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Scheint so, dass Young in letzter Zeit wieder mehr Arbeit bekommt

https://www.varesesarabande.com/collections/cd-club/products/don-davis-the-matrix-the-complete-score-2-cd Few blockbusters can claim to be as influential as The Matrix (1999), written and directed by the Wachowskis. From its super high-concept that has wormed its way into the public’s imagination (what if we’re all just living in a computer simulation?), to Keanu Reeves’ iconic hero Neo, to the brilliant, jaw-dropping and story-based visual effects, The Matrix delivered on all fronts. Its three films grossed over $1.6 billion worldwide, and a fourth is on the way. The Matrix demanded a score that was as unique, sophisticated and imaginative as its concept and action—and got one from composer Don Davis. Davis, who scored the Wachowskis’ Bound (1996), reinvented the symphonic language of the action blockbuster by drawing on cutting-edge concert-hall minimalism and his own background as an avant-garde composer, while maintaining the energy, pace and density required of a studio action film. From the clashing-brass “reflections,” to the racing strings, pounding percussion and flittering, repeating musical “cells,” the Matrix score fits hand-in-glove with the film’s concept of a computer-controlled reality—and offers a unique musical thumbprint that is recognizable sometimes only from a single note or chord. It is the rare commercial triumph that is also an artistic landmark. The Matrix was released by Varèse Sarabande at the time of the film, and then in a Deluxe Edition that fit as much of the score as possible on one CD. By popular demand, this new 2CD set, (also available for Record Store Day as a 3LP set), presents the complete score. Liner notes feature a new interview with Don Davis conducted by Kaya Savas. Limited to 2000 copies. TRACKLIST Disc One: 1. Logo / The Matrix Main Title (0:55) 2. Trinity Infinity (6:00) 3. Neo Con Brio (0:32) 4. Follow The White Rabbit (0:15) 5. Neo On The Edge (3:24) 6. Through The Surveillance Monitor (0:59) 7. Unable ToSpeak(1:14) 8. Bait And Switch (3:16) 9. Switched For Life (3:36) 10. Switched At Birth (2:43) 11. Switches Brew (2:27) 12. Cold Hearted Switch (1:40) 13. Nascent Nauseous Neo (4:00) 14. A Morpheus Moment (1:39) 15. Bow Whisk Orchestra (1:23) 16. Domo Showdown (1:13) 17. Switch Or Break Show (1:05) 18. Shake, Borrow, Switch (0:39) 19. Switch Works Her Boa (0:56) 20. Bring Me Dinner (0:39) 21. The System (0:37) 22. Freeze Face (1:52) 23. Switch Woks Her Boar (2:07) 24. Cypher Cybernetic (0:59) 25. Ignorance Is Bliss / Cyber Cyphernetic (1:51) 26. See Who? (0:26) Disc Two: 1. Switch Out (3:01) 2. Boon Spoy (1:08) 3. Oracle Cookies (1:30) 4. Threat Mix (6:05) 5. Exit Mr. Hat (2:57) 6. On Your Knees, Switch (4:43) 7. Mix The Art (2:10) 8. Whoa, Switch Brokers (4:01) 9. The Cure (1:35) 10. It’s The Smell (1:57) 11. The Lobby (0:27) 12. No More Spoons (1:02) 13. Dodge This (1:08) 14. Fast Learning (0:44) 15. Ontological Shock (4:16) 16. That’s Gotta Hurt (5:17) 17. Surprise (4:06) 18. He’s The One Alright (6:56) Music Composed, Orchestrated and Conducted by DON DAVIS Produced by DON DAVIS Complete Edition Executive Producers: CARY E.MANSFIELD and CHAS FERRY Mastered by CHAS FERRY Auch erhältlich als SACD: https://www.varesesarabande.com/collections/cd-club/products/don-davis-matrix-the-the-complete-score-2-sacd

Wie zu erwarten, komponiert Lorne Balfe nun auch die Musik zum 4. Teil der Beverly Hills Cop Reihe. Ich hoffe der Score wird "inspirierter" als seine Musik zu Bad Boys 3. Und hoffentlicht vertont er nicht nun alle noch kommenden Bruckheimer Produktionen.

Bei uns bereits eingetroffen, demnächst im Handel erhältlich: BERNHARD HOETGER – ZWISCHEN DEN WELTEN (2024) Bernhard Hoetger (1874 – 1949) war Bildhauer, Maler, Architekt und Kunsthandwerker – zu seinen Meisterwerken gehört die Gestaltung der Böttcherstraße sowie das Haus Atlantis in Bremen. Darüber hinaus war sein Schaffen derart vielseitig, dass es kaum in einem Satz zusammen gefasst werden kann. Für die Kino-/Spielfilm-Dokumentation von Regisseurin Gabriele Rose mit Moritz Führmann als Bernhard Hoetger schrieb Carsten Rocker (Prager Botschaft / Held der Gladiatoren) die Musik und konnte hierfür Stefan Pintev (aus dem Elbphilharmonie Orchester) für die Einspielung der Violine sowie der Bratsche gewinnen. Herausgekommen sind mitreißende (A Period of Change, Power of Creation…), aber auch ruhig-zerbrechliche Stücke (Paula…) von großer Intensität. Das CD-Booklet enthält neben zahlreichen Abbildungen auch ein Vorwort der Regisseurin Gabriele Rose sowie Anmerkungen zur Musik von Carsten Rocker. Wir wünschen viel Freude mit dem Album. Tracklisting 01. A Period Of Change 2:31 02. Main Titles 2:14 03. Power Of Creation 2:24 04. The House Of Arts 1:32 05. Paula 1:59 06. Old Manor House 0:42 07. Bernhard Meets Helene 1:52 08. Nocturne D – Dur 2:46 09. Farewell (A Period Of Change – Variation 1) 1:47 10. Circle Of Life 1:42 11. Darkness Rises 2:29 12. The House Of Arts – Variation 1:31 13. Dark Shadows 1:52 14. Picturesque Views 1:14 15. Medieval Impressions 1:18 16. Power Of Creation – Variation 3:45 17. Nordic Legends And Atlantis 1:58 18. Drums Of War And Fateful Days 1:18 19. Remembering Old Places 1:06 20. Mystical Memories (Paula – Variation) 1:51 21. The Sycamore Trees 1:14 22. A Search For Meaning 2:22 23. End Titles (A Period Of Change – Variation 2) 3:02 Musik komponiert, arrangiert & produziert von CARSTEN ROCKER Violine & Viola: STEFAN PINTEV Hörprobe:

Nun kam bei einem Podcast raus, dass Intrada als nächstes "Howard the Duck" von Barry rausbringen wird.

Zwar hier Off-Topic, aber egal. FEAR STREET kommt am Freitag von Milan.

For Love of the Game (1999) reunited Kevin Costner with one of his most popular subjects—baseball—as he starred as an aging pitcher who throws a perfect game at Yankee Stadium while reflecting upon his long-term relationship. An unexpected choice of material for director Sam Raimi, the film was lauded for its depiction of the sport and its uplifting Americana score by Basil Poledouris. By the late 1990s, Poledouris was renowned for his mastery of a film scoring genre that was, in a way, coming to its end: the romantic, orchestral depiction of masculinity. From barbarians to cyborg cops, cowboys to submariners, Poledouris found the beating heart of heroic male characters who upheld virtues of honor, loyalty and duty, while allowing themselves to be vulnerable to their loved ones. Costner’s Billy Chapel—pitching in his very last game—was an ideal protagonist, and Poledouris responded with a rich, warm, melodic score that goes from the grandeur and scope of America’s national pastime, to the romantic yearning and intimacy of its very human hero. The score navigates a range of orchestral size—from fully symphonic to heartfelt solos—as well as genre, with pop and R&B brought in for contemporary emphasis. For Love of the Game was released as 10-track, 33-minute CD from Varèse Sarabande at the time of the time. The program has been expanded to 35 tracks and over 78 minutes for this Deluxe Edition, with Daniel Schweiger’s liner notes incorporating interview material from Raimi, Poledouris, and the composer’s agent, Richard Kraft. Limited edition of 2,000.d Produced by: Basil Poledouris, Tim Boyle and Mi Kyoung Chaing Edited by: Curtis Roush Mixed by: Tim Boyle Mastered by: Chas Ferry & Melinda Hurley Track Listing: 1. Main Theme (from For Love Of The Game) 3:35 2. New York (not in final film) 2:41 3. Billy Traded 2:22 4. Run To Park 0:55 5. Park Farewell 1:44 6. Locker Room 0:49 7. Clouds 1:47 8. Tuttle Knockdown 1:50 9. Tuttle Out 1:37 10. Cat And Mouse 1:05 11. Jane To Game 1:47 12. Jane Putdown 0:42 13. Torn Dollar Bill (not in final film) 1:20 14. Dinner (1:03) / Elevator (0:32) 1:35 15. OK, Billy Chapel 0:55 16. Birch Strikeout 3:01 17. For Love Of The Music (not in final film) 1:50 18. Hard Pitching 1:48 19. Old School 1:37 20. Heather Comes Along 0:44 21. Jane’s Home 4:59 22. Relationship Montage (Pt. 1) 3:38 23. Gus Hits It 1:18 24. Accident 3:11 25. Coming Back? 0:37 26. Lemonade 2:12 27. Doesn’t Matter Anymore 1:04 28. No Hits 4:49 29. Mickey’s Save 2:50 30. The Decision 5:19 31. Can’t Get Clear 2:42 32. Last Pitch 5:19 33. Gus Farewell 0:53 34. Apology 1:55 35. I Need You 3:09

Kommt am 19.09. von Intrada:

WaterTower Music hat ein neues Soundtrack-Album zur HBO-Originalserie "House of the Dragon" veröffentlicht. Das Album enthält den Score aus der zweiten Staffel der Serie, komponiert von Ramin Djawadi (Game of Thrones, Westworld, Fallout, Iron Man, Eternals, 3 Body Problem, Uncharted, Kampf der Titanen). Der Soundtrack ist jetzt auf Amazon und allen anderen großen digitalen Musikdiensten zum Streamen/Downloaden verfügbar. Trackliste: 1. Main Title (from “Game of Thrones”) (1:45) 2. End a War Before It Begins (2:07) 3. The Whisper Network (1:33) 4. Blood and Cheese (3:38) 5. A Son for a Son (2:03) 6. Indulge in Darkness (2:14) 7. Remembering Those Who Came Before (3:22) 8. Patience and Restraint (2:56) 9. Right to Grieve (1:18) 10. Born Together (4:29) 11. The Feeling of Betrayal (2:16) 12. This Is Our Purpose (1:20) 13. Strange Victory (4:08) 14. Peace Will Be Restored (2:42) 15. A Final Journey (4:33) 16. I Do Not Know My Part (1:05) 17. A Matter of Honor (2:33) 18. Rook’s Rest, Pt. 1 (7:34) 19. Rook’s Rest, Pt. 2 (5:18) 20. A Sworn Protector (2:50) 21. A Mad Thought (1:37) 22. You Know What You Must Do (2:45) 23. Our Hope for the Future (3:00) 24. Bear the Burden Alone (2:15) 25. Claim a Dragon (2:34) 26. Stolen Inheritance (2:05) 27. Born with Other Names (1:39) 28. There Will Be No Mercy (2:28) 29. The Triarchy (0:50) 30. Fight for Our Queen (2:03) 31. All Must Choose (4:44)

2 neue Veröffentlichungen bescheren uns die Hamster von Intrada:

Doom (2005) was a big-budget feature film adaptation of the hit game from id Software, starring Karl Urban, Rosamund Pike and Dwayne Johnson (billed as The Rock). A team of marines are sent through a portal to a research facility on Mars, where they must battle demonic creatures which are revealed to be mutated humans from genetic experiments. Doom was an action-packed romp noted for its nods to videogame culture, creature design by Stan Winston Studios, and lengthy first-person shooter sequence. One of its most successful elements is its forward-thinking score by Clint Mansell, blending orchestra and electronics with authentic “alt. rock” elements, including a remix of the Nine Inch Nails song “You Know What You Are.” Mansell’s score smartly evolves from haunted-house spookiness to balls-out action, all impeccably produced. “I wanted to sort of capture the adrenaline and that sort of metal thrash that goes with the game and world in my opinion. It’s like it needed something edgy,” Mansell said at the time. “The original thought was to do a big orchestral score, and there is some orchestra in it, but it’s a very contemporary-type movie and the score needed to be contemporary, too.” Doom was released as a 22-track, hour-long by Varèse Sarabande at the time of the film. This new Deluxe Edition expands the content to two discs, with 41 tracks and over 140 minutes. The 20-page booklet features liner notes by Daniel Schweiger and two double-page interior spreads of newly commissioned artwork by Micha Huigen. Produced and Programmed by: Clint Mansell Orchestra Recorded and Mixed by: Geoff Foster Mastered by: Chas Ferry and Melinda Hurley Track List: CD 1: 1. Doom (Main Title) 2. Pray For War 3. Facing Demons 4. Olduvai 5. Into Action 6. Stealth 7. Searching 8. Access Denied 9. Sibling Rivalry 10. A Discovery 11. Goat's Demons 12. Nano Wall / Carmack 13. Zombie-Blood Gone 14. Down In The Sewer 15. Man Down 16. Taking Control 17. Carmack's Return 18. Childhood Memories 19. Mac Attacked 20. Resurrection 21. BFG 22. Bathroom Break 23. Destroyed 24. Clip Drop 25. Death From Above CD 2: 1. Infirmaray 2. Experimental Stahl 3. UAC Data 4. Containment Breach 5. It's Choosing 6. Kill Em All (A) 7. Kill Em All (B) 8. Mass Onslaught 9. C 24 10. First Person Shooter 11. Last Man Standing 12. Semper Fi 13. Fight Scene 14. Almost Home 15. You Know What You Are? (For E.C. Pt. 1) (Clint Mansell Remix) 16. Doom (For E.C. Pt. 2)

Komponistenwechsel bei den Geisterjägern. Nachdem Rob Simonsen für GHOSTBUSTERS AFTERLIFE einen wirklich schönen Score schreiben durfte, ist nun Dario Marianelli an der Reihe, der Fortsetzung den hoffentlich nötigen Sound zu verpassen.

Kommt am 08. Juli.

Pleasantville (1998) was a high-concept fantasy-comedy about high-school siblings (Tobey Maguire and Reese Witherspoon) transported into an idyllic, black-and-white 1950s Leave It to Beaver-type TV show. In the hands of writer/director Gary Ross, the film is more than just a fish-out-of-water tale with dazzling VFX—it is a touching character study and potent Civil Rights allegory that received critical acclaim and is fondly remembered today. Scoring Pleasantville was a master of Americana, humor and symphonic scoring, Randy Newman. Newman had cheeky fun with the show-within-the-film’s old-school traditions, but just as the story blossoms into a heartfelt tale of emotional awakening—with a beautiful performance by Joan Allen as a repressed mother—so does the gorgeous score. “Randy is unique in the fact that he can write with a depth of emotion, and he’s also an accomplished satirist,” says Gary Ross in the new liner notes by Tim Greiving. “He could write to the vernacular of what the movie was, but not be limited by it. That’s what the film is trying to do, and it really needs someone who can understand the breadth of those intentions... I’ve never been happier with any score, on any movie.” Features: Varèse Sarabande released Pleasantville’s score album in 1998 as a 17-track, 31-minute edition. As the film celebrates its 25th anniversary, this Deluxe Edition features an expanded program of 34 tracks and 66 minutes. Track List: 1. The Pleasantville Theme 2. Get Ready* 3. New TV Remote And The Fight* 4. We’re Stuck (The Breakfast Scene)* 5. School And Basketball* 6. Mr. Johnson And Missed Shots* 7. In The Bath 8. Bud’s A Hero 9. Make-Up 10. The Art Book 11. Real Rain (Extended Version)** 12. Let’s Go Bowling 13. Together 14. Waking Up 15. No Umbrellas (Extended Version)** 16. Nude Painting* 17. Punch 18. Burning The Books 19. The Aftermath (Extended Version)** 20. Mural 21. A New Day 22. Goodbye 23. Pleasantville Bumper* 24. The Sweater Additional Music: 25. Make-Up (Film Version)* 26. The Art Book (Alternate)* 27. Together (Film Version)* 28. No Umbrellas (Alternate)* 29. The Aftermath (Alternate)* 30. Mural (Film Version)* 31. A New Day (Alternate)* 32. A New Bus (Film Construct)* 33. Pleasantville Theme Play-Off* 34. Pleasantville End Credits Suite* * Previously unreleased ** Contains previously unreleased material

Im Jänner startet der dritte Teil von BAD BOYS. Der Film ist mittlerweile abgedreht. Nur zur Musik finde ich noch keine Information. Haltet ihr es für möglich, dass Mark Mancina zurückkommen wird? Oder geht der Auftrag an Trevor Rabin erneut? Wird es vielleicht gar Hans Zimmer? Oder gibt man den Score irgendeinem von RCP, der einfach gerade Zeit hat?

Kommt am 25.06.

Aus der upcoming releases sektion:

Und weiter geht es in der „Rob Zombie presents"-Reihe. Rob Zombie and Waxwork Records have partnered to release an exclusive, curated line of classic Horror movie soundtracks! “Rob Zombie Presents” features several never-before-released film soundtracks that were personally selected by the singer, songwriter, and filmmaker. “I have always been a huge fan of movie soundtracks. So I jumped at the opportunity to work with Waxwork on this project.” Says Zombie, “I can’t wait to release these albums. So many of these films are greatly under appreciated and, they all contain such great music. So, to be able to release these deluxe packages is a dream come true.“ - Rob Zombie Rob Zombie and Waxwork Records are thrilled to announce the debut vinyl release of THE LAST MAN ON EARTH Original Motion Picture Score by Paul Sawtell & Bert Shefter. The Last Man On Earth is a 1964 post-apocalyptic science fiction horror film based on the 1954 novel I Am Legend by Richard Matheson. Starring Vincent Price, the plot follows Dr. Robert Morgan (Price) who lives in a world where the human population is infected by a plague that has turned them into undead, vampiric creatures that cannot stand sunlight, fear mirrors, and are repelled by garlic. Every day, Morgan follows a routine where he marks days off the calender and sets out to hunt the vampires, killing as many as he can and then burning the bodies. After working together on the successful release of the official soundtracks to Zombie’s films House of 1000 Corpses, The Devils Rejects, 3 From Hell, The Lords of Salem, Halloween 1 & 2, and The Munsters, Zombie explored other ways to collaborate with Waxwork in an effort to unearth, re-master, and release classic, left-of-center Horror soundtracks from films that he is a life-long fan of. The line of soundtracks features deluxe packaging, heavyweight colored vinyl, new artwork by prominent Horror illustrator Graham Humphreys, liner notes and interviews conducted by Rob Zombie with filmmakers and actors. Titles include premiere releases of Spider Baby, Carnival Of Souls, The Last Man On Earth, The House On Haunted Hill, The Legend of the Seven Golden Vampires, and many selections from the HAMMER film library. Rob Zombie Presents THE LAST MAN ON EARTH Original Motion Picture Soundtrack Features: The Complete Score by Paul Sawtell & Bert Shefter Available For The First Time On Vinyl 2xLP 180 Gram Neon Green Vinyl with Green & Yellow Splatter Exclusive Interview by Rob Zombie with Victoria Price New Artwork by Graham Humphreys Deluxe Heavyweight Gatefold Packaging with Matte Satin Coating 11"x11" Booklet

CITY HALL - Jerry Goldsmith (1996) 01. The Bridge (2:05) 02. The Meet (2:57) 03. The Hospital (2:17) 04. When I Was A Kid (2:21) 05. The Cabin (1:06) 06. The King Maker (2:22) 07. Old Friends (2:49) 08. Swartz Is Dead (2:45) 09. Think About It (1:22) 10. The Report (1:37) 11. Take A Vacation (3:31) 12. Count On It (4:50) CITY HALL gehört sicher nicht zu seinen großen Meisterwerken, aber der Score nimmt im Schaffen der 90er Jahre dennoch eine kleine Sonderrolle ein. Dies hängt in erster Linie mit der eher ungewöhnlichen Orchestrierung zusammen. Goldsmith greift hier nicht ausschließlich auf seine vielfach erprobte Mischung aus Orchester und Elektronik zurück, sondern räumt einigen Instrumenten eine deutliche Sonderrolle ein. Im Vordergrund stehen dabei die Kesselpauken, die teilweise wie ein Soloinstrument behandelt werden und weite Teile der Musik dominieren. Außerdem fällt der Flügel auf, der hier vornehmlich als Rhythmusinstrument genutzt wird. Die vor allem von Holzbläsern getragenen Themen des Scores weisen eine an Jazz erinnernde Trägheit auf und verleihen der Musik eine gewisse Melancholie, die sich bei Goldsmith sonst eher selten findet. Die brillant strukturierten Actionpassagen weichen dabei deutlich von den anderen Werken dieser Zeit ab und man hat nie den Eindruck, dass Goldsmith in seine Action-Routine verfällt. Einige Elemente von CITY HALL erinnern an die Musik zu A STREETCAR NAMED DESIRE von Alex North, die Goldsmith im selben Jahr für Varèse eingespielt hat. Der Beginn des Titels "Old Friends" könnte sogar fast als direktes Zitat durchgehen. Für mich persönlich handelt es sich bei der Musik zu CITY HALL um ein kleines Juwel im (nicht immer überzeugenden) Spätwerk von Jerry Goldsmith.