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  1. LIVE AND LET DIE – 50th ANNIVERSARY: EXPANDED/REMASTERED LIMITED EDITION (2-CD SET) LLLCD 1625 Music by George Martin Title Song Composed by Paul and Linda McCartney Performed by Paul McCartney and Wings Limited Edition of 5000 Units RETAIL PRICE: $31.98 STARTS SHIPPING JAN 16 Available to order now at www.lalalandrecords.com La-La Land Records, Metro-Goldwyn-Mayer, EON Productions and Universal Music Enterprises proudly commemorate the 50th Anniversary of the 1973 James Bond film LIVE AND LET DIE, with a remastered and expanded 2-CD re-issue of composer George Martin’s original motion picture score to the film, starring Roger Moore in his debut portrayal of 007 and directed by Guy Hamilton. A new Bond demanded a fresh take on the film’s score and its title song - and famed composer and Beatles producer George Martin and former Beatle himself Paul McCartney more than succeed in this challenging mission, resulting in a film score and title track that, fifty years later, still resonates with Bond buffs and popular-music fans alike! LIVE AND LET DIE – 50th ANNIVERSARY EXPANDED LIMITED EDITION showcases the film’s iconic music in exhilarating fashion, with improved sound and never-before-released material. Produced by Neil S. Bulk, Disc One of this release showcases the Score Presentation, while a remaster of the original 1973 soundtrack album is housed on Disc Two, along with additional music tracks! The film score and original soundtrack album have been remixed from original 16-track masters by Chris Malone and mastered by Doug Schwartz in high resolution. (Please note only the score has been remixed – the McCartney song, the "Fillet Of Soul" tracks and "Just A Closer Walk With Thee/New Second Line" are all sourced from the original album masters.) This special release is limited to 5000 units and features exclusive, in-depth liner notes by “The Music of James Bond” author Jon Burlingame and sharp art design by Dan Goldwasser. TRACK LISTING: DISC 1 55:07 SCORE PRESENTATION 1. Gun Barrel / Voodoo Ceremony 1:30 2. Live And Let Die (Main Title) 3:11 Performed by Paul McCartney & Wings 3. Bond To New York 1:26 4. Whisper Who Dares 1:44 5. Oh Cult Voodoo Shop 1:18 6. James Bond Theme (Film Version) 1:45 7. Bond Meets Solitaire (Extended Version) 2:54 8. Baron Samedi's Dance Of Death (Film Version) 1:43 9. San Monique 1:58 10. Snakes Alive (Film Version) 2:41 11. Bond And Rosie 1:04 12. Fortune Telling :46 13. Rosie Flees 2:05 14. Bond Drops In (Film Version) :55 15. The Lovers 2:18 16. If He Finds It, Kill Him 1:21 17. Low Bridge :59 18. New Orleans 1:02 19. Just A Closer Walk With Thee / New Second Line 2:19 Performed by Harold A. “Duke” Dejan & The Olympia Brass Band 20. Fillet Of Soul – New Orleans / Live And Let Die / Fillet Of Soul – Harlem 3:18 Performed by B.J. Arnau 21. Bond's Watch :58 22. Solitaire Gets Her Cards 1:51 23. Trespassers Will Be Eaten (Extended Version) 2:49 24. Boat Chase 2:04 25. Sacrifice (Film Version) 3:22 26. Underground Lair 4:01 27. On The Train / Finale 3:04 DISC 2 46:12 ORIGINAL SOUNDTRACK ALBUM 32:14 1. Live And Let Die (Main Title) 3:11 Performed by Paul McCartney & Wings 2. Just A Closer Walk With Thee / New Second Line 2:19 Performed by Harold A. “Duke” Dejan & The Olympia Brass Band 3. Bond Meets Solitaire 2:16 4. Whisper Who Dares 1:44 5. Snakes Alive 2:28 6. Baron Samedi's Dance Of Death 1:14 7. San Monique 1:58 8. Fillet Of Soul – New Orleans / Live And Let Die / Fillet Of Soul – Harlem 3:18 Performed by B.J. Arnau 9. Bond Drops In 3:28 10. If He Finds It, Kill Him 1:21 11. Trespassers Will Be Eaten 2:46 12. Solitaire Gets Her Cards 1:51 13. Sacrifice 2:31 14. James Bond Theme 1:29 ADDITIONAL MUSIC 13:51 15. San Monique (Early Version) 2:47 16. Boat Chase Pt. 1 (Early Version) 1:51 17. Fillet Of Soul – New Orleans / Live And Let Die / Fillet Of Soul – Harlem (Alternate) 3:19 Performed by B.J. Arnau 18. Underground Lair (Alternate Opening) :37 19. Sacrifice (Extended Album Version) 3:22 20. Baron Samedi's Dance Of Death (Extended Album Version) 1:43 Total Album Time: 1:41:19 This is a CD format release
