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Intrada announces a new compilation of music by Dimitri Tiomkin, featuring his dance music and early film work. A citizen of the world, Tiomkin was born in Ukraine, educated in Russia, triumphed in Berlin and Paris before coming to New York. "The transition from the concert halls of the Big Apple to the studios of Hollywood was an incremental one, but in retrospect it seems inevitable. Where else could such a generous, bighearted, all-encompassing spirit find a home for his music than on the world stage of cinema?" say liner note writers Warren Sherk and Frank K. DeWald. This is the third volume in a series of recordings produced by Patrick K. Russ. Prior releases include The Great American Ballet and Paris Under the Stars. It is Russ' singular vision that pulls together seemingly disparate works separated by 1000s of miles into a brilliant compilation showcasing the breadth and diverse passion of Tiomkin. Both the Fashion and Swan Ballets appear here along with selections from numerous other films and works including Mexique, Lost Horizon and The Great Waltz, It's a Wonderful Life; and the program concludes with a jazz-noir excerpt from D.O.A. All performed brilliantly by the Royal Scottish National Orchestra. 01. Fashion Ballet (From Our Blushing Brides) (3:25) 02. Swan Ballet (From Rogue Song) (5:59) 03. Flight Of The Bumble-bee (1:52) (Rimsky-Korsakov, arr. Tiomkin) Lynda Cochrane, piano 04. Chopiniana (5:22) Lynda Cochrane, piano 05. Gitana (From Mexique) (3:06) 06. Fandango (From Mexique) (3:15) 07. Moon Ballet (From March Of Time) (3:34) 08. Gypsy Song (From Resurrection) (1:11) 09. Main Title (From More Than A Secretary) (1:09) 10. Suite From Lost Horizon: I. Arrival/II. Shangri-La/III. Procession And Return (12:42) 11. Love Theme (From Lost Horizon) Shlomy Dobrinsky, violin (2:46) 12. Suite From The Great Waltz: I. Main Title And Wiener Blut Waltzes (3:07) 13. Suite From The Great Waltz: II. Dommayer’s Casino (4:52) Shlomy Dobrinsky, violin 14. Suite From The Great Waltz: III. Blue Danube And Finale (6:50) 15. Suite From It’s A Wonderful Life: I. Prologue/ II. Theme / III. Christmas Eve Finale (9:03) 16. Fisherman’s Jive (From D.O.A.) (3:37) Lewis Banks (saxophone) Christopher Hart (trumpet) Dávur Juul Magnussen (trombone) Christian Geldsetzer (bass) Lynda Cochrane (piano) Tom Gordon (drums) Total CD Time: 72:09

LLLCD 1631 Music by James Horner Limited Edition of 3000 Units RETAIL PRICE: $29.98 STARTS SHIPPING DEC 1 La-La Land Records, Sony Pictures, Amblin Entertainment and Sony Music proudly present a remastered and expanded 2-CD presentation of renowned composer James Horner’s (GLORY, FIELD OF DREAMS, SNEAKERS) original motion picture score to the 1998 big-screen adventure THE MASK OF ZORRO, starring Antonio Banderas, Anthony Hopkins and Catherine Zeta-Jones and directed by Martin Campbell. James Horner’s THE MASK OF ZORRO is nothing short of magnificent – a grand orchestral wonder that expertly melds authentic Hispanic colors with the Hollywood blockbuster, both modern and classic. Rich in theme and teeming with drama, romance, action and humor, Horner’s score is one of his very best, as highlighted within this deluxe 2-CD presentation - expanded with a bounty of never-before-released music! This re-issue is produced by Neil S. Bulk and Mike Matessino,and mastered by Doug Schwartz from studio vault elements. The Original Score Presentation is showcased across both discs, with Disc Two also housing tracks from the original 1998 soundtrack release. The lovely ballad “I Want To Spend My Lifetime Loving You,” performed by Marc Anthony and Tina Arena is also included, as well as its Spanish-Language version “Quiero Vivir La Vida Amandote,” performed by Jon Secada and Ana Gabriel. This Limited Edition release of 3000 units features art design by Jim Titus and exclusive, in-depth liner notes by writer John Takis. TRACK LISTING: SCORE PRESENTATION 1:47:26 1. Main Title (From The Motion Picture "The Mask Of Zorro") 1:08 2. The Plaza Of Execution (Film Version) 7:58 3. Elena And Esperanza 8:17 4. Don't Touch My Brother :28 5. Interrupted Getaway 1:09 6. Joaquin's Death :59 7. Meeting On The Beach 1:11 8. Prison Escape 4:15 9. The Hand / Emotions Torn 3:04 10. Diego Meets Alejandro 1:29 11. The Medallion / The Master's Wheel 1:12 12. The Fencing Lesson (Film Version) 1:37 13. Lesson #3 1:15 14. The Black Tornado / First Meeting 3:10 15. Tornado In The Barracks 5:08 16. The Confession (Film Version) 2:50 17. Rooftop Getaway 1:23 18. Choose Your Weapon 1:17 19. Diego In The Study :39 20. Sexy Dance 1:11 21. The Mine (Montero's Vision) 2:57 22. Jack's Demise 1:06 23. Love's Suspicions 1:20 24. So Long Ago… 2:50 25. Sick Souvenirs 1:39 26. An Unknown Past 2:24 Total Time Disc One: 62:39 DISC 2 75:30 1.Stealing The Map 6:27 2. Alejandro & Elena's Duel 3:56 3. The Ride 3:22 4. Alejandro's Plea :51 5. Elena's Truth 4:07 6. "Leave No Witnesses..." 13:19 7. Diego's Goodbye (Film Version) 4:55 8. Zorro's Theme (Film Version) 2:56 9. I Want To Spend My Lifetime Loving You 4:42 Performed by Marc Anthony and Tina Arena ORIGINAL SOUNDTRACK ALBUM VERSIONS 25:51 10. The Plaza Of Execution 8:27 11. The Fencing Lesson 5:24 12. The Confession 3:38 13. Diego's Goodbye 5:19 14. Zorro's Theme 2:56 BONUS TRACK 15. Quiero Vivir La Vida Amandote 4:42 Performed by Jon Secada and Ana Gabriel Total Time Disc Two: 75:30 TOTAL ALBUM TIME 2:18:09 This is a CD format release

