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Und da ist das Set, wie zu erwarten war. Laut Bild bekommt wohl Teil 1 3 CDs.

LLLCD 1678 Music by Maurice Jarre Limited Edition of 1000 Units La-La Land Records and StudioCanal proudly present a 35th Anniversary reissue of Oscar®-winning composer Maurice Jarre’s (LAWRENCE OF ARABIA, WITNESS, TOP SECRET!) original motion picture score to the 1990 psychological thriller JACOB’S LADDER, starring Tim Robbins and Danny Aiello, and directed by Adrian Lyne. A reality and genre bender of a film with serious cult status, JACOB’S LADDER is a wild, thrilling and thoughtful trip that charts Tim Robbins’s Vietnam veteran title character on a perilous and unpredictable journey through his war-torn past and grief-stricken present. Composer Maurice Jarre tackles the challenge of scoring this unique film with inventive vigor, creating a fully immersive sonic experience that expertly melds electronics and orchestra in fascinating fashion. Haunting and enthralling, this is a notable work by a legendary artist. Produced by Neil S. Bulk and mastered by Doug Schwartz, this special limited edition 2-CD reissue features the original 1990 soundtrack album on Disc One, with the Score Presentation showcased on Disc Two. Limited to 1000 units, this release features new liner notes by writer Jeff Bond and new art design by Dan Goldwasser. TRACK LISTING: DISC 1 ORIGINAL SOUNDTRACK ALBUM 1. Jacob’s Ladder 4:18 2. High Fever 7:43 3. Descent To Inferno 8:20 4. Sarah 7:18 5. The Ladder 7:15 6. Sonny Boy (perf. Al Jolson) 3:06 TOTAL DISC 1 TIME 38:00 DISC 2 SCORE PRESENTATION 1. Copter’s In 1:20 2. Convulsions / Stomach Ache 2:14 3. Train Trauma 1:41 4. Baby Pictures 0:59 5. Burning Pictures 1:29 6. Who Are You? / No File / Doctor’s Dead 1:47 7. Not Human 0:40 8. Ice Cold 2:16 9. Fever’s Gone 2:47 10. Am I Dead? 2:07 11. I See ’Em Too / Car Attack 3:10 12. Funeral 0:57 13. Spilled Beer / Surveillance 1:10 14. We’ve Been Watching You 1:05 15. What X-Ray? 1:59 16. You Okay? 2:03 17. Walk Again 1:13 18. Memorabilia 2:24 19. The Mirror 1:09 20. Aggressive Tendencies 2:05 21. Antidote 0:59 22. Pleasant Dreams 2:24 23. Demons 0:56 24. Demons Are Gone 1:19 25. Floor Play 1:31 26. Transformation 1:46 27. Happy Memories 1:51 28. Gabe Leads The Way 2:17 29. Sonny Boy (End Credits) 2:08 TOTAL DISC 2 TIME 49:48 TOTAL ALBUM TIME 87:48 This is a CD format release.

LLLCD1680 Music by John Morris Limited Edition of 1000 Units Back by popular demand and in celebration of CLUE: THE MOVIE’s 40th Anniversary! La-La Land Records and Paramount Pictures present a limited edition re-issue of renowned composer John Morris’ (YOUNG FRANKENSTEIN, BLAZING SADDLES, SPACEBALLS, THE ELEPHANT MAN) original orchestral score to the beloved 1985 Paramount Pictures comedy CLUE: THE MOVIE, based on the famous board game and starring Tim Curry, Madeline Kahn, Christopher Lloyd, Eileen Brennan, Martin Mull and Michael McKean and written and directed by Jonathan Lynn. Having gathered a notable, devoted cult following since its initial theatrical release, CLUE: THE MOVIE sports a wonderful score by composer John Morris – one that deftly weaves wit, slapstick, mystery and suspense with a masterful touch. Previously out of print, our acclaimed CD score release of CLUE: THE MOVIE has been re-issued for anyone who may have missed out on all the murderous fun – limited to 1000 units. Produced by Dan Goldwasser and mastered from ½ inch, 3-track Paramount vault elements by Mike Matessino, this special limited edition re-issue features new art design by Goldwasser, along with a new note from director Jonathan Lynn. The liner notes are by film music writer Daniel Schweiger. The audio presentation is the same as our initial CD release. TRACK LISTING: 1. Main Title / Trees to Dogs 3:10 2. Mrs. White 0:44 3. Miss Scarlet* / Car In Progress 1:48 4. May I Present Mr. Boddy 1:48 5. I Suggest We All Leave / Fight, You Bastard / Hallway Screaming Next Door 1:15 6. Bag In Hall 2:44 7. The Cook Chase / Boddy’s Fall / We’ll Throw It Away** 0:51 8. Stranger At Front Door / Match Cutting* / People In Hall** 2:37 9. Mrs. Peacock And Plum / Death Bridge / Bridge, White & Wadsworth / Billiard Cue Grab / Go Together 1:53 10. I’ll Search The Kitchen / Desk, Fire, Weapons / Let’s Try The Conservatory / I’ve Had A Good Life 2:02 11. Door Pounding to Chandelier Fall 1:31 12. Gun, Cupboard, Doorbell / Cop Panics 1:12 13. Yvette Upstairs to Bell 1:31 14. Step by Step 2:08 15. Remember What Happened Next / Don’t You See? Look! 1:57 16. I’ll Get To That / Beatnik 1:13 17. Ending A: Your Fatal Mistake / I Shot Her / Cavalry** 2:32 18. Ending B: Yvette to We All Ran to Her / To Check That Mr. Boddy Was Dead / Who, Who, Who / Cavalry 1:34 19. Ending A Top to You Were / Peacock At Door 1:06 20. End Title* 3:02 BONUS CUES 21. Main Title (Alternate 1) 1:30 22. Miss Scarlet / Car in Progress (Alternate) 1:46 23. Main Title (Alternate 2) 1:31 24. Peacock at Door (Alternate) 0:31 25. Main Title (Alternate 3) 1:42 26. End Title (Shorter Version) 1:39 27. Main Title (Alternate 4) 1:48 TOTAL ALBUM TIME 47:58 *not used in film ** contains material not used in film This is a CD format release

