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Music composed and conducted by John Barry Limited edition of 5000 units RETAIL PRICE: $32.98 Exclusive release Sold exclusively at www.lalalandrecords.com for the first 90 days of release. La-La Land Records, Metro-Goldwyn-Mayer and Universal Music Enterprises proudly present the 60th anniversary remastered and expanded 2-CD re-issue of renowned composer John Barry’s original motion picture score to the fourth James Bond film, THUNDERBALL. Produced by Albert R. Broccoli and Harry Saltzman, the 1965 film stars Sean Connery as James Bond 007 and is directed by Terence Young, returning to the series for the third time. Bold and brassy, propulsive and daring - John Barry’s THUNDERBALL is a mesmerizing monsoon of orchestral might that helped surge the Bond franchise to new heights! As illustrated within this exhilarating remastered showcase – THUNDERBALL sounds sensational and it cements its legacy as one of Barry’s finest works. Included are the iconic title song “Thunderball” by Barry and lyricist Don Black performed by Tom Jones, as well as the song “Mr. Kiss Kiss Bang Bang” by Barry and lyricist Leslie Bricusse, with versions performed by Dionne Warwick and Shirley Bassey! Expanded beyond previous soundtrack editions, THUNDERBALL is unleashed like never before within this deluxe presentation. Produced by Neil S. Bulk, mastered by Doug Schwartz, and mixed by Chris Malone, the 91 minute score presentation (on Discs 1 & 2) and 39 minute original 1965 album (on Disc 2) are sourced from 3-track and 2-track stereo tapes. Additional music cues (on Disc 2) are from 3-track tapes, except for two score cues which were unavailable on the stereo tapes and have been sourced from the mono film music stem and processed into stereo. Limited to 5000 units, this release features sharp art direction by Dan Goldwasser, with a new front cover designed by Jim Titus. The exclusive, in-depth liner notes are by journalist and author Jon Burlingame. THIS IS A COMPACT DISC RELEASE CLICK HERE to view the hi-res art TRACK LISTING: DISC 1 SCORE PRESENTATION 1:31:26 1. Gun Barrel (From “Thunderball”) 0:24 2. Château Flight (Film Version) 2:32 3. Main Title – Thunderball (Performed by Tom Jones) 3:03 4. The Spa 2:43 5. The Rack And Sweat Box 2:35 6. Double Derval 3:02 7. Switching The Body 2:47 8. Gassing The Plane 0:59 9. The Bomb (Film Version) 5:52 10. The Execution Branch 1:55 11. Code Name: Thunderball 0:46 12. Bond Meets Domino 3:58 13. Casino 1:06 14. Café Martinique (Film Version) 3:44 15. Shark Tank 2:41 16. Bond Below Disco Volante (Extended Version) 4:04 17. SPECTRE Ring 0:41 18. Search For Vulcan 2:23 19. Lights Out For Paula 2:49 20. Bathing Beauty 1:20 21. For King And Country 1:37 22. Street Chase And Kiss Kiss Club 3:26 23. Death Of Fiona 2:31 24. The Golden Grotto 3:30 25. Underwater Ballet 0:57 26. Got The Point 2:26 27. Bond With SPECTRE Frogmen 3:35 28. The Bombs Revealed 1:28 29. Bond Is Discovered 2:44 30. Caught 1:08 TOTAL DISC 1 TIME: 1:13:38 DISC 2 SCORE PRESENTATION CONTINUED 1. Leiter To The Rescue 1:36 2. The Underwater Battle Begins 4:52 3. Underwater Mayhem 5:59 4. Death Of Largo 3:02 5. When Arrows Meet And End Title 2:11 ADDITIONAL MUSIC 18:33 6. Mr. Kiss Kiss Bang Bang (Performed by Dionne Warwick) 3:04 7. Bond Meets Domino (Take 1) 4:00 8. Street Chase (Early Version) 2:47 9. Mr. Kiss Kiss Bang Bang (Alternate Instrumental) 2:34 10. Do You Fly Here Often? (Mono Stem) 0:27 11. The One That Got Away (Mono Stem) 3:04 12. Mr. Kiss Kiss Bang Bang (Performed by Shirley Bassey) 2:28 ORIGINAL SOUNDTRACK ALBUM 39:09 13. Main Title – Thunderball (Performed by Tom Jones) 3:04 14. Château Flight 2:31 15. The Spa 2:44 16. Switching The Body 2:47 17. The Bomb 5:46 18. Café Martinique 3:45 19. Thunderball 3:57 20. Death Of Fiona 2:29 21. Bond Below Disco Volante 3:58 22. Search For Vulcan 2:23 23. 007 2:27 24. Mr. Kiss Kiss Bang Bang 3:16 TOTAL DISC 2 TIME: 1:15:45 TOTAL ALBUM TIME: 2:29:23 This is a CD format release.

Hallo Soundtrack-Boarder, wir starten einen erneuten Versuch, die manchmal aufkommende Flut neuer Soundtrack-Veröffentlichungen ein wenig übersichtlicher zu kanalisieren. In diesen Thread sollen künftig Veröffentlichungen hinein, die höchstwahrscheinlich eher ein kleineren, sehr überschaubaren Kreis von Filmmusikfreunden ansprechen. Beispiele für solche Veröffentlichungen sind in der unten angeführten Grafik (courtesy of Stefan Jania ) angegeben. Score-Veröffentlichungen von hoher oder höherer Popularität bekommen weiterhin ihre eigenen, einzelnen Threads. Der Grund für diesen Sammelbereich liegt in der Tatsache begründet, dass zwar oft viele kleinere, obskurere Releases vorgestellt werden, es jedoch seitens der User sehr wenig bis gar kein Feedback dazu gibt. Darunter leidet die Übersichtlichkeit im "Veröffentlichungs-Unterforum". Sollte sich jedoch aus diesem Sammelthread heraus zu bestimmten Veröffentlichungen eine längere Diskussion entwickeln, werden wir Mods/Admins diese in einen separaten Thread auslagern, damit dort weiter debattiert werden kann.

