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Eine Neu-/Wiederveröffentlichung von Beat auf LP und CD: Beat Records is proud to present the world premiere on CD of the complete original motion picture soundtrack for the movie Il cacciatore di squali, directed in 1979 by Enzo G. Castellari. Superstar Franco Nero is Mike Di Donato, an Italian-American with a mysterious past dominated by a terrible event from which he is probably fleeing, leads the life of a good savage on a deserted island with his own version of Friday, played by Marta Miller, the gorgeous Argentinian actress with a prolific career in genre cinema. There are obviously many differences between this and Defoe’s Crusoe, as this is a contemporary story that merely takes some aesthetic inspiration from the aforementioned novel, mainly the isolation from civilization and immersion in nature. In this movie, we have a lot of modern-day elements such as the struggle against authoritarianism, technology, bullying attitudes from the not-too-specific organization with which Mike was employed, and the search for a lost treasure hidden inside a plane 120 meters below the surface of the ocean which apparently can only be retrieved by the protagonist. To accomplish this feat, Mike seeks the collaboration of Acapulco (Jorge Luke) and faces a series of inconveniences and hostility, with everything playing out in the presence of the sea's most dangerous predator. Also notable is the remarkable performance by the director as a mysterious killer who is operating in the background while evil (or would-be evil) criminals such as Ramon (Werner Pochat), Donovan (Michael Forest), and Gomez (Eduardo Fajardo) pursue their agenda aided by their minions. The soundtrack was composed by Guido & Maurizio De Angelis during a deeply influential period in music history, as 1979 was the moment in which the disco music phenomenon was spreading like wildfire across the world, infusing every creative endeavor with its powerful energy, and the brothers Maestro were no exception. The main titles burst from the speakers with great skill, creating a musical transition from a quiet seaside scene into Mike's dynamic fight with a shark. Pulsating grooves, nervous guitars, derailing brasses, breaks artfully edited into sync, and the general musical tension creates a magnet for the spectator, glued onto the screen with both eyes and ears. We have plenty of orchestrations of this theme, literally everything. In one version, the rhythm section hits like Sylvester, another time with strings in the style of Sister Sledge, then here comes the brass as if it were a Bee Gees cue, but holy Mary, it's undeniably the De Angelis bros, and you recognize them in the details, accents, and overall orchestration. If only I had them here while writing these notes, I would hug them gratefully for the umpteenth fucking cool emotion popping up from this time capsule. Two other musical themes in the score lend a hand, one for lighter, more comedic situations and everyday life, and a series of tense electronic cues accentuated by a few live instruments. In December 2025, during Music Day Roma in the presence of Guido De Angelis and Enzo Castellari, we presented the soundtrack in a special vinyl release of only 50 copies featuring the signatures of the composers and the director. An the event, Enzo confirmed something he's never tried to hide, which is his enormous love for this movie, and it’s not difficult to understand the reasons: his (as always) notable and inspired direction, the performance of one of his most faithful collaborators, Franco Nero, the story itself, developed with great taste and skill, the Caribbean setting, the intrigue, the underwater adventures, and the presence of one of the ocean's most fascinating predators, the shark, directed like a true actor in many scenes, including the fights. I'm convinced that the main reason for the affection that Enzino (as my father used to call him) has for this movie lies in the epic scene where Franco Nero is knocked out by the character he was playing. I wonder how many times the director has pulled his friend's leg for that amazingly-filmed knockout punch he gave him on the set of Il cacciatore di squali. For all lovers of genre cinema, it's such a cult scene that crowns an amazing movie featuring a crazy score that reminds us, once again, why we still love genre movies and the music by Guido & Maurizio De Angelis. The LP is offered in a coloured (Blue) version. Graphic layout by Daniele De Gemini, mastering by Enrico De Gemini. Limited edtion to 450 copies. Tracklist A Side 1 Il cacciatore di squali - seq. 1 4:05 2 Il cacciatore di squali - seq. 2 2:18 3 Il cacciatore di squali - seq. 3 3:13 4 Il cacciatore di squali - seq. 4 1:34 5 Il cacciatore di squali - seq. 5 2:08 6 Il cacciatore di squali - seq. 6 2:35 7 Il cacciatore di squali - seq. 7 1:59 B side 1 Il cacciatore di squali - seq. 15 1:34 2 Il cacciatore di squali - seq. 16 4:39 3 Il cacciatore di squali - seq. 17 1:24 4 Il cacciatore di squali - seq. 18 1:30 5 Il cacciatore di squali - seq. 19 2:22 6 Il cacciatore di squali - seq. 20 3:13 7 Il cacciatore di squali - seq. 21 2:01 8 Il cacciatore di squali - seq. 22 0:54 Total Lenght: 36:03 Music composed, orchestrated and performed by Guido DE ANGELIS (SIAE), Maurizio DE ANGELIS (SIAE) ℗ & © 1979 EAR Edizioni Musicali (SIAE) Beat Records is proud to present the world premiere on CD of the complete original motion