Community durchsuchen

Miklós Rózsa’s penultimate film score comes to a comprehensive two-disc Deluxe Edition featuring both the film recording (previously unreleased) and album version. Eye of the Needle was a WWII thriller based on a 1978 novel by Ken Follett, starring Donald Sutherland as a Nazi spy living in England. Stranded on a Scottish island while trying to return to Germany with vital war information, he starts a torrid romance with the unhappy and lonely wife (Kate Nelligan) of the local shepherd. Richard Marquand’s direction so impressed George Lucas that it won him the job of directing Return of the Jedi. By the early 1980s, Miklós Rózsa was the only major Golden Age composer still alive and laudably writing the same kind of timeless symphonic score that made him a Hollywood institution. His grand, sweeping music for Eye of the Needle is unabashedly romantic—vintage Rózsa—at turns suspenseful and brooding, pastoral and uplifting. It magnificently connects the film to its period while enhancing the emotion and drama. Rózsa recorded his music for Eye of the Needle twice: first for the film, with the Royal Philharmonic Orchestra in London, and then in an album version with the Nuremberg Symphony Orchestra in Germany. While the 13-track, 42-minute album (on disc two) has been released by Varèse Sarabande, this is the premiere release of the 23-track, 61-minute film version (on disc one)—making for the ultimate Eye of the Needle release, with new liner notes by Rózsa expert Frank K. DeWald. Limited edition of 2,000. Produced by: Mike Matessino and Cary E. Mansfield Edited by: Mike Matessino Mixed by: Eric A. Tomlinson (Original Motion Picture Soundtrack Scoring Mixer), Willy Luther (Original Motion Picture Score Album Recording Mixer) Mastered by: Mike Matessino Track List: Disc One: The Original Motion Picture Soundtrack Performed by The Royal Philharmonic Orchestra 1. Prelude From Eye Of The Needle 1:57 2. English Wedding (Film Version) 1:27 3. The Boarding House / The Needle Strikes 1:30 4. Storm Island / The Blond Agent 2:21 5. The Bedroom 2:02 6. Blondie’s End / The Needle 3:18 7. Camouflage / Pursuit 4:28 8. Search On The Train / Confrontation 2:49 9. Escape / The Boat 2:24 10. The Meeting 1:14 11. Love Scene / No Regrets 2:37 12. Heartbreak / The Transmitter 1:49 13. The Fight (Film Version) 2:46 14. Passion (Film Version) 1:43 15. Frantic Drive (Film Version) 1:09 16. Despair / Realization 3:26 17. The Broken Heart / Revulsion (Film Version) 3:11 18. Escape (Film Version) 6:00 19. The Gun 1:20 20. The Axe / The Firebomb 2:28 21. The Hostage / The Lamp (Film Version) 3:18 22. Retribution (Film Version) 4:18 23. Finale / Epilogue From Eye Of The Needle 2:58 Disc Two: The Original Motion Picture Score (Album Recording) Performed by The Nuremberg Symphony Orchestra 1. Prelude From Eye Of The Needle 2:13 2. English Wedding 1:56 3. The Blond Agent / Blondie’s Death 2:54 4. Camouflage 3:08 5. Love Scene 1:56 6. The Fight 3:06 7. Passion / Love Theme 4:28 8. Frantic Drive / Despair 3:05 9. The Broken Heart / Revulsion 2:54 10. Escape 4:33 11. The Hostage / The Lamp 3:21 12. Retribution 4:40 13. Finale / Epilogue From Eye Of The Needle 3:19

Und es wird tatsächlich NIGHT PASSAGE sein am 14.5. Wunderbar! Wohl dann der erste 50s-Score in der Universal Classics Collection:

Bei uns bereits eingetroffen, demnächst im Handel erhältlich: Musik in Dokumentar-Filmen Hör-Reisen zum Fremden & Unbekannten In seiner beeindruckenden Karriere hat Enjott Schneider nicht nur die Musik zu Kinofilmen wie beispielsweise Stalingrad (1992), Charlie und Louise - Das doppelte Lottchen (1993) oder großen TV-Filmen wie Die Flucht (2007) bzw. Laconia (2011) geschrieben, sondern er komponierte auch die Musik für zahlreiche Dokumentationen. Eine erste Auswahl veröffentlichte Alhambra Records im 6-CD-Set Enjott Schneider - Werke für Film und Fernsehen, ebenso wie in der Doppel-CD Majestäten. Das nun erschienene 3-CD-Set erweitert diese Sammlung um weitere beeindruckende Dokumentations-Scores von Enjott Schneider, welche zum großen Teil aufwendig mit dem Philharmonischen Filmorchester München eingespielt wurden. Die Bandbreite der enthaltenen Produktionen reicht von der Begegnung mit exotischen Orten wie den Philippinen oder Vietnam, neuen Blickwinkeln auf unsere Heimat (Hessen, Bayern), Zukunftsvisionen, Katastrophenszenarien wie die eines Kometeneinschlags, der musikalischen Auseinandersetzung mit dem Thema Befreiung von Auschwitz bis hin zum Concierto Evolución, einem Konzertwerk entstanden im Zuge der Weltausstellung 1992 in Sevilla. Die Liebe zu diesem Genre, deren Scores Enjott Schneider als spannendes Kräftefeld von dokumentarischer "Realität" und subjektiver Emotionsgestaltung beschreibt, ist sofort spürbar, seien es wunderschön-verspielte Themen wie die asiatisch geprägten Dancing Moods, eine eindringliche Todesfuge oder die epische Größe in Kampf und Triumph aus Das Wunder von Bern (2006). All dies und noch so vieles mehr vereint dieses Set auf 3 CDs mit einer Laufzeit von ca. 220 Minuten. Das umfangreiche Booklet umfasst 20 Seiten mit zahlreichen Abbildungen und einer ausführlichen Musikbeschreibung von Enjott Schneider selbst. Wir wünschen viel Freude beim Hören. A. Überblick CD1/3 - Track 01 - 03: Fährpassagen - Rush-Hour am Mekong (2015) - ca. 10:45 CD1/3 - Track 04 - 05: Fährpassagen - Philippinen – mit Banca-Booten von Insel zu Insel (2015) - ca. 9:25 CD1/3 - Track 06 - 07: Fährpassagen - Neuseelands Straße der Stürme (2015) - ca. 8:25 CD1/3 - Track 08 - 10: Fährpassagen - Mit Dhaus durch den Sansibar Archipel (2015) - ca. 10:50 CD1/3 - Track 11 - 18: Hessen von Oben (2014) - ca. 33:00 CD2/3 - Track 01 - 02: Wunder der Erde - Sardinien – Insel im Wind (2000) - ca. 9:25 CD2/3 - Track 03 - 04: Reise in die Welt der Gase (1986) - ca. 6:15 CD2/3 - Track 05 - 07: Armageddon – Der Einschlag (2007) - ca. 9:35 CD2/3 - Track 08 - 09: Armageddon – Die längste Nacht (2007) - ca. 8:20 CD2/3 - Track 10 - 12: Mit dem Mut der Verzweiflung: 70 Jahre nach Auschwitz (2014) - ca. 14:50 CD2/3 - Track 13 - 14: Die Befreiung von Auschwitz (2006) - ca. 10:00 CD2/3 - Track 15 - 17: Evolution of Networks (1992) - ca. 14:50 CD3/3 - Track 01 - 04: Das Wunder von Bern – die wahre Geschichte (2006) - ca. 12:40 CD3/3 - Track 05 - 06: Der Bauer bleibst Du (2012) - ca. 4:20 CD3/3 - Track 07 - 10: Bayern! Teil 1: Der Süden (2013) - ca. 13:30 CD3/3 - Track 11 - 13: Bayern! Teil 2: Der Norden (2013) - ca. 9:40 CD3/3 - Track 14 - 16: Bayern! Teil 3: Der Osten (2013) - ca. 10:10 CD3/3 - Track 17 - 20: Bayern! Teil 4: Der Westen (2013) - ca. 12:35 CD3/3 - Track 21 - 24: 2057 - Die Welt in 50 Jahren: Der Mensch (2007) - ca. 13:30 B. Einzeltracks CD1 Fährpassagen: Rush-Hour am Mekong (2015) 01. Wide Opening 4:22 02. Dancing Moods 5:03 03. Finale 1:15 Fährpassagen: Philippinen – Mit Banca-Booten von Insel zu Insel (2015) 04. Calm Sea and Changing Clouds 4:53 05. From Island to Island 4:27 Fährpassagen: Neuseelands Straße der Stürme (2015) 06. On the Traces of ancient Maoris 3:54 07. Stormy Life 4:30 Fährpassagen: Mit Dhaus durch den Sansibar-Archipel (2015) 08. Colors of Seasides 4:40 09. Rhythms of Life 2:42 10. Sunset and Finale 3:25 Hessen von oben (2014) 11. Entlang der Lahn, Part 1 4:01 12. Entlang der Lahn, Part 2 4:20 13. Vom Rhein zum Main, Part 1 3:39 14. Vom Rhein zum Main, Part 2 4:11 15. Werra und Fulda 4:23 16. Schlösser und Burgen, Part 1 3:09 17. Schlösser und Burgen, Part 2 3:47 18. Berge und Höhen 5:25 CD2 Wunder der Erde: Sardinien - Insel im Wind (2000) 01. La Belezza 4:18 02. Sounds from an unknown world 5:06 Reise in die Welt der Gase (1986) 03. What a world! 4:24 04. Feelgood Bossa Nova 1:57 Armageddon, Teil 1 - Der Einschlag (2007) 05. Der Komet bedroht 3:43 06. Katastrophe und Tsunami 3:18 07. Die Welt brennt 2:34 Armageddon, Teil 2 - Die längste Nacht (2007) 08. Wüst und Leer 4:47 09. Rettung und Hoffnung 3:32 Mit dem Mut der Verzweiflung, 70 Jahre-Befreiung von Auschwitz (2014) 10. Hauptthema und Todesfuge 4:52 11. haTikwa und Leid 4:36 12. Melodien des jüdischen Lebens 5:14 Die Befreiung von Auschwitz (2006) 13. Aus tiefer Not 4:32 14. Im Angesicht des Todes 5:30 Evolution of Networks (1992) 15. Concierto Evolución, Satz 1. Construction 2:57 16. Concierto Evolución, Satz 2. Destruction 4:53 17. Concierto Evolución, Satz 3: Re-Construction 6:51 CD3 Das Wunder von Bern – die wahre Geschichte (2006) 01. Das Versprechen 3:17 02. Training und Spielbeginn 2:35 03. Aufstand in Ungarn und Idylle in der Schweiz 4:39 04. Kampf und Triumph 2:08 Der Bauer bleibst Du (2012) 05. Solitude des Alters 2:33 06. Das Kreisen der Stille 1:44 Bayern! Teil 1, Der Süden (2013) 07. Zur Bergwelt 3:08 08. Magie der Museen 3:17 09. Adlerflug 3:53 10. Finale 3:09 Bayern! Teil 2, Der Norden (2013) 11. Der Wolkenpilot 3:22 12. Die alten Luftschutzbunker 2:43 13. Schlosstheater und Felsengarten 3:33 Bayern! Teil 3, Der Osten (2013) 14. Titelmusik und Glasbläserkunst 3:24 15. Der Luchs 3:31 16. Der Bayerische Wald 3:16 Bayern! Teil 4, Der Westen (2013) 17. Am Nebelhorn 2:51 18. Textilkunst in Augsburg 2:51 19. Bergaufstieg im Allgäu 3:56 20. Auwald an der Donau 2:54 2057 - Die Welt in 50 Jahren, Teil 1, Der Mensch (2007) 21. Unkown Future 3:41 22. Accident & Ambulance 3:11 23. Diagnosis & Clinical Care 2:43 24. Robots Tango 2:12

