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JURASSIC PARK III: REMASTERED & EXPANDED LIMITED EDITION Original Themes by John Williams New music composed and conducted by Don Davis Limited Edition of 3000 Units RETAIL PRICE: $31.98 STARTS SHIPPING NOV 12 La-La Land Records, Universal Pictures, Amblin Entertainment, Universal Music Group and Decca Records present JURASSIC PARK III, a limited edition 2-CD remastered and expanded presentation of acclaimed composer Don Davis’ (THE MATRIX, THE MATRIX RELOADED, BOUND) original motion picture score to the blockbuster second sequel in the legendary JURASSIC PARK franchise, starring Sam Neill, William H. Macy and Tea Leoni, and directed by Joe Johnston. Expertly interpolating, and building on, maestro John Williams’ iconic JURASSIC themes, composer Davis propels the film’s excitement even further with his own powerhouse, original orchestral material. Expanded and sounding better than ever, JURASSIC PARK III shines brilliantly – it’s robust, thematic high-octane film scoring that finally gets to shine in full within this deluxe release. Produced by Mike Matessino and Neil S. Bulk, newly edited by Bulk and mixed and mastered by Matessino from the original 24 bit film mixes, this 2-CD presentation showcases the original 2001 soundtrack release remastered on Disc 1, with the expanded film score spread across both discs, concluding with additional tracks on Disc 2. The exclusive, in-depth liner notes are by John Takis, including new comments from the composer, while the sharp art design is by Jim Titus, continuing the eye-catching style he employed for our JURASSIC PARK and THE LOST WORLD re-issues. This is a limited edition of 3000 Units. TRACK LISTING: DISC 1 ORIGINAL SOUNDTRACK ALBUM (54:28) 1 Isla Sorna Sailing Situation 4:21 2 The Dinosaur Fly-By 2:13 3 Cooper’s Last Stand 1:59 4 The Raptor Room 2:35 5 Raptor Repartee 3:04 6 Tree People 2:00 7 Pteranodon Habitat 3:01 8 Tiny Pecking Pteranodons 3:34 9 Billy Oblivion 2:49 10 Brachiosaurus On The Bank 2:05 11 Nash Calling 3:36 12 Bone Man Ben 7:18 13 Frenzy Fuselage 3:58 14 Clash Of Extinction 1:39 15 The Hat Returns / End Credits 5:07 16 Big Hat, No Cattle 4:24 Performed by Randy Newman SCORE PRESENTATION (85:07) 17 Isla Sorna Sailing Situation (Film Version) 4:26 18 Dinosaur Man 1:43 19 Udesky, Nash And Cooper 2:29 20 The Raptor Bone 1:18 21 Raptor In The Cabin 1:52 22 The Dinosaur Fly-By (Film Version) 2:28 23 Cooper’s Last Stand (Extended Version) 2:52 24 Frenzy Fuselage (Extended Version) 4:08 25 Clash Of Extinction 1:40 DISC 1 TOTAL TIME: 77:40 DISC 2 SCORE PRESENTATION CONT’D 1 Kirby Paint And Tile Plus 4:07 2 Bone Man Ben (Film Version) 3:39 3 Raptor Eggs 2:54 4 The Raptor Room (Film Version) 2:44 5 Raptor Repartee (Film Version) 3:28 6 Eric To The Rescue 1:52 7 Tree People (Film Version) 2:02 8 Nash Calling 3:36 9 Party Crasher 3:16 10 Pteranodon Habitat 3:01 11 Tiny Pecking Pteranodons (Film Version) 3:24 12 Billy Oblivion (Film Version) 2:54 13 Brachiosaurus On The Bank 2:05 14 Reaching For Glory 2:32 15 River Rampage 2:13 16 Paul Makes The Leap 2:59 17 River Reminiscence 1:07 18 Raptor Harassment 3:41 19 The Hat Returns / End Credits (Extended Version) 10:02 ADDITIONAL MUSIC (13:14) 20 Dinosaur Man (Alternate) 1:43 21 Raptor In The Cabin (Alternate) 1:52 22 Cooper’s Last Stand (Alternate) 2:38 23 Clash Of Extinction (Alternate Opening) 1:46 24 River Rampage (Alternate Ending) 2:11 25 River Reminiscence (Alternate Ending) 1:08 26 Dinosaur Man (With Choir) 1:44 DISC 2 TOTAL TIME: 75:18 TOTAL 2-DISC TIME: 2:32:58 This is a CD format release.

Demnächst wieder von Intrada.

