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Man kann das Set bestellen, also wohl kein Aprilscherz LA-LA LAND RECORDS PRESENTS APRIL 1, 2025 NEW RELEASE available to order NOW at www.lalalandrecords.com !!! “GLADIATOR: 25th ANNIVERSARY REMASTERED & EXPANDED LIMITED EDITION (3-CD SET)” Music by Hans Zimmer and Lisa Gerrard Limited Edition of 3500 Units RETAIL PRICE: $39.98 STARTS SHIPPING LATE APRIL SHIPPING NOTICE: We will be steadily working through orders in the sequence in which we have received them, so please be patient – your order will eventually be fulfilled and you will receive a shipping confirmation e-mail once your order has shipped. We respectfully ask customers wait 4 weeks to inquire about packages/deliveries not yet shipped and/or received. All such inquiries should be made to info@lalaland-ent.com – Thank you. NOTE: New orders may not be combined with previous or current orders. GLADIATOR: 25th ANNIVERSARY REMASTERED & EXPANDED LIMITED EDITION (3-CD SET) LLLCD 1670 Music by Hans Zimmer and Lisa Gerrard Limited edition of 3500 Units RETAIL PRICE: $39.98 STARTS SHIPPING LATE APRIL Order yours NOW at www.lalalandrecords.com La-La Land Records, Paramount Pictures and Geffen Records proudly present GLADIATOR: 25th ANNIVERSARY LIMITED EDITION (3-CD SET), a deluxe remastered and expanded re-issue of renowned composer Hans Zimmer (THELMA & LOUISE, BLACK HAWK DOWN) and acclaimed vocalist/composer Lisa Gerrard’s original motion picture score to the 2000 Best Picture GLADIATOR, starring Russell Crowe, Joaquin Phoenix and Connie Nielsen, and directed by Ridley Scott. This definitive limited edition release marks the 25th Anniversary of the landmark film and its iconic, Oscar-Nominated score. Hans Zimmer and Lisa Gerrard’s original score is the beating heart of GLADIATOR. Strikingly modern, yet organically evocative of the film’s Ancient Rome setting, the score expertly weaves a mesmerizing tapestry of thundering action and intimate character drama, resulting in an exhilarating and thematic musical odyssey. This special, 3-disc presentation fully illustrates the masterwork’s brilliance, sounding better than ever and expanded with never-before-released music. Produced by Stéphane Humez and edited and mastered by Maxime Marion from studio vault materials and composer archives, under supervision of Hans Zimmer and Lisa Gerrard, this deluxe re-issue showcases the Score Presentation, as written for the film by the composers, across Disc One and Disc Two. Disc Three features The GLADIATOR Sketchbook, showcasing exclusive, never before released sketches from Hans Zimmer’s archives, as well as Additional Music tracks, including alternate cues and more! There is no spoken dialogue in this presentation. Limited to 3500 units, the packaging features rousing art design by Dan Goldwasser and includes a 32 page booklet that contains exclusive liner notes by writer Kaya Savas, featuring new in-depth interviews with composers Hans Zimmer and Lisa Gerrard. “Are we not entertained!!!” TRACK LISTING: DISC I SCORE PRESENTATION 1. Opening – Fields 1:40 2. The Wheat (Film Version)* 1:00 3. The Battle (Film Version) 10:36 4. Commodus – After The War 2:46 5. Marcus & Lucilla 2:06 6. Tell Me About Your Home** 1:07 7. Lucilla & Maximus 2:20 8. Patricide (Film Version) 4:00 9. Emperor Is Dead** 2:21 10. A Soldier's Death – Home 4:03 11. The Bodies** 1:27 12. To Marrakesh++ 4:07 13. I Salute You 7:23 14. Rome 2:20 15. The Greatness Of Rome 1:33 16. Six Man Fight 2:47 17. Win The Crowd 2:38 18. Reunion** 1:15 19. Slaves To Rome (Film Version) 2:07 20. He Sleeps So Well*** 1:00 21. Afraid Of Dark 1:11 22. Walk To Colosseum 0:54 23. Maximus & Lucius Meet** 1:36 DISC TIME 62:19 DISC II SCORE PRESENTATION CONTINUED 1. Barbarian Horde (Film Version)+++ 9:17 2. I Think I'll Meet Him 4:32 3. I'm Vexed 1:21 4. I Knew A Man Once 1:00 5. Tiger Fight – Waiting For Judgment 2:18 6. You Simply Won't Die 2:57 7. Figurines (Film Version)* 1:10 8. They Love Maximus 1:30 9. We Will Lie Still°° 2:03 10. Wish Of A Dying Man° 4:25 11. Secrets (Film Version)** 2:59 12. The Kiss 2:07 13. Busy Bee*** 3:32 14. The Trap – Escape Fails 4:12 15. Am I Not Merciful? (Film Version) 6:37 16. Flashback** 0:46 17. Elysium (Film Version)** 3:00 18. Honor Him 1:20 19. Now We Are Free*** 4:15 DISC TIME 59:24 DISC III THE GLADIATOR SKETCHBOOK 1. Duduk Of The North 5:35 2. Gladiator Waltz (Demo) 8:28 3. Rome Is The Light*** 2:44 4. After The War 4:42 5. Opening Soldiers (feat. Lisbeth Scott) 5:21 6. Sister Theme 3:31 7. Roman & Spanish++ 6:32 8. After The War (Guitar Variation) 3:55 ADDITIONAL MUSIC 9. The Wheat (Alternate)* 1:18 10. The Battle 10:03 11. The Bodies (Alternate)+ 1:27 12. To Marrakesh (Alternate Opening Version 1)++ 1:33 13. To Marrakesh (Alternate Opening Version 2) 1:36 14. Marrakesh Marketplace† 0:44 15. Win The Crowd (Alternate)** 1:30 16. Afraid Of Dark (Alternate)*** 0:49 17. Figurines+ 1:03 18. Figurines (Alternate) 1:10 19. Busy Bee (Alternate)** 3:46 20. The Trap – Escape Fails (Alternate) 3:20 21. Now We Are Free (Alternate Version 1)*** 5:06 22. Now We Are Free (Alternate Version 2)*** 4:01 DISC TIME 78:17 TOTAL COLLECTION TIME 200:00 *Written by Lisa Gerrard **Written by Lisa Gerrard & Klaus Badelt ***Written by Hans Zimmer, Lisa Gerrard & Klaus Badelt +Written by Hans Zimmer & Lisa Gerrard ++Written by Hans Zimmer & Djivan Gasparyan +++Written by Hans Zimmer & Nick Glennie-Smith °Written by Hans Zimmer & Klaus Badelt °°Written by Klaus Badelt †Written by Jeff Rona This is a CD format release

