Alle Aktivitäten

ANGEBOT 2 Ich mache Sekunden später gleich mal weiter mit einer Vorankündigung: Ich habe mich entschieden, meinen ZOOM H5 Field Recorder zu verkaufen. Zubehör muss ich noch zusammen stellen. Die Verpackung sollte auch noch irgendwo sein. Ganz ehrlich: Den H5 hatte ich mal gekauft, da ich plante, ins Hörspielbusiness einzusteigen und damit Geräuschaufnahmen im Freien zu machen. Betriebsstunden im Einsatz: Wahrscheinlich nur eine Einzige. Macht mir ein Angebot und ich schaue mal, ob es passt (hängt vom Zubehör ab, was ich noch zusammenstellen muss). Ansonsten erfolgt in Kürze ein Nachtrag zu dieser Threadantwort.

Hallo Leute, wenn es gestattet ist, möchte ich einen Sammelthread hier starten für Dinge, die ich nicht mehr benötige, da ich ein Upgrade auf andere Sachen tätige. Bevor ich mir den Streß gebe, Fotos und ausführlichen Text aufwändig auf ebay zu verfassen, würde ich gerne hier anbieten: Eine sehr gut erhaltene und wenig benutzte DJI Osmo Action 5 Pro Kamera mit 2 Akkus, Akku-Ladebox, Metallcase, Kunststoffcase, Objektivabdeckungen, Schnellverschlußhalterungen, Verlängerungsstab, einige ND-Filter (müssten sechs Stück sein), mehrere Schaumstoff-Hüllen (Dead Cats für Windgeräuschreduktion) und was ich sonst noch finde in meinem Audio-Videokoffer, was mit der Action 5 kompatibel ist. Die meisten Zubehörteile sind von sehr guten Drittanbietern und habe ich teilweise nie verwendet. Wer an diesem großen Set Interesse haben sollte, oder jemanden kennt, der jemanden kennt, der jemanden kennt und bereit ist, 250,-€ inkl. versichertem Versand zu "opfern", der darf sich gerne melden!

Ich glaube eher nicht, daß es so wie von Dir oben beschrieben gelaufen ist, da es sich ja bei den meisten BSX-CDs mehr oder weniger um Bootlegs handelt, wo oft Fantasienamen als Rechteinhaber mit draufgeschrieben werden. In den USA geht das dann fast immer durch und fällt nicht weiters auf, weil sich um diese älteren und gerade bei BSX ja auch recht obskuren US-Scores kaum mehr jemand kümmert. Die Studios wissen ja manches mal selber nicht mehr, was ihnen gehört und müßten da erst lang und ausführlich nachschauen, um es herauszubekommen. Im Falle Morricone und speziell bei dem jetzigen Titel sieht das aber völlig anders aus, da sämtliche europäische Labels seit Jahrzehnten bereits vergeblich versucht haben, den bislang unveröffentlichten LA RAGAZZA E IL GENERALE auf CD zu bringen. Da in Italien kein Bandmaterial mehr verfügbar ist, ging das natürlich alles nicht. Man kann sich ja nun leibhaftig vorstellen, daß, wenn jemand in den USA hier plötzlich so wie jetzt passiert dazwischen funkt und die Musik noch nicht mal korrekt irgendwo lizenziert hat, die in Italien vor Wut schäumen.

Nach dem Motto: Probieren wir es halt mal, obs klappt. So sehr ich Amerika liebe, aber das ist auch ein amerikanisches Phänomen: Unternehmen versuchen zu verarschen. Da erhält man als Privatperson vom Telefonanbieter eine Rechnung, die 60 Dollar höher ausfällt. Die meisten scheuen eine Reklamation, die sich über Tage und viele Stunden Zeitaufwand erstrecken, und zahlen das dann, um die Nerven zu schonen. Mein bester Freund hat einen Comic-Verlag. Obwohl ein Lizenzierungsvertrag besteht zwischen beiden Parteien, kommt der Lizenzgeber einfach so seiner Verpflichtung nicht nach, um das Comic-Material ihm als Lizenznehmer zu schicken. Anfragen werden nicht beantwortet, oder Person A verweist auf B und B auf C. Und C zurück auf A. Ich glaube viele kleine US-Firmen haben es mit der Correctness nicht so am Hut. Wahrscheinlich war im Falle von BSX die Sache schon am Laufen mit der Lizenzierung, aber wenn sich die restlichen 40% Sachbearbeitung so in die Länge strecken, haut man halt die CD vorab schonmal raus. In der Hoffnung, niemandem fällt es auf.