Wird wohl die erste CD dieses Labels, welche ich mir zulegen werde: https://www.howlinwolfrecords.com/storemurderbydecree.html

Schon seit Dezember ist bekannt, dass ein mir völlig unbekannter Komponist namens Jongnic Bontemps den Score für den neuen Transformers-Teil schreiben wird. .

Quelle: HEAVY METAL: THE SCORE -- SCREEN ARCHIVES ENTERTAINMENT und EYE OF THE DEVIL -- SCREEN ARCHIVES ENTERTAINMENT

Erscheint am 28.05.

Hans Zimmer tritt die Nachfolge von Rupert Gregson-Williams an und wird das nächste Wonder Woman Abenteuer vertonen. http://filmmusicreporter.com/2018/08/22/hans-zimmer-to-score-patty-jenkins-wonder-woman-1984/

Noch im Mai soll eine erweiterte und geremasterte Version von Hansis Action-Score erscheinen:

Was erstaunlich unblöde aussieht - der "The Flash"-Trailer. Das wird offenbar DCs Multiverse of Madness und solange es möglich ist, Ezra Millers problematisches Privatleben wegzudenken, könnte das vielleicht echt was hübsches werden... P.S.: Irgendwann lerne ich auch mal, Videos direkt in den Beitrag zu bauen

Kommt am 07. Mai.