Lorne Balfe keine Zeit? https://filmmusicreporter.com/2025/04/18/max-aruj-alfie-godfrey-scoring-christopher-mcquarries-mission-impossible-the-final-reckoning/

„John Williams: The Anthology“ präsentiert die zentralen Soundtracks des legendären Komponisten in drei Box-Sets. Das erste, 22 CDs umfassende Boxset „The Anthology – Vol. 1“ erscheint am 18. Juli und versammelt 27 Soundtracks aus den Jahren 1969-1990. Darunter: „Der weiße Hai“, „Star Wars“, „Unheimliche Begegnung der dritten Art“, „Superman: Der Film“, „Dracula“, „Jäger des verlorenen Schatzes“, „E. T. der Außerirdische“, „Empire of the Sun“, „Geboren am 4. Juli“ und „Kevin – Allein zu Haus“. John Williams langjähriger kreativer Partner und persönlicher Freund, der Regisseur Steven Spielberg, erklärt: „Ich freue mich sehr, dass Sony Masterworks ‚John Williams: The Anthology‘ veröffentlicht. Das dreiteilige Box-Set ist eine speziell kuratierte Sammlung von Johns bester Musik für Film und Konzertbühne. Die erste Box feiert seine Filmarbeit von den 1960er bis zu den 1980er Jahren, eine Zeit, in der John Williams die Rolle des Symphonieorchesters in der Filmmusik neu belebte und einige der kultigsten und zeitlosesten Kompositionen Hollywoods erschuf, für Filme wie „Der weiße Hai“, „Star Wars“, „Unheimliche Begegnung der dritten Art“, „Superman: Der Film“, „Dracula“, „Jäger des verlorenen Schatzes“, „E. T. der Außerirdische“, „Empire of the Sun“, „Geboren am 4. Juli“ und „Kevin – Allein zu Haus“. Im Laufe seiner langen Karriere wurde John Williams zu einem der einflussreichsten und bekanntesten Filmkomponisten der Welt. Er hat Musik für über 120 Filme komponiert, wobei viele seiner Stücke zu den bekanntesten Filmmusiken aller Zeiten gehören. Seine ikonischen Themen für Klassiker wie „Der weiße Hai“, „Jurassic Park“, „E.T. – Der Außerirdische“, „Jäger des verlorenen Schatzes“, „Superman“ und „Harry Potter“ sind weltberühmt. Williams ist vor allem für seine jahrzehntelange kreative Zusammenarbeit mit Regisseur Steven Spielberg bekannt, aus der einige der erfolgreichsten Filme aller Zeiten hervorgingen. „John Williams: The Anthology – Vol. 1 1969-1990“ enthält 22 CDs mit dem jeweiligen Original-Cover-Artwork und ist der erste Teil eines dreiteiligen Box-Sets, das den legendären John Williams und sein umfangreiches Werk würdigt. Produkt-Nr.: 19802861012 (22CDs) Im Handel ab: 18.07.2025 Inhalt des Box-Sets: DISC 1: THE REIVERS DISC 2: THE COWBOYS  DISC 3: EARTHQUAKE + THE TOWERING INFERNO  DISC 4: JAWS + JAWS 2  DISC 5: STAR WARS (EPISODE IV: A NEW HOPE) DISC 6: CLOSE ENCOUNTERS OF THE THIRD KIND DISC 7: THE SUGARLAND EXPRESS + 1941 DISC 8: THE FURY  DISC 9: SUPERMAN  DISC 10: DRACULA + MONSIGNOR  DISC 11: STAR WARS (EPISODE V: THE EMPIRE STRIKES BACK) DISC 12: RAIDERS OF THE LOST ARK  DISC 13: E.T. THE EXTRA-TERRESTRIAL DISC 14: STAR WARS (EPISODE VI: RETURN OF THE JEDI) DISC 15: INDIANA JONES AND THE TEMPLE OF DOOM  DISC 16: SPACECAMP  DISC 17: THE WITCHES OF EASTWICK  DISC 18: EMPIRE OF THE SUN  DISC 19: THE ACCIDENTAL TOURIST  DISC 20: INDIANA JONES AND THE LAST CRUSADE DISC 21: BORN ON THE FOURTH OF JULY + Always DISC 22: HOME ALONE 