Nachdem ich gestern noch die gutklingenden Hörproben durchlaufen lassen konnte, war mein erster Gedanke, dass wir hier wohl wieder einmal einen Fall haben, wo damals die Bänder oder Bandkopien in die USA geschickt wurden. In diesem Fall also MGM. Vermutlich hat Thaxton über seine Kontakte darauf Zugriff bekommen. In Italien selber scheint es von dieser Musik kein Bandmaterial mehr zu geben.

Wo soll die offizielle CD-Version denn jetzt sein? Die wurde gestern Abend ganz einfach gecancelt und gibt es somit für niemanden mehr. Morricone-Fans können daher überhaupt nicht aufatmen, denn die erhalten nichts mehr. Es war schon eine ziemliche Frechheit von Ford Thaxton, diese CD komplett unlizenziert als Bootleg bringen zu wollen. Ein einziger Blick aufs Back Cover hat schon ausgereicht, um zu sehen, daß kein einziger Rechteinhaber (weder EMI Music Publishing in Italien noch MGM in den USA) da angeführt wurde. Ist logisch, daß da sofort jemand dagegen eingeschritten ist, dem das natürlich ein Dorn im Auge war.

Interessant ist auch, dass BSX als Postadresse einen UPS Store hat. Ich denke mal, dass der Store Impressums-Adressen, bzw. Postdienstleistungen vermietet, damit man als Fima die Privatadresse verbergen kann.

Ah ja, das überrascht mich nicht 😅. BSX/DD Records hatte ja öfter mal Probleme mit Rechten, und bei Morricone ist das noch sensibler, wegen der Wichtigkeit seiner Werke und der Rechteinhaber dahinter. Lustig ist, dass die Veröffentlichung quasi „ephemeral“ war: man klickt auf das Cover, und zack, wegen eines rechtlichen Problems wieder weg. Zum Glück hat Dragon’s Domain Records eine offizielle Version rausgebracht, schön verpackt, mit Linernotes und allem Drum und Dran, also können Fans aufatmen. Für Sammler von Soundtracks und Morricone ist so eine Veröffentlichung echt ein kleiner Schatz… man muss nur schnell sein, um nichts zu verpassen!

Als großer Holdridge-Fan würde ich das sofort kaufen, wenn es ausschließlich als digitale Version angeboten werden würde. Keine Lust auf die völlig überzogenen Portokosten und den eventuellen Stress und die Zusatzkosten bezüglich Zoll. Ich bin endgültig raus aus dem CD-Game. Entweder rein digital oder gar nicht. Letztlich hör ich Musik abgesehen vom Auto eh nicht mehr über physische Medien. Meine gesamte Sammlung ist seit Jahren digital.