Music by Hans Zimmer Limited edition of 1500 units ORDER NOW AS PART OF OUR 20% OFF SITE-WIDE SPECIAL La-La Land Records and MGM present a remastered and expanded CD re-issue of renowned composer Hans Zimmer’s (RAIN MAN, GLADIATOR) original motion picture score to the landmark 1991 feature film THELMA & LOUISE starring Susan Sarandon and Geena Davis, and directed by Ridley Scott. After their first successful collaboration on BLACK RAIN, director Ridley Scott called upon composer Hans Zimmer once again to score what would become the beloved classic feminist drama/road adventure THELMA & LOUISE. Enthralled by the notion of composing his take on an Americana score, Maestro Zimmer dove into the challenge, fashioning a sonic wonder that takes the audience on a road trip from the Deep South to the Open West, all the while expertly charting an emotional throughline for the complex lead characters. Tinged with blues and Cajun stylings, and featuring legendary master guitarist Pete Haycock’s signature performance skills, Zimmer’s score balances character, drama, action and location with perfect pitch – as brilliantly demonstrated within this newly remastered deluxe re-issue, expanded with more music beyond any of the film’s previous soundtrack releases. Produced by Stéphane Humez and remixed, mastered and edited by Maxime Marion from MGM vault elements, under the supervision of Hans Zimmer, this special limited edition CD release of 1500 units showcases the score as initially written by the composer, as well as alternate and film version bonus tracks, including a 2000 concert suite demo. The exclusive in-depth liner notes are by writer and journalist Kaya Savas, featuring a new interview with the composer. The sharp art design is by Dan Goldwasser. TRACK LISTING: THE SCORE 1. Going To Mexico 2:10 2. J.D. 0:50 3. The Hell With Texas – Happy Birthday Lady 1:51 4. Picking Up J.D. 0:41 5. Oilfields 0:58 6. Watching Him Go – Jimmy Pops The Question 3:04 7. Ride Of The FBI 0:58 8. Louise’s Theme 2:47 9. Giving Up 3:39 10. Getting Out Of State 1:33 11. Charged With Murder 3:02 12. Learning From TV 0:45 13. Chase – You’ve Always Been Crazy 10:20 14. Thelma & Louise End Titles 3:58 BONUS TRACKS 15. Thelma & Louise 2000 Concert Suite (DEMO) 6:39 16. Thelma & Louise Main Title (FILM VERSION) 2:20 17. Giving Up (ALTERNATE) 3:39 18. Suck My Dick (FILM VERSION) 1:39 19. I Got A Knack – Getting Out Of State (FILM VERSION) 2:20 20. Charged With Murder (FILM VERSION) 2:12 ORIGINAL ALBUM TRACK 21. Thunderbird 4:05 TOTAL ALBUM TIME: 59:41 This is a CD format release

Kommt am 20.01. von Intrada:

Elfman hat die Musik für die neue DARK UNIVERSE Attraktion der Universal Theme Parks geschrieben. Seine Musik gibt es nur dort exklusiv als LP zu kaufen.

Wieder mal sehr gelungen!

Quartet Records, in collaboration with Metro-Goldwyn-Mayer, presents the premiere release of Elmer Bernstein’s charming score for the bittersweet high-school comedy CLASS (1983), directed by Lewis John Carlino and starring Jacqueline Bisset, Rob Lowe, Andrew McCarthy, John Cusack and Cliff Robertson. The film is about Jonathan (McCarthy) who goes to college and befriends Skip (Lowe), his roommate. The relationship with Skip proves very useful in matters of love, an area where the young student is lacking. His first attempts are a resounding failure, but then he meets Ellen (Bisset), a woman twenty years his senior. At first everything goes very well, but one day she disappears. When he finds her again, he discovers that she’s Skip’s mom. Elmer Bernstein was no stranger to student comedies in the early 1980s, thanks to his collaborations with John Landis and Ivan Reitman, although CLASS is, rather, a romantic comedy. His score is a sheer delight, providing a sophisticated component to the film. The music is descriptive, romantic and funny, with a powerful main theme that is pure Bernstein. With the elements long gone, assembling this album was a challenge, but working from recently located original mono ¼” tapes and an incomplete set of 24 multi-track stereo elements, the music is finally being released—forty-two years after its recording. The CD contains the main score presentation and additional source music and alternates, all from surviving stereo and mono tracks. This collection has been produced, mixed and mastered by Chris Malone. The full color package includes an essay by film music writer Jeff Bond. 1. Theme From Class 2:50 2. Main Title* 1:37 3. The Boys* 1:49 4. Truth* 0:59 5. Committee* 1:05 6. Chicago* 1:03 7. The Animal* 0:40 8. Flowers* 1:58 9. New York* 1:53 10. Split 1:39 11. Attempt 0:56 12. Reconciliation / End Titles 4:22 Source Music 13. Car Radio 1:39 14. Eats Parsley 2:39 15. Flight Of The Bumblebee And Can-Can 1:56 16. A Mighty Fortress Is Our God (Martin Luther)* 0:49 17. Second Bar Piece* 3:48 Bonus Tracks 18. Committee (Alternate 1) 1:11 19. Reconciliation (Alternate 1) 1:08 20. Reconciliation (Alternate 2) 0:39 21. Meeting Mrs. Burroughs 0:38 22. Behave Like A Burroughs 1:01 23. Special Investigator 1:56 24. Drug Flush 0:56 25. Commitee (Alternate 2) 1:30 26. Main Title (Alternate) 1:53 All tracks stereo, except * mono

