Veröffentlichung Kurz & knapp: Sammelthread für "kleine" Veröffentlichungen

[Alexander Grodzinski]

Zitat

Quartet Records, in collaboration with Gruppo Sugar, presents the world premiere release of the catchy score by Guido & Maurizio De Angelis (SAVANA VIOLENTA, TORSO, IL GRANDE RACKET, KILLERFISH) for Lando Buzzanca’s sex-comedy vehicle SAN PASQUALE BAYLONNE PROTETTORE DELLE DONNE (1976)

The film, directed by Luigi Filippo D’Amico, follows petty criminal Giuseppe Cicerchia (Buzzanca) who can’t catch a break following separation from his wife, Iolanda. That is, until he moves to the isolated mountain town of Busolone, where the crafty con man finds the recipe for success…

The score by the De Angelis brothers is almost a musical sequel to their score for PER LA GRAZIA RICEVUTA (1971), a film with which SAN PASQUALE BAYLLONE has much in common. A folk/pop hybrid approach characterizes the whole score, mixed with the brothers’ indisputable gift for melody and lovely, heart-warming tunes. A religiously inspired, folksy waltz serves as the main theme.

Mastered by Claudio Fuiano from stereo session master tapes provided by Gruppo Sugar, the CD comes in a richly illustrated package featuring liner notes by Gergely Hubai that cover both the film and score.

1. San Pasquale Baylonne protettore delle donne (Titoli) (2:35)
2. San Pasquale Baylonne protettore delle donne (Mistero buffo) (2:00)
3. San Pasquale Baylonne protettore delle donne (Bande del paese) (1:46)
4. San Pasquale Baylonne protettore delle donne (Caccia tragica) (2:38)
5. San Pasquale Baylonne protettore delle donne (Rito magico) (1:06)
6. San Pasquale Baylonne protettore delle donne (Festa in piazza) (1:04)
7. San Pasquale Baylonne protettore delle donne (Tema principale senza coro) (2:33)
8. San Pasquale Babyonne protettore delle donne (Falsi miracoli) (2:38)
9. San Pasquale Baylonne protettore delle donne (Lacinante) (1:14)
10. San Pasquale Baylonne protettore delle donne (Allegria) (1:33)
11. San Pasquale Baylonne protettore delle donne (Il truffatore donnaiolo) (1:42)
12. San Pasquale Baylonne protettore delle donne (Banda del paese #2) (2:23)
13. San Pasquale Baylonne protettore delle donne (Un nuovo miracolo?) (1:26)
14. San Pasquale Baylonne protettore delle donne (Coro di donne) (1:51)
15. San Pasquale Baylonne protettore delle donne (Caccia tragica #2) (2:38)
16. San Pasquale Baylonne protettore delle donne (Tema principale senza coro Nº2) (2:56)
17. San Pasquale Baylonne protettore delle donne (Incantesimo) (1:12)
18. San Pasquale Baylonne protettore delle donne (Un nuovo miracolo? #2) (1:26)
19. San Pasquale Baylonne protettore delle donne (Lancinante #2) (1:15)
20. San Pasquale Baylonne protettore delle donne (Festa in piazza N#2) (4:14)
21. San Pasquale Baylonne protettore delle donne (Finale) (1:20)

 

Zitat

Quartet Records, in collaboration with Gruppo Sugar, presents the CD premiere of the delicious Detto Mariano (LA PRINCIPESSA NUDA, IL BISBETICO DOMATO, IL RAGAZZO DI CAMPAGNA) comedy score for the Maurizio Nichetti classic RATATAPLAN (1979).

The film was written and directed by Maurizio Nichetti, whose specialization was pantomime acting and who also stars in the film. The wordless movie stars Nichetti as Colombo, an engineer who is known for coming up with unusual solutions to problems. In a number of colorful vignettes, we see him invent brilliant contraptions such as a breakfast machine, the secret of eternal life and even a dancing robot.

The score composed by Detto Mariano is as colorful as Colombo’s inventions. The main theme is a vocal duet, reflecting on the film’s optimistic message that even an oddball like our hero can find a mate. Colorful source cues for the flats around Colombo’s loft are augmented with great music for the film’s memorable set pieces, including a theatrical performance where a cardboard piano comes to life and a couple of infectious disco songs to which the dancing robot can jam.

CAM released a 33-minute LP in 1979; for this edition, we have expanded the program to offer the complete score (45 minutes). Mastered by Claudio Fuiano from stereo session master tapes provided by Gruppo Sugar, this new release comes in a richly illustrated package featuring liner notes by Gergely Hubai that discuss both film and score.