THE DEVIL AND BERNARD HERRMANN includes suites from THE DEVIL AND DANIEL WEBSTER, OBSESSION and the composer’s own WELLES RAISES KANE, a suite from CITIZEN KANE and THE MAGNIFICENT AMBERSONS, featuring the composer conducting the London Philharmonic Orchestra and the National Philharmonic Orchestra in recordings from 1967 and 1975. Bernard Herrmann is one of the greatest composers of motion picture music in the twentieth century. He is considered the man behind some of the most original and distinctive film scores. He was a master at evoking psychological and dramatic tension in his music to suit the dramatic needs of a film. He won his only Oscar in 1947 for writing the score for THE DEVIL AND DANIEL WEBSTER. Herrmann made a powerful mark in radio and in 1934 he began a 25-year career as a conductor and composer in radio, working for the CBS. In 1938, he scored the notorious infamous presentation of Orson Welles’ Halloween production of H. G. Wells’ THE WAR OF THE WORLDS broadcast. He is best remembered for his collaborations with some of Hollywood’s most celebrated film directors like Alfred Hitchcock, Orson Welles, Martin Scorsese and Brian DePalma. Described as a perfectionist, he believed that most directors didn't have a clue about music so he would blithely ignore their instructions. His filmography includes CITIZEN KANE, THE MAGNIFICENT AMBERSONS, NORTH BY NORTHWEST, VERTIGO, MYSTERIOUS ISLAND, CAPE FEAR, FAHRENHEIT 451, OBSESSION, TAXI DRIVER and many hours of episodic television including THE TWILIGHT ZONE and HAVE GUN, WILL TRAVEL, among others. These historic recordings were originally released on vinyl in the 1970’s and later on compact disc in the 1990’s. Citadel Records, a division of BSX Records, is proud to bring these recordings back into the marketplace, under license from Unicorn Records Limited with the music newly remastered by James Nelson at Digital Outland and retaining the original liner notes written by Christopher Palmer including the participation of the composer. THE DEVIL AND DANIEL WEBSTER 01. Mr. Scratch (5:18) 02. The Ballad of Springfield Mountain (4:38) 03. The Sleigh-Ride (2:02) 04. The Miser's Waltz (5:26) 05. Finale / Swing Your Partners (2:48) WELLES RAISES KANE 06. Overture (2:36) 07. Theme and Variations (5:10) 08. Ragtime / The Saturday Night Band Concert (1:44) 09. Meditation / Antimacassar (2:42) 10. Finale / Pursuit and Happiness (2:37) OBSESSION* 11. Main Title / Valse Lente / Kidnap (6:02) 12. Newsboy / The Tape / The Ferry (4:58) 13. The Tomb / Sandra (8:06) 14. The Church / Court's Confession / Bryn Mawr (9:26) 15. New Orleans / Wedding / Court, The Morning After (4:33) 16. The Plane / Court and La Salle's Struggle / Airport (6:00) Total Time: 74:05

Dragon’s Domain Records presents music from the original score to TIME AFTER TIME, composed by the legendary Miklós Rózsa (BEN-HUR, KING OF KINGS, EL CID) for the 1979 science fiction thriller directed by Nicholas Meyer (THE DAY AFTER, STAR TREK II: THE WRATH OF KHAN), written by Karl Alexander, Steve Hayes and Meyer, starring Malcolm McDowell, Mary Steenburgen and David Warner. TIME AFTER TIME starts with the premise that H.G. Wells actually constructed the time machine which he wrote about in his classic novel. TIME AFTER TIME is a romantic thriller in which Wells (McDowell), the scientific genius, tracks Jack the Ripper (Warner), the criminal genius, from 19th-century London to 20th-century San Francisco in order to bring the Ripper to justice. When Wells is transported in his time machine to modern San Francisco, he seems to be more of a babe in the woods than a sophisticated Victorian gentleman. What he finds is that some of his predictions have come true, while others, like a utopian society, have not... Born in Budapest, Hungary in 1907, composer Miklós Rózsa studied the violin from the age of 5. While living in London in 1935, Rózsa was hired by legendary producer Alexander Korda to score his film, KNIGHT WITHOUT ARMOR. Later, while composing the music for another Korda production, THE THIEF OF BAGDAD, Rózsa moved to California, where he remained for the rest of his life. Throughout his film career, he worked in many genres but distinguished himself writing music for the film noirs of the 1940’s and the great costume epics of the 1950’s and 1960’s. A classically trained composer, Rózsa was well known for his dedication to researching the musical history of the time periods of the films he worked on. His filmography includes music composed for films such as THE THIEF OF BAGDAD, THE JUNGLE BOOK, DOUBLE INDEMNITY, SPELLBOUND, THE LOST WEEKEND, QUO VADIS, IVANHOE, JULIUS CAESAR, KNIGHTS OF THE ROUND TABLE, BEN-HUR, KING OF KINGS, EL CID, THE PRIVATE LIFE OF SHERLOCK HOLMES, THE GOLDEN VOYAGE OF SINBAD and TIME AFTER TIME, among others. Originally released on vinyl by Entr'acte at the time of the film’s release, this presentation of the score is a rerecording produced by the composer and performed by the Royal Philharmonic Orchestra. Southern Cross would release this program later on compact disc in the early days of the format. In 2009, Film Score Monthly released a compact disc with the original film tracks for the first time. Dragon’s Domain Records presents this new release of TIME AFTER AFTER, featuring the rerecording produced by the composer, newly remastered by James Nelson at Digital Outland and retaining the original album liner notes by director Nicholas Meyer and John Lasher. Following the original album program is a selection of bonus tracks of additional music composed by Miklós Rózsa, including music from PROVIDENCE, THE LOST WEEKEND, SPELLBOUND, THAT HAMILTON WOMAN and THE PRIVATE FILES OF J. EDGAR HOOVER. TIME AFTER TIME is a limited edition release of 500 units. TIME AFTER TIME will begin shipping the week of Sept. 29th, 2025 01. W.B. Fanfare* And Prelude (2:09) (* - Max Steiner) 02. Search For The Ripper/ Decision (2:06) 03. Vaporizing Equalizer / The Time Machine (2:12) 04. Time Travel (1:33) 05. Bank Montage (1:08) 06. Utopia (1:34) 07. The Ripper / Pursuit (3:29) 08. The Time Machine Waltz (4:01) (Eric Parkin: piano) 09. Man Before His Time (1:56) 10. Redwoods (2:32) 11. Frightened (1:45) 12. Murder (1:45) 13. The Fifth Victim (1:35) 14. The Last Victim (1:46) 15. Nocturnal Visitor (1:38) 16. Dangerous Drive (3:08) 17. Journey’s End And Finale (3:59) BONUS TRACKS 18. Time After Time: Pocket Watch (0:28) (The Meridian Studio Ensemble) 19. Providence: Valse Crèpusculaire (3:58) (Gregg Nestor, William Kanengiser: Guitar) 20. The Lost Weekend: Love Theme (5:10) (The National Philharmonic Orchestra) 21. Spellbound: Theme From “Spellbound” (4:46) (Sinfonia of London) 22. That Hamilton Woman: Love Theme (4:46) (The London Symphony Orchestra) 23. The Private Files of J. Edgar Hoover: Main Title / Dr. King / End Titles (9:33) (Conducted by Miklós Rózsa) Total Time: 67:50

