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Über Twitter hat der französische Komponist Charles-Henri Avelange verkündet, dass er ein erstes Thema für die in diesem Jahr erscheinende Serie STAR TREK: DISCOVERY geschrieben hat: Er reiht sich mit seiner Arbeit in eine Reihe von Komponisten, zu denen u.a. Jerry Goldsmith, James Horner, Michael Giacchino, Fred Steiner, Alexander Courage, Cliff Eidelman uvm. gehören.

Kommt am 15.10.

Intrada announces a new, 2-CD expansion of James Newton Howard's beloved score to the Walt Disney animated feature Dinosaur (2000). The score was the first of three animated features Howard would score during that time for Disney, followed shortly thereafter by Atlantis and Treasure Planet. Originally released in a generous 51-minute program, this new Intrada release features the full score running some 82 minutes, featuring a wealth of new material previously only heard in the film. One of the absolute highlights is the entire opening sequence, relying primarily on music as there is no dialog. It's well over an hour of soaring themes, aggressive action music, comedic moments—everything you'd expect from a prehistoric dinosaur adventure. For this new release, Intrada was given access to the complete multi-track sessions stored at Disney, which were remixed by Chris Malone. Douglass Fake assembled the album program (one of the last projects he was able to personally produce before his passing). Fake was a huge fan of Newton Howard's work and was thrilled with the opportunity to revisit this epic work. He would have been proud of the final result. The film is a groundbreaking blend of traditional animation and computer-generated imagery. Directed by Eric Leighton and Ralph Zondag, the film follows the journey of an iguanodon named Aladar, who is raised by a family of lemurs after being orphaned. As he grows, Aladar and his adoptive family face the challenges of a changing world and struggle to survive against the backdrop of a dramatic asteroid collision. Dinosaur is notable for its innovative visual effects, which combine CGI dinosaurs with live-action backgrounds, creating a visually stunning and immersive prehistoric world. CD 1 THE SCORE 01. Inner Sanctum/The Nesting Grounds (3:20) 02. The Attack (1:17) 03. The Egg Travels (2:47) 04. The Egg Hatches (3:46) 05. Playing Monster (2:13) 06. The Mating Ritual (4:19) 07. The Meteor (4:07) 08. Arrival On The Mainland (2:12) 09. Raptors/Aladar Meets The Herd (4:29) 10. Aladar Meets The Misfits (Film Version) (5:47) 11. The Trek (2:34) 12. Finding Water (5:14) 13. Aladar And Neera (6:11) 14. The Cave (5:27) 15. Attack In The Cave (3:54) 16. Neera Rescues The Orphans (1:15) 17. A Dead End (1:06) 18. Breakout/Comes With A Pool (5:48) 19. Kron And Aladar Fight (3:01) 20. Carnotaur Stand-Off (4:53) 21. Epilogue (2:34) CD 1 Time: 76:09 CD 2 THE SCORE (Cont.) 01. End Credits (6:20) Total Score Time: 82:20 THE EXTRAS 02. Aladar Meets The Misfits (Alternate Ending) (3:34) 03. The Trek (Alternate) (2:55) 04. Enough For Everyone (Alternate) (1:32) 05. End Credits – Version 2 (6:05) 06. End Credits – Version 3 (6:18) The Extras Time: 20:33 2000 SOUNDTRACK ALBUM 07. Inner Sanctum/The Nesting Grounds (3:00) 08. The Egg Travels (2:44) 09. Aladar & Neera (3:29) 10. The Courtship (4:14) 11. The End Of Our Island (4:01) 12. They’re All Gone (2:09) 13. Raptors/Stand Together (5:38) 14. Across The Desert (2:26) 15. Finding Water (4:15) 16. The Cave (3:41) 17. The Carnotaur Attack (3:53) 18. Neera Rescues The Orphans (1:13) 19. Breakout (2:44) 20. It Comes With A Pool (3:02) 21. Kron & Aladar Fight (2:58) 22. Epilogue (2:33) Soundtrack Album Time: 51:53 Total CD 2 Time: 78:48

Einer von Jerrys besten Scores kommt nun in einer erweiterten Fassung von Quartet Records

Quelle Stand: Dienstag, 16. Oktober 2012 Ich hab hier mal nachträglich den Thread gestartet, damit ich mit Euch über diese Ausgabe sprechen kann. Sollte es falsch sein, bitte Admins löschen und mir eine andere Möglichkeit anbieten. Ich bin nach der Colosseum Diskussion wieder an der Alfred Hitchcock Ausgabe vorbeigekommen. Ich hab die CD schon eine Weile ins Auge gefasst und jetzt kam sie wieder hoch. Kann mir jemand seine Erfahrung mit der Tonqualität beschreiben? Die Hörproben sind nicht ganz so hochwertig. Wie ist die Zusammenstellung der CD? Lohnt sich die Herrmann Ausgabe? Macht es Sinn alle drei Ausgaben sich zu zulegen oder doch lieber einzeln (Soundtrack zu jedem einzelnen Film) ?

