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2.266 Ergebnisse gefunden

  1. Hallo Soundtrack-Boarder, in diesem Thread könnt und sollt ihr zukünftig nach Herzenslust neue LP-Soundtrack-Veröffentlichungen posten. D.h. ihr braucht nicht mehr für jede LP-Pressung einen eigenen Thread erstellen. Bitte beachtet, dass, wenn es sich bspw. um eine Vinyl-Veröffentlichung eines aktuelleren Scores handelt, zu dem bereits ein Thread existiert, der Hinweis auf das LP-Release dort untergebracht werden soll.
  2. Danke Intrada! CD1 01. Jaws – Main Title (0:59) 02. The First Victim (1:45) 03. Remains On The Beach (0:59) 04. The Empty Raft (Extended Version) (1:45) 05. The Pier Incident (2:30) 06. Father And Son (Film Version) (1:59) 07. The Alimentary Canal (1:58) 08. Ben Gardner’s Boat (3:33) 09. Montage (1:35) 10. Into The Estuary (2:53) 11. Out To Sea (Film Version) (1:01) 12. Tug On The Line (2:39) 13. Man Against Beast (Film Version) (5:34) 14. Quint’s Tale (2:48) 15. Brody Panics (1:16) 16. Barrel Off Starboard (1:41) 17. Great Chase (3:02) 18. Shark Tows Orca (0:41) 19. Three Barrels Under (2:17) 20. From Bad To Worse (1:07) 21. Quint Thinks It Over (1:14) 22. The Shark Cage Fugue (2:02) 23. The Shark Approaches (Film Version) (0:53) 24. The Shark Hits The Cage (2:03) 25. Quint Meets His End (1:27) 26. Blown To Bits (3:17) 27. Jaws – End Title (1:57) Total Score Time: 54:55 The Extras 28. Jaws – Main Title (Alternate) (1:12) 29. The Typewriter (0:21) 30. Man Against Beast (Alternate) (5:38) 31. Barrel Off Starboard (Alternate Segment) (0:54) 32. Great Chase (Alternate) (3:03) 33. Shark Tows Orca (Alternate) (0:42) 34. The Shark Approaches (Alternate) (0:55) 35. Quint Meets His End (Alternate) (1:32) 36. Wild Shark Theme (1:10) Total Extras Time: 15:15 Total CD1 Time: 70:20 CD2 Original 1975 MCA Soundtrack Album 01. Main Title (Theme From Jaws) (2:24) 02. Chrissie’s Death (1:42) 03. Promenade (Tourists On The Menu) (2:48) 04. Out To Sea (2:30) 05. The Indianapolis Story (2:27) 06. Sea Attack Number One (5:25) 07. One Barrel Chase (3:10) 08. Preparing The Cage (3:26) 09. Night Search (3:34) 10. The Underwater Siege (2:34) 11. Hand To Hand Combat (2:34) 12. End Title (Theme From Jaws) (2:21) Total Album Time: 34:52 The Extras Music From Amity Town Beach 13. Joplin Rag (Original Rag) (Scott Joplin) (2:07) 14. Winter Stories Waltz (Alphons Czibulka) (1:46) 15. In The Good Old Summertime (George Evans & Ren Shields) (1:29) 16. Thousand And One Nights Waltz (Johann Strauss Jr.) (1:49) 17. Marching Band No. 1 (1:09) 18. Marching Band No. 2 (2:05) Total Source Music Time: 14:30 Total CD2 Time: 45:29 http://store.intrada.com/s.nl/it.A/id.9909/.f?sc=13&category=-113
  3. Caldera Records is proud to present the score for the motion picture “Valley of Shadows” from 2017, directed by Jonas Matzow Gulbrandsen, featuring music by Zbigniew Preisner. The story of “Valley of Shadows” was inspired by a wide variety of sources, mostly going back to the director’s childhood: “I am interested in fables and allegories, in mythology and children’s tales, these stories that we often believe are regional but are actually extremely universal, sometime with a moral and often with joyful gravitas. One example is Draumkvedet (The Dream Poem), a Norwegian ballad from the Middle Ages. I read a lot when I was a child – traditional stories of course – but especially Swedish literature for children. As a child, I thought a lot and was hungry to learn. Reading Bruno Bettelheim was also something that I draw greatly from.” When it came to selecting the composer for the film, Gulbrandsen used his familiarity with the Polish film industry to get in touch with a living legend of the field. Born in Bielsko-Biała in 1955, Zbigniew Preisner has been composing music in his native Poland since the early 1980s. He is best-known for his work with Polish director Krzysztof Kieślowski on his epic “Three Colors” trilogy. The collaboration with Gulbrandsen was ground-breaking in more than one sense for the composer – it wasn’t only the fastest score he has ever realized, but it also introduced him to new concepts as he explains: “Jonas had the vision of having mostly electronic music, that it should be narration in film, and that it should be played from the beginning to the end. I am not fan of such usage of music in film but in this case, the director turned out to be right. The combination of symphonic