Über den Thread zum beliebtesten Score des Jahres 2025 und den dortigen Beitrag von @Osthunter bin ich auf diesen Score gestoßen und bin der Meinung, der hat einen eigenen Thread verdient. MMS25028 THE OVAL PORTRAIT (Original Motion Picture Soundtrack) Music Composed by ANDREW MORGAN SMITH Release date: October 10, 2025 Original score from the 2025 thriller feature film directed by Adrian Langley, starring Simon Phillips, Louisa Capulet and Paul Thomas, produced by Grimehouse and released by Blue Fox Entertainment (USA). THE STORY: A thief, artist, and shopkeeper are pulled into the orbit of a haunted portrait connected to a vengeful ghost. THE SCORE: “When Adrian Langley approached me to score The Oval Portrait the task seemed daunting: “What if a Waxman, Korngold, or Bernstein scored this movie? Bring these old sensibilities back to sell that we’re making a throwback film.” The one thing I did know, if one director was deadly serious about intention and style it’ll be Adrian Langley. What followed was truly an amazing compositional experience. Afterall it’s not every day that you’re asked to make music of this scope and style. Truly letting loose and exploring this genre of music that we so rarely get to play with was a pleasure. Thankfully, Langley prioritized using live musicians on this score. Knowing the style we were going for, we both knew that we had to record it with real musicians. All the imperfections that come with working with live players helps to sell the style and genre of the movie. The whole team loved working on this score, Andrew Osano the orchestrator did a superb job realizing the vision of the score. Robin Birner did an equally amazing job on the score mix as well as the album master. I hope you enjoy this glimpse into old school film music as much as we did creating it.” – Andrew Morgan Smith Quelle: https://moviescoremedia.com/newsite/catalogue/the-oval-portrait-andrew-morgan-smith/ Der Score ist digital auf vielen Streaming Plattformen verfügbar. https://open.spotify.com/album/3hZm5V8nFkWfMstm4OjcJy?si=OZAZ8-mCTVujiXqAFuBlJA

Hallo Soundtrack-Boarder, wir starten einen erneuten Versuch, die manchmal aufkommende Flut neuer Soundtrack-Veröffentlichungen ein wenig übersichtlicher zu kanalisieren. In diesen Thread sollen künftig Veröffentlichungen hinein, die höchstwahrscheinlich eher ein kleineren, sehr überschaubaren Kreis von Filmmusikfreunden ansprechen. Beispiele für solche Veröffentlichungen sind in der unten angeführten Grafik (courtesy of Stefan Jania ) angegeben. Score-Veröffentlichungen von hoher oder höherer Popularität bekommen weiterhin ihre eigenen, einzelnen Threads. Der Grund für diesen Sammelbereich liegt in der Tatsache begründet, dass zwar oft viele kleinere, obskurere Releases vorgestellt werden, es jedoch seitens der User sehr wenig bis gar kein Feedback dazu gibt. Darunter leidet die Übersichtlichkeit im "Veröffentlichungs-Unterforum". Sollte sich jedoch aus diesem Sammelthread heraus zu bestimmten Veröffentlichungen eine längere Diskussion entwickeln, werden wir Mods/Admins diese in einen separaten Thread auslagern, damit dort weiter debattiert werden kann.

Da der finale Titel von Paul Thomas Andersons neuem Film nun seit einigen Tagen feststeht, hier mal der Thread zum Score. Wird wahrscheinlich - ähnlich wie zu THE MASTER - eine Score/Song-Compilation geben, da der Film in den 50ern angesiedelt ist, und demnach wohl auch Einiges an zeitgenössischer populärer Musik im Film zu hören sein wird.

Kommt auch auf Vinyl, einmal schwarze Pressung und einmal weiß mit blauem Streifen, limitiert auf 400 Stück, beziehungsweise 100 Stück.

YOUNG & CURSED Music Composed by PATRICK O'MALLEY For Intrada's latest release, composer Patrick O'Malley chose to eschew the current sound-design approach of many modern-day horror films and lean into a more traditional (and frankly fan-embraced) style of horror scoring. Composers from earlier decades always lauded the opportunities provided by horror films to embrace experimentation that were not often afforded in other genres. It provided an opportunity not only to embrace dissonance as would be expected, but also the lyrical side so often ignored in horror films today. Think Jerry Goldsmith's delicate theme for Carol Ann balanced alongside the aggressive action in Poltergeist. The two can easily coexist in a horror setting. As O'Malley describes in his notes: One of the best things that can be given to any composer (of film music or otherwise) is a large canvas. When I first read Andrew [Chiaramonte] and Emmett [Alston]'s script for Young & Cursed, I initially thought that the film would only need light touches from the music: subtle electronics with the occasional reverb-submerged piano and grit-filled jump-scare stinger (after all, the plot outline is a bunch of kids in a cabin getting spooked for 90 minutes!). But, upon seeing a rough cut of the film and hearing [director] Andrew passionately discuss his goal of putting the audience in a larger frame of mind about the spiritual nature of good and evil, a much different sound came to me: a traditional-style score combining orchestra, choir, synths, electronics and a battery of homemade “found object” instruments. O'Malley may not be a name known to many, as Young & Cursed is his first full-length film score after working on several shorts and in the classical music scene. Hopefully this score is the harbinger of many more feature-length film assignments to come. Check out the soundtrack trailer here: The film is a supernatural psychological horror film directed by Andrew Chiaramonte, centering on five young strangers who retreat to a remote wilderness cabin, only to find themselves under the sinister influence of a mysterious woman possessed by an ancient force. As they become trapped and isolated, the group’s trust erodes and paranoia grows, forcing each person to confront their deepest fears and inner demons. INTRADA INT 7190 Barcode: 7 20258 71900 3 Retail Price: $24.99 AVAILABLE NOW ON CD AND DIGITAL PLATFORMS EVERYWHERE. 01. Lilith's Theme (3:33) 02. Hope and Sorrow (2:27) 03. Prologue & The Calling (4:32) 04. First Escape (2:28) 05. Kyra (3:07) 06. Two Of Them (1:07) 07. Food, Love, Death (3:09) 08. The Apparition (2:14) 09. Donny's Trap (2:53) 10. The Waiting (1:27) 11. God's Children (4:58) 12. The Curses (1:01) 13. Blood Moon (3:32) 14. Possession Dance (8:33) 15. Childhood Nightmares (0:50) 16. The Attack (3:42) 17. Temptations (03:51) 18. Death Light (5:04) 19. Demons Past (4:33) 20. The Sacrifice (2:17) 21. Adagio Religioso (06:42) Total CD Time: 1:12:11

