Veröffentlichung Kurz & knapp: Sammelthread für "kleine" Veröffentlichungen

[Oliver79]

Am 22. Februar veröffentlichen Cinema-Kan ein 6-CD-Set mit Toshiyuki Watanabes Scores für die Mothra-Trilogie aus den 1990er Jahren.

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Fight to protect! The soundtrack of the Heisei "Mothra" trilogy, which started in 1996, has been made into a complete box with a large volume of 6 UHQ-CDs!

After the end of the Godzilla series, the trilogy of love and hope that reappeared as a monster for a new generation "Mothra"
, "Mothra 2 Great Battle at the Bottom of the Sea", "Mothra 3 King Ghidorah Invasion", commonly known as the Heisei Mothra trilogy, Reappeared in the latest remastering of the Japanese era! !
This trilogy is a masterpiece of Toshiyuki Watanabe, who is famous for works such as the anime "Ginga Hyoryu Vifam", "Shinkansen Henkei Robo Shinkalion", and the historical dramas "Motonari Mouri" and "Toshiie Tomatsu". It was never reissued.
It was the music of each work that was difficult to obtain while boasting high popularity, but this time it was decided to commercialize it as a box that summarizes the trilogy. The sound source is the latest digital remastering for all songs, and a UHQCD press is used for even higher sound quality. The guardian deity of the beautiful stars, which has undergone a miraculous makeover with the theme song recorded, is back here.

 

 

[ronin1975]

THE WANDERING EARTH 2: Zur Fortsetzung des 6. erfolgreichsten Films weltweit is wieder Roc Chen dabei. Greift natürlich vieles aus dem ersten Score auf (der kurioserweise jetzt weg is von Spotify). Das Thema wird schön wiederholt. Und gibt einen irre lustigen Tracktitel… da war wohl wer frustriert 🤣

Film konnte ich hier in London im Kino sehen und fand den super und weit besser als den ersten Teil. Die ersten 30min sind der Hammer und die ‚Space Elevator‘ Szene echt megastark… derlei Rasanz und Finesse erreicht der 3h Film danach nicht mehr, aber die Begeisterung über dieses Intro hält lange an…

 

[bimbamdingdong]

vor 16 Stunden schrieb ronin1975:

Zur Fortsetzung des 6. erfolgreichsten Films weltweit

Der 6.erfolgreichste Film weltweit ist „Avengers Infinity War“!

 

[Alexander Grodzinski]

vor 14 Minuten schrieb bimbamdingdong:

Der 6.erfolgreichste Film weltweit ist „Avengers Infinity War“!

 

Kommt auf die Liste an. Viele dieser Listen sind weder inflationsbereinigt, noch zeigen sie alle Filme (auch die außerhalb des US-Marktes) an. Viele Filme in China sind alleine schon aufgrund der Größe des Landes und der Bevölkerungszahl mindestens so erfolgreich wie die US-Filme, tauchen in diesen Listen aber meist eben nicht auf.

[JuergenH]

vor 20 Stunden schrieb ronin1975:

[...]Und gibt einen irre lustigen Tracktitel… da war wohl wer frustriert 🤣 [...]

…

 

 

 

Musik + Film kenne ich nicht  - aber ja, der eine Trackname ist richtig klasse  🤭

 

 

 

[Oliver79]

Und die ersten Titel 2023er Titel von Dragon's Domain:  'Craig Safan Horror Macabre Vol 2' mit Safans Musik zu dem Episodenfilm Nightmares (1983) und der True-Crime-Miniserie Seduced by Madness: The Diane Borchardt Story (1996) und 'Chuck Cirino: Erotic Thrillers Vol. 1' mit Sins of Desire (1993) und Haunting Fear (1990).

Außerdem erscheint bei Buysoundtrax Records noch die CD-Premiere von W. Michael Lewis und Mark Lindsays Shogun Assassin (1980)

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Dragon’s Domain Records presents CRAIG SAFAN: HORROR MACABRE VOLUME 2, featuring music composed by Craig Safan for two projects from his extensive filmography. CRAIG SAFAN: HORROR MACABRE VOLUME 2 includes music from NIGHTMARES, the 1983 horror anthology, along with SEDUCED BY MADNESS: THE DIANE BORCHARDT STORY, a 1996 television film.

Released in 1983, NIGHTMARES had its origins in a short-lived weekly television series titled DARKROOM on ABC hosted by James Coburn in which two horrific tales unfolded back-to-back within its hour-long time slot. The show was conceived in the vein of other short horror-thriller programs such as ALFRED HITCHCOCK PRESENTS, THE TWILIGHT ZONE, THRILLER, THE OUTER LIMITS, and NIGHT GALLERY.

In the year following the success of DARKROOM, rival network NBC moved to capitalize on anthology storytelling by commissioning Christopher Crowe and Jeffrey Bloom, who had written and directed a handful of episodes of DARKROOM, to write four short scripts to be assembled into a two-hour unnamed pilot directed by Joseph Sargent. Bolstered by distinguished acting talent including Emilio Estevez, Lance Henriksen, Christina Raines, William Sanderson, Veronica Cartwright, and Richard Masur, the completed pilot demonstrated genuine potential for the network. However, there was a small problem. The executives at NBC deemed the episodes too intense for television audiences. The television pilot was summarily scrapped in favor of resurrecting the anthology as a theatrical motion picture called NIGHTMARES released by Universal Pictures.

The music for NIGHTMARES was composed by Craig Safan, who had also composed most of the episodic music for DARKROOM. Safan had already made a name for himself scoring THE GREAT TEXAS DYNAMITE CHASE and FADE TO BLACK and would further his career by authoring beloved scores for THE LAST STARFIGHTER, REMO WILLIAMS: THE ADVENTURE BEGINS, THE LEGEND OF BILLIE JEAN and all two-hundred and seventy-one episodes of the hit television series CHEERS. Safan had just come off a particularly heartbreaking project when his entire score for WOLFEN was rejected and replaced by a score from another composer. Safan’s music for NIGHTMARES is a calculated blend of aleatoric orchestral music coupled with a heavy dose of synthesizers during one of the film’s most memorable segments.

SEDUCED BY MADNESS aired on the NBC network in 1996, presented in two episodes and starred the legendary Ann-Margret along with Peter Coyote, Leslie Hope, Christian Campbell, Hedy Burress, Tobey Maguire, Freddy Rodriguez, Cliff De Young, Dean Norris, Tomas Arana and Kurt Fuller. Ann-Margret plays Diane Kay Borchardt, a Wisconsin teacher’s aide convicted of hiring her students to spy on and eventually kill her estranged husband. SEDUCED BY MADNESS dramatizes the events leading to Borchardt’s conviction, life in prison without the possibility of parole until she has served forty-five years in prison. For SEDUCED BY MADNESS, Safan composed a chamber score—comprised primarily of strings, winds, and percussion.

