldera Records: John Elborg, Stephan Eicke CD 1 I Served the King of England 1. Danube River (3:32) 2. Dumka (4:29) 3. Tango (3:49) 4. Cenacle (3:39) 5. Slava (5:11) The Odyssey 6. Odysseus’ Theme (4:17) 7. Athena (1:36) 8. Circe (5:33) 9. Maenads (3:34) 10. The Cows of Helios (1:44) 11. Penelope’s Theme (1:27) 12. Sirens (2:12) 13. Orgy (2:10) 14. The Trojans (5:27) CD 2 Kafka 1. Memoirs (4:17) 2. Dance Obscene (3:05) 3. Amalia (3:15) 4. Intermezzo (2:53) Antigone 5. Stasimon I (4:06) 6: Stasimon II (5:34) 7. Stasimon III (3:02) 8. Stasimon V (5:09) The Tempest 9. Song of Time (3:42) 10. Dance of Tempest (2:07) 11. Arliel’s Dance (3:16) 12. Ding-Dong (3:46) 13. Ariel’s Tears (3:59) 14. Song of Light (2:07) 15. Dance of Fertility (2:37) 16. Dance of Love (1:18) 17. Love Theme (0:29) 18. Song of Time II (3:45) Bonus: Interview with Abel Korzeniowski (22:04) For further details, please visit: http://caldera-records.com/portfolio/abel-korzeniowski-early-works/
  21. Caldera Records is proud to present the original score for the television movie Rebecca from 1997, directed by Jim O'Brien and starring Emilia Fox, Charles Dance, Faye Dunaway and Diana Rigg. The movie is based on the famous novel of the same name by Daphne du Maurier which had already been made into a successful movie by Alfred Hitchcock in 1940. It tells the tragic love story between a rich gentleman and his second wife who not only has to cope with an obsessive and evil housekeeper but also with the shadow of the first wife who obviously died under strange circumstances... Christopher Gunning wrote one of his most beautiful and rich scores for this adaption, capturing every aspect of the story in his music. While there is a dark and melancholic main theme, the romance between the (happy) couple is described in a lush melody for the full orchestra which receives its variations throughout the whole score. The tense moments in the movie are accompanied by aggressive outbursts from the orchestra, often featuring prominent, difficult and expressive solos from the cello. Christopher Gunning himself thinks of Rebecca as one of his very best scores and we are glad that you can finally see for yourself that it is indeed – but even more than that: it is one of the most diverse and inspired scores ever written for television. As a bonus, we included an exclusive audio commentary by the composer where he talks about his work. The eleventh CD-release of Caldera Records features a detailed booklet-text by Gergely Hubai and elegant artwork by Luis Miguel Rojas. The CD was produced by Stephan Eicke and John Elborg. 1. Opening and Main Title (3:10) 2. Courting (4:03) 3. Mrs. Danver's Obsession (1:52) 4. Manderley (3:50) 5. Falling in Love (2:14) 6. The Proposal (2:36) 7. Max Enjoys His Estate (2:18) 8. The Second Mrs. De Winter Investigates the West Wing (1:55) 9. Conflict (2:31) 10. Mrs. Danvers' Nightmare (3:21) 11. The Second Mrs. De Winters' Turmoil (2:25) 12. Rebecca's Theme (2:18) 13. Mrs. Danvers is Chastised (1:47) 14. Preparations for the Ball (3:01) 15. No One Could Match my Lady for Spirit (4:03) 16. Shipwreck in the Cove (2:06) 17. Max and the Second Mrs. De Winter (1:06) 18. The Anguish of Mrs. Danvers (4:34) 19. A Night of High Drama (3:21) 20. Manderley Destroyed (1:47) 21. Closing Credits (1:46) Bonus: 22. Audio Commentary by Christopher Gunning (4:47) Listen to a 5 min clip here: SoundCloud For more information visit our homepage: http://caldera-records.com/portfolio/rebecca/gallery/soundtracks/