Neu von BSX/Dragon's Domain: Dragon’s Domain Records presents LEE HOLDRIDGE GOES TO THE OLYMPICS, featuring music composed and conducted by Lee Holdridge (JONATHAN LIVINGSTON SEAGULL, SPLASH, BEAUTY AND THE BEAST) for several documentary films set during during the Olympics. LEE HOLDRIDGE GOES TO THE OLYMPICS includes Music from the films 16 DAYS OF GLORY, BARCELONA 1992, THE SPIRIT OF THE OLYMPICS and LILLEHAMMER 1994. To create a historical record of the best moments from the Olympic games, documentary motion pictures have often been captured by film cameras. In 1984, sports documentarian Bud Greenspan was given unprecedented access to produce and direct what became 16 DAYS OF GLORY, a magnum opus narrative of the 1984 Los Angeles Summer Olympics. While television viewers just saw the competitions, Greenspan was able to portray the personal trials and tribulations of selected athletes as they struggled to push their bodies to break records and snare those coveted medals. His efforts resulted in a stunning and emotional document that ran almost 284 minutes. 16 DAYS OF GLORY featured dramatic imagery of the competitions, sometimes using slow-motion to accentuate the athletes’ efforts. Greenspan relied upon composer Lee Holdridge to underscore many of these sequences, as well as creating a main title theme. The success of 16 DAYS OF GLORY led to a long partnership documenting both summer and winter Olympics around the world until the 1998 Nagano Winter Olympics. LEE HOLDRIDGE GOES TO THE OLYMPICS compiles a variety of music Holdridge composed for the films of Bud Greenspan, including many cues composed for 16 DAYS OF GLORY that were not included on the original release of the soundtrack. Besides his work for Greenspan, he composed music for another documentary, THE SPIRIT OF THE OLYMPICS, which was a compilation of highlights culled from other films, and the OLYMPIC VIDEO WALL which was a stand-alone exhibit in Spain. Lee Holdridge was born in Port-au-Prince, Haiti in 1944. He spent his early years in Costa Rica, beginning music studies on the violin at the age of ten with Hugo Mariani, then the conductor of the National Symphony Orchestra of Costa Rica. Later, Holdridge moved to New York to continue his music studies and begin his professional career as a composer. Holdridge’s successes in New York came to the attention of Neil Diamond who brought Holdridge to Los Angeles to write arrangements for his forthcoming albums. A string of Gold and Platinum hits followed, which led to Diamond and Holdridge collaborating on the film score for JONATHAN LIVINGSTON SEAGULL. Since that time, Holdridge has scored numerous film such as SPLASH, BIG BUSINESS, MR. MOM, MICKI & MAUDE, 16 DAYS OF GLORY, SYLVESTER, A TIGER’S TALE, EL PUEBLO DEL SOL, OLD GRINGO, PASTIME and BROTHERS AT WAR. His television work include MOONLIGHTING, BEAUTY AND THE BEAST, the complete eight hour remake of EAST OF EDEN, DREAMER OF OZ, Hallmark Hall Of Fame’s ONE AGAINST THE WIND and THE STORY LADY. Lee also began a very successful collaboration with Moriah Films, the film division of the Simon Wiesenthal Center, with the Academy Award winning documentary feature film THE LONG WAY HOME. In addition to his film career, Mr. Holdridge has had an extensive repertoire of concert works performed and recorded. He has also worked with many major recording artists having written, arranged and conducted for Placido Domingo, Barbra Streisand, Brian May of Queen, Stevie Wonder, Neil Diamond, John Denver, Neil Sedaka, Daniel Rodriguez, Al Jarreau, Dionne Warwick, Diana Ross, Natalie Cole, Jane Oliver and many others. Dragon’s Domain Records is excited to bring these documentary film scores to compact disc for the first time as part of LEE HOLDRIDGE GOES TO THE OLYMPICS, presented on two discs and mastered by James Nelson at Digital Outland. The booklet includes liner notes written by author David Hirsch with the participation of the composer. SPECIAL ADDED BONUS When you purchase the 2CD set, you will receive a digital version of the album with a downloadable booklet, plus an additional score by Lee Holdridge for the NAGANO 1988 Olympic games at no extra cost. This special offer is only available at Buysoundtrax.com. LEE HOLDRIDGE GOES TO THE OLYMPICS is a limited edition release of 500 units. LEE HOLDRIDGE GOES TO THE OLYMPICS will begin shipping the week of January 26th, 2026. The First 50 Copies sold will be autographed by composer Lee Holdridge. 16 DAYS OF GLORY 01. Theme From “16 Days Of Glory” (3:26) 02. Triumph (2:31) 03. Calgary Opening (2:43) 04. Gunde Svan Triumphs [Calgary 1988] (2:48) 05. The Highest Step: Interlude (2:18) 06. Korean Olympics Tribute [Seoul 1988] (1:43) 07. Hymn Of The Nations (10:30) Vocal: Placido Domingo 08. Diving (1:50) 09. The Women’s Marathon (7:43) 10. Edwin Moses (1:06) 11. The Spirit Of The Olympics (1:25) 12. China Sequence (6:20) 13. The Lighting Of The Torch (1:39) 14. Yasuhiro Yamashita (1:06) 15. Dawn: Interlude (3:19) 16. Entrance Of The Nations (3:27) 17. The Decathlon / Finale (3:41) 18. Bonus Synth Cue [1M1] (3:30) 19. Bonus Synth Cue [1M2] (2:34) 20. Bonus Synth Cue [4M1a] (1:05) 21. Bonus Synth Cue [4M5] (1:34) 22. The Olympics (1:08) SPIRIT OF THE OLYMPICS 23. Suite: The Torch / Preparation / Competition / Finale (7:40) BARCELONA 1992 24. Prologue (1:08) 25. Derartu Tulu’s Achievement (3:57) 26. Finale & End Credit (2:53) 27. Bumper (With Choir) (0:48) 28. Bumper (Without Choir) (0:46) 29. The Olympic Video Wall (Exhibit In Spain) (7:31) LILLEHAMMER 1994 30. Norwegian Prologue (0:57) 31. The Torch (2:48) 32. The Flag Bearers (2:05) 33. The Giant Slalom (0:44) 34. The Ski Jump (6:53) 35. The First Day Of Competition (4:47) 36. 50 KM of Determination (3:15) 37. Dan Jansen’s World Record (2:40) 38. Bittersweet Victory (1:19) 39. The Final Finish (1:50) 40. Courageous Glory & Cross Country Awards (2:19) 41. Speed Skating (0:53) 42. Bobsled (2:37) 43. Always A Chance For A Medal (1:39) 44. Tomba’s Triumph (2:43) 45. 50 KM Cross Country / For The Glory Of Sport (1:13) 46. 50 KM Skiers (2:11) 47. Final Strides To Victory (2:40) 48. Centuries Old Competition (4:13) 49. A Legacy Of Victory (0:44) 50. Facing Down Fear (1:37) 51. Devotion To Sport (1:51) 52. Bonus Synth Cue [1M3] Synth Percussion - The Flag Bearers (2:05) DIGITAL ONLY BONUS SCORE: NAGANO 1998: BUD GREENSPAN’S STORIES OF HONOR AND GLORY 53. Opening / Honorable Finish (2:44) 54. Long Run (3:39) 55. Competition / Mountainside (3:57) 56. Completing The Run (4:14) 57. Troublesome Run (2:59) 58. Solitary Run (2:44) 59. Icy Challenge (3:33) 60. Icy Difficulty / Concentration / Thinking About The Goal (3:51) 61. Thoughts / A Story (2:49) 62. Tight Finish / Reaching The Goal (2:32) 63. Solitary Finish (4:43) 64. Hymn of Honor (3:58) 65. Character Thoughts (1:21) 66. Honor and Glory Theme (2:04) Total CD Time: 146:36 Total Digital Time: 191:50 Dragon’s Domain Records presents THE BRUCE BROUGHTON COLLECTION: VOL. 2, featuring music composed by Bruce Broughton (SILVERADO, TOMBSTONE, THE ORVILLE) for two scores from his extensive filmography that highlight more of the gentle, delicate side of the composer’s work as a film composer. Released in 2005, WARM SPRINGS is a made-for-television biographical drama film directed by Joseph Sargent, written by Margaret Nagle, and starring Kenneth Branagh, Cynthia Nixon, Kathy Bates, Tim Blake Nelson, Jane Alexander, and David Paymer. The story explores U.S. President Franklin D. Roosevelt’s 1921 illness — initially diagnosed as polio — his fight to overcome paralysis, the discovery of the Warm Springs resort, and his efforts to establish it as a rehabilitation center for polio patients. Roosevelt’s emotional journey through interactions with other disabled individuals helps to prepare him for a return to politics and the challenges of leading the nation during the Great Depression. The score for WARM SPRINGS is a soft, orchestral piece for about 35 players, including brass, woodwinds, a large string section, harp, and piano. It’s presented here in chronological order, capturing Franklin and Eleanor’s evolving emotions during these tense hardships. Released in 2002, BOBBIE'S GIRL is an Irish comedy-drama film for television directed by Jeremy Kagan, starring Bernadette Peters, Rachel Ward, Jonathan Silverman, and Thomas Sangster. It tells the story of a middle-aged lesbian couple who run a peaceful pub faced with sudden health and family crises. The women are quite different: Bobbie (Ward) is calm, reserved, and practical; Bailey (Peters), an American, is warm, outgoing, and eccentric, a former actress. Bobbie and Bailey Lewis operate ‘The Two Sisters’, a seaside pub in Bray, near Dublin, with the assistance of Bailey's brother, David (Silverman). Bobbie discovers she has breast cancer and is determined to handle her illness independently. Meanwhile, the parents of her 10-year-old nephew Alan (Sangster) have died and a hesitant Bobbie is persuaded by Bailey to take him in. As Bobbie undergoes treatment, she gradually learns to accept her partner’s help. Bailey takes on more responsibility by both managing the pub and caring for Bobbie, who ultimately learns to express love for Alan and welcomes him into their extended family, much to Bailey's joy. BOBBY'S GIRL features an orchestra of roughly 35 players, including harp, recorder, violins, brass, percussion, guitars. Its main themes focus on the relationship between the women, the local setting, and their emotional struggles caused by sudden changes in their lives. Bruce Broughton, who has won ten Emmy Awards and been nominated for an Oscar, began his journey into film music in 1973, scoring episodes of television shows from GUNSMOKE, HAWAII FIVE-0, and DALLAS to JAG and THE ORVILLE, miniseries like THE BLUE AND THE GREY and THE OLD MAN AND THE SEA, and feature films such as SILVERADO, YOUNG SHERLOCK HOLMES, HARRY AND THE HENDERSONS, TOMBSTONE, and HONEY, I BLEW UP THE KID. Broughton has more than 130 scores to his credit. Throughout his career, Broughton has amassed ten Emmy Awards (from twenty-three nominations) and an Academy Award nomination (SILVERADO). In addition to being a composer and an accomplished conductor, Broughton is also a tireless educator having taught classes at the UCLA Herb Alpert School of Music, the Department of Screen Scoring at the USC Thornton School of Music, and is currently serving as Media Composer-in-Residence at the University of North Texas. Dragon’s Domain Records presents THE BRUCE BROUGHTON COLLECTION: VOL. 2, featuring music composed by Bruce Broughton for WARM SPRINGS and BOBBY’S GIRL. The music has been mastered by James Nelson at Digital Outland and the liner notes have been written by G.B. Kemner and Scott Davis. THE BRUCE BROUGHTON COLLECTION: VOL. 2 is a limited edition release of 500 units. THE BRUCE BROUGHTON COLLECTION: VOL. 2 is expected to begin shipping the week of January 26th, 2026. The First 50 Copies sold will be autographed by composer Bruce Broughton. WARM SPRINGS 01. Opening Titles (2:47) 02. Eleanor Reads Mercer’s Note / Remain Married Or Lose Your Trust Fund / Diagnosed With Polio / Life As He Knew It Is Over (3:27) 03. What’s Best For Franklin / The Storm / Train To Georgia (2:50) 04. Arrival At Warm Springs / Why Are We Here? / Into The Water (2:55) 05. First Night / Eleanor Leaves / Standing Unassisted In The Pool / Taking Five Steps (3:25) 06. Dictating The Letter / Public Speaking Failure / Hark The Herald Angels Sing / Parallel Bars (3:07) 07. I Don’t Know How To Talk To You / Taking The Boy Back To Warm Springs / Letter To Eleanor (2:20) 08. Improvements / Eleanor’s Success / Tom Has Cancer (3:42) 09. FDR Drives A Car / Louie And Eleanor Arrive / Eleanor Watches Rehab / Daisy Walks (3:49) 10. Roosevelts Crash The Medical Convention / Teaching Eleanor