picture soundtrack for the movie Il cacciatore di squali, directed in 1979 by Enzo G. Castellari. Superstar Franco Nero is Mike Di Donato, an Italian-American with a mysterious past dominated by a terrible event from which he is probably fleeing, leads the life of a good savage on a deserted island with his own version of Friday, played by Marta Miller, the gorgeous Argentinian actress with a prolific career in genre cinema. There are obviously many differences between this and Defoe’s Crusoe, as this is a contemporary story that merely takes some aesthetic inspiration from the aforementioned novel, mainly the isolation from civilization and immersion in nature. In this movie, we have a lot of modern-day elements such as the struggle against authoritarianism, technology, bullying attitudes from the not-too-specific organization with which Mike was employed, and the search for a lost treasure hidden inside a plane 120 meters below the surface of the ocean which apparently can only be retrieved by the protagonist. To accomplish this feat, Mike seeks the collaboration of Acapulco (Jorge Luke) and faces a series of inconveniences and hostility, with everything playing out in the presence of the sea's most dangerous predator. Also notable is the remarkable performance by the director as a mysterious killer who is operating in the background while evil (or would-be evil) criminals such as Ramon (Werner Pochat), Donovan (Michael Forest), and Gomez (Eduardo Fajardo) pursue their agenda aided by their minions. The soundtrack was composed by Guido & Maurizio De Angelis during a deeply influential period in music history, as 1979 was the moment in which the disco music phenomenon was spreading like wildfire across the world, infusing every creative endeavor with its powerful energy, and the brothers Maestro were no exception. The main titles burst from the speakers with great skill, creating a musical transition from a quiet seaside scene into Mike's dynamic fight with a shark. Pulsating grooves, nervous guitars, derailing brasses, breaks artfully edited into sync, and the general musical tension creates a magnet for the spectator, glued onto the screen with both eyes and ears. We have plenty of orchestrations of this theme, literally everything. In one version, the rhythm section hits like Sylvester, another time with strings in the style of Sister Sledge, then here comes the brass as if it were a Bee Gees cue, but holy Mary, it's undeniably the De Angelis bros, and you recognize them in the details, accents, and overall orchestration. If only I had them here while writing these notes, I would hug them gratefully for the umpteenth fucking cool emotion popping up from this time capsule. Two other musical themes in the score lend a hand, one for lighter, more comedic situations and everyday life, and a series of tense electronic cues accentuated by a few live instruments. In December 2025, during Music Day Roma in the presence of Guido De Angelis and Enzo Castellari, we presented the soundtrack in a special vinyl release of only 50 copies featuring the signatures of the composers and the director. An the event, Enzo confirmed something he's never tried to hide, which is his enormous love for this movie, and it’s not difficult to understand the reasons: his (as always) notable and inspired direction, the performance of one of his most faithful collaborators, Franco Nero, the story itself, developed with great taste and skill, the Caribbean setting, the intrigue, the underwater adventures, and the presence of one of the ocean's most fascinating predators, the shark, directed like a true actor in many scenes, including the fights. I'm convinced that the main reason for the affection that Enzino (as my father used to call him) has for this movie lies in the epic scene where Franco Nero is knocked out by the character he was playing. I wonder how many times the director has pulled his friend's leg for that amazingly-filmed knockout punch he gave him on the set of Il cacciatore di squali. For all lovers of genre cinema, it's such a cult scene that crowns an amazing movie featuring a crazy score that reminds us, once again, why we still love genre movies and the music by Guido & Maurizio De Angelis. The CD is offered in a transaparent jewel case featuring a 12 pages booklet. Graphic layout and liner notes by Daniele De Gemini, mastering by Enrico De Gemini. Limited edtion to 500 copies. Tracklist 1 Il cacciatore di squali - seq. 1 4:05 2 Il cacciatore di squali - seq. 2 2:18 3 Il cacciatore di squali - seq. 3 3:13 4 Il cacciatore di squali - seq. 4 1:34 5 Il cacciatore di squali - seq. 5 2:08 6 Il cacciatore di squali - seq. 6 2:35 7 Il cacciatore di squali - seq. 7 1:59 8 Il cacciatore di squali - seq. 8 3:22 9 Il cacciatore di squali - seq. 9 3:26 10 Il cacciatore di squali - seq. 10 2:34 11 Il cacciatore di squali - seq. 11 1:11 12 Il cacciatore di squali - seq. 12 2:45 13 Il cacciatore di squali - seq. 13 2:51 14 Il cacciatore di squali - seq. 14 2:13 15 Il cacciatore di squali - seq. 15 1:34 16 Il cacciatore di squali - seq. 16 4:39 17 Il cacciatore di squali - seq. 17 1:24 18 Il cacciatore di squali - seq. 18 1:30 19 Il cacciatore di squali - seq. 19 2:22 20 Il cacciatore di squali - seq. 20 3:13 21 Il cacciatore di squali - seq. 21 2:01 22 Il cacciatore di squali - seq. 22 0:54 TT 54:50 - Music composed, orchestrated and performed by Guido & Maurizio De Angelis (SIAE) ℗ & © 1979 Ear Ed. Mus. (SIAE)