JURASSIC PARK III: REMASTERED & EXPANDED LIMITED EDITION Original Themes by John Williams New music composed and conducted by Don Davis Limited Edition of 3000 Units RETAIL PRICE: $31.98 STARTS SHIPPING NOV 12 La-La Land Records, Universal Pictures, Amblin Entertainment, Universal Music Group and Decca Records present JURASSIC PARK III, a limited edition 2-CD remastered and expanded presentation of acclaimed composer Don Davis’ (THE MATRIX, THE MATRIX RELOADED, BOUND) original motion picture score to the blockbuster second sequel in the legendary JURASSIC PARK franchise, starring Sam Neill, William H. Macy and Tea Leoni, and directed by Joe Johnston. Expertly interpolating, and building on, maestro John Williams’ iconic JURASSIC themes, composer Davis propels the film’s excitement even further with his own powerhouse, original orchestral material. Expanded and sounding better than ever, JURASSIC PARK III shines brilliantly – it’s robust, thematic high-octane film scoring that finally gets to shine in full within this deluxe release. Produced by Mike Matessino and Neil S. Bulk, newly edited by Bulk and mixed and mastered by Matessino from the original 24 bit film mixes, this 2-CD presentation showcases the original 2001 soundtrack release remastered on Disc 1, with the expanded film score spread across both discs, concluding with additional tracks on Disc 2. The exclusive, in-depth liner notes are by John Takis, including new comments from the composer, while the sharp art design is by Jim Titus, continuing the eye-catching style he employed for our JURASSIC PARK and THE LOST WORLD re-issues. This is a limited edition of 3000 Units. TRACK LISTING: DISC 1 ORIGINAL SOUNDTRACK ALBUM (54:28) 1 Isla Sorna Sailing Situation 4:21 2 The Dinosaur Fly-By 2:13 3 Cooper’s Last Stand 1:59 4 The Raptor Room 2:35 5 Raptor Repartee 3:04 6 Tree People 2:00 7 Pteranodon Habitat 3:01 8 Tiny Pecking Pteranodons 3:34 9 Billy Oblivion 2:49 10 Brachiosaurus On The Bank 2:05 11 Nash Calling 3:36 12 Bone Man Ben 7:18 13 Frenzy Fuselage 3:58 14 Clash Of Extinction 1:39 15 The Hat Returns / End Credits 5:07 16 Big Hat, No Cattle 4:24 Performed by Randy Newman SCORE PRESENTATION (85:07) 17 Isla Sorna Sailing Situation (Film Version) 4:26 18 Dinosaur Man 1:43 19 Udesky, Nash And Cooper 2:29 20 The Raptor Bone 1:18 21 Raptor In The Cabin 1:52 22 The Dinosaur Fly-By (Film Version) 2:28 23 Cooper’s Last Stand (Extended Version) 2:52 24 Frenzy Fuselage (Extended Version) 4:08 25 Clash Of Extinction 1:40 DISC 1 TOTAL TIME: 77:40 DISC 2 SCORE PRESENTATION CONT’D 1 Kirby Paint And Tile Plus 4:07 2 Bone Man Ben (Film Version) 3:39 3 Raptor Eggs 2:54 4 The Raptor Room (Film Version) 2:44 5 Raptor Repartee (Film Version) 3:28 6 Eric To The Rescue 1:52 7 Tree People (Film Version) 2:02 8 Nash Calling 3:36 9 Party Crasher 3:16 10 Pteranodon Habitat 3:01 11 Tiny Pecking Pteranodons (Film Version) 3:24 12 Billy Oblivion (Film Version) 2:54 13 Brachiosaurus On The Bank 2:05 14 Reaching For Glory 2:32 15 River Rampage 2:13 16 Paul Makes The Leap 2:59 17 River Reminiscence 1:07 18 Raptor Harassment 3:41 19 The Hat Returns / End Credits (Extended Version) 10:02 ADDITIONAL MUSIC (13:14) 20 Dinosaur Man (Alternate) 1:43 21 Raptor In The Cabin (Alternate) 1:52 22 Cooper’s Last Stand (Alternate) 2:38 23 Clash Of Extinction (Alternate Opening) 1:46 24 River Rampage (Alternate Ending) 2:11 25 River Reminiscence (Alternate Ending) 1:08 26 Dinosaur Man (With Choir) 1:44 DISC 2 TOTAL TIME: 75:18 TOTAL 2-DISC TIME: 2:32:58 This is a CD format release.