Emmy-nominated and eight-time ASCAP award-winning composer Craig Safan has scored more than one hundred feature films, television and documentaries, has had more than 50 soundtrack albums of his music produced, as well as having three original albums of his own impressionistic music released. He’s been commissioned to compose for ballet as well as for live performance of silent films and was given the Poledouris Film Music Legend Award at the 2014 International Film Music Festival in Cordoba, Spain.

Dragon’s Domain Records presents CRAIG SAFAN: HORROR MACABRE VOLUME 2, featuring the premiere release of his music for NIGHTMARES and SEDUCED BY MADNESS: THE DIANE BORCHARDT STORY on compact disc, featuring Craig Safan’s music mastered by James Nelson of Digital Outland. The booklet contains liner notes written by author and composer Brian Satterwhite and includes comments from the composer.

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Dragon’s Domain Records, to be distributed through buysoundtrax.com, presents CHUCK CIRINO’S EROTIC THRILLERS, featuring music composed by Chuck Cirino (CHOPPING MALL, NOT OF THIS EARTH, DEATHSTALKER II and RETURN OF SWAMP THING ) for two films from his filmography, SINS OF DESIRE and HAUNTING FEAR.

The success of BASIC INSTINCT in 1992 saw an incredible boom of like-minded erotic thrillers in the home video market. Released almost a year later, SINS OF DESIRE was directed by Jim Wynorski (CHOPPING MALL, NOT OF THIS EARTH, DEATHSTALKER II and RETURN OF SWAMP THING), written by Peter Liapis and Mark Thomas McGee, starring Gail Thackray, John Henry Richardson, Delia Sheppard, Tanya Roberts, Carrie Stevens, Nick Cassavetes, Jan-Michael Vincent, Becky LeBeau, Monique Parent and Ace Mask.

SINS OF DESIRE begins with Monica (Thackray), who is a patient of Dr. Callister (Richardson), a sex therapist. While she’s unconscious, Callister takes advantage of her and she panics, forcing him to kill her by accident. Callister and his wife, Jessica (Sheppard), also a doctor, bury Monica. Unknown to them, Monic was investigating their clinic for her boss, Mitchum (Cassavettes), a private detective. The Callisters hire a hitman (Vincent) to kill Mitchum. When he fails, they kill the hitman. After a former patient of Callister’s kills herself, her sister, Kay (Roberts) goes undercover as a nurse at the clinic to find out what happened. As Kay gets closer to the truth, she also gets closer to Mitchum.

Based on the classic Edgar Allan Poe story ‘Premature Burial’, HAUNTING FEAR was written and directed Fred Olen Ray, starring Brinke Steven, Jan-Michael Vincent, John Henry Richardson, Delia Sheppard, Karen Black, Robert Clarke, Robert Quarry, Michael Berryman and Hoke Howell. Released in 1990, the film follows Victoria (Stevens), who has an irrational fear of being buried alive. Victoria consults her doctor (Clarke) and is given medication to help her sleep but this only amplifies her fears. Unable to help her, Dr. Carlton refers her to another doctor, Harcourt (Black), who begins using hypnotism to deal with Victoria’s mental block. Victoria’s husband, Terry (Richardson) has been secretly having an affair with his secretary, Lisa (Sheppard) and has racked up some serious debt. Terry conceives of a plan to kill Victoria and use the inheritance to pay off his debt. Terry and Lisa decide to bury Victoria alive in order to scare her to death but their plan backfires and Victoria returns for some bloody vengeance.

Chuck Cirino did not start his career as a composer, but rather as a programmer in Stroudsburg, Pennsylvania for a Public Access cable TV station, where he learned how to create TV shows by himself, without a crew. In his spare time, he experimented with the station’s video equipment and created a series of genre productions that allowed him the opportunity to learn how to incorporate special effects into his work. After relocating to California, Cirino transitioned into directing high-end special effects television commercials. His first work as composer was for the 1980 cult film GYPSY ANGELS, which starred Vanna White and Richard Roundtree. Since then he has scored films for Roger Corman, directed music videos for bands like Earth, Wind & Fire and The Dickies’ KILLER KLOWNS FROM OUTER SPACE, and has recorded over 40 music soundtracks for feature films including SORCERESS, HARD TO DIE, TRANSYLVANIA TWIST, and many others. Most recently, he has scored A DOGGONE CHRISTMAS, A DOGGONE HOLLYWOOD and A DOGGONE ADVENTURE.

Chuck has worked as a producer, director, filmmaker, videographer, animator, special effects technician, editor, and composer. He executive produces and directs WEIRD TV, a television series featuring weird Americans, bizarre news, unbelievable events and outlandish skits. Chuck’s credits also include executive producer and director of the Sci Fi Channel projects, WORLDWIDE WEIRD and WARPED IN SPACE, and BABERELLAS, an independent Sci Fi feature distributed by Xenon Pictures.

Chuck also produced BURNING MAN 1994, the very first documentary on the subject. Chuck works and resides in Los Angeles with his wife, Flordilyn and a cat, Too Too. His spare time is spent growing an experimental back-yard, permaculture food forest.

Dragon’s Domain Records presents CHUCK CIRINO’S EROTIC THRILLERS, featuring music composed by Chuck Cirino for SINS OF DESIRE and HAUNTING FEAR, appearing for the first time on compact disc. The music has been mastered by James Nelson at Digital Outland and the liner notes have been written by noted author Randall Larson, with the participation of the composer.

CHUCK CIRINO’S EROTIC THRILLERS is a limited edition release of 500 units and is expected to begin shipping the week of February 6th, 2023. Composer Chuck Cirino will sign the first 50 copies of CHUCK CIRINO’S EROTIC THRILLERS sold through the website.

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BSX Records presents the original motion picture soundtrack to SHOGUN ASSASSIN, featuring music composed by W. Michael Lewis and Mark Lindsay for the 1980 film assembled with elements from the the Japanese film series LONE WOLF AND CUB, directed by Kenji Misumi and starring Tomisaburô Wakayama as Ogami Ittō. The LONE WOLF AND CUB series, which consisted of six Japanese martial arts films based on a long-running manga series, revolved around the Shōgun’s executioner Ogami Ittō, who, after being disgraced by false accusations from an opposing clan, is forced to take the path of assassin. Along with his three-year-old son, Daigorō, they seek revenge on the clan and become known as Lone Wolf and Cub.