Marking 20 years of Robert Rodriguez and Frank Miller’s visionary Sin City, Varèse Sarabande is excited to present a Deluxe Edition CD of the film’s brooding, noir-drenched soundtrack by Rodriguez, John Debney, and Graeme Revell, executive produced by Rodriguez and loaded with never-before-released cues being made available for the first time ever. Features: • Brand-new Deluxe Edition CD featuring previously unreleased material. • Executive produced by Robert Rodriguez Tracklist: CD1 – Original Motion Picture Score 1. Sin City (Robert Rodriguez) 2. One Hour To Go (Rodriguez) 3. Goldie’s Dead (Graeme Revell) 4. Marv (Revell & Rodriguez) 5. Bury The Hatchet (Revell) 6. Old Town Girls (Revell & Rodriguez) 7. The Hard Goodbye (Revell) 8. Cardinal Sin (Revell & Rodriguez) 9. Her Name Is Goldie (Revell) 10. Dwight (John Debney) 11. Old Town (Debney & Rodriguez) 12. Deadly Little Miho (Debney & Rodriguez) 13. Warrior Woman (Debney) 14. Tar Pit (Debney) 15. Jackie Boy’s Head (Debney) 16. The Big Fat Kill (Debney) 17. Nancy (Rodriguez) 18. Prison Cell (Rodriguez) 19. Kiss Of Death (Rodriguez) 20. That Yellow Bastard (Rodriguez) 21. Hartigan (Rodriguez) 22. Sin City End Titles (Rodriguez) CD2 – Complete Original Film Mixes 1. Descent Love Theme (Rodriguez/Johnny Reno) 2. Helluva Way To End A Partnership (Rodriguez) 3. Fair Trade (Rodriguez) 4. The Perfect Woman (Revell) 5. Lucille (Revell) 6. All Or Nothing Days (Revell) 7. Aimed Too High (Revell) 8. Worth Dying For (Revell) 9. That Cold Thing (Revell) 10. A Face And A Name (Revell) 11. He Made Me Watch (Revell) 12. Marv Unleashed (Revell) 13. Dwight & Shelley (Debney) 14. Jackie Boy & Beckie (Rodriguez) 15. Pez Dispenser (Debney) 16. Dwight’s Theme (Debney) 17. Jackie Boy Rides Shotgun / Warning (Debney & Rodriguez) 18. Shattered Truce (Debney) 19. Silence Now (Rodriguez & George Oldziey) 20. Yeesh (Debney & Rodriguez & Oldziey) 21. Miho (Debney) 22. Bigger Fatter Kill (Debney & Rodriguez) 23. Liebowitz (Rodriguez) 24. Kiss Me Deadly (Rodriguez & Oldziey) 25. Recognize My Voice? (Rodriguez) 26. Latin Gypsy Princess (Rodriguez) 27. Death Of A Bastard (Rodriguez) 28. An Old Man Dies (Rodriguez) In celebration of the 20th anniversary of Robert Rodriguez and Frank Miller’s groundbreaking film adaptation of Sin City, Varèse Sarabande presents the film’s iconic, noir-soaked soundtrack with music by Rodriguez, John Debney, and Graeme Revell. Executive produced by Robert Rodriguez, this Translucent Red LP pressing marks the first-ever release of the soundtrack on vinyl. Features: • First ever vinyl release of the Sin City soundtrack. • Executive produced by Robert Rodriguez Tracklist: Side A: 1. Sin City 2. One Hour To Go 3. Goldie’s Dead 4. Marv 5. Bury The Hatchet 6. Old Town Girls 7. The Hard Goodbye 8. Cardinal Sin 9. Her Name Is Goldie 10. Dwight 11. Old Town Side B: 1. Deadly Little Miso 2. Warrior Woman 3. Tar Pit 4. Jackie Boy’s Head 5. The Big Fat Kill 6. Nancy 7. Prison Cell 8. Kiss Of Death 9. That Yellow Bastard 10. Hartigan 11. Sin City End Titles * Please note: due to the nature of vinyl manufacturing, actual vinyl color may differ slightly from the product image shown.

Nächste Woche von Intrada:

Hallo Soundtrack-Boarder, in diesem Thread könnt und sollt ihr zukünftig nach Herzenslust neue LP-Soundtrack-Veröffentlichungen posten. D.h. ihr braucht nicht mehr für jede LP-Pressung einen eigenen Thread erstellen. Bitte beachtet, dass, wenn es sich bspw. um eine Vinyl-Veröffentlichung eines aktuelleren Scores handelt, zu dem bereits ein Thread existiert, der Hinweis auf das LP-Release dort untergebracht werden soll.

Zum neuen Film von Sam Raimi steuerte wieder Elfman die Musik bei. Der Score wird von Hollywood Records veröffentlicht. The original score for “Send Help” was written by Academy Award®-nominated composer Danny Elfman, whose collaborations with Raimi span over 30 years. The pair previously worked together on “Spider-Man,” “Darkman,” “A Simple Plan” and “Doctor Strange in the Multiverse of Madness.” “It was great, incredibly great, collaborating with Danny Elfman, as it always is for me,” Raimi says. “He literally makes your movie one letter grade better. And he always knows where to put his music and precisely the tone to elevate the scene. It’s not what you might think it would’ve been.” “The thing that made me say yes to ‘Send Help’ without even knowing what the movie was, was the fact that it was Sam Raimi who was the director,” says Elfman. “Sam and I have worked together for somewhere between 30 and 35 years now. And Sam’s one of those people when he calls with the question of if I’m available, I automatically say yes.” In Azizi’s experience, “Danny Elfman is a dream come true to work with. He is an absolute legend, and he’s elevated so many scenes.” As he approached the project, Elfman was excited to find the right tonal balance for the film’s music landscape. “Balancing all the elements of a film and a score is the fun part–you take things in many different directions. The thing that was unique in ‘Send Help,’ because I’ve done a number of 16 thrillers, is this also had a kind of a dark comic side to it, which made it even more fun to play, because sometimes I can have fun with the music and just play it over the top in a kind of a broad way. And then sometimes it’s like, ‘No, now I really want to be intense and moody with the music.’” For Linda Liddle’s theme, Elfman wanted to reflect her character’s transformation. “I wanted to find a theme that played very sweetly and gently with a woman’s voice that could be both innocent and have a tinge of madness to it,” Elfman explains. “And so, I think I used as my inspiration ‘Rosemary’s Baby.’ It was a score that I really loved growing up. When we hear her theme early on, it’s got kind of an innocent quality to it, but by the end when we hear it, it takes on a darker, more sinister quality to the same voice singing the same theme. I always love it when I can do something like that, take a little innocent piece of thematic material and in its simplicity and innocence try to make it feel almost menacing.” Elfman adds, “The whole end of the movie was delightful and fun to score too, because things get so intense.” “Danny has a mastery of film and music that nobody else has–he tells the story with his music,” Raimi says. “He enhances, he sometimes plays counterpoint when he decides, sometimes he stays out because the moment will land better like that. He’s a never ending teacher for me of how film music works. I couldn’t ask for anything better than what he delivered.” Elfman’s experience on the production was an equally positive one. “With Sam, it’s just fun. I love the dynamic between me and Sam and Bob, the editor, because we all go back together. Really, it’s just like getting back into the playpen for us. It’s almost like we went to elementary school together and we were play pals back then. And now, as adults, we get to get together and play in this big playpen called a movie. And even though we didn’t know each other as kids, that’s kind of what it feels like to me. It just becomes a joyful experience.” “My only wish when audiences hear the music, is that it enhances their experience of the film," Elfman concludes. Quelle