Kann auf dieser Seite vorbestellt werden: https://www.sacredbonesrecords.com/products/sbr-355-robin-carolan-nosferatu?srsltid=AfmBOorwTzIUEZcc90NWyDy3WP_wBsS4hHbts-sO0O2S4q7I-c7YTRvD Und hier zwei Clips, die - wenn auch kurz - mir sehr gut gefallen. https://filmmusicreporter.com/2024/09/30/first-tracks-from-robin-carolans-nosferatu-score-released/

LLLCD 1659 Music Composed and Conducted by John Williams Limited edition of 2000 units $31.98 La-La Land Records, Sony Music and Columbia Masterworks proudly present a remastered and expanded 2-CD release of renowned composer John Williams’ original motion picture score to the 1969 feature film period drama THE REIVERS, based upon the novel by William Faulkner and starring Steve McQueen, Mitch Vogel and Sharon Farrell, and directed by Mark Rydell. The treasured collaborative relationship between Maestro John Williams (JAWS, E.T., SCHINDLER’S LIST) and filmmaker Steven Spielberg had its roots in the director’s admiration for Williams’ brilliant score to this nostalgic 1969 drama, in which Faulkner chronicles the arrival of the automobile in the American south at the dawn of the 20th century. This new remastered and expanded 2-CD reissue, featuring the full score presentation for the first time, is an Americana wonder – beautiful, dramatic, heartfelt – an ideal match for Faulkner’s blend of playful humor and vividly drawn prose, conjuring the warm glow of an “endless summer” as experienced by a child on the cusp of adolescence. TRACK LISTING: DISC 1 • SCORE PRESENTATION • 52:55 1. Logo And Main Title (The Reivers) 3:53 2. The Winton Flyer 1:46 3. First Instruction 1:21 4. Ned Tries It Out 1:54 5. Family Funeral / Lucius’ First Drive (Film Version) 2:39 6. A Tall Tale / To Memphis / That Ole Mud Hole 1:48 7. The Road To Memphis (Film Version) 1:44 8. Memphis (Film Version) 1:32 9. Corrie’s Entrance / The Picture (Extended Version) 2:56 10. Lucius And Corrie 1:37 11. The Bad News :35 12. Ned’s Trade (Extended Version) 2:49 13. The Sheriff Departs 2:34 14. Ned’s Secret / The People Protest 2:08 15. Prayers At Bedtime (Extended Version) 2:42 16. Lucius Runs To Corrie 2:11 17. The Prize 1:33 18. Moment Of Glory 1:35 19. Back Home 1:35 20. Boss’s Collar 1:15 21. Camptown Races And End Credits† 1:14 Total Score Time: 41:51 ADDITIONAL MUSIC 22. Stephen Foster Medley‡ 4:06 23. The Winton Flyer (Film Version) 1:47 24. Family Funeral 1:04 25. The Road To Memphis (Alternate) 1:38 26. Boss’s Collar (Alternate) 1:04 27. Camptown Races And End Credits (Alternate) † 1:14 Total Additional Music: 11:10 DISC 2 • 49:07 REMASTERED ORIGINAL SOUNDTRACK 1. Main Title / First Instruction / The Winton Flyer 5:11 2. Family Funeral / Lucius’ First Drive 2:31 3. The Road To Memphis 1:44 4. Corrie’s Entrance / The Picture 2:12 5. The Sheriff Departs / The Bad News / Ned’s Secret 3:34 6. Memphis 1:23 7. Ned’s Trade 2:05 8. The People Protest 1:07 9. Prayers At Bedtime 2:28 10. Lucius Runs To Corrie / Back Home 3:33 11. Finale† 4:12 Total Soundtrack Album Time: 30:20 ADDITIONAL MUSIC 12. The Reivers (Concert Suite) 18:43 † Includes “Camptown Races” composed by Stephen Foster (P.D.) ‡ Contains “Oh! Susanna,” “Beautiful Dreamer,” “Massa’s In De Cold Ground” (P.D.) This is a CD format release