Music Composed and Conducted by John Williams Limited Edition of 3000 Units La-La Land Records and Paramount Pictures proudly present a remastered CD reissue of renowned composer John Williams’ original motion picture score to the 1977 dramatic feature film thriller BLACK SUNDAY, starring Robert Shaw and Bruce Dern, and directed by John Frankenheimer. A white-knuckle suspense thriller chronicling a diabolical terrorist attack on the Super Bowl via airborne blimp needed a score to wind the film’s ticking clock tension with precision. At the time, Williams’ recent FAMILY PLOT and legendary JAWS scores made him a perfect choice to tackle BLACK SUNDAY. His score to the film is pitch-perfect – a winding tapestry of percussion and ominous atmosphere that had the audience on the edge of their seats, while the inner conflicts of the characters are explored through emotionally resonant melodic material. The composer’s remarkable ability to balance action and suspense with human drama is on full display within this remastered presentation of the Maestro’s few forays into the political thriller genre. Reissue Producer Mike Matessino has newly mixed and mastered the score from first-generation 16-track analog scoring elements, transferred in high resolution by Paramount Archives. Following the main Score Presentation, tracks of Additional Music feature three pieces of source music Williams composed for the film and the original end credits composition, “The End,” without the percussion track. This was considered as an alternative before it was decided to track tense action music over the credits. The program concludes with the music as presented for the ending of the picture, opening with the revised ending of “The Explosion.” This short cue was recorded long after the main scoring sessions. As no master element could be located, the cue is presented from the original mono dubbing stem for the film, processed for stereo. This Limited Edition CD re-issue of 3000 units features all new, in-depth liner notes from writer Jeff Bond and winning new art direction by Jim Titus. TRACK LISTING: SCORE PRESENTATION 56:04 1 Beirut :37 2 Commandos Arrive 1:15 3 Commando Raid 5:32 4 It Was Good / Dahlia Arrives / The Unloading 3:13 5 Speed Boat Chase 1:51 6 The Telephone Man / The Captain Returns 2:15 7 Nurse Dahlia / Kabakov’s Card / The Hypodermic 3:31 8 Moshevsky’s Dead 1:58 9 The Test 1:57 10 Building The Bomb 1:57 11 Miami / Dahlia’s Call 2:28 12 The Last Night 1:31 13 Preparations 2:45 14 Passed :31 15 The Flight Check 1:51 16 Airborne / Bomb Passes Stadium 1:46 17 Farley’s Dead 1:34 18 The Blimp AndThe Bomb 3:13 19 The Take Off 1:44 20 Underway :41 21 Air Chase (Part 1) 1:15 22 Air Chase (Parts 2 And 3) / The Blimp Hits 7:21 23 The Explosion 2:38 24 The End (Theme From ‘Black Sunday’) 2:17 ADDITIONAL MUSIC 8:58 25 Hotel Lobby (Source) 1:48 26 Fight Song No. 1 (Source) :52 27 Fight Song No. 2 (Source) 1:46 28 The End (Alternate Mix) 2:17 29 The Explosion (Revised Ending) / End Title (Film Edit) 2:11 TOTAL DISC TIME • 65:06 This is a CD format release.

Nicht bei uns, sondern von Solo Musica. MOVIE THEMES MADE IN GERMANY WDR Funkhausorchester + Frank Strobel Zusammenstellung: 01 - 06. verschiedene Themen (s.u.) 07 - 10. Die Flucht - Orchestersuite 11 - 13. Evolution. Konzert für Klavier und Orchster 14. Das Wunder des Mauerfalls zu Track 1 - 6 01. Jenseits der Sehnsucht 02. Caterina von Siena, die Mystikerin 03. Mondsee 04. Die andere Frau 05. Leise Schatten 06. Movie Themes made in Germany