EARLY JAMES HORNER SCORES TO BE RECORDED From Lukas Kendall Time to commit ourselves to our next Kickstarter, which I am planning now: A recording of previously unreleased James Horner TV movie scores from the early 1980s! That’s right, it’s FSM’s first recording project, in conjunction with Leigh Phillips, whose work I admire so much, and the fine folks at Neumation Music who are invaluable with the music research and prep. Can you guess the three scores we’re looking at? I am building the campaign now. https://www.lukaskendall.com/post/pre-announcing-our-next-kickstarter

Ein Spotify Konto kostet nix - man kann sich alles anhören Ab und zu kommt Werbung zwischen den Tracks - aber mir reicht der Free-Account Grüße aus Ronsdorf 😉

Bitteschön: Edizioni Musicali Chiappo Di A. Leonardi E S. Villevieille & C. S .a.s.

Servus, haben wir hier jemanden der sich mit den Einspielungen auskennt ? Es geht mir um die Magnificent Seven Suite, hat Kunzel die selbst arrangiert, weiß da einer was genaueres ?

Asmorod - Angel Of Silent Heaven

Thistle - Circle Star

Child of Night - Like an Animal

Ach, war das eine wunderbare Zeit ab Anfang der 80er, als diese ultra limitierten und kunstvoll gestalteten Alben in verschiedensten Materialien in kleinen Import Record Shops 'zufällig' für mich erhältlich waren, und ich die einmalige Gelegenheit hatte, sie mir zu kaufen. Zoviet France war DIE Band, die mich am meisten in meinem Musikgeschmack beeinflusst hat. Ich bin aber heute froh, dass ich die Sammelleidenschaft überwinden konnte, mich nur noch auf die interessantesten Tracks oder Alben konzentrieren und mit den digitalen Dateien zufrieden geben kann. Das nimmt viel unnötigen Ballast weg. Zoviet France - Norsch Tauss

Slow Head - Rite Of Sequined Lovers

Roderick - Last Dance

Crystal Soul - No Sleep

Geins't Naït & Laurent Petitgand - Ciseaux Daddy

Malcolm Brown - Occupied Winds

Los Humillados - Conjuration

The Elysium Facade - Sephira

"Di haben nämlich die meisten Bänder, zwecks der Wiederverwertung gelöscht um sie wieder zu verwenden." Das klingt so irre und kurzsichtig, weil es Kulturerbe ist. Ob ich die eine, stiefmütterlich behandelte Sequenz hier posten darf? Ich weiß ja nicht, wer die Rechte hat.