Dan Romer wird wohl der Komponist für den neuen Bond sein, damit kein David Arnold, Thomas Newman oder gar Hans Zimmer, wie ja Soundtrack Composer mal wo geschrieben hat. Hier der Indiewire-Artikel:

Quartet Records, in collaboration with Decca Classics and Universal Music Enterprises, presents a remastered CD edition of the unique, fascinating and controversial Bernard Herrmann recording of Gustav Holst’s THE PLANETS. Recorded during his post-Hollywood period when he was based in London, it was one of several albums he conducted for Decca Records’ Phase Four series, featuring both his own music and that of other composers. THE PLANETS has always been considered something of a cursed album, yet it is loved by his fans for an interpretation that is more Herrmann than Holst. The recording was not universally acclaimed when it was released. This was in part because several recordings of the work already on the market were considered classics, thus setting a very high bar for new entries. Some listeners, however, found the heavy tread of Herrmann’s “Mars” an actual plus, its mechanistic bombast far more threatening and imposing than the composer’s own recorded performance. Herrmann’s slow trek through the “big tune” in “Jupiter” was more widely criticized, but Herrmann was far from the only conductor who favored slower tempi in the later stages of their career—including in some of the Phase Four recordings of his own music. Nevertheless, Herrmann’s THE PLANETS sold well. Although reissued several times on LP in the 1970s, Herrmann’s recording of THE PLANETS was only released on CD in Australia in 2011 as part of a Holst compilation on Decca Eloquence. This new, first-ever solo CD edition has been restored and mastered by Chris Malone from the original master tapes transferred by UME in the UK, and features brilliant, extensive liner notes by classical and film music writer Frank K. DeWald alongside the original LP liner notes by renowned musicologist Harry Halbreich. Mars, The Bringer of War (8:43) Venus, The Bringer of Peace (10:04) Mercury, The Winged Messenger (4:34) Jupiter, The Bringer of Jollity (9:06) Saturn, The Bringer of Old Age (9:31) Uranus, The Magician (6:54) Neptune, The Mystic (8:11) Total Disc Time: 57:06

Gestern bestätigte Williams seine erneute Teilnahme am Krieg der Sterne während seines Konzertes in Boston. http://www.masslive.com/entertainment/index.ssf/2016/08/john_williams_brings_star_wars.html

Wohl auch kein Aprilscherz.

http://store.intrada.com/s.nl/it.A/id.9503/.f?sc=13&category=-113

Hier kann man ruhig einen eigenen Thread dazu starten, oder?

Kommt nächste Woche:

Dragon’s Domain Records presents the original soundtrack to SLIPSTREAM, featuring music composed by Elmer Bernstein (THE MAGNIFICENT SEVEN, THE GREAT ESCAPE, TO KILL A MOCKINGBIRD, FAR FROM HEAVEN) for the 1989 science fiction adventure film directed by Steven Lisberger (TRON), written by Tony Kayden and Bill Bauer, starring Bob Peck (Edge Of Darkness, Jurassic Park), Mark Hamill (STAR WARS, BATMAN: THE ANIMATED SERIES), Bill Paxton (ALIENS, TWISTER, NEAR DARK), Kitty Aldridge, Susan, Leong, Ricco Ross, Robbie Coltrane and Ben Kingsley (SNEAKERS). SLIPSTREAM is a post-apocalyptic action-adventure story taking place in Earth’s near future after environmental destruction has rendered the Earth a rocky, windblown wasteland over which a river of wind, called the slipstream, becomes the only conduit for travel. Matt Owens (Paxton) is a bounty hunter who swipes a wanted killer named Byron (Peck) from the custody of officer Will Tasker (Hamill) so he can collect the bounty for himself. Transporting Byron in his aircraft through the slipstream, Owens evades Tasker and his tracker, Belitski (Aldridge), while seeking a place where he can cash in on Byron. Along the way, Owens realizes Byron is more than he seems and decides to become his protector from an increasingly unstable Tasker. SLIPSTREAM was an English production, with exteriors filmed in Cappadocia, Turkey, and the rest at Pinewood Studios. The film was produced by STAR WARS’ Gary Kurtz, who had come on board as a favor for a friend. The project reunited Kurtz with Mark Hamill for the first time since the THE EMPIRE STRIKES BACK, as it did with Kurtz’s co-producer Steve Lanning, a second-unit director on EMPIRE. When SLIPSTREAM went into post-production in late 1988, Elmer Bernstein was suggested as a likely candidate to provide its score. His music for HEAVY METAL (1981), SPACEHUNTER: ADVENTURES IN THE FORBIDDEN ZONE (1983), GHOSTBUSTERS (1984), and THE BLACK CAULDRON (1985) were picturesque and grandly sweeping scores. Bernstein was delighted at the proposition to compose a broad score for the film. He invested the music with passionate melodies, ferocious action melodies and provocative sonic eloquence, aided by an exuberant performance from the London Symphony Orchestra. Previously released on compact disc in 2011 and long sold out, Dragon’s Domain Records brings SLIPSTREAM back to the marketplace featuring music composed by the great Elmer Bernstein, performed by the London Symphony Orchestra, with a new mastering by James Nelson of Digital Outland, liner notes by noted author Randall Larson and new artwork designed by Mark Banning. SLIPSTREAM is expected to begin shipping the week of March 24th, 2025. 01. Prologue And Pursuit (3:12) 02. Escape (3:00) 03. Dreams (4:02) 04. Lost Android (3:02) 05. Slipstream People (2:49) 06. Avatar (4:52) 07. Travel To Dance (5:54) 08. Sacrifice (3:11) 09. Museum Society (3:53) 10. Android Love (2:54) 11. Revenge (4:50) 12. Resolution (7:32) Total Time 49:47