Dragon’s Domain Records presents music from the original score to KING KONG, composed by the legendary Max Steiner (GONE WITH THE WIND, CASABLANCA, THE TREASURE OF THE SIERRA MADRE) for the legendary 1933 epic adventure KING KONG, directed by by Merian C. Cooper and Ernest B. Schoedsack, written by James Ashmore Creelman, Ruth Rose and Cooper, starring Fay Wray, Robert Armstrong, Bruce Cabot, Frank Reicher and Sam Hardy. Director Carl Denham (Armstrong) leads a film crew to a remote, uncharted Pacific Island in search of the legendary Kong, a gigantic ape. After the island’s inhabitants abandon actress Ann Darrow (Wray) to Kong, Denham and his crew pursue the beast through the dinosaur-infested jungle. They eventually capture Kong and take him to New York as a sideshow attraction, with disastrous results... Born on May 10th, 1888, Max Steiner was an Austrian composer and conductor who emigrated to America and became one of Hollywood's greatest musical composers. Steiner was a child prodigy who conducted his first operetta when he was twelve and became a full-time professional, proficient at composing, arranging, and conducting, by the time he was fifteen. Threatened with internment in England during World War I, he fled to Broadway; and in 1929 he moved to Hollywood, where he became one of the first composers to write music scores for films. He is often referred to as "the father of film music", as Steiner played a major part in creating the tradition of writing music for films, along with composers Dimitri Tiomkin, Erich Wolfgang Korngold, Franz Waxman, Alfred Newman, Bernard Herrmann, and Miklós Rózsa. Steiner composed over 300 film scores with RKO Pictures and Warner Bros., and was nominated for 24 Academy Awards: His filmography includes THE INFORMER, NOW, VOYAGER, AND SINCE YOU WENT AWAY, LITTLE WOMEN, JEZEBEL, CASABLANCA, THE SEARCHERS, A SUMMER PLACE and GONE WITH THE WIND, which ranked second on the AFI's list of best American film scores, and is the film score for which he is best known. He was also the first recipient of the Golden Globe Award for Best Original Score, which he won for his score for LIFE WITH FATHER. Steiner was a frequent collaborator with some of the best known film directors in history, including Michael Curtiz, John Ford, and William Wyler. Originally released on vinyl in 1976 by Entr’acte and later on compact disc in 1993 by Label X, Dragon’s Domain Records is excited to bring KING KONG roaring back to the marketplace, featuring a rerecording of music composed by the legendary Max Steiner, performed by the National Philharmonic Orchestra, conducted by Fred Steiner. The music has been newly remastered by James Nelson at Digital Outland. The booklet includes the original extensive liner notes written by Fred Steiner and Fay Wray for the album. KING KONG is a limited edition release. KING KONG will begin shipping the week of September 29th, 2025. 01. Main Title / Boat In The Fog (3:39) 02. Forgotten Island / Jungle Dance (4:54) 03. Sea At Night (2:26) 04. Aboriginal Sacrifice Dance (4:00) 05. Entrance Of Kong (4:19) 06. The Bronte / Log Sequence (4:33) 07. Cryptic Shadows (1:50) 08. Kong / The Cave (9:32) 09. Sailor’s Waiting (1:34) 10. Return Of Kong (4:11) 11. King Kong Theatre March (1:31) 12. King Kong Escapes / Aeroplanes / Finale (4:42) 13. RKO Radio Beacon / Original Main Title (1:34) Total Time: 49:20

Ja, richtig gelesen. Nicht mehr Joseph Bishara sondern Benjamin Wallfisch darf für den vierten und letzten Conjuring Teil ran. Meiner Meinung nach sehr schade, dass Joseph nicht die Reihe abschliessen kann. Man hört raus, dass Benjamin bemüht ist die Atmosphäre der bisherigen Teilen einzufangen (Track "Drive to Hospital"), aber man kommt nicht drumherum einzugestehen, dass es dennoch aus einer anderen Feder stammt. Die Cellos klingen z.B. für mich immer noch zu sehr nach "A Cure for Wellness" - was nicht unbedingt schlecht ist, da ich den Score mochte. Mal sehen wie es dann im Film wirkt... Trailer: Album details: 1. What Are You? (4:04) 2. Drive to Hospital (1:42) 3. Judy Warren (3:19) 4. Last Rites (2:12) 5. The Cupboard (2:33) 6. Trash Day (3:00) 7. Judy and Tony (1:15) 8. All of My Favorite People (2:39) 9. Proposal (1:12) 10. Jack and Nelly (1:31) 11. The Tape (1:58) 12. Media Frenzy (1:17) 13. Apparition (1:44) 14. Father Gordon (3:49) 15. Gordon’s Mission (1:55) 16. Funeral (2:49) 17. We Don’t Run from Fights (3:02) 18. I Feel It Too (3:52) 19. Lorraine Investigates (2:48) 20. It Wasn’t Done with Us (4:50) 21. Something Feels Different (4:53) 22. Possession (4:20) 23. Get the Book (3:33) 24. You’re Not There (4:13) 25. The Warren Family (2:34) 26. Judy and Tony (End Credits Version) (1:57) Hier übrigens zum Vergleich eins von vielen tollen Stücken aus Conjuring 3. Bedrohlich, dunkel, verspielt, und einfach nur toll anzuhören. Ja, auch Horrorscores können sich toll anhören... Da wird Benjamin leider nicht rankommen. Für mich auf dem gleichen Level wie Youngs 'Drag me to hell' oder Banos' 'Evil Dead.

Warner hat das Score-Album zu 1492 um die zwei Bonustracks "Line Open" und "Landscapes" erweitert neu veröffentlicht. Als CD und Doppel-LP.