Ich dachte mir, ich mache mal einen Sammelthread für alle Volumes, die LLL davon noch veröffentlicht. Music by Alexander Courage and Fred Steiner Limited Edition of 1701 Units RETAIL PRICE: $29.98 La-La Land Records and CBS Studios proudly present STAR TREK: THE ORIGINAL SERIES – THE 1701 COLLECTION VOL. 1, the first in a series of limited edition CD releases that showcase original score from the landmark sci-fi television series STAR TREK (1966-1969). Containing music originally from our long out-of-print 2012 Original Series Box Set, these exciting volumes utilize the same restored master as that acclaimed release, but feature new packaging by Dan Goldwasser, along with brand new, exclusive liner notes by film music writer and Trek historian, Jeff Bond. This ground-breaking, iconic music, from one of television’s most acclaimed and beloved series, is now again available for fans everywhere! Vol 1 of the 1701 Collection focuses on the Trek TOS music of renowned composers Alexander Courage and Fred Steiner, containing original music from the classic episodes THE MAN TRAP, THE NAKED TIME, CHARLIE X, MUDD’S WOMEN, THE CORBOMITE MANEUVER, BALANCE OF TERROR, WHAT ARE LITTLE GIRLS MADE OF? and THE CITY ON THE EDGE OF FOREVER, along with MAIN and END TITLES. Produced by Lukas Kendall, Neil S. Bulk and Jeff Bond, restored by Chris Malone and mastered by Doug Schwartz, this limited edition 2-CD release of 1701 units, as well as forthcoming volumes of this series, illustrate how the original Trek series scores not only teem with action, adventure and drama, but how they are also infused with deep emotion and the greatness of the human spirit. Such characteristics have kept these richly orchestrated tracks vital and relevant decades beyond their original recording. TRACK LISTING: DISC 1 The Man Trap Music Composed and Conducted by ALEXANDER COURAGE Episode #6, Recorded 8/19/66 • Aired #1, 9/8/66 Total Time: 34:21 1. Main Title (electric violin version) 0:50 2. Small Planet Visit / The Changeling M10/M11 3:27 3. Episode Titles / Genuine Affection M12/M13 1:00 4. First Goner / Salty Cat / Dressing Down M14–21/M22/M23 1:52 5. Circle One / Monitor Gizzard / Down Again / Grey to Greene M24/M25/M26/M31 3:16 6. Salt Chaser M32 1:34 7. Noisy Plant M33 1:06 8. At First Sight / Pill Tosser M34/M35–41 2:52 9. Nancy Schmancy M42 1:54 10. The Unreal McCoy M43 2:02 11. Top Security / Lazer Dazer / Dodo Girl M44/M45–51/M52 4:03 12. Conference M53 4:47 13. Dead Crater / Last of the Last M54/M61 4:13 14. Warp One* M62 0:44 15. Trailer (“The Man Trap”) 1:03 The Naked Time Music Composed and Conducted by ALEXANDER COURAGE Episode #7, Recorded 8/31/66 • Aired #4, 9/29/66 Total Time: 33:55 16. Brass Monkeys* / Out of Glove M10/M11 2:58 17. Breaking Planet* / Sweaty Palm / Itchy Hand M12/M13/M14 1:21 18. Joe Berserk M21 3:02 19. Pulled Down* / It Spreads M22/M23 1:12 20. Joe Goes / Sulu Finks Out M24/M31 1:01 21. Up the Rebels / D’Artagnan-san M32/M33 3:09 22. Banana Farm M34 2:11 23. Out of Control / Lurch Time / Punchy Kid M41/M42/M43 1:49 24. Party Time M44 1:35 25. Medicine Girl / Hot Skin M45–51/M52 4:30 26. Off the Cloud M53 1:06 27. Captain’s Wig M54–61 4:02 28. The Big Go* M62 2:42 29. Time Reverse* / Future Risk and End Title* M63/M64 1:46 30. Trailer (“Mudd’s Women”) 1:02 31. End Title* (electric violin version) 0:46 Total Disc Time: 70:09 DISC 2 Charlie X Music Composed and Conducted by FRED STEINER Episode #8, Recorded 8/29/66 • Aired #2, 9/15/66 Total Time: 23:44 1. Main Title* (cello version, arr./cond. Steiner) 0:51 2. Space Orbit† / Charlie X / That’s a Girl M10/M11+M11S/M12+M12 chimes 1:20 3. Kirk’s Command / Charlie’s Mystery / Charlie’s Gift M13/M14+M14S/M15–20 3:03 4. Card Tricks M22 1:40 5. Zap the Antares / Kirk Is Worried M23+M23S/M24 0:47 6. Kirk’s Command #2 / Chess Game M31/M32+M32S 1:33 7. Charlie’s Yen M33 1:05 8. Kirk Puzzled M34 0:51 9. Zap Sam / Zap the Pistol M41/M42 1:37 10. Standoff M43 1:12 11. Kirk Waits / Charlie in Control M44/M45 1:08 12. Charlie’s Mad M51 1:10 13. Zap Janice M52 0:56 14. Zap the Cap M53 1:33 15. Zap the Spaceship M54 1:26 16. Zap the Broad / Charlie’s Friend M55/M61 2:02 17. Goodbye Charlie / Finale† M62/M63 1:50 † Based on a Theme by Alexander Courage Mudd’s Women Music Composed and Conducted by FRED STEINER Episode #4, Recorded 9/7/66 • Aired #6, 10/13/66 Total Time: 22:01 18. Distant Spaceship / Hint of Danger M11/M12 0:55 19. Still in Danger / Meet Mr. Mudd / Three Venuses M13/M14/M15 1:58 20. Venus Walks / Hello Girls M16/M21 1:29 21. Venus Aboard / Exit Mr. Mudd/ Venus Aboard #2 / Strange Glances / The Last Crystal / Mudd Laffs M22/M23/M24/M24A/M31/M32 2:50 22. Hello Ruth M33 1:03 23. Eve to Magda / Mudd Plan / Mudd’s Perfi dy M34–41/M42/M43 1:07 24. The Venus Drug / Dwindling Power M44/M45 3:03 25. Planet Rigel M51 0:43 26. Space Radio M52 2:46 27. Planet Rigel #2 / Eve Is Out M53/M54 1:20 28. Eve Cooks/Eve Is Tired / Pretty Eve M55/M56–61/M62 3:06 29. Mudd’s Farewell / Back in Orbit† M63/M64 1:20 † Based on a Theme by Alexander Courage The Corbomite