OCTOPUSSY – 40th ANNIVERSARY: EXPANDED/REMASTERED LIMITED EDITION (2-CD SET) LLLCD 1637 Music by John Barry “All Time High” Composed by John Barry Lyrics by Tim Rice Performed by Rita Coolidge Limited Edition of 5000 Units RETAIL PRICE: $31.98 STARTS SHIPPING JAN 16 Available to order now at www.lalalandrecords.com La-La Land Records, Metro-Goldwyn-Mayer, EON Productions and Universal Music Enterprises proudly commemorate the 40th Anniversary of the 1983 James Bond film OCTOPUSSY, with a remastered and expanded 2-CD re-issue of composer John Barry’s original motion picture score to the film, starring Roger Moore in his sixth turn as 007 and directed by John Glen. Legendary composer John Barry (GOLDFINGER, YOU ONLY LIVE TWICE, DANCES WITH WOLVES) returns again to the Bond franchise with OCTOPUSSY, delivering another bold, thrilling, dramatic and romantic orchestral score, along with a dreamily smooth and sensuous title track performed by Rita Coolidge. The renowned composer combines his chase-and-action style from the’60s with his more sophisticated, symphonic approach of the late ’70s and early ’80s, giving 007 the best of both musical worlds. OCTOPUSSY – 40th ANNIVERSARY EXPANDED LIMITED EDITION showcases the film’s music in exhilarating fashion, with improved sound and never-before-released material. Produced by Neil S. Bulk and mastered by Doug Schwartz, Disc One of this deluxe release showcases the film’s Score Presentation and additional music, while a remaster of the original 1983 soundtrack album is housed on Disc Two, along with the CD premiere of the “Extended Instrumental Version” of “All Time High”! The film score on Disc One was sourced from ¼ inch stereo tapes of the film mixes, while Disc Two’s original 1983 soundtrack and the “Extended Instrumental Version” of “All Time High” are from ¼ inch stereo album masters. All of the tapes were newly transferred in high resolution for this set. This special release is limited to 5000 units and features exclusive, in-depth liner notes by “The Music of James Bond” author Jon Burlingame and sharp art design by Dan Goldwasser. TRACK LISTING: DISC 1 SCORE PRESENTATION 1. Gun Barrel And Airbase* :51 2. Bond Look-Alike* 2:59 3. Fill Her Up :44 4. All Time High (Performed by Rita Coolidge) 3:05 5. 009 Gets The Knife And The Property Of A Lady 1:35 6. Kremlin Art Repository And Sotheby’s 1:22 7. India 1:00 8. Magda And Spend The Money Quickly, Mr. Bond :50 9. Gobinda Attacks* 2:14 10. Easy Come, Easy Go* 1:50 11. All Time High (Instrumental) 1:48 12. That’s My Little Octopussy 3:13 13. Arrival At The Island Of Octopussy 3:23 14. Bond At The Monsoon Palace 3:04 15. Palace Intrigue 1:43 16. The Mysterious Octopussy 2:36 17. Bond Meets Octopussy 3:36 18. Yo-Yo Fight And Death Of Vijay (Extended Version) 3:54 19. Checkpoint Charlie And The Romanov Star 1:06 20. The Chase Bomb Theme (Film Version) 1:55 21. Fight With Mischka :56 22. Follow That Car* 1:02 23. The End Of General Orlov 1:51 24. Gorilla Suit And Death Of Grischka 1:26 25. The Bomb Arrives And Clowning Around 1:48 26. The Palace Fight (Extended Version)* 5:00 27. Kamal Khan’s Death And Finale 2:01 28. All Time High – End Title (Performed by Rita Coolidge) 3:03 Total Score Time 60:43 ADDITIONAL MUSIC 29. British Ambassador :48 30. Vijay’s Pungi* :32 31. Gangaur Ghat 1:20 32. Bazaar 1:09 33. Let The Sport Commence 2:59 34. The Hunt Continues 2:10 35. The Floating Palace :53 36. Distraction 2:07 Total Additional Music Time 12:11 Total Disc 1 Time 73:03 DISC 2 ORIGINAL SOUNDTRACK ALBUM 1. All Time High (Performed by Rita Coolidge) 3:04 2. Bond Look-Alike* 2:59 3. 009 Gets The Knife And Gobinda Attacks* 3:06 4. That’s My Little Octopussy 3:13 5. Arrival At The Island Of Octopussy 3:23 6. Bond At The Monsoon Palace 3:04 7. Bond Meets Octopussy 3:36 8. Yo-Yo Fight And Death Of Vijay 3:45 9. The Chase Bomb Theme 1:57 10. The Palace Fight* 4:32 11. All Time High – End Title (Performed by Rita Coolidge) 3:03 Total Original Album Time 36:10 BONUS TRACK 12. All Time High (Extended Instrumental Version) 3:52 Total Disc 2 Time 40:08 Total Collection Time 1:53:11 * Contains “James Bond Theme” written by Monty Norman This is a CD format release

UNCOMMON VALOR Label: Intrada Special Collection Volume 142 Date: 1983 Tracks: 15 Time = 52:14 At last! Powerhouse early James Horner score for rousing Ted Kotcheff back-to-Vietnam hit with Gene Hackman, Patrick Swayze, Fred Ward. Horner scored action pic during incredible composing period of STAR TREK II, 48 HRS., BRAINSTORM, KRULL, SOMETHING WICKED THIS WAY COMES, TESTAMENT, other masterpieces. Kotcheff, hot off success of FIRST BLOOD, deals again with Vietnam vets in action, has composer create music both deeply moving, pulsating with action. Horner starts his signature military-style scoring method here, replete with stirring Americana trumpet solos over strings. Haunting device later graces APOLLO 13, GLORY, IN COUNTRY, COURAGE UNDER FIRE, many others. Action fans will get their fill with dynamic cues for tunnel sequence, helicopter assault, final battle & rescue scenes. Intrada presents complete score from mint condition 1/2" three-track stereo session masters stored in Paramount vaults, including all Vietnamese ensemble overlays used for powerful opening battle, subsequent POW search sequences. Extras include original song "Brothers In The Night", used for film end credits plus orchestral end title by Horner not used in finished film! James Horner conducts. Intrada Special Collection release limited to 3000 copies! The Album 01. Main Title 7:19 02. Airport 2:16 03. Tag 2:44 04. A Lot Of Us Have Been Killed 1:21 05. Steal The Sucker 1:38 06. Yellow Rain 2:39 07. Wilkes In Tunnel 7:30 08. Attack Airbase 3:09 09. Escape Airbase 3:16 10. Choppers Over Hill 2:48 11. Final Escape 2:16 12. End Credits [Not Used In Film] 3:38 Total Score Time: 41:03 The Extras 13. Brothers In The Night - Performed by Ray Kennedy 4:39 (Written by Ray Kennedy, Kevin Dukes, David Ritz) 14. Main Title Extension 2:25 15. Parade Ground [Not Used In Film] 3:54 wie zu erwarten, ehrlich gesagt nichts für mich. Jede Note kenn ich schon bevor ich den Score gehört hab und besser aus anderen Scores... aber freuen sich sicher viele nen Ast... ich spars mir... soll sich wer anders drüber freuen. Die Soundclips find ich schon zum abgewöhnen... (aber naja, eigentlich sollt man sich über den eher erfreuen und alles nachfolgende dann verteufeln, aber man kenn halt die bisher veröffentlichten Sachen...)

It’s been a decade since John Carpenter recorded the material that would become Lost Themes, his debut album of non-film music and the opening salvo in one of Hollywood’s great second acts. Those vibrant, synth-driven songs, made in collaboration with his son Cody Carpenter and godson Daniel Davies, kickstarted a musical renaissance for the pioneering composer and director. In the years since, Carpenter, Carpenter, and Davies have released close to a dozen musical projects, including a growing library of studio albums and the scores for David Gordon Green’s trilogy of Halloween reboots. With Lost Themes IV: Noir, they’ve struck gold again, this time mining the rich history of the film noir genre for inspiration. Since the first Lost Themes, John has referred to these compositions as “soundtracks for the movies in your mind.” On the fourth installment in the series, those movies are noirs. Like the film genre they were influenced by, what makes these songs “noirish” is sometimes slippery and hard to define, and not merely reducible to a collection of tropes. The scores for the great American noir pictures were largely orchestral, while the Carpenters and Davies work off a sturdy synth-and-guitar backbone. The noir quality, then, is something you understand instinctively when you hear it. “Some of the music is heavy guitar riffs, which is not in old noir films,” Davies notes. “But somehow, it’s connected in an emotional way.” The trio’s free-flowing chemistry means Lost Themes IV: Noir runs like a well-oiled machine—the 1951 Jaguar XK120 Roadster from Kiss Me Deadly, perhaps, or the 1958 Plymouth Fury from John’s own Christine. It’s a chemistry that’s helped power one of the most productive stretches of John’s creative life, and Noir proves that it’s nowhere near done yielding brilliant results. “This is who we are, I think,” John summarizes. “Daniel’s the adventurer. He pushes for new sounds, new directions. He tries things that I haven’t thought of. He’s a lot more daring than I am, and he enriches the whole thing. Cody’s the musician. He’s a savant at music. He understands music. We depend on him to rescue us.” And what about John’s contribution? With characteristic understatement, he concludes: “I’m the experience. I’ve done music for movies before.” -Brad Sanders ***Sacred Bones Exclusive Color: Edition of 1000 copies, pressed on Red on Clear Splatter vinyl w/ Screen Printed 7" and a Silver Foil Stamped Jacket*** ***Sacred Bones Record Society version: Edition of 150 copies, pressed on Black and White Splatter on Clear vinyl w/ Screen Printed 7" and a Silver Foil Stamped Jacket, in an exclusive wrap around sleeve, wax sealed, hand-numbered and available by mail-order only. ENROLL HERE.*** All vinyl copies come with a massive 24x36" fold-out poster. Release Date 5/3/24 1. My Name Is Death 05:40 Video 2. Machine Fear 3. Last Rites 4. The Burning Door 5. He Walks By Night 6. Beyond the Gallows 7. Kiss the Blood Off My Fingers 8. Guillotine 9. The Demon's Shadow 10. Shadows Have A Thousand Eyes

Erscheint in den nächsten Monaten und ist dann die Dritte umfängliche Inkarnation dieser Reihe (nach Toshiba EMI/Futerland und nach Toho Music): Es war vor vielen, vielen Jahren nach einer langen und intensiven Suche, bis ich dann schließlich mit dem Score zum zweiten Film (Musik: Masaru Satoh), die Letzte der Toshiba EMI/Futureland CDs in Händen hielt. Wie es halt als Filmmusikhörer manchmal so ist, die Filme (bis auf Teil 1) haben mich hingegen nie sonderlich interessiert. Gelistet sind die CDs mittlerweile u.a. bei Amazon.com, Music Box Records & Ark Square.

Kommt am 30. April ... https://www.facebook.com/groups/95015405220/permalink/10168942967095221/

Bei MusicBoxRecords (mit Hörproben): https://www.musicbox-records.com/en/cd-soundtracks/14405-arsene-lupin-expanded-20th-anniversary-edition.html Beim Soundtrackcorner: https://www.soundtrackcorner.de/arsene-lupin-expanded-20th-anniversary-edition-p9512.htm ####### Die drei Hörproben klingen eigentlich ganz vielversprechend, aber bleibt die Frage, ob das die zwei Stunden trägt. Da reicht dann doch vielleicht das alte Album, was schon mit 73 Minuten sehr voll war? (und noch zu finden ist.) Kennt jemand die Musik etwas besser?

Neues aus der „Rob Zombie presents" Reihe. Rob Zombie and Waxwork Records have partnered to release an exclusive, curated line of classic Horror movie soundtracks. “Rob Zombie Presents” features several never-before-released film soundtracks that were personally selected by the singer, songwriter, and filmmaker. “I have always been a huge fan of movie soundtracks. So I jumped at the opportunity to work with Waxwork on this project.” Says Zombie, “I can’t wait to release these albums. So many of these films are greatly under appreciated and, they all contain such great music. So, to be able to release these deluxe packages is a dream come true.“ - Rob Zombie In collaboration with Rob Zombie, Waxwork Records is thrilled to release Rob Zombie Presents HOUSE ON HAUNTED HILL Original Motion Picture Soundtrack by Von Dexter. Starring Vincent Price, HOUSE ON HAUNTED HILL is a 1959 American Horror film produced and directed by William Castle. Vincent Price plays an eccentric millionaire, Frederick Loren, who, along with his wife Annabelle, has invited five people to a house for a "haunted house" party. Whoever stays in the house for one night will earn $10,000. As the night progresses, the guests are trapped within the house with an assortment of terrors. The film uses many props used in carnival haunted houses to generate fear and terror. The film is also known for its promotional gimmick, Emergo, which included a "flying skeleton" that would appear over the audience as they enjoyed the film in a movie theater. Waxwork worked with the rights holders of the original film elements which have been restored, allowing for the best source material of this never-before-released soundtrack album. In addition to the original music by composer Von Dexter, this release features segments of the film's dialogue and sound effects appealingly included and sourced from the restored original soundtrack. Included in this very special release is the first part of an exclusive two-part interview conducted by Rob Zombie with Vincent Price's daughter, Victoria Price. Part two will be included with Waxwork's upcoming release of Rob Zombie Presents The Last Man On Earth! Von Dexter (1912-1996) was an American composer born in Aurora, Illinois. He later moved to Chicago where his professional music career began playing in bars and nightclubs. After gaining a music degree at USC, he moved to California where he became the West Coast MD for NBC. In addition to House On Haunted Hill, Dexter composed the scores for other William Castle films including 13 Ghosts and The Tingler. Rob Zombie Presents HOUSE ON HAUNTED HILL Original Motion Picture Soundtrack Features: The Original Motion Picture Soundtrack by Von Dexter 150 Gram Pink & Black Hand Poured Color Vinyl Exclusive Interview Conducted by Rob Zombie with Victoria Price Artwork By Graham Humphreys Deluxe Gatefold Packaging with Matte Satin Coating Four Page Booklet Select Dialogue & Sound Effects from the film included

LA-LA LAND RECORDS FEELS THE NEED FOR SPEED!!! NEW RELEASE: MARCH 1, 2024 Available to order NOW at www.lalalandrecords.com “TOP GUN: LIMITED EDITION (2-CD SET)” Music by Harold Faltermeyer Limited Edition of 5000 Units RETAIL PRICE: $29.98 STARTS SHIPPING MARCH 11 The first 150 orders of TOP GUN will get a CD Booklet autographed by the composer at no additional charge. Autographs are available while supplies last and ARE NOT GUARANTEED. La-La Land Records, Paramount Pictures and Columbia Records present the world premiere official release of renowned composer Harold Faltermeyer’s (FLETCH, BEVERLY HILLS COP, THE RUNNING MAN) original motion picture score to the iconic 1986 aerial blockbuster action/drama TOP GUN, starring Tom Cruise and Kelly McGillis, and directed by Tony Scott. Composer Faltermeyer defined the 80’s film score pop-synth landscape with such legendary scores as BEVERLY HILLS COP and FLETCH only to re-define it further with TOP GUN, a propulsive and imaginative musical juggernaut that still inspires and influences film scores today – including the recent smash TOP GUN: MAVERICK. Aside from two previously released tracks, this remastered and expanded deluxe 2-CD presentation marks the first time Faltermeyer’s TOP GUN score has been made officially available in any format! Disc One showcases the brilliant film score, along with bonus demo cues, and Disc Two presents songs from the film, including the #1 hits “Danger Zone,” performed by Kenny Loggins and the Oscar-Winning “Take My Breath Away,” performed by Berlin – both co-written and produced by the great Giorgio Moroder – as well as “You’ve Lost That Lovin’ Feeling,” performed by The Righteous Brothers and more, plus additional bonus tracks. Produced by for La-La Land Records by Dan Goldwasser, mastered by Doug Schwartz and approved by the composer, this limited edition of 5000 units includes exclusive, in-depth liner notes by writer Tim Greiving, with new interview quotes from Faltermeyer, and high-flyin’ art design by Goldwasser. A must-have for all film music and pop culture fans that’ll take your breath away! TRACK LISTING: DISC 1 1. Main Title* 2:41 2. Carrier Takeoffs and Landings** 1:46 3. Two Migs, Not One†/Cougar Chased by Mig/Mav Flips the Bird*/Cougar’s Troubled Landing 6:58 4. Mav Goes to Fightertown** 1:49 5. Jester Flying*** 3:10 6. Tower Flyby* 1:10 7. Viper Comes Down on Mav 0:50 8. Mav and Goose In Room 2:06 9. Dinner at Charlie’s§ 1:32 10. Mav Says Goodbye to Charlie§ 2:40 11. Love Scene§ 3:41 12. Mav vs Viper 2:11 13. End Locker Room and Photo 0:46 14. Aerial Sequence** 1:27 15. Goose’s Death/Memories 4:10 16. Mav Reflects in Goose’s Room/Board of Inquiry/Charlie and Mav in Airport Bar 11:03 17. Viper’s House Pt. 1# 1:15 18. Viper’s House Pt. 2 1:57 19. Carrier Ready Room and Takeoffs# 2:47 20. Mav is Launched/Mav Bugs Out/Mav Returns to Battle#/Return to Carrier* 11:11 BONUS TRACKS 21. Top Gun Theme (original demo - May 4, 1985) 3:34 22. Top Gun Theme (revised demo - August 1, 1985) 4:18 23. Top Gun Theme (revised demo reprise - August 1, 1985) 4:12 TOTAL DISC 1 TIME = 77:58 DISC 2 1. “Danger Zone” - Kenny Loggins 3:36 2. “Mighty Wings” - Cheap Trick 3:51 3. “Playing With the Boys” - Kenny Loggins 3:59 4. “Lead Me On” - Teena Marie 3:47 5. “Take My Breath Away (Love Theme From “Top Gun”)” - Berlin 4:15 6. “Hot Summer Nights” - Miami Sound Machine 3:38 7. “Heaven In Your Eyes” - Loverboy 4:04 8. “Through the Fire” - Larry Greene 3:45 9. “Destination Unknown” - Marietta 3:48 10. “Top Gun Anthem” - Harold Faltermeyer & Steve Stevens 4:12 11. “(Sittin’ On) the Dock of the Bay” - Otis Redding 2:41 12. “Memories” - Harold Faltermeyer 2:55 13. “Great Balls of Fire” - Jerry Lee Lewis 1:50 14. “You’ve Lost That Lovin’ Feelin’” - The Righteous Brothers 3:42 15. “Playing With The Boys (Dance Mix)” - Kenny Loggins 6:41 16 .“Dog Fight #3” - Harold Faltermeyer 2:40 17. “Radar Radio” - Giorgio Moroder feat. Joe Pizzulo 3:42 BONUS TRACKS 18. First Shot of Mav and Goose (unused)* 0:53 19. Don’t Worry About the Mig (unused)§ 0:24 20. Top Gun Theme (extended album mix) 4:44 TOTAL DISC 2 TIME = 69:45 TOTAL ALBUM TIME = 2:27:43 * consists of “Top Gun Anthem” ** consists of “Danger Zone” *** consists of “Mighty Wings” § consists of “Take My Breath Away” † contains material not in film # contains an interpolation of “Top Gun Anthem” This is a CD format release.

https://de-de.facebook.com/lalalandrecords/ LLL versucht's im April mit einem Western und einem militärischen Machwerk. Meine Sache ist's nicht.

/

Das Album erscheint nun endlich am 02.04.