LLLCD 1657 Music composed and conducted by Michael Kamen Limited edition of 5,000 units Exclusive release: Sold exclusively here at www.lalalandrecords.com and 007Store.com for the first 90 days of release La-La Land Records, Metro-Goldwyn-Mayer, EON Productions and Universal Music Enterprises mark the 35th Anniversary of the sixteenth 007 film Licence To Kill, with a remastered and expanded 2-CD re-issue of composer Michael Kamen’s original motion picture score. Produced by Albert R. Broccoli and Michael G. Wilson, the 1989 film stars Timothy Dalton as James Bond in his second turn as 007 and is helmed by John Glen, directing his fifth Bond film. Oscar® nominated composer Michael Kamen joins the Bond music fold and unleashes a robust and propulsive score to Licence To Kill, a perfect complement to the harder-edged story, which sees Bond seeking revenge for the maiming of his friend Felix Leiter (David Hedison) and the killing of his new bride Della (Priscilla Barnes). Kamen’s thematic work honors the series’ iconic musical legacy with exciting variations of the classic “James Bond Theme,” while bringing his own unique style to the world of James Bond. Expanded beyond the original soundtrack album, Licence To Kill hits its target like never before within this deluxe presentation, which also includes two versions of the film’s title song, performed by Gladys Knight. Produced by Neil S. Bulk and mastered by Doug Schwartz from 1/4" stereo tapes and 3-track mag provided by MGM, this is a special 2-CD release, limited to only 5,000 units. The score presentation is spread across both discs, while Disc Two also includes the remastered 1989 soundtrack album, as well as additional music. The exclusive, new liner notes are by film music journalist and author Jon Burlingame and the art direction is by Dan Goldwasser. TRACK LISTING: DISC 1 SCORE PRESENTATION 91:36 1. Gun Barrel / Cray Cay Landing* 1:13 2. His Funny Valentine (Film Version) 1:46 3. Sanchez Is In The Bahamas / Shark Fishing (Extended Version)* 2:16 4. Bond Hooks Sanchez* 2:06 5. James & Felix On Their Way To Church (Film Version)* 0:54 6. Licence To Kill (Performed by Gladys Knight) 4:12 7. Sanchez Escapes 1:52 8. Della’s Goodbye 1:17 9. Torturing Felix 2:08 10. He Disagreed With Something That Ate Him 2:05 11. Let’s Go Shark Hunting 0:38 12. Ocean Exotica Break-In* 2:56 13. You Earned It 2:27 14. Hemingway House 1:48 15. Licence Revoked (Film Version) 1:15 16. Bond Aboard* / Sharkey Dead 4:50 17. Seaplane Escape* 7:06 18. Pam (Film Version)* 2:52 19. Enter Ms. Kennedy / Enter Lupe / Sanchez’s Office 3:37 20. Uncle Q / Let’s Get Some Rest* 2:09 21. Planting The Explosives* 4:06 22. Kwang* / Assassination Attempt 2:29 23. Ninja (Film Version) 3:59 24. Sanchez’s Home 1:11 25. Bond Sneaks Out* 1:26 26. Bond Confronts Pam 1:45 27. Framing Krest* 5:18 28. Leaving Harbour 1:19 29. Bond And Lupe 1:46 30. Q In Disguise 0:41 TOTAL DISC 1 TIME: 1:14:12 DISC 2 SCORE PRESENTATION CONTINUED 1. The Lab* / The Process* 2:22 2. The Conveyor Belt 2:46 3. Dario Sees Pam / Chewed Up 1:15 4. Escape From The Compound 2:11 5. Tanker Downhill* 1:17 6. Truck Chase* 4:42 7. Problem Eliminated / Get In 1:32 8. Pam And Bond 1:07 ADDITIONAL MUSIC 11:34 9. Bridal Chorus 0:19 10. Für Elise 1:10 11. Olimpatec Meditation Institute 2:52 12. Casino Source I 1:15 13. Casino Source II 0:30 14. Party Version I 0:40 15. Party Piano 2:33 16. Pam (Wild Guitar Excerpt) 2:04 ORIGINAL SOUNDTRACK ALBUM 45:37 17. Licence To Kill (Extended Version) (Performed by Gladys Knight) 5:13 18. Wedding Party (Performed by Ivory) 3:53 19. Dirty Love (Performed by Tim Feehan) 3:45 20. Pam* 3:49 21. If You Asked Me To (Performed by Patti LaBelle) 3:58 22. James & Felix On Their Way To Church* 3:53 23. His Funny Valentine 3:26 24. Sanchez Is In The Bahamas / Shark Fishing* 2:05 25. Ninja 6:02 26. Licence Revoked* 9:10 TOTAL DISC 2 TIME: 1:14:49 TOTAL ALBUM TIME: 2:29:01 * contains “James Bond Theme” written by Monty Norman