Demnächst wieder von Intrada.

Hallo Soundtrack-Boarder, wir starten einen erneuten Versuch, die manchmal aufkommende Flut neuer Soundtrack-Veröffentlichungen ein wenig übersichtlicher zu kanalisieren. In diesen Thread sollen künftig Veröffentlichungen hinein, die höchstwahrscheinlich eher ein kleineren, sehr überschaubaren Kreis von Filmmusikfreunden ansprechen. Beispiele für solche Veröffentlichungen sind in der unten angeführten Grafik (courtesy of Stefan Jania ) angegeben. Score-Veröffentlichungen von hoher oder höherer Popularität bekommen weiterhin ihre eigenen, einzelnen Threads. Der Grund für diesen Sammelbereich liegt in der Tatsache begründet, dass zwar oft viele kleinere, obskurere Releases vorgestellt werden, es jedoch seitens der User sehr wenig bis gar kein Feedback dazu gibt. Darunter leidet die Übersichtlichkeit im "Veröffentlichungs-Unterforum". Sollte sich jedoch aus diesem Sammelthread heraus zu bestimmten Veröffentlichungen eine längere Diskussion entwickeln, werden wir Mods/Admins diese in einen separaten Thread auslagern, damit dort weiter debattiert werden kann.

Music by Hans Zimmer Limited edition of 1500 units ORDER NOW AS PART OF OUR 20% OFF SITE-WIDE SPECIAL La-La Land Records and MGM present a remastered and expanded CD re-issue of renowned composer Hans Zimmer’s (RAIN MAN, GLADIATOR) original motion picture score to the landmark 1991 feature film THELMA & LOUISE starring Susan Sarandon and Geena Davis, and directed by Ridley Scott. After their first successful collaboration on BLACK RAIN, director Ridley Scott called upon composer Hans Zimmer once again to score what would become the beloved classic feminist drama/road adventure THELMA & LOUISE. Enthralled by the notion of composing his take on an Americana score, Maestro Zimmer dove into the challenge, fashioning a sonic wonder that takes the audience on a road trip from the Deep South to the Open West, all the while expertly charting an emotional throughline for the complex lead characters. Tinged with blues and Cajun stylings, and featuring legendary master guitarist Pete Haycock’s signature performance skills, Zimmer’s score balances character, drama, action and location with perfect pitch – as brilliantly demonstrated within this newly remastered deluxe re-issue, expanded with more music beyond any of the film’s previous soundtrack releases. Produced by Stéphane Humez and remixed, mastered and edited by Maxime Marion from MGM vault elements, under the supervision of Hans Zimmer, this special limited edition CD release of 1500 units showcases the score as initially written by the composer, as well as alternate and film version bonus tracks, including a 2000 concert suite demo. The exclusive in-depth liner notes are by writer and journalist Kaya Savas, featuring a new interview with the composer. The sharp art design is by Dan Goldwasser. TRACK LISTING: THE SCORE 1. Going To Mexico 2:10 2. J.D. 0:50 3. The Hell With Texas – Happy Birthday Lady 1:51 4. Picking Up J.D. 0:41 5. Oilfields 0:58 6. Watching Him Go – Jimmy Pops The Question 3:04 7. Ride Of The FBI 0:58 8. Louise’s Theme 2:47 9. Giving Up 3:39 10. Getting Out Of State 1:33 11. Charged With Murder 3:02 12. Learning From TV 0:45 13. Chase – You’ve Always Been Crazy 10:20 14. Thelma & Louise End Titles 3:58 BONUS TRACKS 15. Thelma & Louise 2000 Concert Suite (DEMO) 6:39 16. Thelma & Louise Main Title (FILM VERSION) 2:20 17. Giving Up (ALTERNATE) 3:39 18. Suck My Dick (FILM VERSION) 1:39 19. I Got A Knack – Getting Out Of State (FILM VERSION) 2:20 20. Charged With Murder (FILM VERSION) 2:12 ORIGINAL ALBUM TRACK 21. Thunderbird 4:05 TOTAL ALBUM TIME: 59:41 This is a CD format release