and electronic music gave an amazing effect, though this was the first time I used so much electronics for a picture.” For the highlights of the score, the combination of electronic and symphonic elements is augmented by the voice of Lisa Gerrard who appears in both Valley of Shadows and Valley of Shadows – Wake Up. Connected by the middle passage entitled Odyssey, this 18-minute long, almost continuous segment underscores the moments as Aslak finds something he cannot comprehend. The 28th CD-release of Caldera Records features a detailed booklet-text by Gergely Hubai and elegant artwork by Luis Miguel Rojas. The CD was produced by Stephan Eicke and John Elborg. Music Composed by Zbigniew Preisner Album Produced by Stephan Eicke Executive Producers for Caldera Records: John Elborg, Stephan Eicke 1. Aslak's Dream (1:16) 2. The Calling (9:47) 3. The Shadow (3:10) 4. The Forest Gate (3:13) 5. Alas (3:38) 6. Search of Lost Time (4:22) 7. Moon (1:16) 8. Journey in the Woods (7:24) 9. Before Dawn (6:59) 10. Valley of Shadows (3:52)* 11. Odyssey (12:07) 12. Valley of Shadows – Wake Up (1:20)* 13. Metamorphosis (7:22) 14. Afterlife (3:59) * Vocals by Lisa Gerrard Listen to a 5 min clip here: https://soundcloud.com/alderaecords/valley-of-shadows-zbigniew-preisner Fore more information please visit: http://caldera-records.com/portfolio/valley-of-shadows/
  4. Bear macht weiter Horrorzeugs... zum Chucky Remake also nun ein Score von ihm. Trailer sieht überflüssig aus und ich würd da nicht mehr erwarten als ein 0815 Stalk and Slash Score ehrlich gesagt. Skuriles Projekt... Remake eines ernsten ersten Teils (der immer noch sehr gruselig is) einer Franchise, die zum totalen Camp und Gay-Fest geworden ist und immer noch aktiv ist...
  5. Juchuh.. Brian Tyler vertont wieder etwas anderes als einen großen Actionblockbuster.. Ich freue ich mich sehr, wenn Brian Tyler mal kein großen Blockbuster vertont, da sich sein Stil besonders in solchen Filmen schon stark abgenutzt hat.
  6. Neue Serie vom Supernatural-Erfinder Eric Kripke, der hier wieder mit Christopher Lennertz zusammen arbeitet. Lennertz hatte, gemeinsam mit Jay Gruska, schon bei "Supernatural" mit Kripke zu tun. Hier der Link zu Spotify Hier ein kleines Making Of des Scores Hier ein Trailer zur Serie... ich denke, dass die mir gefallen könnte.
  7. https://www.varesesarabande.com/products/firewalker
  8. Das nächste Projekt von Frank Ilfman, welches gerade mit dem London Metropolitan Orchestra aufgenommern wird.
  9. Irgendwie hätte ich es interessant gefunden, wenn die Musik von Joseph Bishara, der ja schon einige James Wan-Filme vertont hat, gekommen wäre, so ist es nun halt von Rupert Gregson-Williams.
  10. Endlich gibt es mal wieder ein neues Album des Cincinnati Pops Orchestra! Zum 50. Jubiläum der Mondlandung wurde ein Album mit "Weltraummusik" eingespielt. "Space 1999", "Buck Rogers", "Battlestar Galactica", "Rogue One", "The Force Awakens", "Galaxy Quest", "Star Trek" sowie ein originalstück von Giacchino und vieles mehr. http://voyage.cincinnatipops.org/?fbclid=IwAR3DgtX7A9kHpWMSCMJyi8d3O8Vzpx_Sqg7PR1epfkubnOpsjhZgj_AVLIk
  11. Ab 1.4.: http://www.intrada.net/phpBB2/viewtopic.php?f=12&t=6104
  12. Newly remastered, slightly expanded 3-CD release of legendary 1985 fantasy-adventure score from original mixes at last! Steven Spielberg presents delightful fantasy on youthful years of legendary sleuth, his schooling, introduction to Dr. Watson, meeting his one great love, Elizabeth - and plunging into fantastic and treacherous first big adventure. Wow! Barry Levinson directs, Paramount Pictures releases an Amblin Entertainment production, Chris Columbus scripts and Nicholas Rowe, Alan Cox and Sophie Ward bring Sir Arthur Conan Doyle’s timeless characters to life on screen. Bruce Broughton fashioned the lengthy 90-minute score directly after completing his other magnum opus that year, Silverado, also available on Intrada. One of the steady best-sellers in our catalog, it became time to renew our license on YSH, itself a complicated process involving Paramount Pictures, Universal Music Group, Geffen Records and Intrada. Our initial plan was to reprise our previous 2-CD release which we had necessarily remixed from the 2” 24-track masters due to the complete original first generation stereo mixes having been lost. Originally Tomlinson, legendary mixer on Star Wars, had performed the recording/mixing tasks for