Nun beglückt uns Disney also doch mit einer Box aller Indy-Scores, inklusive DIAL OF DESTINY. Ob die Box überall erhältlich sein wird oder nur wieder über die Disney Music Emporium Seite, ist bisher nicht ersichtlich. Und 150 Dollar auch nicht gerade wenig. Zudem fehlt scheinbar die Bonus-Disc der Concorde-Box. Veröffentlichung ist für Ende März 2024 geplant. This is a pre-order. Expected ship date is March 27, 2024. Re-live the thrilling world of Indiana Jones with the first CD box set with all five soundtracks from the historic franchise in one place. This extraordinary compilation will take listeners on a journey around the globe. Experience the full collection of music from legendary composer John Williams as he takes us on an incredible journey of sound, emotions and storytelling with his iconic themes and melodies. His masterful soundtracks capture the true spirit of the characters, excitement and adventure that provide a musical experience as timeless as the films themselves. If you are a devoted fan or music aficionado, the Indiana Jones complete CD box set is a must-have.

Dragon’s Domain Records presents STAR TREK: A SYMPHONIC CELEBRATION, featuring music composed for STAR TREK: THE ORIGINAL SERIES (1966-1969), performed by the Royal Philharmonic Orchestra, conducted by Tony Bremner. STAR TREK: A SYMPHONIC CELEBRATION presents music composed by Sol Kaplan, Samuel Matlovsky, Jerry Fielding, Joseph Mullendore and George Duning from all three seasons of the beloved show that starred William Shatner, Leonard Nimoy and DeForest Kelley. It’s hard to imagine now as, for over a decade now, all of the music written and recorded for the original 1966 series has been available on CD and digital formats. But for more than a decade and a half after the show had been in cancelled in 1969, not a note of music from the show was available to listen to in any format. That began to change abruptly in 1985 when several record labels began to release Star Trek music. Producer John Steven Lasher was the first to release two volumes of Star Trek music during this time. He employed the Royal Philharmonic Orchestra and had arrangements made for this symphonic ensemble, giving the scores a lusher sound and arranging the short cues into lengthy suites for an improved listening experience. STAR TREK: A SYMPHONIC CELEBRATION presents music from the following episodes: ‘The Enemy Within’, ‘I, Mudd’, ‘Spectre Of The Gun’, ‘The Conscience Of The King’, ‘The Paradise Syndrome’ and ‘Is There No Truth In Beauty’. Originally presented as suites across two separate volumes on vinyl and compact disc on Label X, those volumes have become scarce over the years. Dragon’s Domain Records is proud to bring these recordings back into the marketplace in a TWO DISC presentation with the suites separated and the music newly remastered by James Nelson at Digital Outland along with new liner notes written by author Jeff Bond including the classic notes written for these albums, featuring comments from the producers and composers Gerald Fried and George Duning. STAR TREK: A SYMPHONIC CELEBRATION is a limited edition release and is expected to begin shipping the week of March 24th, 2025 CD 1 01. STAR TREK - THE ORIGINAL SERIES: Main Title (1:02) Composed by Alexander Courage and Gene Roddenberry Performed by Meridian Productions THE ENEMY WITHIN - Composed by Sol Kaplan 02. The Rock Slide / Evil Kirk (1:16) 03. The Tired Captain / Bruised Knuckles / An Imposter / Indecisive / Alter Ego / Another Brandy (6:00) 04. Double Dog Death / Help Me / Thank You Yeoman (5:56) I, MUDD - Composed by Samuel Matlovsky 05. Alice In Wonderland / Mudd’s Series (1:42) 06. Tired Of Happiness / Stella (3:07) 07. The Last Straw / Stella 500 (3:46) SPECTRE OF THE GUN - Composed by Jerry Fielding 08. Melkot’s Warning / Tombstone / Teeth Pulling / My Name / Doc Holiday (8:54) 09. Love Scene In The Old West / Chekov Gets Killed / Ten Minutes / We’re Trapped / Final Curtain (6:17) Total Time CD 1 - 38:25 CD 2 01. STAR TREK - THE ORIGINAL SERIES: Main Title (1:02) Composed by Alexander Courage and Gene Roddenberry Performed by Meridian Productions THE CONSCIENCE OF THE KING - Composed by Joseph Mullendore 02. Spaceship Titles / Lenore / Lenore’s Kiss / Everything is Later / Ophelia Mania / Last Cue (8:38) THE PARADISE SYNDROME - Composed by Gerald Fried 03. Pine Trees / The Amerinds / Tahiti Syndrome / The Brain Wash (4:02) 04. Miramanee / Breath Of Life / The New God (4:42) 05. Dilithium Problem (1:15) 06. Wash Day / Salish Fluffed / Potter Kirk / Naming The God / Joining Day / Challenge / The Ceremony / Birth Announcement / False God (8:44) 07. Death Of Miramanee (3:08) IS THERE IN TRUTH NO BEAUTY? - Composed by George Duning 08. Enter Miranda / Ambassador’s Arrival (2:16) 09. McCoy’s Toast / Quite A Woman / Marvick Pleads / Marvick Mad / Marvick Berserk / Marvick Dies (8:20) 10. Sentimental Jim / Blind Miranda / No Change / Miranda Mad (7:23) 11. Miranda’s Farewell (3:04) Total Time CD 2 - 53:05