Caldera Records is proud to present David Shire’s score for the TV pilot “Three for the Road.” “Three for the Road” (1975) was an ambitious idea, a road trip as a family show, mostly shot on location throughout the US. While the show allowed for levity throughout, at its heart it dealt with loss and the desire to (re-)connect. Pete (Alex Rocco) is the kind of father every kid wants to have. He is kind and cool. He lets his two boys ride a motorcycle, while always providing emotional support when needed. And needed it often is, as his two kids, John (Vincent Van Paten) and Endy (Leif Garrett), have recently lost their mother. Now the three live in a recreational vehicle in which they drive through the United States while Pete takes on commissions as a photographer. While Bruce Broughton provided the music for the individual episodes, David Shire was contracted to score the pilot. His score is built around his main theme, a memorable, uplifting piece that makes its appearance throughout the pilot, and with its use of guitar featuring subtle folk elements. It’s a varied score also incorporating lounge jazz pieces, and for the more intimate moments, elaborate string writing. In addition, we also include music from “The Greatest Thing That Almost Happened” and “Daddy, I Don’t Like It Like This,” two TV movies that also deal with trauma. For the former, Shire provided a rousing, energetic sports score with gentler, tender moments to illustrate the illness of the main character. Shire’s score for the latter film is built around a lullaby-like main theme, often performed on a solo instrument such as a clarinet or piano. This music perfectly captures both the main protagonist Peter’s child-like wonder and also the longing of his parents. The theme is used, for example, both as Peter escapes into the woods and as his father lays on his bed, indulging in his memories of happier times when everything seemed possible. The boy’s escapes enable Shire to infuse his compositions with drive and verve that make “Daddy, I Don’t Like It Like This” an eclectic listening experience. The 54th CD-release of Caldera Records features a detailed booklet text by Stephan Eicke and elegant artwork by Luis Miguel Rojas. The CD was mastered by Richard Moore and produced by Stephan Eicke and John Elborg. C6054 Music Composed and Conducted by David Shire Album Produced by Stephan Eicke, David Shire Executive Producers for Caldera Records: John Elborg, Stephan Eicke Album Art Direction and Design by Luis Miguel Rojas For more information and sound clips, please visit our homepage: https://www.caldera-records.com/three-for-the-road Three for the Road 1. Main Title (Pilot) (1:41) 2. Restaurant Source (2:14) 3. Endy & Amy (1:27) 4. Motorcycle Ride (2:19) 5. Kitchen Scene (2:14) 6. Looking for Amy (1:31) 7. Here Comes Trouble (0:56) 8. God’s Country (3:33) 9. Finale and End Title (1:43) 10. Turnaround (0:48) 11. Main Title (Series) (1:08) The Greatest Thing That Almost Happened 12. Main Title (1:42) 13. Morris, Father & Sandra (1:14) 14. Basketball (3:17) 15. “Julie, Come Here” (2:46) 16. “I Love You” (1:16) 17. Finale and End Credits (1:58) 18. Jingle Bells (2:29) Daddy, I Don’t Like It Like This 19. Main Title (1:53) 20. Wedding Flashback (2:51) 21. Second Forest Scene (2:12) 22. Pete’s Death (2:53) 23. Double Flashback (2:22) 24. Pete Looks for Helen (0:57) 25. Central Park Flashback (3:31) 26. Finale and End Credits (2:44)

So nun ist der Dennis dran Wie ich gerade sehe.. ist sogar der Song "Lifeforms" drin.. yeah!

La-La Land Records and MGM proudly present the re-issue of acclaimed composer Sylvester Levay’s (COBRA, HOT SHOTS!, STONE COLD) original motion picture score for the 1990 big-screen ensemble actioner NAVY SEALS, starring Charlie Sheen, Michael Biehn and Bill Paxton, and directed by Lewis Teague. A notable ‘90’s action score, Sylvester Levay’s NAVY SEALS unleashes the composer’s inventive, unique and strikingly effective meld of live orchestra and synthesizer, resulting in a work that is thematically charged, robust and brassy, while also teaming with exciting electronic rhythms and textures. This release uses the previous stereo Intrada album for its main score presentation, resequenced into chronological order and with a re-creation of the end titles. The additional bonus mono cues are sourced from a mono 1/4" tape provided by MGM. Produced by Neil S. Bulk and mastered by Doug Schwartz, this limited edition CD release of 1000 units features exclusive, in-depth liner notes by author Jeff Bond, featuring new interview comments from the composer and art direction by Dan Goldwasser. TRACK LISTING: SCORE PRESENTATION 52:45 1. Main Title – Navy SEALs 3:10 2. The First Mission 2:00 3. Search Team 4:52 4. The Missiles 0:21 5. Freighter Raid 6:14 6. Never Talk About Mom 0:56 7. Training Camp 1:40 8. High Jumpers 5:22 9. Into Town 4:49 10. Graham’s Dead 1:21 11. Funeral 2:00 12. The Flag 2:17 13. Going To Beirut 4:53 14. God Is Dead 0:55 15. Sneak To The Building / Planting The Dynamite 3:16 16. Da Auto Part I 1:19 17. Da Auto Part II 1:23 18. Back To The Sub 2:01 19. To The Rescue 1:11 20. End Title – Navy SEALs 2:14 ADDITIONAL MUSIC 8:24 21. Tears Of Rage (SOURCE) 1:03 22. Main Title (MONO, FILM VERSION) 3:17 23. You’re Welcome (MONO) 0:41 24. Saving Curran (MONO) 0:25 25. Da Auto Part I (MONO, EXTENDED VERSION) 1:29 26. Underwater Fight (MONO) 1:18 TOTAL ALBUM TIME 61:15 This is a CD format release.