1. Ratataplan (parte I) (2:23)
2. Fra gli stracci (1:43)
3. Magic Show (4:10)
4. Pianoforte di cartone (3:03)
5. Miracolo (2:39)
6. Ratataplan (parte II) (3:24)
7. Tango del cortile (2:45)
8. Sul ballatoio (3:10)
9. Bimba rock (1:17)
10. Maestro di ballo (2:50)
11. The Be The One You Love (3:01)
12. World X (2:57)
13. Ratataplan (Versione violino) (3:28)
14. Sul ballatoio (Latino Americano) (3:25)
15. Fra gli stracci (Versione lunga) (3:21)

 

[Gast Stefan Jania]

An alle, die noch in diesem Thread posten: schreibt bitte Titel und Komponist direkt rein. So viel Zeit sollte neben Copy/Paste noch sein. Inhalte in Zitaten werden von der Suchfunktion nicht indiziert. Das geht somit unauffindbar "down the drain".

[Oliver79]

Von Dragon's Domain Records kommen am 7. Juni drei neue Veröffentlichungen:

Mr. Invisible Mr. Unmei (aka Oriental Evil) / Geisha Girl (Albert Glasser)

Zitat

 

Dragon’s Domain Records, to be distributed through buysoundtrax.com, presents THE ALBERT GLASSER COLLECTION Volume 2, featuring the premiere releases of Albert Glasser’s music for UNMEI (1951, aka THE INVISIBLE MR. UNMEI, aka ORIENTAL EVIL) and GEISHA GIRL (1952). The former film is a crime thriller and the latter is a comedy drama, both taking place and filmed in Japan, both co-directed and co-produced by C. Ray Stahl and George P. Breakston, known for TOKYO FILE 212, JUNGLE STAMPEDE, and the like.

Albert Glasser, known for his 1950s science fiction scores for INVASION U.S.A., THE INDESTRUCTIBLE MAN, THE AMAZING COLOSSAL MAN, EARTH VS THE SPIDER, TEENAGE CAVEMAN, and many more, scored music for more than a hundred movies from 1944 to 1973, in all manner of genres. Although his expertise and talent deserved far better offerings than the kind of potboilers typically made by the B-movie studios, he made the most of the resources budgets would permit, and came up with a significant body of work which has and is being celebrated for its skill and inventiveness.

UNMEI, which means “fate” in Japanese, is, according to legend, an invisible supernatural entity who only appears to evil men, knowing the secret passions hidden in their minds. This film tells the story of one such evil man, a corrupt businessman named Roger Mansfield, whose actions threaten or provoke the deaths of the women who love him and the men who trust him. Byron Michie plays Roger, while Martha Hyer co-stars as Cheryl Banning, who arrives in Tokyo to inquire about the untimely death of her brother, and falls under Roger’s spell. Tetsu Nakamura (THE MYSTERIANS, THE H-MAN, MOTHRA) plays Noritomu Moriaji, a local businessman and uncle of Roger’s former mistress. Throughout the film Glasser’s symphonic score is authoritative in engaging the drama, suspense, and revelation of the story, incorporating the famous Japanese folk tune, “Sakura Sakura,” as both a love theme and as a motif of irony as Roger’s crimes evolve. A theremin is used throughout the score in a variety of treatments, its wavering tonalities increasing as Roger’s guilt is painted in haunting musical colors. The film also allows the composer to provide some splendid period-flavored orchestral dance band music, and he also uniquely interpolates the Brahms Wedding Concerto for a Japanese wedding sequence.

GEISHA GIRL is a comedy-romance movie with heavy emphasis on slapstick. Like UNMEI, it was filmed in Japan and has a minor bit of the supernatural woven into the film as it follows a pair of naïve G.I.s, Rocky Wilson (Steve Forrest) and Archie McGregor (Archer MacDonald), who are on leave in Tokyo. While there, they run into a spy ring, discover the stewardess Rocky is dating (Martha Hyer) is a secret government agent investigating that spy ring, and happen to attract the ire of the head of that spy ring, Tetsu Nakano (Tetsu Nakamura). Meanwhile, the local police call in mystical hypnotist Zoro (Dekao Yokoo) to aid them in tracking down the baddies. All ends in hilarity and love and a huge fight in a geisha house. Glasser’s score is a mix of exciting, almost over-the-top symphonic action music while providing the right amount of tension, inserting bits of adventurous Japanese sight-seeing music, and keeping everything light, rousing, and fun.

Dragon’s Domain Records, to be distributed by BuySoundtrax, presents the world premiere release of THE ALBERT GLASSER COLLECTION Volume 2, featuring original music composed by Albert Glasser, mastered by James Nelson at Digital Outland. The booklet contains analytical liner notes written by noted film music journalist Randall D. Larson.

THE ALBERT GLASSER COLLECTION Volume 2 is a limited edition release of 500 units and is expected to begin shipping the week of June 7th , 2021.

 

The Resurrected (expanded) - Richard Band

Zitat

 

Dragon’s Domain Records presents a new release of THE RESURRECTED, to be distributed  through buysoundtrax.com. THE RESURRECTED features music composed  and conducted by Richard Band (RE-ANIMATOR, FROM BEYOND, GHOST WARRIOR, TROLL) for the 1991 horror film directed by Dan O’Bannon (ALIEN, DEAD & BURIED, BLUE THUNDER), starring John Terry, Jane Sibbett, Chris Sarandon and Robert Romanus.

