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Am 19.11.2012 veröffentlicht Sony Masterworks Ramin Djawadis Score zum Film RED DAWN. Hier das Cover und die Trackliste (inklusive Spoiler).

Kritzerland is proud to present a world premiere limited edition soundtrack release: CAREER Music Composed and Conducted by Franz Waxman In 1959, Paramount brought Career (based on James Lee’s hit off-Broadway play) to the screen with a terrific cast including Dean Martin, Anthony Franciosa, Shirley MacLaine, Carolyn Jones, Joan Blackman, and Robert Middleton. The film was directed by Joseph Anthony, who was a successful theater director and an expert at turning plays into films – prior to Career he’d already done two for Paramount: The Rainmakerand The Matchmaker. The film was a success with audiences and critics, and received three Academy Award nominations – Best Art Direction (Hal Pereira, Walter H. Tyler, Samuel M. Comer, Arthur Krams), Best Cinematography (Joseph LaShelle), and Best Costume Design (Edith Head). But the film shines in every department, none more so than with its dynamic score by Franz Waxman. From the exciting opening chords that lead directly into the big city theme, the score is absolutely thrilling. It is the kind of dramatic scoring that Waxman did so brilliantly. He gets inside the drama and the characters – the yearning, the hunger, the nastiness, the competiveness, the romance, the first taste of success, the bitter taste of failure after failure – it’s brilliant music from start to finish. By the time of Career, Waxman’s own career was filled with masterpiece after masterpiece – the 1950s alone brought forth Sunset Blvd., My Cousin Rachel, A Place in the Sun, Prince Valiant, Demetrius and the Gladiators, Rear Window, The Silver Chalice, Mister Roberts, The Spirit of St. Louis, Sayonara, Peyton Place, and The Nun’s Story – to name just a few. During his long and distinguished career, he was nominated for twelve Oscars and took home the prize twice, for Sunset Blvd. and A Place in the Sun. He had a unique musical voice and will forever hold a high place in the pantheon of great film composers. Waxman’s score for Career is presented here complete and in stereo from the original session tapes housed in the Paramount vaults. We’ve included several bonus cues that appear in the film, including the source music song “(Love Is a) Career” by Sammy Cahn and James Van Heusen, and a little dance music cue composed by Gus Levene, as well as a couple of the cues from the mono music stem. It’s always thrilling to be able to bring an unreleased Franz Waxman score to CD, especially one as dynamic and beautiful as Career. Career is limited to 1000 copies only. The price is $19.98, plus shipping. CDs will ship the second week of December. Quelle: http://www.kritzerland.com/career.htm

Hat es Robin Esterhammer nun doch geschafft... http://store.fortytw...san19cresc.html

Ich bezweifle zwar, dass es irgendein nennenswertes Board-Interesse gibt, aber irgendwer muss sich mal opfern und den ersten Schritt machen, von wegen Bildungsauftrag und Board-Vollständigkeit Ende November (UK) bzw. Mitte November (Deutschland) erscheint David Sardys Musik zu END OF WATCH auf CD; in den USA gibts das nur als Download. Ich war von dem Soundtrack - elektronisch mit instrumentalen Einlagen - sehr angetan (vom Film auch), Tracklisting und Hörproben siehe Amazon.com. P.S.: Ich finde es übrigens sehr bedauerlich, dass Sardys Musik zu PREMIUM RUSH nicht veröffentlicht wurde...

Danny Elfman wird laut imdb und aktuellem Trailer die Tragikomödie Silver Linings Playbook vertonen. In den Hauptrollen sind Bradley Cooper, Jennifer Lawrence und Robert DeNiro zu bestaunen. Der Trailer sieht ganz lustig aus - bin gespannt, was von Elfman letztendlich im Film landet und was er sich dafür einfallen lässt. http://trailers.apple.com/trailers/weinstein/silverliningsplaybook/ Life doesn't always go according to plan... Pat Solitano (Bradley Cooper) has lost everything--his house, his job, and his wife. He now finds himself living back with his mother (Jacki Weaver) and father (Robert DeNiro) after spending eight months in a state institution on a plea bargain. Pat is determined to rebuild his life, remain positive and reunite with his wife, despite the challenging circumstances of their separation. All Pat's parents want is for him to get back on his feet--and to share their family's obsession with the Philadelphia Eagles football team. When Pat meets Tiffany (Jennifer Lawrence), a mysterious girl with problems of her own, things get complicated. Tiffany offers to help Pat reconnect with his wife, but only if he'll do something very important for her in return. As their deal plays out, an unexpected bond begins to form between them, and silver linings appear in both of their lives.

Bereits letzte Woche ist die Musik zu Detlev Bucks neuem Film DIE VERMESSUNG DER WELT bei Scoring Records erschienen. Geschrieben wurde sie von Enis Rotthoff und ist sowohl auf CD als auch als Download erhältlich. Nähere Informationen gibt es in der FMDB.

11-11-11 neuer Film von den SAW Machern bekommt wenig überraschend nen Score von Insidious' Joseph Bishara... wird sicherlich ähnlich... grusel...

Von Screamworks Records ist heute SEXYKILLER von Fernando Velázquez erschienen: Weitere Informationen.

Kommenden Dienstag, den 6. November, wird La-La Land Records lediglich eine CD veröffentlichen:

Music Box Records hat die Veröffentlichung von 3 neuen CDs für den 5. Dezember 2012 angekündigt:

Kritzerland präsentiert Alfred Newmans LOVE IS A MANY-SPLENDORED THING und THE SEVEN YEAR ITCH: Love Is A Many-Splendored Thing was a big, glossy, uber-romantic tale of an illicit interracial love affair back in the days when that sort of thing was rather scandalous. The screenplay was by John Patrick (from the novel by Han Suyin), who had won a Pulitzer Prize for adapting The Teahouse of the August Moon for Broadway. To direct, producer Buddy Adler hired the wonderful director Henry King, a Fox regular who’d helmed such pictures as The Song of Bernadette, Captain from Castile, A Bell for Adano, The Gunfighter, David and Bathsheba, The Snows of Kilimanjaro, King of the Khyber Rifles and many others. The stars were starry indeed – William Holden and Jennifer Jones. The film was a box-office and critical success, and audiences loved the story, the performances, and the lush cinematography of Leon Shamroy. The film was nominated for a whopping eight Academy Awards, including Best Picture and Best Actress, and it won for Best Costume Design, Best Song (by Sammy Fain and Paul Francis Webster) and, best of all, Best Music, Scoring of a Dramatic of Comedy Picture. Alfred Newman’s score is one of the most romantic and beautiful scores ever written. Newman’s stunning variations on the Fain and Webster song, along with his own gorgeous secondary themes creates a unique atmosphere with a swirling tenderness that’s almost indescribable. The music for Love Is a Many-Splendored Thing aches and roils with love, loneliness, lost feelings, and confused hearts. It’s a glorious listening experience and one of Newman’s crowning achievements in film scoring, and that’s saying something given the number of masterpieces he wrote during his long and illustrious career. Just a few months previously, before audiences would swoon to Love Is a Many-Splendored Thing, Billy Wilder’s film version of George Axelrod’s hilarious play, The Seven Year Itch, had audiences rolling in the aisles. With original star Tom Ewell repeating his Broadway role and the incandescent and stunning Marilyn Monroe as “The Girl,” The Seven Year Itch was a huge hit, due in part to the iconic image of Monroe standing on a subway grating with her dress (designed by Travilla) blowing up – it was not possible to escape that image that year, and it’s been hard to escape it ever since. As the tagline to the poster read: It TICKLES and it TANTALIZES, and boy did it ever. And equally as tantalizing is the score by Alfred Newman. Newman’s score is monothematic, with many variations on the same theme – “The Girl Upstairs.” It also has a classic Newman main title that gets things off to a rousing start. Love Is a Many Splendored Thing was released previously by Varese Sarabande and was a quick sellout. For this release, we’ve remastered it and moved two early source cues, one of which is by Leigh Harline, to after the film score proper, giving the actual early score cues a bit more prominence. The Seven Year Itch is making its world premiere on this CD. We’ve included the main title, and several variations on “The Girl Upstairs,” which represents most of what was usable from the somewhat problematic original materials. The entire program is presented in that unparalleled Fox stereo sound. Love Is a Many-Splendored Thing/The Seven Year Itch is limited to 1000 copies only. The price is $19.98, plus shipping. CDs are in stock and will ship within a day or two. Quelle: http://www.kritzerland.com/splendor_itch.htm