  2. CUTTHROAT ISLAND: LIMITED EDITION (2-CD SET) LLLCD 1387 Music by John Debney Limited Edition of 1500 Units RETAIL PRICE: $19.98 STARTS SHIPPING JULY 12 La-La Land Records and Studiocanal present the remastered 2-CD re-issue of acclaimed composer John Debney’s (THE JUNGLE BOOK, IRON MAN 2, THE PASSION OF THE CHRIST) breathtaking original motion picture score to the 1995 pirate-themed action epic CUTTHROAT ISLAND, starring Geena Davis, Matthew Modine and Frank Langella, and directed by Renny Harlin. Previously out-of-print, Debney’s acclaimed orchestral thrill-ride of a score, performed by the London Symphony Orchestra, returns to the hearts and ears of film music enthusiasts everywhere! Produced by Neil S. Bulk and newly mixed and mastered by Mike Matessino from high resolution digital 3-track elements, this 2-CD re-issue of one of Debney’s finest works also showcases all-new art design by Jim Titus and new, in-depth liner notes from writer Jeff Bond, featuring new comments from Debney and director Renny Harlin. This is a limited edition of 1500 units. TRACK LISTING: DISC 1 1 Main Title: Morgan’s Ride 4:43 2 The Rescue 3:43 3 Purcell Snatcher 3:00 4 Shaw is Caught 1:19 5 The Funeral 1:33 6 Morgan in Command 2:50 7 The Language of Romance 2:42 8 A Lady Scorned 1:38 9 The Chase Begins / Carriage Chase 7:29 10 Ainslee Plots / To Spittlefield / Uncle Mordechai 5:40 11 Morgan Captured / Sword Fight 5:30 12 Escape from Mordechai’s 2:13 13 Setting Sail 1:05 14 Charting the Course 2:22 15 First Kiss 1:56 16 Dawg’s Plan / Shaw Discovers Location 3:22 17 The Betrayal 2:16 18 The Storm Begins 2:45 19 To the Bottom of the Sea 2:46 20 The Island 3:40 21 Shaw Steals the Map 3:33 22 Discovery of the Cave (extended version) 5:28 Total Time CD1 71:38 DISC 2 1 Discovery of the Treasure 2:25 2 Caught 1:37 3 Dawg’s Pets 2:16 4 The Big Jump 2:40 5 Shaw Captured 2:33 6 Morgan Takes the Ship 4:32 7 The Hangman’s Noose 3:56 8 The Battle 6:12 9 To Dawg’s Ship 2:32 10 Morgan Battles Dawg 6:05 11 Dawg’s Demise / The Triumph 3:35 12 It’s Only Gold / End Credits (extended version) 10:03 13 The Wedding Waltz 2:49 14 Main Title: Morgan’s Ride (alternate take without choir) 4:39 15 Carriage Chase (album ending) 7:24 16 Dawg’s Demise / The Triumph (without choir) 3:35 17 Morgan’s Ride and The Rescue (synth demo version) 7:33 Total Time CD2 74:30 Total Album Time: 146:08 Wie schon erwartet...wird bestellt. %7BfileStore.core_Attachment%7D/monthly_07_2016/post-5784-0-70438100-1467706985.png
  3. In einem Interview sprach James Horner über die kommende Arbeit am Avatar-Sequel Damit ist wohl klar, dass er Pandora treu bleiben wird.
  4. Neben dem Goldie gab es von Intrada auch noch diese 4 CD-Box. Disc 3 Count Your Blessings (1959) 01. Main Title (2:29) 02. Dinner Date (0:32) 03. London Tour (2:29) 04. Honeymoon (3:27) 05. The Carpet (0:31) 06. The Duke (1:04) 07. Charles Is Back (3:08) 08. Sigi/Sigi Can’t Sleep (5:20) 09. Good Morning (0:45) 10. Biarritz (1:50) 11. The Measles (2:04) 12. Sigi’s New Room (1:09) 13. The Long Carpet (1:04) 14. The Other Place (0:51) 15. The Visit (0:51) 16. Outing With The Duke/The Duke’s Wife (4:24) 17. The Museum (0:43) 18. Revolt (0:46) 19. Paris Tour With Sigi (2:08) 20. Man To Man Talk (0:18) 21. Sigi Runs Away (4:52) 22. End Title (0:19) Score Time: 41:13 The Extras 23. Should I (Nacio Herb Brown & Arthur Freed) (2:25) 24. Liebestraum No. 3 In A-Flat Major (Franz Liszt) (1:34) 25. Swan Lake Ballet Act I – Excerpts (Pyotr Ilyich Tchaikovsky) (3:21) Extras Time: 7:22 Total Time: 48:41 Love on the Run (1936) 26. Main Title/Running Bride (2:05) 27. Ox Cart/Newspaper Montage (1:07) 28. The Castle (1:36) 29. The Statue (1:22) 30. The Ghost/Sally Alone (2:26) 31. Love Scene/Nice (2:11) 32. Gone (3:02) 33. Gone (Continued) And End Title (1:29) Total Time: 15:39 Fury (1936) 34. Opening Title Music (1:51) 35. Chatter Music (2:29) 36. At Joe’s Home (0:23) 37. Ghosts (1:03) 38. End Title And Cast (0:38) Total Time: 6:38 Disc 4 Suspicion (1941) 01. Main Title (1:00) 02. Honeymoon Montage (0:45) 03. Melbeck’s Office (3:22) 04. Looking For Johnnie (2:36) 05. Lina Alone (4:27) 06. Morning Mail (3:19) 07. Too Fast (1:12) 08. Finale (1:02) Total Time: 18:00 The Devil-Doll (1936) 09. Main Title (1:37) 10. Little Dog/Big Dog (1:07) 11. Laschna (2:40) 12. Buying Flowers (1:00) 13. First Victim/Revenge (1:04) 14. Nightmare/Jewel Thief (5:30) 15. In The Restaurant (1:43) 16. Lorraine And Her Father/Finale (4:36) Total Time: 19:32 King of the Roaring 20’s – The Story of Arnold Rothstein (1961) 17. Opening Scene And Main Title (2:51) 18. Young Arnold (1:38) 19. Rothstein And Burke (1:30) 20. Three Times Raided (1:29) 21. Rector’s Restaurant (4:42) 22. Goodnight, Carolyn (1:03) 23. Visit With Papa (2:15) 24. Goodbye, Papa (1:13) 25. Champagne (0:55) 26. Interrupted Romance (2:01) 27. That Feels Good (1:52) 28. Doublecross (0:54) 29. Down And Out/Burke’s Death (4:27) 30. It’s Midnight (3:32) 31. Montage (0:45) 32. No Dice (0:56) 33. Speakeasy Charleston 3 (1:05) 34. The Last Deal (1:07) 35. The Last Walk (1:15) 36. Hospital Scene And End (1:57) Total Time: 37:55
  5. Zum ersten Mal überhaupt erscheint der Score zu THE EXORCIST III als Album. Waxwork Records haben ihn angekündigt, allerdings scheint er nur auf Vinyl zu erscheinen. CD oder Streaming wurden bisher nicht erwähnt.
  6. Quartet Records, in collaboration with Aribage Limited and the Michael Kamen estate, is proud to present the premiere release of the early Michael Kamen (BRAZIL, LETHAL WEAPON, DIE HARD, LICENCE TO KILL) score for 1982 British thriller VENOM. Directed by Piers Haggard and based on the novel by Alan Scholfield, starring Sterling Hayden, Klaus Kinski, Sarah Miles, Nicol Williamson, Susan George and Oliver Reed, VENOM tells the story of a group of international terrorists who attempt to kidnap a wealthy couple’s child. Their plan comes unstuck when a deadly Black Mamba escapes with the terrorists and several hostages trapped in the boy’s London home. A tense evening is had by all as the snake creeps around the house, picking off the characters one by one. The young Michael Kamen composed a tremendous score, one of his best and an obvious precursor to some of his future successes. In VENOM, one can hear everything from a variation of his future and celebrated theme for THE DEAD ZONE to echoes of what would later be the CONCERTO FOR SAXOPHONE AND ORCHESTRA (as well as parts he later used in ROBIN HOOD and DIE HARD 2). Kamen wisely avoided mimicry, instead imprinting the film with his distinctive voice. Using low woodwinds, low strings and muted brass, he masterfully crafted an atmospheric and personality-rich soundtrack. VENOM is a pivotal score in the composer’s filmography, not only suitably serves the film, but also foreshadows Kamen’s rapid ascent to the ranks of Hollywood’s A-list composers in the years ahead. Performed by the National Philharmonic Orchestra under the baton of the composer (who also orchestrated the score in its entirety), this release utilizes three reels of two-track Abbey Road mixes by Eric Tomlison and provided by the Michael Kamen estate. Upon reviewing these masters, it became apparent that editorial adjustments had been made to Kamen’s original compositions for the film. Notably, the “End Titles” music, intended as an unsettling coda, was repurposed within the body of the film. In presenting this release, we restore Michael Kamen’s music to its intended sequencing, allowing the composer to present his story arc. Bonus tracks, including “snake” motifs and drones, conclude the listening program. This album has been meticulously produced, restored and mastered by Chris Malone. The package includes a 20-page booklet with in-depth liner notes by film music writer Jeff Bond. 1. Main Titles 2:52 2. Seduction 1:05 3. Mugambo 1:44 4. Picking Up Jacmel / Drive To Jacmel House 3:08 5. Boy In Car / First Kill 6:06 6. One Dead Maid 2:49 7. Preparate / Waiting 0:57 8. One Dead Rabbit 0:49 9. Grandfather Hunt 3:25 10. That’s It 1:35 11. Duct 1:43 12. On The Steps / Snake 2:09 13. Drinks? / Dave’s Leg 2:57 14. Final Death 3:44 15. End Titles 2:36 Bonus Tracks 16. Main Titles (Film Version) 2:49 17. Mugambo (Orchestral Only) 1:43 18. Snake 1 1:09 19. Snake 2 1:14 20. Snake 3 1:09 21. Snake 4 1:03 22. A Drone 0:39 23. C Drone 0:58 24. End Titles (Alternate) 2:29 Total Disc Time: 51:06
  7. Und die „Rob Zombie Presents"-Reihe geht weiter: Rob Zombie and Waxwork Records have partnered to release an exclusive, curated line of classic Horror movie soundtracks. “Rob Zombie Presents” features several never-before-released film soundtracks that were personally selected by the singer, songwriter, and filmmaker. “I have always been a huge fan of movie soundtracks. So I jumped at the opportunity to work with Waxwork on this project.” Says Zombie, “I can’t wait to release these albums. So many of these films are greatly under appreciated and, they all contain such great music. So, to be able to release these deluxe packages is a dream come true.“ - Rob Zombie Rob Zombie and Waxwork Records are thrilled to announce “Rob Zombie Presents CARNIVAL OF SOULS Original Motion Picture Soundtrack by Gene Moore". Starring Candace Hilligoss, CARNIVAL OF SOULS is a 1962 American psychological Horror film directed by Herk Harvey. The plot follows a young woman whose life is disturbed after becoming the sole survivor of a car accident. Trying to put the incident behind her, she moves to Utah to take up a job as a church organist. Unable to assimilate with the locals, her life is soon interrupted by visions of a ghoulish stranger. As her visions become more frequent, she finds herself strangely drawn to an abandoned carnival on the outskirts of town. The alluring, deserted carnival may hold the secret to her tragic past. CARNIVAL OF SOULS features an organ score by Gene Moore. Employing various guerrilla filmmaking techniques and shot on a shoestring budget of only $33,000, CARNIVAL OF SOULS has become a cult classic and has been praised by critics and film scholars for its cinematography and its stark, foreboding atmosphere. Waxwork worked closely with the owners of the original CARNIVAL OF SOULS film elements which have been restored by and archived in the vaults of the Academy of Motion Picture Arts and Sciences. AMPAS restored the soundtrack from the film's original soundtrack negative, allowing the holders of this historical film to provide Waxwork with the best possible source material. This special release marks the first, official CARNIVAL OF SOULS soundtrack album. In addition to the original soundtrack, this release features segments of dialogue