The series was highly successful, prompting a 79-episode Japanese television series and in 1980, elements from the first two films, SWORD OF VENGEANCE and BABY CART AT THE RIVER STYX, were extracted and newly dubbed into the American film, SHOGUN ASSASSIN, co-produced and directed by Robert Houston for New World Pictures. The re-edited Japanese film was given a new score, composed by W. Michael Lewis and Mark Lindsay.

The score was recorded at Lindsay’s Wonderland Avenue studio in the Los Angeles Hills, where they jointly created the score. At that time, coming out of the ‘70s, there was a lot of progressive rock and New Wave music was just starting so Lewis and Lindsay used those ideas as the basic sounds for their SHOGUN ASSASSIN score.

Both W. Michael Lewis and Mark Lindsay began their careers with 1960s rock bands – Lindsay was the vocalist for Paul Revere and the Raiders, and Lewis was a keyboard player with Quicksilver Messenger Service from 1975-1979, among other bands previously. Lewis had moved into film scoring in 1978, beginning with the 1977-82 speculative TV series IN SEARCH OF… and he scored nearly a dozen films and series during the 1980s. After SHOGUN ASSASSIN, Lewis went on to score, with composer Lauren Rinder, the holiday slasher film NEW YEARS’ EVIL in 1980; he rejoined Mark Lindsay on the 1981 documentary THE KILLING OF AMERICA, then went on to compose a mix of orchestral and electronic music to Cannon Films’ ENTER THE NINJA, co-composed with Rinder and REVENGE OF THE NINJA with Rinder and Robert J. Walsh; music from those films was re-used in the third film, NINJA III: THE DOMINATION.

BSX Records presents the original motion picture soundtrack to SHOGUN ASSASSIN on compact disc for the first time, featuring music composed by W. Michael Lewis and Mark Lindsay. The music has been newly mastered by James Nelson at Digital Outland. The liner notes are written by noted author Randall D. Larson, with the participation of composer W. Michael Lewis. SHOGUN ASSASSIN is a limited edition release of 500 units and will ship on the week of February 6th, 2023.

 

[Souchak]

vor 16 Stunden schrieb Oliver79:

Und die ersten Titel 2023er Titel von Dragon's Domain:  'Craig Safan Horror Macabre Vol 2' mit Safans Musik zu dem Episodenfilm Nightmares (1983) und der True-Crime-Miniserie Seduced by Madness: The Diane Borchardt Story (1996) und 'Chuck Cirino: Erotic Thrillers Vol. 1' mit Sins of Desire (1993) und Haunting Fear (1990).

Was diese VÖ angeht, muss ich für mich noch etwas grübeln. Aber ich finde das Konzept - ein Kompilations-Album mit verschiedeneren kürzeren Arbeiten eines Komponisten - absolut top und würde mir das auch bei anderen Komponisten wünschen.

[Stese]

Eigentlich blöd, eine neue Score-CD zu bewerben, die bereits nach wenigen Tagen ausverkauft wurde. Naja, trotzdem neu erhältlich (gewesen):

TEENAGE MUTANT NINJA TURTLES III

Waxwork Records is thrilled to present TEENAGE MUTANT NINJA TURTLES PART III Original Motion Picture Score by composer John Du Prez. Released in 1993, the third film score installment of the original ninja turtles trilogy is finally available on CD for the first time ever and features new artwork by co-creator Kevin Eastman!

Taking place two years after the events of Secrets of the Ooze, our ninja turtle heroes Leonardo, Donatello, Michelangelo, and Raphael are transported back to feudal Japan by an ancient magical scepter. There they must rescue their friend April O’Neil and defeat the evil Lord Norinaga. 

As beloved comic characters and Saturday morning cartoon staples, the Teenage Mutant Ninja Turtles have become cultural icons. With this film, the Turtles cap off an action-packed trilogy with the same humor, heart, and martial-arts skills that fans have come to love. 

In collaboration with composer John Du Prez and original Teenage Mutant Ninja Turtles co-creator Kevin Eastman, Waxwork Records is proud to present the complete and official score to the 1993 action comedy for the first time ever on CD! Featuring new art by TMNT co-creator Kevin Eastman himself, this deluxe release is a must have for any turtle fan.

TEENAGE MUTANT NINJA TURTLES PART III Original Score Features:

• The Complete 1993 Film Score By John Du Prez
• New Artwork By TMNT Co-Creator Kevin Eastman

Vielleicht gibt es eine Nachpressung in ein paar Monaten, da Waxworks den Score zu Turtles 1 nun wieder lieferbar hat, dank Nachpressung. Wird aber die Zweite und Letzte Nachpressung sein, nach Anfrage bei Waxworks.

[hollow666]

Am 29.1.2023 um 23:29 schrieb Stese:

Eigentlich blöd, eine neue Score-CD zu bewerben, die bereits nach wenigen Tagen ausverkauft wurde. Naja, trotzdem neu erhältlich (gewesen):

TEENAGE MUTANT NINJA TURTLES III

Vielleicht gibt es eine Nachpressung in ein paar Monaten, da Waxworks den Score zu Turtles 1 nun wieder lieferbar hat, dank Nachpressung. Wird aber die Zweite und Letzte Nachpressung sein, nach Anfrage bei Waxworks.

Wo steht, dass der Score ausverkauft ist?

[Stese]

vor 11 Stunden schrieb hollow666:

Wo steht, dass der Score ausverkauft ist?

Aha, stand zumindest auf "Sold out" vor ein paar Tagen bei Waxworks. Aber sicherlich hatten die eine gewisse Menge im Backend des Shops eingetragen, die dann schnell weg waren und haben jetzt weitere Stückzahlen nachgetragen. Dann ist alles gut.

[Oliver79]

Von Soundtrack Magazine kommt am 3. März eine CD mit Peter Kams Musik für Johnnie Tos Throw Down (2004).

Zitat

THROW DOWN
Music by Peter Kam
Limited Edition of 1000 Units
Retail Price: $19.98

*NOTICE: This is a pre-order item, and it will be shipped on 3rd March.

Soundtrack Magazine proudly presents a limited edition, world-premiere CD release of composer Peter Kam’s (THE WARLORDS, DRAGON) original motion picture soundtrack to the 2004 award-winning action drama THROW DOWN, directed by Johnnie To (DRUG WAR, ELECTION). The first collaboration between To and Kam, the film tells the story about a group of dreamers and their friendship that centers around the art of judo. With his previous experience in pop music songwriting, Kam created a highly melodic and enjoyable score for the film. Additionally, the composition also has a number of segments that emphasize on the rhythm of the action as well as the solemnity of judo. But in the end, those elements of revenge and decadence are transformed into friendship, dreams, and hope through the music. The whole album is also structured around these rousing elements.

The album is edited under the supervision of composer Peter Kam. Director Johnnie To is also invited to write a special note on the collaboration for this release. The liner notes were written by QIU Yang, the writer and producer of Soundtrack Magazine, based on his interview with the composer.

This is a limited edition of 1000 units, with a pull-out dynamic cover and silver stamping numbering.

 

[Oliver79]

Von Beat Records gibt es in diesem Monat wieder drei Wiedergänger: Le foto proibite di una signora per bene und Space: 1999 von Ennio Morricone sowie Goblins Squadra antigangsters.

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Beat Records reissues a classic OST by Ennio Morricone for the Giallo film "Le foto proibite di una Signora per bene" (aka "The Forbidden Photos of a Lady Above Suspicion"), directed in 1971 by Luciano Ercoli starring Dagmar Lassander, Nieves Navarro, Simón Andreu, Pier Paolo Capponi, Osvaldo Genazzani and Salvador Huguet. Ennio Morricone composed a solid OST for a genre for which he had written many memorable scores. For this film he penned an orchestral score in which the crystal voice of Edda Dell'Orso intervenes as an additional instrument in the main theme "Le foto proibite di una Signora per bene," performed in a bossa nova tempo that opens and closes the CD. "Amore come dolore" is a romantic-mysterious theme with beat rhythms, contrasting with numerous dissonant themes and the tense atmosphere in which the female protagonist is immersed. Beat dance music is not lacking with themes much loved by fans such as "Allegretto per Signora," "Intermezzino pop" and "Secondo intermezzino pop," which have also been included in various lounge music compilations. For this CD we used the stereo master tapes from the original recording sessions, for a total running time of 55:34.

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Beat Records is proud to present the world premiere CD release of SPACE:1999, featuring the original motion picture soundtrack of the Italian theatrical version composed by two-time Oscar-winner Ennio Morricone.

SPACE: 1999 premiered in Italian theatres on January 14, 1975, and was created through the process of editing together three episodes from season one of the TV series: "Breakaway," "Ring Around the Moon" and "Another Time, Another Place."

The theatrical release of SPACE: 1999 predated the series' debut on Italian television by a year, with the first six episodes being broadcast from January 31, 1976. Six more episodes followed in July and the remaining twelve episodes in the fall of the same year.

The series' original iconic score was not used for the Italian theatrical version (the series originally premiered on British television on September 4, 1975), instead being replaced with a fascinating score by Ennio Morricone, who composed original material featuring frantic jazz themes and futuristic electronic sequences reminiscent of Barry Gray's work on UFO.

This release also includes avant-garde material by Morricone that was carefully selected as background music for various scenes in the movie, taken directly from the RCA promotional series of library vinyl LPs titled "Dimensioni Sonore," performed by symphonic orchestra and presented here in full stereo. Also included is the final large orchestral theme heard over the end credits, featuring vocals by Edda Dell'Orso and I Cantori Moderni di Alessandroni. This theme was reused for the 1979 mini-series Orient Express, again scored by Ennio Morricone.

The CD has a running time of 70:11 and comes with a full-color, 20-page booklet containing double cover, archive stills, a foreword from Fanderson chairman Nick Williams (the official Fanderson UK fan club) and plot synopses and credits for the three original episodes.

This release was officially approved by ITV Studios and will be available from September 13, 2016, the day in which the moon separated from Earth's orbit in SPACE: 1999 (also coming soon on double-LP from Death Waltz Recording Company!).

Mastering by Claudio Fuiano & Daniel Winkler, graphic layout by Daniele De Gemini.


- Beat Records

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Cinevox Record, in collaboration with Pick Up Records and Beat Records presents the CD featuring the OST of Squadra Antigangsters, composed by Goblin, 5th movie with Tomas Milian in the role of commissioner Nico Giraldi.

At the time speaking Cinevox released an album with 8 cues, included two songs singed by Asha Puthli that bring the listener into late 70s American discotheques. Goblin (Fabio Pignatelli, Claudio Simonetti, Agostino Marangolo and Carlo Pennisi) composed a brilliant OST, with different styles. This new edition on CD has been remastered and includes the original album program and the three bonus tracks already featured in the preceding version, booklet has been structured with a double cover featuring the two original posters of the movie.

Cinevox Record label Carlo Bagnolo, Digital remastering by Claudio Fuiano, Liner notes by Roberto Attanasio & Fabio Capuzzo, graphic deisgn by Daniele De Gemini.

 

[ronin1975]

The Whale - Rob Simonsen - A24 Records

Simonsen mag ich eigentlich immer gern, hatte den Score aber irgendwie übersehen bis ich gestern den Film gesehen hab. Film war unglaublich bewegend und schön, neben den Darstellern und allem eigentlich trug auch die Musik sehr dazu bei. Subtil die meiste Zeit, aber gerade gegen Ende wird sie auch laut und drückt auf volle Emotionen. Fand das echt toll im Film und auch zum reinen Anhören sehr sehr schön geworden. Seufz.

 

[Alexander Grodzinski]

Neu von Quartet, zweimal Morricone:

Quartet Records presents a remastered CD reissue of Ennio Morricone’s bizarre giallo score for the 1974 thriller L’ULTIMO UOMO DI SARA (aka SARAH’S LAST MAN).

Directed by actress Maria Virginia Onorato (in her only foray into feature film directing), the movie stars Oddo Bracci as Paolo Castellano, an artist who wants to investigate the death of his ex-wife Sara long after the police declare the case closed. Aided by Sara’s friend Anna (played by Rosemary Dexter), Paolo goes through the hours of footage shot by Sara on her camera, slowly realizing that the identity of the killer is captured on film and his identity might be one of the reasons why the police wants the case closed as soon as possible.

The CD opens with the title song, performed by singer Carmen Villani, a passionate plea for peace and the memory of a doomed romance. The score features a propulsive action theme that Morricone varies and adorns with experimental percussion noises that mimic the sound of big-city traffic. Other tracks in the varied score include a heartbreaking love theme, a nice cue featuring Edda dell’Orso practicing musical scales, and a funny silent film pastiche.