Music composed and conducted by John Barry Limited edition of 5000 units RETAIL PRICE: $32.98 Exclusive release Sold exclusively at www.lalalandrecords.com for the first 90 days of release. La-La Land Records, Metro-Goldwyn-Mayer and Universal Music Enterprises proudly present the 60th anniversary remastered and expanded 2-CD re-issue of renowned composer John Barry’s original motion picture score to the fourth James Bond film, THUNDERBALL. Produced by Albert R. Broccoli and Harry Saltzman, the 1965 film stars Sean Connery as James Bond 007 and is directed by Terence Young, returning to the series for the third time. Bold and brassy, propulsive and daring - John Barry’s THUNDERBALL is a mesmerizing monsoon of orchestral might that helped surge the Bond franchise to new heights! As illustrated within this exhilarating remastered showcase – THUNDERBALL sounds sensational and it cements its legacy as one of Barry’s finest works. Included are the iconic title song “Thunderball” by Barry and lyricist Don Black performed by Tom Jones, as well as the song “Mr. Kiss Kiss Bang Bang” by Barry and lyricist Leslie Bricusse, with versions performed by Dionne Warwick and Shirley Bassey! Expanded beyond previous soundtrack editions, THUNDERBALL is unleashed like never before within this deluxe presentation. Produced by Neil S. Bulk, mastered by Doug Schwartz, and mixed by Chris Malone, the 91 minute score presentation (on Discs 1 & 2) and 39 minute original 1965 album (on Disc 2) are sourced from 3-track and 2-track stereo tapes. Additional music cues (on Disc 2) are from 3-track tapes, except for two score cues which were unavailable on the stereo tapes and have been sourced from the mono film music stem and processed into stereo. Limited to 5000 units, this release features sharp art direction by Dan Goldwasser, with a new front cover designed by Jim Titus. The exclusive, in-depth liner notes are by journalist and author Jon Burlingame. THIS IS A COMPACT DISC RELEASE CLICK HERE to view the hi-res art TRACK LISTING: DISC 1 SCORE PRESENTATION 1:31:26 1. Gun Barrel (From “Thunderball”) 0:24 2. Château Flight (Film Version) 2:32 3. Main Title – Thunderball (Performed by Tom Jones) 3:03 4. The Spa 2:43 5. The Rack And Sweat Box 2:35 6. Double Derval 3:02 7. Switching The Body 2:47 8. Gassing The Plane 0:59 9. The Bomb (Film Version) 5:52 10. The Execution Branch 1:55 11. Code Name: Thunderball 0:46 12. Bond Meets Domino 3:58 13. Casino 1:06 14. Café Martinique (Film Version) 3:44 15. Shark Tank 2:41 16. Bond Below Disco Volante (Extended Version) 4:04 17. SPECTRE Ring 0:41 18. Search For Vulcan 2:23 19. Lights Out For Paula 2:49 20. Bathing Beauty 1:20 21. For King And Country 1:37 22. Street Chase And Kiss Kiss Club 3:26 23. Death Of Fiona 2:31 24. The Golden Grotto 3:30 25. Underwater Ballet 0:57 26. Got The Point 2:26 27. Bond With SPECTRE Frogmen 3:35 28. The Bombs Revealed 1:28 29. Bond Is Discovered 2:44 30. Caught 1:08 TOTAL DISC 1 TIME: 1:13:38 DISC 2 SCORE PRESENTATION CONTINUED 1. Leiter To The Rescue 1:36 2. The Underwater Battle Begins 4:52 3. Underwater Mayhem 5:59 4. Death Of Largo 3:02 5. When Arrows Meet And End Title 2:11 ADDITIONAL MUSIC 18:33 6. Mr. Kiss Kiss Bang Bang (Performed by Dionne Warwick) 3:04 7. Bond Meets Domino (Take 1) 4:00 8. Street Chase (Early Version) 2:47 9. Mr. Kiss Kiss Bang Bang (Alternate Instrumental) 2:34 10. Do You Fly Here Often? (Mono Stem) 0:27 11. The One That Got Away (Mono Stem) 3:04 12. Mr. Kiss Kiss Bang Bang (Performed by Shirley Bassey) 2:28 ORIGINAL SOUNDTRACK ALBUM 39:09 13. Main Title – Thunderball (Performed by Tom Jones) 3:04 14. Château Flight 2:31 15. The Spa 2:44 16. Switching The Body 2:47 17. The Bomb 5:46 18. Café Martinique 3:45 19. Thunderball 3:57 20. Death Of Fiona 2:29 21. Bond Below Disco Volante 3:58 22. Search For Vulcan 2:23 23. 007 2:27 24. Mr. Kiss Kiss Bang Bang 3:16 TOTAL DISC 2 TIME: 1:15:45 TOTAL ALBUM TIME: 2:29:23 This is a CD format release.