Kommt am 20.01. von Intrada:

Elfman hat die Musik für die neue DARK UNIVERSE Attraktion der Universal Theme Parks geschrieben. Seine Musik gibt es nur dort exklusiv als LP zu kaufen.

Wieder mal sehr gelungen!

Zwar hier Off-Topic, aber egal. FEAR STREET kommt am Freitag von Milan.

Quartet Records, in collaboration with Metro-Goldwyn-Mayer, presents the premiere release of Elmer Bernstein’s charming score for the bittersweet high-school comedy CLASS (1983), directed by Lewis John Carlino and starring Jacqueline Bisset, Rob Lowe, Andrew McCarthy, John Cusack and Cliff Robertson. The film is about Jonathan (McCarthy) who goes to college and befriends Skip (Lowe), his roommate. The relationship with Skip proves very useful in matters of love, an area where the young student is lacking. His first attempts are a resounding failure, but then he meets Ellen (Bisset), a woman twenty years his senior. At first everything goes very well, but one day she disappears. When he finds her again, he discovers that she’s Skip’s mom. Elmer Bernstein was no stranger to student comedies in the early 1980s, thanks to his collaborations with John Landis and Ivan Reitman, although CLASS is, rather, a romantic comedy. His score is a sheer delight, providing a sophisticated component to the film. The music is descriptive, romantic and funny, with a powerful main theme that is pure Bernstein. With the elements long gone, assembling this album was a challenge, but working from recently located original mono ¼” tapes and an incomplete set of 24 multi-track stereo elements, the music is finally being released—forty-two years after its recording. The CD contains the main score presentation and additional source music and alternates, all from surviving stereo and mono tracks. This collection has been produced, mixed and mastered by Chris Malone. The full color package includes an essay by film music writer Jeff Bond. 1. Theme From Class 2:50 2. Main Title* 1:37 3. The Boys* 1:49 4. Truth* 0:59 5. Committee* 1:05 6. Chicago* 1:03 7. The Animal* 0:40 8. Flowers* 1:58 9. New York* 1:53 10. Split 1:39 11. Attempt 0:56 12. Reconciliation / End Titles 4:22 Source Music 13. Car Radio 1:39 14. Eats Parsley 2:39 15. Flight Of The Bumblebee And Can-Can 1:56 16. A Mighty Fortress Is Our God (Martin Luther)* 0:49 17. Second Bar Piece* 3:48 Bonus Tracks 18. Committee (Alternate 1) 1:11 19. Reconciliation (Alternate 1) 1:08 20. Reconciliation (Alternate 2) 0:39 21. Meeting Mrs. Burroughs 0:38 22. Behave Like A Burroughs 1:01 23. Special Investigator 1:56 24. Drug Flush 0:56 25. Commitee (Alternate 2) 1:30 26. Main Title (Alternate) 1:53 All tracks stereo, except * mono

Kennt ihn jemand? So ein Film erfordert ja fast einen klassischen Abenteuerscore, auch wenn ich das hier nicht erwarte. https://filmmusicreporter.com/2025/01/03/chris-benstead-scoring-guy-ritchies-fountain-of-youth/

Kann auf dieser Seite vorbestellt werden: https://www.sacredbonesrecords.com/products/sbr-355-robin-carolan-nosferatu?srsltid=AfmBOorwTzIUEZcc90NWyDy3WP_wBsS4hHbts-sO0O2S4q7I-c7YTRvD Und hier zwei Clips, die - wenn auch kurz - mir sehr gut gefallen. https://filmmusicreporter.com/2024/09/30/first-tracks-from-robin-carolans-nosferatu-score-released/