Maneuver Music Composed and Conducted by FRED STEINER Episode #3, Recorded 9/20/66 • Aired #10, 11/10/66 Total Time: 7:12 30. Space Cube / Condition Alert M12/M13 1:22 31. Quiet Cube / Radiation M12A/M23A 1:11 32. Cube Radiation M23 1:20 33. Fesarius / Fesarius Approaches M31/M31A 2:06 34. Hideous Balok M33 0:27 35. Baby Balok M61A 0:35 Balance of Terror Music Composed and Conducted by FRED STEINER Episode #9, Recorded 9/20/66 • Aired #14, 12/15/66 Total Time: 5:35 36. The Enterprise / In the Chapel† M11/M11A 1:23 37. Romulan Agitato 9MB 0:58 38. Romulan B.G. 9MC 0:41 39. Romulan Theme M22 0:56 40. Theme From STAR TREK* / Romulan Warship / Romulan Theme 9MA pt 4/M31/M22A tk 3 0:56 41. Romulan Centurion M43 0:32 † Contains “Long, Long Ago” by Thomas Haynes Baly and “Bridal Chorus” by Richard Wagner What Are Little Girls Made Of? Music Composed and Conducted by FRED STEINER Episode #10, Recorded 9/20/66 • Aired #7, 10/20/66 Total Time: 7:18 42. Big Ruk M17A/M17/M17B 0:56 43. Meet Andrea / Android Kirk M22/M22A/M42 1:11 44. Ruk Protect / Ruk Attacks M43/M43A 3:18 45. Ruk Attacks / Enter Andrea M43AB/M54 1:47 The City on the Edge of Forever Music Composed and Conducted by FRED STEINER Interpolating “Goodnight, Sweetheart” by Jimmy Campbell, Reginald Connelly and Ray Noble Episode #28, Recorded 3/24/67 • Aired #28, 4/6/67 Total Time: 9:42 46. New York 1930 M26–30,M26–30B 1:38 47. Edith’s Theme† M33 1:25 48. Edith Suspects† M43 1:21 49. Goodnight, Sweetheart (vocal)† M44 1:28 50. Edith’s Fate† / Edith Must Die M47/M47A 1:16 51. Edith’s Vision† M51 0:46 52. Edith Falls† M61 0:55 53. Edith’s Death† M65 0:38 † Contains “Goodnight, Sweetheart” by Jimmy Campbell, Reginald Connelly and Ray Noble, published by Campbell, Connelly Inc. and EMI Robbins Catalog Inc. (ASCAP). 54. End Title* (cello version, arr./cond. Steiner) 0:45 55. Desilu I.D. (Wilbur Hatch) 0:05 Total Disc Time: 77:56 * Contains “Theme From STAR TREK (TV Series)” by Alexander Courage and Gene Roddenberry This is a CD format release. Order yours at www.lalalandrecords.com starting Sept. 5 at 12noon (pst) La-La Land Records and CBS Studios proudly present STAR TREK: THE ORIGINAL SERIES – THE 1701 COLLECTION VOL. 2, the second in a series of limited edition CD releases that showcase original scores from the landmark sci-fi television series STAR TREK (1966-1969). Containing music originally from our long out-of-print 2012 Original Series Box Set, these exciting volumes utilize the same restored master as that acclaimed release, but feature new packaging by Dan Goldwasser, along with brand new, exclusive liner notes by film music writer and Trek historian, Jeff Bond. This ground-breaking, iconic music, from one of television’s most acclaimed and beloved series, is now again available for fans everywhere! Vol 2 of the 1701 Collection focuses on the Trek TOS music of renowned composers Sol Kaplan, Joseph Mullendore, Gerald Fried, Wilbur Hatch, Fred Steiner and Alexander Courage, containing original music from the classic episodes THE ENEMY WITHIN, THE CONSCIENCE OF THE KING, SHORE LEAVE, CATSPAW, FRIDAY’S CHILD, along with FIRST SEASON LIBRARY CUES and MAIN and END TITLE VARIATIONS. Produced by Lukas Kendall, Neil S. Bulk and Jeff Bond, restored by Chris Malone and mastered by Doug Schwartz, this limited edition 2-CD release of 1701 units, as well as forthcoming volumes of this series, illustrate how the original Trek series scores not only teem with action, adventure and drama, but how they are also infused with deep emotion and the greatness of the human spirit. Such characteristics have kept these richly orchestrated tracks vital and relevant decades beyond their original recording. TRACK LISTING: DISC 1 1. Main Title* (2006 recording, cello version) 0:52 THE ENEMY WITHIN (Total Time: 22:59) 2. The Rock Slide*/Beam Up*/ The Evil Kirk M11/M12/M13 1:11 3. Alter Ego* M14 1:01 4. The Tired Captain* M15 0:42 5. Brandy M16 0:48 6. The Lascivious Captain M17–21 2:37 7. Bruised Knuckles/An Impostor M22/M23 1:34 8. Kirk’s Log*/Indecisive*/Evil Fury M24/M31/M32 2:48 9. Confrontation* M33 2:18 10. The Prone Body*/Shivering Sulu*/No Repair M34–41/M42/M43 0:37 11. What to Do?* M44 0:43 12. Another Brandy/The Evil Grin/Double Dog Death* M45/M46/M51 1:24 13. Spock Takes Over*/Help Me* M52/M53 2:04 14. Evil Triumphs M54–61 1:06 15. Two Into One* M62 2:18 16. One Captain Kirk*/Thank You, Yeoman* M63/M64 1:19 THE CONSCIENCE OF THE KING (Total Time: 26:14) 17. Dagger Sweet’ner/Go for Baroque/Play-Off #1 M11A/M11/M12 1:26 18. Spaceship Titles*/Dr. Leighton’s Face/Bridge #1* M13/M14/M15 1:12 19. Quasi-Sex* (Theme From STAR TREK, jazz version; Courage/Roddenberry, arr. Mullendore) LM5 1:37 20. Lenore M16–21 1:45 21. Kirk and Lenore*/He’s Dead M22/M23 1:43 22. Spaceship*/5 Sex and a ½/Play-Off #2* M24/M25/M26 1:10 23. Spaceship Play-On*/Toast and Corridor*/Lenore’s Kiss/Short Bridge M27/M31/M32/M33 2:31 24. Poison M41 0:37 25. Play-On #2*/Quick Ship*/Phaser Overload M42/M43/M44 1:39 26. Kodos?