Veröffentlichung Kurz & knapp: Sammelthread für "kleine" Veröffentlichungen

[Stefan Schlegel]

vor 2 Stunden schrieb Oliver79:

und Piero Piccionis Amore mio aiutami als Doppelalbum.

 

Als ob die alte 72-minütige GDM-Fassung von 2007 nicht wirklich schon genügend unnötige Alternativ-Tracks geboten hätte, die man sich gar nicht mehr als einmal anhört. Nein, man macht jetzt noch eine Doppel-CD daraus mit drei zusätzlichen Alternates, um noch etwas mehr abkassieren zu können. Echt mal wieder der Oberwitz. Den Labels fällt schlicht und ergreifend nichts mehr ein.
Nicht daß die Musik an sich schlecht wäre, denn sie zählt schon zu den gelungeneren Piccioni-Arbeiten für die Sordi-Filme und ich mag das originale Album recht gerne dank der schönen Themen, aber auf die Art und Weise wie hier kann man einen ganz guten Score durch endlose Wiederholungen auch kaputt machen.

[scorefun]

bzgl. endlose Wiederholungen: das trifft auch auf 90% der Morricone-ReIssue-Alben zu...;-)

 

[Angus Gunn]

vor einer Stunde schrieb Stefan Schlegel:

Vermutlich hast du Dich von der Angabe "Titres Bonus" auf der Play Time-CD etwas irritieren lassen

Stimmt, es sind 6. Und die sind klasse. Bin sehr angetan von der neuen Edition, aber wie schon geschrieben: warum diese sperrige Papphülle? 

Im Booklet befindet sich die Trackliste nochmal. Dort wird Hossein genannt.

[Stefan Schlegel]

vor 13 Minuten schrieb scorefun:

bzgl. endlose Wiederholungen: das trifft auch auf 90% der Morricone-ReIssue-Alben zu...;-)

Das ist eh klar und das ist man ja seit Jahren auch gewohnt. Deshalb  gehe ich darauf schon gar nicht mehr ein
Bei AMORE MIO AIUTAMI war es allerdings so, daß die GDM-CD schon vor 15 Jahren prall gefüllt war mit rund 40 Minuten an Alternativ-Stücken, in denen sich die Theemen nur ganz leicht verändert ständig wiederholen. Deshalb total absurd, das nochmals verlängern zu wollen.

[Stefan Schlegel]

vor 32 Minuten schrieb Angus Gunn:

Stimmt, es sind 6. Und die sind klasse. Bin sehr angetan von der neuen Edition, aber wie schon geschrieben: warum diese sperrige Papphülle?

Ich habe aus der neuen "Trésors"-Reihe von Play Time nur die Delerue-CD mit TENDRE POULET, CHÈRE LOUISE und DIABLE PAR LA QUEUE und die ist genauso aufgemacht mit dieser Papphülle. Allzuviel Mühe machen die sich da anscheinend nicht und sparen wo es geht, aber immerhin ist wenigstens noch ein ganz nettes Booklet dabei.
Ich habe wegen den MISERABLES-Tracks nochmals genau nachgeschaut: Also die ersten 11 auf der Play Time-CD sind die vom alten LP-Album von 1982. Die Hortensia-CD von Anfang 90er hatte dann vier Stücke mehr. Du schreibst oben aber, daß das "Agnus Dei" nun erstmals auch in einer Chorfassung erklinge auf der Play Time-CD. Wenn ich das aber so richtig überschaue, dann müßte dieser Track 21 eigentlich doch auch schon auf der Hortensia-Edition drauf gewesen sein als Track 8 "Agnus Dei - Choeur de femmes". Oder ist das jetzt nochmals eine andere Version? Es müßte normalerweise derselbe Track sein, denn sonst würde der ja auf der Play Time-CD plötzlich fehlen und das kann ich mir nicht recht vorstellen.

 

 

[Angus Gunn]

Nein, das wird derselbe sein. Ich habe die Hortensia-CD nur schon ewig nicht mehr gehört und nicht mehr so gut im Ohr. Das ist alles. Und ich finde sie auch nicht mehr, wie ich gerade eben festgestellt habe. Normalerweise herrscht Ordnung in meiner Sammlung und nix geht verloren. Aber wo die abgeblieben ist... keine Ahnung. Von daher kommt mir diese neue Edition nur recht.

Steckte Deine CD denn auch einfach so "nackt" im Kartonschuber, also ohne eine separate Schutzhülle, wie man es bei Vinyl sonst macht? Also ich werde die Scheibe separat aufbewahren. "Napoli Spara" von Beat steckte damals in genau so einer Verpackung und war nach wenigen Jahren ruiniert. First World Problems, ich weiß

[Stefan Schlegel]

Ja, die Delerue-CD steckte bei mir auch nur "nackt" im Kartonschuber ohne irgendeine zusätzliche Schutzhülle. Stylotone hat das bei ihrer MARNIE-CD genauso gemacht - fast noch schlimmmer, da dort der Kartonschuber nämlich noch enger ist und man die CD nur schwer herausziehen kann. Da kann man sich nur mit einer separaten Schutzhülle behelfen, denn sonst ist die Scheibe nach mehrmaligen Herausziehen bald futsch.

[Oliver79]

Wo wir gerade bei mäßig originellen Wiederveröffentlichungen aus Italien sind...  Von Cam / Sugar gibt es eine neue Single-Disc-Edition von Nino Rotas La dolce vita (hatten wir hier irgendwo schon, oder?) und eine verlängerte Fassung von Ennio Morricones Quando l'amore e sensualita.

 

Zitat

Out on October 21st, 2022

Heritage Collection N°3

The complete 25-track score by Nino Rota for the 1960 timeless masterpiece that defined the career of Federico Fellini, starring Marcello Mastroianni and Anita Ekberg.

Including “La Dolce Vita (Original Vocal Version)” theme sung by Katyna Ranieri, as heard in the Fiat 500 advert starring Leonardo Di Caprio.

Zitat

Morricone Segreto N°4 - Quando l’Amore è Sensualità” (1973)

For the first time ever on CD.

One of the Maestro’s most obscure, psychedelic and dark-tinged soundtracks. Still unpublished in its entirety, the score is the manifesto of the Morricone Segreto series, featuring tonal experiments, timbric intuitions, enigmatic synths, obsessive lullabies, tribal drum beats and an overall compositional complexity showing the unrivaled genius of Ennio Morricone. Originally composed for Vittorio De Sisti’s “Quando l’Amore è Sensualità”, the music masterfully mirrors the bloody and lustful bourgeois hypocrisy portrayed in the cult film, thanks to a striking contrast between haunting primitive sounds (representing the male fury) and uplifting, crystalline and ethereal elements (symbolising the feminine innocence). The score features “Vie-Ni”, one of the most loved cuts from CAM Sugar “Morricone Segreto” collection, next to compositions featuring the whimsical and ethereal vocals by Edda Dell’Orso and furious psych-prog numbers embodying the most ‘segreto’ side of the Maestro.

Out on November 10th fully remastered from the CAM Sugar archive.

For the first time on CD... ja, sicher... ^^

[Trekfan]

vor 7 Minuten schrieb Oliver79:

eine neue Single-Disc-Edition von Nino Rotas La dolce vita (hatten wir hier irgendwo schon, oder?) 

 

[Stefan Schlegel]

vor 1 Stunde schrieb Oliver79:

 

For the first time on CD... ja, sicher... ^^

Stimmen tut davon natürlich nur "still unpublished in its entirety". Ich hatte mich immer schon gewundert, warum dieser Morricone-Score nicht schon längst vor rund 10-15 Jahren wie fast alle anderen aus dem CAM-Katalog von einem Label wie Digitmovies oder Beat expandiert wurde, sondern es immer bei der alten 36-minütigen CAM-CD-Fassung von 1992 blieb. Offenbar wollte Morricone selbst nicht und hat sich hartnäckig geweigert. Jetzt nach seinem Tod kann man das wohl machen..
Ein recht psychedelischer Score, der ganz klar ins typische Konzept der neuen Decca-Reihe paßt, hinter der ja im Prinzip die Four Flies-Produzenten stecken.
Bei der Doppel-LP haben sie es so gemacht, daß die zweite LP die zuvor nicht veröffentlichten 11 Tracks enthält.
Und einen neuen Sampler mit Tracks überwiegend aus Polizeifilmen der 70er gibts von dieser selben Mannschaft natürlich auch schon wieder mit dem Titel "Piombo". Nichts anderes habe ich von denen auch erwartet:
CD:
https://camsugarmusic.com/products/piombo-cd

Doppel-LP:

https://camsugarmusic.com/products/piombo-2lp

LP Collector´s Edition mit zusätzlicher Single und zwei zuvor nicht veröffentlichten Tracks:
https://camsugarmusic.com/products/piombo-collectors-edition
 

[Stefan Jania]

Am 21.9.2022 um 19:47 schrieb Oliver79:

Die CD findet sich derzeit nicht mehr auf der Website von BSX. Ob sich da jetzt doch mal ein Rechteinhaber beschwert hat?

Das Unheil war aber schon längst angerichtet. Wer die CD bei Buysoundtrax bestellt hat, hat die digitale Fassung inkl. digitalem Booklet von Albert Glasser Vol. 5 ja sofort nach Bestellung bekommen. PN reicht.

[Trekfan]

Am 3.10.2022 um 13:42 schrieb Neuanfang:

Das Unheil war aber schon längst angerichtet. Wer die CD bei Buysoundtrax bestellt hat, hat die digitale Fassung inkl. digitalem Booklet von Albert Glasser Vol. 5 ja sofort nach Bestellung bekommen. PN reicht.

Kauft da noch jemand?

[Oliver79]

Wieder zwei neue Alben von Silva: Das Barry-Gray-Konzertalbum 'Stand by for Action' und die von Carmine Coppola arrangierte 'The Godfather Suite':

Zitat

From death defying heroics to fantastic visions of the future and adventures beyond imagination. For decades the world has been enthralled by the television and film productions of Gerry Anderson. Perhaps the one thing which binds this remarkable canon of work together is an incredible tapestry of music which enriches each series and instalment. Despite all the impressive techniques and technical wizardry employed by Derek Meddings and his special effects crew, Stingray’s launch wouldn't have half the impact if robbed of Barry Gray’s sweeping crescendo. Similarly, the ponderous ache of the Alphans plight and a police cruiser chase in Demeter City are brought to life by their respective musical accompaniments. The Stand By For Action! concert in April 2022 was a celebration of this incredible body of music which helped to bring life to some of the most popular television series ever made. This sensational show transported fans through over 60 years of the Gerry Anderson back catalogue, paying homage to his special partnership with composers including Barry Gray, Richard Harvey and Crispin Merrell.

The iconic theme tunes and incidental music from classic Anderson shows – including Thunderbirds, Space: 1999, Captain Scarlet and UFO – all feature alongside that of his earliest work like The Adventures of Twizzle, Torchy the Battery Boy and Feather Falls, right through to Terrahawks, Space Precinct and his final production: New Captain Scarlet.

https://silvascreen.ochre.store/release/337752-carrot-productions-hackenbacker-orchestra-stand-by-for-action-gerry-anderson-in-concert

Zitat

Not at all dangerous, but no less powerful and devoted to one another, the Coppola family have loomed large in film and the arts for decades. The head of this particular family was not a Don lurking in the shadows, but a brilliant composer arranger and conductor: Carmine Coppola. On the face of it, this album is a bit of a curiosity, though it was surely the first recording to bring together music from both Godfather films in this way. Its original release coincided with a high-profile television event called The Godfather: A Novel for Television (also known as The Godfather Saga).

The extended cut necessarily featured additional music and arrangements, which were overseen by Carmine Coppola. We can safely assume that at least some of that forms part of what is included in The Godfather Suite. For it, Coppola selected and re-arranged musical highlights from the two films, including all of Rota’s main themes and his own source music pieces, creating what is essentially a 14-part symphonic suite.

It’s all rather beautifully executed, with great romantic flourishes, and it’s a fitting tribute to Carmine Coppola’s talent, not to mention his contribution to two legendary films. Carmine Coppola himself passed away just months after the release of The Godfather Part III. A highlight of that final score is the ‘Love Theme’, which was the basis of Carmine Coppola and lyricist John Bettis’s Oscar-nominated original song ‘Promise Me You’ll Remember’. The instrumental arrangement is included here in addition to the Suite.

https://silvascreen.ochre.store/release/337751-carmine-coppola-the-godfather-suite

[Oliver79]

Buysoundtrax haben zwei neue CDs ausgeliefert: Eine Neuauflage von Bruce Rowlands Zeus and Roxanne und Jamie Blanks' Score zu dem Thriller Girl at the Window.

Zitat

BSX Records presents the original motion picture soundtrack to ZEUS AND ROXANNE, featuring music composed by Bruce Rowland (THE MAN FROM SNOWY RIVER, PHAR LAP, ANDRE) for the 1997 family adventure film directed by George Miller (ANZACS, THE MAN FROM SNOWY RIVER, ALL THE RIVERS RUN), written by Tom Benedek (COCOON), starring Steve Guttenberg, Kathleen Quinlan, Miko Hughes and Arnold Vosloo.

ZEUS AND ROXANNE revolves around the friendship between a dog, Zeus, and a dolphin, Roxanne. One morning, Zeus goes to the pier, spots a dolphin, and becomes fascinated by it. He returns home to his owner, Terry (Guttenberg), and his son, Jordan (Hughes). Later that morning, Zeus chases a cat and subsequently destroys the garden of Mary Beth (Quinlan), a marine biologist and their next-door neighbor. Terry calms Zeus down and apologizes to Mary Beth.

Mary Beth goes to her workplace and is followed by Zeus, who notices her photo of the same dolphin from earlier. Upon arriving, she is met by her partner, Becky, and her rival, Claude (Vosloo). Mary Beth and Becky travel out on a boat to follow the dolphin they are researching, whom they have named Roxanne, and Zeus stows away on the boat. While they are out to sea, Zeus slips off the boat. Roxanne saves him from a shark and gives him a ride back to the boat on her back, which surprises and fascinates Mary Beth and Becky, who find that Zeus and Roxanne are able to communicate with each other.

Returning home, Mary Beth asks Jordan if she can borrow Zeus for her research on Roxanne, who she hopes to release back into the wild. Jordan agrees, and he and Terry accompany her on her research. As time passes, Terry begins to fall in love with Mary Beth as he manages to find inspiration for his music, while Jordan bonds with her daughters.

Bruce Rowland’s fascination with music began as a child. He grew up in a musical household in Melbourne, and as a teenager studied piano and played with various pop bands. He worked with pop group The Strangers during the 1960s, and toured with international artists including Roy Orbison and The Beach Boys. Bruce developed much of his early skill as a composer on the popular teenage television series THE GO SHOW, where he was responsible for playing keyboard and writing arrangements for guest artists including Olivia Newton-John and Billy Thorpe. Later, he worked for five years as the composer for children’s television programs MAGIC CIRCLE CLUB and ADVENTURE ISLAND. His career spans a multitude of motion pictures, cable movies, mini-series, series, animations and special live events. Bruce is the proud recipient of multiple awards, including a 2006 APRA International Achievement Award for his services to film. In 2000, Bruce wrote and conducted the music for the Opening Ceremony of the Sydney Olympic Games, which included a special rendition of Bruce’s score for THE MAN FROM SNOWY RIVER.

Previously released on compact disc in 2001, BSX Records brings ZEUS AND ROXANNE back to the marketplace newly remastered by James Nelson at Digital Outland for improved sound quality.

Zitat

BSX Records presents the original motion picture soundtrack to GIRL AT THE WINDOW, featuring music composed by Jamie Blanks for the new thriller written by Terence Hammond (LAST DANCE) and Nicolette Minster, directed by Mark Hatley (PATRICK: EVIL AWAKENS, ELECTRIC BOOGALOO: THE WILD, UNTOLD STORY OF CANNON FILMS), produced by Antony I. Ginnane (PATRICK THE SURVIVOR, THE LIGHTHORSEMEN), Phil Hunt, Compton Ross and Sabella Sugar, starring Radha Mitchell (PITCH BLACK, SILENT HILL, VISITORS), Ella Newton, Jackson Gallagher, Vince Colosimo, Sharon Johal and Nathan Hill.

GIRL AT THE WINDOW tells the story of a mother (Mitchell) and daughter (Newton) who deal with an ambiguous and uncertain threat that ultimately binds them closer together.

The music for GIRL AT THE WINDOW is composed by Jamie Blanks, who has the distinction of being a composer, a director and film editor. GIRL AT THE WINDOW is the third collaboration between Blanks and director Mark Hartley, which include Hartley’s previous documentary films MACHETE MAIDENS UNLEASHED and ELECTRIC BOOGALOO: THE WILD UNTOLD STORY OF CANNON FILMS. While the budget for GIRL AT THE WINDOW did not allow Blanks to record live players, his knowledge of modern music libraries allowed him to compose an exciting synthetic score that evokes the works of Bernard Herrmann, Jerry Goldsmith and Pino Donaggio.

BSX Records presents the world premiere release of GIRL AT THE WINDOW, featuring music composed by Jamie Blanks, mastered by James Nelson at Digital Outland and featuring liner notes written by the composer.

 

[Stefan Jania]

Zwar (noch) keine Veröffentlichung im eigentlichen Sinne, aber passt hier vielleicht am besten. Ein sehr entspannter Score von Carter Burwell zu THE BANSHEES OF INISHERIN als FYC. Tut nach HELLRAISER richtig gut.

https://www.searchlightpictures.com/fyc/film/banshees-inisherin/soundtrack/

30 Minuten, viele kurze Tracks. Ich hoffe, dass in der Form kein Album erscheint, sondern einige Tracks kombiniert werden.

[Oliver79]

Neben dem bereits von Stefan vorgestellten Sarde-Score gab es in dieser Woche noch drei weitere neue CDs von Music Box Records: Mathieu Lambouleys Jack Minoun et les secrets de Val Verde, ein Album mit den frühen Gabriel-Yared-Scores La scarlatine und Tir à vue sowie Eric Demarsans Notre-Dame, la Part du feu.

Zitat

In collaboration with Mandarin & Compagnie and Pathé Films, Music Box Records presents on CD the original motion picture soundtrack of the adventure comedy film Jack Mimoun et les secrets de Val Verde (Jack Mimoun and the Secrets of Val Verde, 2022) composed by Mathieu Lamboley (Lupin, Minuscule 2 - Mandibles from Far Away) and performed by the Orchestre National d’Île-de-France.

Two years after surviving alone on the hostile island of Val Verde, Jack Mimoun has become an adventure star. The mysterious Aurélie Diaz brings Jack unwittingly back in Val Verde to help in the search of the legendary sword of the pirate La Buse. His manager and an unpredictable mercenary embark on an incredible treasure hunt through the jungle of the island of thousand dangers.

For this action comedy film, Mathieu Lamboley composed an exciting and classic fully orchestral adventure score.

Jack Mimoun et les secrets de Val Verde, starring Malik Bentalha, Joséphine Japy, François Damiens, Jérôme Commandeur and Benoît Magimel, is released in French theaters in October 12, 2022. 

 

Zitat

Newly remastered edition. 
8-page CD booklet with French and English liner notes by Nicolas Magenham.  
Limited Edition of 350 units.

In collaboration with Yad Music, Music Box Records proudly presents two original motion picture soundtracks composed by Gabriel Yared in the 1980s: La Scarlatine (Scarlet Fever, 1983) and Tir à vue (Fire on Sight, 1984).

La Scarlatine, the first feature film directed by Gabriel Aghion, tells the story of a ten-year-old boy, surrounded by an almost exclusively female environment, changes when his mother meets a man. The score composed by Gabriel Yared mixes several moods: pre-war jazzy style, soul song, an electronic 80’s vibe and some romantic pieces in keeping with the spirit of this decrepit, once-luxurious house. The album also features the premiere release of Tir à vue, a movie directed by Marc Angelo, about two young deliquents committing robbery and murder. Programmed by his faithful collaborator Georges Rodi, Gabriel Yared’s music for this film mostly relies on synthesizers and other beatboxes that give it a very urban tone. 

Supervised by Gabriel Yared, this present edition has been fully remastered from complete scoring session elements. The package includes a 8-page booklet featuring exclusive liner notes by writer Nicolas Magenham, discussing the films and the scores. This is a limited edition of 350 units. 

Zitat

In collaboration with Netflix, Music Box Records presents on CD the original score composed by Éric Demarsan for the series Notre-Dame (2022) directed by Hervé Hadmar and starring Roschdy Zem, Alice Isaaz, Simon Abkarian, Caroline Proust, Frédéric Chau, Victor Belmondo, Corentin Fila and Sandor Funtek.

Inspired by true accounts from French firefighters, this new drama series, created by Olivier Bocquet and Hervé Hadmar, explores the impact of the 2019 fire of Notre-Dame on a diverse group of Parisians.

The score of Notre-Dame, both intimate and dramatic, is based around several recurring themes and motifs, including the firefighters who face all kinds of different challenges and the destiny of men and women who have their own fire to put out. 

The mini-series will be released on Wednesday, October 19, 2022 exclusively on Netflix.

 

[Oliver79]

Am 23. November kommt von Cinema-Kan eine CD mit Takeo Yamashitas Musik für den Anime Maken Liner 0011 Henshin Seyo! aus dem Jahr 1972.

 

[Stefan Jania]

Am 4.10.2022 um 15:34 schrieb Trekfan:

Kauft da noch jemand?

Ich. Deshalb habe ich ja das digitale Album von Albert Glasser Vol. 5 noch bekommen.

Man liest immer wieder von Problemen. Ich hatte auch mal eins. Liegt schon sehr viele Jahre zurück (Vertauschung von zwei Sendungen an jemanden namens "Stefan" in Deutschland - konnte ich mit Olis Hilfe im Board lösen). Ich weiß wirklich nicht, was da manchmal so passiert.

Den Download für bestellte CDs habe ich sofort, die CDs selber kommen dann irgendwann später. Manchmal sehr viel später. Mit Zollaufschlag + Kosten für Postbehandlung. Aber egal. Das Geld kalkuliere ich immer mit ein. Und die CDs habe ich dann immer wieder losbekommen. ?

[Stefan Jania]

Von Netflix Music gibt es nun THE CURSE OF BRIDGE HOLLOW, komponiert von Christopher Lennertz. Recht "saisonal", groß, sehr nett im Ohr. Gefällt mir wesentlich besser als z.B. zuletzt Debneys HOCUS POCUS 2.

 

 

[Stefan Jania]

Am 7.10.2022 um 14:50 schrieb Neuanfang:

Zwar (noch) keine Veröffentlichung im eigentlichen Sinne, aber passt hier vielleicht am besten. Ein sehr entspannter Score von Carter Burwell zu THE BANSHEES OF INISHERIN als FYC. Tut nach HELLRAISER richtig gut.

https://www.searchlightpictures.com/fyc/film/banshees-inisherin/soundtrack/

30 Minuten, viele kurze Tracks. Ich hoffe, dass in der Form kein Album erscheint, sondern einige Tracks kombiniert werden.

Schade. Das Album von Hollywood Records zu Carter Burwells The Banshees Of Inisherin spiegelt mehr oder weniger die FYC-Fassung. Zwar drei Minuten länger, ein wenig wurde kombiniert, aber ansonsten viele kurze Tracks. Dennoch sehr schöne Musik von Burwell. Wer z.B. Mr. Holmes mag, der wird den Score hier auch mögen.

 

[Oliver79]

Von GAD Records kommt am 28. November eine CD mit Henryk Kuzniaks Musik für 'Anna' i wampir (1982).

Zitat

Master of Polish film music, known, among others from the music to both parts of the film "Vabank" or "Sexmission" in the most uncompromising edition. "» Anna «and the vampire" is a dark search in ambient and industrial circles. A fascinating study of how to paint a fog with sound. Original soundtrack from 1981 plus a contemporary postscript made by Henryk Kuźniak in 2022 on the album.

In the early 1980s, Janusz Kidawa, a respected documentary filmmaker, made a feature film about the case of the Vampire from Zagłębie. Dark, hard to read, although for some people a cult image intrigued by the use of original materials from the investigation and melted the entire narrative in low-suspended mists. Kidaw invited Henryk Kuźniak to prepare the music, with whom they knew each other very well from their work at the Documentary and Feature Film Studio in Warsaw. It is difficult to call what Henryk Kuźniak prepared for the needs of "Anna and the Vampire" as film music in the strict sense. It is a Polish search on the border of ambient and industrial - and all this before these notions were even more widely used in our country. A sound design that paints over with sound what the image could not convey to the director in the fog of screens.

The material was remastered from the original tape from the composer's archive. The program of the album was complemented by a contemporary composition, made in 2022, which is a tribute to the victims of the Vampire. The booklet contains extensive text about the film and music, as well as photos from the set.

 

[Oliver79]

Auch dieses Jahr haben Howlin' Wolf Records zu Halloween einen thematisch passenden Score veröffentlicht: 10 / 31 Part 3 von Rocky Gray.

Zitat

Howlin' Wolf Records proudly presents Rocky Gray's score for 10/31 PART III, the third installment in the gruesomely popular 10/31 Anthology Series, with segments directed by renowned cult-cinema directors Michael Ballif (THE WITCHING SEASON, THEY LIVE INSIDE US), Jacob Perrett (WEIRD FICTION, CREATURE IN THE DARK), Brad Twigg (KILLER CAMPOUT, SHRIEKSHOW), Zane Hershberger (FORCE TO FEAR, and 10/31 PART II segment "Treaters"). 10/31 PART III is a perfectly eerie companion to create your own spooky Halloween ambiance. The soundtrack pays homage to great synth scores from the '80s accented by flourishes harkening back to scores by Italian progressive rock icons Goblin and Fabio Frizzi.

Rocky Gray is an award-winning composer of over 30 features, shorts, and video games. An accomplished musician, he was the original drummer for the multi-platinum goth rock band Evanescence, and later drummer and lead guitarist for We Are The Fallen and Living Sacrifice, respectively. He most recently earned raved reviews and a "Best Score" win for THE BARN II at the 2022 GenreBlast Film Festival.

10/31 PART III is beautifully packaged in a jewel case with a 24-page booklet including a foreword by film music journalist John Mansell and notes from segment directors (Ballif, Perrett, Twigg, Hershberger) and composer Rocky Gray, all presented against a frighteningly colorful web of All Hallows' Eve imagery with jack-o-lanterns, witches, bats, monsters, and demons. The booklet features original cover artwork by Gaz Jackson at Sinister Arts and beautiful packaging designs by Howlin' Wolf Records' acclaimed Art Director, Luis Miguel Rojas.

 

[Stefan Jania]

Mercury hat wunderschöne symphonische Musik von Abel Korzeniowski zu Till veröffentlicht. Schwelg....

 

[Alexander Grodzinski]

Neu von Dragon's Domain:

Dragon’s Domain Records presents BRUTAL, featuring music composed and performed by Alan Howarth for the 2012 horror film written by Michael Patrick Stevens, directed by Darla Rae and Michael Patrick Stevens, starring A. Michael Baldwin (PHANTASM), Reid Luttrell, Jamie McCall, Annie Molnar, Camryn Molnar, Jennifer Wilde and Michael Patrick Stevens as Brutal.

Released in 2012, BRUTAL begins with Carl Gibson (Baldwin) waking up in a dingy basement, naked from the waist up and chained to a chair. The basement belongs to a stoical dungaree-wearing loner named Brutal. Subjected to a seemingly endless game of torture, Carl wonders if he will ever see his family again.

BRUTAL is the writing, producing, directing and acting debut of Michael Patrick Stevens. The music for BRUTAL is composed by genre favorite Alan Howarth.

Alan Howarth, in addition to being a composer, is an accomplished sound designer and editor, having worked on films such as STAR TREK: THE MOTION PICTURE, POLTERGEIST, TOTAL RECALL, ARMY OF DARKNESS, BRAM STOKER’S DRACULA, STARGATE and many others. He has been a frequent music collaborator with John Carpenter on his films beginning with ESCAPE FROM NEW YORK in 1980 and including HALLOWEEN II & III, CHRISTINE, BIG TROUBLE IN LITTLE CHINA, THEY LIVE and PRINCE OF DARKNESS and Alan has scored many films on his own, including RETRIBUTION, HALLOWEEN 4 & 5, THE DENTIST, HEADLESS, BOO!, EVILUTION and most recently, HOUSE AT THE END OF THE DRIVE, SHINER and HOAX.

Dragon’s Domain Records presents BRUTAL, featuring music composed and performed by Alan Howarth. The music has been mastered by James Nelson at Digital Outland.

BRUTAL is a limited edition release of 500 units and is expected to begin shipping the week of November 1st, 2022. The first 50 copies sold through our website will include an autograph by the composer.

1. Brutal Main Titles and Carl’s Family (5:17)
2. Sander (3:34)
3. Nail Gun (3:34)
4. Rock, Paper, Scissors (5:40)
5. Wheel Of Torture (2:33)
6. Potato Peeler (5:40)
7. Injection (3:02)
8. Hot Foot (6:14)
9. It’s Only a Game (5:07)
10. You Lose, You Die (5:55)
11. 16th Birthday (5:55)
12. 8 Months Later (3:51)
13. Can’t Live Without You (4:15)
14. Forgive Me (2:53)
15. Live With the Pain (5:15)
Total Time: 69:21

Dragon’s Domain Records presents THE PETER BERNSTEIN COLLECTION, VOLUME 3 , featuring music composed by Peter Bernstein for two projects from his filmography, FIFTY/FIFTY and MIRACLES.

Released in 1992, FIFTY/FIFTY tells the story of Jake (Peter Weller) and Sam (Robert Hays), two mercenaries who run into each other on Tengara, a remote South Seas island where a revolution seems to take place every other day. Recruited by the CIA to overthrow a power-mad dictator, they are tasked to raise an army. But the choices are few and the odds against them are high, until they meet Suleta (Ramona Rahman), a beautiful freedom fighter who helps them get started.

FIFTY/FIFTY was directed by veteran actor Charles Martin Smith, who also co-stars as Martin Sprue, the CIA handler in charge of Jake and Sam. Filming was split between the island of Penang and the Central Malaysian state of Perak, according to the production notes.

FIFTY/FIFTY is an orchestral score, recorded with an orchestra of 65 musicians. Bernstein’s music is based around a single primary theme, energized by propulsive brass attacks and powerful intonations of full orchestra.

Released in 1986, MIRACLES tells the story of Jean (Teri Garr) and Roger (Tom Conti), a newly divorced couple who learn the hard way that when you are meant to be together, nothing can keep you apart. As the film continues, Jean and Roger keep running into each other, literally... A robbery gone wrong results in a police chase, with the robber crashing into Jean’s car and then Roger’s car, which happens to be nearby. The robber kidnaps both Jean and Roger and forces them to drive, leading to an elaborate madcap chase across international borders, multiple crazy situations and ultimately to Jean and Roger’s reunion.

For MIRACLES, Peter Bernstein provides an appropriately exciting musical score for this wild comedic ride. Bernstein’s breathtaking score ranges from the exotic drums and synth of the opening jungle sequence to a richly arranged celebratory finale. The score was recorded at the old CTS Studios in Wembley, England, on the world’s first DSP digital mixing console and performed by members of the Royal Philharmonic Orchestra.

The son of Academy Award winning film composer Elmer Bernstein (THE MAN WITH THE GOLDEN ARM, THE TEN COMMANDMENTS, THE MAGNIFICENT SEVEN, TO KILL A MOCKINGBIRD, GHOSTBUSTERS), Peter Bernstein grew up around recording stages, watching his father work and absorbing as much as he could. His musical education began with piano lessons. He eventually decided he wanted to be a bass player and studied bass with Carol Kaye, a member of the legendary ‘Wrecking Crew’ group of LA studio musicians. Around the same time, Peter was also studying with pioneering electronic music composer Morton Subotnick. He began his professional career as a rock n’ roll bass player at age 14 and worked in the record business as a touring bass player, band member, session player, arranger and record producer for the next 20 years. As time passed it became clear that there was going to be more opportunity for him as a composer and Peter began by working for other composers as an orchestrator and arranger. He orchestrated all or part of almost all of his father’s scores from 1974-1986, while still working in the rock n roll record business. Orchestration credits from the era include ANIMAL HOUSE, TRADING PLACES and GHOSTBUSTERS, as well as the scored portions of Michael Jackson’s THRILLER video. His credits as composer include HOT DOG… THE MOVIE, BOLERO, THE EWOK ADVENTURE, MY SCIENCE PROJECT, EWOKS: THE BATTLE FOR ENDOR, THE ALAMO: THIRTEEN DAYS TO GLORY, CANADIAN BACON and PUPPET MASTER VS DEMONIC TOYS. For television, his credits include 21 JUMP STREET, BOOKER, FALLEN ANGELS, CHICAGO HOPE, ROUGH RIDERS, MOWGLI: THE NEW ADVENTURES OF THE JUNGLE BOOK and HONEY, I SHRUNK THE KIDS: THE TV SHOW.

Dragon’s Domain Records presents THE PETER BERNSTEIN COLLECTION, VOLUME 3, featuring music composed and produced by Peter Bernstein for FIFTY/FIFTY and MIRACLES, presented for the very first time on compact disc. The music has been mastered by James Nelson at Digital Outland and the liner notes have been written by noted author Randall Larson, with the participation of the composer.

THE PETER BERNSTEIN COLLECTION, VOLUME 3 is a limited edition release of 500 units. THE PETER BERNSTEIN COLLECTION, VOLUME 3 is expected to begin shipping the week of November 1st, 2022. Composer Peter Bernstein will sign the first 50 copies of THE PETER BERNSTEIN COLLECTION, VOLUME 3 sold through the website.

FIFTY/FIFTY
1. Main Title/Escaping the Palace (3:39)
2. Training Montage/Village Attack (4:03)
3. Under Attack/Suleta's Sacrifice (4:39)
4. Tense Montage/Final Attack (4:09)
5. Liberation/End Title (3:09)

MIRACLES
6. Opening Titles/The Sick Girl/The Big Storm (3:49)
7. Explosion and Power Outage at the Hospital/
Police Chase/The First Big Car Crash (3:30)
8. Juan Kidnaps Jean and Roger/Drive to Hideout/Police Surround the Hideout (3:15)
9. Race To The Airfield/Miraculous Events/Roger and Jean Catch A Moving Plane/The Takeoff/Roger Comforts Jean/Juan and Harry/Get Their Parachutes (5:22)
10. Uncontrolled Dive/Leveling Off/Skimming The Mountaintop/Avalanche/
Crash Landing/Stranded In The Desert/A Car/Federales At The Plane/
Roger and Jean Arrested (5:12)
11. Jean’s Story/Juan Rescues Jean and Roger/Federales Chase/Racing To The Boat/Pier Shootout With Federales (4:20)
12. Rekindled Romance On The High Seas/The Storm/Taking Roger To The Village/This Was A Miracle (4:07)
13. Villagers Walk To Church/The Operation And Recovery/Explosion/
The Second Big Car Crash/Reunited (4:40)
14. End Credits (3:12)
15. Acoustic Guitar Source (0:52)
Total Time: 58:40

Dragon’s Domain Records presents a new release of THE PIT & THE PENDULUM, to be distributed through Buysoundtrax.com. THE PIT & THE PENDULUM features music composed and conducted by Richard Band (RE-ANIMATOR, FROM BEYOND, GHOST WARRIOR, TROLL) for the 1991 version of the classic story written by Edgar Allan Poe, adapted by Dennis Paoli, directed by Stuart Gordon (RE-ANIMATOR) and starring Lance Henriksen. Stephen Lee, Rona De Ricci, Jonathan Fuller, William Norris, Mark Margolis, Frances Bay, Carolyn Purdy-Gordon, Jeffrey Combs and Oliver Reed.

First published in 1842, Poe’s PENDULUM is a ghastly tale of torture and execution told by a forsaken narrator sentenced to death for heresy by the Spanish Inquisition. This adaptation follows a pair of young bakers drunk on love and brimming with marital bliss. While peddling loaves of bread in the town square, Maria (De Ricci) and Antonio (Fuller) are separated by an unruly mob while a battered woman is paraded into the square to be burned at the stake as a witch by the Spanish Inquisition. Maria and Antonio reunite only to be forced by church authorities to stand witness to the grotesque human barbecue unfolding before their eyes. The expression of Maria’s disgust and her pleas for Christian mercy at the feet of Grand Inquisitor Torquemada (Henriksen) convinces the over-zealous witch hunter to arrest, torture and prosecute Maria as a ward of Satan.

THE PIT & THE PENDULUM was a continuation of the creative collaboration between director Stuart Gordon and Richard Band, which includes films such as RE-ANIMATOR, FROM BEYOND, CASTLE FREAK and episodes from the anthology series MASTERS OF HORROR. The one thing Gordon routinely offered Band was total creative independence. The director and composer would meet once or twice early in the scoring process so that Band could bounce initial ideas off his director; once those decisions were agreed upon, Gordon left his composer alone to do the job he was hired to do. As is the case with most low-cost films, the limited music budget guided Band’s compositional hand as much as its story elements. Calculated decisions were necessary to blend live orchestral and choir elements with supplemental electronic tracks to create the aural illusion of spending more on the score than was actually allocated.

Richard Band was born in Los Angeles on December 28, 1953. He is the son of film producer-director-writer Albert Band (THE RED BADGE OF COURAGE – screen adaptation), brother to producer-distributor Charles Band and uncle to young rock star Alex Band of the rock group ‘The Calling’. Shortly after his brother Charles had formed his first movie company, Richard decided to take a break from music and began to work as an assistant director on some of his films. He then went from assistant director to production manager, to associate producer and finally producer on over 13 films. Richard has since gone on to score over 75 feature films and many television productions.

Band has composed the music for more than 10 interactive computer/video games over the years and has had many soundtracks that have been released of his film works. He has also scored many documentaries including the award-winning series’ MOST DECORATED, BRUTE FORCE and WEAPONS OF WAR and has also contributed much music to other series’ like THE REAL WEST, CIVIL WAR JOURNALS and BIOGRAPHIES. His experience over the years has brought him to record over 22 film scores with internationally renowned orchestras such as THE ROYAL PHILHARMONIC ORCHESTRA, THE LONDON SYMPHONY and THE ROME PHILHARMONIC. He has also had his music recorded in Prague, Romania, Croatia and Munich.

For this new presentation of Richard Band’s score for THE PIT & THE PENDULUM, the music is presented on two CDs, newly remixed from the master tapes courtesy of engineer Matt LaPoint, with liner notes written by author and composer Brian Satterwhite, with the participation of the composer. The first disc is a representation of Band’s complete score as featured in the movie. The second disc is a collection of various alternate tracks, most of them isolated synth tracks without their orchestral or choral counterparts. The inclusion of these rare isolated synth tracks gives the listener the most comprehensive plunge into one of Richard Band’s greatest and more gratifying film scores of his career.

THE PIT & THE PENDULUM is a limited edition release of 500 units. THE PIT & THE PENDULUM is expected to begin shipping the week of November 7th, 2022. The first 50 copies ordered through the website will be autographed by the composer at no extra charge.

CD 1

1. The Crypt / The Whipping Of The Corpse (2:26)
2. The Pit And The Pendulum Main Title (3:58)
3. The Chase And Onslaught (2:33)
4. Auto Da Fe (2:35)
5. The Arrest Of Maria / Maria Is Searched (2:48)
6. Torquemada's Flogging / Antonio Searches Dungeon (3;40)
7. Esmeralda's Meadow Of Peace (1:32)
8. Torquemada Takes Maria / Maria Is Shown Chamber (2:36)
9. Antonio Battles The Guards / The Pope's Envoy (6:12)
10. The Rape of Maria (6:00)
11. Esmeralda Comforts Maria (1:41)
12. Maria's Burial / Esmeralda's Curse (5:19)
13. The Pit And The Pendulum(8:45)
14. Hidden Action (5:06)
15. Gordon’s Shop (2:25)
16. Maria Rises From The Crypt (5:19)
17. Resurrection And Finale And End (5:52)
Total Time CD 1: 68:47

CD 2
1. Auto Da Fe (2:36)
2. The Night Auto Da Fe / Esmeralda's Revenge (Album version) (2:36)
3. Antonio Battles The Guards (4:01)
4. Torquemada Cuts Out Maria's Tongue (2:23)
5. The Crypt / Main Title (No choir) (5:05)
6. The Chase And Onslaught / Auto Da Fe Again (4:51)
7. Esmeralda's Meadow Of Peace (1:32)
8. Antonio Battles The Guards (4:03)
9. The Rape of Maria (3:44)
10. Maria's Burial / Mendoza Sees Torquemada
By Maria's Crypt (2:25)
11. The End of Torquemada (4:35)
12. Resurrection And Finale (3:08)
13. Main Theme from The Pit And The Pendulum (2:48)
Total Time Part 2: 43:47
Total Running Time: 1:52:34

[Oliver79]

 

Bei Kadokawa ist ein Set zu dem japanischen SF-Film Segoku jietai * Time Slip (1979) mit Sonny Chiba erschienen. Zum umfangreichen Bonusmaterial zählt auch eine CD mit dem Score von Kentaro Haneda.

Zitat

In commemoration of the first anniversary of the death of Shinichi Chiba, who played the lead role of Yoshiaki Iba and was also the action director of this film, "Sengoku Jieitai" (aka "Time Slip", "I Want To") is now available on 4K Digital Restoration Ultra HD Blu-ray [HDR Version]!

* The original motion picture score from"Sengoku Jieitai" is included on CD for the first time!
6mm sound source that was said not to exist until now has been unearthed! In the past, a collection of image songs was released as the "Sengoku Jieitai" soundtrack (1979 LP, 1995 CD *currently out of print), but this time, the remastered 6mm play accompaniment that was unearthed has been released on CD for the first time!

* First time the original audio from the theatrical release is included!
In addition to the original 4-channel stereo sound, monaural sound and dubbed sound produced for overseas release are included for the first time!
* For those films with 5.1ch sound, Dolby Atmos conversion has been reconverted.
In this film, the 5.1ch remix sound source supervised by Fumio Hashimoto, a recording engineer, was converted to Dolby Atmos when it was released on DVD in 2005!
* Remastered in Dolby Vision!
UHD-BD is a triple-layer disc (100GB) in order to record the ultimate picture quality.
The original trailer and special features are also converted to 4KHDR and recorded in UHD.

* Sengoku Jieitai" Complete Document Collection is included!
The "Sengoku Jieitai" Complete Documentation Collection, consisting of newly discovered stills and interviews with related parties, is included in the package.

* "SENGOKU JIEITAI" with overseas version (English dubbing) selection playback function!
When the newly discovered English dubbed audio is selected, playback switches to the overseas version (English opening title and English ending roll), allowing you to watch the international version for export! In addition, Japanese subtitles can be selected for the English audio.

Release Date: 2022.10.28(限定盤)