LLLCD 1646 Music by Trevor Jones Limited edition of 5000 Units La-La Land Records and The Jim Henson Company present an expanded 3-CD soundtrack set of renowned composer Trevor Jones’ (CLIFFHANGER) original motion picture score to the 1982 landmark fantasy feature film THE DARK CRYSTAL, directed by Jim Henson and Frank Oz. THE DARK CRYSTAL was a boundary-exploding feat of puppetry and cinema, re-inventing what had been previously thought possible and resulting in a breathtaking achievement of immersive world-building that still retains its power and wonder to this day. A vital part of this endeavor’s success is composer Trevor Jones’ outstanding original music score – a tremendous accomplishment that has also stood the test of time. Now, for the first time ever, this deluxe 3-CD release, conceived, assembled and produced by Trevor Jones himself, features the bounty of music the maestro composed for the initial, longer cut of THE DARK CRYSTAL, in its original intended order. Copies of the master tapes recorded at CTS Wembley were digitized along with the composer’s entire body of work, which is now archived at the University of Leeds. Jones personally reassembled and remastered the audio at Abbey Road for this special presentation. Produced by Trevor Jones and Tim Greiving, and mastered by Andrew Walter under the composer’s sole supervision and approval, this release includes a wealth of previously unreleased music within its newly Expanded Score Soundtrack presentation, which is spread across two discs, while the original 1982 soundtrack program is featured on Disc 3. Limited to 5000 units, this deluxe set includes a 32-page booklet containing exclusive, in-depth liner notes by Greiving (featuring new interviews with Trevor Jones and Frank Oz) and rare artwork and photos from the Henson Archive. The sharp art design is by Dan Goldwasser. TRACK LISTING: DISC 1 (46:58) 1. Power Ceremony And Main Title 4:35 2. Jen Plays Pipes And Mystic Master Dies 3:02 3. Skeksis Funeral Ceremony 2:06 4. Mystics Funeral Ceremony 3:25 5. Jen’s Journey And Council Chamber 2:04 6. Skeksis Fight Duel 3:29 7. Chamberlain Is Disrobed And Garthim Pursues Jen 3:53 8. Jen Encounters Aughra 1:29 9. Mystics 9-Tone Chant And The Observatory At Night 3:15 10. Garthim Attack Observatory And Mystics Leave Valley 4:08 11. Jen And Kira In Forest 2:29 12. Mindspeech, Nebrie And Mystics Journey 3:56 13. Skeksis Celebratory Banquet 3:03 14. Jen & Kira Duet 2:24 15. Introduction And Pod Dance 3:38 DISC 2 (48:54) 1. Kira Brings Down The Bat-Bird And Garthim Attack Pod Village 2:12 2. Jen & Kira Love Theme 4:12 3. In The Ruins Of The Gelfling Village 3:56 4. Landstriders Introduction And Journey 1:49 5. Chamber Of Life 3:29 6. Landstriders Battle With Garthim And The Second Mystics Journey 3:25 7. In The Sewer Of The Castle 1:55 8. Kira Removed To The Council Chamber 2:07 9. Kira In The Chamber Of Life 3:47 10. Kira Is Freed And Jen In The Garthim Lair 2:13 11. Jen And Aughra In The Chamber Of Life 1:48 12. Skeksis Panicked By Gelfling And Jen In The Crystal Chamber 4:25 13. The Great Conjunction And The Arrival Of The Mystics 4:53 14. The Mystics And Skeksis Fuse To Become The UrSkeks 5:22 15. Pod Dance (Reprise) And Finale 3:18 DISC 3 (41:04) 1. Overture 3:13 2. The Power Ceremony 3:54 3. The Storm 1:03 4. The Mystic Master Dies :51 5. The Funerals; Jen’s Journey 5:27 6. The Skeksis’ Duel 2:44 7. The Pod Dance 3:12 8. Love Theme 3:18 9. Gelfling Song 2:20 10. The Gelfling Ruins 2:45 11. The Landstrider Journey :43 12. The Great Conjunction 4:14 13. Finale 7:19 Total Album Time: 136:56 This is a CD format release