LLLCD 1659 Music Composed and Conducted by John Williams Limited edition of 2000 units $31.98 La-La Land Records, Sony Music and Columbia Masterworks proudly present a remastered and expanded 2-CD release of renowned composer John Williams’ original motion picture score to the 1969 feature film period drama THE REIVERS, based upon the novel by William Faulkner and starring Steve McQueen, Mitch Vogel and Sharon Farrell, and directed by Mark Rydell. The treasured collaborative relationship between Maestro John Williams (JAWS, E.T., SCHINDLER’S LIST) and filmmaker Steven Spielberg had its roots in the director’s admiration for Williams’ brilliant score to this nostalgic 1969 drama, in which Faulkner chronicles the arrival of the automobile in the American south at the dawn of the 20th century. This new remastered and expanded 2-CD reissue, featuring the full score presentation for the first time, is an Americana wonder – beautiful, dramatic, heartfelt – an ideal match for Faulkner’s blend of playful humor and vividly drawn prose, conjuring the warm glow of an “endless summer” as experienced by a child on the cusp of adolescence. TRACK LISTING: DISC 1 • SCORE PRESENTATION • 52:55 1. Logo And Main Title (The Reivers) 3:53 2. The Winton Flyer 1:46 3. First Instruction 1:21 4. Ned Tries It Out 1:54 5. Family Funeral / Lucius’ First Drive (Film Version) 2:39 6. A Tall Tale / To Memphis / That Ole Mud Hole 1:48 7. The Road To Memphis (Film Version) 1:44 8. Memphis (Film Version) 1:32 9. Corrie’s Entrance / The Picture (Extended Version) 2:56 10. Lucius And Corrie 1:37 11. The Bad News :35 12. Ned’s Trade (Extended Version) 2:49 13. The Sheriff Departs 2:34 14. Ned’s Secret / The People Protest 2:08 15. Prayers At Bedtime (Extended Version) 2:42 16. Lucius Runs To Corrie 2:11 17. The Prize 1:33 18. Moment Of Glory 1:35 19. Back Home 1:35 20. Boss’s Collar 1:15 21. Camptown Races And End Credits† 1:14 Total Score Time: 41:51 ADDITIONAL MUSIC 22. Stephen Foster Medley‡ 4:06 23. The Winton Flyer (Film Version) 1:47 24. Family Funeral 1:04 25. The Road To Memphis (Alternate) 1:38 26. Boss’s Collar (Alternate) 1:04 27. Camptown Races And End Credits (Alternate) † 1:14 Total Additional Music: 11:10 DISC 2 • 49:07 REMASTERED ORIGINAL SOUNDTRACK 1. Main Title / First Instruction / The Winton Flyer 5:11 2. Family Funeral / Lucius’ First Drive 2:31 3. The Road To Memphis 1:44 4. Corrie’s Entrance / The Picture 2:12 5. The Sheriff Departs / The Bad News / Ned’s Secret 3:34 6. Memphis 1:23 7. Ned’s Trade 2:05 8. The People Protest 1:07 9. Prayers At Bedtime 2:28 10. Lucius Runs To Corrie / Back Home 3:33 11. Finale† 4:12 Total Soundtrack Album Time: 30:20 ADDITIONAL MUSIC 12. The Reivers (Concert Suite) 18:43 † Includes “Camptown Races” composed by Stephen Foster (P.D.) ‡ Contains “Oh! Susanna,” “Beautiful Dreamer,” “Massa’s In De Cold Ground” (P.D.) This is a CD format release

Dan Romer wird wohl der Komponist für den neuen Bond sein, damit kein David Arnold, Thomas Newman oder gar Hans Zimmer, wie ja Soundtrack Composer mal wo geschrieben hat. Hier der Indiewire-Artikel:

Quartet Records, in collaboration with Decca Classics and Universal Music Enterprises, presents a remastered CD edition of the unique, fascinating and controversial Bernard Herrmann recording of Gustav Holst’s THE PLANETS. Recorded during his post-Hollywood period when he was based in London, it was one of several albums he conducted for Decca Records’ Phase Four series, featuring both his own music and that of other composers. THE PLANETS has always been considered something of a cursed album, yet it is loved by his fans for an interpretation that is more Herrmann than Holst. The recording was not universally acclaimed when it was released. This was in part because several recordings of the work already on the market were considered classics, thus setting a very high bar for new entries. Some listeners, however, found the heavy tread of Herrmann’s “Mars” an actual plus, its mechanistic bombast far more threatening and imposing than the composer’s own recorded performance. Herrmann’s slow trek through the “big tune” in “Jupiter” was more widely criticized, but Herrmann was far from the only conductor who favored slower tempi in the later stages of their career—including in some of the Phase Four recordings of his own music. Nevertheless, Herrmann’s THE PLANETS sold well. Although reissued several times on LP in the 1970s, Herrmann’s recording of THE PLANETS was only released on CD in Australia in 2011 as part of a Holst compilation on Decca Eloquence. This new, first-ever solo CD edition has been restored and mastered by Chris Malone from the original master tapes transferred by UME in the UK, and features brilliant, extensive liner notes by classical and film music writer Frank K. DeWald alongside the original LP liner notes by renowned musicologist Harry Halbreich. Mars, The Bringer of War (8:43) Venus, The Bringer of Peace (10:04) Mercury, The Winged Messenger (4:34) Jupiter, The Bringer of Jollity (9:06) Saturn, The Bringer of Old Age (9:31) Uranus, The Magician (6:54) Neptune, The Mystic (8:11) Total Disc Time: 57:06

Gestern bestätigte Williams seine erneute Teilnahme am Krieg der Sterne während seines Konzertes in Boston. http://www.masslive.com/entertainment/index.ssf/2016/08/john_williams_brings_star_wars.html

Wohl auch kein Aprilscherz.

http://store.intrada.com/s.nl/it.A/id.9503/.f?sc=13&category=-113

Hier kann man ruhig einen eigenen Thread dazu starten, oder?

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Dragon’s Domain Records presents the original soundtrack to SLIPSTREAM, featuring music composed by Elmer Bernstein (THE MAGNIFICENT SEVEN, THE GREAT ESCAPE, TO KILL A MOCKINGBIRD, FAR FROM HEAVEN) for the 1989 science fiction adventure film directed by Steven Lisberger (TRON), written by Tony Kayden and Bill Bauer, starring Bob Peck (Edge Of Darkness, Jurassic Park), Mark Hamill (STAR WARS, BATMAN: THE ANIMATED SERIES), Bill Paxton (ALIENS, TWISTER, NEAR DARK), Kitty Aldridge, Susan, Leong, Ricco Ross, Robbie Coltrane and Ben Kingsley (SNEAKERS). SLIPSTREAM is a post-apocalyptic action-adventure story taking place in Earth’s near future after environmental destruction has rendered the Earth a rocky, windblown wasteland over which a river of wind, called the slipstream, becomes the only conduit for travel. Matt Owens (Paxton) is a bounty hunter who swipes a wanted killer named Byron (Peck) from the custody of officer Will Tasker (Hamill) so he can collect the bounty for himself. Transporting Byron in his aircraft through the slipstream, Owens evades Tasker and his tracker, Belitski (Aldridge), while seeking a place where he can cash in on Byron. Along the way, Owens realizes Byron is more than he seems and decides to become his protector from an increasingly unstable Tasker. SLIPSTREAM was an English production, with exteriors filmed in Cappadocia, Turkey, and the rest at Pinewood Studios. The film was produced by STAR WARS’ Gary Kurtz, who had come on board as a favor for a friend. The project reunited Kurtz with Mark Hamill for the first time since the THE EMPIRE STRIKES BACK, as it did with Kurtz’s co-producer Steve Lanning, a second-unit director on EMPIRE. When SLIPSTREAM went into post-production in late 1988, Elmer Bernstein was suggested as a likely candidate to provide its score. His music for HEAVY METAL (1981), SPACEHUNTER: ADVENTURES IN THE FORBIDDEN ZONE (1983), GHOSTBUSTERS (1984), and THE BLACK CAULDRON (1985) were picturesque and grandly sweeping scores. Bernstein was delighted at the proposition to compose a broad score for the film. He invested the music with passionate melodies, ferocious action melodies and provocative sonic eloquence, aided by an exuberant performance from the London Symphony Orchestra. Previously released on compact disc in 2011 and long sold out, Dragon’s Domain Records brings SLIPSTREAM back to the marketplace featuring music composed by the great Elmer Bernstein, performed by the London Symphony Orchestra, with a new mastering by James Nelson of Digital Outland, liner notes by noted author Randall Larson and new artwork designed by Mark Banning. SLIPSTREAM is expected to begin shipping the week of March 24th, 2025. 01. Prologue And Pursuit (3:12) 02. Escape (3:00) 03. Dreams (4:02) 04. Lost Android (3:02) 05. Slipstream People (2:49) 06. Avatar (4:52) 07. Travel To Dance (5:54) 08. Sacrifice (3:11) 09. Museum Society (3:53) 10. Android Love (2:54) 11. Revenge (4:50) 12. Resolution (7:32) Total Time 49:47

LLLCD 1657 Music composed and conducted by Michael Kamen Limited edition of 5,000 units Exclusive release: Sold exclusively here at www.lalalandrecords.com and 007Store.com for the first 90 days of release La-La Land Records, Metro-Goldwyn-Mayer, EON Productions and Universal Music Enterprises mark the 35th Anniversary of the sixteenth 007 film Licence To Kill, with a remastered and expanded 2-CD re-issue of composer Michael Kamen’s original motion picture score. Produced by Albert R. Broccoli and Michael G. Wilson, the 1989 film stars Timothy Dalton as James Bond in his second turn as 007 and is helmed by John Glen, directing his fifth Bond film. Oscar® nominated composer Michael Kamen joins the Bond music fold and unleashes a robust and propulsive score to Licence To Kill, a perfect complement to the harder-edged story, which sees Bond seeking revenge for the maiming of his friend Felix Leiter (David Hedison) and the killing of his new bride Della (Priscilla Barnes). Kamen’s thematic work honors the series’ iconic musical legacy with exciting variations of the classic “James Bond Theme,” while bringing his own unique style to the world of James Bond. Expanded beyond the original soundtrack album, Licence To Kill hits its target like never before within this deluxe presentation, which also includes two versions of the film’s title song, performed by Gladys Knight. Produced by Neil S. Bulk and mastered by Doug Schwartz from 1/4" stereo tapes and 3-track mag provided by MGM, this is a special 2-CD release, limited to only 5,000 units. The score presentation is spread across both discs, while Disc Two also includes the remastered 1989 soundtrack album, as well as additional music. The exclusive, new liner notes are by film music journalist and author Jon Burlingame and the art direction is by Dan Goldwasser. TRACK LISTING: DISC 1 SCORE PRESENTATION 91:36 1. Gun Barrel / Cray Cay Landing* 1:13 2. His Funny Valentine (Film Version) 1:46 3. Sanchez Is In The Bahamas / Shark Fishing (Extended Version)* 2:16 4. Bond Hooks Sanchez* 2:06 5. James & Felix On Their Way To Church (Film Version)* 0:54 6. Licence To Kill (Performed by Gladys Knight) 4:12 7. Sanchez Escapes 1:52 8. Della’s Goodbye 1:17 9. Torturing Felix 2:08 10. He Disagreed With Something That Ate Him 2:05 11. Let’s Go Shark Hunting 0:38 12. Ocean Exotica Break-In* 2:56 13. You Earned It 2:27 14. Hemingway House 1:48 15. Licence Revoked (Film Version) 1:15 16. Bond Aboard* / Sharkey Dead 4:50 17. Seaplane Escape* 7:06 18. Pam (Film Version)* 2:52 19. Enter Ms. Kennedy / Enter Lupe / Sanchez’s Office 3:37 20. Uncle Q / Let’s Get Some Rest* 2:09 21. Planting The Explosives* 4:06 22. Kwang* / Assassination Attempt 2:29 23. Ninja (Film Version) 3:59 24. Sanchez’s Home 1:11 25. Bond Sneaks Out* 1:26 26. Bond Confronts Pam 1:45 27. Framing Krest* 5:18 28. Leaving Harbour 1:19 29. Bond And Lupe 1:46 30. Q In Disguise 0:41 TOTAL DISC 1 TIME: 1:14:12 DISC 2 SCORE PRESENTATION CONTINUED 1. The Lab* / The Process* 2:22 2. The Conveyor Belt 2:46 3. Dario Sees Pam / Chewed Up 1:15 4. Escape From The Compound 2:11 5. Tanker Downhill* 1:17 6. Truck Chase* 4:42 7. Problem Eliminated / Get In 1:32 8. Pam And Bond 1:07 ADDITIONAL MUSIC 11:34 9. Bridal Chorus 0:19 10. Für Elise 1:10 11. Olimpatec Meditation Institute 2:52 12. Casino Source I 1:15 13. Casino Source II 0:30 14. Party Version I 0:40 15. Party Piano 2:33 16. Pam (Wild Guitar Excerpt) 2:04 ORIGINAL SOUNDTRACK ALBUM 45:37 17. Licence To Kill (Extended Version) (Performed by Gladys Knight) 5:13 18. Wedding Party (Performed by Ivory) 3:53 19. Dirty Love (Performed by Tim Feehan) 3:45 20. Pam* 3:49 21. If You Asked Me To (Performed by Patti LaBelle) 3:58 22. James & Felix On Their Way To Church* 3:53 23. His Funny Valentine 3:26 24. Sanchez Is In The Bahamas / Shark Fishing* 2:05 25. Ninja 6:02 26. Licence Revoked* 9:10 TOTAL DISC 2 TIME: 1:14:49 TOTAL ALBUM TIME: 2:29:01 * contains “James Bond Theme” written by Monty Norman