LLLCD 1646 Music by Trevor Jones Limited edition of 5000 Units La-La Land Records and The Jim Henson Company present an expanded 3-CD soundtrack set of renowned composer Trevor Jones’ (CLIFFHANGER) original motion picture score to the 1982 landmark fantasy feature film THE DARK CRYSTAL, directed by Jim Henson and Frank Oz. THE DARK CRYSTAL was a boundary-exploding feat of puppetry and cinema, re-inventing what had been previously thought possible and resulting in a breathtaking achievement of immersive world-building that still retains its power and wonder to this day. A vital part of this endeavor’s success is composer Trevor Jones’ outstanding original music score – a tremendous accomplishment that has also stood the test of time. Now, for the first time ever, this deluxe 3-CD release, conceived, assembled and produced by Trevor Jones himself, features the bounty of music the maestro composed for the initial, longer cut of THE DARK CRYSTAL, in its original intended order. Copies of the master tapes recorded at CTS Wembley were digitized along with the composer’s entire body of work, which is now archived at the University of Leeds. Jones personally reassembled and remastered the audio at Abbey Road for this special presentation. Produced by Trevor Jones and Tim Greiving, and mastered by Andrew Walter under the composer’s sole supervision and approval, this release includes a wealth of previously unreleased music within its newly Expanded Score Soundtrack presentation, which is spread across two discs, while the original 1982 soundtrack program is featured on Disc 3. Limited to 5000 units, this deluxe set includes a 32-page booklet containing exclusive, in-depth liner notes by Greiving (featuring new interviews with Trevor Jones and Frank Oz) and rare artwork and photos from the Henson Archive. The sharp art design is by Dan Goldwasser. TRACK LISTING: DISC 1 (46:58) 1. Power Ceremony And Main Title 4:35 2. Jen Plays Pipes And Mystic Master Dies 3:02 3. Skeksis Funeral Ceremony 2:06 4. Mystics Funeral Ceremony 3:25 5. Jen’s Journey And Council Chamber 2:04 6. Skeksis Fight Duel 3:29 7. Chamberlain Is Disrobed And Garthim Pursues Jen 3:53 8. Jen Encounters Aughra 1:29 9. Mystics 9-Tone Chant And The Observatory At Night 3:15 10. Garthim Attack Observatory And Mystics Leave Valley 4:08 11. Jen And Kira In Forest 2:29 12. Mindspeech, Nebrie And Mystics Journey 3:56 13. Skeksis Celebratory Banquet 3:03 14. Jen & Kira Duet 2:24 15. Introduction And Pod Dance 3:38 DISC 2 (48:54) 1. Kira Brings Down The Bat-Bird And Garthim Attack Pod Village 2:12 2. Jen & Kira Love Theme 4:12 3. In The Ruins Of The Gelfling Village 3:56 4. Landstriders Introduction And Journey 1:49 5. Chamber Of Life 3:29 6. Landstriders Battle With Garthim And The Second Mystics Journey 3:25 7. In The Sewer Of The Castle 1:55 8. Kira Removed To The Council Chamber 2:07 9. Kira In The Chamber Of Life 3:47 10. Kira Is Freed And Jen In The Garthim Lair 2:13 11. Jen And Aughra In The Chamber Of Life 1:48 12. Skeksis Panicked By Gelfling And Jen In The Crystal Chamber 4:25 13. The Great Conjunction And The Arrival Of The Mystics 4:53 14. The Mystics And Skeksis Fuse To Become The UrSkeks 5:22 15. Pod Dance (Reprise) And Finale 3:18 DISC 3 (41:04) 1. Overture 3:13 2. The Power Ceremony 3:54 3. The Storm 1:03 4. The Mystic Master Dies :51 5. The Funerals; Jen’s Journey 5:27 6. The Skeksis’ Duel 2:44 7. The Pod Dance 3:12 8. Love Theme 3:18 9. Gelfling Song 2:20 10. The Gelfling Ruins 2:45 11. The Landstrider Journey :43 12. The Great Conjunction 4:14 13. Finale 7:19 Total Album Time: 136:56 This is a CD format release

http://www.quartetrecords.com/total-recall.html

Via Facebook gibt Quartet Records bekannt, dass am 21. Februar eine 2 Disc-Veröffentlichung von CASINO ROYALE erscheinen wird:

Elfman hat die Musik für die neue DARK UNIVERSE Attraktion der Universal Theme Parks geschrieben. Seine Musik gibt es nur dort exklusiv als LP zu kaufen.

Daniel Pemberton liefert mal wieder ab… https://filmmusicreporter.com/2025/06/10/materialists-soundtrack-album-details/

Hier kann man ruhig einen eigenen Thread dazu starten, oder?

Wie viele schon wissen, wird Bullys Stammkomponist Ralf Wengenmayr die Musik für den Bullyparaden-Film schreiben. Derzeit wird die Musik in Wien aufgenommen. Hier mal ein ganz kleiner Ausschnitt aus der Musik.

Intrada presents the world-premiere release of Ernest Gold's score for the western The Last Sunset, the latest release in the Universal Pictures Classics Collection. Right at the outset, Gold's main title lays out the themes that form the backbone of the score, in the bold Americana style of Aaron Copland. On screen, as camera pans across rugged desert terrain, two different men, one dressed in black and the other in browns and blues, ride toward their destiny to music reminiscent of Fanfare for a Common Man. It sets the tone for a music score that has all the trappings of a complex yet robust western. In addition to Gold's often thundering score, is a recurring theme not by Gold, but none other than Dimitri Tiomkin by way of his melody for the song "Pretty Little Girl in the Yellow Dress." Intrada founder Doug Fake had often asked about releasing this soundtrack, but it seemed there was always another title to prioritize. With his passing nearly a year ago, it seemed like the right time but also too late. It's a gem of a score and just another way the Intrada team can honor his memory and passion for film music. Produced with love and care by the Grammy-nominated producer Mike Matessino, the album was sourced from the full-track master tapes stored at Universal in excellent condition. The package is rounded out with detailed liner notes by Frank K. DeWald and restored cover art by Stephane Coedel. The western drama was directed by Robert Aldrich and stars Rock Hudson and Kirk Douglas. In the film, Brendan O'Malley (Douglas) is a fugitive gunslinger who flees to Mexico and joins a cattle drive led by Dana Stribling (Hudson), a lawman pursuing him for murder. As tensions rise between the two men, complications deepen when O'Malley falls in love with the daughter of his former lover—unaware of a shocking truth about her parentage. THE SCORE 01. Main Title (From The Last Sunset) (3:34) 02. Breckenridge Ranch (3:02) 03. Reunion (3:16) 04. O’Malley’s Indecision (4:32) 05. Crazy Cowboy (7:00) 06. The Drive Starts (3:46) 07. Breckenridge’s Death (3:54) 08. Fist Fight (1:04) 09. A Friendly Hand (2:41) 10. Lesson For The Kid (2:08) 11. Dangerous Dreams (5:43) 12. Stribling Takes Over (5:29) 13. Quicksand And Journey To Sundown (5:03) 14. At The Border (3:03) 15. Missy Proposes (3:49) 16. More Indecision (2:37) 17. O’Malley Bows Out (4:57) 18. Death Duel (3:53) 19. End Title (From The Last Sunset) (3:44) Total Score Time: 73:34 THE EXTRAS 20. La Mesticita (2:28) 21. Concheros/Fiesta/La Torto Lito (1:51) 22. Mexican Hat Dance (1:30) Total Extras: 5:50 CD Total Time: 79:27