Nun isse da! Link auf Tadlow kommt in Kürze. Beim Club vorstellbar für sehr faire €21,55. http://www.soundtrac...roducts_id=5104 EDIT: Hier der Tadlow-Link, der den Club-Preis wirklich fair macht! http://www.tadlowmus...12/10/quo-vadis

Schon am 16. Oktober bringt Varese Tilton's Score zur 4. Staffel:

Monstrous Movie Music veröffentlicht Walter Greenes The Brain from Planet Arous [Die Augen des Satans] & TEENAGE MONSTER The Brain From Planet Arous/Teenage Monster (MMM-1968) proves that dreams can come true. Walter Greene’s amazingly inventive score for the 1957 John Agar/Joyce Meadows B-movie classic is here in amazing fidelity and in its 43-minute entirety. Easily the greatest score for a film about a giant, evil, floating, sex-crazed brain from outer space, the music provides endless fun and incredible artistry. Greene scored the movie without a string section, instead incorporating four saxophones into his powerhouse orchestra. In case this isn’t more fun than your brain can stand, 1957’s Teenage Monster might not be a classic flick, but Greene’s background score can now be heard on its own. This 33-minute soundtrack is an MMM bonus that will help shine a spotlight on an incredibly underrated composer who has never had an album devoted to his work. This Monstrous Movie Music release contains a 20-page liner book discussing all aspects of the music, as well as containing copies of some of the written scores. Striking cover art by the renowned Robert Aragon. Order THE BRAIN FROM PLANET THE BRAIN FROM PLANET AROUS 1 Main Title 1:17 2 Explosion :14 3 Barbecue 02:04 4 Ride to Mountain :45 5 The Canteen #1 1:26 6 The Cave #1 1:51 7 The Flash 1:59 8 Geiger Starts :20 9 The Brain :47 10 Barbecue #2 2:37 11 Starts to Kiss 1:15 12 Steve Suffers 2:00 13 Steve Suffers #2 :22 14 Steve Suffers #3 :54 15 Hot Trip :13 16 The Canteen #2 2:39 17 The Cave #2 :50 18 Another Flash 1:34 19 Vibraphone Shimmers :22 20 Steve Suffers #4 1:20 21 Girl Sees Brain 1:45 22 Barbecue :55 23 Steve and Plane :41 24 Car Ride :13 25 Barbecue 2:02 26 Dog Objects :09 27 Car Radio :28 28 Outside This World :48 29 Girl and Dad :32 30 I Killed Dan 1:12 31 O.K. :21 32 Indian Springs :17 33 Radiation Eyes :43 34 The Ultimatum 2:08 35 Radiation Eyes #2 :47 36 Girl in Lab 1:58 37 Gor Is Out :48 38 The End of Gor :44 39 Brain Leaves Dog 1:11 40 End Title :17 TEENAGE MONSTER 41 Teen Age Monster 1:32 42 Forward :30 43 The Cabin :32 44 The Mine :31 45 Aftermath 1:29 46 Seven Years Later :08 47 Teenage Monster #2 1:49 48 Find Gold 1:16 49 Town :34 50 Realization :43 51 Back Home & Teenage Monster #3 2:48 52 Teenage Monster #4 :58 53 The Killing :23 54 Kids Playing 1:03 55 Grabs Girl :37 56 Girl Asleep :16 57 The Scream 1:09 58 Back Home :20 59 See Girl :32 60 Girl and Monster 2:26 61 The Collusion :52 62 Kills Kid 1:09 63 Sneak :50 64 Hits Sheriff :25 65 It Was Cathy :47 66 Find Body :32 67 Bed Room, Pt. 1 1:57 68 Bed Room, Pt. 2 :13 69 Feelings Hurt :43 70 Girl Starts 1:05 71 The Window 1:04 72 To the Hill 2:28 73 Mountain Top :59 74 End Title :18 The Brain From Planet Arous Bonus Track 75 Car Radio (tag) :17 Quelle: http://www.mmmrecord...anet_arous.html