  22. Winner of the IFMCA Best Documentary Score 2011 Caldera Records is proud to present the original score for the American documentary The Wind Gods from 2011, composed by Pinar Toprak. The movie chronicles the 10 year quest of famous entrepreneur Larry Ellison who set sail with his ‘Oracle’ to win the America’s Cup and therefore bring the prestigious sailing prize home to the US after it had been won by foreigners in the past years. The documentary which is both an adventure, an insight into the mindset of the well-known billionaire and a love letter to sailing, is narrated by Jeremy Irons and features the magnum opus by its composer Toprak. The Turkish-born musician delivered a grand, sweeping and epic score which shows how exciting the music for a documentary can be: filled with several memorable themes, a detailed orchestration and a lot of swashbuckling action, the music brims with masculine forces and female sensibilities. Deservedly, Toprak was awarded the IFMCA award (International Film Music Critics Association) for Best Documentary Score in 2011 and trumped out prestigious colleagues like George Fenton and Patrick Doyle for their efforts that year. This is no surprise: recorded with the 70+ piece Hollywood Studio Symphony conducted by Jerome Leroy, The Wind Gods is a vivid, thematic and diverse score worthy of the biggest Hollywood epics. As a bonus, we included an exclusive audio commentary by the composer where she talks about his work. The twelfth CD-release of Caldera Records features a detailed booklet-text by Gergely Hubai and elegant artwork by Luis Miguel Rojas. The CD was produced by Stephan Eicke and John Elborg. 1. The Wind Gods (2:50) 2. First Race 1851 (5:52) 3. Ellison vs. Bertarelli (1:06) 4. The Best Man To Steer The Boat (2:04) 5. Childhood (1:52) 6. We Are The American Team (1:02) 7. There Is No Second Place (1:39) 8. Jimmy And His Father (1:04) 9. The Final Race (3:30) 10. It Was Personal (2:07) 11. The America’s Cup is America’s Again (2:17) 12. What’s At Stake (1:05) 13. The Trophy (1:33) 14. Dreams Are To Pursue (1:15) 15. One Australia (1:26) 16. The 12 Minute Cue (12:18) 17. A Noble Defeat (1:26) 18. Dreams Are To Pursue II (2:40) Bonus: 19. Audio Commentary by Pinar Toprak (2:54) Listen to a 5 min clip here: https://soundcloud.com/alderaecords/the-wind-gods-pinar-toprak For more information visit our homepage: http://caldera-records.com/portfolio/the-wind-gods/gallery/soundtracks/
  23. Die Threadbezeichnung ist für die meisten Soundtrack Fans nichts besonderes. Jeder kennt das, dass Lieder die im Film vorkommen sind nicht auf dem Soundtrack zu finden sind. Ich hatte neulich aber eine totale Enttäuschung. Ich habe den OST von dem Film Zoning gekauft, Komponiert hat ihn Tangerine Dream. Er war relativ teuer und irgendwie kommt es mir so vor, als würde kein einziges Lied auf der CD im Film vor kommen, so etwas habe ich auch noch nicht erlebt. Danach erst habe ich diese Rezensionen gelesen und sie entsprechen leider der Wahrheit: Gibts noch eine Chance den echten Soundtrack irgendwo her zu bekommen?
