Alexander Grodzinski

Pleasantville (1998) was a high-concept fantasy-comedy about high-school siblings (Tobey Maguire and Reese Witherspoon) transported into an idyllic, black-and-white 1950s Leave It to Beaver-type TV show. In the hands of writer/director Gary Ross, the film is more than just a fish-out-of-water tale with dazzling VFX—it is a touching character study and potent Civil Rights allegory that received critical acclaim and is fondly remembered today. Scoring Pleasantville was a master of Americana, humor and symphonic scoring, Randy Newman. Newman had cheeky fun with the show-within-the-film’s old-school traditions, but just as the story blossoms into a heartfelt tale of emotional awakening—with a beautiful performance by Joan Allen as a repressed mother—so does the gorgeous score. “Randy is unique in the fact that he can write with a depth of emotion, and he’s also an accomplished satirist,” says Gary Ross in the new liner notes by Tim Greiving. “He could write to the vernacular of what the movie was, but not be limited by it. That’s what the film is trying to do, and it really needs someone who can understand the breadth of those intentions... I’ve never been happier with any score, on any movie.” Features: Varèse Sarabande released Pleasantville’s score album in 1998 as a 17-track, 31-minute edition. As the film celebrates its 25th anniversary, this Deluxe Edition features an expanded program of 34 tracks and 66 minutes. Track List: 1. The Pleasantville Theme 2. Get Ready* 3. New TV Remote And The Fight* 4. We’re Stuck (The Breakfast Scene)* 5. School And Basketball* 6. Mr. Johnson And Missed Shots* 7. In The Bath 8. Bud’s A Hero 9. Make-Up 10. The Art Book 11. Real Rain (Extended Version)** 12. Let’s Go Bowling 13. Together 14. Waking Up 15. No Umbrellas (Extended Version)** 16. Nude Painting* 17. Punch 18. Burning The Books 19. The Aftermath (Extended Version)** 20. Mural 21. A New Day 22. Goodbye 23. Pleasantville Bumper* 24. The Sweater Additional Music: 25. Make-Up (Film Version)* 26. The Art Book (Alternate)* 27. Together (Film Version)* 28. No Umbrellas (Alternate)* 29. The Aftermath (Alternate)* 30. Mural (Film Version)* 31. A New Day (Alternate)* 32. A New Bus (Film Construct)* 33. Pleasantville Theme Play-Off* 34. Pleasantville End Credits Suite* * Previously unreleased ** Contains previously unreleased material

Serenity (2005) was the feature film sequel of Joss Whedon’s short-lived space-western TV series, Firefly (2002–03). When fans lamented the loss of the canceled show, Universal rescued the titular spaceship and its charismatic crew (including Nathan Fillion, Morena Baccarin and Alan Tudyk) for a big-screen adventure written and directed by Whedon. Scoring Serenity was David Newman, whose vast and diverse filmography lent him well-prepared for anything the film might throw at him. From worldbuilding to character comedy to harrowing action, the score runs the gamut—but always hews to a sense of family and “home” for the Serenity and her offbeat crew. Solo cello and folksy percussion are found alongside eerie “ethnic” approaches, which turn dark and brutal for the barbaric villains, the Reavers, as the film explores their secret origin. But Newman balances the weirdness with familiar, dramatic orchestral scoring, ultimately creating an eclectic tapestry for Whedon’s unique vision. Features: Varèse Sarabande’s 2005 soundtrack CD for Serenity was released as a 23-track, 50-minute program. This Deluxe Edition expands the album into a 2CD set, with 54 tracks featuring 90 minutes of prime David Newman sci-fi action, adventure, and emotion, as chronicled in new liner notes by Daniel Schweiger. Track List: SERENITY: CD1: 1 Opening/Intro To River 3:11 2 Escape 1:30 3 The Operative 0:49 4 Death Of Mathias 3:12 5 Serenity 0:50 6 Going For A Ride 2:24 7 Trading Station Robbery 3:08 8 Reaver Chase 3:41 9 Pop Goes The Reaver 0:15 10 They Never Lie Down 0:39 11 Mal Reminices 1:25 12 Transition 1:23 13 Maidenhead Bar 2:14 14 River Goes Wild 1:28 15 Mal Takes River In 1:04 16 River’s Eyes 0:12 17 Mal’s Decision 0:45 18 Mr. Universe 0:28 19 Subliminal Message 1:08 20 River & Simon In Locker 0:55 21 Haven Guitar 1:01 22 Come At You Sideways 1:26 23 School Flashback 0:35 24 Mal & Inara 0:28 25 Flight To Training House 0:57 26 Training House Fight 1:57 27 Escape From Training House 0:56 28 School Flashback/Miranda 1:37 29 River Gets Out 2:08 30 River Shows Mal & Miranda 0:29 31 Haven Destroyed 0:54 32 Shepherd Book’s Last Words 1:00 33 Warn Everyone We Know 0:36 34 You’re Not A Reaver 0:57 CD2: 1 Mal Decides 3:09 2 Population Dead 3:55 3 Truth/Mal’s Speech 3:36 4 Universe Gets It 1:17 5 Space Battle 3:21 6 Crash Landing 1:59 7 Wash Killed/Run To Black Room 2:55 8 Mr. Universe Dead 2:28 9 Generator Room 3:06 10 Mal & OP Fight 2:11 11 Simon Shot/River Runs 1:57 12 Jayne & Zoe/Final Battle 2:44 13 Broadcast Beams/River Is Alive 1:39 14 Funeral/Rebuilding Serenity 2:19 15 Prep For Flight 1:33 16 Love/Serenity 1:06 17 Serenity End Credits Pt. 1 1:38 18 Serenity End Credits Pt. 2 2:03 19 Serenity End Credits Pt. 3 0:43

Gibt es unter anderem bei Disney als CD und LP.

Kommt im Januar nun auch auf Vinyl von Waxwork. This Item is a pre-order that ships January, 2024 Waxwork Records in association with WaterTower Music is thrilled to present the debut vinyl release of SE7EN Original Motion Picture Score by Howard Shore. Directed by David Fincher, Se7en is a 1995 gritty neo-noir film starring Brad Pitt, Morgan Freeman, Gwyneth Paltrow, and Kevin Spacey. Pitt and Freeman star as Detectives Mills and Somerset as they search for the elusive serial killer John Doe (Spacey), who has been carrying out meticulously planned murders based on each of the Seven Deadly Sins. As the murders pile up, the detectives gain insight to John Doe’s twisted philosophy, leading to the grizzly end of his terrible crime spree. The score by master composer Howard Shore brings a somber and menacing component to the movie. The dark and symphonic orchestrations undercut Fincher’s gruesome images with an unyielding tension throughout the film. Shore’s deep resonant brass and high eerie strings drag the listener deeper into the cruel and chaotic world of SE7EN. Waxwork Records is proud to release SE7EN Original Motion Picture Score by Howard Shore for the first time on vinyl as a deluxe 2xLP. Features include 150 gram colored vinyl, heavyweight gatefold jackets with matte satin coating, 11"x11" printed insert, and layout and design by Steve Reeves. The Complete 1995 Score by Composer Howard Shore 150 Gram "Lust & Sloth" Colored Vinyl Heavyweight Gatefold Jackets with Matte Satin Coating 11"x11" Art Print Layout Design From The Original Film Elements By Steve Reeves

Von Intrada kommt am 12. Dezember Goldsmiths MACARTHUR.

Am Freitag bringt Varese dann auch noch mal einen Schwung CD-Club.

Dann auch mal so. PRODUCT DESCRIPTION: A much waited unreleased score in De Angelis Bros discography dedicated to mythical Piedone (Bud Spencere), after so many time finally available thanks to the original recording session master tapes found in Roman label Cabum archives. A rich soundtrack which allows us to close the circle realized for the vicissitudes of many cinephiles and music lovers generations, coadiuvated assisted by Enzo Cannavale, Angelo Infanti, Cinzia Monreale and funny Bodo, young mascot of the movie. The beautiful music by the two Maestro are based on the classic Piedone main theme, Flat Foot Cop, here rearranged for this cop new adventure and many other delicious sounds among which the cool Sphinx, performed by Sunrise, which will make us revive in music memorable movie's moments, is finally available on CD AUDIO featuring a 16 pages booklet, mastering by Claudio Fuiano, graphic layout by Daniele De Gemini featuring Renato Casaro beautiful artwork on the cover. Tracklist 1 Sphinx 4:31 2 Flat foot cop - Titoli 2:10 3 Piedone D'Egitto - Sequenza 1 4:31 4 Piedone D'Egitto - Sequenza 2 1:49 5 Piedone D'Egitto - Sequenza 3 2:44 6 Piedone D'Egitto - Sequenza 4 2:04 7 Piedone D'Egitto - Sequenza 5 5:04 8 Piedone D'Egitto - Sequenza 6 2:04 9 Piedone D'Egitto - Sequenza 7 2:21 10 Piedone D'Egitto - Sequenza 8 1:42 11 Piedone D'Egitto - Sequenza 9 1:44 12 Piedone D'Egitto - Sequenza 10 1:15 13 Piedone D'Egitto - Sequenza 11 1:31 14 Piedone D'Egitto - Sequenza 12 1:53 15 Piedone D'Egitto - Sequenza 13 2:01 16 Piedone D'Egitto - Sequenza 14 2:36 17 Piedone D'Egitto - Sequenza 15 1:48 18 Piedone D'Egitto - Sequenza 16 2:19 19 Piedone D'Egitto - Sequenza 17 1:44 20 Piedone D'Egitto - Sequenza 18 1:47 21 Piedone D'Egitto - Sequenza 19 3:15 22 Sphinx - Finale 4:20 PRODUCT DESCRIPTION: A much waited unreleased score in De Angelis Bros discography dedicated to mythical Piedone (Bud Spencere), after so many time finally available thanks to the original recording session master tapes found in Roman label Cabum archives. A rich soundtrack which allows us to close the circle realized for the vicissitudes of many cinephiles and music lovers generations, coadiuvated assisted by Enzo Cannavale, Angelo Infanti, Cinzia Monreale and funny Bodo, young mascot of the movie. The beautiful music by the two Maestro are based on the classic Piedone main theme, Flat Foot Cop, here rearranged for this cop new adventure and many other delicious sounds among which the cool Sphinx, performed by Sunrise, which will make us revive in music memorable movie's moments, is finally available on a 12'' colored (dark green in pale green), mastering by Claudio Fuiano, graphic layout by Daniele De Gemini featuring Averardo Ciriello beautiful artwork on the cover. Tracklist Lato A 1 Sphinx * 4:31 2 Flat foot cop ** Titoli 2:10 3 Piedone D'Egitto - Sequenza 1 4:31 4 Piedone D'Egitto - Sequenza 3 2:44 5 Piedone D'Egitto - Sequenza 4 2:04 6 Piedone D'Egitto - Sequenza 5 5:04 Lato B 1 Piedone D'Egitto - Sequenza 6 2:04 2 Piedone D'Egitto - Sequenza 14 2:36 3 Piedone D'Egitto - Sequenza 16 2:19 4 Piedone D'Egitto - Sequenza 17 1:44 5 Piedone D'Egitto - Sequenza 19 3:15 6 Sphinx

Auch neu von Beat: Goblin - Squadra Antimafia PRODUCT DESCRIPTION: In the immense Goblin discography, an enormous void has always been represented by the original motion picture soundtrack of Squadra Antimafia, a score which we have tried to find, since many years, but that is apparently lost. A 1978 movie full of absolute cult icons among which Tomas Milian, Bombolo, Enzo Cannavale, Eli Wallach, Massimo Vanni directed by Bruno Corbucci: to this incredible list of stars to add Goblin is exciting. So, a while ago, following the initiative of Fabio Capuzzo, veteran musicians of the prog and funky Italian scene are involved and gathered to work to a new recording session of this amazing score. The result isn't intercepted too late by Beat Records radars and so we are proud to give a discographic life to this wonderful project through which, with extreme precision and care has been realized again the soundtrack now expressed through the sonorities of Marcello Bonetta (keyboards), Diego Vergari (drums, percussions) Giorgio Giuseppe Tonazzo (bass), Antonio Micheli (Guitar). All the funk created by Goblin to comment Milian vicissitudes is replicated with renovated vigor and vintage charm, to the program couldn't be missing the cue ''E lassame perde'' that, thanks to the collaboration between Fabio Capuzzo and Alan Donati, son of the original singer Aldo, could count on the real voice of the crooner taken from a demo stored in the family estate archive. Also present a new version of the Goblin cue AMO NON AMO, arranged by Marcello Bonetta and Diego Vergari, as a special bonus track. Squadra Antimafia is the result of the profusion of much love by its protagonists and deserved a special treatment by Beat Records with this CD AUDIO deluxe edition featuring a 16 pages booklet, graphic layout by Daniele De Gemini supported by Fabio Capuzzo photo archive, recording, mix and mastering by Marcello Bonetta, Diego Vergari and Fabio Capuzzo. Tracklist 01 Squadra Antimafia - Seq. 1 (New York Funk) 3'03'' 02 Squadra Antimafia - Seq. 2 (Rome Chase) 2'56'' 03 Squadra Antimafia - Seq. 3 (Don Girolamo) 1'56'' 04 Squadra Antimafia - Seq. 4 (Nico in Las Vegas) 2'25'' 05 Squadra Antimafia - Seq. 5 (Notte di luna calante) 2'35'' 06 Squadra Antimafia - Seq. 6 (E lassame perde instrumental version) 3'21'' 07 Squadra Antimafia - Seq. 7 (Disco Nico) 2'08'' 08 Squadra Antimafia - Seq. 8 (Nico in Las Vegas, Reprise) 1'58'' 09 Squadra Antimafia - Seq. 9 (Night Investigation) 4'00'' 10 Squadra Antimafia - Seq. 10 (Desert Chase) 3'03'' 11 Squadra Antimafia - Seq. 11 (In the Gas Chamber) 2'44'' 12 E lassame perde (featuring Aldo Donati) 3'19'' 13 Amo non amo (Ghost Link) 3'22'' 14 Squadra Antimafia - Seq. 12 (New York Funk ‘70 mix) 3'03'' Fabio Frizzi - Blastfighter PRODUCT DESCRIPTION: Sometimes some releases are born through a quick waltz step, some other, such as this one, even if waited since eons and requested by fans more than once, they get a laborious and long gestation. In Blastfighter's case the long waiting is also due to the label and the artist need to dedicate the correct amount of energy to the relevant release, in order to obtain the best possible result. A score which is dear to Fabio Frizzi, with funky sounds infested with cool bursting electronics, typical of the artist musical canon of the early 80s, it has been played many times by the Maestro, worldwide, during his concerts with his band. Audiences always delighted by a vibrant suite dedicated to Lamberto Bava movie. Numerous inputs by fans finally pushed the artist to take a ride into his private archive, to find the original recording session and to work on it and now, at last, we have this explosive score on CD audio, in a transparent jewel case featuring liner notes by Fabio Frizzi, mastering by Enrico Scopa (Octopus Studio, Roma) and graphic layout edited by Daniele De Gemini featuring the wonderful painting by Renato Casaro on the cover Tracklist 1 Blastfighter - Seq. 1 4:21 2 Blastfighter - Seq. 2 1:46 3 Blastfighter - Seq. 3 3:42 4 Evening Star (cover) 3:48 5 Blastfighter - Seq. 4 4:10 6 Blastfighter - Seq. 5 3:47 7 Blastfighter - Seq. 6 2:59 8 Blastfighter - Seq. 7 4:10 9 Blastfighter - Seq. 8 2:13 10 Blastfighter - Seq. 9 0:42 11 Blastfighter - Seq. 10 0:42 12 Evening Star (Cover, Instr.) 3:42 13 Blastfighter - Seq. 11 4:39 14 Blastfighter - Seq. 12 2:26 TT 45:53

Und noch eine Box: PRODUCT DESCRIPTION: Not always the result of researches in which we are involved refers to findings of master tapes featuring unreleased scores, maybe waited since a long time. Sometimes, such as in this case, we end to find something else. So in Cabum warehouse is born the possibility to offer again this wonderful box, just through the exam of a long forgotten corner outside radars in which some boxes were stored, in a good shape, holding the beautiful release of the historical Roman label of the De Angelis Bros. At the beginning of this century a 7 CD omnibus was produced, featuring many hours of music composed for twenty (twenty!) original TV series soundtracks whose music can't be listened otherwise, unless you watch these series. At the time speaking this box was more a promotional release than a commercial one and it received a really spare distribution up to nowadays. This is the point in which Beat Records is involved, making available on the market these boxes of which only around 150 exemplars still exist, gems for all fans of Guido & Maurizio De Angelis music, may hours of entertainment for a music overdose dedicated to our favorite brother musicians! Tracklists CD1 TOMORROW (1985) 1 JUST REMEMBER (Stumentale) 2:47 2 LA DISPERAZIONE DEI MIMI 2:22 3 DANZA GIAPPONESINA 2:11 4 JUST REMEMBER (Strumentale) 1:39 5 TEMA DARIO E JULIE 2:19 6 JUST REMEMBER (Strumentale) 1:15 7 TOMORROW (L'addio di Tony) 1:31 8 JUST REMEMBER (Strumentale) 1:12 9 TOMORROW (Strumentale) 4:57 NEL GORGO DEL PRCCATO (1987) 10 TELENOVELA 3:36 11 TEMA MATRIMONIO 2:32 12 SAPORE DI RUSSIA 2:18 13 NEL GORGO DEL PECCATO 1:38 14 DARKNESS 1:39 15 TELENOVELA 2:28 16 NEL GORGO DEL PECCATO 3:07 A BIG MAN (1989) 17 STARSHINE RAINBOW - Oliver Onions 3:40 18 A BIG MAN (Strumentale) 3:29 19 PIZZA (Strumentale) 1:51 20 INSEGUIMENTO 2:53 21 A BIG MAN - Oliver Onions 3:36 22 STARSHINE SUSPENCE 2:06 23 A BIG MAN SUSPENCE 2:12 24 INSEGUIMENTO 4:12 25 STARSHINE SADNESS 2:22 26 A BIG MAN IN THE DARKNESS 2:40 27 A BIG MAN - Oliver Onions 2:43 CD2 QUANDO ANCORA NON C'ERANO I BEATLES (1988) 1 LA MIA MUSICA È COSÌ - Oliver Onions 5:11 2 TE NE VAI (Strumentale) 2:12 3 TE NE VAI - Patrizia Tapparelli 4:01 4 TU NON FARAI MAI NIENTE CON ME - Patrizia Tapparelli 2:06 5 LA MIA MUSICA È COSÌ (Strumentale) 5:13 6 BEFORE THE BEATLES (Strumentale) 5:48 7 ATMOSFERA MARINA 1:37 8 BEFORE THE BEATLES - Anna Maria Vinci 3:20 PASSI D'AMORE (1989) 9 TITOLI (Passi d'amore) 3:04 10 DANZA 2:50 11 PASSEGGI D'AMORE 2:19 12 VERSO LA METÀ (Passi d'amore) 1:40 13 CUORE INFRANTO 2:48 14 BALLETTO CON LISA 3:18 15 SUSPENCE NEL TEATRO (Passi d'amore) 1:36 16 NELL' ATTESA (Passi d'amore) 1:11 17 VERSO LA META (Passi d'amore) 1:17 18 IO SONO QUI 4:11 LA STORIA SPEZZATA (1990) 19 LE TEMPS PREND SON TEMPS NICOLE CROISILLE 5:12 20 A CASA SUL LAGO 1:50 21 TEMA MARGHERITA 3:06 22 CHIARA TENTA SUICIDIO 5:46 CD3 IL CIELO NON CADE MAI (1992) 1 TITOLI (Tema Francesca) 2:16 2 INCONTRO (Tema Camille) 2:25 3 PIAZZA NAVONA (Tema Francesca) 1:29 4 A PARIGI (Tema Camille) 1:34 5 CON LEI 2:18 6 AMORE E GELOSIA (Tema Francesca) 2:50 7 SENTIMENTI (Tema Francesca) 2:17 IL RAGAZZO DAL KIMONO D'ORO (1991) 8 NOBODY MOVES LIKE THAT - Nitza 5:39 9 TEMA AMICIZIA 1:45 10 THE BETTER END (Strumentale) 2:55 11 FAT BOY REGGAE 3:23 12 NOBODY MOVES LIKE THAT (Strumentale) 2:06 13 TEMA MASURA 2:29 14 THE BITTER END - Ken Stacey 4:19 UOMO CONTRO UOMO (1989) 15 TEMA FAMIGLIA + TEMA MAFIA (Titoli di testa) 4:15 16 TEMA FAMIGLIA 3:08 17 TEMA MAFIA 1:19 18 TEMA FAMIGLIA (Titoli di coda) 4:23 CINQUE RAGAZZE A PARIGI (1987) 19 5 RAGAZZE A PARIGI (Strumentale) 4:14 20 CHITARRANDO 0:38 21 5 RAGAZZE A PARIGI (Strumentale) 4:12 22 5 RAGAZZE A PARIGI - Paula Nichols 4:04 TI HO ADOTTATO PER SIMPATIA (1991) 23 TITOLI DI TESTA 2:01 24 TEMA ELISA 2:08 25 SERATA INTIMA 1:47 26 TEMA ELISA (Titoli di coda) 3:11 CD4 LA MOGLIE NELLA CORNICE (1991) 1 TEMA ALBERTO 4:18 2 TEMA DI JO 1:25 3 MORTE DI ANGELO 2:20 4 SEULEMENT POUR AMOUR 1:41 UN AMORE RUBATO (1993) 5 LOVING A MEMORY - Nitza 2:21 6 TEMA FABIO 2:58 7 TEMA RICORDI 3:54 8 LOVING A MEMORY (Strumentale) 3:52 9 TEMA FABIO 2:09 IL PREZZO DELLA VITA (1994) 10 TEMA DI GLORIA 2:10 11 TEMA MARIANI 1:59 12 TEMA DI GLORIA 1:32 13 TEMA MARIANI 3:57 14 TEMA FINALE 4:59 VITE A TERMINE (1994) 15 TEMA MILENA 2:43 16 TEMA MILENA 3:47 17 TEMA INFANZIA 2:57 18 TEMA MILENA 3:01 19 TEMA MILENA 2:09 STORIA DI CHIARA (1995) 20 TEMA DI CHIARA (Titoli di testa) 2:50 21 TEMA SOLITUDINE 1:46 22 TEMA DRAMMATICO 2:21 23 TEMA SOLITUDINE (Suicidio Marco) 2:17 24 TEMA DI CHIARA 1:29 25 TEMA SOLITUDINE 1:23 26 TEMA MARTA 0:57 27 MINACCIA 2:21 28 TEMA SOLITUDINE + TEMA DI CHIARA 2:28 CD5 MIA PER SEMPRE (1995) 1 IRELAND THEME 2:43 2 STAY WITH ME - Nitza 4:23 3 DONNA'S THEME 3:21 4 MICHELE'S THEME 2:28 5 LILIBETH 2:35 6 PUB BLUES 3:21 7 MIA AND JOHNNY LOVE THEME 3:30 8 DONNA'S WEDDING 3:09 9 MICHELE'S THEME 2:35 10 LET THE WHISKEY FLOW 2:38 11 MIA AND JOHNNY LOVE THEME 3:43 12 DONNA'S DESPAIR 2:37 13 PUB DANCE 2:21 14 MAGIC NIGHT - Nitza 5:17 15 DONNA'S THEME 4:05 16 IRELAND THEME 4:38 CD6 ADDIO E RITORNO (1996) 1 ROSA - Curtis Womack 3:46 2 TEMA MALINCONICO 2:31 3 TEMA D'AMORE 1:24 4 TEMA D'AZIONE 1:20 5 TEMA PAURA 2:35 6 TEMA MALINCONICO 0:57 7 TEMA AZIONE 2:13 8 TEMA PAURA 1:33 9 TEMA AZIONE 1:18 10 TEMA SUSPENCE 3:57 11 TEMA D'AMORE 2:28 12 SUSPENCE ETEREA 1:24 13 TEMA TENTATO SUICIDIO 3:38 14 SUSPENCE PROCESSO 4:17 15 TEMA D'AMORE 2:34 DOVE COMINCIA IL SOLE (1996) 16 DRIFTING TO YOU - Anne Buckley 3:33 17 TEMA DI ELENA 3:13 18 SWEET FEELINGS 3:45 19 MARIA TRADITA 3:23 20 IL DOLORE DI ELENA 2:35 21 ELENA E MICHAEL 2:56 22 MARIA INNAMORATA MA INFELICE 1:44 23 ANGEL IN DISGUISE - Anne Buckley 3:56 24 PIETRO E MAMMA FRANCESCA 2:11 25 CARLA E MARCO SI BACIANO 2:56 CD7 SOTTO IL CIELO DELL'AFRICA (1998) 1 AFRICA'S THEME 4:06 2 SARAH'S THEME 3:09 3 FLIGHT AND SEARCH 2:08 4 LOVE'S THEME 2:26 5 DIDDLE DEE - Olivia Byron 2:12 6 KATE'S GOODBYE TO HER SON 3:01 7 TRIBAL SUSPENCE 2:17 8 INTRIGUE 3:06 9 HUNTER'S SUSPENCE 3:24 10 SOFT AHD TENDER THEME 1:59 11 TRIBAL SONG 1 3:12 12 KATE AND HER SON UNDER THE TREE 2:57 13 ALICIA'S THEME 1:47 14 LITTLE ELEPHANT THEME 1:03 15 AFRICA'S THEME IN THE SAVANA 2:54 16 TRIBAL SONG 2 0:56 17 LOVE'S THEME 2:01 18 SARAH WITH THE LITTLE LION 1:58 19 DIDDLE DEE - Olivia Byron 3:01 20 AFRICA'S THEME FOR THE ANIMALS 2:32 21 PRAY - Johnson e Fiore 4:27

NOW SHIPPING Universal Pictures Film Music Classics Collection Music by Henry Mancini Limited Edition of 1500 Units RETAIL PRICE: $21.98 La-La Land Records and Universal Studios proudly present the seventeenth title within the acclaimed Universal Pictures Film Music Classics Collection – MOMENT TO MOMENT, music by Henry Mancini (THE PINK PANTHER, CHARADE, THE PRISONER OF ZENDA). Available for the first time in any format, composer Henry Mancini’s original motion picture score for the 1966 big-screen romantic thriller MOMENT TO MOMENT, starring Jean Seberg and Honor Blackman, and directed by Mervyn Le Roy is a long-buried musical treasure finally unearthed in all of its splendor! While the film’s famed title song, with lyrics by Johnny Mercer, has been covered and re-issued numerous times since the film’s initial release, this deluxe limited edition CD marks the world premiere of Henry Mancini’s sumptuous orchestral score – so that all of its distinctively modern detail, craft and soulful melody can finally be heard and appreciated as another of the composer’s masterful works of the 1960s. Exciting danger and tension, swirls of romance and beauty – it all comes to brilliant life in Mancini’s creation. Produced, mixed, edited and mastered by Mike Matessino from studio vault elements, this special limited edition of 1500 units features exclusive liner notes written by author Jeff Bond and sharp art direction by Dan Goldwasser. TRACK LISTING: SCORE PRESENTATION 1. Main Title (‘Moment To Moment’) 2:46 2. ‘Moment To Moment’ Prologue 2:45 3. The Flower Stalls 3:11 4. Daphne Drops In 2:04 5. Chicken Salad 1:06 6. First Goodbye / Invitation 3:24 7. Hotel Terrace 2:43 8. On The Road 2:42 9. Mougins 2:16 10. Pier Parting 2:13 11. Missing Mark 1:58 12. Beach Party 2:15 13. Gallery Montage 2:40 14. Stormy Romance 2:15 15. Pick It Up / Help 2:53 16. Scene Of The Crime 2:16 17. Passport 1:16 18. Homecoming 2:16 19. Mark’s Return / Something Clicks 1:34 20. More In Mougins 2:29 21. Flower Stalls Dance 1:29 22. Moment To Moment Dance 2:55 23. The Missing Piece 4:10 24. Mark Remembers 1:54 25. The Terrace And End Title (‘Moment to Moment’) 3:08 26. ‘Moment To Moment’ End Cast 0:36 TOTAL SCORE TIME: 61:34 ADDITIONAL MUSIC 27. The Flower Stalls (Alternate) 1:14 28. Hotel Terrace (Alternate) 1:10 29. Moment To Moment Guitar 2:03 TOTAL ADDITIONAL MUSIC: 4:30 TOTAL TIME: 66:07 This is a CD format release.

NOW SHIPPING Universal Pictures Film Music Classics Collection LLLCD 1635 Music by Maurice Jarre Limited Edition of 2000 Units RETAIL PRICE: $21.98 La-La Land Records and Universal Studios proudly present the eighteenth title within the acclaimed Universal Pictures Film Music Classics Collection – TOPAZ, music by Maurice Jarre (LAWRENCE OF ARABIA, DOCTOR ZHIVAGO). Remastered and expanded beyond its previous soundtrack release, and in stereo for the first time, renowned composer Maurice Jarre’s original motion picture score to TOPAZ, the 1969 big-screen dramatic thriller starring Frederick Stafford and John Veron, and directed by the legendary Alfred Hitchcock, shines brilliantly throughout this deluxe limited edition CD release. Vividly demonstrating Jarre’s remarkable versatility and invention, TOPAZ is a notable and unique work in the composer’s canon, finding the maestro experimenting with early synthesizers and colorful percussion, while also employing orchestra in expert fashion to support the film’s varied textures of drama, romance and suspense. Produced, mixed, edited and mastered by Mike Matessino, from studio vault elements, this special limited edition of 2000 units features in depth, exclusive liner notes written by author Jeff Bond and classic art direction by Jim Titus. TRACK LISTING: SCORE PRESENTATION (57:04) 1. ‘Topaz’ March (Main Title) 2:36 2. Kidnapping 1:42 3. Going To America 2:55 4. Arcy’s Office 2:32 5. Russian Defector 2:56 6. The Attaché Case 3:44 7. Arriving In Cuba (Part 1) 4:11 8. Arriving In Cuba (Part 2) 2:57 9. Love With Juanita 3:49 10. Mendoza 3:45 11. Last Farewells To Juanita 4:49 12. Rico Shoots 2:39 13. Back To The States 2:39 14. Sad Comeback 2:53 15. Lunch At Pierre 2:16 16. Francois Arriving At Jarré 17. Something Has Happened 2:07 18. Portrait Of A Dead Traitor 2:01 19. Duel And ‘Topaz’ Finale 2:01 20. Love Theme From ‘Topaz’ 2:49 ADDITIONAL MUSIC (9:14) 21. ‘Topaz’ March (Alternate) 2:17 22. ‘Topaz’ Finale (Alternate) :44 23. Main Theme From ‘Topaz’ 2:57 24. Love Theme From ‘Topaz’ 3:07 TOTAL ALBUM TIME: 66:22 This is a CD format release.

LLLCD 1629 Music by James Horner Featuring Branford Marsalis Limited Edition of 3000 Units RETAIL PRICE: $29.98 La-La Land Records, Universal Pictures and Sony Music proudly present SNEAKERS: EXPANDED LIMITED EDITION, a remastered and expanded 2-CD presentation of renowned composer James Horner’s (GLORY, FIELD OF DREAMS, THE MASK OF ZORRO) original motion picture score to the delightful 1992 big-screen spy caper SNEAKERS, starring Robert Redford, Dan Aykroyd and Mary McDonnell and directed by Phil Alden Robinson. Delicate, playful and complex, Horner’s SNEAKERS score manages to be one of the legendary composer’s most original works while demonstrating his classical literacy and keen understanding of the needs of Hollywood cinema. Laced with wonderful saxophone flourishes performed by Branford Marsalis, Horner’s notable score is finally allowed to reveal its secrets in full within this deluxe, expanded presentation. Produced by Neil S. Bulk and Mike Matessino and mastered by Matessino, Disc One of this 2-CD re-issue features the original film score presentation, while Disc Two of the set showcases the remastered 1992 original soundtrack as well as additional alternate cues. The art design is by Dan Goldwasser and the exclusive, in-depth liner notes are by writer Jeff Bond. This is a limited edition release of 3000 units. TRACK LISTING: DISC 1 SCORE PRESENTATION 1. Jeremy Subharmonics 0:44 2. ‘Sneakers’ Main Title (Film Version) 2:17 3. Bank Penetration 2:05 4. How Much Do You Want? 1:45 5. Bishop Goes To NSA / Surveillance / Black Box 2:44 6. Janek’s Office 2:01 7. “Too Many Secrets” (Extended Version) 7:57 8. The Hand-Off (Film Version) 3:07 9. Cosmo…Old Friend (Film Version) 9:26 10. Phone Trace 1:19 11. What Did It Sound Like? 4:52 12. Planning The Sneak 3:23 13. Carl Enters Playtronics 3:04 14. Playtronics Break-In Part 1 4:15 15. Playtronics Break-In Part 2 4:01 16. Cosmo Sounds Alarm 1:53 17. Cosmo’s Monologue 3:07 18. The Escape / Whistler’s Rescue (Extended Version) 3:36 19. Goodbye 3:23 20. The Sneakers Theme 3:37 21. “…And The Blind Shall See” 4:32 Total Time Disc One: 73:24 DISC 2 ORIGINAL SOUNDTRACK ALBUM 48:30 1. ‘Sneakers’ Main Title 2:57 2. “Too Many Secrets” 6:16 3. The Sneakers Theme 3:37 4. Cosmo…Old Friend 7:09 5. The Hand-Off 3:06 6. Planning The Sneak 3:23 7. Playtronics Break-In 10:38 8. The Escape / Whistler’s Rescue 3:22 9. Goodbye 3:24 10. “…And The Blind Shall See” 4:32 ADDITIONAL MUSIC 10:10 11. Janek’s Office (Alternate) 1:59 12. The Sneakers Theme (Alternate) 3:36 13. “…And The Blind Shall See” (Alternate) 4:29 Total Time Disc Two: 58:41 TOTAL ALBUM TIME 2:12:05 This is a CD format release

LLLCD 1631 Music by James Horner Limited Edition of 3000 Units RETAIL PRICE: $29.98 STARTS SHIPPING DEC 1 La-La Land Records, Sony Pictures, Amblin Entertainment and Sony Music proudly present a remastered and expanded 2-CD presentation of renowned composer James Horner’s (GLORY, FIELD OF DREAMS, SNEAKERS) original motion picture score to the 1998 big-screen adventure THE MASK OF ZORRO, starring Antonio Banderas, Anthony Hopkins and Catherine Zeta-Jones and directed by Martin Campbell. James Horner’s THE MASK OF ZORRO is nothing short of magnificent – a grand orchestral wonder that expertly melds authentic Hispanic colors with the Hollywood blockbuster, both modern and classic. Rich in theme and teeming with drama, romance, action and humor, Horner’s score is one of his very best, as highlighted within this deluxe 2-CD presentation - expanded with a bounty of never-before-released music! This re-issue is produced by Neil S. Bulk and Mike Matessino,and mastered by Doug Schwartz from studio vault elements. The Original Score Presentation is showcased across both discs, with Disc Two also housing tracks from the original 1998 soundtrack release. The lovely ballad “I Want To Spend My Lifetime Loving You,” performed by Marc Anthony and Tina Arena is also included, as well as its Spanish-Language version “Quiero Vivir La Vida Amandote,” performed by Jon Secada and Ana Gabriel. This Limited Edition release of 3000 units features art design by Jim Titus and exclusive, in-depth liner notes by writer John Takis. TRACK LISTING: SCORE PRESENTATION 1:47:26 1. Main Title (From The Motion Picture "The Mask Of Zorro") 1:08 2. The Plaza Of Execution (Film Version) 7:58 3. Elena And Esperanza 8:17 4. Don't Touch My Brother :28 5. Interrupted Getaway 1:09 6. Joaquin's Death :59 7. Meeting On The Beach 1:11 8. Prison Escape 4:15 9. The Hand / Emotions Torn 3:04 10. Diego Meets Alejandro 1:29 11. The Medallion / The Master's Wheel 1:12 12. The Fencing Lesson (Film Version) 1:37 13. Lesson #3 1:15 14. The Black Tornado / First Meeting 3:10 15. Tornado In The Barracks 5:08 16. The Confession (Film Version) 2:50 17. Rooftop Getaway 1:23 18. Choose Your Weapon 1:17 19. Diego In The Study :39 20. Sexy Dance 1:11 21. The Mine (Montero's Vision) 2:57 22. Jack's Demise 1:06 23. Love's Suspicions 1:20 24. So Long Ago… 2:50 25. Sick Souvenirs 1:39 26. An Unknown Past 2:24 Total Time Disc One: 62:39 DISC 2 75:30 1.Stealing The Map 6:27 2. Alejandro & Elena's Duel 3:56 3. The Ride 3:22 4. Alejandro's Plea :51 5. Elena's Truth 4:07 6. "Leave No Witnesses..." 13:19 7. Diego's Goodbye (Film Version) 4:55 8. Zorro's Theme (Film Version) 2:56 9. I Want To Spend My Lifetime Loving You 4:42 Performed by Marc Anthony and Tina Arena ORIGINAL SOUNDTRACK ALBUM VERSIONS 25:51 10. The Plaza Of Execution 8:27 11. The Fencing Lesson 5:24 12. The Confession 3:38 13. Diego's Goodbye 5:19 14. Zorro's Theme 2:56 BONUS TRACK 15. Quiero Vivir La Vida Amandote 4:42 Performed by Jon Secada and Ana Gabriel Total Time Disc Two: 75:30 TOTAL ALBUM TIME 2:18:09 This is a CD format release

LLLCD 1632 Music by John Williams Limited Edition of 5000 Units RETAIL PRICE: $39.98 STARTS SHIPPING DEC 1 La-La Land Records, Sony Pictures, Amblin Entertainment and Sony Music present HOOK – THE ULTIMATE EDITION, a remastered and expanded 3-CD soundtrack presentation of legendary composer John Williams’ (STAR WARS, E.T., HARRY POTTER) original motion picture score to the 1991 adventure-fantasy HOOK, directed by Steven Spielberg. An undisputed masterwork within the treasured John Williams and Steven Spielberg collaboration that has spanned five glorious decades, HOOK is an astounding orchestral odyssey that exemplifies the Maestro’s musical genius—a sonic epic that soars with imaginative joy, wonder and adventure! This remastered ultimate presentation unleashes Williams’ iconic score as never before, expanded beyond any previous soundtrack release, with never-before-released score, alternate tracks, songs and source music. Produced, edited and mastered by Mike Matessino, in consultation with the composer, Disc One of this deluxe reissue contains the score presentation, which continues through Disc Two with additional music tracks. Disc 3 offers a sumptuous bounty of songs (highlighting the wonderful songwriting talents of Leslie Bricusse), alternate cues and source music! With stellar art direction by Jim Titus, this limited-edition release of 5000 units features a 48-Page booklet that includes exclusive in-depth liner notes by Matessino and associate producers John Takis and Jason LeBlanc. The track listing is featured on a 12-page second booklet within the package. TRACK LISTING: DISC 1 SCORE PRESENTATION 1.Hook Prologue (Extended Version) 1:33 2.We Don’t Wanna Grow Up (Extended Version) *2:57 3.Banning Back Home (Film Version) 3:21 4.Wendy’s Entrance 2:12 5.The Bedroom1 :08 6.The Nursery Scene 1:40 7.Saying Goodnight :57 8.Hook Returns To Kensington 2:00 9.Hook Is Back 2:09 10.Forgotten How To Fly :56 11.The Stories Are True 2:24 12.The Arrival Of Tink 3:33 13.The Flight To Neverland 2:40 14.Pirate Town And Presenting The Hook 5:09 15.Hook’s Entrance 2:42 16.Draw Your Sword! 2:14 17.Peter’s Challenge 5:42 18.From Mermaids To Lost Boys (Film Version) 4:26 19.Enter Rufio 1:19 20.The Lost Boy Chase 3:35 21.The Face Of Pan 2:42 22.Hook’s Epiphany 2:16 23.Smee’s Plan 1:46 24.Pick ’Em Up * 2:56 25.Hook’s Lesson 3:08 26.The Banquet 3:14 27.The Never-Feast (Film Version) 4:41 28.When You’re Alone * 3:17 29.Goodnight Neverland 1:45 Total Time Disc One: 78:54 DISC 2 SCORE PRESENTATION (Continued) 1.Stop That Clock! 4:05 2.Home Run And Follow That Shadow 5:24 3.Peter Remembers (The Flying Sequence) 8:23 4.You Are The Pan (Film Version) 1:26 5.Tink Grows Up 2:21 6.The Ultimate War (Film Version) 8:02 7.Death Of Rufio 4:23 8.The Sword Fight And The End Of Hook 7:07 9.Farewell Neverland 10:18 10.Hook End Credits And Exit Music 5:52 Total Score Time: 2:16:23 ADDITIONAL MUSIC 11.Hook Prologue 1:25 12.Banning Back Home (Extended Version) 4:24 13.From Mermaids To Lost Boys 4:26 14.The Face Of Pan (Choral Version) 2:43 15.The Ultimate War 7:54 Total Additional Music: 21:00 Total Time Disc Two: 78:32 DISC 3 SONGS, ALTERNATES AND SOURCE MUSIC 1.We Don’t Wanna Grow Up * 1:52 2.God Rest Ye Merry, Gentlemen 1:10 3.Childhood * 3:54 4.When You’re Alone – Moira’s Lullaby * :46 5.The Stories Are True (Alternate) 2:24 6.The Arrival Of Tink (Alternate) 3:35 7.The Flight To Neverland (Alternate) 2:33 8.Low Below – Pirate Sequence * 4:58 9.Hook’s Entrance (Alternate) 2:42 10.The Lost Boy Chase (Alternate) 3:34 11.The Never Song * 2:04 12.The Never-Band 1:20 13.The Never-Feast 4:42 14.When You’re Alone (Instrumental) 3:19 15.Mothers * 2:26 16.Stick With Me * 2:00 17.Take Me Out To The Ball Game 2:18 18.Remembering Childhood1 1:06 19.Believe * 3:01 20.Farewell Neverland (Short Version / Alternate) 6:54 21.Hook Exit Music (Alternate) 1:48 BONUS TRACKS 22.Pirate Sequence (Instrumental) 3:59 23.Smee’s Concertina Medley 4:50 24.Presenting The Hook (Vocal Version Segment) * 1:38 Total Time Disc Three: 79:17 Three-Disc Total Time: 3:56:43 *Lyrics by Leslie Bricusse This is a CD format release

Aus der Ankündigung von Disney: "Limited quantity" Relive the thrilling adventures of #IndianaJones with the first-EVER CD box set with all five soundtracks from the historic franchise! Don't miss this chance to own the full Indiana Jones collection of music from legendary composer John Williams in this complete limited quantity CD box set on DisneyMusicEmporium.com.

Laut der Trackliste ja, aber es fehlt eben die Bonus-Disc aus der alten Box. Also gibt es hier sogar weniger, dafür ist DIAL OF DESTINY dabei.

Und das zum Schnäppchenpreis. Ich weiß auch nicht, was diesen hohen Preis rechtfertigt. Die Discs bekommt man einzeln teilweise für nicht mal 10 Euro, DIAL OF DESTINY natürlich ausgenommen. Dazu fehlt auch noch die Bonus-Disc. Und dass Disney den Klang nochmal bearbeitet hat, glaube ich auch nicht. Das stünde sicherlich im Text. Von daher denken sie entweder, dass Fans alles kaufen, egal zu welchem Preis (das hat man bei DIAL OF DESTINY eindrucksvoll gesehen) oder es kommt doch noch eine Überraschung, die knapp 90 Euro Aufpreis für eine Pappschachtel rechtfertigt.

Nun beglückt uns Disney also doch mit einer Box aller Indy-Scores, inklusive DIAL OF DESTINY. Ob die Box überall erhältlich sein wird oder nur wieder über die Disney Music Emporium Seite, ist bisher nicht ersichtlich. Und 150 Dollar auch nicht gerade wenig. Zudem fehlt scheinbar die Bonus-Disc der Concorde-Box. Veröffentlichung ist für Ende März 2024 geplant. This is a pre-order. Expected ship date is March 27, 2024. Re-live the thrilling world of Indiana Jones with the first CD box set with all five soundtracks from the historic franchise in one place. This extraordinary compilation will take listeners on a journey around the globe. Experience the full collection of music from legendary composer John Williams as he takes us on an incredible journey of sound, emotions and storytelling with his iconic themes and melodies. His masterful soundtracks capture the true spirit of the characters, excitement and adventure that provide a musical experience as timeless as the films themselves. If you are a devoted fan or music aficionado, the Indiana Jones complete CD box set is a must-have.

Snow Files of the Week: "Ernest saves Christmas/Christmas Spirit" aus dem Film "Ernest Saves Christmas" (1988). Die Vorweihnachtszeit ist bereits in vollem Gange, Zeit auch für Mark Snow, um ein wenig "Christmas Spirit" zu verbreiten. Der Score zu "Ernest Saves Christmas" ist wohl einer von Snows leichtfüßigsten Scores, eingespielt mit Orchester und voller weihnachtlicher Stimmung. Die "Ernest"-Reihe ist in Amerika sehr populär, es gibt eine ganze Reihe von Filmen davon (z. B. "Ernest Goes To Camp" oder auch "Ernest Goes To Jail"). Marks Score wurde bisher nicht offiziell veröffentlicht, es existiert nur eine Promo-CD davon. Vielleicht wird sich eines der kleinen Label irgendwann mal dieses Scores annehmen. Viel Spaß beim Hören!

Vor einigen Jahren gab es bereits eine Zusammenarbeit zwischen Carpenter und der Band Gunship. Gunship ist eines der vielen Bandprojekte, die von den 80ern inspirierten Synthie-Pop machen. Auf ihrem ersten Album ist Carpenter bereits auf einem Track vertreten. Bei ihrem kürzlich erschienenen dritten Album wurde der Song von damals quasi fortgesetzt.

Kommt am 04.12. als CD und LP. Out December 4 on LP and CD - Disponibile dal 4 Dicembre in LP e CD Il bisbetico Domato music by Franco Piersanti (CD including Una prova d’innocenza) THE SOUNDTRACK The dear departed Detto Mariano wrote a very enjoyable comment, based on a love theme, that he retakes with pleasant instrumental variations alternated to funny tracks. The opening credits are introduced by the dance song “Step on dynamite” by “Clown”, which we will find later in two alternatives instrumental takes, and “La pigiatura”, performed by the choir with Patrizia Tapparelli, Mariano Perrella and Simona Aloisi. This latter track is the theme of the main movie scene, in which Elia dances while foot-crushing grapes in a big wooden vat. For this edition we utilized original recording session’s mono masters, integrated with rare stereo tracks, from Detto Mariano Estate archives, which bring the total CD running time up to 76:10 minutes. This edition also features the extremely rare “Si e no” (lyrics by the directors) both in Patrizia Tapparelli’s version and in the alternative take performed by Mariano Perrella, try-outs for the end credits that remained unused. DIRECTION AND CAST Directed by Castellano and Pipolo in 1980 and starring Adriano Celentano, Ornella Muti, Edith Peters, Pippo Santonastaso, Milly Carlucci, Sandro Ghiani, Nicola De Buono, Fosco Gasperi, Enzo De Toma, Jimmy il Fenomeno, Gianni Coletto, Marco Columbro, Guido Spadea, Angelo Mainardi, Elena Mari. THE PLOT Elia is a farmer from Rovignano, a small town in the countryside near Voghera. He’s a misanthrope, he can’t stand anyone except for Father Cirillo, which he always confesses to. He especially can’t stand women, a part from Mamy, his housekeeper, who always tries to find him a girlfriend able to appease him. However, Elia only loves his animals and seems to be able to communicate with them, so much that he plays chess with his dog. Everything changes in a night, when a charming woman named Lisa breaks down and asks for help with her car. She hopes that the farmer can host her for the night. The first impression is not the best: the man is grouchy and rude to the woman and his manners leaves a lot to be desired. As time goes by, though, she gets closer to him, so much that she cheats on her husband Vittorio. Although Elia’s stubborness is quite an obstacle to overcome, Lisa will try her best to seduce the grumpy farmer, until she succeeds. TRACKLIST CD 01. STEP ON DYNAMITE (Titoli) 3:50 02. IL BISBETICO DOMATO (seq.1) 2:33 03. IL BISBETICO DOMATO (seq.2) 1:38 04. LA PIGIATURA 4:04 05. IL BISBETICO DOMATO (seq.3) 1:22 06. IL BISBETICO DOMATO (seq.4) 0:55 07. IL BISBETICO DOMATO (seq.5) 1:54 08. IL BISBETICO DOMATO (seq.6) 1:35 09. IL BISBETICO DOMATO (seq.7) 1:38 10. IL BISBETICO DOMATO (seq.8) 1:05 11. IL BISBETICO DOMATO (seq.9) 1:21 12. IL BISBETICO DOMATO (seq.10) 2:17 13. IL BISBETICO DOMATO (seq.11) 1:19 14. STEP ON DYNAMITE (Titoli alternate version) 3:50 15. IL BISBETICO DOMATO (seq.12) 1:19 16. IL BISBETICO DOMATO (seq.13) 0:30 17. IL BISBETICO DOMATO (seq.14) 1:17 18. LA PIGIATURA (short version) 2:36 19. IL BISBETICO DOMATO (seq.15) 0:57 20. IL BISBETICO DOMATO (seq.16) 1:51 21. IL BISBETICO DOMATO (seq.17) 1:24 22. IL BISBETICO DOMATO (seq.18) 0:42 23. IL BISBETICO DOMATO (seq.19) 1:52 24. STEP ON DYNAMITE (Titoli alternate version 2) 3:50 25. IL BISBETICO DOMATO (seq.20) 1:22 26. IL BISBETICO DOMATO (seq.21) 1:19 27. IL BISBETICO DOMATO (seq.22) 1:44 28. IL BISBETICO DOMATO (seq.23) 1:28 29. IL BISBETICO DOMATO (seq.24) 1:46 30. IL BISBETICO DOMATO (seq.25) 0:41 31. IL BISBETICO DOMATO (seq.26) 0:45 32. IL BISBETICO DOMATO (seq.27) 1:23 33. IL BISBETICO DOMATO (seq.28) 2:27 34. LA PIGIATURA (Alternate version) 3:25 Bonus tracks – previously unreleased 35. SI E NO (unused End Titles demo) 3:47 36. IL BISBETICO DOMATO (seq.29) 0:23 37. SI E NO (unused End Titles demo #2) 3:47 38. IL BISBETICO DOMATO (seq.8 alt.) 1:36 39. SI E NO (unused End Titles demo#3) 3:07 TRACKLIST LP Side A 1. STEP ON DYNAMITE (Titoli) 3:50 2. IL BISBETICO DOMATO (seq.1) 2:33 3. IL BISBETICO DOMATO (seq.2) 1:38 4. LA PIGIATURA 4:04 5. IL BISBETICO DOMATO (seq.8) 1:05 6. IL BISBETICO DOMATO (seq.9) 1:21 7. IL BISBETICO DOMATO (seq.10) 2:17 8. SI E NO (unused End Titles demo) 3:47 Side B 1. STEP ON DYNAMITE (Titoli alternate version) 3:50 2. IL BISBETICO DOMATO (seq.14) 1:17 3. LA PIGIATURA (short version) 2:36 4. IL BISBETICO DOMATO (seq.16) 1:51 5. IL BISBETICO DOMATO (seq.17) 1:24 6. STEP ON DYNAMITE (Titoli alternate version 2) 3:50 7. SI E NO (unused End Titles demo #2) 3:47 8. LA PIGIATURA (Alternate version) 3:25 Out December 4 on LP and CD - Disponibile dal 4 Dicembre in LP e CD Il nido del ragno music by Franco Piersanti (CD including Una prova d’innocenza) available on / disponibile su shop.digitmovies.com THE SOUNDTRACKS A selection of six tracks from “Spider Labyrinth” appeared for the first time, on CD “Porte aperte”, from the homonymous movie of director Gianni Amelio. Compared to the original stereo masters, there are nine more unpublished tracks. The author composed and directed a symphonic score which alternates dissonant and calm, suspended musics. For the very first time, we are publishing the musics composed and directed by Franco Piersanti, from TV movie “Una prova d’innocenza”. Here we can find dramatic musics and pastorals accompanied by the pipe organ, which describes the priest figure. This CD, of a total running time of 75:28 minutes, intends to be a sincere homage to Franco Piersanti’s Art. SPIDER LABYRINTH DIRECTION AND CAST Directed by Gianfranco Giagni in 1988 and starring Roland Wybenga, Stéphane Audran, William Berger, Arnaldo Dell'Acqua, Claudia Muzii, Massimiliano Pavone, Paola Rinaldi, Valeriano Santinelli and Margareta Von Krauss. THE PLOT Alan Withmore, young American student, is sent to Budapest to work with Professor Roth to a mysterious project, called “Intextus”. Once arrived, Alan meets the terrified Roth, from whom he receives a black book that contains the key to the enigma. Roth is brutally killed. Alan does not give up, though. Through scary premonitions and homicides, he continues his risky investigation, which will take him straight to a horrific destiny. TRACKLIST CD IL NIDO DEL RAGNO 01. BUDAPEST 2:16 02. LABIRINTO 3:05 03. OMICIDIO 1:34 04. IL NIDO DEL RAGNO 2:57 05. ILLUSIONI OTTICHE 2:31 06. RADIO JAZZ (Titoli) 1:56 07. ILLUSIONI OTTICHE (#2) 2:03 08. IL NIDO DEL RAGNO (#2) 2:56 09. OMICIDIO (#2) 2:29 10. BUDAPEST (#2) 1:27 11. RADIO JAZZ (Titoli alternativi) 1:56 12. LABIRINTO (#2) 1:03 13. OMICIDIO (#3) 1:49 14. IL NIDO DEL RAGNO (#3) 4:31 15. BUDAPEST (#3) 1:25 UNA PROVA DI INNOCENZA 16. UNA PROVA DI INNOCENZA (seq.1 - Titoli) 3:34 17. UNA PROVA DI INNOCENZA (seq.2) 1:56 18. UNA PROVA DI INNOCENZA (seq.3) 4:04 19. UNA PROVA DI INNOCENZA (seq.4) 1:26 20. UNA PROVA DI INNOCENZA (seq.5) 4:05 21. UNA PROVA DI INNOCENZA (seq.6) 2:30 22. UNA PROVA DI INNOCENZA (seq.7) 1:39 23. UNA PROVA DI INNOCENZA (seq.8) 2:17 24. UNA PROVA DI INNOCENZA (seq.9) 4:12 25. UNA PROVA DI INNOCENZA (seq.10) 1:57 26. UNA PROVA DI INNOCENZA (seq.11) 1:45 27. UNA PROVA DI INNOCENZA (seq.12) 2:21 28. UNA PROVA DI INNOCENZA (seq.13) 1:51 39. UNA PROVA DI INNOCENZA (seq.14) 1:15 30. UNA PROVA DI INNOCENZA (seq.15 - Finale) 5:07 TRACKLIST LP Side A 01. BUDAPEST 2:16 02. LABIRINTO 3:05 03. OMICIDIO 1:34 04. IL NIDO DEL RAGNO 2:57 05. ILLUSIONI OTTICHE 2:31 06. RADIO JAZZ (Titoli) 1:56 07. ILLUSIONI OTTICHE (#2) 2:03 Side B 01. IL NIDO DEL RAGNO (#2) 2:56 02. OMICIDIO (#2) 2:29 03. BUDAPEST (#2) 1:27 04. RADIO JAZZ (Titoli alternativi) 1:56 05. LABIRINTO (#2) 1:03 06. OMICIDIO (#3) 1:49 07. IL NIDO DEL RAGNO (#3) 4:31 08. BUDAPEST (#3) 1:25

World premiere of complete James Horner early space opera soundtrack! Following on the heels of Intrada’s expanded release of Humanoids From The Deep is James Horner’s wildly popular early outer space epic, scored in 1980 when the young composer’s career was literally just getting underway. Highlights from the score were released on vinyl at the time, and that program has appeared numerous times on CD. Now Intrada is proud to finally present the entire score, newly expanded and remastered from the actual 2” 24-track recording session masters for the first time ever! Details in the recording come through with stunning clarity and power previously not available. In addition to the familiar cues, this new edition also offers many cues previously not released, including the powerful early cues for the “Hammerhead” and the “Sniper’s, Fire!” sequences. Other exciting new pieces include “Dr. Hephaestus’s Station”, “The Destruction Of Umateal”, “Kidnapped!” and many others, all in splendid stereo sound. The performance on the original release was less than perfect, but with current state-of-the-art technology, engineers Douglass Fake and Chris Malone were able to meticulously address some of the errant notes, particularly in the high trumpet parts. The complete score runs over an hour on CD 1. Intrada will be releasing it digitally as well. For fans of the popular original 1980 program, we have included that album as well, newly remastered on CD 2. And vinyl collectors can enjoy this expanded edition from the Shout! Factory label. Jimmy T. Murakami & Roger Corman directed this outer space fantasy in the wake of the exploding popularity of Star Wars and the many imitations that followed. Drawing inspiration from the famous Seven Samurai and Magnificent Seven feature films, the script from John Sayles now set the action in outer space, with Richard Thomas, Robert Vaughn, John Saxon, Sybil Danning starring and George Peppard grabbing the spotlight as “Cowboy”. Another asset: the special effects feature the imaginative early work of James Cameron. Initially released through Roger Corman’s New World Pictures, the movie was a modest box office hit. Trivia of interest: Bill Paxton was then working as a carpenter on the set. Horner’s energetic score was literally a launch pad for his later Star Trek II and Krull scores. David Newman conducts the orchestra, James Horner composes. Intrada Special Collection 2-CD set available while quantities and interest remain! Play all clips CD 1 The Score 01. Main Title (2:03) 02. Hammerhead (3:37) 03. Snipers, Fire! (1:19) 04. Shad’s Entrance (0:58) 05. First Flight (3:51) 06. Dr. Hephaestus’s Station (2:57) 07. First Conversation (4:16) 08. Jackers Ahead! (3:37) 09. The Destruction Of Umateal (1:22) 10. Nanelia’s Capture (1:31) 11. We Cruise For Akir! (1:32) 12. Kidnapped! (1:25) 13. Nascosto Flyaway (0:28) 14. Gelt’s Kill (2:32) 15. Hammerhead Stinger II (0:32) 16. Love Theme (1:35) 17. The Alarm Sounds (0:40) 18. Space Battle (4:36) 19. Battle In The Maze (2:25) 20. Zed’s Death (3:13) 21. Gelt Dies (1:31) 22. Shad And Nanelia (1:29) 23. Another Space Battle (1:00) 24. St. Exmin’s Death (1:33) 25. Cowboy Attacks (1:47) 26. Destruction Of Hammerhead (5:56) 27. Epilog/End Title (5:08) Total Score Time: 62:53 THE EXTRA 28. Gelt’s Chamber Music (1:35) CD 1 Total Time: 64:28 CD 2 Original 1980 Soundtrack Album 01. Main Title (2:00) 02. Malmori Rear Guard (3:51) 03. The Battle Begins (3:31) 04. Shad And Nanelia (1:29) 05. Cowboy And The Jackers (3:37) 06. Nanelia’s Capture (1:28) 07. The Maze Battle (3:10) 08. Shad’s Pursuit (3:22) 09. Cowboy’s Attack (1:44) 10. Love Theme (3:52) 11. The Hunter (1:38) 12. Gelt’s Death (1:28) 13. Nanelia (1:32) 14. Heading For Sador (0:59) 15. Destruction Of Hammerhead (2:35) 16. Epilogue / End Title (5:03) CD 2 Total Time: 42:39

Ich glaube, es gibt schon einen Unterschied zwischen Egotrip und künstlerischer Integrität. Im Prinzip ist der Komponist natürlich Angestellter, aber normalerweise auch Künstler und Berater, wenn man so will. Denn auch Regisseur und Produzent können mit ihren Vorstellungen, wie was zu sein hat, daneben liegen und da ist dann jemand, der da eben auch beraten und überzeugen kann, nicht verkehrt. Natürlich lässt sich nicht jeder gern beraten und oftmals läuft es wohl auch so, entweder machen, was verlangt wird oder gehen. Aber jemand wie Elfman hat nun mal ein gewisses Standing, wie auch ein Williams, Zimmer oder damals eben Goldsmith. Und dann kann man sich eben erlauben, den Mund aufzumachen und zu sagen, dass der Weg falsch ist. Als Newcomer, der um jeden Auftrag kämpfen muss, ist das natürlich schwierig. Den reinen Dienstleistungsgedanken bedient ja beispielsweise Harald Kloser, der ja nach dem Motto agiert „You pay, I play". Der hat im Prinzip keine eigene Vision und macht genau das, was man ihm sagt. So eckt man sicherlich am wenigsten an, aber eine eigene Handschrift oder eben gar ein eigenes Standing bekommt man so nicht, was man wiederum auch an Kloser sehen kann. Wenn ein Komponist eben meint, dass er dieses oder jenes nicht macht, weil das gegen seine Prinzipien geht, dann bleibt eben nur ein Kompromiss oder er verlässt eben das Projekt. Das dürfte allerdings auch nicht so einfach sein, denn man hat ja schließlich einen Vertrag. Und wenn man einfach einen Temp Track eines anderen Komponisten kopiert, hat dieser ja auch im Normalfall nichts davon. Das finde ich als künstlerische Integrität dann schon nachvollziehbar, wenn jemand sagt, dass er das nicht macht. Der kopierte Komponist könnte ja nur was davon haben, wenn er dann in den Credits aufgeführt wird, was selten passiert oder er klagt eben, wie Goldenthal die Macher von 300 verklagt hat wegen Plagiats. Er hat zwar Recht bekommen, hat damit aber auch quasi sein eigenes Grab geschaufelt, was Aufträge in Hollywood betrifft. Aber Goldenthal war sein geistiges Eigentum wohl wichtiger. Aber deswegen verklagen auch viele nicht, weil sie natürlich Angst haben, danach keine Jobs mehr zu bekommen. Jemanden wie Elfman oder Williams beauftragst du eben auch, weil sie Elfman und Williams sind. Und deshalb können die sich natürlich auch etwas mehr erlauben als andere. Elfman hätte es finanziell sicherlich nicht so stark geschadet, wenn er nach dem Bruch mit Raimi nie wieder mit ihm gearbeitet hätte. Dafür hat Elfman genug andere Aufträge und große Projekte. Jemand anderes hätte sich das sicherlich nicht erlauben können. Und bei Elfman glaube ich schon, dass da eine starke, künstlerische Persönlichkeit dahinter steckt, die auch für ihre Überzeugungen eintritt. Kurioserweise scheint sich das bei Elfman aber in den letzten Jahren verschoben zu haben. Zumindest, was die großen Projekte betrifft. Da habe ich bei ihm schon lange das Gefühl, dass er die Sachen wirklich nur noch aus Geldgründen annimmt, aber dann eben so viel wie möglich an seine Assistenten Chris Bacon und TJ Lindgren abgibt. Er vergnügt sich derweil bei kleineren Projekten oder eben seit zwei Jahren auch wieder auf der Bühne als Rockmusiker.

Beim ersten SPIDER-MAN von Raimi lief noch alles glatt. Elfman und er kennen sich ja auch schon seit 1990. Beim zweiten Teil hatte sich das Studio dann so in den Temp Track verliebt, der hauptsächlich aus Elfmans Musik aus Teil 1 bestand, dass sie Elfman auftrugen, im Grunde nur sein Material neu zu arrangieren. Das wollte der aber nicht und schrieb so viel neue Musik wie möglich. Im Temp Track befand sich auch ein Stück von Young aus HELLRAISER, welches Elfman adaptieren sollte. Er machte mehrere Versionen davon, um dem Stück so nahe zu kommen wie möglich, ohne es einfach zu kopieren, aber dem Studio reichte das nicht. Also ist das Young-Stück im Film geblieben. Was Elfman am meisten störte war, dass sein alter Kumpel Raimi ihm nicht den Rücken stärkte, sondern vor dem Studio einknickte. Später wurde Young tatsächlich noch dazu geholt, um die Zugsequenz neu zu vertonen. Auch Joseph LoDuca und John Debney werden im Abspann als zusätzliche Komponisten genannt. Es muss also wild zugegangen sein. Daher verkrachte sich Elfman mit Raimi und machte deshalb auch nicht SPIDER-MAN 3. Und im Prinzip passierte Young dann genau das, wogegen sich Elfman bei SPIDER-MAN 2 noch halbwegs wehren konnte.

Unverständlich war das nicht, eher dem Chaos in der Post-Produktion geschuldet. Da wäre zum einen die Problematik, dass Youngs Score im Film in weiten Teilen zerschnitten und/oder durch Arrangements von Elfmans Material ersetzt wurde. Youngs ursprünglicher Score kommt also im Film gar nicht wie komponiert zum Einsatz. Und genau das ist die andere Sache. Durch die Verwendung des Elfman-Materials (und wohl auch Elfmans schlechten Erfahrungen bei SPIDER-MAN 2) pochte dieser auf eine entsprechende Vergütung, sollte das Material veröffentlicht werden. Daher wurde da bisher nichts veröffentlicht und wird wohl auch zukünftig eher unwahrscheinlich sein. Wohl ein ähnlicher Fall wie Goldenthals BATMAN & ROBIN. Das Studio möchte dem "unkooperativen" Komponisten nicht auch noch Geld zahlen müssen. Bei SPIDER-MAN 3 müsste man, wie bei ALIEN, zwei Varianten des Scores veröffentlichten. Die komponierte Fassung und die tatsächliche Filmversion.