Music composed and conducted by John Barry Limited edition of 5000 units Exclusive release Sold exclusively at www.lalalandrecords.com for the first 90 days of release. La-La Land Records, Metro-Goldwyn-Mayer, EON Productions and Universal Music Enterprises present a remastered and expanded 2-CD re-issue of renowned composer John Barry’s original motion picture score to the sixth James Bond film, On Her Majesty’s Secret Service. Produced by Albert R. Broccoli and Harry Saltzman, the 1969 film stars George Lazenby as James Bond 007 and is directed by Peter Hunt, who edited the five previous Bond films. With four legendary Bond scores already to his credit, composer John Barry reported for duty for the fifth time to provide the musical continuity and introduce a new 007, as George Lazenby would be first to succeed Sean Connery in the iconic role of Bond. The score, like the film, is thrilling and powerful, bursting with action, drama and glamour – and considered by many to be one of Barry’s finest works, as demonstrated within this deluxe 2-CD release. This remastered and expanded presentation of Barry’s score includes the songs “We Have All The Time In The World,” performed by Louis Armstrong and “Do You Know How Christmas Trees Are Grown?,” performed by Nina, with lyrics by Hal David The album is produced and mixed by Neil S. Bulk, and mastered by Doug Schwartz, from the original 3-track 1/2" masters, with the song "We Have All The Time In The World" mixed from the original 1" 8-track tapes. Two cues that were unavailable on the stereo tapes are in the program’s bonus section, pulled from the mono film stem and processed into stereo by Chris Malone. Disc 1 and the opening of Disc 2 present the expanded score presentation. This is followed by the original 1969 soundtrack album, newly edited and mixed for this release. Disc 2 concludes with additional cues, including an unused film version of the song "We Have All The Time In The World" featuring Louis Armstrong. Limited to 5000 units, this release features sharp art direction by Dan Goldwasser, with a new front cover designed by Jim Titus. The exclusive, in-depth liner notes are by journalist and author Jon Burlingame, with an introductory note by composer David Arnold. TRACK LISTING: DISC 1 SCORE PRESENTATION 1:28:18 1. Gun Barrel (From “On Her Majesty’s Secret Service”) 0:30 2. This Never Happened To The Other Fella (Film Version) 4:42 3. Main Title: On Her Majesty’s Secret Service (Film Version) 2:43 4. We Have All The Time In The World (Film Version) 2:50 5. Try (Film Version) 3:10 6. James And Tracy 2:07 7. You Have An Appointment 1:36 8. The Capu 3:25 9. Resignation 1:02 10. Two Weeks Leave 1:11 11. Prelude For Guitar And Strings 3:20 12. We Have All The Time In The World (Film Mix) (Performed by Louis Armstrong) 3:14 13. Gumbold’s Safe 5:33 14. The College Of Arms 0:47 15. Journey To Piz Gloria 4:52 16. The Usual Comforts 1:31 17. Twelve Gorgeous Girls 0:35 18. Heraldry 1:56 19. Count Balthazar de Bleuchamp 1:18 20. Eight 2:32 21. It’s True! / The Hidden Persuader / You’ll Need To Be 3:34 22. Uncovered 1:25 23. I’ll Do What I Claim 1:09 24. Deep Hypnosis 6:35 25. Escape From Piz Gloria 4:52 26. Blizzard 1:04 27. Proposal 3:45 28. Ski Chase (Extended Version) 3:47 TOTAL DISC 1 TIME: 1:15:51 DISC 2 SCORE PRESENTATION CONTINUED 1. Don’t Be So Proud 0:42 2. Over And Out (Film Version) 3:11 3. Battle At Piz Gloria 4:03 4. Bobsled Chase 2:07 5. The Wedding Ring 0:40 6. We Have All The Time In The World – James Bond Theme (Film Version) 1:34 ORIGINAL SOUNDTRACK ALBUM 38:04 7. We Have All The Time In The World (Performed by Louis Armstrong) 3:14 8. This Never Happened To The Other Fella 4:28 9. Try 3:26 10. Ski Chase 2:53 11. Do You Know How Christmas Trees Are Grown? (Performed By Nina) 3:20 12. Main Title: On Her Majesty’s Secret Service 2:35 13. Journey To Blofeld’s Hideaway 3:28 14. We Have All The Time In The World 2:59 15. Over And Out 2:40 16. Battle At Piz Gloria 4:03 17. We Have All The Time In The World – James Bond Theme 4:34 ADDITIONAL MUSIC 25:09 18. We Have All The Time In The World (Unused Film Version) (Performed by Louis Armstrong) 2:15 19. Journey To Blofeld’s Hideaway (Unused Album Version) 4:06 20. Do You Know How Christmas Trees Are Grown? (Wild Instrumental) 1:11 21. Deep Hypnosis (With Full Overlay) 6:35 22. Escape From Piz Gloria (Mono Stem, Film Take) 3:50 23. Grand Christmas Eve Ball 2:55 24. Tracy To The Rescue (Mono Stem) 1:29 25. We Have All The Time In The World (Unused Album Version) 2:37 TOTAL DISC 2 TIME: 1:15:55 TOTAL ALBUM TIME: 2:31:46

