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  1. Caldera Records is proud to present the score for the motion picture “Ambition” from 1991, directed by Scott Goldstein, featuring music by Leonard Rosenman. Actor and writer Lou Diamond Phillips developed a story about an aspiring writer who has trouble finding a job, and has to support himself – as most aspiring writers do – by working odd jobs. His character Mitchell Osgood runs a bookstore when one day he stumbles across a potentially interesting story. If he can investigate and write it down, so Mitchell thinks, it could be his big break as a journalist. The subject of his investigation is a man named Albert Merrick, a serial killer who is up for parole. Who is this man, Mitchell wonders, and what motivated him to commit the awful crimes he was sentenced for? One of the stars of the film is, undoubtedly, a man behind the scenes: Leonard Rosenman. It was clear to Rosenman and Scott Goldstein that the score should have a progressive, rather than conventional harmonic structure. They agreed that this would help to underscore Merrick’s (the antagonist) horrific, troubling visions and this approach would help capture his state of mind musically. Goldstein suggested Rosenman play him some of his concert music as a blueprint for “Ambition”. Encouraged to be able to draw upon his “progressive” work for the concert stage, Rosenman presented Goldstein with “Foci”, a work for chamber orchestra that the composer had written in 1981 and revised in 1983. Goldstein loved what he heard and commenced to use “Foci” as temp music for “Ambition”. “Foci” is an atonal piece, complex and full of anxiety – exactly what Goldstein needed for his motion picture. The 31st CD-release of Caldera Records – a world premiere – features a detailed booklet-text by Stephan Eicke and elegant artwork by Luis Miguel Rojas. The CD was produced by Stephan Eicke and John Elborg. Music Composed and Conducted by Leonard Rosenman Album Produced by Stephan Eicke Executive Producers for Caldera Records: John Elborg, Stephan Eicke Ambition 1. Main Titles (3:23) 2. A New Project (1:31) 3. A Sleepless Night (1:40) 4. Albert Merrick (0:27) 5. The Worst Nightmare of the Day (1:48) 6. Confrontation (1:24) 7. What Makes Him Tick? (1:01) 8. Visions (0:41) 9. Room 301 (1:51) 10. Brave and Brutal (1:02) 11. A Good Friend of Mine (0:37) 12. Cancer, Psychosis, Anything (0:49) 13. Does It Hurt? (1:22) 14. A Matter of Timing (1:40) 15. Where is Mitchell? (0:45) 16. Cat and Mouse (2:02) 17. On Knife’s Edge (1:20) 18. Help Me Out (3:35) 19. On a Sinister Mission (1:26) 20. Jordan (1:04) 21. A Tasty Drug (0:54) 22. Against the Clock (4:12) 23. The Final Duel (0:55) 24. End Credits (3:51) Listen to a 5 min clip here: https://soundcloud.com/alderaecords/ambition-leonard-rosenman For more information please visit: http://caldera-records.com/portfolio/ambition/
  2. Label: Intrada Special Collection Volume 224 Date: 1976 Tracks: 34 Time = 66:58 A mystery is solved! Intrada premieres two scores for same 20th Century Fox film, yet neither is in finished picture! Jerry Goldsmith fans know when composer is unavailable to score movie, final soundtrack from Andrew V. McLaglen western becomes compilation of selected tracks from earlier Fox/Goldsmith pictures including 100 RIFLES, RIO CONCHOS, MORITURI, STAGECOACH. But few fans know Lionel Newman actually re-recorded same selections at Fox with intention of using all-new recordings timed specifically for picture. Ironically, due to time pressure, famed music editor Len Engel and young Ken Hall instead end up cutting music for picture with actual original recordings, planned initially just as temporary placeholders while Newman newly-records same sequences. Even fewer fans know Leonard Rosenman actually writes complete score for film, long before Goldsmith music becomes involved! Tale of sadism and revenge with Charlton Heston, James Coburn is deemed harsh, unpleasant by Rosenman. With little sympathy for either character, composer focuses on tough landscapes, brutality inherent in story. Resulting music is harsh, brittle, full of tension, violence. Atonality abounds. Classic Rosenman! Only exciting finale ("End Titles") provides respite. Studio found score TOO reflective of grim movie, brought more accessible Goldsmith library tracks into play. Unusual Intrada CD offers both rejected scores: unused Rosenman score in stereo AND unused Goldsmith cues newly conducted by Lionel Newman in mono! Nick Redman, Mike Matessino produce, Matessino also offers insight into film production and troubled music history behind it. Leonard Rosenman conducts his score, Lionel Newman conducts Goldsmith score. Intrada Special Collection release available while quantities and interest remains! The Unused Score by Leonard Rosenman 01. The Spike 2:36 02. Men In The Water 2:38 03. Provo/Every Deputy 1:06 04. Dismount/Back To Work 2:38 05. Leroy Gets Stabbed 0:48 06. A Trap For Somebody 2:51 07. Oh Jeez/I'd Be Obliged 1:26 08. Posse Riding Through Barn 1:35 09. Y'Ah 3:13 10. Show Cause 1:20 11. Going After Susan/Sam's Last Line 1:56 12. Sam And Hal Riding/The Trap 2:46 13. Horses 1:38 14. She's Theirs 2:57 15. Before Fire 1:56 16. Menendez 1:51 17. End Titles 4:03 18. Barroom Piano 1:37 Re-Recordings of Jerry Goldsmith Scores 100 Rifles (1969) 19. 100 Rifles Theme (Main Title) 1:31 20. Verdugo's Revenge 1:30 21. The Ruins 1:32 22. A Cliff Hanger 1:26 23. Breakout Part 1 1:22 24. Breakout Part 2 1:13 25. March To The Wall 2:13 26. The Victors 1:43 Rio Conchos (1964) 27. Big Deal 1:40 28. The Intruder 2:06 29. Chief Bloodshirt 1:50 Morituri (1965) 30. Break Out 1:09 31. Abandoned Ship 3:27 Stagecoach (1966) 32. All Is Forgiven 3:04 100 Rifles (1969) 33. End Title 0:34 34. Theme (Reprise) 1:26
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