Kommt nächste Woche:

This is a PRE-ORDER. Expected to ship the week of January 16, 2026. Medicine Man (1992) was a rainforest adventure, eco-thriller and, in a way, romantic comedy from director John McTiernan. Sean Connery starred as a researcher doggedly pursuing a cure for cancer in the Amazonian rainforest, with Lorraine Bracco the drug company biochemist sent to check on his progress. Their friction grows into a romance as they interact with a native tribe and face off against destructive loggers. Medicine Man found its perfect composer in Jerry Goldsmith, a Hollywood master at adventure and thriller music who was, at heart, enamored with “people pictures.” Medicine Man called on both approaches, and Goldsmith rose to the occasion with a grand, tuneful, dramatic score encompassing large orchestra, sophisticated electronics and tropical instrumentation. It runs the gamut from catchy travelogues, a soaringly romantic love theme, and dark, tragic action music as the rainforest comes under threat. Director McTiernan, working with Goldsmith for the first time, recalls (in a new interview for this release) asking the composer to “try to make it as indigenous sounding as possible.” Editor Michael Miller marveled at Goldsmith’s ability to unify the film’s tone: “Jerry enhanced every emotional beat,” he says, “and glued a lot of stuff together amazingly well. The thing that really excited me were the turns from light and romantic and comedic, to dark and dire—because they were perfect.” Medicine Man was released as a 14-track, 50-minute CD by Varèse Sarabande in 1992. This Deluxe Edition adds 13 minutes of previously unreleased cues plus an alternate mix of the opening “Rae’s Arrival.” The new liner notes are by Tim Greiving, who can neither confirm nor deny that Sean Connery’s ponytail in the film was inspired by Goldsmith’s hair. Features: Deluxe Edition Executive Producer for Varese Sarabande Records: Cary Mansfield Deluxe Edition Co-Produced by: Cary Mansfield & Mike Matessino Deluxe Edition Mastered by Mike Matessino Track List: 1. Rae’s Arrival 2. First Morning 3. Progress Reports * 4. Campbell And the Children 5. Night Clothes * 6. I Lost It * 7. The Trees 8. The Harvest 9. Mocara 10. Mountain High 11. Without A Net 12. Finger Painting 13. What’s Wrong 14. Unforgiven * 15. The Injection 16. Something’s Up / She’s in Love * 17. The Sugar 18. The Fire 19. Devastation / New Equipment * 20. A Meal and A Bath 21. Rae’s Arrival, (alternate mix )** *Previously unreleased ** Contains previously unreleased material

Kommt am 20.01. von Intrada:

Music by Steve Jablonsky Limited Edition of 3000 Units La-La Land Records, Paramount Pictures and Milan Records present a remastered and expanded 20th Anniversary CD re-issue of renowned composer Steve Jablonsky’s (TRANSFORMERS, BATTLESHIP, LONE SURVIVOR) original motion picture score to the big screen 2005 sci-fi action/drama THE ISLAND starring Ewan McGregor and Scarlett Johansson, and directed by Michael Bay. A sci-fi drama as minded about social commentary as its crackerjack action was a new challenge for director Michael Bay and he called on acclaimed composer Steve Jablonsky to provide a sonic foundation to blend the film’s cerebral elements and intimate personal drama with its blockbuster action set-pieces. Jablonsky delivered big – with a riveting, evocative score that is as propulsive as it is dreamlike and atmospheric, melding electronics and programming and orchestra in expert fashion. This deluxe 20th Anniversary expanded and remastered showcase unleashes the full brilliance of this notable work. Produced by Stéphane Humez and mastered and edited by Maxime Marion from studio vault elements, under the supervision of the composer, this special limited edition CD release of 3000 units features the film score presentation over Disc 1 and Disc 2, with additional music presented on Disc 2. The exclusive in-depth liner notes are by writer and journalist Kaya Savas, featuring a new interview with the composer. The sharp art design is by Dan Goldwasser. TRACK LISTING: DISC 1 SCORE PRESENTATION 1. The Island Awaits You 2:26 2. Missing A Shoe 1:23 3. Starkweather Lottery 1:20 4. I’m Such A Loser 0:47 5. Health Club 0:57 6. Cafeteria 2:19 7. Nice Tests 2:16 8. Going To Work – What If It’s Rigged? – Messing With Foxtrot 1:02 9. Lima In Labor / My Chip Fried – Lincoln Discovers A Moth 2:41 10. Booze 1:27 11. Agnate Ukuleles 2:39 12. Home For A Moth – Fight Simulator 1:10 13. Stim Bar 2:03 14. Good Things Do Happen – Another Lincoln Nightmare 1:42 15. You Have A Special Purpose In Life 4:35 16. Starkweather’s Demise 2:47 17. The Craziest Mess I’ve Ever Seen 5:07 18. Censor Chase 1:27 19. Sector 6 2:54 20. Selling Agnates / Laurent Arrives 2:14 21. Security Breach – Briefing Laurent 3:09 22. Route 39 0:58 23. Eat The Burger, Meet The Cow 2:32 24. Helicopters 0:51 25. These Are Mail Order 1:04 26. Send In The Clones 4:31 27. Renovatio 4:12 TOTAL DISC TIME 60:29 DISC 2 SCORE PRESENTATION CONTINUED 1. Shootout – On Foot – Train Wheels – Enter Wasps – Wasp Chase 6:31 2. The Big R 2:21 3. Gandu’s Demise – Rain Scene 1:21 4. Lincoln Meets Lincoln – Genetic Memory 2:34 5. Tom Sells Out His Clone 3:10 6. Worth Every Penny 1:15 7. Not Ready To Die 1:32 8. Ready To Die, Apparently – Laurent Is Fooled 2:35 9. This Tongue Thing Is Amazing 1:25 10. Mass Winnings 5:07 11. Busting Some Ass – Rendezvous – Laurent Questions Merrick 5:36 12. She Said, “Open The Door” – Better Call Maintenance 5:02 13. My Name Is Lincoln 3:43 ADDITIONAL MUSIC 14. Mass Vehicular Carnage 2:26 15. Starkweather Lottery (Alternate Version 1) 1:23 16. Starkweather Lottery (Alternate Version 2) 1:28 17. Health Club (Alternate) 0:57 18. Cafeteria (Alternate Version 1) 1:59 19. Cafeteria (Alternate Version 2) 2:19 20. Nice Tests (Alternate) 2:15 21. Good Things Do Happen (Alternate) 1:12 22. You Have A Special Purpose In Life (Alternate Ending) 2:09 23. Eat The Burger, Meet The Cow (Alternate) 2:32 24. These Are Mail Order (Alternate) 0:52 25. Send In The Clones (Alternate Ending) 2:02 26. Train Wheels (Alternate Version 1) 1:58 27. Train Wheels (Alternate Version 2) 1:58 28. Wasp Chase (Alternate) 1:27 29. Mass Winnings (Alternate Ending) 1:35 30. Better Call Maintenance (Alternate Ending) 0:56 31.My Name Is Lincoln (Alternate Mix) 3:42 TOTAL DISC TIME 75:16 TOTAL ALBUM TIME 135:45 This is a CD format release