/Voice Test M45/M46 1:33 27. Everything Is Later*/Play-Off #3* M51/M52 1:52 28. Ship Play-On*/Woodwind Fanfare/Riley Gone M53/M54/M55 1:10 29. Go for Baroque M11 (M56) 1:25 30. I Know That Voice/All Ghosts Dead M57/M58–61 3:02 31. Opheliamania*/Bridge #2*/Last Cue* M62/M63/M64 3:02 SHORE LEAVE (Total Time: 20:35) 32. New Planet/Rabbit Music M10A/10B 2:21 33. School Chum/Finnegan M23/M23A 1:40 34. 2nd Ruth (Ruth) M31A 2:38 35. Old English/Tiger/Costume/Birds/SamuraiM33/M33A/M33B/M34/M34A 3:51 36. Knight/Joust M41/M41A 1:28 37. Dummy/Like Real M43/M44 0:57 38. A Clue/Finnegan’s Return/The Leg Trick/Dirt Trick M45–50 Pt. 1/M45–50 Pt. 2/M51/M53 4:34 39. Tiger Thoughts/Strafing/2nd Samurai/Caretaker/Lazarus M55–60/M55–60A/M55–60B/M61/M62 2:03 40. 2nd Ruth/Ruth to Commercial (2nd Ruth) M31A/M24B 0:51 FIRST SEASON LIBRARY MUSIC (Total Time: 7:38) 41. Impension* LM1 (cond. Steiner) 1:10 42. Lonely to Dramatic* LM3 (cond. Steiner) 1:27 43. Romantic Scene* LM6 (cond. Steiner) 0:47 44. Love Scene* LM4 (cond. Steiner) 1:16 45. Pensive Mood* 13LM2 (cond. Mullendore) 2:10 46. Play-Off (with button)* 13LM5 (cond. Mullendore) 0:15 47. Play-Off (with sustain)* 13LM5A (cond. Mullendore) 0:19 Total Disc Time: 78:41 * Contains “Theme From STAR TREK (TV Series)” by Alexander Courage and Gene Roddenberry Tracks 41–44 recorded with “The Corbomite Maneuver,” “Balance of Terror” and “What Are Little Girls Made Of?” (Vol. 1). Tracks 45–47 recorded with “The Conscience of the King” (pg. 7). ----------- DISC 2 1. Main Title* (2nd Season, Soprano Version) 1:01 CATSPAW (Total Time: 31:30) 2. Starship*/Captain Kirk M11/M12+M12X 1:13 3. Orbiting Ship*/Fog Planet M13/M13A+M13B 1:51 4. Thicker Fog/Witches M14+M14A/M15 1:48 5. Fog Storm/Castle/Second Castle M16–20+M16–20A/M21/M22 2:28 6. Cat Music/Enterprise* M22X/M22A 1:05 7. Follow That Cat/Brain-Washed M23/M24 2:10 8. Drugged/Scene Change Sweetener/Korob/Lap Kitten/Cat as Hostess/Free Meal/The Bribe M25/M25A/M26/M31/M32/M33+M33A/M34 3:27 9. Sylvia/Unguarded Entrances/Sympathetic Magic M35/M36/M37+M37X 2:42 10. Cooking Lesson/Force Field M41/M42 1:31 11. Defeated Captain/Music to Dent Force Fields By M43/M44 1:06 12. Bones, the Zombie M45 0:45 13. Love, Sort Of M51 3:26 14. Kirk Caught/Rescue M52/M53 0:52 15. Racial Memories/Captain Kirk/Mace Fight M54–60/M54–60A/M61 3:32 16. Giant Cat M62+M25A 1:32 17. Wand-Breaking/The Prototypes/Five to Beam Up* M63+M25A/M64+64B/M64A 1:33 FRIDAY'S CHILD (Total Time: 23:23 18. Ship*/Capella IV M11/M12 1:09 19. Captain’s Log* M13A/M13 2:06 20. Klingon Ship/Music for Fruits/The Teer M14/M15/M16-20 1:26 21. The Challenge/Klingon Blip M21/M21A 1:09 22. Distress Signal M22 1:43 23. Arm Barbeque/Slow Turn/Call of Duty M24/M25/M26 0:56 24. Scott/Bones’ Good Idea/Capellan Desert M31/M32/M33A 2:16 25. Belly Feeler M34 2:13 26. Sonic Ambush/Bouncing Boulder M35/M36 1:03 27. Kras on the Rocks/Paternity Case/New Capellan in Town M41/M45/M51 1:43 28. Negative Report/Old Russian Saying/The Mother Splits M53/M54/M55 1:34 29. The Baby Sitter/Road Hog M56/M57 0:44 30. Down the Throat M58 1:13 31. Arrows M61 1:29 32. Forfeit M62 1:32 33. Coochy Coo*/Godfathers* M63/M64 0:40 FIRST SEASON LIBRARY MUSIC (Total Time: 17:11) 34. Love Scene* 13LHM3 (cond. Mullendore) 1:29 35. Humoresque* 13LHM7 (cond. Mullendore) 0:43 36. Humoresque (tag)* 13LHM7A (cond. Mullendore) 0:13 From “Charlie X” (cond. Steiner) 37. That’s a Girl M12X 0:42 38. Kirk’s Command M13X 0:57 39. Charlie’s Mystery M14X 0:45 40. Kirk Puzzled (Library Version #1) M34X 0:39 41. Kirk Puzzled (Library Version #2) M34Y 0:22 42. Kirk Puzzled (Library Version #3) M34Z 0:15 43. Zap Sam M41X 1:01 44. Zap the Pistol (Library Version #1) M42X s1 0:42 45. Zap the Pistol (Library Version #2) M42X s2 0:12 46. Standoff (Library Version #1) M43X 0:54 47. Standoff (Library Version #2) M43Y 0:17 48. Standoff (Library Version #3) M43Z 0:09 49. Zap Janice M52X 1:00 50. Zap the Spaceship (Library Version #1) M54X s1 0:09 51. Zap the Spaceship (Library Version #2) M54X s2 0:06 52. Charlie’s Friend (Library Version #1) M61X s1 0:41 53. Charlie’s Friend (Library Version #2) M61X s3 0:10 From “Mudd’s Women” (cond. Steiner) 54. The Last Crystal (Library Version #1) M31X 0:14 55. The Last Crystal (Library Version #2) M31X s3 0:08 From “The Corbomite Maneuver” (cond. Steiner) 56. Condition Alert M13A 0:14 57. Hideous Balok M33A 0:25 58. Baby Balok M61 0:31 From “Balance of Terror” (cond. Steiner) 59. Theme From STAR TREK* (Library Version #1) 9MA pt 1 0:13 60. Theme From STAR TREK* (Library Version #1) 9MA pt 2 0:15 61. Theme From STAR TREK* (Library Version #1) 9MA pt 3 0:12 62. Theme From STAR TREK* (Library Version #1) 9MA pt 4 0:12 63. Romulan Theme M22/M22A s1 0:52 64. Edith Must Die (Library) M47B (“City on the Edge of Forever,” Steiner) 0:12 65. Joe Berserk (alternate) M21 s3 (“The Naked Time,” Courage) 0:14 66. Leg Trick (alternate) M51/M51A (“Shore Leave,” Fried) 1:02 67. End Title* (2nd Season, Soprano Version) 0:47 Total Disc Time: 74:17 * Contains “Theme From STAR TREK (TV Series)” by Alexander Courage and Gene Roddenberry This is a CD format release.

Thomas Nofz hat mir gerade ins Ohr geflüstert.. dass James Horner wohl einen nächten Auftrag in Aussicht hat. Es handelt sich um die neue Verfilmung der uralten "Romeo and Juliet"-Geschichte. Hier erste Bilder. Man weiß ja nie, wie man wiki oder imdb glauben soll.. aber daher steht das hier erstmal nur als "Gerücht".. wenn es offiziell wird, kann man es ja noch umändern

Wie es aussieht, wird dieser Score zum Horrorfilm mit Anthony Perkins demnächst erscheinen.

Sudden Death (1995) was the second of two Peter Hyams films starring “the muscles from Brussels,” Jean-Claude Van Damme. After 1994’s Timecop, Sudden Death was patterned on the durable “Die Hard in a…” premise: here, the contained space is Pittsburgh Civic Arena, wired to explode by terrorists at the conclusion of game seven of the Stanley Cup finals. Sudden Death was received as an above-average action film, with strong action and suspense as well as an emotional element: fire marshal Darren McCord (Van Damme) must rescue his daughter from the terrorists, even as he fights and kills their underlings—and saves a game-winning goal on the ice. Peter Hyams’ directorial vision has always been to score action with percussion and raw affect, not artifice. Sudden Death was the first of his three collaborations with John Debney (followed by The Relic and End of Days), receiving a pulse-pounding, orchestral tour de force from the young composer. “John Debney understood every emotion and where they needed to be amplified,” Hyams says today. “He’s a wonderful talent, and I adored working with him.” Sudden Death was released by Varèse Sarabande in a 9-track, half-hour program at the time of the film. This Deluxe Edition expands the program to 28 tracks and 64 minutes, with Hyams and Debney newly interviewed by Daniel Schweiger for the liner notes. Produced by: John Debney Deluxe Edition Executive Producer for Varese Sarabande Records: Cary E. Mansfield Deluxe Edition Mastered by Chas Ferry and Melinda Hurley Track List: 1. Sudden Death 2. Game Day/ Roadblock / Grand theft Auto 3. Preparations 4. The Kitchen / Mrs. Ferrara Gets A Visitor / Badge Men 5. Loading Dock / Vice President Arrives / New Assistants 6. The Action / The Dome Again 7. Emergency Response 8. A Killing By The Numbers 9. Emily Sees 10. The Abduction of Emily 11. Kitchen Fight 12. Fight For the Bone 13. Phone's Dead / The Feone 14. Not Alone / Building Weapons 15. Vantage Point 16. The Roof / The Zamboni / A Dangerous Fireman 17. The Mayor Checks Out 18. The Sign / Le Dome 19. The Materials At Hand / The Meeting 20. Flame Thrower / Looking For Bombs 21. Locker Room Chase / Darren Sees Tyler 22. To Sudden Death 23. A Miracle / Scaling The Dome / Roof Fight 24. Through The Dome 25. Panic In the Arena 26. Foss's Escape Plan / Foss Flies Away 27. Foss Eats Ice 28. Sudden Death https://varesesarabande.com/collections/cd-club-and-limited-editions/products/sudden-death-original-motion-picture-soundtrack-cd