Monstrous Movie Music veröffentlicht Nicholas Carras Missile to the Moon [bestie des Grauens] & Frankenstein's Daughter [Die Unheimliche / Frankensteins Tochter] Missile to the Moon & Frankenstein's Daughter (MMM-1970) contains two scores by the marvelous-but-unheralded composer and orchestrator, Nicholas Carras. Although written for two low-budget 1958 science fiction films directed by Richard Cunha, there is a wealth of invention and good, old-fashioned fifties sci-fi fun on this 60-minute CD. Besides soaring electric violin, pummeling Rock Men underscore, scary giant puppet-spider music, lovely melodies for gorgeous Moon maidens, and thundering Frankenstein music, there are bonus cues featuring spacey musical sound effects by the legendary team of Jack Cookerly (Atomic Submarine, The Black Scorpion) and Elliot Fisher. This is the first Nicholas Carras soundtrack ever released, and it contains a 20-page liner book discussing all aspects of the music, as well as containing copies of some of the written scores. It’s blessed with arresting cover art by celebrated space illustrator Vincent Di Fate. MISSILE TO THE MOON 1 Main Title - Prologue :17 2 Main Title 1:53 3 Suspense :33 4 Rocket Ship Suspense 1:13 5 Rocket Trap, Part 1 :42 6 Rocket Trap, Part 2 :42 7 Blues for a Blonde 1:29 8 Food for Thought 1:08 9 Panel Flash :34 10 Blast-Off 1:57 11 Airborne :19 12 Off Balance :28 13 Heavenly Bodies 2:29 14 Moonshine, Part 1 :51 15 Moonshine, Part 2 :10 16 On the Moon 1:34 17 Rock Man Rock 2:22 18 In the Caves 1:23 19 Cave Suspense 2:02 20 The Lido :50 21 Sweethearts on Parade :47 22 Medallion Suspense :40 23 Boy Meets Girl 2:02 24 Cat Fight :42 25 Mind Over Matter 1:06 26 Spider Monster, Part 1 :51 27 Spider Monster, Part 2 :58 28 Spider Bait :57 29 Mind Me! 1:20 30 Lido’s End 1:35 31 Court in Session 1:17 32 Crime & Punishment :17 33 Spider’s End :47 34 Minds Over Men 1:13 35 Lethal Lever :54 36 Electric Violin :28 37 Do or Die 2:28 38 Final Escape 1:20 39 End Title :38 FRANKENSTEIN’S DAUGHTER 40 Lab Suspense :43 41 Monster 1:26 42 Chase - Suspense 1:12 43 Lab Suspense #2 1:01 44 Hit and Run 1:04 45 Monster’s Return :38 46 Oliver’s Unveiling :38 47 Oliver’s Revenge :49 48 Suspicion #2 :57 49 Cop-Killer :42 Missile to the Moon Bonus Tracks! [7:19] 50 Dance 1:40 51 Electric Violin (weird sounds), Part 1 :45 52 Electric Violin (weird sounds), Part 2 :54 53 Percussive FX Patterns and Organ :55 54 Vibraphone Through a Signal, Part 1 1:03 55 Vibraphone Through a Signal, Part 2 :20 56 Drum Sweetener 1:41 Quelle: http://www.mmmrecord...o_the_moon.html

Monstrous Movie Music veröffentlicht Leith Stevens Destination Moon [Endstation Mond] Destination Moon (MMM-1967) is the first complete release of Leith Stevens’ classic 1950 soundtrack. Simply one of the greatest outer space scores, these original soundtrack recordings have never been released on CD. The spectacular score totals over 56 minutes, a half-hour more than was released on ten-inch album over 60 years ago! From the composer’s original acetate recordings, this CD includes every drop of Stevens music, including some that was edited from the movie. The disc also contains Clarence Wheeler’s fantastic accompaniment written for the Woody Woodpecker cartoon that’s shown in the George Pal motion picture. This most important science fiction score is finally available so film music fans can revel in its brilliance. This Monstrous Movie Music release contains a 20-page liner book discussing all aspects of the music, as well as containing copies of some of the written scores. Stunning cover painting by Hugo Award-winning artist Vincent Di Fate. 1 Main Title 1:43 2 The Blockhouse 1:07 3 Let’s Start Again 1:41 4 Barnes Inc. 1:15 5 Introducing Woody* :35 6 Woody Shoots Gun* 1:07 7 Woody’s Rocket* 1:32 8 Woody Come Home* :55 9 Let’s Get to Work :44 10 Building Montage 2:13 11 Planning the Trip 2:00 12 Dead Serious :09 13 Goodbye 2:01 14 Countdown 1:02 15 On the Trip 1:06 16 The Harmonica Solo :29 17 Out in Space 2:06 18 Adrift in Space 2:00 19 The Rescue 1:55 20 They’re Safe 2:12 21 Preparing to Land 1:28 22 Landing on the Moon :10 23 We’re on the Moon :30 24 On the Moon 4:18 25 Fun on the Moon :58 26 Adventure on the Moon :35 27 Cargraves Takes a Picture 2:11 28 Bad News 2:33 29 Lightening Ship 2:32 30 It Looks Hopeless 1:47 31 The Dilemma 2:37 32 Sweeney’s Sacrifice 3:22 33 Escape from the Moon 2:56 34 End Title 1:35 Bonus Track 35 Harmonic Glissando 1:09 Quelle: http://www.mmmrecord...ation_moon.html

Monstrous Movie Music veröffentlicht The Last Man On Earth, komponiert von Paul Sawtell und Bert Shefter, limitiert auf 1.000 Stück. 1 Prologue 1:29 2 Main Title 1:36 3 Dead Vampires 1:00 4 Survival 2:18 5 The Stakes :41 6 Dead Vampires (Taken Away) 1:48 7 Pit Smoke 1:16 8 Goes for Supplies 2:46 9 Killing Vampires 2:03 10 Vampire Bop 1:21 11 To the Chapel :52 12 Beside Casket 1:27 13 Fights off Vampires :41 14 Finds Vampires at House 1:48 15 Watching Home Movie 1:42 16 Retrospect :16 17 Baby’s Room :36 18 Smoke :09 19 Taking the Dead Away :47 20 Still Troubled :12 21 The Deserted Lab :27 22 Death of Baby :57 23 Raging Inferno 1:47 24 Wife Gone :30 25 To the Cemetery 1:24 26 Face From the Grave :43 27 Sunrise :11 28 New Discovery 2:08 29 Vampires Iron Stakes :50 30 Dog Is Hurt 1:00 31 Buries the Dog 1:41 32 Girl’s Existence 1:24 33 Injection Needle :58 34 Girl Infected :47 35 Transfusion 1:45 36 Transfusion a Success 1:15 37 Iron Lancers Attack 1:31 38 After the Last Man 1:09 39 Last Man Shot (93X) :11 40 Last Man Shot 1:58 41 End Title 1:12 Bonus Tracks! 42 Beside Casket* 1:29 43 Fights Off Vampires* :44 44 Finds Vampires at House* 1:48 45 Face From the Grave* :43 46 End Title* 1:11 *without vocal overdubs Quelle: http://www.mmmrecord...n_on_earth.html

Auch wenn's vielleicht nicht so viele interessiert: Es gibt Neuigkeiten aus dem Bereich VG-Musik. Assassin's Creed III von Lorne Balfe, erscheint am 30. Oktober als Download Ich persönlich finde es sehr schade, dass Jesper Kyd nicht mehr dabei ist. Auch wenn ich seine Scores als Höralben nicht besonders gelungen finde, da diese einige Längen aufweisen, so hat er doch einen speziellen, unverwechselbaren und individuellen Sound kreiert, der absolut zu den Spielen passt. Insgesamt frage ich mich auch, wieso man Balfe überhaupt beim Vorgängerteil Revelations an Board holen musste. Der Mischmasch zwischen Kyd und Balfe, die beide einzeln ihre Suppe gekocht haben, hat dem Gesamtprodukt geschadet. Den Hörproben nach zu urteilen wird AC III dennoch ein ordentlicher VG-Score, der als Höralbum vielleicht am Besten von allen bisherigen fünf Teilen funktioniert. Nur leider fehlt insgesamt eindeutig Kyds Stil. Wenigstens scheint Balfe nicht mehr das AC-Revelations-Main-Theme auf redundante und unvariierte Weise einzusetzen, wie er es beim Vorgänger getan hat. Es ist außerdem zu erkennen, dass er auf Material der Tracks "The Revelation" und "Labored and Lost" zurückgreift. Kleiner Tipp noch für Kyd-Fans als "AC III-Ersatz": Darksiders II (hat halt, wie bei Kyd üblich, Längen, aber dafür auch sehr besondere Momente)

Intrada veröffentlicht zwei neue CDs in ihrer Special Collections-Reihe:

Wieder mal kein Thread darüber gefunden.. naja dann gibt es ihn nun halt jetzt Eingespielt wird der Score vom MDR SINFONIEORCHESTER und vom MDR RUNDFUNKCHOR Auf den folgenden Link findet sich ein toller zweiseitiger Bericht über die Arbeit am Score, wo zum Beispiel drinnen steht, dass der Score schon mit dem Drehbuch geschrieben und eingespielt wurde und erst nach Drehschluss an die Szenen angepasst wurde. Tom Tykwer – zwischen Notenpult und Kamera

Howlin' Wolf Records is very proud to present THE DEAD by British Indian Film Composer and Music Producer Imran Ahmad (composer for the award winning documentary MAYOMI). THE DEAD directed by The Ford Brothers, Howard and Jonathan Ford, is an acclaimed and unique zombie film shot on location in West Africa, which follows the journey of an American mercenary/engineer and an African militia officer as they struggle to survive a zombie pandemic and reconnect with family amidst a world in chaos and turmoil. The music for THE DEAD is a hauntingly, beautiful score composed by Imran Ahmad, rich with percussion, flutes, and acoustic ancestral textures provided by Gambian kora player Jally Kebba Susso with stirring and evocative chants/vocals by Eritrean singer Saba Tewelde. THE DEAD is packaged in a jewel case with full color inserts, featuring an 8-page booklet with beautiful artwork and designs created by visual artist and designer Luis M. Rojas, including notes from the composer Imran Ahmad and biographies for featured artists Jally Kebba Susso and Saba Tewelde. 01. Theme from THE DEAD 2:50 02. The Desert 2:41 03. Evacuation 2:10 04. Burning Village 2:39 05. Plane Crash 1:49 06. The Beach 4:05 07. Hope I 1:30 08. Into the Fields 0:25 09. Spirit Released 0:56 10. The Car 3:49 11. Saved 3:21 12. Refugees 1:20 13. Forsaken 2:02 14. The Airport 2:16 15. Zombies in the Night I 1:07 16. Friendship 0:56 17. Safe Haven 2:02 18. The Chief 2:00 19. Hope II 0:28 20. Dream 0:49 21. This Water is All We Have 1:53 22. The Well 1:12 23. Zombies in the Night II 0:58 24. Do You Have Family? 1:58 25. Campfire Attack 3:48 26. The Baby 3:07 27. The Devil's Claw 2:15 28. Journey to the North 4:17 29. Nowhere Left to Go 1:29 30. Hope III 1:30 31. End Credits 3:02

Eímear Noone war unter anderem als Dirigend bei den Musikaufnahmen von Diablo 3, Starcraft 2 und World of Warcraft beteiligt. Ich kann den Score wärmstens empfehlen, es ist meiner Meinung nach das beste Release von 2m1, weshalb es auch so lange gedauert hat es zu veröffentlichen. http://2m1records.ba...ture-soundtrack

Eigentlich kein großes Geheimnis mehr, aber nun offiziell:

Ramin Djawadis Score zur TV-Serie Person of Interest von Jonathan Nolan (Memento, The Dark Knight und The Dark Knight Rises) wird laut folgender facebook-Nachricht demnächst auf CD erscheinen. Wahrscheinlich bei Varése und zum DVD-/BD-Start im September.

Auch schön: