Veröffentlichung Kurz & knapp: Sammelthread für "kleine" Veröffentlichungen

[Oliver79]

Bei Incunabulum Records ist Jozef van Wissems Neukomposition für F.W. Murnaus Nosferatu, eine Symphonie des Grauens auf CD und LP erschienen.

Zitat

Jozef van Wissem – Lute, Electronics, Beats, Electric Guitar, Found Bird Sounds

I was commissioned by Cinémathèque Française in Paris to compose the soundtrack to the restored original version of the “Nosferatu” film (1922). When I was writing the score I found a Dutch double 7 inch record with sounds of extinct birds on the streets of Rotterdam. I manipulated these found bird sounds by using electronics and added them to the score. “Beginning with a lute solo, his soundtrack incorporates electric guitar and distorted recordings of extinct birds, graduating from subtlety to gothic horror.” My soundtrack goes from silence to noise over the course of 90 minutes, he said, culminating in “dense, slow death metal.” The New York Times

 

[Alexander Grodzinski]

Und auch hier auf Vinyl von Quartet, Hable con ella (Talk to her).

Zitat

Quartet Records and El Deseo present the 20^th anniversary premiere vinyl release of Alberto Iglesias’ warm and passionate score for Pedro Almodóvar’s unforgettable film HABLE CON ELLA (aka TALK TO HER), Oscar winner for Best Original Screenplay in 2002. It was their fourth film together.

Alberto Iglesias’ romantic, emotional, highly inspired and moving score features echoes of Spanish flavor imbued with melancholy. The original CD edition released in 2002 was a big success, selling more than 500,000 units just in France and becoming a classic. But it has never been released in vinyl before.

To celebrate its 20^th anniversary, this 2-LP Quartet edition, newly remastered from the original master tapes by the original sound engineer, José Luis Crespo, has been pressed in red and blue audiophile 180 GM vinyl, and is presented in a gatefold jacket.

DISC 1

SIDE A

1. Sabana Santa (1:04)
2. Hable con ella (5:18)
3. El grito (3:29)
4. La mesita de noche (1:45)
5. Jordania (2:52)

SIDE B

1. El amante menguante (8:28)
2. Maria Santísima de Araceli (2:12)
3. La noche y el viento (1:11)
4. Trincheras / Decadance (3:29)

DISC 2

SIDE C

1. Cucurrucú Paloma. Caetano Veloso (3:51)
2. Habitación de Alicia (1:51)
3. A Portagayola (1:48)
4. La discusión viaja en coche (3:45)
5. Alicia vive (2:46)
6. Los olivos (1:14)

SIDE D

1. The Plaint: O let me Weep, for ever Weep. Henry Purcell (7:53)
2. Amanecer Agitato (1:58)
3. Soy Marco (2:21)
4. Raquel. Bau (4:12)

 

[Oliver79]

Von Milan Records kommt eine CD von Anne-Sophie Versnaeyens Musik zu Nicolas Bedos' Gaunerkomödie Mascarade mit Pierre Niney, Isabelle Adjani, Francois Cluzet und Marina Vacth in den Hauptrollen.

Zitat

Présentée à Cannes, la nouvelle comédie dramatique de Nicolas Bedos "Mascarade" réunit un casting prestigieux : Pierre Niney, Isabelle Adjani ou encore François Cluzet. Pour la musique de ce film, Nicolas Bedos s’est une fois de plus tourné vers Anne-Sophie Versnaeyen, après le succès public et critique de "La Belle Epoque" (2019) ainsi que du dernier "OSS 117 : Alerte rouge en Afrique noire" (2021). La talentueuse compositrice nous offre une sublime partition subtile où le romantisme se fait l'echo de thèmes plus sombres.

Connue pour ses sublimes morceaux en piano, Anne-Sophie Versnaeyen a souhaité s’entourer cette fois-ci de la violoniste soliste Sarah Nemtanu, du violoncelliste Gregoire Korniluk et du pianiste Julien Carton pour composer cette sensationnelle Bande Originale.

On y retrouve de magnifiques valses, des ballades émouvantes ainsi que des morceaux ou se répondent piano et violoncelle qui accompagnent avec perfection le quatrième long métrage de Nicolas Bedos.