Nicht bei uns, sondern von Solo Musica. MOVIE THEMES MADE IN GERMANY WDR Funkhausorchester + Frank Strobel Zusammenstellung: 01 - 06. verschiedene Themen (s.u.) 07 - 10. Die Flucht - Orchestersuite 11 - 13. Evolution. Konzert für Klavier und Orchster 14. Das Wunder des Mauerfalls zu Track 1 - 6 01. Jenseits der Sehnsucht 02. Caterina von Siena, die Mystikerin 03. Mondsee 04. Die andere Frau 05. Leise Schatten 06. Movie Themes made in Germany

Dragon’s Domain Records presents music from the original score to TIME AFTER TIME, composed by the legendary Miklós Rózsa (BEN-HUR, KING OF KINGS, EL CID) for the 1979 science fiction thriller directed by Nicholas Meyer (THE DAY AFTER, STAR TREK II: THE WRATH OF KHAN), written by Karl Alexander, Steve Hayes and Meyer, starring Malcolm McDowell, Mary Steenburgen and David Warner. TIME AFTER TIME starts with the premise that H.G. Wells actually constructed the time machine which he wrote about in his classic novel. TIME AFTER TIME is a romantic thriller in which Wells (McDowell), the scientific genius, tracks Jack the Ripper (Warner), the criminal genius, from 19th-century London to 20th-century San Francisco in order to bring the Ripper to justice. When Wells is transported in his time machine to modern San Francisco, he seems to be more of a babe in the woods than a sophisticated Victorian gentleman. What he finds is that some of his predictions have come true, while others, like a utopian society, have not... Born in Budapest, Hungary in 1907, composer Miklós Rózsa studied the violin from the age of 5. While living in London in 1935, Rózsa was hired by legendary producer Alexander Korda to score his film, KNIGHT WITHOUT ARMOR. Later, while composing the music for another Korda production, THE THIEF OF BAGDAD, Rózsa moved to California, where he remained for the rest of his life. Throughout his film career, he worked in many genres but distinguished himself writing music for the film noirs of the 1940’s and the great costume epics of the 1950’s and 1960’s. A classically trained composer, Rózsa was well known for his dedication to researching the musical history of the time periods of the films he worked on. His filmography includes music composed for films such as THE THIEF OF BAGDAD, THE JUNGLE BOOK, DOUBLE INDEMNITY, SPELLBOUND, THE LOST WEEKEND, QUO VADIS, IVANHOE, JULIUS CAESAR, KNIGHTS OF THE ROUND TABLE, BEN-HUR, KING OF KINGS, EL CID, THE PRIVATE LIFE OF SHERLOCK HOLMES, THE GOLDEN VOYAGE OF SINBAD and TIME AFTER TIME, among others. Originally released on vinyl by Entr'acte at the time of the film’s release, this presentation of the score is a rerecording produced by the composer and performed by the Royal Philharmonic Orchestra. Southern Cross would release this program later on compact disc in the early days of the format. In 2009, Film Score Monthly released a compact disc with the original film tracks for the first time. Dragon’s Domain Records presents this new release of TIME AFTER AFTER, featuring the rerecording produced by the composer, newly remastered by James Nelson at Digital Outland and retaining the original album liner notes by director Nicholas Meyer and John Lasher. Following the original album program is a selection of bonus tracks of additional music composed by Miklós Rózsa, including music from PROVIDENCE, THE LOST WEEKEND, SPELLBOUND, THAT HAMILTON WOMAN and THE PRIVATE FILES OF J. EDGAR HOOVER. TIME AFTER TIME is a limited edition release of 500 units. TIME AFTER TIME will begin shipping the week of Sept. 29th, 2025 01. W.B. Fanfare* And Prelude (2:09) (* - Max Steiner) 02. Search For The Ripper/ Decision (2:06) 03. Vaporizing Equalizer / The Time Machine (2:12) 04. Time Travel (1:33) 05. Bank Montage (1:08) 06. Utopia (1:34) 07. The Ripper / Pursuit (3:29) 08. The Time Machine Waltz (4:01) (Eric Parkin: piano) 09. Man Before His Time (1:56) 10. Redwoods (2:32) 11. Frightened (1:45) 12. Murder (1:45) 13. The Fifth Victim (1:35) 14. The Last Victim (1:46) 15. Nocturnal Visitor (1:38) 16. Dangerous Drive (3:08) 17. Journey’s End And Finale (3:59) BONUS TRACKS 18. Time After Time: Pocket Watch (0:28) (The Meridian Studio Ensemble) 19. Providence: Valse Crèpusculaire (3:58) (Gregg Nestor, William Kanengiser: Guitar) 20. The Lost Weekend: Love Theme (5:10) (The National Philharmonic Orchestra) 21. Spellbound: Theme From “Spellbound” (4:46) (Sinfonia of London) 22. That Hamilton Woman: Love Theme (4:46) (The London Symphony Orchestra) 23. The Private Files of J. Edgar Hoover: Main Title / Dr. King / End Titles (9:33) (Conducted by Miklós Rózsa) Total Time: 67:50

Dragon’s Domain Records presents music from the original score to KING KONG, composed by the legendary Max Steiner (GONE WITH THE WIND, CASABLANCA, THE TREASURE OF THE SIERRA MADRE) for the legendary 1933 epic adventure KING KONG, directed by by Merian C. Cooper and Ernest B. Schoedsack, written by James Ashmore Creelman, Ruth Rose and Cooper, starring Fay Wray, Robert Armstrong, Bruce Cabot, Frank Reicher and Sam Hardy. Director Carl Denham (Armstrong) leads a film crew to a remote, uncharted Pacific Island in search of the legendary Kong, a gigantic ape. After the island’s inhabitants abandon actress Ann Darrow (Wray) to Kong, Denham and his crew pursue the beast through the dinosaur-infested jungle. They eventually capture Kong and take him to New York as a sideshow attraction, with disastrous results... Born on May 10th, 1888, Max Steiner was an Austrian composer and conductor who emigrated to America and became one of Hollywood's greatest musical composers. Steiner was a child prodigy who conducted his first operetta when he was twelve and became a full-time professional, proficient at composing, arranging, and conducting, by the time he was fifteen. Threatened with internment in England during World War I, he fled to Broadway; and in 1929 he moved to Hollywood, where he became one of the first composers to write music scores for films. He is often referred to as "the father of film music", as Steiner played a major part in creating the tradition of writing music for films, along with composers Dimitri Tiomkin, Erich Wolfgang Korngold, Franz Waxman, Alfred Newman, Bernard Herrmann, and Miklós Rózsa. Steiner composed over 300 film scores with RKO Pictures and Warner Bros., and was nominated for 24 Academy Awards: His filmography includes THE INFORMER, NOW, VOYAGER, AND SINCE YOU WENT AWAY, LITTLE WOMEN, JEZEBEL, CASABLANCA, THE SEARCHERS, A SUMMER PLACE and GONE WITH THE WIND, which ranked second on the AFI's list of best American film scores, and is the film score for which he is best known. He was also the first recipient of the Golden Globe Award for Best Original Score, which he won for his score for LIFE WITH FATHER. Steiner was a frequent collaborator with some of the best known film directors in history, including Michael Curtiz, John Ford, and William Wyler. Originally released on vinyl in 1976 by Entr’acte and later on compact disc in 1993 by Label X, Dragon’s Domain Records is excited to bring KING KONG roaring back to the marketplace, featuring a rerecording of music composed by the legendary Max Steiner, performed by the National Philharmonic Orchestra, conducted by Fred Steiner. The music has been newly remastered by James Nelson at Digital Outland. The booklet includes the original extensive liner notes written by Fred Steiner and Fay Wray for the album. KING KONG is a limited edition release. KING KONG will begin shipping the week of September 29th, 2025. 01. Main Title / Boat In The Fog (3:39) 02. Forgotten Island / Jungle Dance (4:54) 03. Sea At Night (2:26) 04. Aboriginal Sacrifice Dance (4:00) 05. Entrance Of Kong (4:19) 06. The Bronte / Log Sequence (4:33) 07. Cryptic Shadows (1:50) 08. Kong / The Cave (9:32) 09. Sailor’s Waiting (1:34) 10. Return Of Kong (4:11) 11. King Kong Theatre March (1:31) 12. King Kong Escapes / Aeroplanes / Finale (4:42) 13. RKO Radio Beacon / Original Main Title (1:34) Total Time: 49:20

Kommt auch auf Vinyl, einmal schwarze Pressung und einmal weiß mit blauem Streifen, limitiert auf 400 Stück, beziehungsweise 100 Stück.

Music by Steve Jablonsky Limited Edition of 3000 Units La-La Land Records, Paramount Pictures and Milan Records present a remastered and expanded 20th Anniversary CD re-issue of renowned composer Steve Jablonsky’s (TRANSFORMERS, BATTLESHIP, LONE SURVIVOR) original motion picture score to the big screen 2005 sci-fi action/drama THE ISLAND starring Ewan McGregor and Scarlett Johansson, and directed by Michael Bay. A sci-fi drama as minded about social commentary as its crackerjack action was a new challenge for director Michael Bay and he called on acclaimed composer Steve Jablonsky to provide a sonic foundation to blend the film’s cerebral elements and intimate personal drama with its blockbuster action set-pieces. Jablonsky delivered big – with a riveting, evocative score that is as propulsive as it is dreamlike and atmospheric, melding electronics and programming and orchestra in expert fashion. This deluxe 20th Anniversary expanded and remastered showcase unleashes the full brilliance of this notable work. Produced by Stéphane Humez and mastered and edited by Maxime Marion from studio vault elements, under the supervision of the composer, this special limited edition CD release of 3000 units features the film score presentation over Disc 1 and Disc 2, with additional music presented on Disc 2. The exclusive in-depth liner notes are by writer and journalist Kaya Savas, featuring a new interview with the composer. The sharp art design is by Dan Goldwasser. TRACK LISTING: DISC 1 SCORE PRESENTATION 1. The Island Awaits You 2:26 2. Missing A Shoe 1:23 3. Starkweather Lottery 1:20 4. I’m Such A Loser 0:47 5. Health Club 0:57 6. Cafeteria 2:19 7. Nice Tests 2:16 8. Going To Work – What If It’s Rigged? – Messing With Foxtrot 1:02 9. Lima In Labor / My Chip Fried – Lincoln Discovers A Moth 2:41 10. Booze 1:27 11. Agnate Ukuleles 2:39 12. Home For A Moth – Fight Simulator 1:10 13. Stim Bar 2:03 14. Good Things Do Happen – Another Lincoln Nightmare 1:42 15. You Have A Special Purpose In Life 4:35 16. Starkweather’s Demise 2:47 17. The Craziest Mess I’ve Ever Seen 5:07 18. Censor Chase 1:27 19. Sector 6 2:54 20. Selling Agnates / Laurent Arrives 2:14 21. Security Breach – Briefing Laurent 3:09 22. Route 39 0:58 23. Eat The Burger, Meet The Cow 2:32 24. Helicopters 0:51 25. These Are Mail Order 1:04 26. Send In The Clones 4:31 27. Renovatio 4:12 TOTAL DISC TIME 60:29 DISC 2 SCORE PRESENTATION CONTINUED 1. Shootout – On Foot – Train Wheels – Enter Wasps – Wasp Chase 6:31 2. The Big R 2:21 3. Gandu’s Demise – Rain Scene 1:21 4. Lincoln Meets Lincoln – Genetic Memory 2:34 5. Tom Sells Out His Clone 3:10 6. Worth Every Penny 1:15 7. Not Ready To Die 1:32 8. Ready To Die, Apparently – Laurent Is Fooled 2:35 9. This Tongue Thing Is Amazing 1:25 10. Mass Winnings 5:07 11. Busting Some Ass – Rendezvous – Laurent Questions Merrick 5:36 12. She Said, “Open The Door” – Better Call Maintenance 5:02 13. My Name Is Lincoln 3:43 ADDITIONAL MUSIC 14. Mass Vehicular Carnage 2:26 15. Starkweather Lottery (Alternate Version 1) 1:23 16. Starkweather Lottery (Alternate Version 2) 1:28 17. Health Club (Alternate) 0:57 18. Cafeteria (Alternate Version 1) 1:59 19. Cafeteria (Alternate Version 2) 2:19 20. Nice Tests (Alternate) 2:15 21. Good Things Do Happen (Alternate) 1:12 22. You Have A Special Purpose In Life (Alternate Ending) 2:09 23. Eat The Burger, Meet The Cow (Alternate) 2:32 24. These Are Mail Order (Alternate) 0:52 25. Send In The Clones (Alternate Ending) 2:02 26. Train Wheels (Alternate Version 1) 1:58 27. Train Wheels (Alternate Version 2) 1:58 28. Wasp Chase (Alternate) 1:27 29. Mass Winnings (Alternate Ending) 1:35 30. Better Call Maintenance (Alternate Ending) 0:56 31.My Name Is Lincoln (Alternate Mix) 3:42 TOTAL DISC TIME 75:16 TOTAL ALBUM TIME 135:45 This is a CD format release

Ja, richtig gelesen. Nicht mehr Joseph Bishara sondern Benjamin Wallfisch darf für den vierten und letzten Conjuring Teil ran. Meiner Meinung nach sehr schade, dass Joseph nicht die Reihe abschliessen kann. Man hört raus, dass Benjamin bemüht ist die Atmosphäre der bisherigen Teilen einzufangen (Track "Drive to Hospital"), aber man kommt nicht drumherum einzugestehen, dass es dennoch aus einer anderen Feder stammt. Die Cellos klingen z.B. für mich immer noch zu sehr nach "A Cure for Wellness" - was nicht unbedingt schlecht ist, da ich den Score mochte. Mal sehen wie es dann im Film wirkt... Trailer: Album details: 1. What Are You? (4:04) 2. Drive to Hospital (1:42) 3. Judy Warren (3:19) 4. Last Rites (2:12) 5. The Cupboard (2:33) 6. Trash Day (3:00) 7. Judy and Tony (1:15) 8. All of My Favorite People (2:39) 9. Proposal (1:12) 10. Jack and Nelly (1:31) 11. The Tape (1:58) 12. Media Frenzy (1:17) 13. Apparition (1:44) 14. Father Gordon (3:49) 15. Gordon’s Mission (1:55) 16. Funeral (2:49) 17. We Don’t Run from Fights (3:02) 18. I Feel It Too (3:52) 19. Lorraine Investigates (2:48) 20. It Wasn’t Done with Us (4:50) 21. Something Feels Different (4:53) 22. Possession (4:20) 23. Get the Book (3:33) 24. You’re Not There (4:13) 25. The Warren Family (2:34) 26. Judy and Tony (End Credits Version) (1:57) Hier übrigens zum Vergleich eins von vielen tollen Stücken aus Conjuring 3. Bedrohlich, dunkel, verspielt, und einfach nur toll anzuhören. Ja, auch Horrorscores können sich toll anhören... Da wird Benjamin leider nicht rankommen. Für mich auf dem gleichen Level wie Youngs 'Drag me to hell' oder Banos' 'Evil Dead.

Warner hat das Score-Album zu 1492 um die zwei Bonustracks "Line Open" und "Landscapes" erweitert neu veröffentlicht. Als CD und Doppel-LP.

LLLCD 1646 Music by Trevor Jones Limited edition of 5000 Units La-La Land Records and The Jim Henson Company present an expanded 3-CD soundtrack set of renowned composer Trevor Jones’ (CLIFFHANGER) original motion picture score to the 1982 landmark fantasy feature film THE DARK CRYSTAL, directed by Jim Henson and Frank Oz. THE DARK CRYSTAL was a boundary-exploding feat of puppetry and cinema, re-inventing what had been previously thought possible and resulting in a breathtaking achievement of immersive world-building that still retains its power and wonder to this day. A vital part of this endeavor’s success is composer Trevor Jones’ outstanding original music score – a tremendous accomplishment that has also stood the test of time. Now, for the first time ever, this deluxe 3-CD release, conceived, assembled and produced by Trevor Jones himself, features the bounty of music the maestro composed for the initial, longer cut of THE DARK CRYSTAL, in its original intended order. Copies of the master tapes recorded at CTS Wembley were digitized along with the composer’s entire body of work, which is now archived at the University of Leeds. Jones personally reassembled and remastered the audio at Abbey Road for this special presentation. Produced by Trevor Jones and Tim Greiving, and mastered by Andrew Walter under the composer’s sole supervision and approval, this release includes a wealth of previously unreleased music within its newly Expanded Score Soundtrack presentation, which is spread across two discs, while the original 1982 soundtrack program is featured on Disc 3. Limited to 5000 units, this deluxe set includes a 32-page booklet containing exclusive, in-depth liner notes by Greiving (featuring new interviews with Trevor Jones and Frank Oz) and rare artwork and photos from the Henson Archive. The sharp art design is by Dan Goldwasser. TRACK LISTING: DISC 1 (46:58) 1. Power Ceremony And Main Title 4:35 2. Jen Plays Pipes And Mystic Master Dies 3:02 3. Skeksis Funeral Ceremony 2:06 4. Mystics Funeral Ceremony 3:25 5. Jen’s Journey And Council Chamber 2:04 6. Skeksis Fight Duel 3:29 7. Chamberlain Is Disrobed And Garthim Pursues Jen 3:53 8. Jen Encounters Aughra 1:29 9. Mystics 9-Tone Chant And The Observatory At Night 3:15 10. Garthim Attack Observatory And Mystics Leave Valley 4:08 11. Jen And Kira In Forest 2:29 12. Mindspeech, Nebrie And Mystics Journey 3:56 13. Skeksis Celebratory Banquet 3:03 14. Jen & Kira Duet 2:24 15. Introduction And Pod Dance 3:38 DISC 2 (48:54) 1. Kira Brings Down The Bat-Bird And Garthim Attack Pod Village 2:12 2. Jen & Kira Love Theme 4:12 3. In The Ruins Of The Gelfling Village 3:56 4. Landstriders Introduction And Journey 1:49 5. Chamber Of Life 3:29 6. Landstriders Battle With Garthim And The Second Mystics Journey 3:25 7. In The Sewer Of The Castle 1:55 8. Kira Removed To The Council Chamber 2:07 9. Kira In The Chamber Of Life 3:47 10. Kira Is Freed And Jen In The Garthim Lair 2:13 11. Jen And Aughra In The Chamber Of Life 1:48 12. Skeksis Panicked By Gelfling And Jen In The Crystal Chamber 4:25 13. The Great Conjunction And The Arrival Of The Mystics 4:53 14. The Mystics And Skeksis Fuse To Become The UrSkeks 5:22 15. Pod Dance (Reprise) And Finale 3:18 DISC 3 (41:04) 1. Overture 3:13 2. The Power Ceremony 3:54 3. The Storm 1:03 4. The Mystic Master Dies :51 5. The Funerals; Jen’s Journey 5:27 6. The Skeksis’ Duel 2:44 7. The Pod Dance 3:12 8. Love Theme 3:18 9. Gelfling Song 2:20 10. The Gelfling Ruins 2:45 11. The Landstrider Journey :43 12. The Great Conjunction 4:14 13. Finale 7:19 Total Album Time: 136:56 This is a CD format release

Music Composed and Conducted by John Williams Limited Edition of 3000 Units La-La Land Records and Paramount Pictures proudly present a remastered CD reissue of renowned composer John Williams’ original motion picture score to the 1977 dramatic feature film thriller BLACK SUNDAY, starring Robert Shaw and Bruce Dern, and directed by John Frankenheimer. A white-knuckle suspense thriller chronicling a diabolical terrorist attack on the Super Bowl via airborne blimp needed a score to wind the film’s ticking clock tension with precision. At the time, Williams’ recent FAMILY PLOT and legendary JAWS scores made him a perfect choice to tackle BLACK SUNDAY. His score to the film is pitch-perfect – a winding tapestry of percussion and ominous atmosphere that had the audience on the edge of their seats, while the inner conflicts of the characters are explored through emotionally resonant melodic material. The composer’s remarkable ability to balance action and suspense with human drama is on full display within this remastered presentation of the Maestro’s few forays into the political thriller genre. Reissue Producer Mike Matessino has newly mixed and mastered the score from first-generation 16-track analog scoring elements, transferred in high resolution by Paramount Archives. Following the main Score Presentation, tracks of Additional Music feature three pieces of source music Williams composed for the film and the original end credits composition, “The End,” without the percussion track. This was considered as an alternative before it was decided to track tense action music over the credits. The program concludes with the music as presented for the ending of the picture, opening with the revised ending of “The Explosion.” This short cue was recorded long after the main scoring sessions. As no master element could be located, the cue is presented from the original mono dubbing stem for the film, processed for stereo. This Limited Edition CD re-issue of 3000 units features all new, in-depth liner notes from writer Jeff Bond and winning new art direction by Jim Titus. TRACK LISTING: SCORE PRESENTATION 56:04 1 Beirut :37 2 Commandos Arrive 1:15 3 Commando Raid 5:32 4 It Was Good / Dahlia Arrives / The Unloading 3:13 5 Speed Boat Chase 1:51 6 The Telephone Man / The Captain Returns 2:15 7 Nurse Dahlia / Kabakov’s Card / The Hypodermic 3:31 8 Moshevsky’s Dead 1:58 9 The Test 1:57 10 Building The Bomb 1:57 11 Miami / Dahlia’s Call 2:28 12 The Last Night 1:31 13 Preparations 2:45 14 Passed :31 15 The Flight Check 1:51 16 Airborne / Bomb Passes Stadium 1:46 17 Farley’s Dead 1:34 18 The Blimp AndThe Bomb 3:13 19 The Take Off 1:44 20 Underway :41 21 Air Chase (Part 1) 1:15 22 Air Chase (Parts 2 And 3) / The Blimp Hits 7:21 23 The Explosion 2:38 24 The End (Theme From ‘Black Sunday’) 2:17 ADDITIONAL MUSIC 8:58 25 Hotel Lobby (Source) 1:48 26 Fight Song No. 1 (Source) :52 27 Fight Song No. 2 (Source) 1:46 28 The End (Alternate Mix) 2:17 29 The Explosion (Revised Ending) / End Title (Film Edit) 2:11 TOTAL DISC TIME • 65:06 This is a CD format release.

Danke Intrada! %7BfileStore.core_Attachment%7D/monthly_11_2015/post-4010-0-46558100-1447743746.jpg CD1 01. Jaws – Main Title (0:59) 02. The First Victim (1:45) 03. Remains On The Beach (0:59) 04. The Empty Raft (Extended Version) (1:45) 05. The Pier Incident (2:30) 06. Father And Son (Film Version) (1:59) 07. The Alimentary Canal (1:58) 08. Ben Gardner’s Boat (3:33) 09. Montage (1:35) 10. Into The Estuary (2:53) 11. Out To Sea (Film Version) (1:01) 12. Tug On The Line (2:39) 13. Man Against Beast (Film Version) (5:34) 14. Quint’s Tale (2:48) 15. Brody Panics (1:16) 16. Barrel Off Starboard (1:41) 17. Great Chase (3:02) 18. Shark Tows Orca (0:41) 19. Three Barrels Under (2:17) 20. From Bad To Worse (1:07) 21. Quint Thinks It Over (1:14) 22. The Shark Cage Fugue (2:02) 23. The Shark Approaches (Film Version) (0:53) 24. The Shark Hits The Cage (2:03) 25. Quint Meets His End (1:27) 26. Blown To Bits (3:17) 27. Jaws – End Title (1:57) Total Score Time: 54:55 The Extras 28. Jaws – Main Title (Alternate) (1:12) 29. The Typewriter (0:21) 30. Man Against Beast (Alternate) (5:38) 31. Barrel Off Starboard (Alternate Segment) (0:54) 32. Great Chase (Alternate) (3:03) 33. Shark Tows Orca (Alternate) (0:42) 34. The Shark Approaches (Alternate) (0:55) 35. Quint Meets His End (Alternate) (1:32) 36. Wild Shark Theme (1:10) Total Extras Time: 15:15 Total CD1 Time: 70:20 CD2 Original 1975 MCA Soundtrack Album 01. Main Title (Theme From Jaws) (2:24) 02. Chrissie’s Death (1:42) 03. Promenade (Tourists On The Menu) (2:48) 04. Out To Sea (2:30) 05. The Indianapolis Story (2:27) 06. Sea Attack Number One (5:25) 07. One Barrel Chase (3:10) 08. Preparing The Cage (3:26) 09. Night Search (3:34) 10. The Underwater Siege (2:34) 11. Hand To Hand Combat (2:34) 12. End Title (Theme From Jaws) (2:21) Total Album Time: 34:52 The Extras Music From Amity Town Beach 13. Joplin Rag (Original Rag) (Scott Joplin) (2:07) 14. Winter Stories Waltz (Alphons Czibulka) (1:46) 15. In The Good Old Summertime (George Evans & Ren Shields) (1:29) 16. Thousand And One Nights Waltz (Johann Strauss Jr.) (1:49) 17. Marching Band No. 1 (1:09) 18. Marching Band No. 2 (2:05) Total Source Music Time: 14:30 Total CD2 Time: 45:29 http://store.intrada.com/s.nl/it.A/id.9909/.f?sc=13&category=-113

http://www.quartetrecords.com/total-recall.html

Via Facebook gibt Quartet Records bekannt, dass am 21. Februar eine 2 Disc-Veröffentlichung von CASINO ROYALE erscheinen wird:

Elfman hat die Musik für die neue DARK UNIVERSE Attraktion der Universal Theme Parks geschrieben. Seine Musik gibt es nur dort exklusiv als LP zu kaufen.

Scheint es im Moment nur digital zu geben...

Daniel Pemberton liefert mal wieder ab… https://filmmusicreporter.com/2025/06/10/materialists-soundtrack-album-details/

Hier kann man ruhig einen eigenen Thread dazu starten, oder?

Wie viele schon wissen, wird Bullys Stammkomponist Ralf Wengenmayr die Musik für den Bullyparaden-Film schreiben. Derzeit wird die Musik in Wien aufgenommen. Hier mal ein ganz kleiner Ausschnitt aus der Musik.

Intrada presents the world-premiere release of Ernest Gold's score for the western The Last Sunset, the latest release in the Universal Pictures Classics Collection. Right at the outset, Gold's main title lays out the themes that form the backbone of the score, in the bold Americana style of Aaron Copland. On screen, as camera pans across rugged desert terrain, two different men, one dressed in black and the other in browns and blues, ride toward their destiny to music reminiscent of Fanfare for a Common Man. It sets the tone for a music score that has all the trappings of a complex yet robust western. In addition to Gold's often thundering score, is a recurring theme not by Gold, but none other than Dimitri Tiomkin by way of his melody for the song "Pretty Little Girl in the Yellow Dress." Intrada founder Doug Fake had often asked about releasing this soundtrack, but it seemed there was always another title to prioritize. With his passing nearly a year ago, it seemed like the right time but also too late. It's a gem of a score and just another way the Intrada team can honor his memory and passion for film music. Produced with love and care by the Grammy-nominated producer Mike Matessino, the album was sourced from the full-track master tapes stored at Universal in excellent condition. The package is rounded out with detailed liner notes by Frank K. DeWald and restored cover art by Stephane Coedel. The western drama was directed by Robert Aldrich and stars Rock Hudson and Kirk Douglas. In the film, Brendan O'Malley (Douglas) is a fugitive gunslinger who flees to Mexico and joins a cattle drive led by Dana Stribling (Hudson), a lawman pursuing him for murder. As tensions rise between the two men, complications deepen when O'Malley falls in love with the daughter of his former lover—unaware of a shocking truth about her parentage. THE SCORE 01. Main Title (From The Last Sunset) (3:34) 02. Breckenridge Ranch (3:02) 03. Reunion (3:16) 04. O’Malley’s Indecision (4:32) 05. Crazy Cowboy (7:00) 06. The Drive Starts (3:46) 07. Breckenridge’s Death (3:54) 08. Fist Fight (1:04) 09. A Friendly Hand (2:41) 10. Lesson For The Kid (2:08) 11. Dangerous Dreams (5:43) 12. Stribling Takes Over (5:29) 13. Quicksand And Journey To Sundown (5:03) 14. At The Border (3:03) 15. Missy Proposes (3:49) 16. More Indecision (2:37) 17. O’Malley Bows Out (4:57) 18. Death Duel (3:53) 19. End Title (From The Last Sunset) (3:44) Total Score Time: 73:34 THE EXTRAS 20. La Mesticita (2:28) 21. Concheros/Fiesta/La Torto Lito (1:51) 22. Mexican Hat Dance (1:30) Total Extras: 5:50 CD Total Time: 79:27

Auf Gordy Haab ist im Bereich Game-Scores immer Verlass 😉

Music composed and conducted by John Barry Limited edition of 5000 units Exclusive release Sold exclusively at www.lalalandrecords.com for the first 90 days of release. La-La Land Records, Metro-Goldwyn-Mayer, EON Productions and Universal Music Enterprises present a remastered and expanded 2-CD re-issue of renowned composer John Barry’s original motion picture score to the sixth James Bond film, On Her Majesty’s Secret Service. Produced by Albert R. Broccoli and Harry Saltzman, the 1969 film stars George Lazenby as James Bond 007 and is directed by Peter Hunt, who edited the five previous Bond films. With four legendary Bond scores already to his credit, composer John Barry reported for duty for the fifth time to provide the musical continuity and introduce a new 007, as George Lazenby would be first to succeed Sean Connery in the iconic role of Bond. The score, like the film, is thrilling and powerful, bursting with action, drama and glamour – and considered by many to be one of Barry’s finest works, as demonstrated within this deluxe 2-CD release. This remastered and expanded presentation of Barry’s score includes the songs “We Have All The Time In The World,” performed by Louis Armstrong and “Do You Know How Christmas Trees Are Grown?,” performed by Nina, with lyrics by Hal David The album is produced and mixed by Neil S. Bulk, and mastered by Doug Schwartz, from the original 3-track 1/2" masters, with the song "We Have All The Time In The World" mixed from the original 1" 8-track tapes. Two cues that were unavailable on the stereo tapes are in the program’s bonus section, pulled from the mono film stem and processed into stereo by Chris Malone. Disc 1 and the opening of Disc 2 present the expanded score presentation. This is followed by the original 1969 soundtrack album, newly edited and mixed for this release. Disc 2 concludes with additional cues, including an unused film version of the song "We Have All The Time In The World" featuring Louis Armstrong. Limited to 5000 units, this release features sharp art direction by Dan Goldwasser, with a new front cover designed by Jim Titus. The exclusive, in-depth liner notes are by journalist and author Jon Burlingame, with an introductory note by composer David Arnold. TRACK LISTING: DISC 1 SCORE PRESENTATION 1:28:18 1. Gun Barrel (From “On Her Majesty’s Secret Service”) 0:30 2. This Never Happened To The Other Fella (Film Version) 4:42 3. Main Title: On Her Majesty’s Secret Service (Film Version) 2:43 4. We Have All The Time In The World (Film Version) 2:50 5. Try (Film Version) 3:10 6. James And Tracy 2:07 7. You Have An Appointment 1:36 8. The Capu 3:25 9. Resignation 1:02 10. Two Weeks Leave 1:11 11. Prelude For Guitar And Strings 3:20 12. We Have All The Time In The World (Film Mix) (Performed by Louis Armstrong) 3:14 13. Gumbold’s Safe 5:33 14. The College Of Arms 0:47 15. Journey To Piz Gloria 4:52 16. The Usual Comforts 1:31 17. Twelve Gorgeous Girls 0:35 18. Heraldry 1:56 19. Count Balthazar de Bleuchamp 1:18 20. Eight 2:32 21. It’s True! / The Hidden Persuader / You’ll Need To Be 3:34 22. Uncovered 1:25 23. I’ll Do What I Claim 1:09 24. Deep Hypnosis 6:35 25. Escape From Piz Gloria 4:52 26. Blizzard 1:04 27. Proposal 3:45 28. Ski Chase (Extended Version) 3:47 TOTAL DISC 1 TIME: 1:15:51 DISC 2 SCORE PRESENTATION CONTINUED 1. Don’t Be So Proud 0:42 2. Over And Out (Film Version) 3:11 3. Battle At Piz Gloria 4:03 4. Bobsled Chase 2:07 5. The Wedding Ring 0:40 6. We Have All The Time In The World – James Bond Theme (Film Version) 1:34 ORIGINAL SOUNDTRACK ALBUM 38:04 7. We Have All The Time In The World (Performed by Louis Armstrong) 3:14 8. This Never Happened To The Other Fella 4:28 9. Try 3:26 10. Ski Chase 2:53 11. Do You Know How Christmas Trees Are Grown? (Performed By Nina) 3:20 12. Main Title: On Her Majesty’s Secret Service 2:35 13. Journey To Blofeld’s Hideaway 3:28 14. We Have All The Time In The World 2:59 15. Over And Out 2:40 16. Battle At Piz Gloria 4:03 17. We Have All The Time In The World – James Bond Theme 4:34 ADDITIONAL MUSIC 25:09 18. We Have All The Time In The World (Unused Film Version) (Performed by Louis Armstrong) 2:15 19. Journey To Blofeld’s Hideaway (Unused Album Version) 4:06 20. Do You Know How Christmas Trees Are Grown? (Wild Instrumental) 1:11 21. Deep Hypnosis (With Full Overlay) 6:35 22. Escape From Piz Gloria (Mono Stem, Film Take) 3:50 23. Grand Christmas Eve Ball 2:55 24. Tracy To The Rescue (Mono Stem) 1:29 25. We Have All The Time In The World (Unused Album Version) 2:37 TOTAL DISC 2 TIME: 1:15:55 TOTAL ALBUM TIME: 2:31:46

Burton und Elfman bleiben ein Team... selbst bei einer Serie, auch wenn hier Chris Bacon mitmischt, der aber auch ein guter ist.

Nachdem der Score zum HALLOWEEN-Reboot seinerzeit relativ kurz nach Kinostart in einer expandierten Form veröffentlicht wurde, folgen nun auch die Scores zu HALLOWEEN KILLS und HALLOWEEN ENDS in erweiterter Form. Es gibt die drei Scores einzeln auf CD und Vinyl (hier natürlich wieder in verschiedenen Farben/Layouts) oder zusammen in einer Box, ebenfalls auf CD und Vinyl. John Carpenter’s soundtracks for the most recent Halloween trilogy, made alongside his frequent collaborators Cody Carpenter and Daniel Davies, marked the legendary director and composer’s return to film scoring after nearly two decades away. 2018’s Halloween, 2021’s Halloween Kills, and 2022’s Halloween Ends were all directed by David Gordon Green, who engaged Carpenter early in the pre-production process, ultimately enlisting him as both an executive producer and soundtrack composer for the trilogy. In listening to the recent Halloween scores, the collaborative spirit among the composing trio is one of the first things that jumps out. The now-famous bowed guitar part on Halloween’s “The Shape Hunts Allyson,” like all the guitar parts strewn across the trilogy, is played by Daniel Davies. John calls Daniel “the adventurer” of the group, and credits him with introducing sounds he’d never have considered. Cody, who his father refers to as a “musical savant,” is an equally essential presence. It’s his steady, methodical hand that helps give shape to the ideas that fly around when these three get in a room together. The scores for the new films may be centered on familiar themes, but they’re also a lot more sonically diverse and musically audacious than anything John could have pulled off in 1978, when he made the original Halloween. In addition to the individual expanded releases, the Halloween Expanded Trilogy will be available as part of a deluxe limited box set, offered in 6xLP and 3xCD formats. These editions feature exclusive new packaging and artwork by Chris Bilheimer, along with expansive liner notes by music critic Brad Sanders, which include exclusive interviews with John Carpenter and director David Gordon Green. Also included on both box sets are three collectible posters designed by Creepy Duck, a box set-exclusive poster design by Chris Bilheimer, and a deluxe lenticular cover that brings the artwork to life. An essential release for Carpenter collectors & film score fans. - Includes all 3 Expanded Editions of the Halloween Trilogy - All with new artwork & packaging by Chris Bilheimer - 121 tracks out of which 35 unreleased tracks across 6xLPs / 3x digipak CDs - Exclusive liner notes & interviews with John Carpenter & David Gordon Green - Each expanded edition comes with a poster designed by Creepy Duck - Plus a boxset-exclusive poster design by Chris Bilheimer - Features deluxe lenticular cover art HALLOWEEN (2018) 1. Intro 2. Aaron Meets Michael 3. Halloween Theme 4. Laurie's Theme 5. Aaron and Dana Enter Laurie's Compound 6. Laurie's Past 7. Prison Montage 8. Laurie Breaks Down 9. Karen's Flashback 10. Lumpy Explores Crash 11. Michael Kills 12. Hawkins Arrives at Crash Site 13. Dana's in the Shower 14. The Story of Judith's Death 15. The Gas Station 16. Michael Kills Again 17. Gas Station Aftermath 18. The Shape Returns 19. The Boogeyman 20. The Shape Kills 21. Hawkins Called to Babysitter's House 22. Laurie Sees the Shape 23. Babysitter Aftermath 24. Sartain Meets Laurie 25. Looking for Allyson 26. Wrought Iron Fence 27. The Shape Hunts Allyson 28. Talking to Cops 29. Allyson Discovered 30. Gun Closet 31. Halloween Theme (I've Got Eyes) 32. Sartain's Gone Mad 33. Say Something 34. Through the Woods 35. Ray's Goodbye 36. The Shape Attacks Laurie 37. The Shape Is Monumental 38. Searching for the Shape 39. Mannequin Panic 40. Death Drum 41. The Shape and Laurie Fight 42. The Grind 43. Trap the Shape 44. The Shape Burns 45. Halloween Triumphant HALLOWEEN KILLS 1. Logos Kill 2. Hawkins Discovered * 3. Flashback * 4. Spit * 5. Hey Kid * 6. The Myer’s House 7. Cops Explore * 8. First Attack 9. Stand Off 10. Halloween Kills (Main Title) 11. Let It Burn 12. He Appears 13. From the Fire 14. Strodes at the Hospital 15. Cruel Intentions 16. Phone Call * 17. Massacre * 18. Someone’s in the Car * 19. Halloween Trick * 20. Back at the Hospital * 21. Goodbye Michael * 22. Gather the Mob 23. Rampage 24. Frank * 25. Search * 26. Frank and Laurie 27. Evil Dies Tonight * 28. The System Failed * 29. Blood on the Door * 30. Disturbed Man * 31. Violent Return * 32. Hallway Madness 33. It Needs to Die 34. Look At Me * 35. Reflection 36. Hunting a Killer * 37. Righteous Intention * 38. Morbid Discovery * 39. Unkillable 40. Payback 41. Michael’s Legend 42. Back to His Sister’s Room * 43. Final Kill * 44. Michael Answers * 45. Halloween Kills (End Titles) HALLOWEEN ENDS 1. Where is Jeremy? 2. Halloween Ends (Main Title) 3. Laurie’s Theme Ends 4. The Cave 5. Tire Slash * 6. Cool Kid 7. Drags to the Cave 8. Evil Eyes 9. Transformation 10. Because of You 11. Walk With Me * 12. Requiem For Jeremy 13. In the Restaurant * 14. Bridge Fight * 15. Kill The Cop 16. Corey and Allyson * 17. Side of the Road * 18. Corey and Michael 19. Slap * 20. Corey’s Requiem 21. Take the Mask * 22. The Junk Yard 23. Where Are You? 24. Suicide * 25. What Did You Do? * 26. Bye Bye Corey 27. The Fight 28. Before Her Eyes 29. The Procession 30. Cherry Blossoms 31. Halloween Ends