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auch bei MSM raus: http://moviescoremedia.com/the-celestine-prophecy-nuno-malo/ sehr schöner Score vom Portugiesen...

klingt gut: http://moviescoremedia.com/sinbad-christian-henson/ wohl eher nur Synthie, aber ganz ordentlich! Henson gefällt mir fast immer...

Lakeshore hat soeben ein Score Album für Scary Movie 5 von James L. Venable angekündigt. Digital-Release (aka Digi-Dreck) ist der 14. Mai 2013. Tracklist: 01. Attacked, Possessed and Out to the Woods 02. Finding the Cabin and Driving Home 03. Primates Attack and Lab Intro 04. Meet the Kids, Who Is She? 05. To the Ballet 06. A Scare, a Pan and Some Hot Breath 07. Cameras Up! 08. Don't Go in the Closet...or the Bathroom! 09. Perhaps We Should Try a Psychic 10. Dreams within Dreams 11. The Red Room 12. The Video Chat 13. Nighttime in the House 14. The Evil Book 15. Caesar and the Baby 16. A Vision, an Empty House and Great Pie 17. Don't Mess With the Hair! 18. The Grand Finale 19. Hugs on a Cliff, You're a Swan! 20. The Final Triumph

John Lee Hancock wechselt von Burwell zu Newman:

GNP erweitert anscheinend nicht nur die Trek-Film-Scores:

Nachdem damals Atlis Score für Harald Zwarts "Karate Kid" abgelehnt wurde, darf er trotzdem an dessen neuen Film ran.

Falls es noch nicht gepostet wurde - es gibt eine Biographie über Max Steiner von Peter Wegele: http://www.amazon.de/Filmkomponist-Max-Steiner-1888-1971/dp/320578801X/ref=sr_1_1?s=books&ie=UTF8&qid=1366436760&sr=1-1&keywords=max+steiner Soll gut sein. Kennt sie schon jemand?

Das ist mal eine erfreuliche Komponistenwahl

Was Neues von Howard Shore

Hier die offiziellen Ankündigungen: BUYSOUNDTRAX Records presents the soundtrack for FIRE AND ICE, featuring music composed by William Kraft (AVALANCHE, THE CHISHOLMS) for the 1983 animated fantasy adventure directed by Ralph Bakshi (FRITZ THE CAT, WIZARDS, THE LORD OF THE RINGS), featuring characters created by artist Frank Frazetta, from a script by Roy Thomas and Gerry Conway, and featuring the voices of Randy Norton, Cynthia Leake, Steve Sandor, Sean Hannon, William Ostrander and Eileen O’Neill.. Produced during the height of the sword and sorcery craze, FIRE AND ICE takes place in a prehistoric land under siege by an evil queen, Juliana, and her son, Nekron. An ever expanding wall of glacial ice created by Nekron’s dark sorcery is their greatest weapon, smashing down the defenses of their opponents in the southern lands, which is quickly followed by their invading army of subhuman men who stomp out all resistance and capture whoever is left standing. Into this conflict is thrust the young warrior, Larn, who barely survives his first encounter with the subhumans. In a neighboring kingdom ruled by the kindly king, Jarol, a sinister plot unfolds as Nekron sends envoys to distract Jarol long enough to abduct his daughter, the beautiful princess, Teegra. Not to be underestimated, Teegra is able to escape from the subhumans on the road back to Nekron and she crosses paths with Larn. As they get to know each other and their feelings grow stronger, Teegra is recaptured by the subhumans during a crucial moment where Larn is occupied by the attentions of a giant octopus. Passing out from exhaustion. Larn awakens to find himself bound. Concerned he has been recaptured by the subhumans, Larn is relieved to discover that his captor is actually the lone warrior, Darkwolf, who only bound him to prevent him from opening up his wounds. Larn agrees to an alliance with Darkwolf, who has his own personal reasons for fighting and they form an alliance, agreeing to fight together against Nekron and Juliana and rescue Teegra. But can they reach her in time to prevent whatever cruel fate Nekron has in mind for her? Can Nekron’s dark reign be ended before the land is covered with glacial ice and there are no free men left to resist? Released in the summer of 1983, FIRE AND ICE offered the audience a unique visual experience. In his earlier features, Bakshi’s animation style had been marked by reliance on a technique called rotoscoping, in which his artists would take live action footage and trace over it, frame by frame, to create drawn images which were then animated. Unlike the use of silhouetted armies marching and battling through his previous animated films, the rotoscope process was used in FIRE AND ICE as the basis for the character movements and interactions, such as fights and chases. Presaging today’s use of motion capture in CGI-animation, Bakshi and Frazetta first spent 4-6 weeks filming live actors performing with simple props on a bare sound stage. That footage was rotoscoped and then animated one frame at a time in the manner of traditional cel animation. The end result was very fluid and lifelike movement. The effectiveness of those animated images was enhanced by the atmospheric background paintings that established the environment in which the characters lived, and it was in these paintings that Bakshi tried to replicate the look of Frank Frazetta’s artwork. The experience of watching FIRE AND ICE is greatly enhanced by its musical score, which was Bakshi’s first collaboration with William Kraft, a composer originally from the classical world. William Kraft’s music for FIRE AND ICE is a thunderous, large scale composition, developed and orchestrated not in a Hollywood fashion but in the manner of old school classicism. His previous film scores had been necessarily atmospheric and progressive but with FIRE AND ICE, the composer enjoyed the opportunity to be highly thematic. All of the main characters have their own themes, which interact constantly throughout the score. The music for FIRE AND ICE was orchestrated by Angela Morley, a noted film composer in her own right (WATERSHIP DOWN) who also orchestrated for John Williams throughout the 1990s. FIRE AND ICE was recorded at Paramount Studios with a large size orchestra, with Dan Wallin serving as music scoring mixer, which gave Kraft’s score a generously large sonic dimension. Evoking the sorceries of ages past and the unsung heroes of fable and fantasy, the score for FIRE AND ICE is a battle between beneficent heroism and dark sorcery, sculpting the film’s brutal landscape with heavy swaths of low horns, ascending trumpets, and plenty of percussion. William Kraft (b. 1923, Chicago) has had a long and active career as composer, conductor, timpanist/percussionist and teacher. He is Professor Emeritus at the University of California, Santa Barbara, where he served for 11 years (1991 - 2002) as Chairman of the Composition Department and Corwin Professor of Music Composition. From 1981 -85, Mr. Kraft was the Los Angeles Philharmonic's Composer-in-Residence. During his residency, he was appointed by executive director Ernest Fleischmann to serve as the founding director of the orchestra's performing arm for contemporary music, the Philharmonic New Music Group. Mr. Kraft had previously been a member of the Los Angeles Philharmonic for 26 years; eight years as percussionist, and eighteen years as Principal Timpanist. For three seasons, he was also assistant conductor of the orchestra, and thereafter, frequent guest conductor. Mr. Kraft has received numerous awards and commissions, including two Kennedy Center Friedheim Awards (first prize in 1990 for Veils and Variations for Horn and Orchestra, and second prize in 1984 for Concerto for Timpani and Orchestra; two Guggenheim Fellowships; two Ford Foundation commissions; fellowships from the Huntington Hartford Foundation and the National Endowment for the Arts; the American Academy and Institute of Arts and Letters Music Award; the Norlin/MacDowell Fellowship; the Club 100 Distinguished Artist of Los Angeles Award, the ASCAP Award; the NACUSA Award; the Eva Judd O'Meara Award; first place in the Contemporary Record Society competition; commissions from the Library of Congress, U.S. Air Force Band, St. Paul Chamber Orchestra, Kronos Quartet, Voices of Change, the Schoenberg Institute, consortium of Speculum Mucicae/San Francisco Contemporary Music Players' Contemporary Music Forum, The Boston Pops Orchestra, consortium of Pacific Symphony/Spokane Symphony/Tucson Symphony, the Los Angeles Philharmonic, among others. His works have been performed by the New York Philharmonic, Boston Symphony, Chicago and Philadelphia Orchestras, the Los Angeles Philharmonic, and other major American orchestras as well as in Europe, Japan, Korea, China, Australia and Israel. Recently completed recording projects are with the Czech Philharmonic, New England Conservatory and the Royal Liverpool Philharmonic. BUYSOUNDTRAX Records presents the worldwide soundtrack release of FIRE AND ICE in time for the 30th anniversary of the film’s release, featuring music composed and conducted by William Kraft. FIRE AND ICE was produced using the master elements in the composer’s archive, mastered by James Nelson of Digital Outland featuring liner notes by author Randall Larson, including new comments from the composer on the creation of this fantastic score. FIRE AND ICE is a limited edition release of 2000 units.The first 100 copies purchased directly from BUYSOUNDTRAX.COM will be autographed by the composer, William Kraft. BSXCD-8926 Original Motion Picture Soundtrack Fire and Ice Music by William Kraft $15.95 Ships the week of 4/29/13 1. Main Title/Prologue/The Subhumans Appear/Nekron 7:01 2. Spoils Of War/On The Run 5:28] 3. Meet Teegra 1:07 4. Teegra Is Abducted 2:44 5. Escape From The Subhumans 4:09 6. Lunch Is Served 1:14 7. Teegra Kills 1:29 8. Wolves/Dinner Guest 4:30 9. Larn And Teegra 2:42 10. Cephalopod Attack 1:11 11. Darkwolf 00:46 12. Botched Rescue 4:30 13. Roleil/Darkwolf's Stand 3:29 14. Thoughts Of Teegra 2:57 15. Roleil's Deal/Larn In Pursuit 2:43 16. Nekron's Madness 3:19 17. Nekron's Power 1:25 18. Larn Versus Nekron 2:31 19. Larn Escapes/Darkwolf Appears 2:38 20. Flight Of The Dragonhawks/The End Of Nekron/Reunited10:00 21. Fire And Ice End Title 3:35 BuySoundtrax Records is proud to present THE FILM MUSIC OF MICHAEL NYMAN FOR SOLO PIANO featuring piano performances by Joohyun Park. The recording will be available digitally, in stores, and from www.buysoundtrax.com on April 10th. “I started this piano album by concentrating solely on music from THE PIANO,” said Park. “All music of Michael Nyman has stunning, beautiful and dynamic melodies and it really began to capture my attention. I wanted to record more of Nyman’s work after working on the pieces from THE PIANO.” Pianist Joohyun Park was born in Kwang-Ju, South Korea. She began studying music at age 6. Park received both a Bachelor’s and Master’s Degrees of Piano from Yon Sei Univeristy (Seoul, Korea) and a Bachelor’s Degree of Contemporary Writing and Production from Boston’s famed Berklee College of Music. She has worked as a score coordinator, pianist, orchestrator and assistant composer for movies including PRIEST, THE INFORMERS, DRAG ME TO HELL, CREATION, WHEN IN ROME, THE BLACK TULIP and LOVE HAPPENS. A frequent performer for BuySoundtrax, Joohyun also performed THE MUSIC OF BATTLESTAR GALACTICA FOR SOLO PIANO. Though it was THE PIANO that launched Nyman in the US, his career had already been some three decades in the making by the release of the film that earned him a Golden Globe, and Ivor Novello, and BAFTA Award. Nyman studied at the Royal Academy of Music through the 1960s and, as a music critic, is credited with coining the musical term ‘minimalism.’ In the mid 1970s he began scoring films, most notably for director Peter Greenaway on films including THE COOK, THE THIEF, HIS WIFE AND HER LOVER, DROWNING BY NUMBERS, and THE DRAUGHTSMAN'S CONTRACT. Nyman’s film credits also include THE LIBERTINE, THE END OF THE AFFAIR, THE DIARY OF ANNE FRANK, CARRINGTON and GATTACA. Jeff Bond describes (in the album’s liner notes), “Nyman’s trademark as a composer may be the way he derives deep emotions from an essentially minimalist style. His scores can be lushly orchestrated or paired down to solo instrumentation, but his music often plays as portraits in miniature that reveal constrained, expressive feeling—longing bursting beneath the surfaces of the characters he writes for.” “Minimalism is emphasizing musical ideas by repetition with the very basic and little materials,” explained Park. “Nyman is a minimal music composer and pianist with great passion. It was a challenge to express minimal music that was written by the person who invented the term, but his great music also gave my passion great momentum. I am honored to produce a piano album of this great musician’s work.” THE FILM MUSIC OF MICHAEL NYMAN FOR SOLO PIANO will be available digitally, in stores, and directly from BuySoundtrax on April 10, 2013. THE FILM MUSIC OF MICHAEL NYMAN FOR SOLO PIANO is a limited edition release of 1000 units. The first 100 copies sold through www.buysoundtrax.com will be autographed by Pianist Joohyun Park. BSXCD-8925 Music From The Films Of Michael Nyman For Solo Piano Featuring Music From THE PIANO • GATTACA CARRINGTON • ENEMY ZERO A ZED & TWO NOUGHTS THE DIARY OF ANNE FRANK DROWNING BY NUMBERS Arranged and Performed by Joohyun Park $15.95 Ships the week of 4/29/13 THE PIANO 1. Big My Secret (2:46) 2. The Mood That Passes Through You (2:03) 3. Deep Sleep Playing (2:16) 4. Silver Fingered Fling (3:45) 5. The Attraction of the Pedalling Ankle (6:00) 6. The Heart Asks Pleasure First (2:34) CARRINGTON 7. Fly Drive (0:52) THE DIARY OF ANNE FRANK 8. If (5:08) 9. The School Room (2:58) DROWNING BY NUMBERS 10. Ship and Tides (2:22) ENEMY ZERO 11. Digital Tragedy (1:06) 12. Love (2:50) A ZED & TWO NOUGHTS 13. Time Lapse (3:33) GATTACA 14. Tomorrow (3:13) 15. Departure (2:47) THE PIANO 16. Lost and Found (2:33) Total Time: 46:39

Die nächsten drei Veröffentlichungen in der Reihe Écoutez le Cinéma ! erscheinen am 29. April 2013: Eine CD-Erstveröffentlichung eines Konzeptalbums von Lalo Schifrin, das bislang nur als LP erhältlich war, ein um eine neu aufgenommene Suite erweitertes (im Marketing irreführend als Erstveröffentlichung bezeichnetes) Re-Issue eines Musicalfilmsoundtracks von Michel Colombier sowie eine Jean-Claude Petit-Kompilation.

Neues von Intrada und

Laut seiner offiziellen Homepage wird Alan Silvestri die Musik für Red 2 vertonen und damit die Nachfolge von Christophe Beck antreten, der beim ersten Teil für die Musik verantwortlich war.

Neues für Giacchino

Clinton Shorter schrieb die Musik für Jappeloup. Zurzeit verfügbar auf Amazon MP3 und iTunes. https://itunes.apple.com/fr/album/jappeloup-original-motion/id613388464?l=en www.amazon.de/Jappeloup-Original-Motion-Picture-Soundtrack/dp/B00BRC116M/ Ist echt ein schöner Score geworden, genau das richtige für das heutige Frühlingswetter

Neues von Screamworks Records:

Offenbar hat Tadlow als nächste Goldsmith-Neueinspielung, passend zur Umfrage, den lange verschollenen SALAMANDER von1980 mit den Pragern neu aufgenommen (ab 03:55 im Clip gibt es Jerry pur):

Für den im August erscheinenden neuen Film von Neil Blomkamp ELYSIUM wird Ryan Amon die Musik beisteuern: Ryan Amon - ELYSIUM Quelle: Film Music Reporter

Der Soundtrack von Bear McCreary zum Spiel "Defiance" wurde veröffentlicht. Wohl nur digital erhältlich. http://www.amazon.de/Defiance-Original-Video-Game-Soundtrack/dp/B00C3DR4YC/

Voraussichtlich im Juni wird Varèse Sarabande neben einer CD und einem digitalen Format die Musik zu STUCK IN LOVE von Mike Mogis & Nate Walcott auf Vinyl veröffentlichen. Das meldet billboard.com in einem aktuellen Artikel: Mit der Ankündigung seitens Varèse kann dann wohl in den kommenden Wochen gerechnet werden.

Neben Evil Dead kommt am 9. April auch diese beiden Alben:

2 Veröffentlichungen mit 3 Scores bringt uns Intrada:

Steve Bartek, Elfmans Orchestrator, hat gerade auf Facebook verlauten lassen, dass der komplette Score von Elfman zu "Edward Scissorhands" nun als Notenbuch erhältlich ist.