Erscheint als Doppel-LP: Mutant, in partnership with Sony Music, is proud to present the premiere physical release of the soundtrack to Vince Gilligan's hit Apple TV+ Series PLURIBUS, produced by Sony Pictures Television. Featuring one disc of original score cues by long-time Gilligan collaborator, composer Dave Porter, and 12 songs from the critically acclaimed series. Featuring original artwork by Mike Koelsch and liner notes by the series creative team, and pressed on 2x 140gm "Milk" colored vinyl, this special release is essential for fans of this series. Disc One - Score selections by Dave Porter (Score tracklist will be announced soon. Check back for details.) Disc Two - Original Soundtrack SIDE A 1. Dancing Folk: Movement 1 - Oliver Davis 2. Nobody Told Me - Murat Evgin 3. Sonnet (Pluribus Edit) - DakhaBrakha 4. Sumac - Loris 5. Vessel (Pluribus Edit) - John Lamke 6. Deo gratis - Huelgas Ensemble, Paul Van Nevel SIDE B 1. A Calf Born in Winter - Khruangbin 2. Blues (Pluribus Edit) - Nina Becker Marcelo Callado 3. People Are Strange - Kit Sebastian 4. Esperanza - Hermanos Gutiérrez 5. You Got To Be Sure! - Traffic Sound 6. Conquistadora (Pluribus Edit) - Chantal Claret

This is a PRE-ORDER. Expected to ship the week of January 16, 2026. Varèse Sarabande presents the Deluxe Edition of Brian Tyler’s score to Timeline (2003). Directed by Richard Donner (The Omen, Superman: The Movie, Lethal Weapon), the film was the last in a hugely successful run of high-concept, big-budget productions based on books by Michael Crichton (Jurassic Park, Congo, Sphere). Timeline follows a group of present-day archaeologists and students who travel to the 14th century in search of their team leader, who previously visited via a corporation’s “wormhole” time machine. When the group becomes trapped in the past, they must survive a brutal conflict between England and France to find a way home. Most of the cast were little known at the time, but Paul Walker, Gerard Butler, David Thewlis and Michael Sheen went on to considerable fame. Timeline was originally scored by Jerry Goldsmith, but ongoing reedits to the project, and the composer’s failing health, forced him to bow out. Brian Tyler was recruited to write the score for the final release version, which he considered “a tribute to one of my favorite composers and a director I had long admired.” Tyler’s score is action-packed and pulses with suspenseful rhythms and large symphonic flourishes—capturing the romantic sweep of the characters’ adventure, with a tense and modern sheen. The tender and gentle theme for Paul Walker and Anna Friel’s characters’ love story (“Lady Claire”) offers moments of hope and tranquility amidst the drama and suspense. Varèse Sarabande’s 2003 release of Timeline presented 26 tracks and 46 minutes. This Deluxe Edition features 37 tracks and over 79 minutes, chronicled by new liner notes by Jeff Bond. Features: Produced by: Brian Tyler Deluxe Edition Executive Producer for Varese Sarabande Records: Cary Mansfield Mixed by: Greg Hayes Deluxe Edition Mastered by Chas Ferry and Melinda Hurley Track List: 1. Opening 2. Descent 3. Bifocal Discovery 4. Mysterioso 5. Star Charts 6. Entering the Wormhole 7. 1357 France 8. Distraction 9. Marek’s Transition 10. Chase On 11. We Have to Try 12. Open Lane 13. Lord Oliver 14. Professor Found 15. Bail Out 16. Rooftop Escape 17. Battle Axe 18. False Marker 19. Lady Claire/De Kere Attacks (Suite) 20. Interruptus 21. River Crossing 22. A Lady's Kiss/Fire Arrangements (Suite) 23. Castleguard Burns/Red Attack (Suite) 24. Battalion 25. Battlefield Revealed 26. It Was Me 27. Galvanize the Troops 28. Night Arrows 29. Troops in the Fog 30. Fix It David 31. History Will Change 32. Storming the Castle 33. The Battle of La Roque 34. The Return Home 35. Eternal 36. Main Titles 37. End Credits

LLLCD 1669 Music by Don Davis Limited Edition of 1000 Units La-La Land Records and Paramount Pictures present the official world premiere CD release of acclaimed composer Don Davis’ (THE MATRIX TRILOGY) original motion picture score to the renowned 1996 feature film thriller BOUND, starring Jennifer Tilly, Gina Gershon and Joe Pantoliano and directed by The Wachowskis. One of contemporary cinema’s most notable, envelope-pushing and entertaining neo-noir thrillers needed an on-target and knowing score to sync perfectly with its seductive and suspenseful tale of two women falling in love as they scheme to rip off a dangerous mobster. Enter composer Don Davis, who pulls it off in enthralling fashion, providing a mood-drenched, propulsive score that shines brilliantly in this presentation. This first remarkable collaboration between the composer and The Wachowskis forged a union that would become legend with THE MATRIX TRILOGY. A new recording of Davis’ concert piece inspired by the film score, “Illicit Felicity”, is included as a bonus track, performed by pianist Jenny Lin. Produced by Don Davis and Dan Goldwasser, and mastered by James Nelson, this special CD release is limited to 1000 units and includes exclusive, in-depth liner notes by writer Daniel Schweiger, featuring new comments from the composer. The cracking art design is by Dan Goldwasser. TRACK LISTING: 1. Closet Diving 2:48 2. Fix My Pipe 5:42 3. Rug Rangers Qu’est-ce Que C’est 2:22 4. Hand It To Shelley 2:01 5. Ravine Cuisine 4:37 6. Yodeling In The Canyon 2:37 7. Girls Having Fun 2:39 8. Ceasar Gets Corked 1:41 9. Thelma And Louise From Hell 1:26 10. Tang Bangers 5:21 11. Dying For His Money 0:20 12. I Am Gino Marzzoni, Capice? 1:59 13. Chicago’s Finest 2:09 14. Jail Bait 0:52 15. Curiosity Cops 1:15 16. Corky’s Peephole 1:06 17. Ceasar Bizarro 3:02 18. Holy Mackerel 1:35 19. In Utero Morituri Te Salutamus 1:17 20. Girl Talk 0:31 21. Bang The Bangers 2:02 22. Out Of The Closet And Down The Stairs 6:38 23. Mambo Mamacita 3:02 24. Illicit Felicity (BONUS TRACK) 3:58 Performed by Jenny Lin TOTAL ALBUM TIME: 62:39 This is a CD format release

Grade auf Facebook gelesen: Netflix kündigt den Score zur Retro-80's-Überdrüberserie STRANGER THINGS an! Veröffentlichungstermin: diesen Freitag! Volume One! Volume Two eine Woche später! Ob auf CD oder nur Download konnte ich noch nicht erlesen...