How To Drive / He’s Ready (2:44) 11. FDR’s Self-Pity / Eleanor’s Pep Talk / FDR Tries To Walk / What If I Fall? (4:25) 12. FDR Says Goodbye To Warm Springs Family / Finale / End Cards (3:30) 13. End Credits (3:36) 14. I’m Afraid We’ve Lost Him (Unused) (0:56) 15. Finding Boy In The Box Car (Unused) (1:10) 16. Tom Has Cancer (Alternate) (1:27) 17. Eleanor’s Pep Talk (Alternate) (1:04) 18. Finale / End Cards (Alternate) (1:33) BOBBIE’S GIRL 19. Logo / Main Title (2:13) 20. Meet Alan / Bailey Drives / Who Are You? / Granddad (2:15) 21. His Parents Place / A Frozen Heart / Bobbie’s Bad News (3:02) 22. The Female Eunuch / Thinking Ahead / Bobbie Runs Away / Alan Runs Off (3:54) 23. Searching For Alan / Bobbie Returns (3:36) 24. Can They See Me? / Waiting (2:18) 25. Bailey Returns / Bobbie Comes Home (2:38) 26. Pondering / Running To Granddad / A Wonderful Kid (3:54) 27. Don’t Leave Me (2:41) 28. Wedding Music (2:12) 29. End Titles (1:34) Total Time - 79:16 Dragon’s Domain Records presents the original motion picture soundtrack to THE HANDMAID’S TALE, featuring music composed by Ryûichi Sakamoto (MERRY CHRISTMAS, MR. LAWRENCE, THE LAST EMPEROR, THE REVENANT), for the 1990 science fiction thriller directed by Volker Schlöndorff (THE TIN DRUM, DEATH OF A SALESMAN), written by Harold Pinter, based on the novel by Margaret Atwood and starring Natasha Richardson, Faye Dunaway, Aidan Quinn, Elizabeth McGovern, Victoria Tennant, Blanche Baker and Robert Duvall. Released in 1990, THE HANDMAID’S TALE is set in the twilight of the Twentieth Century and American society as we have known it has ceased to exist. In a country now known as the Republic of Gilead, Right-wing fundamentalists have overthrown the government and replaced it with a numbingly repressive society ruled by the most rigid Puritan ethics. Cumulative effects of pollution, toxic waste and genetic experimentation have rendered most women infertile. Those still capable of bearing children are deemed ‘Handmaids’ and are assigned to ‘Commanders’, the men of the ruling elite. While attempting to escape, Kate (Richardson) and her family are stopped at the Canadian border. Her husband is shot, her daughter is taken away and she is captured, tested for fertility, sent to a training center for Handmaids. Upon completion, she is assigned to a commander named Fred (Duvall) and his barren wife Serena Joy (Dunaway). Kate is renamed Offred, given a small room in the house and is forbidden to speak to anyone in the household unless spoken to first. Kate develops an unexpectedly tender relationship with the Commander, who secretly introduces her to objects and activities from the past, now forbidden by Gilead law. Serena Joy, fearing that the commander himself may be infertile, arranges a meeting between Kate and the Commander’s chauffeur, Nick (Quinn). Their lovemaking rekindles all of Kate’s passion for life and with her feelings for Nick growing stronger, her desire for freedom from the Gilead regime grows even more desperate... Ryûichi Sakamoto has lived many musical lives. As a keyboardist and songwriter in Haruomi Hosono’s Yellow Magic Orchestra, he helped set the stage for synthpop. His solo experiments in fusing global genres and close studies of classical impressionism led to him scoring over 30 films, including MERRY CHRISTMAS, MR. LAWRENCE, THE LAST EMPEROR, THE SHELTERING SKY, RISING SUN, WUTHERING HEIGHTS, SNAKE EYES, FEMME FATALE and THE REVENANT. Originally released in the early days of the compact disc format by GNP Records, with the music presented in lengthy suites, Dragon’s Domain Records is excited to bring THE HANDMAID’S TALE back to the marketplace, with the music remastered by James Nelson at Digital Outland. THE HANDMAID’S TALE is a limited edition release. THE HANDMAID’S TALE is expected to begin shipping the week of January 26, 2026. 01. Overture / Snow (2:42) 02. Prison Camp (2:59) 03. On The Bus / Old Hundredth* / Nocturno (2:32) 04. Moira’s Hand / Red Veil (2:09) 05. Kate / Rape & Rage (2:48) 06. The Kiss (1:57) 07. Pollution In City / Moira Escapes (3:10) 08. Rape / Shall We Gather By The River** (1:52) 09. Love In Nick’s Room (3:11) 10. Amazing Grace*** (0:57) 11. My Daughter Is Alive (2:05) 12. Car Bomb / Travesty (2:17) 13. Kate & Moira / Hanging (2:50) 14. Particicution / Finding The Knife (3:33) 15. Waiting For Murder / Killing Commander (1:48) 16. Mayday (1:42) 17. Old Hundredth* (Praise God From Whom All Blessings Flow) (0:56) Total Time: 39:37 * Composed by Louis Bourgeois ** Composed by Robert Lowry *** Composed by John Newton, Performed by Laura Baxter This is an expanded reissue of the 1969 Philips and 1999 Varese Sarabande CD/LP releases. We have added 9 bonus cues including the instrumental "Quentin's Theme" which was not on previous releases of this album. Expertly composed by Robert Cobert (Trilogy Of Terror, Dan Curtis' Dracula, Winds of War) the music is pretty much an additional character on the show. Thematic and memorable music. Dark Shadows was a groundbreaking release as arguably the first popular TV soundtrack album, becoming a Top 20 hit, "Shadows of the Night (Quentin's Theme)," and cementing the show's cult status with its gothic atmosphere and is still a very loyal legion of fans. Notefornote Music would like to thank Jim Pierson, Cary Mansfield and Peter Hackman for their help and guidance on this project. Track List: 1. Dark Shadows/Collinwood 2. I'll Be With You, Always 3. Josette's Theme 4. A Darkness At Collinwood 5. Meditations 6. Night Of The Pentagram 7. When I Am Dead 8. #1 At The Blue Whale 9. Shadows Of The Night 10. The Secret Room 11. Epitaph 12. Seance 13. I, Barnabas 14. Back At The Blue Whale 15. The Old House 16. Epilogue/Dark Shadows Bonus Tracks 17. Victoria Winters 18. Conjuring 19. Pansy's Theme 20. The Dream Curse 21. Ode To Angelique 22. Night Of Terror 23. Joanna 24. Quentin's Theme 25. Jonathan Frid Greeting

Es gab gestern eine Kurzzeit-Veröffentlichung auf BSX/DD Records, Morricones LA RAGAZZA E IL GENERALE. Wir hatten das Thema Lizensierung/Rechteinhaber bei dem Label schon öfter, das hier war schon besonders. Beim Blick aufs Backcover hatte ich schon vermutet, dass das nicht lange gutgeht, aber schon nach kurzer Zeit hieß es "Due to a very unexpected licensing this title has been cancelled, sorry". "Dragon’s Domain Records presents the premiere release of the original motion picture Score to THE GIRL AND THE GENERAL, featuring music composed and conducted by Ennio Morricone for the 1967 comedy-drama directed by Pasquale Festa Campanile, written by Massimo Franciosa, Luigi Malerba and Campanile, starring Rod Steiger, Virna Lisi and Umberto Orsini. Dragon’s Domain Records is excited to present the premiere release of the original tracks for THE GIRL AND THE GENERAL, composed and conducted by the great Ennio Morricone, with the music mastered by James Nelson at Digital Outland, including liner notes written by author David Hirsch."

The Chairman - Goldsmith Beneath the 12 Mile Reef - Herrmann Jane Eyre - Herrmann The New World - Horner The Big Sleep - Fielding

Naja, mit aktuellen Horror-Scores habe ich es nicht so. Schön für Fans, für mich gespartes Geld für andere VÖs.

YOUNG & CURSED Music Composed by PATRICK O'MALLEY For Intrada's latest release, composer Patrick O'Malley chose to eschew the current sound-design approach of many modern-day horror films and lean into a more traditional (and frankly fan-embraced) style of horror scoring. Composers from earlier decades always lauded the opportunities provided by horror films to embrace experimentation that were not often afforded in other genres. It provided an opportunity not only to embrace dissonance as would be expected, but also the lyrical side so often ignored in horror films today. Think Jerry Goldsmith's delicate theme for Carol Ann balanced alongside the aggressive action in Poltergeist. The two can easily coexist in a horror setting. As O'Malley describes in his notes: One of the best things that can be given to any composer (of film music or otherwise) is a large canvas. When I first read Andrew [Chiaramonte] and Emmett [Alston]'s script for Young & Cursed, I initially thought that the film would only need light touches from the music: subtle electronics with the occasional reverb-submerged piano and grit-filled jump-scare stinger (after all, the plot outline is a bunch of kids in a cabin getting spooked for 90 minutes!). But, upon seeing a rough cut of the film and hearing [director] Andrew passionately discuss his goal of putting the audience in a larger frame of mind about the spiritual nature of good and evil, a much different sound came to me: a traditional-style score combining orchestra, choir, synths, electronics and a battery of homemade “found object” instruments. O'Malley may not be a name known to many, as Young & Cursed is his first full-length film score after working on several shorts and in the classical music scene. Hopefully this score is the harbinger of many more feature-length film assignments to come. Check out the soundtrack trailer here: The film is a supernatural psychological horror film directed by Andrew Chiaramonte, centering on five young strangers who retreat to a remote wilderness cabin, only to find themselves under the sinister influence of a mysterious woman possessed by an ancient force. As they become trapped and isolated, the group’s trust erodes and paranoia grows, forcing each person to confront their deepest fears and inner demons. INTRADA INT 7190 Barcode: 7 20258 71900 3 Retail Price: $24.99 AVAILABLE NOW ON CD AND DIGITAL PLATFORMS EVERYWHERE. 01. Lilith's Theme (3:33) 02. Hope and Sorrow (2:27) 03. Prologue & The Calling (4:32) 04. First Escape (2:28) 05. Kyra (3:07) 06. Two Of Them (1:07) 07. Food, Love, Death (3:09) 08. The Apparition (2:14) 09. Donny's Trap (2:53) 10. The Waiting (1:27) 11. God's Children (4:58) 12. The Curses (1:01) 13. Blood Moon (3:32) 14. Possession Dance (8:33) 15. Childhood Nightmares (0:50) 16. The Attack (3:42) 17. Temptations (03:51) 18. Death Light (5:04) 19. Demons Past (4:33) 20. The Sacrifice (2:17) 21. Adagio Religioso (06:42) Total CD Time: 1:12:11

In der aktuellen Mail steht es auch wieder geschrieben: „We hope to record in Fall/Winter 2026.“ Ich denke mal, das „hoffen“ steht für das Erreichen der Zielsumme und nicht dafür, einen Termin für das Orchester zu erhalten.

Ist der Chor separat aufgenommen worden?

Ich habe gestern den Film mal wieder gesehen. Die Altman Musik bricht schon sehr mit dem restlichen Score. Ansich ist das ein gelungenes Stück und es funktioniert auch, aber gleichzeitig klingt es doch sehr out of place, ja irgendwie klischeehaft, wenn man davor die ganze Zeit einen anderen prägnanten Stil hört. Das Liebesthema gefällt mir auch sehr, aber im Film hatte ich das Gefühl, dass es nicht wirklich variiert wurde. Insgesamt immer noch ein geiler Film und ein cooler Score.

Da bin ich mir nicht so ganz sicher. Altmans Musik zu der Szene ist toll, aber ich finde, daß es noch besser gepaßt hätte, wenn wenigstens der Anfang von "A Pleasant Drive In St. Petersburg" genommen worden wäre, als Bond mit dem Panzer durch die Mauer krachte. Diese "Schrägheit", ein anderes Wort fällt mir nicht ein, des Bond-Themas fand ich in dem Stück sehr gelungen.

Snow Files of the Week: "Main Title/Phil Checks Out/Memories of Caroline/Graveyard" aus dem TV-Thriller "Caroline at Midnight" (1994). Mark zeigt mit diesem Score seinen Film-Noir-Stil. Das Main Theme, welches Mark auch in der X-Files-Folge "3" aus der zweiten Staffel benutzte, taucht auch hier wieder auf. Victorias Geständnis begleitet Mark mit seinem mysteriösen Piano. Insgesamt hat Marks Score einige Jazz-Elemente, sowie seine typischen dunklen und brodelnden Klanglandschaften. Der Score wurde von Dragon's Domain auf "The Mark Snow Collection Volume 2" veröffentlicht, zusammen mit dem Score zu "Seduced and Betrayed". Die CD ist auf 2.000 Exemplare limitiert. Viel Spaß beim Hören!

Leider hat man den Kickstarter Text angepasst. „We're assembling our renowned team to manage this project, with William T. Stromberg conducting the Royal Scottish National Orchestra, Leigh Phillips in the producer's chair, and Anna Stromberg wrangling the score and parts to put in front of the musicians. This score's particular challenges include the unique and haunting vocals so artistically and brilliantly woven into the score, but as the above clip illustrates, the team understands the nuances and can nail the results.“ Danach stand geschrieben, dass man im Autumn/Winter 2026 mit den Aufnahmen beginnen würde. Heißt also in den Monaten von Oktober bis Dezember.

Schon nach wenigen Stunden fast 200 Unterstützer. Es zahlt sich aus, verlässlich zu sein und das hat Intrada nun hinlänglich bewiesen.

Hatte heute morgen einen ganzen Schwung Mails von Kickstarter im Postfach, weil Feigelson alle Unterstützter in den bisherigen Projekten gesondert angeschrieben hat. Na, habe jedenfalls wieder den Download gewählt und die Summe etwas aufgestockt, damit fährt man ganz gut. Wenn man die so wegfallenden Kickstarter- und Zollgebühren nimmt, kann man locker bei einem der hiesigen Händler kaufen.

Wo hast du das gelesen?

Das Finanzierungsziel zu erreichen wird schnell gehen. Aber Aufnahmen erst in neun bis elf Monaten? Bestenfalls erhält man die CD dann Anfang 2027.

INTRADA Announces: THE NIGHT OF THE HUNTER KICKSTARTER CAMPAIGN Composed by WALTER SCHUMANN Conducted by WILLIAM T. STROMBERG Produced by LEIGH PHILLIPS Performed by ROYAL SCOTTISH NATIONAL ORCHESTRA Intrada is back with its sixth Kickstarter campaign, this time to record a much-requested fan favorite, although not by one of the regular film composers about whom everyone talks. The delicious thriller Night of the Hunter features music by composer Walter Schumann. Intrada is assembling its renowned team to manage this project, with William T. Stromberg conducting the Royal Scottish National Orchestra, Leigh Phillips in the producer's chair, and Anna Stromberg wrangling the score and parts to put in front of the musicians. This score's particular challenges include the unique and haunting vocals so artistically and brilliantly woven into the score, but as the clip linked below illustrates, the team understands the nuances and can nail the results. With the original scores and orchestra parts so expertly preserved and accessible thanks to Brandon Drake of Neumation Music, this will be a smooth road to completion once we secure funding. Check out the main title we recorded during The Chairman recording sessions here: Night of the Hunter is a dark film about Powell, a charming but sinister preacher, who learns that a woman's executed husband hid stolen cash somewhere on her property. He marries the woman and terrorizes her children to force them to reveal the money's location. When the children flee, Powell relentlessly pursues them down the river and across rural Depression-era America. Preacher Powell is not above murder to attain his financial goals. The film's remarkable and fairytale-like cinematography is both poetic and nightmarish in tone. Creating a dark and surreal world, Walter Schumann's score takes the same approach to deliver a brilliant thriller score. The goal is to raise $65,000, we hope to record in Fall/Winter 2026. To check out the campaign and contribute, please visit The Night of The Hunter Kickstarter campaign here https://www.kickstarter.com/projects/129145902/night-of-the-hunter-soundtrack-recording-project