The score was previously released by GDM in 2005. This new edition contains the same program produced by Claudio Fuiano and Dániel Winkler, and it has been rebuilt and remastered by Chris Malone from the first-generation stereo master tapes. The package includes a richly illustrated 8-page booklet with Gergely Hubai discussing the film and the score, and beautiful new artwork by Luca Barcellona.

1. L’ultimo uomo di Sara (4:31)
2. Quasi Rock (3:11)
3. Archi (2:19)
4. Scale (1:35)
5. Informale III (2:14)
6. Topi (1:52)
7. Stanlio e Ollio (4:10)
8. Informale IV (4:44)
9. Informale V (3:27)
10. Informale VI (2:13)
11. Informale VII (3:33)
12. Informale VIII (4:03)
13. Resquiescant (3:35)
14. Quasi Rock II (1:53)

 

Quartet Records presents a remastered CD reissue of the long-out-of-print killer soundtrack by Ennio Morricone for the 1975 police thriller IL GIUSTIZIERE (aka THE HUMAN FACTOR).

Directed by Hollywood veteran by Edward Dmytryk, the film stars George Kennedy, John Mills, Raf Vallone and Rita Tushingham. The plot is about John Kinsdale (Kennedy), a computer engineer whose family gets brutally murdered while he is working in Naples on a top secret project. Aided by fellow engineer Janice (Tushingham), Kinsdale uses a combination of his expertise as well as brute force to take revenge on the left-wing terrorists—Charles Bronson style!

Morricone’ score comes from the composer’s fertile period of poliziotteschi thrillers and “Years of Lead” dramas that he approached in a similar manner. The music features several variations on the beautiful family theme which eventually gains new meaning as Kinsdale must carry the burden on his own. The music for the terrorists features the psychedelic, percussion-heavy and often ostinato-based cues that Morricone typically reserved for the steamy chaos of his poliziottecshi titles.

The score was previously released by GDM in 2010. This new edition contains the same program produced by Claudio Fuiano and Dániel Winkler, and it has been rebuilt and remastered by Chris Malone from the first-generation stereo master tapes. The package includes a richly illustrated 8-page booklet with Gergely Hubai discussing the film and the score.

1. Il Giustiziere (4:49)
2. Terroristi! (11:31)
3. Vite Cancellate (4:56)
4. Terroristi! #2 (5:26)
5. Il Giustiziere #2 (2:57)
6. Terroristi! #3 (1:43)
7. Vite Cancellate #2 (2:48)
8. Il Giustiziere #3 (1:08)
9. Gusto di Vendetta (2:59)
10. Terroristi! #4 (6:41)
11. Vite Cancellate #3 (2:54)

[Oliver79]

Von Digitmovies am 24. Februar:

E poi, non ne rimase nessuno aka Ten Little Indians - Bruno Nicolai (reissue)

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This CD would not have been possible if Edipan hadn’t conserved two mono masters in good conditions in its archives (stereo mixes have gone lost). Unfortunately it was not possible to cancel some magnetic flaws. We brought to life an OST that contains all the popular and well respected music elements of Maestro Nicolai: dissonant strings segments, experimental effects of an evocative classical main theme, ambiguous and mysterious, accompanied by pop rithms.

Camorra - Manuel De Sica

Zitat

Manuel De Sica wrote an orchestral comment based on a recurring symphonic tarantella, which is the main theme retaken in symphonic version or with a solo guitar, alternated with lounge tracks like “Rough”, sung by M° De Sica himself, who was 23 years old back then, with the fabulous “Bossa Nova Boss”, with the extravagant “Casa da gioco” and with the “Anna e Tonino” love theme. RCA printed a promo LP (SP 8046), put together by M° De Sica, 30:30 minutes long. In 1994 the same material was printed on CD (original soundtrack - OST 125), paired with “The

Garden of the Finzi-Continis” (aka “Il giardino dei Finzi-Contini”). We were able to have access to the original session mono masters, which brought us to discover some unpublished material, that results in a 46:38 minutes long CD. A sincere homage to the Musical Art of the dear departed Manuel De Sica.

Io sono l'abisso / La ragazza nella nebbia - Vito Lo Re

Zitat

The alpha and the omega, we could say: the first and last soundtrack I wrote for Donato Carrisi (to date!). Two very different scores, because I believe that a composer of applied music must know how to juggle very different styles, ensembles and moods. In The Girl in the Fog there is no definition of a single character theme, the electronic music outlines and delimits the action, or when the action is more important than what the characters feel. Orchestral music, on the other hand, is used to underline a particular emotional detail of the single character. In short, I tried to make my own the widespread rule in American scores according to which the music must not express the action represented but describe the feelings of the characters.

In Io sono l'abisso, on the other hand, the approach is decidedly more intimate: there is a single theme played by three instruments (piano, viola and cello) and then, speaking of juggling different styles, La mia Queen: a rap pop that kind of represents the black soul of this soundtrack.

Vito Lo Re's music seems to come straight from the camera. They are light in the form of notes. From the exact moment they are linked to the image, it is no longer possible to separate them from each other.

 

[JuergenH]

Am 27.12.2022 um 15:19 schrieb Oliver79:

Und noch mehr Harumi Fuuki auf dem japanischen Markt: [...] Shochiku haben eine CD mit dem Score zu dem Anime Lonely Castle in the Mirror veröffentlicht.

 

 

 

Auf youtube hat jemand das sehr schöne Hauptthema in eine nahezu 30-minütige Endlos-Schleife gepackt - Musik ist auch digital verfügbar, ich warte aber noch die CD ab:

 

 

 

 

[Oliver79]

Von Waxwork Records kommt am 8. März ein 3-CD-Set mit Drew Neumanns Musik für die MTV-Serie ÆON FLUX. Wahlweise auch als 6-LPs-Set für knapp 200 Dollar.

Zitat

Waxwork Records is proud to present the complete ÆON FLUX Original Series Soundtrack box set by Drew Neumann. Officially available for the very first time in any format, the soundtrack to the groundbreaking animated series is now available as a deluxe 6xLP box set, multi-disc CD set, and across all digital streaming services today, February 17th, 2023. In partnership with ÆON FLUX creator, artist, and director Peter Chung, composer Drew Neumann, and MTV, Waxwork Records assembled a comprehensive box set experience featuring the complete soundtrack music from all 21 ÆON FLUX episodes sourced from the composer’s original masters.

Originally airing from September 1991 through October 1995, ÆON FLUX is an avant-garde science fiction animated television series that inspired live action films, video games, and comic books. It premiered on MTV’s Liquid Television experimental animation show as a six-part serial of short films, followed in 1992 by five individual short episodes. In 1995, a season of ten half-hour episodes aired as a stand-alone series.

The original and innovative series featured elements of science fiction, allegory, dystopian and spy fiction, psychological drama, and psychedelic imagery. ÆON FLUX is set in a surreal futuristic universe. The setting comprises a bizarre dystopia populated by mutants, clones, and robots, set within the separated border wall cities of Monica and Bregna. The title character is a tall, sexy, dominatrix secret agent from the city of Monica that is skilled in espionage, assassination, and acrobatics. Her mission is to infiltrate and destroy the strongholds of the city of Bregna which is led by her sworn enemy, and sometimes lover, Trevor Goodchild.

About the Composer

The music and sound design of ÆON FLUX was created by Drew Neumann. Neumann is an American composer and musician of film and television scores. He studied film, animation, and composition at the California Institute of Arts where he first met and began a longtime friendship with Peter Chung. He has composed music for Disney, E!, Nickelodeon, MTV, Mattel, Paramount Pictures, Cartoon Network, and trailers for feature films. In addition, he has contributed sound design and music composition for a variety of hardware synthesizers, sound libraries, and software and computer products. Neumann works closely with and consults for synthesizer companies such as 1010 Music LLC, Arturia, Studio Electronics, Ensoniq, Oberheim, Sequential, UDO, Waldorf, and Moog.

About the Creator

Peter Chung is a Korean American writer and director of animated films. In addition to creating ÆON FLUX, Chung’s directing credits include The Animatrix, and the Cartoon Network feature Firebreather. He served as art director for the animated series Teenage Mutant Ninja Turtles and as designer and director for the Nickelodeon series Rugrats. Chung has also directed commercials for Levi’s, Pepsi, Honda, Jaguar, Sony, and many others. He currently teaches a Master Class at the Division of Animation and Digital Arts at the USC School of Cinematic Arts.

ÆON FLUX Original Series Soundtrack Box Set Features:

Waxwork Records worked closely with both Drew Neumann and Peter Chung to create the comprehensive ÆON FLUX Original Series Soundtrack box set. All artwork elements were provided to Waxwork by Peter Chung from his own personal archive. The deluxe multi-disc set features:

• The complete series music by composer Neumann remastered from the original masters
• 3xCDs 
• The full box set contains original artwork by Peter Chung
• A 40-page book that includes:
  • Exclusive liner notes by Peter Chung
  • An extensive essay by Drew Neumann
  • Chung’s original, never-seen-before storyboards and sketches, character design drawings, and much more

 

[ronin1975]

Andrew Morgan Smith is eigentlich immer viel zu gut für die B und C Filme, die er so scored. Zum neuen Western mit Nicolas Cage hat er einen sehr gefälligen flotten 90er Western Score mit Orchester und typischer Wild West Besetzung geschrieben. Alles nicht neu, aber sehr unterhaltsam:

 

[bimbamdingdong]

Danke @ronin1975

Orchestrale Westernmusiken nehm ich immer gern.

[Alexander Grodzinski]

Am 8.2.2023 um 09:09 schrieb Alexander Grodzinski:

Neu von Quartet, zweimal Morricone:

Quartet Records presents a remastered CD reissue of Ennio Morricone’s bizarre giallo score for the 1974 thriller L’ULTIMO UOMO DI SARA (aka SARAH’S LAST MAN).

Directed by actress Maria Virginia Onorato (in her only foray into feature film directing), the movie stars Oddo Bracci as Paolo Castellano, an artist who wants to investigate the death of his ex-wife Sara long after the police declare the case closed. Aided by Sara’s friend Anna (played by Rosemary Dexter), Paolo goes through the hours of footage shot by Sara on her camera, slowly realizing that the identity of the killer is captured on film and his identity might be one of the reasons why the police wants the case closed as soon as possible.

The CD opens with the title song, performed by singer Carmen Villani, a passionate plea for peace and the memory of a doomed romance. The score features a propulsive action theme that Morricone varies and adorns with experimental percussion noises that mimic the sound of big-city traffic. Other tracks in the varied score include a heartbreaking love theme, a nice cue featuring Edda dell’Orso practicing musical scales, and a funny silent film pastiche.

The score was previously released by GDM in 2005. This new edition contains the same program produced by Claudio Fuiano and Dániel Winkler, and it has been rebuilt and remastered by Chris Malone from the first-generation stereo master tapes. The package includes a richly illustrated 8-page booklet with Gergely Hubai discussing the film and the score, and beautiful new artwork by Luca Barcellona.

1. L’ultimo uomo di Sara (4:31)
2. Quasi Rock (3:11)
3. Archi (2:19)
4. Scale (1:35)
5. Informale III (2:14)
6. Topi (1:52)
7. Stanlio e Ollio (4:10)
8. Informale IV (4:44)
9. Informale V (3:27)
10. Informale VI (2:13)
11. Informale VII (3:33)
12. Informale VIII (4:03)
13. Resquiescant (3:35)
14. Quasi Rock II (1:53)

 

Quartet Records presents a remastered CD reissue of the long-out-of-print killer soundtrack by Ennio Morricone for the 1975 police thriller IL GIUSTIZIERE (aka THE HUMAN FACTOR).

Directed by Hollywood veteran by Edward Dmytryk, the film stars George Kennedy, John Mills, Raf Vallone and Rita Tushingham. The plot is about John Kinsdale (Kennedy), a computer engineer whose family gets brutally murdered while he is working in Naples on a top secret project. Aided by fellow engineer Janice (Tushingham), Kinsdale uses a combination of his expertise as well as brute force to take revenge on the left-wing terrorists—Charles Bronson style!

Morricone’ score comes from the composer’s fertile period of poliziotteschi thrillers and “Years of Lead” dramas that he approached in a similar manner. The music features several variations on the beautiful family theme which eventually gains new meaning as Kinsdale must carry the burden on his own. The music for the terrorists features the psychedelic, percussion-heavy and often ostinato-based cues that Morricone typically reserved for the steamy chaos of his poliziottecshi titles.

The score was previously released by GDM in 2010. This new edition contains the same program produced by Claudio Fuiano and Dániel Winkler, and it has been rebuilt and remastered by Chris Malone from the first-generation stereo master tapes. The package includes a richly illustrated 8-page booklet with Gergely Hubai discussing the film and the score.

1. Il Giustiziere (4:49)
2. Terroristi! (11:31)
3. Vite Cancellate (4:56)
4. Terroristi! #2 (5:26)
5. Il Giustiziere #2 (2:57)
6. Terroristi! #3 (1:43)
7. Vite Cancellate #2 (2:48)
8. Il Giustiziere #3 (1:08)
9. Gusto di Vendetta (2:59)
10. Terroristi! #4 (6:41)
11. Vite Cancellate #3 (2:54)

Gibt es beide jetzt auch als Vinyl.

Quartet Records presents the premiere vinyl edition Ennio Morricone’s bizarre giallo score for the 1974 thriller L’ULTIMO UOMO DI SARA (aka SARAH’S LAST MAN).

Directed by actress Maria Virginia Onorato (in her only foray into feature film directing), the movie stars Oddo Bracci as Paolo Castellano, an artist who wants to investigate the death of his ex-wife Sara long after the police declare the case closed. Aided by Sara’s friend Anna (played by Rosemary Dexter), Paolo goes through the hours of footage shot by Sara on her camera, slowly realizing that the identity of the killer is captured on film and his identity might be one of the reasons why the police wants the case closed as soon as possible.

The LP opens with the title song, performed by singer Carmen Villani, a passionate plea for peace and the memory of a doomed romance. The score features a propulsive action theme that Morricone varies and adorns with experimental percussion noises that mimic the sound of big-city traffic. Other tracks in the varied score include a heartbreaking love theme, a nice cue featuring Edda dell’Orso practicing musical scales, and a funny silent film pastiche.

This premiere LP has been produced and mastered by Chris Malone using the first-generation analogue stereo master tapes and pressed in 180 GM audophile black vinyl. The package features luxurious artwork designed by Luca Barcellona.

SIDE A

1. L’ultimo uomo di Sara (4:31)
2. Quasi Rock (3:11)
3. Archi (2:14)
4. Scale (1:31)
5. Informale III (2:14)
6. Topi (1:50)
7. Stanlio e Ollio (4:06)
8. Quasi Rock II (1:50)

SIDE B

1. Informale IV (4:40)
2. Informale V (3:24)
3. Informale VI (2:11)
4. Informale VII (3:29)
5. Informale VIII (4:03)
6. Resquiescant (3:35)

 

Quartet Records presents the premiere vinyl edition of killer soundtrack by Ennio Morricone for the 1975 police thriller IL GIUSTIZIERE (aka THE HUMAN FACTOR).

Directed by Hollywood veteran by Edward Dmytryk, the film stars George Kennedy, John Mills, Raf Vallone and Rita Tushingham. The plot is about John Kinsdale (Kennedy), a computer engineer whose family gets brutally murdered while he is working in Naples on a top secret project. Aided by fellow engineer Janice (Tushingham), Kinsdale uses a combination of his expertise as well as brute force to take revenge on the left-wing terrorists—Charles Bronson style!

Morricone’ score comes from the composer’s fertile period of poliziotteschi thrillers and “Years of Lead” dramas that he approached in a similar manner. The music features several variations on the beautiful family theme which eventually gains new meaning as Kinsdale must carry the burden on his own. The music for the terrorists features the psychedelic, percussion-heavy and often ostinato-based cues that Morricone typically reserved for the steamy chaos of his poliziottecshi titles.

The score of IL GIUSTIZIERE hasn’t ever been previously released on vinyl. This premeire edition has been produced and mastered by Chris Malone using the first-generation analogue stereo master tapes and pressed in 180 GM audiophile black vinyl.

SIDE A

1. Il Giustiziere (4:49)
2. Terroristi! (11:31)
3. Gusto di Vendetta (2:54)
4. Il Giustiziere #2 (2:55)
5. Terroristi! #2 (1:41)

SIDE B

1. Vite Cancellate (4:52)
2. TerroRisti! #3 (5:21)
3. Vite Cancellate #2 (2:42)
4. Il Giustiziere #3 (1:05)
5. Terroristi! #4 (6:41)
6. Vite Cancellate #3 (2:54)

[Oliver79]

Und noch zwei weitere Dragon's Domain-Veröffentlichungen:

Zitat

Dragon’s Domain Records presents the original soundtrack to BLACK SCORPION, featuring music composed by Kevin Kiner (STAR WARS: THE BAD BATCH, PEACEMAKER, DOOM PATROL) for the 1995 action film directed by Jonathan Winfrey, written by Craig J. Nevius and starring Joan Severance, Rick Rossovich, Michael Wiseman, Bradford Tatum, Casey Siemaszko, Terri J. Vaughn, Bruce Abbott, Darryl M. Bell, Stephen Lee, John Sanderford and Garrett Morris.
Produced by Roger Corman, BLACK SCORPION was a 1995 Showtime film, starring Joan Severance as police detective Darcy Walker, secretly known to a small few as the Black Scorpion. After her father is murdered before her eyes, detective Darcy becomes the vigilante Black Scorpion to avenge him. Modeled after Batman but displaying lots more female flesh, the show was essentially a camp comedy. She had no superpowers, but like Batman, she deals justice to criminals with her capable martial arts fighting ability and a variety of technological gadgets, speeding around the city in a modified Porsche called the Scorpionmobile. Being both a Corman production and a Showtime movie, Severance displayed her share of flesh as Darcy Walker, while as Black Scorpion she focused on putting crime in its painful place.
Kiner’s score for BLACK SCORPION was primarily synths, but he did manage to include a handful of live players. The film is scored in the manner of a standard detective thriller, with tense percussion and mostly synth elements, but once Darcy dons her black leather outfit and roars around the City of Angels in her Scorpionmobile, Kiner reprises his action vibe with strings, winds, and heavy percussion.

Prolific composer Kevin Kiner began his film music career in 1985, scoring a number of television projects, including all 100+ episodes of the syndicated 1988-92 superhero TV series SUPERBOY. His subsequent, mostly television, endeavors range from animated STAR WARS series such as THE CLONE WARS and THE BAD BATCH, Westerns and cop TV shows, and DC superhero shows such as DOOM PATROL, PEACEMAKER and TITANS.

Dragon’s Domain Records presents BLACK SCORPION, featuring music from the original Showtime film composed by Kevin Kiner. The liner notes are written by noted author Randall Larson, featuring the participation of the composer. The music has been mastered by James Nelson at Digital Outland.

BLACK SCORPION is a limited edition release of 500 units and is expected to begin shipping the week of March 13th, 2023. The first 50 copies sold through our website will include an autograph by the composer.

Zitat

Dragon’s Domain Records presents THE HUMMIE MANN COLLECTION, VOLUME 2, featuring the release of music composed by Hummie Mann for two films from his extensive filmography, THE SECOND CIVIL WAR and the director’s cut of BROKEDOWN PALACE.

Released in 1999, BROKEDOWN PALACE was directed by Jonathan Kaplan, starring Claire Danes, Kate Beckinsale, and Bill Pullman, this drama film (titled after a Grateful Dead song) followed two young American friends who are imprisoned in Thailand after being tricked into carrying drugs into the country. Unknown to the composer, there was some political strife at the studio about the director being hired for the film. By the end of post production, Kaplan had been taken off the film and it was finished by others. Although Mann had scored the director’s cut of the film, another composer was ultimately hired to score the theatrical release. Mann had intended for the final score to be performed by an orchestra but found himself off the project before that could be recorded. Included here is a fully electronic version of a score that intended to be performed by an orchestra.

Released in 1997, THE SECOND CIVIL WAR was a satirical black comedy made for HBO. Starring Beau Bridges, Phil Hartman, James Earl Jones, James Coburn, Ron Perlman, and Joanna Cassidy, the film focuses on anti-immigrant sentiment in the United States after the Governor of Idaho closes his state’s borders in response to immigrants seeking asylum after India drops a bomb on Pakistan. For this project, Mann recorded the film in Salt Lake City with an 80-piece orchestra.

Two-time Emmy-award winning Canadian composer/arranger Hummie Mann has collaborated with some of Hollywood's most celebrated directors in both theatrical and television films.  His motion pictures projects include ROBIN HOOD: MEN IN TIGHTS, YEAR OF THE COMET and WOOLY BOYS. For television, his projects include P.T. BARNUM, IN COLD BLOOD, PICTURE WINDOWS – SOIR BLEU, THE RESCUERS: TALES OF COURAGE – TWO WOMEN, MASTERS OF HORROR )Homecoming and The Screwfly Solution), FIRST DO NO HARM, SUZANNE’S DIARY FOR NICHOLAS and REBEL HIGHWAY.

Born in Montreal, Mann began studying music at the age of seven.  He learned to play not only the piano, but also recorder, guitar, clarinet and oboe.  He graduated magna cum laude in 1976 from Boston's prestigious Berklee College of Music and moved to Los Angeles in 1980, where he began orchestrating and composing for such top-rated series as FAME, MOONLIGHTING, KNOT’S LANDING, ALF and THE SIMPSONS. In early 1998 Berklee Faculty member and world renowned vibraphonist Gary Burton presented Mann with Berklee’s Distinguished Alumnus Award.

Besides his busy composing career, Mann is the creator and lead instructor of the Pacific Northwest Film Scoring Program which 5 years ago became the music department of the Seattle Film Institute.  He was the founding president and a long time board member and of the Seattle Composers Alliance and for 10 years served as a governor of the Northwest Chapter of the National Academy of Recording Arts and Sciences.  Currently he divides his time between Mercer Island, Washington and Santa Monica, CA where he continues to work in the film industry.

Dragon’s Domain Records present THE HUMMIE MANN COLLECTION, VOLUME 2, including music from BROKEDOWN PALACE (Director’s Cut) and THE SECOND CIVIL WAR for the first time on compact disc, mastered by James Nelson at Digital Outland. The booklet includes liner notes written by author Randall D. Larson, with the participation of the composer.

THE HUMMIE MANN COLLECTION, VOLUME 2 is a limited edition release of 500 units. THE HUMMIE MANN COLLECTION, VOLUME 2 will begin shipping the week of March 13th, 2023

 

[Oliver79]

Und neu von Buysoundtrax:

Zitat

BSX Records presents a new release by composer Dennis McCarthy of various original pieces as well as interpretations of various classic tunes arranged for Solo Piano.

Included herein are new recordings of some of his film and television works from STAR TREK GENERATIONS, “V” THE SERIES, STAR TREK DEEP SPACE NINE and STAR TREK ENTERPRISE as well as arrangements of “When You Wish Upon a Star” from PINOCCHIO by Leigh Harline and “Over The Rainbow” from THE WIZARD OF OZ by Harold Arlen.

Among the classic standards featured are “Danny Boy,” an Irish tavern song by Frederick Weatherly, “That Lucky Old Sun (Just Rolls Around Heaven All Day)” by Beasley Smith, “Myself Times Two” by Mary Fengar Gail, “Summertime” by George Gershwin and a medley of compositions by Sergei Rachmaninoff.

Dennis McCarthy’s career has ranged from being a session keyboardist and musical director for Glen Campbell to composing Emmy award- winning scores for television’s “Star Trek” franchise. For more than 40 years, McCarthy has been an in-demand composer for films and television, scoring such shows as “V: The TV Series” (1984-85), “Dynasty” (1985-89), “McGyver” (1985-91), “Birdland” (1994), as well as made-for-TV movies such as “V: The Final Battle” (1984), “Overkill: The Aileen Wuornos Story” (1992), “In His Life: The John Lennon Story” (2000), and “A Modern Twain Story: The Prince and the Pauper” (2007). McCarthy gained prominence as one of the regular composers on “Star Trek: The Next Generation” beginning in 1987, and has continued in the same capacity for three subsequent Trek series (“Deep Space Nine,” “Voyager,” and “Enterprise”), as well as the seventh Star Trek feature film, “Generations” in 1994 and related media such as video games and shorts involving “Star Trek” characters. McCarthy’s efforts have gained him six Emmy Award nominations – and two wins, first in 1991 for his dramatic score to the “Unification, Part 1” episode of “Star Trek: the Next Generation,” and again in 1993 for his Main Title to “Star Trek: Deep Space Nine.”

McCarthy also scored music for feature films, including “McHale’s Navy” (1997), “Letters from a Killer” (1998), and “Die, Mommy, Die” (2003). McCarthy has also scored theatrical plays in Southern California. He continues scoring film projects but takes more time off to spend with his wife Patty and three children and nine grandchildren. 

BSX Records is proud to release “Tunes of Future Past” by Dennis McCarthy. The production has been mixed by Matt LaPoint and mastered by James Nelson at Digital Outland in Tacoma, Washington. The first 50 copies will be autographed by Dennis McCarthy at no additional charge,

 

[ronin1975]

Am 23.2.2023 um 10:41 schrieb bimbamdingdong:

Danke @ronin1975

Orchestrale Westernmusiken nehm ich immer gern.

Und wie findest?

[ronin1975]

Am 26.2.2023 um 13:59 schrieb Oliver79:

Und noch zwei weitere Dragon's Domain-Veröffentlichungen:

 

Grad gefunden bei spotify:

 

[bimbamdingdong]

vor 16 Stunden schrieb ronin1975:

Und wie findest?

Ganz nett. Muß aber noch genauer reinhören.