LLLCD 1685 Music by Jerry Goldsmith Limited Edition of 1000 Units La-La Land Records and MGM proudly present the restored and remastered re-issue of legendary composer Jerry Goldsmith’s original motion picture score to the 1985 big-screen action-adventure KING SOLOMON’S MINES starring Richard Chamberlain and Sharon Stone, and directed by J. Lee Thompson. This limited edition 2-CD set marks the 40th Anniversary of the film and its brilliant score, which has been meticulously restored, re-edited and re-mastered to shine like never before! Bold, rousing and propulsive, Jerry Goldsmith’s original KING SOLOMON’S MINES score is an orchestral wonder in the grand cinematic adventure tradition. Heroics, romance, high-stakes drama and suspense – Goldsmith delivers big on all of it, all the while retaining his unique artistry and flourish. Previous CD releases of this score have presented the music out of pitch – either too fast or too slow. This reissue finally corrects the issue, presenting the music in perfect pitch on disc for the very first time. Produced by Neil S. Bulk and mastered by Mike Matessino, this reissue boasts positively revelatory sound, with Disc One featuring the film’s “Score Presentation,” painstakingly edited to match the takes, where available, selected by Goldsmith and music editor Ken Hall, and Disc Two containing the “Original Soundtrack Album” and “Additional Tracks.” The “Score Presentation” and “Additional Tracks” were sourced from new high-res stereo tape transfers and the “Original Soundtrack Album” was sourced from the original ¼” stereo tapes prepared by Mike-Ross Trevor, also newly transferred in high-res for this release. Limited to 1000 units, this special release includes exclusive liner notes by writer Jeff Bond and cracking art direction by Scott Saslow, featuring a reversible cover with alternate art! TRACK LISTING: DISC 1 66:11 SCORE PRESENTATION 63:39 1. King Solomon's Mines (Main Title) 3:37 2. The Welcoming Committee :54 3. No Sale 3:33 4. The Mummy 1:16 5. Have A Cigar 3:36 6. Good Morning 2:31 7. Under The Train 3:08 8. Dancing Shots 3:35 9. No Pain (Film Version) 3:07 10. Forced Flight (Film Version) 5:22 11. The Chieftain 1:03 12. Pot Luck (Film Version) 3:22 13. Upside Down People (Film Version) 5:04 14. The Crocodiles 3:07 15. The Mines 1:26 16. The Ritual (Extended Version) 6:15 17. Low Bridge 3:32 18. Falling Rocks 1:11 19. Final Confrontation 3:15 20. No Diamonds (End Title) 4:19 SOURCE CUES 2:28 21. Percussion Sweetener :43 22. Ride Of The Valkyries (Excerpt) 1:45 (Composed by Richard Wagner) DISC 2 76:38 ORIGINAL SOUNDTRACK ALBUM 38:56 1. King Solomon's Mines (Main Title) 3:39 2. Upside Down People 4:49 3. The Crocodiles 3:07 4. Pot Luck 3:23 5. Forced Flight 5:20 6. Dancing Shots 3:37 7. Good Morning 2:32 8. No Pain 3:05 9. The Ritual 5:03 10. No Diamonds (End Title) 4:20 ADDITIONAL MUSIC 37:38 11. Ride Of The Valkyries (Excerpt With Insert) 1:59 (Composed by Richard Wagner) 12. No Sale (Alternate Edit) 3:33 13. Have A Cigar (Alternate Edit) 3:38 14. Dancing Shots (Alternate Edit) 3:35 15. No Pain (Without Insert) 3:08 16. Forced Flight (Alternate Edit) 5:20 17. The Crocodiles (Alternate Opening) 3:02 18. The Ritual (Alternate Edit) 6:13 19. Final Confrontation (Alternate Edit) 3:16 20. Theme From "King Solomon's Mines" 3:41 TOTAL ALBUM TIME: 142:49

The Scorpion King (2002) was a prequel and spin-off of Universal Pictures’ successful Mummy franchise, launching the superstardom of Dwayne “The Rock” Johnson in his first lead role. The Rock reprised his character of Mathayus from The Mummy Returns in an origin story depicting the Akkadian mercenary’s rise to power 5,001 years prior to the events of the previous films. Director Chuck Russell (The Mask, Eraser) chose John Debney to score The Scorpion King based on the strength of his symphonic score for Cutthroat Island (1995). Debney followed in the Mummy footsteps of Jerry Goldsmith and Alan Silvestri with a gargantuan, desert-flavored action score for full orchestra and choir, including non-Western instruments like the ney, duduk and ram’s horn (and Japanese taiko drums and flutes) to evoke exoticism and antiquity. He also, befitting the film’s contemporary swagger and The Rock’s wrestling fanbase, created a “mash-up” of symphonic instruments with shredding electric guitars. Director and composer intended the score to be a tribute to classic adventure films. As Debney recalls in the new liner notes, “Chuck stressed how he wanted it to hearken back to those great films from yesteryear, where you have a lot of musical scurrying around. I went back to Korngold for its pirate aspect and the music of Ray Harryhausen’s Sinbad movies, as well as Jerry and Alan. I love doing these little musical homages to my heroes.” The Scorpion King was released by Varèse Sarabande as a 40-minute CD at the time of the film. The 2CD Deluxe Edition doubles the score program to nearly 80 minutes, and adds a bonus section of Debney’s demos. Liner notes are by Daniel Schweiger. Features: Produced by: John Debney and Michael Mason Deluxe Edition Executive Producer for Varese Sarabande Records: Cary Mansfield Deluxe Edition Mastered by Chas Ferry and Melinda Hurley Track List: Disc One 1. Never an Akadian 0:57 2. Boo! 1:26 3. The Scorpion King: Main Title 1:39 4. Tribal Council 2:45 5. Camels Are Smarter 0:32 6. Night Attack 3:56 7. Mathayus Meets Memnon (1:16)/Fire Ants (2:24) (Suite) 3:40 8. Escape From Ants 2:26 9. Cassandra’s Vision 0:54 10. Savage World 1:28 11. Enemy at the Gate 0:29 12. Pickpockets 2:43 13. Failed Attempt 2:34 14. Wild Ride 1:21 15. Harem Scarem 1:37 16. Cassandra’s Bath 1:30 17. Time to Go 0:43 18. Message to Memnon 3:02 19. Valley of the Dead 2:13 20. In the Cave 3:38 21. Mathyus Arises 1:27 22. Healing 0:51 23. Return to Sender 2:32 24. The Oasis 0:40 25. Balthazar’s Camp 5:10 26. Vision of Doom 1:06 Disc Two 1. I Had a Vision 2:36 2. Cassandra Leaves Camp 0:29 3. Step Aside (0:19)/Marching In (0:26) (suite) 0:44 4. Cassandra Returns 1:13 5. Veiled Threat 1:59 6. A Small Demonstration 3:52 7. Party’s Over 1:06 8. I’ve Come for the Woman 3:25 9. Balthazar Arrives 3:08 10. Die Well, Assassin 3:41 11. The Scorpion King 3:26 12. Never an Akadian (Demo) 1:22 13. Boo! (Demo) 1:26 14. The Scorpion King: Main Title (Demo) 1:43 15. Night Attack (Demo) 4:02 16. Escape From Ants (Demo) 2:24 17. Savage World (Demo) 1:32 18. Failed Attempt (Demo) 2:33 19. Wild Ride (Demo) 3:03 20. Valley of the Dead (Demo) 2:14 21. Mathayus Arises (Demo) 1:31 22. Return to Sender (Demo) 2:44 23. The Oasis (2:13) /Balthazar’s Camp (3:28) (suite) (Demo) 5:41 Tracks 12-23 on Disc Two Are Selected Film Score Demos