  24. Kegelbahn

    Suche Lied aus Password Swordfish

    Hallo Zusammen, eine etwas andere Anfrage diesmal, ich suche Lied Nummer 1 vom Password Swordfish Soundtrack. Ja, ihr habt richtig gelesen, dass Lied ist auf dem dem offiziellen Soundtrack und heißt dort „Intro“, jedoch liegt da ein Voice Over von John Travolta drüber. Ich suche genau dieses Lied aber clean, ohne dieses Gelaber. Kann mir da jemand helfen? Hier eine Hörprobe, gleich am Anfang: Lied Nummer eins: In etwas besser Qualität hier der Link zu Amazon, man kann 30 Sekunden reinhören: http://www.amazon.de/gp/recsradio/radio/B00005K2DI/ref=pd_krex_dp_001_001/275-0097660-6752443?ie=UTF8&disc=1&track=1
  25. Caldera Records is proud to present the original score for the television movie Maria di Nazaret from 2012, directed by Giacomo Campiotti. The two part movie was a huge success in Italy as it recounts the story of Jesus’ mother Maria and accompanies her throughout the life of the son of God until his death on the cross. Maria was played by internationally acclaimed actress Paz Vega who rose to fame after her role in the Adam Sandler movie Spanglish. The music for Maria di Nazaret was written by British composer and conductor Guy Farley (Secret Sharer, Modigliani) who delivers probably his most diverse score to date, featuring lush orchestral melodies for orchestra and choir as well as female vocals and solos for ethnic instruments, played by Tony Hinnigan (Braveheart). Additionally, we included another score by Farley on the CD: L’uomo che sognava con l’aquile was written for an extensive Italian television production with Terence Hill which gathered raving reviews after its premiere in 2006. Also, we present a bonus cue with the much beloved track Reunited from the Jean Claude van Damme movie Wake of Death which receives its premiere release here. The tenth CD-release of Caldera Records features a detailed booklet-text by Stephan Eicke and elegant artwork by Luis Miguel Rojas. The CD was produced by Stephan Eicke and John Elborg. Maria di Nazaret 1. Maria’s Theme (1:29) 2. Maria – Titles (2:11) 3. The Serpent (1:39) 4. Mary’s Journey (1:40) 5. Shepherds (2:04) 6. The Game (2:19) 7. Elizabeth’s Dance (2:12) 8. Maria at Prayer (2:40) 9. Anger and Apparition (2:11) 10. A Place to Stay (2:12) 11. Israel (1:19) 12. Birth (2:56) 13. The Census (2:08) 14. Magi (1:39) 15. Premonition (1:44) 16. My Son (2:03) 17. Lost and Found (2:13) 18. Denial (2:26) 19. 39 Lashes (4:19) 20. The Cross (2:36) 21. Calvary (4:11) 22. He Will Live (1:21) 23. Memories (2:02) 24. End Titles – Maria’s Theme (1:42) Wake of Death 25. Reunited (2:27) L’uomo che sognava con l’aquile 26. Titles (2:33) 27. To the Mountains (1:10) 28. Roberto Explores (1:10) 29. Rocco and Roberto (2:08) 30. At Home (1:15) 31. Roberto’s Theme (2:01) 32. Return (2:19) 33. To the Mayor (1:34) 34. Animals Away (1:51) 35. Money Rolling in (1:12) 36. Celebrations (1:50) Bonus Track: 37. Audio Commentary by Guy Farley (3:17) Listen to an audio clip here: https://soundcloud.com/alderaecords/mary-of-nazareth-guy-farley First Reviews: "This is a score not to be missed at any cost. It should be cherished and universally loved. It’s the type of score that I thought was just a part of the past, but turns out there’s hope for our younger generations too if more scores like this is allowed to be released. Needless to say, this is a stunning score that ticks all the right boxes. Buy this CD and a box of tissues and you’ll be a happy camper." http://www.soundtrackgeek.com/v2/soundtrack-review-maria-di-nazaret/ "“Maria di Nazaret” is one of the most intimate and beautiful score I’ve heard in a while. The subtle and melodic piano strokes are like drops of rain in the desert. You almost can’t believe they are real. The female choral parts give me shivers and the ambient moments are soft and intense like a prayer. Guy Farley wrote a musical fairytale that I just want to put in a glass globe and have with me all the time. I stand by the two names I mentioned in the beginning: this is a score John Barry would have written after a meeting with Ennio Morricone and it’s amazing to find a composer worthy of that legacy. Get this score and welcome it into your life…" http://www.soundtrackdreams.com/2015/07/soundtrack-review-maria-di-nazaret-guy-farley-2012/ For more information visit: http://caldera-records.com/portfolio/maria-di-nazaret/gallery/soundtracks/
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