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Intrada hat die Musik zu SO I MARRIED AN AXE MURDER von Bruce Broughton veröffentlicht:

Im Rahmen der Signature Edition-Serie hat Intrada die Musik zum Pilotfilm der Serie REMO WILLIAMS sowie MISSION OF THE SHARK: THE SAGA OF THE U.S.S. INDIANAPOLIS von Craig Safan veröffentlicht:

http://www.comingsoo...ws.php?id=84868beide haben grade ne schwache phase.snow white wird wohl besser wenn man ihn läßt.green lantern war käse, green hornet hatte nur ein tolles actionfinale und sonst nix.

Neuer Auftrag für JNH

Olivier Deriviere, der französische Komponist von Alone In The Dark, Remember Me und Of Orcs and Men hat die Musik für den Assassin's Creed 4 DLC "Freedom Cry" geschrieben. Samples klingen toll https://soundcloud.com/olivier-deriviere/sets/assassins-creed-iv-freedom-cry Soundtrack wird zum Release vom DLC digital erhältlich sein.

Am 21. Oktober 2013 erscheint vom Label Music Box Records der Score zu Fitzwilly (Die Lady und ihre Gauner) mit 45 Minuten bisher unveröffentlichter Musik. Es handelt sich dabei um die originalen Filmtracks in Mono die nie zuvor erhältlich waren. Das Höralbum in Stereo ist ebenfalls dabei. Das ganze ist auf 1000 Stück limitiert. Weitere Infos und Soundclips: http://www.musicbox-records.com/en/49-fitzwilly.html

Kommende Woche erscheint bei Intrada die Musik zu HOCUS POCUS von John Debney:

Und da ist die X-Files-CD: Und drei Scores auf einer CD:

Das ist mal eine erfreuliche Komponistenwahl

Lorne Balfes Filmmusik zur schottischen Komödie Not Another Happy Ending wurde am 25.10.2013 digital veröffentlicht. Running Away (0:56) I Fall For You (3:25) * All I Want Is To Be Alone (2:04) I Was Loved (2:51) You Have My Notes (1:35) Not Another Happy Ending (3:20) * Enough Of The Past (0:42) We've Lost Her (2:25) Tristesse Books (2:04) Not Another Happy Ending (Slow Version) (3:55) * * Songs performed by Sandi Thom, written by Lorne Balfe & Sandi Thom http://www.amazon.com/dp/B00G7FZAHU/ref=as_li_tf_til?tag=hanszimmercom-20&camp=14573&creative=327641&linkCode=as1&creativeASIN=B00G7FZAHU&adid=1AJK50QQ8QZ8APTDF7FF&&ref-refURL=http%3A%2F%2Fwww.hans-zimmer.com%2Findex.php%3Frub%3Ddisco%26id%3D1203

Label: Intrada Special Collection Volume 238 Date: 1965 Tracks: 32 Time = 76:26 Intrada proudly presents sumptuous, tuneful Max Steiner soundtrack for Walt Disney family classic, directed by Norman Tokar, with Brian Keith, Vera Miles, Brandon De Wilde, Linda Evans. Gorgeous New England setting plus dramatic tale of attempts to build sanctuary for wild geese being hunted for sport inspires Steiner to create magnificent waltzing main theme for geese plus proud Calloway family theme, lumbering idea for family bear, young lovers theme, Indian theme, much more. Dramatic material is strong, gentle material is beautiful. Steiner also finds room to create intense, powerful action music for hunt sequence pitting boy and dog against raging cat. Enough melodies for three movies! Adding to CD's appeal are two numbers written for movie by legendary Disney songwriters Richard M. Sherman & Robert B. Sherman. Intrada CD offers complete score in stereo from actual 1/2" three-channel scoring session masters preserved in mint condition in bountiful Disney vaults. Colorful "flipper" packaging allows choice of front cover artwork! Max Steiner conducts. Intrada Special Collection release available while quantities and interest remain! Quelle: http://store.intrada.com/s.nl/it.A/id.8017/.f

Liebwerte Buben und Mädels, Ihr müsst jetzt sehr, sehr tapfer sein! Denn Euere Geldbörse wird leer! Kritzerland is very proud to present a 2-CD set – the world premiere release of the original film tracks, along with a brand new mastering of the original LP re-recording of: THE MISSOURI BREAKS Music Composed and Conducted by John Williams Well, it seemed like a good idea: Pair two superstars coming off hugely successful films – Marlon Brando, whose last two films had been The Godfather and Last Tango in Paris, and Jack Nicholson, coming off Chinatown and One Flew Over the Cuckoo’s Nest – add in screenwriter Thomas McGuane, a well-respected novelist turned screenwriter, with Rancho Deluxe and 92 in the Shade (based on his novel) to his credit, and top it off with the great director Arthur Penn, who’d made the brilliant The Miracle Worker, Bonnie and Clyde and Little Big Man. Then hire some of the best character actors working then – Harry Dean Stanton, John McLiam, Randy Quaid, Frederic Forrest, and a fetching, strong-minded leading lady, Kathleen Lloyd and how could it fail? But fail it did, with both critics and audiences. But thanks to TV and home video, people have come to embrace the pleasures of the film. It looks great, thanks to the beautiful photography of Michael Butler, but even more importantly it has a musical score that just brings the whole thing alive, thanks to the great John Williams. Williams had already done big, brash, outdoorsy Americana before with The Reivers and The Cowboys. But The Missouri Breaks wasn’t big and brash, and so required a different kind of score – smaller in scale, but one that would capture the characters and the drama as well as the period and the feel of the film. And, of course, Williams delivered a perfect score (albeit atypical for him during this period), mostly composed for guitars, harmonica, percussion, and a handful of other instruments. Williams never wants for coming up with an instantly memorable and beautiful theme and The Missouri Breaks has a beauty in its love theme – never overused, always right. His main title music sets the mood with tense bass notes, and off-kilter harmonica and guitar – it’s wonderfully evocative and haunting. There are up-tempo infectious cues and cues for Brando that are really off-kilter. It’s Williams doing what he did (and still does) better than anyone, and it’s a score that’s completely unique to him. There was an LP release at the time of the film – that was a re-recording, and Williams, as he did frequently, arranged the music differently than the film, to work as a cohesive thirty-six minute album. That LP release was issued on CD, first by Ryko, who added three bonus tracks from the original film cues – the first time those had been heard outside the film (although, interestingly, those three cues contained no music that wasn’t in the re-recording) – and then by Varese Sarabande, which was a virtual clone of the Ryko CD. For this CD release, we are really pleased to present all of the original film tracks for the very first time – their world premiere release – from the original superb-sounding session masters. It’s leaner and meaner than the re-recording, and a completely different listening experience. A handful of cues went unused in the film itself, but we’ve included everything for this release. We also are including the original LP presentation but we’ve gone back to the original album masters so we could be at the original source for the best possible sound. So, here, at long last, is the complete original soundtrack cues for The Missouri Breaks. They’ve been a long time coming, but we hope you’ll find they’ve been worth the wait. THE MISSOURI BREAKS is limited to 1200 copies only. The 2-CD set is priced at $19.98, plus shipping. CD will ship the second week of August, but preorders placed at Kritzerland usually ship one to five weeks early (we’ve been averaging four weeks). Und der Preis ist heiß: 19.98 $ Wenn Ihr dem Link folgt, dürft Ihr auch probehören: http://www.kritzerland.com/mo_breaks.htm

Am 27. September veröffentlicht Milan den Soundtrack "Filth" von Clint Mansell.

Sparks & Shadows veröffentlicht am 28. Mai den Soundtrack zu Bear McCrearys "Da Vinci's Demons", mit einer Laufzeit von über 90 Minuten, digital. Eine 2-CD Collectors Edition folgt später dieses Jahr. Das Theme allein wurde bereits im April einzeln veröffentlicht und kann man sich hier probehören. Tracklist: 1. Da Vinci’s Demons Main Title Theme 2. Assassination in Milan 3. The Glider 4. Starlings 5. Sons of Mithras 6. Flight of the Columbina 7. Lucrezia Donati 8. Secret Archives 9. Ben Venga Maggio 10. Hidden Map 11. Prayer to Saint Michael 12. Story of the Shield 13. Cheval Toutes 14. Jacopo 15. Vlad the Third 16. Misereis Omnium 17. Visions of Lucrezia 18. Treasures of The Vatican 19. The Lullaby 20. Red River 21. Future Sons Mithras 22. Visions and Demons 23. The Astrolabe 24. The Lovers 25. Easter Mass 26. Da Vinci’s Demons End Credits

Neue CD von Pino Donaggio

WaterTower Records wird zu BATMAN: ARKHAM ORIGINS den Soundtrack von Christopher Drake veröffentlichen. Eine CD kann bereits bei Amazon.com bestellt werden: BATMAN: ARKHAM ORIGINS - Christopher Drake Nächste Woche werden wohl Samples veröffentlicht. Einmal mehr bin ich ein wenig mehr abgetöent von Arkham Origins, da einfach zu viele Brüche mit den alten, wirklich hervorragenden Spielen vorhanden sind: Ein neuer Komponist, der sicherlich nicht mehr das Thema von Nick Arundel und Ron Fish verwenden wird, Kevin Conroy und Mark Hamill sind nicht dabei, Rocksteady hat nicht entwickelt... Eine reine Geldmacherei wahrscheinlich.