Based on H.P. Lovecraft’s classic story ‘The Case Of Charles Dexter Ward’, THE RESURRECTED begins with Claire, the wife of chemist Charles Dexter Ward hiring a private investigator, John Marsh, to gather information on her husband, who has started living like a recluse in a remote cabin owned by his family for centuries. Ward is a chemist for Belmar Cosmetics and has been spending more and more time away from home lately. Marsh immediately suspects that Ward is having an affair with his secretary but as he gets more involved with the case, he discovers that Ward has a lab partner named Ash and there is definitely something strange going in Ward’s laboratory.

Richard Band was born in Los Angeles on December 28, 1953. He is the son of film producer-director-writer Albert Band (THE RED BADGE OF COURAGE – screen adaptation), brother to producer-distributor Charles Band and uncle to young rock star Alex Band of the rock group ‘The Calling’. Shortly after his brother Charles had formed his first movie company, Richard decided to take a break from music and began to work as an assistant director on some of his films. He then went from assistant director to production manager, to associate producer and finally producer on over 13 films. Richard has since gone on to score over 75 feature films and many television productions including multiple episodes of STARGATE SG-1, WALKER: TEXAS RANGER and Disney's SING ME A STORY series.

Richard has composed the music for more than 10 interactive computer/video games over the years and has had many soundtracks that have been released of his film works. Richard has also scored many documentaries including the award-winning series’ MOST DECORATED, BRUTE FORCE and WEAPONS OF WAR and has also contributed much music to other series’ like THE REAL WEST, CIVIL WAR JOURNALS and BIOGRAPHIES. His experience over the years has brought him to record over 22 film scores with internationally renowned orchestras such as THE ROYAL PHILHARMONIC ORCHESTRA, THE LONDON SYMPHONY and THE ROME PHILHARMONIC. He has also had his music recorded in Prague, Romania, Croatia and Munich. In more recent years, Richard has also enjoyed scoring a variety of family and comedy films for Viacom and Paramount Pictures as well as hundreds of animated vignettes for the WB kid's network all of which were scored with orchestra. His musical talents can also be heard on several  amusement park rides including ALIENS - THE RIDE as well as several Vegas venues. Among the many interactive games Richard has scored the music for STAR TREK, WATERWORLD, CASPER, STONEKEEP, DECENT UNDER MOUNTAIN, CLAYFIGHTER and INVICTUS: THE SHADOW OF OLYMPUS.

For this new presentation of Richard Band’s THE RESURRECTED, Dragon’s Domain Records has remastered the original album program released in 1992, thanks to James Nelson at Digital Outland and also includes a selection of bonus tracks that include the remixed orchestral selections from the score courtesy of engineer Matt LaPointe,with liner notes written by author and composer Brian Satterwhite, with the participation of the composer.

THE RESURRECTED is a limited edition release of 500 units. THE RESURRECTED is expected to begin shipping the week of June 7th, 2021. The first 100 copies ordered through the buysoundtrax.com website will be autographed by the composer at no extra charge.

 

Turkey Shoot (remastered) - Brian May

Zitat

 

Dragon’s Domain Records, to be distributed through buysoundtrax.com, presents TURKEY  SHOOT, featuring music composed by Brian May (MAD MAX, THE ROAD WARRIOR, CLOAK & DAGGER) for the 1982 science fiction horror film directed by Brian Trenchard-Smith (THE MAN FROM HONG KONG, STUNT ROCK, THE SIEGE OF FIREBASE GLORIA, SAHARA), produced by Antony I. Ginnane and William Fayman, John Daly, David Hemmings and Brian W. Cook  during the boom of the Australian New Wave of cinema in the late 1970s and early 1980s from a screenplay written by Neill Hicks and Jon George, starring Steve Railsback, Olivia Hussey, Lynda Stoner and Michael Craig.

Released in 1982, TURKEY SHOOT, also known as ESCAPE 2000, takes place in a dystopian future where society is falling apart. Violent riots are shredding cities to pieces. Free will is extinct and defunct and the free exchange of ideas is a mere fantasy.  Those who try to resist the current government are herded into ‘re-education’ camps and forced to literally run for their lives to be hunted by the guards and special guests for sport.  If they can survive the hunt, they can return to society.

Created during a period of brazen musical fearlessness in cinema, May’s score for TURKEY SHOOT is an unique blend of various acoustic and electronic textures that were wildly audacious for their time. The orchestral passages were comprised of oppressively heavy marches and savagely bleating brass while his synthesized concoctions pushed the boundaries of early 1980s genre scoring.

Born in Adelaide in 1934, Brian May (no relation to Brian Harold May of Queen) was one of the first composers to achieve international acclaim as an Australian composer and was best known as the composer of MAD MAX and THE ROAD WARRIOR (MAD MAX II). May received his musical training as a pianist, violinist and conductor at the Adelaide Elder Conservatorium. He joined the Australia Broadcasting Company in 1957, where he formed the ABC Adelaide Big Band, an ensemble that performed all manner of light music for broadcast, and May became a leading figure in Australian light music as a result.  He moved to Melbourne in 1970 to arrange and conduct the ABC’s Melbourne Show band. Moving into film music in a period of time when Australia’s film industry was just beginning to take its place among international film circles, May composed such notable film scores as RACE FOR THE YANKEE ZEPHYR, ROAD GAMES, CLOAK AND DAGGER, DEATH BEFORE DISHONOR, MISSING IN ACTION 2, SKY PIRATES, STEEL DAWN, DR. GIGGLES, FREDDY’S DEAD: THE FINAL NIGHT MARE and BLINDSIDE. He won the Australian Film Institute Award for best original score with MAD MAX; many other awards followed, including the Golden Award from the Australian Performing Rights Association. He continued to score films until 1993, composing music for more than 30 films and many hours of television, most of which he orchestrated himself. Sadly, the composer passed away in 1997 at the age of 63.

Previously released on a very rare compact disc release, Dragon’s Domain Records is excited to bring the TURKEY SHOOT back to the marketplace, newly remastered by James Nelson at Digital Outland with much improved sound. The booklet includes liner notes written by author and composer Brian Satterwhite, including the participation of director Brian Trenchard-Smith.

TURKEY SHOOT is a limited edition release of 500 units. TURKEY SHOOT is expected to begin shipping the week of  June 7th, 2021.

 

 

[Oliver79]

Three Shells aus Japan veröffentlichen am 24. Juni die von Toru Takemitsu und Yasushi Akutagawa komponierte Musik für Kon Ichikawas Segler-Drama Taiheiyô hitoribotchi * Alone Across the Pacific (1963).

 

[Oliver79]

Am 20. Juni erscheint bei Beat Records Alessandro Alessandronis Score für den Rennfahrer-Streifen Formula 1 nell' inferno del Grand Prix (1970) auf CD und LP.

Zitat

 

Beat Records is happy to present on CD the original score by Alessandro Alessandroni for FORMULA 1 - NELL’INFERNO DEL GRAND PRIX (aka MANIACS ON WHEELS) a comedy with dramatic undertones directed in 1970 by Guido Malatesta, with a screenplay by Guido Malatesta and Gianfranco Clerici, photography by Mario Mancini, editing by Jolanda Benvenuti and music score by Alessandro Alessandroni. The cast includes Olga Berová, Giacomo Agostini, Agostina Belli, Graham Hill, Brad Harris, Irio Fantini, Silvana Jachino, Marianne Hoffmann, Fulvio Mingozzi, Gioiella Minicardi, Franco Ressel, Franca Sciutto, Rafael Santos, Ivano Staccioli, Hans von Borsody and Gigi Bonos. Alessandro Alessandroni is a 360-degree musician, having linked his name to the famous choir of Cantori Moderni in countless soundtracks and to Italian Television (Studio Uno, Sabato sera, Canzonissima'68, Canzonissima'69), not to mention composing music for movies as well as many themes for libraries. We are releasing this soundtrack for the very first time on CD (total duration 44:04), assembled from the mono master tapes of the recording sessions. Maestro Alessandroni composed a soundtrack where lounge music is prominent, starting with the "Main Titles," a rhythmic motif for orchestra and choir that provides the background to a car race, but also both instrumental and vocal dance floor themes (that accompany dance scenes during house parties or at night clubs) and even a beat-like march. The composer also wrote pieces where the solo organ creates sensual atmospheres alternating with suspense music for strings and a romantic love theme for orchestra and choir. This OST is another rescue and preservation of Italian Film Music and a tribute to the great talent of Alessandro Alessandroni, a musician loved by fans all over the world.

Mastering and liner notes by Claudio Fuiano, graphic layout by Daniele De Gemini

 

 

[Stefan Schlegel]

vor 58 Minuten schrieb Oliver79:

Three Shells aus Japan veröffentlichen am 24. Juni die von Toru Takemitsu und Yasushi Akutagawa komponierte Musik für Kon Ichikawas Segler-Drama Taiheiyô hitoribotchi * Alone Across the Pacific (1963).

Jürgen war nicht nur schneller, sondern sogar etwas ausführlicher bei seiner Ankündigung:

https://www.soundtrack-board.de/topic/8939-die-vorankündigungs-veröffentlichungs-und-gerüchte-küche-teil-2/page/245/?tab=comments#comment-418326

 

[JuergenH]

Besser doppelt als gar nicht  ?

Im Falle von "Alone Across the Pacific" könnte ich mir sogar vorstellen, den Text abzufotografieren und übersetzen zu lassen um mehr über die Zusammenarbeit von Akutagawa und Takemitsu zu erfahren.  War diese vergleichbar mit Herrmann/Newman bei Egyptian oder ganz anders (?) - ich weiß es nicht, wäre aber durchaus interessant zu erfahren.

[Stefan Schlegel]

Music Box hat heute gleich drei neue CDs angekündigt. Sarde habe ich bereits hier erwähnt:
https://www.soundtrack-board.de/topic/15098-philippe-sarde/page/4/?tab=comments#comment-418404

Aber es gibt auch noch erstmalig überhaupt Maurice Jarre´s komplette Musik zum Kriegsfilm WEEK-END À ZUYDCOOTE von 1964, die mich sehr erfreut und die eigentlich keine "kleine" Veröffentlichung ist. Davon giab es bisher nämlich nur die vier EP-Tracks mit knapp 10 Minuten, die dann auch auf dem Jarre-CD-Sampler von Playtime (Musiques de Films 1958-1964) Mitte 90er verewigt wurden.
Lange her, daß ich mir zwei gleich zwei neue CDs vom selben Label auf einmal ordere.
Und es zeigt sich für mich mal wieder ganz deutlich, daß bei Music Box doch noch etwas mehr Engagement vorhanden ist als etwa bei LLL in den USA, wo seit Monaten nur noch altbekannte und längst veröffentlichte US-Scores völlig einfallslos immer wieder neu aufgewärmt werden.

 

World Premiere CD Release. Newly remastered and expanded edition.
8-page CD booklet with French and English liner notes by Sylvain Pfeffer.

In collaboration with Warner Chappell Music France, Music Box Records proudly presents the remastered and expanded edition of Maurice Jarre’s score to the 1964 war drama film Week-end à Zuydcoote (Weekend at Dunkirk), starring Jean-Paul Belmondo and Catherine Spaak, and directed by Henri Verneuil (The Sicilian Clan, The Serpent).

After the success of Cent mille dollars au soleil (Greed in the Sun), Henri Verneuil adapted the 1949 Prix Goncourt winning novel Week-end at Zuydcoote by Robert Merle about the debacle of 1940. This big-budget blockbuster allowed Verneuil to try his hand at the war film genre and to work once again with French composer Maurice Jarre, three years after Le Président in 1961. In order to illustrate the absurdity of war, the composer wrote a richly and uniquely orchestrated score, based on an obsessive and oppressive waltz and dominated by pounding percussion, from which emerges from time to time the sound of a banjo or an out-of-tune piano.

This expanded edition has been fully remastered from the scoring session elements, featuring previously unreleased and unused tracks. The CD comes with a 8-page booklet with liner notes by Sylvain Pfeffer, discussing the film and the score. The release is limited to 1000 units.

1. Générique (02:57)
2. Face au lieutenant (01:07)
3. La môme (03:04)
4. Les dunes (01:58)
5. Ma Marseillaise (00:17)
6. Hôpital de fortune (01:27)
7. Dhéry et Alexandre (01:27)
8. Sergent Maillat (03:11)
9. Embarcation Office (01:48)
10. Dans la maison (01:22)
11. Capitaine Clark (01:31)
12. Troupes anglaises (01:54)
13. Hélène et John (00:34)
14. Embarquement (01:19)
15. A bord (02:50)
16. Dimanche matin (00:48)
17. Les rescapés (00:52)
18. Retour à la ville (03:55)
19. Maillat sauve Jeanne (01:45)
20. Jeanne et Maillat (01:26)
21. La promesse (00:26)
22. Maillat attend Jeanne (0:54)
23. Marche militaire (00:10)
24. Mort de maillat (01:16)
25. Dimanche soir (00:18)
26. Final (01:30)

CD Total Time • 41:08

Um die dritte CD der Vollständigkeit noch zu erwähnen, die mich persönlich allerdings nicht interessiert:
LES CHEMINS DE KATMANDOU / PARIS N'EXISTE PAS / LA BÊTE NOIRE von Serge Gainsbourg/Jean-Claude Vannier:

[Angus Gunn]

vor 20 Stunden schrieb Stefan Schlegel:

Maurice Jarre´s komplette Musik zum Kriegsfilm WEEK-END À ZUYDCOOTE von 1964, die mich sehr erfreut und die eigentlich keine "kleine" Veröffentlichung ist.

Dem kann ich mich nur anschließen.

[Angus Gunn]

Am 23.4.2021 um 17:07 schrieb Stefan Schlegel:

Einziger nennenswerter Unterschied zwischen Filmsequenzierung und LP-Programm ist, daß bei der "film sequence" noch die 23 Sekunden "Comanche Rock"  am Anfang mit dabei sind.

Also es ist tatsächlich so, dass die Film-Sequenzierung eine andere Abmischung hat. Ist mir sofort aufgefallen. Das LP-Programm bietet dann die Tracks in vertrauter Fassung. Von daher ist das schon ganz in Ordnung, wenn ich es auch nicht unbedingt in der Doppel-Ausführung gebraucht hätte.

[Gast Stefan Jania]

Merkwürdig. Ich finde hier im Board nichts über die alte Intrada-CD zu Ron Goodwins Candleshoe. Außer einem Hinweis von mir, dass die bald ausverkauft ist. Und das auch nur über Google-Suche, weil "Candleshoe" im Zitat steht, was der Board-Suchindex ignoriert. Ist die CD hier untergegangen? Heute egal. Ja, den Score gibt es auch wieder. Und ja, jetzt rein digital.

https://open.spotify.com/album/1hmJXFEechZhOiz0vrsrB1

https://de.7digital.com/artist/ron-goodwin/release/candleshoe-original-motion-picture-soundtrack-16243904

[Stese]

vor 11 Stunden schrieb Stefan Jania:

Merkwürdig. Ich finde hier im Board nichts über die alte Intrada-CD zu Ron Goodwins Candleshoe. Außer einem Hinweis von mir, dass die bald ausverkauft ist. Und das auch nur über Google-Suche, weil "Candleshoe" im Zitat steht, was der Board-Suchindex ignoriert. Ist die CD hier untergegangen? Heute egal. Ja, den Score gibt es auch wieder. Und ja, jetzt rein digital.

https://open.spotify.com/album/1hmJXFEechZhOiz0vrsrB1

https://de.7digital.com/artist/ron-goodwin/release/candleshoe-original-motion-picture-soundtrack-16243904

Ich könnte wetten, dass es einen Thread INKL. Coverdarstellung gab. Denn auf Basis dessen, hatte ich nach der CD bei Intrada nachgesehen. Sonst hätte ich das nicht getan, da ich selten auf jede einzelne Labelseite gehe.

[horner1980]

Vielleicht ist der Thread bei einem der Server-Umzüge verschwunden. ich hab gerade nach Ron Goodwin geschaut und nichts über den Score gefunden. Dann nach Candleshoe und da wenigstens fünf Ergebnisse entdeckt, aber die nur den Wunsch nach dem Release aussagen. Seltsam.

[Trekfan]

Am 12.6.2021 um 16:14 schrieb Stefan Jania:

Merkwürdig. Ich finde hier im Board nichts über die alte Intrada-CD zu Ron Goodwins Candleshoe. Außer einem Hinweis von mir, dass die bald ausverkauft ist. Und das auch nur über Google-Suche, weil "Candleshoe" im Zitat steht, was der Board-Suchindex ignoriert. Ist die CD hier untergegangen?

 

Am 13.6.2021 um 10:25 schrieb horner1980:

Vielleicht ist der Thread bei einem der Server-Umzüge verschwunden. ich hab gerade nach Ron Goodwin geschaut und nichts über den Score gefunden. Dann nach Candleshoe und da wenigstens fünf Ergebnisse entdeckt, aber die nur den Wunsch nach dem Release aussagen. Seltsam.

Ich habe das über die Jahre öfter hier beobachtet, gut möglich, dass es niemand gepostet hat. War eben schlicht und einfach kein Interesse da. Ganz aktuell der Manfredini, der vor ein paar Wochen auf Intrada rausgekommen ist.

[scorefun]

vor 45 Minuten schrieb Trekfan:

Ganz aktuell der Manfredini, der vor ein paar Wochen auf Intrada rausgekommen ist.

Das ist zumindestens hier erwähnt worden

[Gast Stefan Jania]

vor 55 Minuten schrieb scorefun:

Das ist zumindestens hier erwähnt worden

Genau. Und ich zitiere mich...

Am 17.5.2021 um 19:23 schrieb Stefan Jania:

Deep Star Six ist für mich Manfredinis hörenswerteste Musik. Habe ich hier im Board auch ein oder zweimal geschrieben. Eines der Intrada-Alben, die eigentlich nie oop hätten gehen sollen. Jetzt nach 30 Jahren wieder da. Hui! ?

... und weil passend ?:

https://open.spotify.com/album/1q0yKZCCUnEYKBrEgz6j6m

https://de.7digital.com/artist/harry-manfredini/release/deepstar-6-16175869

[Trekfan]

vor 26 Minuten schrieb Stefan Jania:

Deep Star Six ist für mich Manfredinis hörenswerteste Musik.

https://de.7digital.com/artist/harry-manfredini/release/deepstar-6-16175869

Jetzt ist "Deepstar" sogar durch de Board-Suchmaschine auffindbar, weil das Wort in dem Link vorkommt!

Habe die CD natürlich neulich auch wieder hervorgeholt. Was mir bei dem Eröffnungsstück wieder auffällt, wie nah das in der Klangästhetik, in der Mischung von Orchester und Elektronik, aber auch von der Melodik her, an den Star Trek Scores von Ron Jones aus der Zeit dran ist.

http://www.intrada.com/sound/deepsiX_01.m3u

[Trekfan]

Sehe gerade, dass ausgerechnet Kronos Records die Musik zu einer Tatort-Folge aus Münster auf CD rausbringt. Allerdings haben sie von dem Komponisten schon einen anderen Score in Zusammenarbeit mit Alhambra veröffentlicht. Wir hatten hier zuletzt mal über gute Tatort-Musiken gesprochen, muss aber ehrlich sagen, bei dieser Folge war mir die Musik gar nicht weiter aufgefallen. Gibt aber einen ordentlichen Pressetext von Kronos. "our second exciting collaboration with the uber-talened German composer".

Zitat

KRONOS RECORDS presents the soundtrack to TATORT: ES LEBE DER KÖNIG, our second exciting collaboration with the uber-talened German composer Christoph Blaser (composer of ARTHUR'S LAW).  TATORT is a very popular TV series in its homeland Germany. It has been running for many years and has a cult followup of fans ranging from the young to the less young,

In the words of the director "The film score is - I believe - the soul of a film.  Thus, it is important for me to work with a composer that possesses the talent and a strong, distinct style that - through his music, through his soul - lend a unique, added dimension to a film."

Christoph has indeed managed once more to compose a very exciting multi-layered soundtrack, that apart working brilliantly in the film also works perfectly as a standalone experience making for a really beautiful album. It is an immense pleasure for us to release this soundtrack on CD format.

This CD limited is limited to 300 copies.

Pre-order the CD now!  First copies will be signed by the composer.  First come first served

1. Einer weiss mehr

   2. Bernd Wer?  

   3. Unerwünschter Besuch

   4. Für die Burg

   5. Hugo im Anmarsch

   6. Fusselbart

   7. Mehr Schmelz

   8. Nebel im Kopf

   9. Schwarz sehen

10. Fischen mit Vadder

11. Satanas illuminatio mea

12. Auf dem Weg

13. Finstere Kräfte

14. Ruhepuls

15. Neuankömmlinge

16. Es lebe der König

17. In der Luft hängen

18. Volle Wucht

19. Manfred ist tot

20. Die Radtkes

21. Münster bei Nacht

22. Schräge Vögel

23. Königsruhe

24. Abgang in Metall

25. Im nächsten Leben

 

additional music by SZYMON SZEWCZYK

 

 

 

[ronin1975]

auf Spotify: INFINITE von Harry Gregson-Williams... ach gott, einfallslose Drumloopaction mit bisschen Orchester wie mans von ihm gewohnt ist. Solche Musik war schon bei ENEMY OF THE STATE nicht mehr neu oder spannend. Wer heuert HGW eigentlich warum heute noch an... is mir wirklich schleierhaft. Wahrscheinlich eher so ein Fall von "jemand Besseres wollte unseren Schrottfilm nicht scoren"... immerhin ist das Album nur 44min (zu) lang...

[Oliver79]

Im Juli kommt von Kronos Records mit Zadarski Memento (1984) ein weiterer Score von Alfi Kabiljo. 

Zitat

 

Kronos Records is proud to present the soundtrack to the 1984 Joakim Marusic WWII film  ZADARSKI MEMENTO (The Zadar Memento). 

 

The painful challenges experienced in the life of a farmer from Zadar, Croatia, in the years from World War I to World War II. At the end of World War I, a poor village boy Krsevan commits murder in self-defense and to save his life he fled to Zadar, which is annexed to Italy. As an immigrant, he has been blackmailed by Italian authorities. His poverty and ignorance are the main reason for becoming an Italian spy. This film is a true gem, it starred Lazar Ristovski, Zdravka Krstulovic, Mustafa Nadarevic and Mira Furlan.  The film is not as well known as it would deserve to be however has a cult status with those who know it.

 

The music for the film was penned by award winning composer ALFI KABILJO, with whom we have had the immense privilege of working on BAHNOVIC STRAHINJA (THE FALCON), NIKOLA TESLA and OCCUPATION IN 26 PICTURES.  Kabiljo's score is a highly dramantic one, the likes we are expected to have from Maestro Kabiljo, whose stream of brilliant work is everflowing. Along the gorgeous score the CD also features the song "Zadarska Balada" written by Alfi Kabiljo and sung by Djani Marsan

 

A real gem that you cannot afford to miss!   Order now!

 

Strictly Limited To 300 Copies.

 

 

[Lars Potreck]

vor 2 Minuten schrieb ronin1975:

auf Spotify: INFINITE von Harry Gregson-Williams... ach gott, einfallslose Drumloopaction mit bisschen Orchester wie mans von ihm gewohnt ist. Solche Musik war schon bei ENEMY OF THE STATE nicht mehr neu oder spannend. Wer heuert HGW eigentlich warum heute noch an... is mir wirklich schleierhaft. Wahrscheinlich eher so ein Fall von "jemand Besseres wollte unseren Schrottfilm nicht scoren"... immerhin ist das Album nur 44min (zu) lang...

Total wahrscheinlich Ronin. Dass dies jedoch nicht die erste Zusammenarbeit zwischen Regisseur Antoine Fuqua und Harry Gregson-Williams ist, sondern schon die vierte und somit wohl bedeutet, dass Fuqua diesen Stil mag, scheint dir nicht in den Sinn zu kommen....warum auch immer. Selbst James Horner musste für Southpaw in diesem Stil komponieren. 