and sound effects eloquently and tastefully included, all sourced from the restored original soundtrack negative. After working together on the successful release of the official soundtracks to Zombie’s films House of 1000 Corpses, The Devils Rejects, 3 From Hell, The Lords of Salem, Halloween 1 & 2, and The Munsters, Zombie explored other ways to collaborate with Waxwork in an effort to unearth, re-master, and release classic, left-of-center Horror soundtracks from films that he is a lifelong fan of. The line of soundtracks features deluxe packaging, heavyweight colored vinyl, new artwork by prominent Horror illustrator Graham Humphreys, liner notes and interviews conducted by Rob Zombie with filmmakers and actors. Titles include premiere releases of White Zombie, Spider Baby, Carnival Of Souls, The Last Man On Earth, The House On Haunted Hill, Island Of Lost Souls, and many selections from the HAMMER film library. ROB ZOMBIE PRESENTS CARNIVAL OF SOULS Original Motion Picture Soundtrack Features: The Original Soundtrack Officially Available For The First Time "Carnival Ghoul" Blue Pinwheel Colored Vinyl Old Style Tip-On Gatefold Jackets with Matte Satin Coating New Art by Graham Humphreys 12"x12" Insert
  8. Quartet Records, in collaboration with Capitol Records and Universal Music Entertainment, present a 2-CD set with a revised, remastered, slightly expanded edition of scores for two landmark made-for-television filmscomposed by John Williams (STAR WARS, E.T., JURASSIC PARK, HOOK) between 1968 and 1970. Both of these adaptations of classic stories were presented by Omnibus Productions and directed by Delbert Mann, and both also earned Emmy® Awards for John Williams’ original music. Through these scores, the composer shaped the destinies of two classic literary characters as well as his own. Every effort was made to locate surviving audio elements for both HEIDI and JANE EYRE. The discovery of the original ½″ four-track masters from HEIDI containing all of the cues selected for the 1968 narrated story album facilitated an attentive new mix of the music and a presentation in narrative order. The narration record was newly transferred by Universal Music Group and is presented after the musical score. For JANE EYRE, a new high-resolution transfer of the 1971 ¼″ stereo album master was provided by Universal Music Group, with audio then fully restored. This is followed by four tracks of additional material, including a short segment of source music that is heard in the film but was not on the album. The other three tracks are alternate performances of three selections recorded for the album, “To Thornfield,” “Restoration” and the “Love Theme.” This material was sourced from two ½″ 3-track tapes that were discovered at Twentieth Century Fox in early 2019. While no additional score cues could be located, the recovery of any new material from this enduring and highly regarded John Williams work is most welcome. The entire collection has been painstakingly remixed, restored, assembled and mastered by Mike Matessino, preserving all the freshness of the original recording. The package includes a 28-page full-color booklet with in-depth liner notes by film music writer John Takis and classy art direction by Jim Titus. Disc 1. HEIDI Original Motion Picture Score 1. Overture (Theme From ‘Heidi’) 2:21 2. Arrival In Dörfli 3:12 3. To The Alm 2:00 4. Goat’s Milk 1:36 5. At The Church :57 6. Meditation Rock 2:20 7. Dinner Table :47 8. Stealing Rolls 1:10 9. The Bedroom 1:55 10. Library Talk 1:24 11. Return To Dörfli 2:56 12. Montage 1:34 13. Waiting With Grandfather 1:35 14. Separation 3:28 15. The Farewell 3:52 16. Klara Walks 3:51 Total Score Presentation: 35:27 1968 Original Soundtrack With Dialogue and Narration 17. Main Title And Overture 2:21 (John Williams and Orchestra) 18. The Old Man And The Child 2:49 (Sir Michael Redgrave, Jennifer Edwards) 19. A Place Of My Own 3:35 (Sir Michael Redgrave, Jennifer Edwards) 20. The Alm 3:39 (Jennifer Edwards) 21. The Sleeping Child 2:22 (Sir Michael Redgrave) 22. Meditation 2:25 (Sir Michael Redgrave, Jennifer Edwards) 23. A Place Of My Own (Heidi’s Theme) 2:41 (Carri Chase, Vocal) 24. Shadows 3:51 (Sir Michael Redgrave) 25. Reflections 4:16 (Jennifer Edwards) 26. A New Dimension 1:56 (Sir Michael Redgrave, Jennifer Edwards) 27. The Nature Of Things 2:25 (Sir Michael Redgrave) 28. Love Theme From ‘Heidi’ 2:54 (John Williams and Orchestra) 29. The Miracle 2:55 (Sir Michael Redgrave) 30. Finale And End Title 1:05 (Sir Michael Redgrave) Total Soundtrack Album: 39:20 Disc 2. JANE EYRE Original Soundtrack Album 1. The Love Theme From ‘Jane Eyre’ 3:17 2. Overture (Main Title) 3:57 3. Lowood 2:28 4. To Thornfield 1:53 5. Festivity At Thornfield 2:11 6. Grace Poole And Mason’s Arrival 3:03 7. Meeting 3:09 8. Thwarted Wedding 2:40 9. Across The Moors 2:39 10. Restoration 3:58 11. Reunion (End Title) 4:25 Total Soundtrack Album: 34:06 Additional Music 12. More Festivity :44 13. To Thornfield (Alternate) 1:54 14. Restoration (Alternate) 3:56 15. The Love Theme From ‘Jane Eyre’ (Alternate) 3:19 Total Additional Music: 10:02
  9. Irgendwie hätte ich es interessant gefunden, wenn die Musik von Joseph Bishara, der ja schon einige James Wan-Filme vertont hat, gekommen wäre, so ist es nun halt von Rupert Gregson-Williams.
  10. James Horner Film Music hat gerade auf ihrer Facebookseite ein neues Release von Intrada angekündigt, und es handelt sich um einen bisher unveröffentlichten Score von James Horner: Deadly Blessing
  11. JoAnn Kane Music Service Proofing John Williams' sketches for his latest movie project, "The Book Thief" https://www.facebook.com/photo.php?fbid=10151631974815326&set=a.10150658466000326.393754.62282245325&type=1&theater Bei Amazon.de kann die Musik bereits vorbestellt werden: John Williams - THE BOOK THIEF
  12. Quartet Records is proud to present a brand-new recording conducted by Fernando Velázquez of another film score that is either lost or inaccessible – in this case no fewer than five films scores by John Barry: a suspense classic from the ’60s, a film adaptation of a classic play, and three television movies starring Katharine Hepburn. John Barry would have turned 90 on November 3, 2023. The unforgettable music of this five-time Oscar winner continues to be celebrated around the world, and indeed the impact of his innovative scores for dozens of movies from the 1960s through the ’90s continues to reverberate to this day. Disc 1 includes the complete score of SÉANCE ON A WET AFTERNOON (1964), a major work previously missing from the composer’s discography. It was one of his masterpieces for Bryan Forbes that, unfortunately, remained unreleased due to the absence of master tapes. Orchestrated for a small ensemble featuring vibrant percussion and woodwinds, it’s a mysterious, suggestive, unsettling score, reaching its culmination in the long rescue sequence. As a bonus, we have included another rarity that deserves to be rescued. A DOLL’S HOUSE (1973) was one of Barry’s briefest scores: a single, sad melody for celeste, harp, harpsichord and piano, repeated three times during the film’s length. Disc 2 is devoted to three lovely telefilms: a trilogy of period play adaptations starring Katharine Hepburn. LOVE AMONG THE RUINS and THE CORN IS GREEN, both directed by George Cukor in 1975 and 1979, respectively, contain memorable main and love themes, brilliantly orchestrated. The two scores are stylistically similar, featuring strings, woodwinds, piano and harpsichord. THE GLASS MENAGERIE, adapted from Tennessee Williams’ famous play and directed by Anthony Harvey (with whom Barry had previously worked on THE LION IN WINTER) was written for solo piano, performed by the composer himself, who always claimed to be a not-very-good pianist, but it was precisely this innocence and imprecision that Harvey was looking for. For our recording, celebrated pianist Silvia Mkrtchian has approximated the spirit of the original Barry recording. If there is one thing that the five scores presented here have in common, it’s John Barry’s great ability to work with small, almost chamber-like ensembles, seeking the specific sound of each story without being an intrusive voice, always with a British personality of reserve and deftness. Leigh Phillips has painstakingly reconstructed and orchestrated all five scores. They are performed by the prestigious Orquesta de Córdoba conducted by Fernando Velázquez. Recorded and mixed by Marc Blanes, the audio has been meticulously mastered by Chris Malone in the spirit of Barry’s original recordings. Elegant design by Nacho B. Govantes with cover art designed by Jim Titus graces a 28-page booklet with an in-depth essay by film music journalist and writer (and major Barry connoisseur) Jon Burlingame. DISC 1. SÉANCE ON A WET AFTERNOON (1964) 1. Main Title From Séance On A Wet Afternoon 2:14 2. The Room 0:41 3. The Plan 0:22 4. Myra Remembers 5:26 5. Billy Leaves 0:55 6. Kidnapped 1:24 7. The Ransom Letter 1:01 8. The Prayer / Good Morning, Amanda 1:04 9. The Drop (Part 1) 2:09 10. The Drop (Part 2) 2:44 11. The Drop (Part 3) 3:02 12. We’re Mad 0:33 13. Mrs. Clayton’s Reading / The Woods 1:21 14. The Final Reading 1:21 15. Arthur’s Waiting 0:54 16. Finale From Séance On A Wet Afternoon 1:51 A DOLL’S HOUSE (1973) 17. Main Title From A Doll’s House 1:26 18. The Children 0:29 19. Tarantella 0:48 20. End Title From A Doll’s House 1:19 Total Disc Time: 31:08 DISC 2. LOVE AMONG THE RUINS (1975) 1. Main Title From Love Among The Ruins 1:41 2. There She Is 3:10 3. You Look, You Look… / Don’t You Remember? 0:36 4. The Boy Who Loved You 1:09 5. First Time I Saw You 1:53 6. I Pray You Know Me When We Meet Again 0:39 7. The Fire’s Gone Out 0:26 8. Freedom’s Prisoner 1:44 9. A Day In Court 0:50 10. Sauerbraten With Egg And Milk 5:31 11. Vision Of Portia 2:02 12. End Title From Love Among The Ruins 2:44 THE CORN IS GREEN (1979) 13. Main Title From The Corn Is Green 1:44 14. First Look / Get The Rights 1:19 15. Going To See The Squire 1:03 16. Morgan Dreams 0:27 17. Good Day, Sir 0:56 18. First Composition 1:12 19. Morgan Enrolls 1:44 20. Two Year Birthday 0:41 21. Lady Moffat Studies 0:37 22. Morgan Upset 0:38 23. To The Squire, Again 1:26 24. How Kind You Are 0:48 25. Moffat Home 0:26 26. Enraged Morgan 0:46 27. I Don’t Understand You 1:06 28. Moffat Alone 1:29 29. Off You Go 0:21 30. To Oxford 2:13 31. Reflection 1:19 32. The Lady Gets A Baby 0:53 33. Morgan Decides 2:51 34. End Title From The Corn Is Green 1:08 THE GLASS MENAGERIE (1973) 35. Main Titles From The Glass Menagerie 1:11 36. An Old Maid / Father’s Charm 1:07 37. The Argument / A Nailed-Up Coffin 0:42 38. Laura’s World 1:14 39. The Unicorn 2:11 40. Goodbye 1:41 Total Disc Time: 56:46 Total 2-CD Time: 87:54
  13. World premiere of complete James Horner early space opera soundtrack! Following on the heels of Intrada’s expanded release of Humanoids From The Deep is James Horner’s wildly popular early outer space epic, scored in 1980 when the young composer’s career was literally just getting underway. Highlights from the score were released on vinyl at the time, and that program has appeared numerous times on CD. Now Intrada is proud to finally present the entire score, newly expanded and remastered from the actual 2” 24-track recording session masters for the first time ever! Details in the recording come through with stunning clarity and power previously not available. In addition to the familiar cues, this new edition also offers many cues previously not released, including the powerful early cues for the “Hammerhead” and the “Sniper’s, Fire!” sequences. Other exciting new pieces include “Dr. Hephaestus’s Station”, “The Destruction Of Umateal”, “Kidnapped!” and many others, all in splendid stereo sound. The performance on the original release was less than perfect, but with current state-of-the-art technology, engineers Douglass Fake and Chris Malone were able to meticulously address some of the errant notes, particularly in the high trumpet parts. The complete score runs over an hour on CD 1. Intrada will be releasing it digitally as well. For fans of the popular original 1980 program, we have included that album as well, newly remastered on CD 2. And vinyl collectors can enjoy this expanded edition from the Shout! Factory label. Jimmy T. Murakami & Roger Corman directed this outer space fantasy in the wake of the exploding popularity of Star Wars and the many imitations that followed. Drawing inspiration from the famous Seven Samurai and Magnificent Seven feature films, the script from John Sayles now set the action in outer space, with Richard Thomas, Robert Vaughn, John Saxon, Sybil Danning starring and George Peppard grabbing the spotlight as “Cowboy”. Another asset: the special effects feature the imaginative early work of James Cameron. Initially released through Roger Corman’s New World Pictures, the movie was a modest box office hit. Trivia of interest: Bill Paxton was then working as a carpenter on the set. Horner’s energetic score was literally a launch pad for his later Star Trek II and Krull scores. David Newman conducts the orchestra, James Horner composes. Intrada Special Collection 2-CD set available while quantities and interest remain! Play all clips CD 1 The Score 01. Main Title (2:03) 02. Hammerhead (3:37) 03. Snipers, Fire! (1:19) 04. Shad’s Entrance (0:58) 05. First Flight (3:51) 06. Dr. Hephaestus’s Station (2:57) 07. First Conversation (4:16) 08. Jackers Ahead! (3:37) 09. The Destruction Of Umateal (1:22) 10. Nanelia’s Capture (1:31) 11. We Cruise For Akir! (1:32) 12. Kidnapped! (1:25) 13. Nascosto Flyaway (0:28) 14. Gelt’s Kill (2:32) 15. Hammerhead Stinger II (0:32) 16. Love Theme (1:35) 17. The Alarm Sounds (0:40) 18. Space Battle (4:36) 19. Battle In The Maze (2:25) 20. Zed’s Death (3:13) 21. Gelt Dies (1:31) 22. Shad And Nanelia (1:29) 23. Another Space Battle (1:00) 24. St. Exmin’s Death (1:33) 25. Cowboy Attacks (1:47) 26. Destruction Of Hammerhead (5:56) 27. Epilog/End Title (5:08) Total Score Time: 62:53 THE EXTRA 28. Gelt’s Chamber Music (1:35) CD 1 Total Time: 64:28 CD 2 Original 1980 Soundtrack Album 01. Main Title (2:00) 02. Malmori Rear Guard (3:51) 03. The Battle Begins (3:31) 04. Shad And Nanelia (1:29) 05. Cowboy And The Jackers (3:37) 06. Nanelia’s Capture (1:28) 07. The Maze Battle (3:10) 08. Shad’s Pursuit (3:22) 09. Cowboy’s Attack (1:44) 10. Love Theme (3:52) 11. The Hunter (1:38) 12. Gelt’s Death (1:28) 13. Nanelia (1:32) 14. Heading For Sador (0:59) 15. Destruction Of Hammerhead (2:35) 16. Epilogue / End Title (5:03) CD 2 Total Time: 42:39
  14. Nach der sagenhaft günstigen Box "Vladimir Cosma - 40 Bandes Originales pour 40 Films" (17 CDs für weniger als 45 Euro) erscheint Ende Oktober nun eine zweite große Cosma-Box - offenbar genauso umfangreich und genauso spottbillig: Vladimir Cosma 47 Bandes Originales pour 47 Films - abeillemusique.com In der Ankündigung wird es zwar nicht erwähnt, aber die Abbildung enthält einen buchstäblich ganz kleinen Hinweis darauf, dass diesmal auch L'AS DES AS enthalten sein könnten. Urs
  15. Für mich persönlich ist es die größte Überraschung des Jahres überhaupt, daß Quartet nun die zwei von mir heißest ersehnten Piero Piccioni-Filmmusiken TRE FRATELLI (1981) und LO SCOPONE SCIENTIFICO (1972) auf einen Schlag herausbringt. Ich hatte die Veröffentlichung beider Titel eigentlich schon längst abgeschrieben, da bei TRE FRATELLI Sugar im Weg stand und bei SCOPONE Laurentiis als Rechteinhaber. Quartet hat sich auf irgendeine Art mit Sugar nun doch einigen können und hat auch einen Weg gefunden, bezüglich SCOPONE an Laurentiis vorbeizukommen, indem man das zusammen mit den Piccioni-Erben gemacht hat. Daher SCOPONE auch identisch mit der hyperraren alten LP - aber das ist ja im Prinzip auch ausreichend. Für mich handelt es sich um die beiden schönsten CDs des ganzen Jahres - das wird nicht mehr zu toppen sein, von den US-Labels ja sowieso nicht, die ja eigentlich gar nichts mehr bringen, was mich noch anspricht. Ich jedenfalls bin absolut begeistert von diesen beiden Veröffentlichungen, die ich an sich gar nicht mehr für möglich gehalten hätte. Klar ist die CD von TRE FRATELLI sicher viel zu lange mit mehr als 50 Minuten - da ist mal wieder alles drauf gepackt worden, was überhaupt