UNION PACIFIC - THE PARAMOUNT WESTERNS COLLECTION, VOL 2: LIMITED EDITION (4-CD SET) Music by John Leipold, Victor Young, Leo Shuken, Charles Bradshaw, Daniele Amfitheatrof, Manos Hadjidakis, Cyril Mockridge, Franz Waxman, Nathan Van Cleave, Elmer Bernstein, Gerard Carbonara, Adolph Deutsch, David Buttolph and Howard Jackson Limited Edition of 1000 Units RETAIL PRICE: $59.98 STARTS SHIPPING LATE JUNE La-La Land Records and Paramount Pictures proudly present UNION PACIFIC: THE PARAMOUNT WESTERNS COLLECTION, VOL 2, a deluxe 4-CD soundtrack collection of original film score recordings from Paramount Pictures’ big-screen westerns: UNION PACIFIC (1939), THE VIRGINIAN (1946), BLUE (1968), CALIFORNIA (1947), THE PALEFACE (1948), THE MAN WHO SHOT LIBERTY VALANCE (1962), RED MOUNTAIN (1951), THE LONELY MAN (1957), and THE TIN STAR (1957), and suites from TEXAS RANGERS RIDE AGAIN (1940), TOMBSTONE: THE TOWN TOO TOUGH TO DIE (1942), WHISPERING SMITH (1948), THE REDHEAD AND THE COWBOY (1951) and RUN FOR COVER (1955). Meticulously restored from Paramount Pictures’ vault elements, this exciting compilation features original score recordings from fourteen of the studio’s western features spanning the course of three decades. Several of these recordings are making their world premiere here, others are expanded beyond previous releases, and many contain material not heard in their respective films. It’s a vast frontier of musical treasures, revealing Hollywood’s top Golden Age maestros at the peak of their powers, working in a legendary genre. Composers John Leipold, Victor Young, Leo Shuken, Charles Bradshaw, Daniele Amfitheatrof, Manos Hadjidakis, Cyril Mockridge, Franz Waxman, Nathan Van Cleave, Elmer Bernstein, Gerard Carbonara, Adolph Deutsch, David Buttolph and Howard Jackson are showcased here, their music encompassing an exhilarating variety, from big orchestral movements to spare and intimate moments – and everything in-between. TRACK LISTING: DISC 1 UNION PACIFIC (John Leipold, Victor Young, Leo Shuken & Charles Bradshaw) 1. Union Pacific Prelude 1:56 2. John Brown’s Body (Traditional) / First Westward Push 1:24 3. Paddy’s Death 1:40 4. Mollie And Dick 1:45 5. Clementine (Saloon Orchestra) (Traditional) 1:17 6. The Rescue Train 1:13 7. Monahan’s Death / Farewell To Mollie 3:57 8. Beginning Of Golden Spike Ceremony / The Spike Driving 2:36 9. Union Pacific Finale / Cast 1:38 Total Time: 17:37 THE VIRGINIAN (Daniele Amfitheatrof) 10. The Virginian Prelude 1:38 11. The Challenge 1:36 12. Just A Stray 2:17 13. Trouble Ahead 1:27 14. The Hanging 3:29 15. Trampas Threatens 3:03 16. A Windy Murder And Finale 4:24 Total Time: 18:01 BLUE (Manos Hadjidakis) 17. Paramount Opening Seal 0:12 18. Blue Main Title (The River) 2:23 19. The Cave 1:23 20. Ortega’s Initiative For The Fourth Of July 1:04 21. The Mexicans Cross The River 1:47 22. Blue’s Memories / Mexican Coup 1:48 23. The Mexicans In The Village / Antonio Falls Dead 1:07 24. Blue’s Operation 1:29 25. Ortega And Blue 0:27 26. Nocturne 4:09 27. Scherzo / Have A Do 3:20 28. Morning After Love 0:57 29. Jess And Blue 2:14 30. Ortega’s Vow / Blue’s Solitude 1:59 31. Preparation Of The Villagers 3:39 32. Nocturne (Reprise) / Blue And Joanne Near The River 2:09 33. The Mexicans Are Coming 3:26 34. The Death Of Blue 2:24 35. Blue Cast 0:44 BONUS TRACKS 36. The Cave #2 0:35 37. The Cave #3 (Domingo De Ronda) 1:16 38. Blue Main Title (The River) (Alternate) 2:22 39. Ortega’s Initiative For The Fourth Of July (Alternate) 1:05 40. Blue’s Operation (Alternate) 1:23 Total Time: 43:56 TOTAL DISC 1 TIME: 79:44 DISC 2 CALIFORNIA (Victor Young) 1. California Prelude / Covered Wagon 2:29 2. Lily Evicted 0:36 3. El Capotín (Traditional) 1:24 4. Patio Waltz / Trumbo Loses Lily / Fabian Is Drafted 5:58 5. Treachery 4:02 6. Pike Slugs Lily (Gerard Carbonara) 1:08 7. The Attack (Gerard Carbonara) 4:29 8. California Finale 1:28 BONUS TRACK 9. Buffalo Gals / Rosa Lee (Traditional, Arr. Charles Bradshaw) 1:05 Total Time: 22:53 THE PALEFACE (Victor Young) 10. The Paleface Prelude 1:25 11. Jane Gets Her Man 1:31 12. Marry Me, Stupid 1:21 13. Ominous Sunset 2:02 14. Oh, That Kiss Again 0:55 15. Painless Potter Rides Again 3:11 16. The Chase 2:13 17. The Paleface Finale