THE SUGARLAND EXPRESS Original Motion Picture Soundtrack LLLCD 1650 Universal Pictures Film Music Classics Collection Music composed and conducted by John Williams Limited Edition of 5000 Units RETAIL PRICE: $22.98 La-La Land Records and Universal Studios proudly present the twenty-first title within the acclaimed Universal Pictures Film Music Classics Collection – THE SUGARLAND EXPRESS, a world premiere release of music from the original soundtrack for the very first collaboration between director Steven Spielberg and composer John Williams (JAWS, E.T., SCHINDLER’S LIST). Celebrating its 50th anniversary, THE SUGARLAND EXPRESS, released in 1974, stars Goldie Hawn as a Texas mother who breaks her husband (William Atherton) out of a prison farm when she is denied custody of their baby. Together they hijack a highway patrolman (Michael Sacks) and lead a convoy of media, onlookers, and countless police cars across the state. Spielberg’s first feature film balances comedy, drama and action in what Pauline Kael of The New Yorker called “one of the most phenomenal debut films in the history of movies.” Although Williams’ score never received a prior album release, the 50th anniversary of his historic partnership with Spielberg, along with a revisitation of the film for Universal Studios’ new 4K restoration, yielded the proper conditions to at last create an original soundtrack, which now takes a place of honor in the successful Universal Studios Film Music Classics Collection. While Spielberg originally hoped for a larger scale score for his first movie, Williams convinced him that THE SUGARLAND EXPRESS called for something more intimate. The great Belgian harmonica soloist Toots Thielemans became the principal musical voice of the film, supported by an ensemble of top guitarists and percussionists and a small string ensemble. The resulting music reflects the complex characters and the building tension of the story, with a bluesy, country vibe evoking the landscape and cultural backdrop of the tale. The album presentation, produced by the composer, delivers a distinctive musical journey and features material not used in the completed film. Classics Collection producer Mike Matessino mixed, edited and mastered the album from high resolution transfers of pristine 8-track master tapes, archiving the material as well as conforming the music for a new stereo mix of the film. Matessino also contributes in-depth liner notes detailing the history of the production, the creation of the music, and its place in the legendary Spielberg/Williams collaboration. Art direction by Jim Titus appropriately celebrates this historic premiere release. TRACK LISTING: MUSIC COMPOSED AND CONDUCTED BY JOHN WILLIAMS 1. The Sugarland Express – Main Title 1:29 2. Freedom At Last :46 3. The First Chase 2:32 4. Taking The Jump 1:48 5. The Caravan Forms 2:01 6. To The Roadblock 1:27 7. Sugarland Dance 1:38 8. Road Ballad 2:05 9. Out Of Gas 2:24 10. Trading Stamps 1:14 11. Police Cars Move 1:00 12. Along The Route 1:18 13. Man And Wife 2:09 14. Franklyn Falls :29 15. Sealing The Bargain 1:27 16. The Deputies Arrive :55 17. The Onlookers 1:02 18. Open Highway 2:04 19. Pursuit 1:51 20. Over The Next Hill 1:04 21. Setting The Trap 1:41 22. Last Conversation 2:00 23. The Final Ride 3:36 24. The Sugarland Express – End Title 1:45 Total Album Time: 40:31 This is a CD format release.

A 2-CD set. Newly remastered and expanded edition. 16-page CD booklet with liner notes by Daniel Schweiger. Limited Edition of 2000 units. In collaboration with Warner Chappell Music, Sony Music and Paramount Pictures, Music Box Records proudly presents the remastered and expanded edition of Gabriel Yared’s score for the 1999 thriller The Talented Mr. Ripley, starring Matt Damon, Jude Law, Gwyneth Paltrow, Cate Blanchett and Phillip Seymour Hoffman, as written for the screen and directed by Anthony Minghella (The English Patient, Cold Mountain, Breaking and Entering). Nominated for five Academy Awards (including Best Original Score, Best Supporting Actor and Best Adapted Screenplay), this movie about a desperately murderous quest for identity, class and love was based on the most notorious character created by author Patricia Highsmith (Strangers on a Train). Previously adapted as Purple Noon with Alain Delon, Anthony Minghella’s version gave a new, tragically vulnerable take on the character, who insinuates himself among jazz loving expatriates (Jude Law and Gwyneth Paltrow), only to kill the brother he’d always wanted and assume his identity, all while trying to keep his illusion of innocence at any cost. Taking his lush Oscar-winning approach for The English Patient in a new direction to capture both the beat jazz era of the film’s 1959 setting alongside a multi-thematic approach that plays both Ripley’s increasingly psychotic quest for the good life and the wounded, child-like boy that yearns for love and purpose. The score combining striking orchestral melody with suspenseful rhythm, eerie female voices and the music of a dark lullaby (as personified by its title song by Sinéad O’Connor), The Talented Mr. Ripley is a masterpiece of dark romance and suspense that’s a highlight of Yared’s acclaimed collaborations with Anthony Minghella. Celebrating the film's 25th anniversary, this new expanded edition, supervised by Gabriel Yared, has been assembled and remastered from the recording session elements. Disc 1 ("The Film Score") presents the expanded film score with previously unreleased cues. Disc 2 ("The Extras") presents excerpts from the original Sony album, Yared’s demo cues and numerous instrumental tracks that highlight the alternative presentations and edits of the score. The CD comes with a 16-page booklet with liner notes by Daniel Schweiger, who discusses the film and the score including new comments by Gabriel Yared on his career-defining work with Anthony Minghella and film editor Walter Murch. The CD release is limited to 2000 units. DISC 1 - THE FILM SCORE 1. Lullaby for Cain (3:30) Performed by Sinéad O'Connor 2. Italia (0:50) 3. I Hate You (0:50) 4. No, I Like Him (0:54) 5. Italia (Part 2) (1:00) 6. Promise (1:11) 7. Syncopes (2:08) 8. Marge Maintenance (1:29) 9. Silvana’s Body (1:23) 10. Last Trip (2:26) 11. Heartbreak (1:47) 12. Lost Love (1:16) 13. Cain & Abel (2:51) 14. Syncopes (Part 2) (1:01) 15. Mischief (1:54) 16. Opera Intermission (1:50) 17. Meredith Meets Marge (1:58) 18. As If That Makes Sense (1:51) 19. Killing Freddie (2:17) 20. Dumping Freddie’s Body (2:08) 21. Syncopes (Part 3) (1:27) 22. Ripley (3:38) 23. Nightmare/Dickie’s Rings (0:59) 24. Suitable Instrument (0:42) 25. You’re Shivering (2:12) 26. Just Kidding (1:17) 27. Huis-clos (1:06) 28. Syncopes (Part 4) (3:16) 29. End Title (2:08) 30. Lullaby in D Minor (0:42) Disc 1 Time • 53:06 DISC 2 – THE EXTRAS ADDITIONAL SCORE FROM THE ORIGINAL SOUNDTRACK ALBUM 1. Italia (1:38) 2. Crazy Tom (4:46) 3. Mischief (2:27) 4. Ripley (3:29) 5. Proust (1:57) 6. Promise (2:48) 7. Syncopes (4:47) BONUS TRACKS 8. Lullaby for Cain (Opera Version) (3:44) Performed by MaryAnn McCormick & Toni Manoli 9. Italia (Alternate) (0:51) 10. Heartbreak (Alternate) (1:46) 11. Lost Love (Alternate Mix) (1:12) 12. Venezia (#1) (4:11) 13. Mischief (Alternate) (1:54) 14. Killing Freddie (Alternate) (2:18) 15. Promise (English Horn Version) (1:10) 16. Mischief (Alternate #2) (0:28) 17. You’re Shivering (Alternate) (2:09) 18. Venezia (#2) (1:55) 19. Ripley (Alternate) (3:27) 20. Lost Love (Alternate) (2:20) 21. Crazy Tom (Alternate) (4:38) 22. Lullaby for Cain (Instrumental) (3:30) DEMO CUES 23. Ripley (Main Theme) (2:33) 24. You’re Shivering (2:11) 25. Italia (Sailing) (0:59) 26. Promise (1:27) 27. Crazy Tom (2:32) Disc 2 Time • 68:12 Total 2-CD Time • 121:18

Scheint so, dass Young in letzter Zeit wieder mehr Arbeit bekommt

https://www.varesesarabande.com/collections/cd-club/products/don-davis-the-matrix-the-complete-score-2-cd Few blockbusters can claim to be as influential as The Matrix (1999), written and directed by the Wachowskis. From its super high-concept that has wormed its way into the public’s imagination (what if we’re all just living in a computer simulation?), to Keanu Reeves’ iconic hero Neo, to the brilliant, jaw-dropping and story-based visual effects, The Matrix delivered on all fronts. Its three films grossed over $1.6 billion worldwide, and a fourth is on the way. The Matrix demanded a score that was as unique, sophisticated and imaginative as its concept and action—and got one from composer Don Davis. Davis, who scored the Wachowskis’ Bound (1996), reinvented the symphonic language of the action blockbuster by drawing on cutting-edge concert-hall minimalism and his own background as an avant-garde composer, while maintaining the energy, pace and density required of a studio action film. From the clashing-brass “reflections,” to the racing strings, pounding percussion and flittering, repeating musical “cells,” the Matrix score fits hand-in-glove with the film’s concept of a computer-controlled reality—and offers a unique musical thumbprint that is recognizable sometimes only from a single note or chord. It is the rare commercial triumph that is also an artistic landmark. The Matrix was released by Varèse Sarabande at the time of the film, and then in a Deluxe Edition that fit as much of the score as possible on one CD. By popular demand, this new 2CD set, (also available for Record Store Day as a 3LP set), presents the complete score. Liner notes feature a new interview with Don Davis conducted by Kaya Savas. Limited to 2000 copies. TRACKLIST Disc One: 1. Logo / The Matrix Main Title (0:55) 2. Trinity Infinity (6:00) 3. Neo Con Brio (0:32) 4. Follow The White Rabbit (0:15) 5. Neo On The Edge (3:24) 6. Through The Surveillance Monitor (0:59) 7. Unable ToSpeak(1:14) 8. Bait And Switch (3:16) 9. Switched For Life (3:36) 10. Switched At Birth (2:43) 11. Switches Brew (2:27) 12. Cold Hearted Switch (1:40) 13. Nascent Nauseous Neo (4:00) 14. A Morpheus Moment (1:39) 15. Bow Whisk Orchestra (1:23) 16. Domo Showdown (1:13) 17. Switch Or Break Show (1:05) 18. Shake, Borrow, Switch (0:39) 19. Switch Works Her Boa (0:56) 20. Bring Me Dinner (0:39) 21. The System (0:37) 22. Freeze Face (1:52) 23. Switch Woks Her Boar (2:07) 24. Cypher Cybernetic (0:59) 25. Ignorance Is Bliss / Cyber Cyphernetic (1:51) 26. See Who? (0:26) Disc Two: 1. Switch Out (3:01) 2. Boon Spoy (1:08) 3. Oracle Cookies (1:30) 4. Threat Mix (6:05) 5. Exit Mr. Hat (2:57) 6. On Your Knees, Switch (4:43) 7. Mix The Art (2:10) 8. Whoa, Switch Brokers (4:01) 9. The Cure (1:35) 10. It’s The Smell (1:57) 11. The Lobby (0:27) 12. No More Spoons (1:02) 13. Dodge This (1:08) 14. Fast Learning (0:44) 15. Ontological Shock (4:16) 16. That’s Gotta Hurt (5:17) 17. Surprise (4:06) 18. He’s The One Alright (6:56) Music Composed, Orchestrated and Conducted by DON DAVIS Produced by DON DAVIS Complete Edition Executive Producers: CARY E.MANSFIELD and CHAS FERRY Mastered by CHAS FERRY Auch erhältlich als SACD: https://www.varesesarabande.com/collections/cd-club/products/don-davis-matrix-the-the-complete-score-2-sacd

Wie zu erwarten, komponiert Lorne Balfe nun auch die Musik zum 4. Teil der Beverly Hills Cop Reihe. Ich hoffe der Score wird "inspirierter" als seine Musik zu Bad Boys 3. Und hoffentlicht vertont er nicht nun alle noch kommenden Bruckheimer Produktionen.