Kritzerland is proud to present a new limited edition release – two world premiere scores on one CD: HEAVEN CAN WAIT and RACING WITH THE MOON Composed and Conducted by Dave Grusin Heaven Can Wait, the 1978 remake of Here Comes Mr. Jordan, received glowing reviews and was a huge hit for Paramount. Warren Beatty, in addition to starring, co-directed (with Buck Henry), and co-wrote the screenplay (with Elaine May). An absolutely first-rate, perfect cast was assembled – in addition to Beatty and Buck Henry, the film also starred Julie Christie, Charles Grodin, Dyan Cannon, Jack Warden, Joseph Maher, and James Mason as Mr. Jordan. At Academy Awards time, Heaven Can Wait received nine Oscar nominations, including Best Picture, Best Writing, Screenplay Based on Material from Another Medium, Best Director, Best Cinematography, Best Actor (Beatty), Best Actor in a Supporting Role (Warden), Best Actress in a Supporting Role (Cannon), Best Art Direction-Set Decoration, and a Best Music, Original Score nomination for the film’s composer, Dave Grusin. One of the key elements of the film that makes it work so well is Grusin’s score. Composers and directors have to decide how much music any film should have. In the case of Heaven Can Wait, Grusin wrote a short score – Beatty clearly didn’t want the film loaded with music from start to finish. In the end, there was only about fifteen minutes of original Grusin music used, but what music it is! It’s a testament to what Grusin wrote that it seems like there’s much more music in the film than there actually is. His main theme, the jaunty and captivating “Heaven Walk,” is one of Grusin’s most memorable melodies – it’s used throughout and every time it appears it’s like having an old friend say hello. And then there is the gorgeous, simple, but hugely touching music for the romance of the Beatty and Christie characters. This is the world premiere release for Heaven Can Wait. In addition to what ended up in the film, we present the unused cues as well as some alternates as bonus tracks. This release was newly mixed from the original 16-track tapes housed in the Paramount vaults. Six years later, Paramount made Racing With the Moon, a film directed by actor Richard Benjamin, who’d had a huge critical and audience success two years earlier with his first film, My Favorite Year. The cast featured three actors who had made their screen debuts not too long before this film, and who were all on the cusp of stardom – Sean Penn, Elizabeth McGovern and Nicholas Cage, each of whom gives an incredibly appealing performance. As with Heaven Can Wait, the score was by Dave Grusin and it’s a beauty. Its tender themes glow with an incandescent beauty – one is period-flavored, while the other is more timeless in feel. Those themes alternate throughout the score, along with an infectious “Moon Boogie” and “Mendocino Station.” In addition to Grusin’s stunning work, there are several big-band 1940s source music cues that are very much a part of the fabric of the film; those cues were arranged and conducted by the amazing Billy May. This is the score’s world premiere release, and it includes the complete Grusin score, along with all the big band source music cues, all taken from the original stereo session tapes housed in the Paramount vaults. Heaven Can Wait and Racing With the Moon – two never-before-released Dave Grusin scores. Heaven indeed. Heaven Can Wait/Racing With the Moon is limited to 1000 copies only and is priced at $19.98, plus shipping. CDs will ship the last week of November, but preorders placed at Kritzerland usually ship one to five weeks early (we’ve been averaging four weeks). Quelle: http://www.kritzerland.com/heavenWait_moon.htm

Hallo zusammen, da ich noch keinen eigenen Post für diese, wie ich finde, interessante und Halloweenesque Veröffentlichung gefunden habe: Quelle: http://store.intrada.com/s.nl/it.A/id.8285/.f Ich muss sagen, die Soundschnippsel klingen für das Alter wirklich klasse und viel besser als die Tonspur der alten DVD-Veröffentlichung die ich besitze. Das Ding ist direkt bestellt worden. Freue mich sehr drauf!

Beim Film Music Reporter kann man lesen, dass die Musik zu ENDER'S GAME von James Horner kommen soll:

Mal ein Thrillerscore von Beck...

Direkt bei Amazon.de kaufen: MAN OF STEEL (The Deluxe Edition) - Hans Zimmer MAN OF STEEL - Hans Zimmer Nun also doch... nachdem er erst sehr nobel abgesagt hat, weil für ihn es keine andere Superman-Musik als die von John WIlliams gibt, macht er nun doch die Musik für den neuen Superman-Film hier wirds auch gesagt.. War mir seine erste Entscheidung.. diesen Film aus Respekt gegenüber der Superman-Musik von John Williams nicht vertonen zu wollen, sehr sympathisch.. finde ich das hier nun eher fraglich... keine Ahnung, was ich davon halten soll..

Demnächst von Kritzerland: POLTERGEIST II: THE OTHER SIDE (Komplett & Remastered) von Jerry Goldsmith: Quelle: FSM Forum

Weiteres von LLL....