Alexander Grodzinski

Neu von Quartet: Quartet Records and El Deseo present the soundtrack album for the eagerly anticipated new collaboration between acclaimed director Pedro Almodóvar and renowned four-time Academy Award–nominated composer Alberto Iglesias (THE CONSTANT GARDENER, THE KITE RUNNER, TINKER TAILOR SOLDIER SPY, PARALLEL MOTHERS). AMARGA NAVIDAD marks their fifteenth film together, following more than thirty years of intense collaboration and worldwide success with such films as ALL ABOUT MY MOTHER, TALK TO HER, VOLVER and PAIN AND GLORY. The film explores cinema within cinema and the limits of creativity, as a successful director writes a screenplay based on the personal experiences of those around him—without considering the emotional consequences of his actions. Alberto Iglesias has composed one of his most intense, emotional, dynamic, and vibrant large-scale orchestral scores—perhaps his finest to date—with echoes of Stravinsky, Ravel, and Debussy. The album also includes a version of the classic song “Las pequeñas cosas” by Chavela Vargas, performed by Amaia. La ventana y la tormenta 1:01 Espera en urgencias 2:36 La playa negra 2:24 Sordo enfrentamiento 1:55 Un niño le sonríe 3:26 Inspiración 0:48 Despertar de Natalia 2:56 Transición 1:12 Tensa despedida a la luz del día 1:55 Elsa yacente 1:37 Llamada a deshoras 1:24 Middlesex 2:41 ¿Cuánto dura un duelo? 1:59 Un lugar ideal para morir 1:35 Ansiedad Lispector 2:15 La tormenta soñada 2:05 Las simples cosas (Interpretada por Amaia) 2:58 El cursor impaciente 2:06 Elena y Natalia 2:41 Búsqueda de ansiolíticos 1:23 Compás de espera 1:34 Cruzando un mar de lava 0:32 Madrid amanece desierto 0:49 La crueldad 1 1:29 Mónica cordial 1:28 La crueldad 2 2:03 Mónica amenazante 2:32 La inspiración arrolladora 4:10 Dedos como patas de elefante 8:52 Créditos finales, comienza la aventura 2:34 Neu von BSX/Dragon's Domain: Dragon’s Domain Records presents GAUGUIN AND GERALD FRIED, featuring music composed by Gerald Fried (THE MAN FROM U.N.C.L.E., STAR TREK,ROOTS) for two very different television programs that focused on the French Impressionist painter Eugene Henri Paul Gauguin. GAUGUIN THE SAVAGE was a feature-length docudrama that premiered on the CBS television network in the spring of 1980. David Carradine starred as the artist with Lynn Redgrave playing his long-suffering wife, Mette-Sophie Gad. The film begins with Gauguin as a Parisian stockbroker struggling to support his growing family. He is frustrated at having no free time to focus on the one thing he truly loves — his art. This obsession propels him to walk out on his family and eventually share quarters with Vincent Van Gogh (Barrie Houghton). Gauguin’s self-centered attitude alienates him from many colleagues and patrons until he sees the only road to limitless creativity is to escape “civilization”. He flees to a land he believes is full of wild and primitive beauty — Tahiti. Yet, after a long sea voyage, he discovers to his dismay that it is a very modern community with all the comforts other French settlers have brought. Gauguin flees into the jungle, where he lives among the unspoiled natives and marries a local girl, Teha’amana, despite not being divorced from Mette-Sophie. It is here that Gauguin begins to develop his unique style, one marked by bold colors inspired by the landscape and native lifestyle, with Teha’amana as his main model. Fried composed a lush orchestral score to convey Gauguin’s passionate, often self-destructive, drive as he seeks to render his view of the world within his art. Thirteen years earlier, Gerald Fried was engaged to score a 1967 CBS documentary GAUGUIN IN TAHITI: THE SEARCH FOR PARADISE. Narrated by Charles Kuralt, the one-hour presentation centered on the artist’s time in the islands painting, sculpting, and creating ceramic works. In another unusual coincidence, Lynn Redgrave’s father, Michael, was cast as the voice of Gauguin, reading the artist’s own words from his many diaries and letters. Born February 1928 in the Bronx, Gerald Fried’s interest in music found its first fruition at the High School of Music & Art in New York City. He attended The Juilliard School of Music as an oboe major, graduating in 1945. Among his earliest friends was a bright kid named Stanley Kubrick. The two of them used to hang around Greenwich Village and talk about their budding interests, Fried’s in classical music and Kubrick’s in filmmaking. Their interests merged when Kubrick began filming DAY OF THE FIGHT, an 18-minute short about boxing. Knowing Fried was a music major, Kubrick asked him if he could write the score for his boxing picture. Fried agreed, then spent months going to the movies to learn how film scores worked, there being no schools or courses on film music in those days. Fried wrote an effective score, and Kubrick sold the film to RKO Pathé. Fried rejoined Kubrick to score four more of his films, including THE KILLING and PATHS TO GLORY, where the young filmmaker first gained his reputation. After the success of THE KILLING in 1956, Kubrick moved to Los Angeles, shortly followed by Fried, who was immediately hired to compose and arrange music for several films, including THE VAMPIRE, THE RETURN OF DRACULA, MACHINE GUN KELLY and I, MOBSTER, I BURY THE LIVING, and TIMBUKTU (1959). By the 1960s, Fried moved into television, scoring episodes of such seminal shows of the decade as GILLIGAN’S ISLAND, THE MAN FROM U.N.C.L.E., MISSION: IMPOSSIBLE and STAR TREK. By the 1970s Fried was composing music for numerous made-for-TV movies. His best-known score of the decade was for the1977 miniseries ROOTS, which he took over scoring when Quincy Jones fell behind and was unable to meet the broadcast deadline for the eight-hour miniseries. Both Jones and Fried won Emmy Awards for their musical efforts on the series. During the ‘80s, Fried continued to compose music for television series, movies, and documentaries, and an occasional feature film. These are just two of the many magnificent scores Fried wrote throughout his career. The composer passed away on February 17, 2023 at the age of 95. His work remains a testament to his talent and dedication to the art of composition and he is remembered as a key figure in the evolution of music for film and television. Dragon’s Domain Records presents GAUGUIN AND GERALD FRIED, featuring the world premiere release of GAUGUIN THE SAVAGE and GAUGUIN IN TAHITI: THE SEARCH FOR PARADISE, featuring music composed by Gerald Fried. The music has been mastered by James Nelson at Digital Outland and the liner notes have been written by author David Hirsch. GAUGUIN AND GERALD FRIED is a limited edition release. GAUGUIN AND GERALD FRIED is expected to begin shipping the week of March 23rd, 2026 GAUGUIN THE SAVAGE 01. Main Title-Tahiti / Diagnosis & Paris Flashback (3:38) 02. I Hated That Hat And Coat (2:19) 03. Tahitian Hospital Recovery / Sex Is The Best Medicine (5:24) 04. Father & Daughter Talk / Painting In A Frozen Danish Attic (1:22) 05. Aline, I Can’t Work Here (3:02) 06. Painting With Van Gogh / A Disturbing Portrait / Vincent’s Girl / Mutilation (3:33) 07. Leaving Vincent / To Your Voyage / Sailing To Tahiti (2:07) 08. Rejecting ‘Civilization’ / A Letter To Aline (2:35) 09. Every Man Needs Wahini (2:29) 10. In Search Of A Wife (1:48) 11. “Gogi, Will You Be Good To My Daughter?” (2:19) 12. Forty-Four Canvases (1:42) 13. Ruffians Abduct Annah / Papa’s Home / Papa Put Out (2:59) 14. Before I Can Paint It, I Must First Find It (2:50) 15. The Doctor Has Given Me Mercury (1:04) 16. Aline Has Died / Painting The Great Vision (6:08) 17. Arsenic By The Sea / Gauguin’s End (1:56) 18. You Have To Believe In Me / End Credits (2:48) 19. “Get Big Drunk” (Bonus Music & Effects) (1:04)= 20. Journey To Tahiti (Bonus Music & Effects) (1:50) GAUGUIN IN TAHITI: THE SEARCH FOR PARADISE 21. Prologue & Main Credits (1:56) 22. A Simple Brittany Life / Abandoning Family & Civilization For Paradise (8:16) 23. Alienating The European Settlers / Teha’amana’s Theme / Fired By His Patron (4:29) 24. Broke & Forced To Work / Syphilis / His Epic Work / Paradise Dead (3:43) 25. Pagan Gods & Myths / Paradise Lost & Found In Art (6:23) 26. Ready To Return / Deathbed / End Credits (1:59) Total Time: 77:31 Dragon’s Domain Records presents THE ARTHUR B. RUBINSTEIN COLLECTION, VOLUME 1, featuring music from two original scores from the composer’s extensive filmography, THE PRINCE OF CENTRAL PARK and RIVKIN: BOUNTY HUNTER. Airing on television in 1977, THE PRINCE OF CENTRAL PARK was directed by Harvey Hart, written by Jeb Rosebrook, based on the novel by Evan Rhodes, starring T.J. Hargrave, Lisa Richards, Ruth Gordon, alongside a young Brooke Shields in a supporting role. At its heart, the story unfolds as a modern fairy tale that tells the poignant story of a teenage boy and his younger sister as they flee from an abusive foster mother. They find sanctuary within a tree house in Central Park. There they encounter a young hoodlum and form an unlikely friendship with a lonely elderly woman. The score for THE PRINCE OF CENTRAL PARK is a gentle and emotive composition written for a chamber ensemble, perfectly encapsulating the whimsical elements of the tale while mirroring the children's enchantment with tales of knights and chivalry. Airing on television in 1981, RIVKIN: BOUNTY HUNTER was directed by Harry Harris, written by Peter Lefcourt, starring Ron Leibman, Harry Morgan, Harold Gary, Verna Bloom, George Dicenzo, John Getz and Glenn Scarpelli. An unsold pilot for a series, RIVKIN follows a modern bounty hunter (Leibman), making his living apprehending bail jumpers who finds himself in a high-stakes confrontation with a heavily armed drug dealer. The score for RIVKIN: BOUNTY HUNTER is composed for an ensemble of approximately 35 musicians, incorporating a variety of keyboards and a dynamic rhythm section to capture the essence of New York in 1981. Both scores are presented complete in film order, showcasing Arthur B. Rubinstein's incredible talent and revealing him as an underrated gem in the world of film composition. Arthur B. Rubinstein was an American composer and conductor renowned for his scores in film, television and theater, as well as his leadership of the Symphony in the Glen Orchestra. Born in Brooklyn, New York,Rubinstein attended the High School of Music & Art and earned a Bachelor of Music degree from Yale University. After beginning his career as a pianist and arranger in New York, he relocated to Los Angeles, where he established himself as a prolific composer for over 200 film and television projects spanning more than 40 years. Rubinstein's most notable film scores include collaborations with director John Badham on BLUE THUNDER, WARGAMES, SHORT CIRCUIT, STAKEOUT,THE HARD WAY, ANOTHER STAKEOUT and NICK OF TIME, as well as LOST IN AMERICA and WHOSE LIFE IS IT ANYWAY?. In television, he composed for series such as SCARECROW AND MRS. KING, THE TWILIGHT ZONE (1985), AMAZING STORIES, WISEGUY, THE LOVE BOAT, SLEDGE HAMMER! and THE SIMPSONS, along with the ABC documentary SHOOTING WAR, directed by Steven Spielberg and narrated by Tom Hanks. Dragon’s Domain Records presents THE ARTHUR B. RUBINSTEIN COLLECTION, VOLUME 1, featuring the music from the original scores to THE PRINCE OF CENTRAL PARK and RIVKIN: BOUNTY HUNTER, with liner notes written by G.B. Kemner and Scott Davis. The music has been mastered by James Nelson at Digital Outland. THE ARTHUR B. RUBINSTEIN COLLECTION, VOLUME 1 is a limited edition release. THE ARTHUR B. RUBINSTEIN COLLECTION, VOLUME 1 is expected to begin shipping the week of March 23rd, 2026. THE PRINCE OF CENTRAL PARK 01. Opening Titles (2:23) 02. Central Park (2:51) 03. Finding The Treehouse And Nightfall (2:37) 04. Life In The Park (3:55) 05. Treehouse Montage And Knighted (4:00) 06. Mrs. Miller’s Messages (3:13) 07. Different Berries (1:18) 08. Mrs. Miller And The Kids (4:12) 09. Elmo Watches And Park Music (2:42) 10. Mrs. Miller And The Cops (2:26) 11. The Carousel And Elmo Falls (4:19) 12. We Can’t Stay Here Forever (2:32) 13. Mrs. Miller’s Offer (2:20) 14. A New Family (3:06) RIVKIN: BOUNTY HUNTER 15. Main Titles / First Bust (2:31) 16. Father’s Music (1:20) 17. Rivkin On Sleaze Street (2:37) 18. Hospital Visitors (2:26) 19. Blind Man’s Bluff (1:29) 20. Vito’s Restaurant (2:34) 21. Rivkin And His Girl (2:22) 22. Rivkin Talks To Son (2:49) 23. The Ceremony (2:02) 24. Slow Dancing (2:10) 25. Remembering His Wife (1:38) 26. Rivkin’s Anger (2:11) 27. Rivkin Vows To Get St. Clair (2:57) 28. Rivkin Catches St. Clair (3:43) 29. Finale (1:25) 30. Disco Dancing (0:27) Total Time - 76:50 Dragon’s Domain Records proudly presents the first volume in a new ongoing series of music from classic crime dramas from the Golden Age,featuring two world premiere releases of music from UNDERWORLD, U.S.A. and CROSSROADS TO CRIME. Released in 1961, UNDERWORLD, U.S.A. was written and directed by the legendary Samuel Fuller (THE BIG RED ONE), starring Cliff Robertson, Dolores Dorn, Beatrice Kay, Paul Dubov, Robert Emhardt, Larry Gates,Richard Rust and Gerald Milton. Inspiration for UNDERWORLD U.S.A. came from a series of articles by Joseph F. Dinneen for The Saturday Evening Post, as well as Riley Cooper’s book HERE IS TO CRIME. Fuller chose to frame his exploration of organized crime around a tale of vengeance as Tolly Devlin (Robertson) vows to find the men who beat his father to death when he was a child. Devlin succeeds in working his way into the organization where the killers have now become powerful lieutenants and manages to sow distrust within their ranks. The score for UNDERWORLD, U.S.A. was composed by Harry Sukman, an American composer, conductor and pianist. Among his many credits include GOG, SCREAMING EAGLES, FORTY GUNS, THE HANGMAN, FANNY, THE SINGING NUN and SALEM’S LOT, and dozens of episodes from various television series including LARAMIE, DR. KILDARE, PEYTON PLACE, THE HIGH CHAPARRAL and BONANZA. Released in 1960, CROSSROADS TO CRIME was directed by Gerry Anderson (THUNDERBIRDS, SPACE: 1999), written by Alun Falconer, based on a story by Edgar Wallace, starring Miriam Karlin, George Murcell, David Graham and Victor Maddern. CROSSROADS TO CRIME was the first live-action feature from the fledgling AP Films prior to achieving international success with SUPERCAR (1961-62). While patrolling his beat, Police Constable Don Ross (Oliver) suspects a criminal gang is operating out of an English truck stop. Defying the orders of his commanding officer, he is determined to stop the local crime boss (Ferdy Mayne) and his two thugs (SUPERCAR voice artists George Murcell and David Graham) from hijacking a load of nickel ingots. The score for CROSSROADS TO CRIME was composed by Barry Gray, who had just finished working with Gerry Anderson on a puppet series they co-created, FOUR FEATHER FALLS. Gray would continue to be an invaluable member of the AP Films team (later Century 21), creating the musical identity for such Gerry and Sylvia Anderson TV series as THUNDERBIRDS, UFO and SPACE: 1999. This first volume in Dragon’s Domain Records series of classic crime dramas has been mastered by James Nelson at Digital Outland, featuring exclusive liner notes by Starlog Magazine’s David Hirsch on the music featured on the album. THE GOLDEN AGE OF CRIME DRAMAS, VOLUME 1 is a limited edition release and is expected to begin shipping the week of March 23rd, 2026. SPECIAL NOTE: These recordings were originally taken from analog masters and music & effects tracks and therefore certain limitations from the source tapes may be evident. We have tried to preserve as closely as possible, the quality of the original recordings UNDERWORLD, U.S.A. (1961 - Harry Sukman) 01. Underworld U.S.A. Main Title / Alley Fight / Tolly Witnesses / Alley Murder (2:30) 02. Tolly's Father Is Dead (Interpolates Auld Lang Syne) / Arrested / Flashback / Arrested Again (2:45) 03. Prison Hospital Job / Wait For Farrar / Alone With Farrar / Hunt For Gela Begins / Break-In (4:06) 04. Meet Cuddles / Tolly Rescues Cuddles / Escape / To The Bait Shop / Tolly Takes The Drugs (3:53) 05. Tolly and Gus Meet In Alley / Sandy Tells Cuddles The Truth / Police Station Transition A (1:37) 06. Fowler's Suicide / Gus Kills Mankin's Daughter (2:08) 07. Tolly and Cuddles Make Love (1:47) 08. Smith Arrested / Headline Montage / Police Station Transition B / Gunther Arrives / Double Cross / Gus Kills Gunther (2:20) 09. Cuddles Proposes Marriage To Tolly / Thinking of Cuddles (3:10) 10. Tailing Gela Parts A & B / Seeing Gela With Driscoll / Gus Calls Tolly (1:33) 11. Tolly Beats Gela / Gela's Death (1:58) 12. Marriage Proposal Reconsidered / Tolly Confronts Connors (1:49) 13. Tolly Is Shot / Dying In Cuddles Arms / Finale (3:03) 14. Underworld U.S.A. (1961) Theatrical Trailer (2:26) CROSSROADS TO CRIME (1960 - Barry Gray) 15. Crossroads to Crime Main Title (1:43) 16. Presumed Kidnapping / Copper Hurt (1:01) 17. Lying to the Constable at Home (2:33) 18. Mr. Miles Warns Mrs. Williams and Mr. Diamond (1:24) 19. The Job at the Cafe / Sargeant Discovers Bribe (3:46) 20. Lorry Taken / Ross Plots with Mrs. Williams / Final Job (2:53) 21. We Need the Copper / The Heist (4:44) 22. Shootout With Diamond / End Titles (2:49) 23. Crossroads to Crime (1960) Theatrical Trailer (2:04) Total Time 58:13 Citadel Records, a division of BSX Records, presents THE WESTERN FILM WORLD OF DIMITRI TIOMKIN, which includes music from several Western themed movies from the legendary composer’s rich filmography, including GIANT, RED RIVER, DUEL IN THE SUN, HIGH NOON, NIGHT PASSAGE and RIO BRAVO. THE WESTERN FILM WORLD WORLD OF DIMITRI TIOMKIN was produced by composer Laurie Johnson and Christopher Palmer and included music selected by and original scores adapted by Palmer, performed by the London Studio Symphony Orchestra, including the John McCarthy Singers with baritone Bob Saker. The music was recorded utilizing a Calrec Soundfield Microphone into a Sony 1600 Digital Recorder in London in March 1980. A bonus track is included, the composer’s own suite entitled ‘A President’s Country’, performed by the Royal College Of Music Orchestra,conducted by Sir David Willcocks, recorded in the mid 1980s. Tiomkin assembled the suite himself, including themes from RED RIVER, DUEL IN THE SUN, GIANT, RAWHIDE, HIGH NOON and THE ALAMO and was originally used to underscore a documentary spotlighting the southwest of Texas, the homeland of President Lyndon Johnson and included narration by Gregory Peck. Dimitri Tiomkin was a Russian Jewish composer who emigrated to America and became one of the most distinguished and best-loved music writers in Hollywood. He won a hallowed place in the pantheon of the most successful and productive composers in American film history, earning himself four Oscars and sixteen Academy Awards nominations. Classically trained in Saint Petersburg before the Bolshevik Revolution, he moved to Berlin and then to New York City after the Russian Revolution. In 1929, after the stock market crash, he moved to Hollywood, where he became best known for his scores for Western films, including DUEL IN THE SUN, RED RIVER, HIGH NOON, THE BIG SKY, 55 DAYS AT PEKING, GUNFIGHT AT THE O.K. CORRAL, RIO BRAVO, and LAST TRAIN FROM GUNHILL. Originally released on vinyl in the early 1980s by Unicorn-Kanchana and later an early compact disc in the late 1980s, Citadel Records, a division of BSX Records, is proud to bring these recordings back into the marketplace, under license from Unicorn Records Limited, with the music newly remastered by James Nelson at Digital Outland and retaining the original liner notes written by Christopher Palmer. THE WESTERN FILM WORLD OF DIMITRI TIOMKIN is a limited edition release. THE WESTERN FILM WORLD OF DIMITRI TIOMKIN is expected to begin shipping the week of March 23rd, 2026. 01. Prelude (from "Giant") (2:18) 02. Prelude And Wagon Train (from "Red River") (4:02) 03. Red River Crossing (from "Red River") (2:32) 04. The Challenge And Finale (from "Red River") (3:20) 05. Prelude And Legend (from "Duel In The Sun") (3:06) 06. The Buggy Ride (from "Duel In The Sun") (2:35) 07. Trek To The Sun, Love-Death And Finale (from "Duel In The Sun") (5:03) 08. Main Titles (from "High Noon") (2:56) 09. The Clock And Showdown (from "High Noon") (8:46) 10. End Titles (from "High Noon") (1:11) 11. Follow The River (from "Night Passage") (3:01) 12. De Guella (from "Rio Bravo") (3:35) 13. Love Theme (from "Rio Bravo") (2:31) 14. End Titles (from "Rio Bravo") (1:59) The John McCarthy Singers with Bob Saker, baritone. The London Studio Symphony Orchestra, Leader, Hugh Bean. Conducted by Laurie Johnson BONUS TRACK 15. A President's Country - Suite (11:44) The Royal College of Music Orchestra. David King, Organ. Conducted by Sir David Willcocks Total Time: 58:44 Disc-On-Demand (CDR) Includes Digital Download / Digital Booklet BSX Digital presents music from the original motion picture to the 1984 film SPLASH directed by Ron Howard, starring Tom Hanks, Daryl Hannah, John Candy and Eugene Levy, featuring music composed and conducted by Lee Holdridge (THE BEASTMASTER, OLD GRINGO, THE MISTS OF AVALON). Following the release of the film, the composer produced a rerecording of the score performed by the Royal Philharmonic Orchestra. Also included are three bonus tracks performed by Kira McClelland, Dan Redfeld and the London Symphony Orchestra conducted by Charles Gerhardt. 1. Love Came For Me (Love Theme) (2:37) 2. Madison In Bloomingdale's (1:39) 3. Mermaid On The Beach (2:30) 4. Underwater (2:18) 5. Reflection (1:06) 6. Rainy Night (2:43) 7. Face To Face (1:38) 8. Escape And Chase (2:55) 9. Madison And Allen (3:08) 10. Moonlit Night (2:57) 11. Daydream (0:55) 12. Raid On A Museum (0:41) 13. The Leap To Freedom (3:36) 14. Return Home (1:30) BONUS TRACKS 15. Love Came For Me (Solo Piano) (1:46) Pianist: Dan Redfeld 16. Love Came For Me (Vocal) (3:20) Vocalist: Kira McClelland 17. Love Came For Me (3:32) Performed by the London Symphony Orchestra Conducted by Charles Gerhardt Total Time: 38:43

Snow Files of the Week: "Chernobyl/Saviour" aus "MillenniuM", Episode "Maranatha" (1997). Diese Folge aus der ersten Staffel dringt weiter in den mystischen "story arc" der Serie ein. Frank Black sieht sich konfrontiert mit Yaponchik, dem russischen "schwarzen Mann" sozusagen. Der Anfang der Folge zeigt die Reaktorkatastrophe in Tschernobyl 1986. Yaponchik verlässt kurz vor der Explosion das Gelände, scheinbar hat er sie verursacht. Später in der Folge erfüllt sich auch noch eine biblische Prophezeiung, als Yaponchik eine eigentlich tödliche Schussverletzung am Kopf überlebt. Am Ende kann er entkommen, er flieht in einem Hubschrauber, der die Kennnummer 666 trägt. Marks Musik ist episch und groß. Fast so, als wolle er den großen Bibel-Epen der 50er und 60er Jahre nacheifern, durchsetzt er seinen Score mit einem großen Chor, der den ewigen Kampf zwischen Gut und Böse untermalt. Die meiste Zeit über benutzt er den großen Chor, um Yaponchiks Thema zu transportieren, während ein sanfter Chor Frank bei seinem Kampf gegen das Böse begleitet, wie man es zu Beginn des Tracks "Saviour" hören kann. Die Stücke stammen vom ersten Volume der Musik aus "MillenniuM", welches von LLL 2008 limitiert auf 2.000 Stück veröffentlicht wurde. Das Set war dann zwei Jahre später ausverkauft, bevor es limitiert auf 1.000 Stück noch einmal veröffentlicht wurde. Auch die zweite Auflage ist ausverkauft. Viel Spaß beim Hören!