Bei uns bereits eingetroffen, demnächst im Handel erhältlich: BERNHARD HOETGER – ZWISCHEN DEN WELTEN (2024) Bernhard Hoetger (1874 – 1949) war Bildhauer, Maler, Architekt und Kunsthandwerker – zu seinen Meisterwerken gehört die Gestaltung der Böttcherstraße sowie das Haus Atlantis in Bremen. Darüber hinaus war sein Schaffen derart vielseitig, dass es kaum in einem Satz zusammen gefasst werden kann. Für die Kino-/Spielfilm-Dokumentation von Regisseurin Gabriele Rose mit Moritz Führmann als Bernhard Hoetger schrieb Carsten Rocker (Prager Botschaft / Held der Gladiatoren) die Musik und konnte hierfür Stefan Pintev (aus dem Elbphilharmonie Orchester) für die Einspielung der Violine sowie der Bratsche gewinnen. Herausgekommen sind mitreißende (A Period of Change, Power of Creation…), aber auch ruhig-zerbrechliche Stücke (Paula…) von großer Intensität. Das CD-Booklet enthält neben zahlreichen Abbildungen auch ein Vorwort der Regisseurin Gabriele Rose sowie Anmerkungen zur Musik von Carsten Rocker. Wir wünschen viel Freude mit dem Album. Tracklisting 01. A Period Of Change 2:31 02. Main Titles 2:14 03. Power Of Creation 2:24 04. The House Of Arts 1:32 05. Paula 1:59 06. Old Manor House 0:42 07. Bernhard Meets Helene 1:52 08. Nocturne D – Dur 2:46 09. Farewell (A Period Of Change – Variation 1) 1:47 10. Circle Of Life 1:42 11. Darkness Rises 2:29 12. The House Of Arts – Variation 1:31 13. Dark Shadows 1:52 14. Picturesque Views 1:14 15. Medieval Impressions 1:18 16. Power Of Creation – Variation 3:45 17. Nordic Legends And Atlantis 1:58 18. Drums Of War And Fateful Days 1:18 19. Remembering Old Places 1:06 20. Mystical Memories (Paula – Variation) 1:51 21. The Sycamore Trees 1:14 22. A Search For Meaning 2:22 23. End Titles (A Period Of Change – Variation 2) 3:02 Musik komponiert, arrangiert & produziert von CARSTEN ROCKER Violine & Viola: STEFAN PINTEV Hörprobe:

Nun kam bei einem Podcast raus, dass Intrada als nächstes "Howard the Duck" von Barry rausbringen wird.

Zwar hier Off-Topic, aber egal. FEAR STREET kommt am Freitag von Milan.

For Love of the Game (1999) reunited Kevin Costner with one of his most popular subjects—baseball—as he starred as an aging pitcher who throws a perfect game at Yankee Stadium while reflecting upon his long-term relationship. An unexpected choice of material for director Sam Raimi, the film was lauded for its depiction of the sport and its uplifting Americana score by Basil Poledouris. By the late 1990s, Poledouris was renowned for his mastery of a film scoring genre that was, in a way, coming to its end: the romantic, orchestral depiction of masculinity. From barbarians to cyborg cops, cowboys to submariners, Poledouris found the beating heart of heroic male characters who upheld virtues of honor, loyalty and duty, while allowing themselves to be vulnerable to their loved ones. Costner’s Billy Chapel—pitching in his very last game—was an ideal protagonist, and Poledouris responded with a rich, warm, melodic score that goes from the grandeur and scope of America’s national pastime, to the romantic yearning and intimacy of its very human hero. The score navigates a range of orchestral size—from fully symphonic to heartfelt solos—as well as genre, with pop and R&B brought in for contemporary emphasis. For Love of the Game was released as 10-track, 33-minute CD from Varèse Sarabande at the time of the time. The program has been expanded to 35 tracks and over 78 minutes for this Deluxe Edition, with Daniel Schweiger’s liner notes incorporating interview material from Raimi, Poledouris, and the composer’s agent, Richard Kraft. Limited edition of 2,000.d Produced by: Basil Poledouris, Tim Boyle and Mi Kyoung Chaing Edited by: Curtis Roush Mixed by: Tim Boyle Mastered by: Chas Ferry & Melinda Hurley Track Listing: 1. Main Theme (from For Love Of The Game) 3:35 2. New York (not in final film) 2:41 3. Billy Traded 2:22 4. Run To Park 0:55 5. Park Farewell 1:44 6. Locker Room 0:49 7. Clouds 1:47 8. Tuttle Knockdown 1:50 9. Tuttle Out 1:37 10. Cat And Mouse 1:05 11. Jane To Game 1:47 12. Jane Putdown 0:42 13. Torn Dollar Bill (not in final film) 1:20 14. Dinner (1:03) / Elevator (0:32) 1:35 15. OK, Billy Chapel 0:55 16. Birch Strikeout 3:01 17. For Love Of The Music (not in final film) 1:50 18. Hard Pitching 1:48 19. Old School 1:37 20. Heather Comes Along 0:44 21. Jane’s Home 4:59 22. Relationship Montage (Pt. 1) 3:38 23. Gus Hits It 1:18 24. Accident 3:11 25. Coming Back? 0:37 26. Lemonade 2:12 27. Doesn’t Matter Anymore 1:04 28. No Hits 4:49 29. Mickey’s Save 2:50 30. The Decision 5:19 31. Can’t Get Clear 2:42 32. Last Pitch 5:19 33. Gus Farewell 0:53 34. Apology 1:55 35. I Need You 3:09