Neu erschienen - und mir bisher vollkommen unbekannt: https://www.musicbox-records.com/en/cd-soundtracks/15458-les-animaux.html

The wonderful thing about Basil’s score to Quigley Down Under is that it has a sense of fun. – Simon Wincer, director Intrada announces a 35th-anniversary edition of Basil Poledouris' rowdy score to the 1990 MGM film Quigley Down Under. When Intrada released its first edition back in 1990, it was quite an event. Released five years after their first release—Red Dawn—the project gave them the opportunity to work again with Poledouris. Only this time it was for a new film from a major studio. Intrada president Doug Fake fell in love with the score immediately and simply would not stop talking about it or playing it. Poledouris’ music had to capture Quigley’s character and circumstances, and the composer managed to do it while both capturing a classic cinematic western style and expressing his own native romanticism and dramatic power. It was not the first western the composer had scored for the director, having previously worked on the acclaimed miniseries to Lonesome Dove. While a later reissue from Prometheus in 2006 featured the largely complete score (minus an overlay here and a correct take there), it was taken from a 16-bit, 44Khz CD-R of the additional tracks Intrada had retained but had to cut out due to the AFM policy in place at the time. For this new release, MGM provided us access to the master sessions on 24-track 2˝ tape, which we had transferred into 24-bit, 96Khz high resolution. We turned these over to Grammy-nominated producer Mike Matessino to mix, assemble and master to create the definitive release of one of Basil Poledouris’ finest scores. To cap off the release, the album features liner notes by Jeff Bond. Watch the album trailer here: https://www.youtube.com/watch?v=8bqDKmwhfB0 The film stars Tom Selleck, Alan Rickman and Laura San Giacomo. Matthew Quigley (Selleck) is an American sharpshooter who travels to Australia after being hired by a wealthy cattle baron, Elliott Marston (Rickman). Upon arrival, Quigley learns that Marston wants him to use his long-range rifle skills to hunt and kill Indigenous Australians. Disgusted, Quigley refuses and violently opposes Marston, which leads to him being beaten and left for dead in the Outback. With the help of Crazy Cora (Giacomo), a woman struggling with past trauma, Quigley survives and begins a quest for justice, using his sharpshooting skills to take down Marston and his men. Play all clips 01. Main Title (3:22) 02. The Fight (5:02) 03. The Redcoats Move On (1:58) 04. Arrival (1:55) 05. The Test (1:04) 06. Marston’s Game (1:03) 07. Quigley Pans Out (0:52) 08. Quigley Gets Beat Up (1:53) 09. The Stabbing (2:07) 10. The Desert Trek (2:59) 11. Aborigines (1:21) 12. Native Montage (2:15) 13. Cora’s Story (3:21) 14. Marston’s Murderers (3:35) 15. Royus Interrupts (1:37) 16. The Cliff (1:09) 17. The Bodies (0:37) 18. The Baby (1:52) 19. You’ll Be Back (1:16) 20. Rising Of The Moon (1:34) 21. Dingo Attack (2:47) 22. The Fire (3:02) 23. Under The Boat (3:04) 24. Quigley And Cora (2:40) 25. The Gift (5:29) 26. The Warning (1:40) 27. The Attack (2:54) 28. The Capture (2:47) 29. Freedom (3:38) 30. The Aborigines Return (3:01) 31. Matthew Quigley (5:27)