Laut Beltrami hat sich bisher kein Label gemeldet. Nicht mal Varese, die bisher alle Scream-Scores veröffentlicht haben.

Intrada announces a unique score from composer Charles Fox for the Paramount sci-fi horror film Bug. While Fox is often known for his melodic and effervescent style of scoring, this project offered an opportunity to provide a stark contrast to his usual trademark sound. The score is entirely performed on the Moog synthesizer, the only one in the composer's output. Fox was among the first composers to purchase a Moog directly from its creator. “It was so new that there was no instruction manual yet. It came with 13 oscillators for sounds, and you just had to figure it out!” he remarked. The result is a score that is unmistakably computer-like with percussive motifs that vividly convey 1970s state-of-the-art blinking buttons, whirling tapes and screen displays spinning out information. Except in this film the thinking machines working and evolving in tandem are the roaches. It’s this cutting-edge sound (at the time) that puts Bug in worthy experimental company along side Gil Mellé’s high-tech synth approach to his score for The Andromeda Strain. The atonality of the score is profound, leading Fox to recommend to Intrada that "there should be an advisory with the score that it not be played at a dinner party." But check it out for yourself in this trailer. The album was produced by Dan Goldwasser, mastered by Doug Schwartz, and features liner notes by Daniel Schweiger. In the film, a series of earthquakes releases a species of ancient cockroaches from deep underground. These insects have an unusual ability to ignite fires through a chemical reaction in their bodies. As the bugs multiply and begin causing deadly fires, a college entomologist, Dr. James Parmiter, studies them and discovers they may be evolving rapidly and developing a form of intelligence. His obsession with understanding and controlling the creatures ultimately leads to dangerous consequences as the situation spirals out of control. THE SCORE 01. Trail Of Fire (0:50) 02. The Bugged Pick-Up (1:30) 03. The Fiery Feline (1:57) 04. Discovery At The Chasm** (3:15) 05. A Shocking Discovery** (0:56) 06. Jarring The Roaches (2:47) 07. A Ring Of Terror* (1:56) 08. Killing The Killer (1:45) 09. They Will Die (0:57) 10. The Cake Box Roach/Human Inferno (2:38) 11. Death Row (2:08) 12. The Roach And The Egg Sack/The Roach Bridge* (0:29) 13. The Birth Of A New Strain (0:58) 14. The Deadly Offspring (1:48) 15. Man-Eating Roaches** (3:49) 16. The Wall Of Terror** (3:17) 17. Into The Chasm (1:07) 18. Terror In The Night** (5:20) 19. End Credits** (1:18) Total Score Time: 38:45 THE EXTRAS 20. Bug Logo (Unused Title Sting, 3 Versions) (0:27) 21. Trail Of Fire (Alternate Take) (0:48) 22. The Bugged Pick-Up (Alternate Tag) (0:17) 23. Jarring The Roaches (Alternate Mix) (2:46) 24. They Will Die (Alternate Mix) (0:59) 25. The Roach Bridge (Alternate) (0:09) 26. The Deadly Offspring (Alternate Take) (1:47) 27. Into The Chasm (Extended Alternate) (3:18) 28. End Credits (Short Version) (0:50) Total Extras Time: 11:21 Total CD Time: 50:06 * not used in film **contains material not used in film

LLL hat normalerweise nur die Lizenz für die physischen Veröffentlichungen. Die Streaming-Lizenzen bleiben meist beim Rechteinhaber. Und der entscheidet dann, ob die Musik auch auf den einschlägigen Streaming-Portalen erscheint. Es gibt ein paar Ausnahmen, das war dann ein spezieller Deal. Wenn ich mich recht erinnere, konnte LLL beispielsweise auch einen der Transformers-Scores, den sie auf CD gebracht haben, auf die Streaming-Portale bringen. Oder es läuft eben über den Rechteinhaber, wie beispielsweise Amazon.

Snow Files of the Week: "The New Life/Resolution", aus dem TV-Film "Oldest Living Confederate Widow Tells All" (1994). Dieser Score ist ein weiterer Beweis dafür, dass Mark durchaus mit einem Orchester umgehen kann. Seine schwelgerischen Melodien und ein zauberhaftes Hauptthema für Solo-Violine machen den Score zu einem schönen Hörerlebnis. Der Score wurde 1994 von Milan Records auf CD veröffentlicht. Viel Spaß beim Hören!

Ebenfalls neu von Quartet: Quartet Records, in collaboration with MovieScore Media, presents a new score by the renowned Academy-Award winner composer Stephen Warbeck (SHAKESPEARE IN LOVE, QUILLS, BILLY ELLIOT, THE MAN IN THE HAT) for a film directed by Gaby Dellal. Starring Fiona Shaw and Katherine Waterston, the story is about Charlotte, who—paralyzed by her life as a cattle rancher—flees her controlling husband and returns to her mother’s apartment. There, she rediscovers her teenage love and the life she left behind. Now, mother and daughter must confront hidden truths. Stephen Warbeck’s music for PARK AVENUE is conceived as an intimate and slightly eccentric score, always remaining within the emotional range of the story. The recording features an ensemble made up of a combination of musicians from both jazz and classical music, giving the score a hybrid texture and diverse interpretive sensibility, with performances by double bassist Lars Danielsson and cellist Nick Cooper standing out. Black Sun 1:56 (Performed by Isaac Waddington) The Chase 1:31 The Reckoning 2:16 New York 2:20 Central Park 1:53 Kit’s World 2:48 Waiting 1:31 The Gallery 1:13 Manhattan Bar 1:03 Living and Dying 2:17 In the Bar 1:58 Park Avenue 1:50 The Awakening 1:58 The Gurney 1:53 Charlotte Leaving 1:47 The Poem and the Truth 5:13 The Hospital 1:45 Mother and Daughter 2:15 The Closing 3:06 Sweet Jane 2:06. (Performed by Mathilda Florence)

Quartet Records, in collaboration with Paramount Pictures, presents a remastered and expanded 2-CD deluxe edition of COP LAND, the cult soundtrack composed by Howard Shore in 1997 during one of the most creative periods of his career, following such classic scores as THE SILENCE OF THE LAMBS, SEVEN, M BUTTERFLY, ED WOOD, CRASH and LOOKING FOR RICHARD, among many others. Written and directed by James Mangold, the film features an impressive cast, including Sylvester Stallone, Robert De Niro, Harvey Keitel and Ray Liotta. Stallone plays a sheriff in a suburban New Jersey community populated by New York City police officers, who slowly discovers that the town is a front for mob connections and corruption. Howard Shore composed a dramatic and intense score with fatalistic, heroic and emotional elements, showcasing his ability to elevate human conflicts to epic proportions through music. The score for COP LAND was released on a 40-minute album by Milan Records in 1997, but it was far from complete. It strangely omitted the powerful and robust music composed for the end credits (“Back to Work” on our album), one of Shore’s most impressive compositions. The re-editing of the film and changes in the studio criteria led Shore to rewrite and adapt a large part of his score, of which an additional 30 minutes or so can be found in the bonus tracks section on the second disc. The original album included unique mixes and edits, so we have kept it intact and remastered. Performed by the London Philharmonic Orchestra under the composer’s baton, this album has been painstakingly produced by Dan Goldwasser, mixed and mastered by Chris Malone, and entirely supervised and approved by Mr. Shore. The package includes an in-depth essay by film music writer Jeff Bond. DISC 1. THE FILM SCORE Cop Land 1:14 Discovering Frankie 1:19 Tunnel to the Bridge / Across the River 2:35 George Washington Bridge 4:33 Interrogation / Ray Pulled Over / Cupcake 1:32 Turtle Ride 0:58 Garrison, NJ (Film Version) 1:35 Liz 1:09 Connecting With Liz 1:46 Figs in Bar 2:59 Dream and Death 3:05 Funeral 0:57 $64,000 Question 3:43 Mashed Potatoes Don’t Mean Gravy (Film Version) 2:06 Closed Case 1:33 I’m Ghandi 1:31 Pool of Crimson (Film Version) 4:02 Chasing After Babitch 1:49 Change of Heart 2:22 Offered a Chance 0:48 Stealing the Files 4:40 Five Out of Six 1:15 Lagonda in the Backseat 1:29 Check 0:49 Tracking the Bomb 1:22 Big Blue Pow Wow (Film Version) 4:20 Kidnapped 1:04 All Dressed Up in Blue (Film Version) 4:19 One Police Plaza (Film Version) 2:18 Back to Work 5:09 Total Disc Time: 68:33 DISC 2. THE ORIGINAL 1997 SOUNDTRACK ALBUM All Dressed Up in Blue 4:21 Garrison, NJ 1:47 Yellow Betray Blue 3:33 Local Boy Saves Drowning Teen 3:05 Mashed Potatoes Don’t Mean Gravy 2:25 The Sheriff of Cop Land 2:39 Pool of Crimson 4:40 The Diagonal Rule 4:27 Across the River 4:59 Big Blue Pow Wow 2:31 Without Looking at the Cards 4:07 One Police Plaza 2:07 Cop Land (Alternate) 1:11 Across the River (Early Version) 0:34 Across the River (Solo French Horn Alternate) 0:34 George Washington Bridge #1 2:15 George Washington Bridge #2 2:12 Ray Pulled Over (Alternate) 0:37 Turtle Ride (Alternte) 0:57 Funeral (Alternate) 0:39 Closed Case (Alternate) 1:35 Chasing After Babitch (Alternate) 1:48 Offered a Chance (Alternate) 0:48 Five Out of Six (Early Version) 1:09 Five Out of Six (Alternate) 1:14 Check (Early Version) 0:51 Check (Alternate) 0:48 One Police Plaza (Early Version) 1:49 One Police Plaza (Alternate) 1:49 Back to Work (Alternate) 1:07 Bagpipes 1:03 Cop Land Jazz Grouping 1:06 Freddy Directing Traffic (Bonus) 1:02 Total Disc Time: 66:28 Total Collection Time: 135:01

Müssen nicht immer die Rechte sein. Es können auch einfach noch nicht alle Freigaben da sein. Wie schon öfter erwähnt, müssen auch die verwendeten Fotos für das Artwork freigegeben werden. Dazu müssen unter Umständen auch die gezeigten Darsteller oder deren Vertretung kontaktiert werden. Und bis von da eine Antwort kommt, kann auch dauern.

Am 9. März:

Am 10. März von Intrada:

Music by Mark Mancina Limited Edition of 3000 Units STARTS SHIPPING MID-MARCH La-La Land Records and Sony Pictures celebrate the 30th Anniversary of the 1995 blockbuster big-screen action/comedy BAD BOYS, starring Will Smith and Martin Lawrence, and directed by Michael Bay, with this remixed, remastered and expanded limited edition 2-CD re-issue of acclaimed composer Mark Mancina’s iconic original motion picture score. Mark Mancina’s (SPEED, TWISTER, TARZAN) exhilarating action score to the film SPEED established the composer as a fresh and notable musical voice, making him the perfect choice for BAD BOYS, a bold and exciting new take on the battle-tested buddy-cop/action formula. Mancina expertly harnesses superstars Will Smith and Martin Lawrence’s explosive comedic and dramatic chemistry, along with Director Michael Bay’s high-octane action mayhem, creating a legendary work that helped change and influence action film scoring into the 21st century and one that still serves as the musical thematic foundation of the entire BAD BOYS franchise decades later. La-La Land’s original 2007 single disc CD release of BAD BOYS was compromised by the only available music elements at that time, resulting in some of that release’s program in mono. Now presented in full stereo for the first time, this all-new remastered and expanded 2-CD re-issue is a major upgrade in both sonic quality and content, finally allowing Mancina’s work to shine in all its brilliance! Produced by Stéphane Humez and mixed and mastered by Maxime Marion from newly discovered 32-track digital masters, this deluxe presentation of BAD BOYS features the film score presentation on Disc One and Bonus Tracks on Disc Two. Limited to 3000 Units, this release’s exclusive liner notes are by writer Kaya Savas and include new interviews with composer Mark Mancina and additional composer Nick Glennie-Smith. The sharp art design is by Dan Goldwasser. TRACK LISTING: DISC 1 SCORE PRESENTATION 1. Funky Logo – Car Jacking 3:39 2. Bad Boys Main Title – The Heist* 6:11 3. Funky Brothers To P.D. 0:38 4. Air Conditioning Inspection* 1:09 5. Jojo What You Know 0:41 6. Dead Guy 5:14 7. He’s The Person I’d Call* 0:55 8. Killing Max 4:18 9. The Boys Find Max 1:34 10. Into Lois’ Apartment 1:11 11. Max Logan’s Best Friend 0:53 12. Escape From Julie’s 2:48 13. You’re Going To Leave Me Alone? 0:54 14. Don’t “Honey Baby” Me 1:04 15. My Bologna Has A First Name* 3:59 16. Julie’s Got A Gun 0:42 17. Escape From Club Hell – Ether Chase* 4:36 18. We Don’t Want To Lose You 0:41 19. I Mean Like Funny 2:13 20. Stake Out – Interrogation 1:26 21. Tailing Lab Tech – Blown Cover 1:39 22. Busted* 1:00 23. Footchase 4:25 24. Fouchet Calling* 0:35 25. Hangar Shootout* 9:17 26. Cobra Chase 1:47 27. Fouchet’s Death 3:03 TOTAL DISC TIME 66:30 DISC 2 BONUS TRACKS 1. Theme From Bad Boys 4:15 2. Funky Brothers To P.D. (Demo Version) 0:29 3. Jojo What You Know (Film Version) 0:34 4. Dead Guy (Alternate) 3:35 5. The Boys Find Max (Alternate Version 1) 1:23 6. The Boys Find Max (Alternate Version 2) 1:24 7. Escape From Julie’s (Demo Version) 2:47 8. My Bologna Has A First Name (Alternate) 4:05 9. Escape From Club Hell (Demo Version)* 1:53 10. Escape From Club Hell (Film Version)* 2:01 11. Footchase (Demo Version) 4:24 12. Fouchet Calling (Alternate)* 0:35 13. Fouchet’s Death (Alternate) 3:03 14. Theme From Bad Boys (Funky Boys Remix) 5:38 TOTAL DISC TIME 36:08 TOTAL ALBUM TIME 1:42:38 * Written by Mark Mancina & Nick Glennie-Smith This is a CD format release

Music by Trevor Rabin Limited Edition of 2000 Units La-La Land Records and Sony Pictures proudly present the official world premiere 2-CD limited edition release of renowned composer Trevor Rabin’s (ARMAGGEDON, DEEP BLUE SEA, NATIONAL TREASURE) original motion picture score to the 2003 blockbuster big-screen action/comedy BAD BOYS II, the first sequel in the powerhouse BAD BOYS franchise, starring Will Smith and Martin Lawrence, and directed by Michael Bay. The long-awaited re-teaming of Will Smith, Martin Lawrence and Michael Bay for BAD BOYS II would notably up the scope, scale and action of the original film and composer Trevor Rabin rises to the challenge with a breathtaking behemoth of an action score. Teeming with propulsive original material and themes, Rabin unleashes all-new musical adrenaline, with subtle nods honoring BAD BOYS composer Mark Mancina’s original main theme. This 2-CD deluxe presentation marks the first official release of Rabin’s BAD BOYS II in any format! Produced by Stéphane Humez and edited and mastered by Maxime Marion from studio vault elements, this deluxe presentation of BAD BOYS II features the film score presentation, including additional score by Steve Jablonsky on both CDs, while a massive bounty of Bonus Tracks is featured on Disc Two, including Mark Mancina’s unused demo for this sequel – a rearrangement of his original, iconic BAD BOYS theme! Limited to 2000 Units, this release’s exclusive liner notes are by writer Kaya Savas and the sharp art design is by Dan Goldwasser. TRACK LISTING: DISC 1 SCORE PRESENTATION 1. Xtreme Machine*** 4:19 2. Swamp – KKK++ 5:29 3. Tapia 0:35 4. Money Counting* 1:11 5. Haitian Saddle Up+ 0:49 6. Syd Getaway – Muscle Car* 4:10 7. Shootout§§ 2:47 8. Causeway* 4:12 9. Syd And Mike** 1:33 10. Pressure Points* 0:29 11. Tapia Pissed Off 1:07 12. Ice Pick** 0:49 13. Haitian Shootout+ 3:45 14. Rat Porno°°° 0:25 15. Tapia Conversation – Escape Tapia’s 4:11 16. Tapia Threatens – Computer Lab* 0:34 17. Wiretap Results 1:01 18. Tapia And Syd Ocean 1:39 19. Stilt House* 2:17 20. Boat Dock – Follow The Cubans+++ 2:48 21. Cuban – Van Chase* 4:32 22. Train Fight 2:23 23. Bad Boys For Life 0:38 24. Mortuary Sneak 1:38 25. Escape Mortuary° 3:24 26. Syd’s Cover Is Blown 5:45 27. Tapia Has Syd°° 5:31 TOTAL DISC TIME 68:00 DISC 2 SCORE PRESENTATION CONTINUED 1. Prepare For Tapia*** 0:52 2. Tapia Attack§§ 9.03 3. Cuba Chase 3:23 4. Guantanamo 1:56 BONUS TRACKS 5. Theme From Bad Boys (Bad Boys II Demo Version)** 2:37 6. Xtreme Machine (Alternate)*** 2:45 7. Syd Getaway – Muscle Car (Alternate)* 4:10 8. Shootout (Alternate)§§ 3:05 9. Causeway (Alternate)* 4:23 10. Pressure Points (Alternate)* 0:29 11. Tapia Conversation (Alternate) 3:17 12. Bad Boys For Life (Alternate) 0:38 13. Mortuary Sneak (Alternate) 1:08 14. Tapia Has Syd (Alternate Version 1) 5:19 15. Tapia Has Syd (Alternate Version 2) 5:27 16. Tapia Has Syd (Alternate Version 3) 2:20 17. Tapia Has Syd (Helicopter Insert)* 1:19 18. Tapia Attack (Alternate Beginning) 3:33 19. Cuba Chase (Alternate) 3:22 20. Guantanamo (Alternate Version 1) 2:09 21. Guantanamo (Alternate Version 2) 2:11 22. Menina§ 4:05 TOTAL DISC TIME 67:29 TOTAL ALBUM TIME 2:15:29 * Written by Steve Jablonsky ** Written by Mark Mancina *** Written by Paul Linford + Written by Harry Gregson-Williams ++ Written by Trevor Rabin & Mark Mancina +++ Written by Mark Mancina, Steve Jablonsky & Trevor Rabin ° Written by Steve Jablonsky, Mark Mancina, Tim Heintz & Trevor Rabin °° Written by Trevor Rabin, Steve Jablonsky & Tim Heintz °°° Written by Trevor Rabin & Paul Linford § Written by Heitor Pereira §§ Contains an Interpolation of “Theme From Bad Boys” Written by Mark Mancina These are CD format releases.

Snow Files of the Week: "Damascus/The Subject", aus "MillenniuM", Episode "Owls" (1998). Als Mitglieder der MillenniuM-Gruppe in einer Moschee in Damaskus ein Stück Holz finden, welches zu dem Kreuz gehörte, an dem Jesus gestorben ist, entzweit sich die Gruppe in zwei Parteien: die "Eulen" und die "Hähne". Während die "Eulen" nicht an die Apokalypse mit dem Jahr 2000 glauben, sondern daran, dass das Jahr 2000 nur der Start von kosmischen Ereignissen ist, die erst knapp 60 Jahre später Auswirkungen haben werden, sind die "Hähne" davon überzeugt, dass das Ende nahe ist. Noch komplizierter wird es, als eine dritte Partei hinter dem Stück Holz her ist: das Projekt „Odessa", welches einst von den Nazis ins Leben gerufen wurde, um auf der ganzen Welt nach religiösen und machtvollen Objekten zu suchen. Marks Musik untermalt nicht nur die Szenen in Damaskus, als die Mitglieder der Gruppe sich wegen des Stück Holzes gegenseitig töten, sondern gibt der Folge auch eine religiöse Tonalität in dem Stück „The Subject". Diese Tracks stammen vom ersten Set mit MillenniuM-Musik von LLL, welches 2008 veröffentlicht wurde. Die erste Auflage war auf 2.000 Stück limitiert und war 2010 dann ausverkauft. 2015 wurde das Set wieder aufgelegt, dieses Mal limitiert auf nur noch 1.000 Stück. Auch diese Auflage ist ausverkauft. Viel Spaß beim Hören!

Und weg