Une musique poignante, sentimentale, touchante mais aussi entraînante qui n’est pas sans rappeler la BO de Jóhann Jóhannsson « The Theory of everything »

 

[yakuza]

Am 10.9.2022 um 14:24 schrieb Oliver79:

Am 2. November von Cinema-Kan: Ein 3-CD-Set mit den vollständigen Scores zu Hanzo the Razor: Sword of Justice (Kunihiko Murai), Hanzo the Razor: The Snare (Isao Tomita) und Hanzo the Razor: Who's Got the Gold (Hideaki Sakurai).

 

http://www.cinemakan.com/catalog/cink143

Bin durch den Hinweis hier aufmerksam geworden und habe mir zunächst die Filme angeschaut. Puh, ich hab' schon viel gesehen - aber japanischen Samurai-Trash kannte ich noch nicht. Eine recht bizarre Filmreihe um einen rechtschaffenden Samurai (Shintarō Katsu), der sich gegen die Korruption im Polizeiapparat auflehnt und gegen Kriminelle auch in höheren Schichten auf eigene Faust vorgeht. Faust trifft es nicht so richtig, ja, er hat auch ein Schwert, aber seine wirkungsvollste Waffe trägt er zwischen den Beinen: Hanzo ist gut bestückt und setzt sein Gemächt mit Vorliebe im Verhör ein...bis er eine befriedigende Antwort erhält. Die Storys sind ansonsten recht dünn und lösen sich nicht immer verstehbar auf, es gibt die typischen "spritzigen" japanischen Blutorgien, einen interessanten Cast (toll hysterisch: Hanzo's aalglatter und windiger Vorgesetzter (Kô Nishimura); schön, dass es in den Folgefilmen jeweils ein Wiedersehen mit Freunden und Feinden von Hanzo gibt) - aber vor allem die Musik sticht heraus: die Handlung spielt zur Edo-Zeit in Japan (so um 1700), untermalt wird das Ganze aber mit Funky-Soul, Disco und Electro-Klängen. Das kommt im Film noch besser rüber (passt mit sleazigen Nummern und gehauchten Frauenchören wunderbar zu den unüblichen Sexszenen) als für sich alleine auf CD.

Das 3er-Set ist liebevoll gemacht mit einem hübschen Booklet, musikalisch haben mir Teil 1 und 3 mit Philly-Sound (Teil 1 von Kunihiko Murai) und brass-lastigem Hauptthema (Teil 3 von Hideaki Sakurai) am besten gefallen. Aber insgesamt gibt es zu wenig einprägsame Melodien für 3 CD's (immerhin rund 80€), eine CD für alle Filme zusammen hätte es auch getan. Klanglich alles top.

 

Ich bin den Mitgliedern des Boards immer wieder dankbar für schon so viele interessante Tipps - Hanzo sollte man auf jeden Fall mal in Augenschein nehmen

Bearbeitet 6. November 2022 von yakuza
falsche Rubrik

[Stefan Jania]

Von Backlot kam Ende letzter Woche der kleine und hübsche Gitarren-lastige Score von Christopher Spelman zu Armageddon Time. Nur knapp 14 Minuten lang. Ich kannte von Spelman bisher nur seinen Score zu The Lost City Of Z, den ich auch sehr gelungen fand.

 

[TheRealNeo]

Danke für den Hinweis!
Dann arbeitet der Rest des Films wohl mit Songs oder klassischen Stücken.

[Oliver79]

Neben dem bereits in einem anderen Thread erwähnten Reissue des Hill/Spencer-Titels von De Angelis, bringen Beat Records am 10. November auch eine Neuauflage von Ennio Morricones Scores für die beiden Provvidenza-Filme (der zweite Teil co-komponiert mit Bruno Nicolai).

Zitat

Beat Records is glad to propose again on CD the brilliant music by Ennio Morricone for LA VITA, A VOLTE, È MOLTO DURA, VERO PROVVIDENZA? directed in 1972 by Giulio Petroni and by Ennio Morricone and Bruno Nicolai for CI RISIAMO, VERO PROVVIDENZA? directed in 1973 by Alberto De Martino, two comic westerns starring the legendary Tomas Milian.

For Provvidenza's first adventure, Ennio Morricone composed a cheerful and brilliant score in which a recurring piece of religious/folk flavor emerges for female choir, with pop rhythms and tubular bells. A truly varied OST with suspense music, saloon pieces for piano, a romantic orchestral love theme, Indian music with sitar and a piece that winks at Rossini's Figaro. For the sequel, the varied soundtrack bears the signature of both Ennio Morricone and Bruno Nicolai (who'd previously worked with director De Martino on the films ''Dalle Ardenne all'inferno," ''OK Connery," ''Roma come Chicago'' and ''L'anticristo''). The prestigious duo composed a comic main theme with pop rhythms and choir alternating with square dance music, the delicate love theme ''Bocca a bocca'', saloon pieces, baroque pop music, Asian atmospheres and a great orchestral Can-Can. This long-running CD (76:45), derived from the stereo masters of the original sessions, will transport the listener to the torrid lands of the West in the company of Provvidenza, the funny, kind-hearted character who mocks Charlot with pleasant background music by Ennio Morricone and Bruno Nicolai.

 

[Oliver79]

Bei Alpha Classics ist eine CD mit Guillaume Roussels Musik für das französische Drama Couleurs de l'incendie erschienen.

 

[Stefan Jania]

Wirklich schöne Musik von Jeff und Mychael Danna zum neuen Netflix-Animation-Film My Father's Dragon. Toller Titel-Song, gesungen von Anohni.

 

[Stefan Jania]

Von Milan gibt es Ryuichi Sakamotos Musik zur Netflix-Serie Exception. Schon seit einem Monat draußen. Gibt es als kürzere CD-Version (27 Tracks) oder über zwei Stunden digital (58 Tracks). 

 

[Oliver79]

Bei Soundtrack Pub erscheint am 23.11. ein Doppelalbum mit Yusuke Hommas Kompositionen für die japanischen Kiddie-Shows Omoikkiri Tanteidan Hakurakugumi und Jaman Tanteidan Makonigumi.

Zitat

The first soundtrack album that contains the music (BGM) from the TV drama "Toei Fushigi Comedy Series" for children broadcasted in the 80's and 90's!
The theme song and music (BGM) of the 1987 broadcast "Omoikkiri Tanteidan Hakunugumi" and the 1988 broadcast "Jaman Tanteidan Maringumi" were compiled into two CDs.

The music is in charge of Yusuke Homma, who works on the popular drama "Ninzaburo Furuhata" and the anime "Fushigi Yugi". A variety of music supported a variety of episodes, such as the mysterious songs that flowed in the appearance scenes of Kaijin Matenro and Kaito Jigoma, light songs and humorous songs that liven up the activities of the detective group.

This album contains the BGM created for both works (all songs except for some unused takes and extra songs). The newly recorded version of "Shino's Counting Song" used in the 25th episode of "Omoikkiri Tanteidan Haakudougumi" and the "Princess Tanuki Theme" used in the 44th episode were recorded separately from the regular music. Extra music was recorded as much as possible. Includes TV size and record size of the opening and ending theme songs!

*Because we are using an old sound source, there are parts that are difficult to listen to, but please understand.

 

[Stefan Jania]

Ein zweiter sehr schöner Score von Abel Korzeniowski kam gerade von Spitfire Music: EMILY. So hat Korzeniowski jetzt auch sein Wuthering Heights.

 

[Stefan Jania]

Mit Colin Stetson konnte ich mich bisher nicht so richtig anfreunden. Viel Sounddesign. Colour Out Of Space hat bei mir etliche Durchläufe gebraucht, bis ich den Score heute wirklich mag. Ende der Woche kommt sein Score zu The Menu als 40-Minuten Fassung von Milan. Als FYC gibt es ihn schon mit 90 Minuten auf der Searchlight-Seite (s.u.). Der Score ist nun anders. Hat auch einiges an "Stetson-Sounddesign", aber auch viel "Klein-Orchestral" Hörenswertes. Bin auf die Milan-Fassung gespannt. 90 Minuten sind für den Score echt zu lang.

https://www.searchlightpictures.com/fyc/film/menu/soundtrack/

 

[Oliver79]

Bei Plaza Mayor Company Ltd ist eine CD mit Raf Keunens Musik für den italienischen Horrorfilm Flowing aka Piovre  auf CD und digital erschienen.

 

[Stefan Jania]

Für Freunde von 90'er Thriller-Musik. Von Paramount kam gerade erstmals Normand Corbeils (1956-2013) Score zu DOUBLE JEOPARDY aus dem Jahre 1999. Seinen Namen auf dem Cover hätte Paramount aber doch wenigstens richtig schreiben können. ?

 

[scorefun]

vor einer Stunde schrieb Neuanfang:

Für Freunde von 90'er Thriller-Musik. Von Paramount kam gerade erstmals Normand Corbeils (1956-2013) Score zu DOUBLE JEOPARDY aus dem Jahre 1999

Ich mag den Film

[Stefan Jania]

Digital von Backlot und auf CD von Intrada: Mark McKenzies PRANCER: A CHRISTMAS TALE. Rein Synth. Zwar nett, aber belanglos. Gibt bessere Weihnachtsscores. ? Sein eigener BLIZZARD, zum Beispiel.

[Stefan Jania]

Von Neflix gibt es seit letzter Woche Pinar Topraks SLUMBERLAND. Ein völlig over-the-top Jungendfilm mit tollen Effekten und einer wirklich bezaubernden Marlow Barkley. Die Musik ist auch passend over-the-top. Nicht schlecht, aber kein Album, auf das ich oft zurückkommen werde. Ist mir zu hektisch. Mit Ausnahme des schönen Hauptthemas, das sich in Track 24 ("Nemo & Dad Reunite") und Track 26 ("Slumberland") hübsch entfaltet. Die beiden Tracks wären auch meine Anspieltipps.

 

[Oliver79]

Howlin' Wolf Records haben auch in diesem Jahr wieder einen Score zu einem weihnachtlichen Horrorfilm veröffentlicht: Deathcember mit Beiträgen von Andrew Scott Bell und einer Horde weiterer Komponisten, welche die Musik zu den einzelnen Episoden dieses Anthologiefilms beisteuerten.

Zitat

Howlin' Wolf Records is excited to present DEATHCEMBER, a holiday-themed horror anthology series soundtrack, with an international ensemble of renowned composers, directors, and actors. Produced by Dominic Saxl, Ivo Scheloske, and Frank Vogt, DEATHCEMBER brings to life a feature-length advent calendar - each door a portal to terror and demented holiday fun! So, will you dare to open the door?

The DEATHCEMBER "Main Theme" and "Suite" are composed by award-winning composer Andrew Scott Bell, performed by the Budapest Scoring Orchestra with Péter Illényi conducting, featuring oboe soloist Judit Borzsonyi, and clarinet soloist Gyorgy Ree. The melodic and sweeping opening theme adds the perfect sense of enchantment and wonder for the advent season. In addition, Andrew Scott Bell composes the transition suites that wind through the score like a snake in the guise of holiday ribbon. Segment scores are a brilliant mix of amazing international talent from Belgium, Canada, Germany, Serbia, UK, and USA. among others, showcasing the talents of composers Andrew Scott Bell, Stephan Nicolas, Nemanja Mosurovic, Jeffrey Peter Mayhew, The NightStalker, Michael Kaufmann, Eduardo Daniel Victoria, Steffen Britzke, Dag Lerner, Nikola Nikita Jeremic, Medhat Hanbali, Erik Lutz, Peter Litvin, Dirk Steffan Buro, and Michael Kohlbecker.

The DEATHCEMBER soundtrack comes with a 32-page booklet including a foreword by producers Dominic Saxl, Ivo Scheloske, and Frank Vogt along with a note from segment director Sam Wineman about his friend and collaborator, Andrew Scott Bell. In addition, the booklet features notes by composers Stephan Nicolas, Jeffrey Peter Mayhew, Michael Kaufmann, Eduardo Daniel Victoria, Nikola Nikita Jeremic, Medhat Hanbali, and Dirk Steffan Buro, all beautifully packaged in a jewel case with exquisite artwork by Adrian Keindorf (booklet cover), Flavio Greco Paglia (booklet back), and art direction and designs by the magnificent Luis Miguel Rojas.

 

[Oliver79]

Kadowaka neues 4K-HD-Set des japanischen Thrillers  The Beast to Die (1980) enthält als Bonus eine CD mit dem Score von Akihiko Takashima.

Zitat

A set of a 4K UltraHD Blu-ray and Blu-ray for the film "YAJU SHISUBESHI (THE BEAST TO DIE)." Comes with a photo book (A4 soft cover/100 pages) and an original soundtrack CD. The world premiere CD release of the remastered 6mm theatrical soundtrack of this film!

Special Feature: TV spots, promotional clips, "ME (Music & Effect) Audio" (24bit/96kHz), audio commentary
 

 

[Oliver79]

Vielleicht für Jürgen von Interesse: Columbia Japan haben ein Album mit Harumi Fuukis Musik für die TV-Serie Maiagare! veröffentlicht.

Zitat

MAIAGARE! NHK Renzoku TV Shosetsu in 2022 is an original work set in the manufacturing town of Higashi-Osaka and the nature-rich Goto Islands in Nagasaki, depicting the heroine Mai Iwakura (Haruka Fukuhara), who never gives up looking up at the sky and flying, despite being tossed about by various difficulties.
Harumi Fuuki who composed music for this TV drama, actually traveled to the Goto Islands to weave a heartwarming melody with sounds inspired by airplanes and the Goto Islands. The main theme as well as the emotional songs that accompany the characters are also worth listening to. Please enjoy the musical world of MAIAGARE!.
 

 

[JuergenH]

Bin noch unschlüssig, Hörproben gibt es hier:

https://www.neowing.co.jp/product/COCP-41897/track?from_cdj=1

 

[Oliver79]

Das ist durchaus hübsch, allerdings habe ich noch nicht die Beispiel in deinem Thread hineingehört, kann das alles so nicht einordnen. Aber wenn man das mit dem doch zumeist öden Gedudel aktueller amerikanischer TV-Serien vergleicht...

[Oliver79]

Anlässlich des 75. Jubiläums des polnischen Studios für Animationsfilm haben GAD Records gleich vier Alben mit Musik aus dessen Produktionen veröffentlicht:

Bolek i Lolek na Dzikim Zachodzie - Marek Wilczynski & Andrzej Korzynski

Zitat

In 1986, Bolek and Lolek set out to conquer the Wild West with a full-length feature. The film, based on the 1972 TV series, was very different from the original. Even with brand new music. Absolutely unique.

Marek Wilczyński, a composer who has been collaborating with the Animated Film Studio since the mid-1970s, is a separate artist. Phenomenon. Ones that would be difficult to compare with any other composer in Poland or abroad. He played in Krakow's Zdrój Jana, studied musicology at the Jagiellonian University and explored the secrets of electronic music under the watchful eye of Józef Patkowski, the founder of the Polish Radio Experimental Studio. At the same time, he took part in jazz workshops in Chodzież and dazzled his imagination in illustrating animated films. The music for "Bolek and Lolek in the Wild West" is a surprising marriage of various influences. On the one hand, the country style is present here almost all the time, although it is broken in various ways - with synthesizer interventions and playing with tape speeds, and with references to flamenco. The composer skilfully combined the sounds of analog Moog or Korg instruments with the live sounds of percussion and guitars. In this way, he created intriguing, interesting textures, which can be heard e.g. in the dreamy "Little Town I", the melancholy "Return of the Sheriff" and the majestic "Prairie".

Marek Wilczyński's original music was complemented by several songs written by Andrzej Korzyński and arranged in a style halfway between "Akademia Pana Kleks" and Frank Kimono. Some of them were sung by Piotr Fronczewski (who plays the villain Jimmy Pif-Paf in the film).

All recordings from the film "Bolek and Lolek in the Wild West" have been remastered from the original tapes from the sound archive of the Cartoon Film Studio. The booklet contains a text about the film and its creators, as well as frames from individual episodes. The release is part of a whole series of CDs prepared by Studio Filmów Rysunkowych and GAD Records on the occasion of the Studio's 75th anniversary.

Pampalini łowca zwierząt - Antoni Mleczko

Zitat

Pampalini. Officially, an animal hunter. Unofficially - the worst, but also the funniest animal hunter in history. The hero of thirteen animated films that still entertain generations to this day. His adventures draw you in thanks to a story full of humor, excellent animation, but also memorable music by Antoni Mleczka.

A charming series of films, invented by Bronisław Zeman and produced by the Animated Film Studio in Bielsko-Biała in the years 1975-80, still entertains and laughs today. But it also surprises with a complex and colorful musical layer, prepared by the Krakow composer, Antoni Mleczka. On the one hand, his music can be extremely fun, free and full of joyful themes, reminiscent of the achievements of Herb Alpert and Tijuana Brass, or Sergio Mendes, or referring to oriental or even country music. On the other hand, it still surprises with its arrangements: live percussion is complemented by a drum machine, Hammond organ introduces a jazz mood, and the combination of vibraphone and acoustic guitar sounds like the late achievements of the Gong band. The whole makes up an extremely colorful whole, going far beyond the purely utilitarian role of illustrative music. In 1988, the montage film “Oh! Pampalini!!!", in which connectors were added to the original episodes. On this occasion, Antoni Mleczko prepared two successful, subtle and (again!) themes bordering on Latin rhythms. Everything was sung - in one take, instantly and perfectly, as always - by Andrzej Zaucha.

All preserved recordings from the TV series "Pampalini the Animal Hunter" and songs from "Oh! Pampaline!!!” were remastered from the original tapes from the Cartoon Film Studio sound archive. The booklet contains text about the series and music as well as stills from individual episodes. The release is part of a whole series of CDs prepared by Studio Filmów Rysunkowych and GAD Records on the occasion of the Studio's 75th anniversary.

Mini - Polish Animated Shorts - Komeda, Kawka, Parzynski, Kocyba

Zitat

Airy vocals. Crazy races of trumpets and saxophones. Hypnotic rhythms. In other words: jazz musicians began illustrating animated films in the second half of the 1960s. This unique, little-known and thrilling fragment of the history of the Animated Film Studio in Bielsko-Biała has now been documented on CD.

In the 1960s, the Animated Film Studio not only produced series for children, but was also very active in the field of artistic animation, aimed mainly at adults. At that time, the company collaborated with Mirosław Kijowicz or Bronisław Zeman, starting his long-term adventure with Bielsko. Renowned composers and performers, also from the world of jazz, were invited to create individual productions. "mini. Polish Animated Shorts 1966-69” collects these jazz adventures in the world of animation. The program of the album includes Krzysztof Komeda's iconic music for "Ronda" by Mirosław Kijowicz (for the first time in the full version, as music alone, without sound effects) and previously unreleased soundtracks by Adam Sławiński, Tadeusz Kocyba and members of Novi Singers - Bernard Kawka and Waldemar Parzynski (recorded with the participation of their parent band). It is an extremely colorful journey into the world of syncopated rhythms, interesting arrangements and atmospheric solo parts.

All the recordings have been remastered from the original tapes from the sound archive of the Cartoon Film Studio. The booklet contains an extensive text by Andrzej Winiszewski and stills from films. The release is part of a whole series of CDs prepared by Studio Filmów Rysunkowych and GAD Records on the occasion of the Studio's 75th anniversary.

The Best Of Studio Filmów Rysunkowych - various artists

Zitat

The essence of childhood for many generations and much more. The most famous themes from the headlines of cartoons ("Bolek and Lolek", "Reksio", "Kidnapping Baltazar Gąbka"), but also less known motifs from individual animations - both those for children ("Kuba, Jakub's friend") and adults ("Rondo", "Mini"). Orchestras, jazz, electronics and the obligatory stamp made by Reksio.

Cartoon Film Studio was established in 1947. For decades, they were co-created by, among others, Lechosław Marszałek, Władysław Nehrebecki, Leszek Lorek, Alfred Ledwig and Bronisław Zeman, making both extremely popular series of films for children, as well as original, artistic projects, also aimed at an adult viewer. Formal courage and extraordinary ingenuity also translated into music composed for individual productions. The 41 tracks selected for the album "The Best Of..." are just a small part of the Studio's rich sound history - from the oldest surviving theme by Tadeusz Kański from 1957 ("About a bird that did not want to sing") to music written by composers invited from outside (including (e.g. Krzysztof Komeda, Waldemar Parzyński, Andrzej Korzyński or Jan Kanty Pawluśkiewicz).

All the recordings have been remastered from the original tapes from the sound archive of the Cartoon Film Studio. In the booklet, apart from full discographic information and frames from fairy tales, there is a text by Grzegorz Brzozowicz. The release is part of a whole series of CDs prepared by Studio Filmów Rysunkowych and GAD Records on the occasion of the Studio's 75th anniversary.

 

[ronin1975]

Neue junge, unbekannte (und schwarze) Komponistin am Start mit DEVOTION, ein WW2 Fliegerfilm.

sehr schön und viel rousing Action, wie man das halt für so einen Ami-Helden-Film erwartet. Sicher nicht neu, bisschen Zimmer, bisschen 90er… aber gefällt sehr. Kann man sich merken die Dame!