Dass viele Soundtracks von Marcello Giombini nicht erschienen sind, ist ein Thema, dass viele Italo Soundtracks Fans schon seit Jahren beschäftigt. Wären schon längst erschienen, wenn es sie noch geben würde! Aber das liegt / lag an dem Verlag in Mailand der der Publisher u.a. auch von "Le notti Eriche dei morti viventi" war. Nazionalmusic s.a.s Di haben nämlich die meisten Bänder, zwecks der Wiederverwertung gelöscht um sie wieder zu verwenden. Das betrifft jetzt nicht nur Musik von Giombini. Auch einige Sachen der Spencer / Hill Filme sind bei Nazionalmusic verlegt worden. und noch vieles mehr. Auch hier besteht keine Chance mehr. Hier im Forum gibt es einen Faden bzgl. Beat Records und den Spencer Hill Soundtracks. Da ist das Thema auch aufgeführt. Italokenner Stefan Schlegel hat da auch einige Infos dazu gepostet. CAM Records hat jetzt zum Beispiel, fast alles was es von Giombini gab und bei CAM Records rauskam bzw. verlegt wurde, auf die bekannten Streamingplattformen gestellt.

Dieser Film, dessen deutsche Synchro nicht nur mir ein Graus ist, blieb mir bis heute vor allem durch seinen Soundtrack in positiver Erinnerung. Der Anfang ist sehr schön, aber die Ausleitung mit den End Credits, wenn das Piano auf genial einfache Weise dann auch die gephaserte fantastische Analogsynthiemelodie einleitet, die gehört für mich zum Besten, was Filmmusik zu bieten hat.

Genau, an diese Trackliste erinnere ich mich, hatte daraufhin das Internet abgeklappert, ob diese String Synth Sequenz dabei ist, wurde aber enttäuscht. Ich dachte mir: warum in aller Welt fehlt gerade diese superbe Sequenz? Bin ja Zombieliebhaber, der diese Sachen noch im alten Kino gesehen hatte und jetzt als HD daheim habe, aber ich hätte mir damals gewünscht, dass die Tracks nicht nur über die Filme gelegt, sondern auch als komplette Musiktracks veröffentlicht werden, ohne Hintergrundgeräusche oder Gequatsche, wie das leider so oft der Fall war und noch ist. Man hätte die Tracks extra noch für Tonträger auswerten sollen. Ich kenne da noch so einige nette Tracks von damals. Patrick lebt! (1980) und Die Rückkehr der Zombies z.B.

Noch zur Info Ich habe vor über 20 Jahren mal ne Art Compilation Soundtrack zusammen gestellt. Mit einigen cues aus "Antropophagus" und " Le Nottie erotiche dei morti Viventi" Quelle waren damals die VHS Bänder aus Italien, von denen ich den Ton gezogen habe und nur, falls möglich, die Dialoge rausgeschnitten habe. Aber das Thema welches du meinst @Erotiksound war meines Wissens nicht dabei. Die Betitelung der einzelnen Tracks stammt von mir. was für Giombini aber Ok war. Diese CD-R Zusammenstellung war im Grunde nur für mich und Maestro Giombini bestimmt. Wie sie den Weg in die weiten des Internets fand, weiss ich leider nicht! Marcello Giombini – Antropophagus / Le Notti Erotiche Dei Morti Viventi – CDr (Unofficial Release, Promo), 2003 [r2333272] | Discogs

Es gab da mal jemanden, der diese Sequenz bei YT hochgeladen hatte, und da sie auf keinem anderen Tonträger jemals veröffentlicht worden ist, und sie meine Lieblingssequenz ist, lud ich sie mir herunter. Der Titel war einfach dabei. Wie der Uploader auf diesen kam, kann ich Dir nicht sagen.

Leider nicht. Nur das Titelthema. Aber ich habe mal ne andere Frage. Wie kommst du auf den Titel "Emozioni sulle Onde"? Die einzelnen Tracktitel sind eigentlich nie so aufgeführt worden. Bis auf das Titelthema aus Antropophagus "Padre Snaturato" Und die Info hatte ich auch nur von Maestro Giombini

Ist da auch 'Emozioni Sulle Onde' aus 'In der Gewalt der Zombies' drauf? Das ist die Sequenz, wo sie mit dem Kutter auf dem Weg zur Katzeninsel sind. Wunderbare String Synth Sounds! Ich habe da eine Videosequenz von, weiß aber nicht, ob das dem Copyright zuwiderläuft.