[Oliver79]

Silva Screen bringt eine Neuauflage der erweiterten Fassung von Robert Mellins und Gian-Piero Reverberis The Adventures of Robinson Crusoe.

Zitat

To many people British Television had its heyday in the 1960s, a plethora of entertainment for all ages. Children’s TV was no exception, the many adventure series, educational programmes and puppet shows all had a profound effect on those lucky enough to have grown up in those years.
At 5PM on October 12th, 1965, BBC1 viewers witnessed a gentle sea rolling over a sandy shore that could just about be anywhere in the world, but in that short twenty seconds or so not only did we discover it was a ‘Franco London Film’ presentation of The Adventures of Robinson Crusoe’, it also gave us that short burst intro to the theme that would stay with us well after the thirteen 25 minute episodes had faded into the mists of time. A collaboration between composers Robert Mellin and Gian-Piero Reverberi would give us the wonderful theme and incidental music from this much-loved series.
The Adventures of Robinson Crusoe was a French- German drama series made by Franco London Films as an adaptation of Daniel Defoe’s 1719 novel Robinson Crusoe. It was the first, and often quoted as being the best television adaptation of the original story. The series would enjoy a huge European audience in what would be the very first European Television Channel co-production.
Silva Screen's original release from 31 years ago was updated in 1997 when new material came to light and is now reissued once more with a definitive history of the music and series written by Stephen Brown & Lynn Simpson.

 

[ronin1975]

CONJURING  3 THE DEVIL MADE ME DO IT auf Spotify von Dauerkomponist Joseph Bishara. Da kann man aber wohl glatt von rejected Score sprechen. Sage und schreibe 14 Scores werden im Abspann gelistet aus denen Cues verwendet wurden. Von Emily Rose zu End of Days bis 1917 ist echt ne Menge zu entdecken.

insgesamt gabs im Film auch nich so viel Score fand ich… 

also was da die Macher geritten hat? Oder war dad wegen Corona ne Notlösung, weil man keinen Synth-Score wollte? Nich dass das groß aufgefallen wäre bei Bisharas Arbeit…

 

[ronin1975]

Am 19.6.2021 um 21:17 schrieb Lars Potreck:

Total wahrscheinlich Ronin. Dass dies jedoch nicht die erste Zusammenarbeit zwischen Regisseur Antoine Fuqua und Harry Gregson-Williams ist, sondern schon die vierte und somit wohl bedeutet, dass Fuqua diesen Stil mag, scheint dir nicht in den Sinn zu kommen....warum auch immer. Selbst James Horner musste für Southpaw in diesem Stil komponieren. 

das spricht nicht für Fuqua sonderlich harhar... trotzdem hab ich das Gefühl seine besseren Filme werden dann auch von wem Besseren gescored. Horner hätte INFiNITE sicher icht gemacht und seine Zeit mit so einem schlechtgemachten Unsinn verschwendet.

Mir fallen echt nicht viele Qualitäts-Filme ein, die HGW gescored hat in letzter Zeit... der letzte war wohl THE MARTIAN 2015, aber ansonsten? MULAN war zwar Big Budget und Riesenhit, aber nen guter Film war das auch nicht. Ein besserer Score hätte da sicherlich noch was rausholen können...

[Lars Potreck]

vor 7 Stunden schrieb ronin1975:

das spricht nicht für Fuqua sonderlich harhar... trotzdem hab ich das Gefühl seine besseren Filme werden dann auch von wem Besseren gescored. Horner hätte INFiNITE sicher icht gemacht und seine Zeit mit so einem schlechtgemachten Unsinn verschwendet.

Mir fallen echt nicht viele Qualitäts-Filme ein, die HGW gescored hat in letzter Zeit... der letzte war wohl THE MARTIAN 2015, aber ansonsten? MULAN war zwar Big Budget und Riesenhit, aber nen guter Film war das auch nicht. Ein besserer Score hätte da sicherlich noch was rausholen können...

The Replacement Killers, Training Day (Mancina), The Shooter (Mancina), The Equalizer.....alles grundsolide Filme, die jedoch nun nicht unbedingt Knallerscores hatten. Oder hast du was an diesen Filmen auszusetzen, abgesehen von den Scores? Vorallem sind all diese Filme meiner Meinung nach besser als The Magnificent Seven, der nun auch nicht unbedingt einen guten Score abbekommen hat, trotz (aus deiner Sicht wahrscheinlich) besserer Komponisten. Und in Southpaw musste Horner sogar teilweise einen auf Harry Gregson-Williams machen. Deiner Theorie würde ich daher nicht zustimmen (unter der Prämisse, dass du meinst, von wem Besseren gescored = besserer Score).

Bezüglich Qualitätsfilme. Sicherlich auch subjektiv, aber Live By Night, Die Frau des Zoodirektors und auch die Disney Doku Penguins sind alles sehr gute Filme, die auch alle ordentliche Scores bekommen haben. Vorallem Die Frau des Zoodirektors und Penguins gefallen mir scoremäßig sehr.