nur eingespielt wurde an Alternativ-Tracks bei den Recording Sessions. Da hätte man sicher auch 5-6 Tracks weglassen können, aber gut was solls: Hauptsache die komplette Musik erscheint jetzt überhaupt endlich mal, denn sie enthält eines der schönsten und berührendsten Themen, die Piccioni je geschrieben hat. Und Varianten davon in allen möglichen Abwandlungen kann man sich auf alle Fälle mindestens ein knappes Dutzend anhören ohne daß es langweilt. Ich kenne den hervorragenden Film selbst auch seit 1981 - damals im Kino gesehen - und er hat mich zusammen mit der Musik sehr beeindruckt, so daß ich ihn später noch ein paar Mal gesehen habe. Es gab ja dann das Hauptthema wenigstens auf der Francesco Rosi/Piero Piccioni-Doppel-LP - aber eben nur dort. Insofern ist es schlicht und ergreifend ein Hochgenuß, jetzt endlich nach so vielen Jahren die vollständige Filmmusik zu erhalten, nach der ich mich schon über Jahrzehnte hinweg gesehnt hatte. Der Film selbst dürfte nur etwa 20-25 Minuten an Musik enthalten, sicher nicht mehr, aber die ist gezielt und an ganz entscheidenden Stellen eingesetzt und wirkt daher sehr lange nach. Insofern kann man sich schon mal vorstellen, daß mehr als die Hälfte der CD eigentlich nur mit Alternates bestückt ist, die im Film nicht verwendet wurden. Aber die Musik ist ungeheuer bewegend, es ist für mich eines der ausdrucksstärksten Filmmusik-Themen aus den 80ern überhaupt, das mir in all den Jahren nie mehr aus dem Kopf ging. Auch den SCOPONE SCIENTIFICO-Film kenne ich im Prinzip seit 1976 als er erstmals im ZDF unter dem Titel TEUFLISCHES SPIEL lief. Der hat eine einfach großartige Besetzung mit Alberto Sordi, Joseph Cotten, Bette Davis und Silvana Mangano. Eine hinreißende schwarze Komödie, zynisch und unglaublich einfallsreich - absolut vom Feinsten. Auch die sehr nostalgische und charmant-delikate Piccioni-Musik ist mir damals sofort sehr positiv aufgefallen und ins Ohr gegangen - die LP war aber in all den Jahrzehnten unheimlich schwer aufzutreiben, da es sich dabei nur um eine Promotion-LP von General Music gehandelt hat. Und da es eigentlich eine Laurentiis-Produktion war, kam die LP auch nie in der Art auf den Markt wie die meisten anderen General Music-LPs aus der Zeit. Zu kaufen gab es die also so gut wie nirgends. Hier noch die Infos von Quartet: Quartet Records, in collaboration with Camille 3000 and the Piero Piccioni estate, presents the premiere CD release of a delightful score by Piero Piccioni (FUMO DI LONDRA, COLPO ROVENTE, CAMILLE 2000, I GIOVANI TIGRI) for Luigi Comencini’s film LO SCOPONE SCIENTIFICO, a 1973 Italian comedy-drama starring Alberto Sordi, Silvana Mangano, Joseph Cotten and Bette Davis. The story is about an aging and wealthy American woman who journeys to Rome each year with her chauffeur, George, to play the card game scopone with destitute Peppino and his wife, Antonia. The annual scenario remains unchanged: she donates the initial stakes, then ultimately wins the game, shattering the couple’s dream of scoring a victory and improving their lot in life. Eventually their daughter, Cleopatra, seeks revenge on her parents’ behalf. Piero Piccioni composed a colorful, bittersweet score, dominated by a celebrated theme for piano and orchestra, as well as a beautiful love theme. The score also features a bossa, a waltz and a tango. A coveted promotional LP was released by General Music in 1973, currently one of the composer’s most expensive LPs when one appears on the second-hand market. This is the first CD edition thanks to the discovery of the original tapes vaulted at the Piccioni estate. The album has been restored and mastered by Chris Malone, and is packaged in a three-sided folding digipack. https://quartetrecords.com/product/tre-fratelli/ Quartet Records, in collaboration with Camille 3000 and the Piero Piccioni estate, presents the premiere CD release of a delightful score by Piero Piccioni (FUMO DI LONDRA, COLPO ROVENTE, CAMILLE 2000, I GIOVANI TIGRI) for Luigi Comencini’s film LO SCOPONE SCIENTIFICO, a 1973 Italian comedy-drama starring Alberto Sordi, Silvana Mangano, Joseph Cotten and Bette Davis. The story is about an aging and wealthy American woman who journeys to Rome each year with her chauffeur, George, to play the card game scopone with destitute Peppino and his wife, Antonia. The annual scenario remains unchanged: she donates the initial stakes, then ultimately wins the game, shattering the couple’s dream of scoring a victory and improving their lot in life. Eventually their daughter, Cleopatra, seeks revenge on her parents’ behalf. Piero Piccioni composed a colorful, bittersweet score, dominated by a celebrated theme for piano and orchestra, as well as a beautiful love theme. The score also features a bossa, a waltz and a tango. A coveted promotional LP was released by General Music in 1973, currently one of the composer’s most expensive LPs when one appears on the second-hand market. This is the first CD edition thanks to the discovery of the original tapes vaulted at the Piccioni estate. The album has been restored and mastered by Chris Malone, and is packaged in a three-sided folding digipack. https://quartetrecords.com/product/lo-scopone-scientifico/
  16. Über drei Stunden Musik für Animation-Freunde. Nichts für mich, zu synth. Aber die Batman-Animations haben ja ihre Fans. https://www.qobuz.com/de-de/album/batman-beyond-original-soundtrack-vol-1-various-artists/xa8rhp3hk4qaa
  17. Quartet Records, Universal Pictures, Amblin Entertainment, Universal Music Special Markets and Geffen Records present an expanded and remastered 2-CD edition of DAD, the sensitive score composed by James Horner (FIELD OF DREAMS, CASPER, BRAVEHEART, TITANIC) for the 1989 Steven Spielberg production. The film is a family drama written and directed by Gary David Goldberg, and features stars Jack Lemmon, Ted Danson, Olympia Dukakis and Ethan Hawke. The film tells the story of John Tremont (Danson) who returns home after his mother (Dukakis) suffers a heart attack, and ends up caring for, and developing a new bond with, his dad, Jake (Lemmon). This new stage in their relationship restores Jake’s will to live. Meanwhile, Jake’s relationship with his grandson Billy (Hawke), upset by the separation of his parents, encourages the rebuilding of the family. James Horner composed a touching score, dominated by a beautifully heartwarming theme. This expanded collection has been produced by Mike Matessino and Neil S. Bulk and mastered by Matessino from original 2-track mixes by engineer Shawn Murphy. Disc one includes the film score presentation with never-before released material and additional bonus tracks. The original MCA album, long out of print, is on Disc 2, which features performance variation in some tracks. The package includes an in-depth essay by film music writer and conductor Deniz Cordell. DISC 1. SCORE PRESENTATION 1. Prologue From “Dad” (1:55) 2. Dad (3:12) 3. Saying Goodnight (2:34) 4. I Think It’s White (1:25) 5. Farm Flashback / Visiting Mom (1:06) 6. Mopping The Floor (1:03) 7. Playing Catch (2:01) 8. The Farm (1:51) 9. The Hug (1:02) 10. Wheelchair (2:28) 11. Taking Dad Home (6:41) 12. Where’s Dad? (2:41) 13. The Vigil (2:23) 14. Recovery (1:28) 15. Fashion Show (4:37) 16. The Greenhouse (4:06) 17. Goodbyes (Film Version) (8:23) Additional Music 18. Playing Catch (Alternate) (1:59) 19. Taking Dad Home (Alternate) (6:42) 20. Where’s Dad? (Alternate) (2:34) 21. The Greenhouse (Alternate) (4:09) 22. The Vigil (Alternate) (2:28) Total Disc: 67:14 DISC 2. ORIGINAL SOUNDTRACK ALBUM 1. Prologue And Main Title (5:16) 2. Saying Goodnight (2:30) 3. Mopping The Floor (1:03) 4. Playing Catch / The Farm (3:27) 5. The Vigil (2:23) 6. Taking Dad Home (6:41) 7. Dad (3:12) 8. Recovery (1:27) 9. The Greenhouse (4:04) 10. Goodbyes (9:09) Total Disc: 39:16 Total 2-CD Time: 106:30
  18. Kommt auf CD und Vinyl. Quartet Records and StudioCanal present a re-issue of Trevor Jones’ majestic orchestral score for the action blockbuster CLIFFHANGER, celebrating its 30th anniversary. Directed by Renny Harlin and starring Sylvester Stallone, John Lithgow and Janine Turner, the plot is about a botched mid-air heist that results in suitcases full of cash being searched for by various groups throughout the Rocky Mountains. Considered one of the 90s best action scores, and one of the Trevor Jones’ (EXCALIBUR, THE DARK CRYSTAL, LABYRINTH, FROM HELL) most highly regarded works, this orchestral tour de force returns to CD with the same program as the previous La-La Land Records album released in 2017 and long sold out. Disc 1 and the first three tracks of Disc 2 present the score to the film from the original digital 5.1 film mixes while the remainder of disc 2 presents the original soundtrack album remastered from the original stereo digital album mixes. An additional track that was cut from the original soundtrack album is included as a bonus. This 30th anniversary edition has been produced and supervised by Neil S. Bulk, mixed by Michael McDonald from the original digital master tapes and mastered by James Nelson. The package includes a 16-page booklet with updated liner notes by Jeff Bond and original artwork by Renato Casaro. Disc One: FILM SCORE 1. Cliffhanger Theme (Film Version) 3:52 2. Sarah’s Farewell (Film Version) 2:14 3. Sarah Falls (Film Version) 4:06 4. Gabe Returns (Film Version) 3:12 5. I Understand (Film Version) 1:39 6. Being Tracked 4:02 7. Matheson Revives 3:00 8. Plane Crash 1:49 9. Two Man Job (Film Version) 2:08 10. Tolerated Help (Film Version) 2:56 11. Fetch / Expensive Funeral 6:16 12. Hal Leads 1:23 13. Ice Castle 0:46 14. Sunset Searching /Night Searching 3:52 15. Face Flare 1:47 16. Qualen In Hut / Fireside Chat 1:13 17. Brettís Death / Evan’s Dive 4:04 18. Bats (Film Version) 2:24 19. Wolves Away / Footbridge 2:33 20. Gabeís Caught 1:27 21. Kynette Is Impaled (Film Version) 3:59 22. Qualen’s Time Bomb 1:04 23. Jessie’s Close Call 3:02 24. Frank’s Demise (Film Version) 2:36 25. Blown Bridge 0:50 26. Kristel’s Sacrifice 2:15 27. Rabbit Hole (Film Version) 1:34 28. Delmar Falls 2:28 Disc Two 1. Rabbit Surprise 2:57 2. Icy Stream / Jessie’s Release / Hooked Copter / Helicopter Fight 9:35 3. End Credits (Cliffhanger) (Film Version) 7:21 ORIGINAL SOUNDTRACK ALBUM 4. Cliffhanger Theme 3:51 5. Sarah’s Farewell 2:14 6. Sarah Falls 3:51 7. Gabe Returns 3:12 8. I Understand 1:39 9. Sunset Searching 1:20 10. Tolerated Help 2:56 11. Base Jump 4:08 12. Bats 2:24 13. Two Man Job 2:08 14. Kynette Is Impaled 4:00 15. Fireside Chat 0:34 16. Frank’s Demise 2:36 17. Rabbit Hole 1:34 18. Icy Stream 1:38 19. Jessie’s Release / Helicopter Fight 5:12 20. End Credits (Cliffhanger) 7:21 Bonus Track 21. Hooked Copter (Stereo Album Mix) 2:52 Total Disc 1: 73:24 Total Disc 2: 74:09 Total 2-CD Time: 147:33
  19. Gerade auf dem FSM-Board gefunden. Scheint aber nichts dabei zu sein, was nicht in irgeneiner Form bereits veröffentlicht wurde.
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