And Cast 0:40 BONUS TRACK 18. Indian Drums 2:40 Total Time: 16:14 THE MAN WHO SHOT LIBERTY VALANCE (Cyril Mockridge) 19. The Man Who Shot Liberty Valance Main Title 1:40 20. Cactus Rose 1:31 21. Sad Reunion / Overland Stage 5:08 22. Music Of The Bars / Four Little White Doves (Traditional) 1:40 23. A Shapely Student / A Rose For Hallie 1:29 24. The Pen And The Sword 2:10 25. Carmela (Traditional) 2:35 26. Tears And Tenderness 1:47 27. Fumare / Marianina (Traditional) 0:58 28. Langhorne Brass Band / Langhorne Bugle Band 2:56 29. Tom Shot Liberty 1:07 30. Cactus Rose Again / Finale 1:30 BONUS TRACKS 31. Liberty Of The Press (Jarabe Tapatío – Traditional) 3:26 32. Band Medley (Langhorne Is Nominated / Stoddard Is Nominated / The Last Of Tom) 2:07 33. Guitar Medley (Tom’s Adios / Peabody’s Shadow / Jarabe Tapatío) 0:59 34. Saloon Medley (Sweet Genevieve / Saloon Music / Whiskey Bottle / After Election Pts. 1 & 2 / Shinbone Saloon / Saloon Piano Sweetener) 4:10 35. Utility Drum Track 0:58 36. Camptown Races (Stephen Foster) / Solomon Levi (Fred Seaver) (Unused) 1:30 Total Time: 38:10 TOTAL DISC 2 TIME: 77:27 DISC 3 RED MOUNTAIN (Franz Waxman) 1. Red Mountain Main Title / Opening Sequence 2:32 2. The Stranger 1:40 3. Night Scene / An Unguarded Moment 5:41 4. Brett’s Soliloquy / Lane Falls Asleep / Chris Takes The Watch 5:32 5. Morning Scene 2:19 6. Brett Relieves Skee 1:55 7. Wishful Thinking / Bridge To Cave 3:05 8. The Operation / Quantrill's Blind Spot 4:40 9. Escape And Chase 1:13 10. Red Mountain Finale And End Title 0:42 BONUS TRACK 11. The Operation (Alternate Segment) 1:33 Total Time: 31:13 THE LONELY MAN (Nathan Van Cleave) 12. Paramount Seal 0:22 13. The Lonely Man Prelude (Instrumental) 1:59 14. The Prodigal Father 3:25 15. Burn And Beware 1:14 16. The Trek, Part 1 / The Cold Deck 1:10 17. The Trek, Parts 2 & 3 2:10 18. Scorned At The Stable / Hate Makes Him Evil 3:30 19. The White Stallion / Ada’s Advice 3:39 20. Losing The Stallion 1:49 21. Signs Of Blindness 2:26 22. Still The Boss 3:45 23. The Informer / The Canvas Corral / Fist Fight At The Canvas Corral 5:34 24. Something To Think About / Into A Trap 2:31 25. Then There Were Two / To The Rescue With Love 1:52 26. The Deserted Bonanza 1:16 27. Tension At The Bonanza 2:26 28. Death At The Bonanza / The Finale 4:45 BONUS TRACKS 29. The Trek (Film Segment) 1:38 30. The Trek (Alternate Segment) 0:49 31. The Finale (Harmonica Overlay) 1:31 Total Time: 48:24 TOTAL DISC 3 TIME: 79:42 DISC 4 THE TIN STAR (Elmer Bernstein) 1. Paramount Seal (Nathan Van Cleave) 0:21 2. The Tin Star Prelude / A Stranger In Town 3:15 3. Bounty Hunter 2:56 4. Morg Meets Nona 1:18 5. Kip’s Half-Injun 3:34 6. Morg Saves Ben 1:20 7. The McGaffey Brothers 1:37 8. Good Indian 3:55 9. An Ex-Sheriff 1:54 10. Stagecoach 1:23 11. New Hoss 1:11 12. New Patient 2:40 13. Ed Goes After Doc 1:37 14. Last Report 0:50 15. Kip Follows Posse 3:50 16. Morg Goes After Kip 3:33 17. Morg Captures McGaffeys 6:20 18. Bringing ’Em Back Alive / Joyous Reunion 1:31 19. Posse Returns 1:07 20. Ready For Action / Dead Silence 3:06 21. Finale 1:46 BONUS TRACKS 22. For He’s A Jolly Good Fellow (Traditional, Arr. Van Cleave) 0:47 23. Last Report (Alternate) 0:39 Total Time: 51:00 THE PARAMOUNT CORRAL (John Leipold, Gerard Carbonara, Adolph Deutsch, David Buttolph, Howard Jackson) 24. Texas Rangers Ride Again Prelude / Rangers’ Entrance / Final Scene & End Title 3:43 25. Tombstone Prelude / Clanton’s Ranch / Clanton’s Loud-Mouthing / End Title & Cast 6:23 26. Whispering Smith Prelude / Prelude (Alternate) / Wounded / Cast 6:08 27. Whispering Smith Cast (Alternate) 0:31 28. The Redhead And The Cowboy Prelude / The Chase / Foiled / Jeffers’ Heroism / Cast 5:07 29. Paramount Seal (Nathan Van Cleave) / Run For Cover Main Title (Edit) / Narrow Escape / Finale 5:44 Total Time: 27:48 TOTAL DISC 4 TIME: 78:48 TOTAL 4-DISC TIME: 5:15:41 This is a CD format release

Jippie! Mit Sum of all Fears ein toller Goldsmith endlich wohlverdient expanded! Das alte Album war echt nen Grauen an Zusammenstellung! Top Top Top! Freu mir nen Ast die anderen beiden (Wavelength von Tangerine Dream) und Creepshow sind nix für mich, aber wens freut!

Und hier nun die Black Friday Titel von La-La Land Records: