Marcus Stöhr

RIGHTEOUS KILL Original Motion Picture Soundtrack Music Composed by Edward Shearmur Robert De Niro Al Pacino After 30 years as partners in the pressure cooker environment of the NYPD, highly decorated Detectives David Fisk (Robert De Niro) and Thomas Cowan (Al Pacino) should be ready for retirement, but arent. Before they can hang up their badges, they are called in to investigate the murder of a notorious pimp, which appears to have ties to a case they solved years before. Like the original murder, the victim is a suspected criminal whose body is found accompanied by a four-line poem justifying the killing. When additional crimes take place, it becomes clear the detectives are looking for a serial killer, one who targets criminals that have fallen through the cracks of the judicial system. His mission is to do what the cops can't do on their own take the culprits off the streets for good. The similarities between the recent killings and their earlier case raise a nagging question: Did they put the wrong man behind bars? Composer Edward Shearmur has contributed a forceful and rhythmic score for guitars and orchestra. Overture Films opened RIGHTEOUS KILL on over September 12. Varèse Sarabande Catalog #: 302 066 935 2 Release Date: 11/04/08 FLASH OF GENIUS Original Motion Picture Soundtrack Music Composed by Aaron Zigman Based on the true story of college professor and part-time inventor Robert Kearns (Greg Kinnear) long battle with the U.S. automobile industry, Flash Of Genius tells the tale of one man whose fight to receive recognition for his ingenuity would come at a heavy price. But this determined engineer refused to be silenced, and he took on the corporate titans in a battle that nobody thought he could win. The Kearns were a typical 1960s Detroit family, trying to live their version of the American Dream. Local university professor Bob married teacher Phyllis (Lauren Graham) and, by their mid-thirties, had six kids who brought them a hectic but satisfying Midwestern existence. When Bob invents a device that would eventually be used by every car in the world, the Kearns think they have struck gold. But their aspirations are dashed after the auto giants who embraced Bobs creation unceremoniously shunned the man who invented it. Ignored, threatened and then buried in years of litigation, Bob is haunted by what was done to his family and their future. He becomes a man obsessed with justice and the conviction that his lifes work or for that matter, anyones work be acknowledged by those who stood to benefit. And while paying the toll for refusing to compromise his dignity, this everyday David will try the unthinkable: to bring Goliath to his knees. The exquistely beautiful and emotional score is from Aaron Zigman. Universal Picturess opens opens the Spyglass film Flash Of Genius on October 3. Varèse Sarabande Catalog #: 302 066 933 2 Release Date: 11/04/08 CHANGELING Original Motion Picture Soundtrack Music Composed by Clint Eastwood Angelina Jolie A thematic companion piece to Mystic River but more complex and far-reaching, Changeling impressively continues Clint Eastwoods great run of ambitious late-career pictures. Emotionally powerful and stylistically sure-handed, this true story-inspired drama begins small with the disappearance of a young boy, only to gradually fan out to become a comprehensive critique of the entire power structure of Los Angeles, circa 1928. Graced by a top-notch performance from Angelina Jolie, the Universal release looks poised to do some serious business. Todd McCarthy, Variety Clint Eastwood directs Angelina Jolie and John Malkovich in a provocative thriller based on actual events: Changeling. In the film, Christine Collins' (Jolie) prayers are met when her kidnapped son is returned. But amidst the frenzy of the photo-op reunion, she realizes this child is not hers. Facing corrupt police and a skeptical public, she desperately hunts for answers, only to be confronted by a truth that will change her forever. As she pushes authorities to keep looking, she learns that in Prohibition-era L.A. women don't challenge the system and live to tell their story. Slandered as delusional and unfit, Christine finds an ally in activist Reverend Briegleb (Malkovich), who helps her fight the city to look for her missing boy. Based on the actual incident that rocked California's legal system, Changeling tells the shocking tale of a mother's quest to find her son, and those who won't stop until they silence her. In addition to directing, Clint Eastwood provides what may be his most beautiful, touching and compelling score. Following its acclaimed premiere at the Cannes Film Festival, Universal Pictures will open CHANGELING in limited release on October 24, widening on November 7. Varèse Sarabande Catalog #: 302 066 934 2 Release Date: 11/04/08

Vielleicht wird dann auf dieser CD noch mehr Musik von TEMPLE OF DOOM und LAST CRUSADE drauf gepackt. Ist das der Fall, hätte man die Musik ja gleich auf eine jeweils 2. CD für die jeweiligen Scores machen können, aber da hätte es ja mit den Digipaks nicht mehr so funktioniert. Alles in allem ist das schon ein schickes Set. Ich glaub, ich bestell mir das schonmal vor.

Zurück zum Thema, bitte.

Schöne Zusammenstellung und das Ende war toll gewählt.

Danke, ich wollte gerade nach einer Trackliste fragen.

Danke für den Tipp. Ich lasse es auch laufen.

Also bisher hatte ich nie Probleme mit dem Shop. Die Kommunikation mit Herrn Krohn war bisher immer toll.

Auf den Seiten von Intrada gibt es Beispiele zum anhören. Damit kannst du dir ein gutes Bild der Musik machen.

Ja, die Seite wird grad schlichtweg überlastet sein.

Intrada hat die Veröffentlichung zu THE BOYS FROM BRAZIL sowie GHOST WARRIOR angekündigt: INTRADA Announces: THE BOYS FROM BRAZIL Composed and Conducted by JERRY GOLDSMITH National Philharmonic Orchestra INTRADA Special Collection Volume 75 Special 2-CD Set Features Entire Score Completely Re-mixed and Re-mastered. The Boys from Brazil (1978) was the fourth of seven films Jerry Goldsmith composed for Franklin Schaffner, a relationship that resulted in some of Goldsmith's finest and most famous work including Patton, Planet of the Ape and Islands in the Stream. Goldsmith responded with global action and excitement for this outing. In spite of its title and location in Brazil, Goldsmith chose to eschew a Latin American flavor to the score, and at Schaffner's urging "thought waltzes." Goldsmith explained: If it sounds like Wagner and Strauss, thats because its supposed toa very deliberate attempt to emulate them. Its all done through waltzes. Theres a big difference between a German waltz and a Viennese waltz, and here the heavies are always accompanied by this heavy 3/4 ostinato. Even so...I still try to keep my own identity." The resultant score is a dark, powerful work that not only twists and turns these waltzes, but is also filled with soaring melody; rhythmic, adrenaline packed action music; and even a sweet-melodied song. The Boys from Brazil was a novel by Ira Levin, imagining the possible consequences of cloning experiments by the infamous German concentration-camp doctor Josef Mengele and their discovery by famous Nazi hunter Yakov Liebermann. The boys from Brazil are clones of Adolf Hitler created by Mengele and strategically placed in dozens of families across Europe and North America. Laurence Olivier plays the sympathetic Jewish protagonist. Gregory Peck, in a rare bad-guy role, was cast as Mengele. James Mason portrays the Nazi colonel in charge of security for the operation. The film also stars Lilli Palmer, Uta Hagen, Denholm Elliott, Rosemary Harris, Anne Meara, Steve Guttenberg, and John Rubinstein. Goldsmith received his 11th Academy Award nomination for the music to The Boys from Brazil. Goldsmith conducted 80 musicians of the National Philharmonic Orchestra at Anvil Studios in Denham, England, with the veteran Eric Tomlinson as engineer. His entire score for the film ran 55-minutes, and Intrada presents the entire score on disc one of this 2-CD set in film order, remixed and mastered from the original session elements with dramatically improved sonics over any previous release. Ferocious action cues (missing from LP) are highlights, as well as the lengthy "The Killers Arrive" featuring dynamic tuba/bass trombone "Nazi" motif -- another previously-unreleased gem! The second CD painfully reconstructs Goldsmith's LP program for the original, 39-minute A&M Records release. The original 1978 LP was a favorite of the composer, and he personally edited score highlights into unique 3-movement suite plus one song. Its unusual in that the first side is just one track, 20 minutes long, and the other just three, also totaling 20 minutes. The Side One track is pieced together, of course, but it comes out very naturally; we edited it that way, rather than recorded it," reflected Goldsmith. The second CD also includes a bonus suite of alternates and source music, providing everything Goldsmith scored for the film. For years, collector's have been asking for a complete restoration of this remarkable Jerry Goldsmith score, and some 30 years later, Intrada is able to deliver the ultimate presentation of a powerhouse score from his famous collaboration with Franklin Schaffner. This release is limited to 5000 copies. INTRADA Announces: GHOST WARRIOR Composed by RICHARD BAND Conducted by SHIRLEY WALKER ROYAL PHILHARMONIC ORCHESTRA INTRADA Signature Edition ISE 1025 The 1986 Empire science-fiction film Ghost Warrior tells the tale of Yoshimitsu (Hiroshi Fujioka), a master of Japans 16th Century fighting arts. The film opens in battle, where Yoshi is protecting his beloved Chidori (Mieko Kobayashi) from a band of marauders. In the ensuing battle, Yoshi is separated from his love and suddenly frozen in an icy river. Flash forward to the 1980s. A pair of wayward skiers discover the ancient warriors preserved form, and it is brought to Los Angeles where Dr.Alan Richards (John Calvin) successfully revives the samurai. While the doctor makes plans to capitalize upon his fantastic achievement, Yoshi sets off on a quest to find his beloved. He has vanquished enemies from a distant timebut can he prevail on the streets of the future? Richard Band's score is immediately beautiful, capturing not only the sadness of a lost love, but the yearning to make sense of one lost in time. While a fully orchestral score, the 16th-century scenes and flashbacks contain a flavorful, ethnic aura. "While I have always enjoyed traditional Japanese music, when I was presented with the scoring assignment for Ghost Warrior I felt the need to add something unique for the sequences set in the past," says Richard Band. Modeled after the unique style of and using the percussive instruments designed by American composer Harry Parch, Band recorded some 80 of Parch's instruments along with some traditional Japanese flutes for the score. These sessions were then added to a separate recording made in London with the Royal Philharminoc Orchestra at Olympic Studios under the baton of Shirley Walker. "Looking back, I believe it added a unique ingredient to what would turn out to be one of my favorite scoresand one which, 22 years later, I am proud to finally be able to share with my fans and the whole world." This release is limited to 1000 units. FMDB: Boys from Brazil, The - Complete Score - FMDB Ghost Warrior - Complete Score - FMDB

Der Soundtrack Club präsentiert sich ab sofort in neuem Look & Feel. Die statischen Seiten sind einem richtigen Shop gewichen, der zum Stöbern einlädt. [ATTACH]2038[/ATTACH] Neben CDs können auch Zeitschriften, wie die Cinema Muscia, bestellt werden. Zum Shop: Willkommen im Online Shop des Soundtrack Clubs

Cinema Musica meldet, dass das deutsche Label Alhambra Records im Oktober 4 neue Veröffentlichungen auf den Markt bringen wird: WIR SIND DAS VOLK [ATTACH]2034[/ATTACH] DIE GESCHICHTE VOM BRANDER KASPAR [ATTACH]2035[/ATTACH] 2ER OHNE [ATTACH]2036[/ATTACH] MEIN HERZ IN CHILE [ATTACH]2037[/ATTACH]

Ja, so ist der aktuelle Stand.

Vielleicht wird die 5. CD ja auch zur DVD und es gibt das(die) Interview(s) mit John Williams als Video.

MOTU gibts doch hier von Bernd. Also mach ihm doch einfach ein Angebot und mehr als ja oder nein kann er schlecht sagen.

Na da weiß ich ja, wo ich anfange. Aber für sowas gehts dann besser im entsprechenden Thread weiter.

Kommt denn beim anhängen eine Fehlermeldung?

Gibts doch schon, aber nicht als Club CD: SeaQuest DSV - Score - FMDB

Nachdem ich die Tage WANTED gesehen habe, fiel mir der Song "All the Little Things" auf, den Elfman ja nicht nur geschrieben, sondern auch gesungen hat. Nun die Frage an die Elfman-o-logen: Sind denn die Oingo Boingo-Alben vom Stil er ähnlich oder gänzlich anders?

Bei cduniverse.com ist die CD für den 30. September 2008 angekündigt: Appaloosa Soundtrack CD

Seit wann ist denn Stereo ein Garant für gute Musik? Wenn die Musik nur in Mono vorliegt, in Mono toll klingt und generell toll ist, wieso sollte man daraus eine Pseudo-Stereospur machen? Woher sollen denn die Stereoinformationen kommen, wenn ich nur eine Monospur als Ausgangsbasis habe?

Für alle 4 Titel gibt es in der FMDB jetzt Cover und Tracklisten: Eagle Eye - Details - FMDB Igor - Details - FMDB Body of Lies - Details - FMDB Nights in Rodanthe - Details - FMDB

In der FMDB gibt es jetzt Cover und eine Trackliste zu BABYLON A.D.: Babylon A.D. - Details - FMDB

Allem Anschein nach ja, aber erst nach Veröffentlichung der Box. Ob es wirklich so ist, wissen wir erst, wenn Concord entsprechende Informationen veröffentlicht.

Als 3. Erweiterung erscheint bei Compilationveröffentlichungen ein Hinweis, wenn die Veröffentlichung noch nicht vollständig ist, also noch Titel fehlen. Aktuell kann man das bei dieser Veröffentlichung sehen: Varèse Sarabande - A 25th Anniversary Celebration - FMDB