YSH, done in 1985 at Abbey Road in London. Subsequently, also-legendary American engineer Dan Wallin created stereo remixes back in Los Angeles for select cues used for the 1985 MCA album featuring 37-minutes of highlights. At the time we had hoped to locate either or both the Tomlinson and the Wallin masters but it just wasn’t to be… until now! In fortuitous manner, renewing our license and a final deep search resulted in locating both sets of flawless original stereo mixes and bringing fantastic news for all concerned. This also allowed us to add three previously unreleased alternates which, while not essential to the complete score’s impact, do provide some additional insight to Broughton’s scoring process. And for the first time on CD ever, Intrada is able to offer Broughton’s original MCA album which not only features Wallin’s stereo mixes but also the composer’s unique editorial work on the presentation. While admittedly that LP was always just a fraction of the complete score, it was a sensational early album in Broughton’s then-burgeoning career. Filled with rich themes, robust action music, orchestral/choral sacrifice sequences, harmonic idioms ranging from 19th-century London musical settings to vivid hallucinatory music using a severe, atonal vernacular, Broughton’s score for Young Sherlock Holmes is an 80’s masterpiece! Mark McKenzie, Bruce Broughton orchestrate, Broughton conducts Sinfonia Of London. Intrada Special Collection 3-CD set, available while quantities and interest remain!CD 101. The First Victim (2:59)02. The Old Hat Trick (1:46)03. Main Title (2:01)04. Watson’s Arrival (1:01)05. The Bear Riddle (0:45)06. Library Love/Waxflatter’s First Flight (2:55)07. Fencing With Rathe (1:06)08. The Glass Soldier(3:21)09. Solving The Crime (4:55)10. Second Attempt (1:10)11. Cold Revenge (4:08)12. Waxflatter’s Death (Alternate) (3:41)13. The Hat (1:20)14. Holmes And Elizabeth – Love Theme (1:57)15. Getting The Point (6:32)CD 1 Total Time: 40:15CD 201. Rame Tep (3:06)02. Pastries And Crypts (6:46)03. Discovered By Rathe (4:50)04. To Cragwitch’s (1:33)05. The Explanation (1:49)06. Cragwitch Goes Again (1:22)07. It’s You! (6:18)08. Waxing Elizabeth (3:37)09. Temple Fire (3:23)10. Ehtar’s Escape (Revised Version) (4:03)11. Duel And Final Farewell (5:41)12. The Riddles Solved And End Credits (2:57)13. Ytrairom Spelled Backwards (0:46)CD 2 Total Time: 50:16CD 3The Extras01. Main Title (Film Version) (1:44)02. Waxflatter’s Death (Original) (2:46)03. Belly Dancer (1:01)04. Rame Tep (Orchestra) (3:06)05. Rame Tep (Chorus) (3:01)06. It’s You! (Alternate) (6:16)07. Waxing Elizabeth (Orchestra) (3:37)08. Ehtar’s Escape (Original Version) (4:04)09. God Rest Ye Merry, Gentlemen (arr. Bruce Broughton) (1:06)Total Extras Time: 26:59Original 1985 MCA Soundtrack Album10. Main Title (2:00)11. Solving The Crime (4:52)12. Library Love/Waxflatter’s First Flight (2:25)13. Pastries & Crypts (5:45)14. Waxing Elizabeth (3:37)15. Holmes And Elizabeth – Love Theme (1:56)16. Ehtar’s Escape (4:01)17. The Final Duel (3:52)18. Final Farewell (1:55)19. The Riddles Solved/End Credits (6:26)Total Album Time: 37:12CD 3 Total Time: 64:20http://store.intrada.com/s.nl/it.A/id.11844/.f?sc=13&category=-113
  13. Weniger überraschend wird er auch den zweiten Teil übernehmen. http://filmmusicreporter.com/2018/10/10/michael-giacchino-to-return-for-spider-man-far-from-home/ Mochtet ihr den ersten Teil von ihm? Wer oder was war bisher euer Favorit? Danny Elfman? Christopher Young? James Horner? Hans Zimmer oder ein ganz früherer Score vielleicht?
  14. Hans Zimmer macht die Musik für den neuen Film von Christopher Nolan.. keine wirkliche Überraschung.. While I expected him to be doing the music, I definitely didn’t think he would have started writing it yet, especially since the film doesn’t get released until November of 2014. With Zimmer and Nolan having done some amazing work together over the past decade, I truly cannot wait to hear and see their next collaboration next year. Here’s what Zimmer told me about Interstellar. Look for the full interview very soon. It’s a good one. Quelle: http://collider.com/hans-zimmer-interstellar/ Auf der Seite befindet sich übrigens ein Interview mit Zimmer..
  15. Alte Musik von Glass neu aufgenommen..
  16. Nach der kurzen Pause voneinander arbeitet nun Eric Serra wieder mit Luc Besson zusammen.
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