... ist eine meiner absoluten Lieblingsmusiken von Goldsmith. Top 10, wenn nicht gar Top 5 für mich. Eine erweiterte Fassung bzw. Neueinspielung wurde von Fans immer wieder gefordert und schließlich von Intrada aufgenommen, die Letzteres nach einer Umfrage in Aussicht gestellt hatten. Leider hört man nun gar nichts mehr über dieses Projekt oder habe ich hier etwas übersehen?

Das erste Mal, dass ich bei einer Alhambra Records Ankündigung in den Betreff nicht den Namen des Komponisten platziert habe - dafür sind es diesmal zu viele, was dieses Release zu einer besonderen Dokumentation von TV-Arbeiten aus den letzten 10 Jahren (2015 - 2025) macht. Ursprünglich war die Ankündigung für Oktober geplant, aber die Doppel-CD liegt bereits vor mir, warum also warten. Harter Brocken: Die Original-Musik aus Folge 1 – 9 Im Laufe der Jahre hat sich die Harter-Bocken-Reihe der ARD seine Fangemeinde erarbeitet. Im Mittelpunkt der Handlung stehen der Dorfpolizist Frank Koops, die Ermittlerin der Nachbargemeinde Mette Vogt sowie der Briefträger Heiner Kelzenberg, die es in der Kleinstadt Sankt Andreasberg im Harz nahe des Brocken mit nationalen und internationalen Verbrechern zu tun bekommen. Dabei gelingt es den Filmen eine besondere Atmosphäre zwischen Provinzkrimi und Western zu schaffen, welche zum einen auf die Hauptdarsteller um Aljoscha Stadelmann, aber auch auf die Musik zurückzuführen ist. Sowohl Ali N. Askin, Stefan Döring, Stephan Massimo und Johannes Kobilke schrieben jeweils einen Score der Reihe – Tobias Wagner war an insgesamt fünf Folgen beteiligt. Vier davon entstanden in Zusammenarbeit mit Justin Michael LaVallee, Steven Schwalbe und Marius Borjans, bei jeweils unterschiedlicher Beteiligung der einzelnen Komponisten – für „Die Erpressung“ erfolgte zudem die die erstmalige Kooperation beim Harten Bocken gemeinsam mit Arne Schumann und Josef Bach (kurz: Schumann&Bach). Wir sind sehr froh, diese Scores nun auf Tonträger präsentieren zu können. Insgesamt erklingt auf dem Album die Original-Musik aus den ersten neun Folgen der Reihe, also Folge 1 (ohne Untertitel, 2015) „Die Kronzeugin“ (2017), „Der Bankraub“ (2017), „Der Geheimcode“ (2019), „Die Fälscherin“ (2019), „Der Waffendeal“ (2021), „Das Überlebenstraining“ (2022), „Der Goldrausch“ (2023) und „Die Erpressung“ (2025). Das „Kauzige“ der Filme bewahren sich die Scores durch ihre eigenwillige Ausgestaltung zwischen Spielmannszügen-Klängen, unheilvoller bis mitreißender Suspense-Musik, einem Mafia-Thema sowie „tarentinohaften“ Instrumentalstücken. Jeder der Scores besticht durch die originellen Ideen seines bzw. seiner Komponisten und macht diesen damit zu etwas ganz Besonderem. Benannte Komponisten waren auch die Basis zur Aufteilung der Musik in 6 „Blocks“ mit mehreren Tracks, davon drei je CD. Das Album umfasst insgesamt ca. 150 Minuten an Musik, das CD-Booklet enthält neben zahlreichen Abbildungen auch eine kurze Vorstellung der Komponisten. Wir wünschen viel Freude beim Hören. Übersicht Track-Listing CD1 Track 01 – 14. Harter Brocken – Musik komponiert von Ali N. Askin 19:40 Track 15 – 27. Die Erpressung – Musik komponiert von Stefan Döring 28:00 Track 28 – 39. Die Fälscherin – Musik komponiert von Stephan Massimo 25:40 CD2 Track 01 – 06. Der Bankraub – Musik komponiert von Johannes Kobilke 22:40 Track 07 – 18. Der Geheimcode / Der Waffendeal / Das Überlebenstraining / Der Goldrausch 30:30 Musik komponiert von Tobias Wagner & Teams (u.a. Steven Schwalbe, Marius Borjans, Justin M. LaVallee) Track 19 – 27. Die Erpressung – Musik komponiert von Schumann & Bach mit Tobias Wagner 24:10 https://alhambra-records.de/portfolio/harter-brocken-die-original-musik-aus-folge-1-9/ Hörprobe: