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Im September kommt von Kronos Records eine CD mit den überlebenden Aufnahmen eines frühen Scores von Bert Shefter.

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This truly epic soundtrack was composed and conducted by BERT SHEFTER, whom many of us usually known as coworking with PAUL SAWTELL. This was one of his earlier works and one of his grandest if not his grandest work ever, also our most epic release so far.

 

This is the first time that the soundtrack of this 1953 epic has a release in any format, almost 70 years after the film release!  The music composed by Shefter is  big, epic and very rich in melodic content and despite the only known surviving sources did not run very long, the majority of the important music heard in the film is finally here for the world to listen to in all its glory.

 

 

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Neu von Dragon's Domain:

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Dragon’s Domain Records presents MEDAL OF HONOR – ORIGINAL SCORE FROM THE DOCUMENTARY SERIES, featuring music composed by Richard Stone (HISTERIA, ANIMANIACS, SUNDOWN, PUMPKINHEAD) and Mark Watters (TINY TOON ADVENTURES, ALL DOGS GO TO HEAVEN 2, 101 DALMATIONS: THE SERIES) for the PBS series MEDAL OF HONOR: TRUE STORIES OF AMERICA’S GREATEST WAR HEROES originally broadcast from 1990 to 1991 and featuring actor Cliff Robertson’s narration. 

MEDAL OF HONOR: TRUE STORIES OF AMERICA’S GREATEST WAR HEROES was a documentary series which told the heroic true stories of America’s greatest war heroes during World War II. Featuring actual wartime footage, the series captured the spirit, courage and personalities of some of those who have been awarded the United States highest military award. This music is dedicated to these men and their families.

Six-time Emmy award-winning composer and cellist Richard Stone received his degree in music from Indiana University in Bloomington in 1980. Shortly thereafter, he relocated to California to work as a music editor for several prestigious composers including Georges Delerue and Maurice Jarre. His earliest feature film composing credits include SUMMER HEAT (1987), NORTH SHORE (1987) and PUMPKINHEAD (1988), scored for renowned make-up wizard and first-time director Stan Winston. It was Stone's work on these early feature films that garnered the attention of producers who promptly plugged him in to the role which would eventually define his celebrated career.

Stone was instrumental in fostering the fervent revival of Warner Bros. animation throughout the 1990s. Resembling a technique and style comparable to celebrated Looney Tunes composer Carl Stalling, Stone single-handedly resurrected Stalling's signature mickeymousing techniques thrusting them back into the spotlight. Stone's skillful music graced a host of popular cartoons including TINY TOON ADVENTURES, TAZ-MANIA, FREAKAZOID!, PINKY AND THE BRAIN and ANIMANIACS. Sadly, Stone passed away on March 9th, 2001 at the age of 47.

Mark Watters is a six-time Emmy Award-winning composer and conductor whose diverse career spans 400 television episodes, feature films, DVDs and video games. He has served several terms as Music Governor on the Television Academy’s Board of Governors. Mark holds the distinction of serving as music director for two Olympics: the 1996 Centennial Games in Atlanta, and the 2002 Salt Lake City Winter Olympics.

His numerous appearances as guest conductor have included those with the Los Angeles Philharmonic, the Los Angeles Chamber Orchestra, the London Symphony, the Detroit Symphony and numerous others. In 2002, Mark was asked by John Williams to co-conduct the Academy Awards. He conducted three tours of “Star Wars In Concert,” including Japan with the Tokyo Philharmonic.

In 2017, Mark took a full-time position at the famed, Eastman School of Music as head of their newly formed, Contemporary Media and Film Scoring graduate program. He also is the director of the Beal Institute for Film Music and Contemporary Media named after Eastman alum and Emmy Award-winning composer, Jeff Beal.

Dragon’s Domain Records presents MEDAL OF HONOR – ORIGINAL SCORE FROM THE DOCUMENTARY SERIES, featuring music composed by Richard Stone and Mark Watters. Previously released on compact disc in 1990 and very scarce now, Dragon’s Domain Records brings MEDAL OF HONOR – ORIGINAL SCORE FROM THE DOCUMENTARY SERIES back to the marketplace, newly mastered by James Nelson at Digital Outland. MEDAL OF HONOR – ORIGINAL SCORE FROM THE DOCUMENTARY SERIES is a limited edition of 500 units.

MEDAL OF HONOR – ORIGINAL SCORE FROM THE DOCUMENTARY SERIES is expected to begin shipping the week of July 27th. The first 50 copies will be autographed by composer Mark Watters.  

 

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Dragon’s Domain Records, to be distributed through buysoundtrax.com, presents THE PETER BERNSTEIN COLLECTION, VOLUME 1 , featuring music composed by Peter Bernstein for two projects from his filmography, MEGIDDO (THE OMEGA CODE 2) and ISLAND CITY.

Released in 2001, following the modestly successful Christian faith-based motion picture THE OMEGA CODE from 1999, MEGIDDO: THE OMEGA CODE 2 is a religious science-fiction apocalyptic adventure film directed by Brian Trenchard-Smith starring Michael York, Michael Biehn, R. Lee Ermey, Diana Venora, and Udo Kier. MEGIDDO is a quasi-prequel based on an alternate variation of the original film’s plot, a swath of Christian theology that focuses on the Book of Revelation that closes out the New Testament of the Christian Bible. This book forewarns the second coming of Jesus Christ through the violent destruction of the world known as the Great Tribulation.

The music was composed by Peter Bernstein, son of legendary composer Elmer Bernstein. When director Brian Trenchard-Smith was officially hired to helm the sequel , the filmmaker already had his composer in mind. Bernstein had previously worked with Trenchard-Smith on his two previous made-for-television movies, ATOMIC DOG and HAPPY FACE MURDERS and would eventually work together again on SIGHTINGS: HEARTLAND GHOST. Bernstein composed the entire score in about four weeks and is primarily electronic in nature utilizing sample technology that was cutting-edge for its time.

Broadcast only once on March 2, 1994, ISLAND CITY was a science-fiction backdoor television pilot  starring Kevin Conroy, Brenda Strong, Eric McCormack, Peter Koch and Constance Marie. Set in a dystopian future, humanity develops a miraculous new drug that offers its addicts a kind of “fountain of youth.” One of the most severe side-effects of this drug is it mutates its users into disfigured quasi-humanoids with severe violent tendencies. Those few people who have developed an immunity to this side-effect band together to defend the walls of a fortified commune against the mutants outside its gates. During one of their missions into the wasteland, a scout team comes under attack and one of their own is captured by the mutants. The characters cope with the loss by organizing a search-and-rescue mission.

Bernstein was brought aboard the project by the pilot’s producers based on the wealth of action-adventure films he had scored throughout the 1980s. Bernstein composed music for a respectfully large fifty-plus-piece orchestra recorded and then edited by Bernstein on an early hardware Digital Audio Workstation (DAW). This unique level of control over the recorded live elements allowed Bernstein to sweeten the acoustic tracks with additional synthesizers and percussion elements.

The son of Academy Award winning film composer Elmer Bernstein (THE MAN WITH THE GOLDEN ARM, THE TEN COMMANDMENTS, THE MAGNIFICENT SEVEN, TO KILL A MOCKINGBIRD, GHOSTBUSTERS), Peter Bernstein grew up around recording stages, watching his father work and absorbing as much as he could. His musical education began with piano lessons. He eventually decided he wanted to be a bass player and studied bass with Carol Kaye, a member of the legendary ‘Wrecking Crew’ group of LA studio musicians. Around the same time, Peter was also studying with pioneering electronic music composer Morton Subotnick. He began his professional career as a rock n’ roll bass player at age 14 and worked in the record business as a touring bass player, band member, session player, arranger and record producer for the next 20 years. As time passed it became clear that there was going to be more opportunity for him as a composer and Peter began by working for other composers as an orchestrator and arranger. He orchestrated all or part of almost all of his father’s scores from 1974-1986, while still working in the rock n roll record business. Orchestration credits from the era include ANIMAL HOUSE, TRADING PLACES and GHOSTBUSTERS, as well as the scored portions of Michael Jackson’s THRILLER video. His credits as composer include HOT DOG… THE MOVIE, BOLERO, THE EWOK ADVENTURE, MY SCIENCE PROJECT, EWOKS: THE BATTLE FOR ENDOR, THE ALAMO: THIRTEEN DAYS TO GLORY, FIFTY/FIFTY, CANADIAN BACON and PUPPET MASTER VS DEMONIC TOYS. For television, his credits include 21 JUMP STREET, BOOKER, FALLEN ANGELS, CHICAGO HOPE, ROUGH RIDERS, MOWGLI: THE NEW ADVENTURES OF THE JUNGLE BOOK and HONEY, I SHRUNK THE KIDS: THE TV SHOW.

Dragon’s Domain Records presents THE PETER BERNSTEIN COLLECTION, VOLUME 1, featuring music composed, conducted and produced by Peter Bernstein for MEGIDDO (THE OMEGA CODE 2) and ISLAND CITY presented for the very first time on compact disc. The music has been mastered by James Nelson at Digital Outland and the liner notes have been written by author and composer Brian Satterwhite, with the participation of the composer.

THE PETER BERNSTEIN COLLECTION, VOLUME 1 is a limited edition release of 500 units. THE PETER BERNSTEIN COLLECTION, VOLUME 1 is expected to begin shipping the week of July 27th, 2020. Composer Peter Bernstein will sign the first 100 copies of THE PETER BERNSTEIN COLLECTION, VOLUME 1 sold through the website.

 

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Dragon’s Domain Records, to be distributed through buysoundtrax.com, will be releasing LADY BEWARE, featuring music composed by Craig Safan (THE LAST STARFIGHTER, SON OF THE MORNING STAR) for the 1987 thriller LADY BEWARE, directed by Karen Arthur, starring Diane Lane, Michael Woods, Cotter Smith, Tyra Ferrell and Edward Penn.

Released in 1987, LADY BEWARE features Diane Lane (A LITTLE ROMANCE, THE OUTSIDERS, STREETS OF FIRE, UNFAITHFUL) as Katya Yarno, a young woman who obtains a job as a window dresser in a chic Pittsburgh department store. Her provocative lingerie displays become known for their sensuous and kinky themes, attracting attention to the store, and giving Katya license for even more tantalizing exhibits. But among those showing interest in Katya’s interactive and alluring posing of the store mannequins is a psychopathic stalker named Jack Price (Woods), whose unyielding pursuit of Katya poses great danger to Katya, forcing her in the end to give Jack a taste of his own medicine.

LADY BEWARE was directed by Karen Arthur, a veteran director of primarily TV movies and series episodes and also a former actress during the late ‘60s and early ‘70s. The film was shot during the summer of 1986 on location in Pittsburgh, Pennsylvania, which added a good deal of verisimilitude to the environment both within the department store and in the downtown cityscape and the many bridges that connect with the various neighborhoods across the rivers. 

The 1980s were a busy period for Safan. He scored more than three dozen projects during the decade, ranging from feature films, television series, and made-for-TV movies. During the middle of this period, Safan began exploring scoring movies by combining orchestras with electronics. Safan’s score for LADY BEWARE combines synthesizers and sampled sounds mixed with a large string section to generate a compelling and cohesive score, which builds a good deal of suspense for Katya’s predicament, and then, after a turning point in the story, attends the retaliation she determinedly sets upon Jack. Safan was able to pull together a sizeable string orchestra of about 25 musicians, which equated to a dozen violins, four violas, four cellos, and two basses. Uncredited in the film, veteran scoring mixer Dan Wallin imbued Safan’s musical ensemble with its rich, sonic seasoning. Safan’s music does its job to elevate the tension of the story, enhance the sensitivity of the main character and evoke the inherent danger and apprehension.

Craig Safan has composed music for numerous feature films, television shows, theatrical musicals, and circuses. He is the winner of eight ASCAP Top Show Awards as well as an Emmy nominee. Craig is also a recepient of a Watson Foundation Fellowship and is a member of the Executive Music Committee at the Academy of Motion Picture Arts and Sciences. Currently Craig divides his time between Los Angeles and New York City where he is developing several new musicals.

An early compact disc release for LADY BEWARE appeared in 1987, coinciding with the film’s release, including songs from the film and a small selection of score tracks, Dragon’s Domain Records now presents the world premiere soundtrack release of LADY BEWARE featuring the complete score composed by Craig Safan, and mastered by James Nelson of Digital Outland. The booklet contains liner notes written by noted author Randall D. Larson and includes comments from the composer.

LADY BEWARE is a limited edition release of 500 units. LADY BEWARE is expected to begin shipping the week of July 27th, 2020. The first 50 copies sold through the website will include a booklet autographed by composer Craig Safan.

 

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BSX Records presents ALAN HOWARTH LIVE AT HOLLYWOOD THEATER, featuring music composed and performed by Alan Howarth from his filmography performed live.

The week before Halloween 2014, composer Alan Howarth presented a live show of his film music in Portland, Oregon. It was a kind of pinnacle of Howarth’s nearly forty years of music and sound design for motion pictures that began with creating sound effects for STAR TREK: THE MOTION PICTURE in 1979, found him co-composing the music for a number of director/composer John Carpenter’s films, and moving on to have a successful career scoring films up into the current day.

The music on this album comes from that 2014 concert, held at the historic Hollywood Theater in Portland, Oregon. Howarth recorded the show using a board mix [allowing the live sound to be mixed in real time during the performance], with a digital tape recorder placed on the stage to record the live audience ambiance, which was added to the final mix. The vinyl album of that concert was initially issued on the Wyrd War label in 2018, with a pressing of 500 copies that sold out quickly. BSX Records is now pleased to present and preserve this concert for the first time on CD as we celebrate the music of Alan Howarth Live!

Howarth had taken his music on the road for the first time in 2008, when he was invited to participate in a Q&A session at the HALLOWEEN “30 Years of Terror” convention, held at the Pasadena Convention Center. Rather than talking about the music, Howarth played it live, using the Logic digital audio workstation software application on his laptop along with a MIDI (Musical Instrument Digital Interface) keyboard. The event was a success and as a result Howarth wound up developing a full concert of his music for a show in Kraków, Poland in 2010. He met an Australian video artist named Jade Boyd, and she created unique video artistry based on the films which was projected during subsequent concerts. Since then, he’s had sold-out shows at such venues as the 2011 Unsound Festival in New York City and Synthplex in Burbank, California, and returned to Europe for concerts in Geneva, St. Petersburg, Toronto, London, and Paris.

Alan Howarth, in addition to being a composer, is an accomplished sound designer and editor, having worked on films such as STAR TREK: THE MOTION PICTURE, POLTERGEIST, TOTAL RECALL, ARMY OF DARKNESS, BRAM STOKER’S DRACULA, STARGATE and many others. He has been a frequent music collaborator with John Carpenter on his films beginning with ESCAPE FROM NEW YORK in 1980 and including HALLOWEEN II & III, CHRISTINE, BIG TROUBLE IN LITTLE CHINA, THEY LIVE and PRINCE OF DARKNESS and Alan has scored many films on his own, including RETRIBUTION, HALLOWEEN 4 & 5, THE DENTIST, HEADLESS, BOO!, EVILUTION, BASEMENT JACK and most recently, HOUSE AT THE END OF THE DRIVE, BRUTAL and PROMISE.

BSX Records presents ALAN HOWARTH LIVE AT HOLLYWOOD THEATER, featuring music composed and performed by Alan Howarth, recorded live at the Hollywood Theater on October 1st, 2014, edited and mastered by James Nelson at Digital Outland, with notes by author Randall Larson. 

ALAN HOWARTH LIVE AT HOLLYWOOD THEATER includes music from ASSAULT ON PRECINCT 13, ESCAPE FROM NEW YORK, THE LOST EMPIRE, HALLOWEEN II, THE THING, HALLOWEEN III, BIG TROUBLE IN LITTLE CHINA, THEY LIVE, PRINCE OF DARKNESS, RETRIBUTION and HALLOWEEN 4.

ALAN HOWARTH LIVE AT HOLLYWOOD THEATER is a limited edition release of 500 units and is expected to begin shipping the week of July 27th. The first 50 copies sold through our website will include an autograph by the composer.

 

 

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Am 12.7.2020 um 09:05 schrieb JuergenH:

Erscheint übrigens auch als 2-CD-Set bei avex pictures im August.

Das Thema "Japan versinkt" ist nicht neu und lässt sich auf den Roman von Sakyo Komatsu zurück führen, den ich tatsächlich mal vor vielen Jahren gelesen habe... Es gab auch bereits u.a. zwei Verfilmungen hierzu unter dem Titel "Tidal Wave". 1973 mit der Musik von Masaru Satoh (Nippon Chinbotsu) und 2006 mit der Musik von Taro Iwashiro (Nihon Chinbotsu) - darüber hinaus wohl noch ein Radio-Drama (Musik: Masashi Tanaka) und einen TV-Film (Musik: Kenjiro Hirose)...

 

 

Musik gefällt mir auch sehr gut, allerdings finde ich nichts über eine CD-VÖ. Woher weißt du das denn?

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vor einer Stunde schrieb Osthunter:

Musik gefällt mir auch sehr gut, allerdings finde ich nichts über eine CD-VÖ. Woher weißt du das denn?

JAPAN SINKS (2020)

z. B.:

https://vgmdb.net/album/99607

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Das eigentlich längst tote Label 1M1 Records hat diesen Monat tatsächlich noch einen neuen Titel herausgebraucht. Ein Doppelalbum mit Mark Isaacs' Scores für die Animationsfilme The New Adventures of Robin Hood, A Tale of Two Cities, Ivanhoe und Rob Roy.

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Quartet Records presents the world premiere release of the adventure score composed by Pino Donaggio (CARRIE, DRESSED TO KILL, THE HOWLING, PATRICK) for THE ORDER, a Jean-Claude van Damme Middle Eastern escapade.

Directed by Sheldon Lettich (the screenwriter of BLOODSPORT), THE ORDER finds JCVD in the middle of a millennium-spanning conspiracy as a radically religious knighthood intends to launch one last apocalyptic cataclysm for the glory of God. It’s up to a master thief and an Israeli police officer to unravel the truth and stop the final attack that could jeopardize the lives of thousands of believers …

Pino Donaggio’s music focuses on Middle Eastern flavor and religious splendor with a majestic choral hymn representing the constructive aspects of faith. Besides several action cues that could be expected with the genre, there’s a lovely romantic theme for the relationship between Rudy and Lt. Dalia Barr as well as a high-energy klezmer piece recorded for one of the more off-kilter chase sequences.

Performed by The Bulgarian Symphony Orchestra & Chorus conducted by Natale Massara, this release has been remixed by Paolo Steffan from recently discovered original multi-tracks under the composer’s supervision. Mastered by Chris Malone, the package includes liner notes by Gergely Hubai discussing the film, the composer and the score.

  1. Knights Templar (4:56)
  2. The Bus (3:01)
  3. Planning The Theft (4:55)
  4. The Cult (1:52)
  5. Israel (3:33)
  6. Klezmer Jokes (1:49)
  7. Escape From The Plane (2:54)
  8. The Theft (3:21)
  9. Dalia (0:57)
  10. The Land (2:19)
  11. The Prophecy (1:09)
  12. A Father In Danger (1:54)
  13. Street Market (1:15)
  14. The Dungeons (3:39)
  15. The Grand Master (2:40)
  16. The Treasure (4:04)
  17. Fight in the Cave (2:17)
  18. Chase Through The Village (2:36)
  19. On To A New Adventure (4:17)
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Quartet Records, Nostromo Pictures and Atresmusica present the score by Fernando Velázquez (A MONSTER CALL, CRIMSON PEAK, THE IMPOSSIBLE) for the final chapter of the “Baztan” trilogy after EL GUARDIAN INVISIBLE and LEGADO EN LOS HUESOS (both available on Quartet Records)

Directed by Fernando González Molina, this trilogy is based on the popular novels written by Dolores Redondo. In the film, Inspector Amaia Salazar (Marta Etura) confronts the origins of her nightmares as she uncovers the darkest secrets of the Baztan valley.

As in the previous films, Fernando Velázquez provides an intense, exciting and highly vigorous score with thick orchestral colors—lyrical, dark and rhythmic, including a haunting main theme. The Navarre Symphony Orchestra performs the music with great sensitivity under the composer’s baton.

  1. Solo queremos hablar con usted (4:03)
  2. Inguma (2:27)
  3. Tú no puedes protegerme de esto (2:48)
  4. No quería morir (1:46)
  5. El caserío (3:11)
  6. Nunca he compartido esto con nadie (4:18)
  7. No hay nada (1:53)
  8. Llamadas sin respuesta (1:49)
  9. Investigar es equivocarse (2:40)
  10. Quédate conmigo (3:41)
  11. Ofrenda (3:37)
  12. Alguien te echa de menos (5:33)
  13. Nadie puede abandonar el grupo (3:12)
  14. Los lobos no se suicidan (2:15)
  15. Una colección de mentiras (2:45)
  16. Un poder tan grande como nunca has imaginado (15:12)
  17. Quédate conmigo (alt.) (3:30)

 

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THE OUTPOST: LIMITED EDITION
LLLCD 1537
Music by Larry Groupé
Song “Everybody Cries” performed by Rita Wilson
Limited Edition of 1000 Units
RETAIL PRICE: $15.98

STARTS SHIPPING AUGUST 4

Order starting at 12 noon (pst) on 8/4 at www.lalalandrecords.com and get your CD booklet autographed by composer Larry Groupé and director Rod Lurie at no additional charge. Autographs are available while supplies last and are NOT guaranteed.

outpost-cover_Web.jpg La-La Land Records and Millennium Media proudly present composer Larry Groupé’s (THE CONTENDER, STRAW DOGS, RESURRECTING THE CHAMP) original motion picture score to the all-new, acclaimed true-story feature film war drama THE OUTPOST starring Orlando Bloom, Scott Eastwood and Caleb Landry Jones, and directed by Rod Lurie, based on the non-fiction book by journalist/author Jake Tapper. Composer Groupé’s riveting score thrillingly conveys the dramatic courage within the beating heart of this important tale concerning a brave small team of U.S. soldiers who battled against hundreds of Taliban fighters in Afghanistan. Also featured is the stunningly beautiful end-titles song “Everybody Cries,” performed by Rita Wilson. Produced by Larry Groupé, Steven Wayne Thomas and Dan Goldwasser, and mastered by James Nelson, this is a limited edition CD release of 1000 units. Art direction by Dan Goldwasser.

TRACK LISTING:

1. Dopple Drop 1:08
2. Shura 3:55
3. Too Many Mountains 2:01
4. Don’t Argue & Fight 2:21
5. Phone Home 1:54
6. Run! 1:19
7. Guess Who’s Here 2:54
8. Sniper 1:44
9. Keating Dies 2:25
10. Wrong Coordinates 2:18
11. Portis Surveys 3:45
12. Not Today 2:03
13. Get Radical 2:08
14. Apaches Arrive 1:47
15. Theme for the Rank and File 3:49
16. Everybody Cries 3:12
Performed by Rita Wilson
17. The Outpost – Fade to Black 4:39
Original Thematic Ideas

TOTAL ALBUM TIME: 43:22

 

Gast Stefan Jania
Geschrieben

Klar. ? Es gab schon letztes Jahr ein Album Short Cuts 2018, auf dem ich Zak Millman für mich entdeckt habe (Sylphvania Grove). Das 2019'er Album ist auch toll. Mal sehen, ob das auch (in bizarr kleiner Auflage) von Quartet als CD kommt.

https://www.soundtrack-board.de/topic/7563-track-der-woche/page/41/?tab=comments#comment-402823

Die Links zu Spotify in meinem alten Beitrag sind natürlich heute weg. Das geht hier nicht mehr.

  • 2 Wochen später...
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YOUNG JUSTICE – OUTSIDERS: LIMITED EDITION (2-CD SET)
LLLCD 1525
Music by Kristopher Carter, Michael McCuistion & Lolita Ritmanis
Limited Edition of 1000 Units
RETAIL PRICE: $19.98

STARTS SHIPPING AUGUST 28th

youngjusticeS3-Web.jpgOrder yours starting at 12 noon (pst) on 8/25 at www.lalalandrecords.com and get your CD booklet autographed by composers Kristopher Carter, Michael McCuistion & Lolita Ritmanis at no additional charge. Autographs are limited while supplies last and are NOT guaranteed.

La-La Land Records, DC, and Warner Bros. Animation present the original score to the acclaimed DC Universe Original Series YOUNG JUSTICE: OUTSIDERS. The renowned Dynamic Music Partners composing team, comprised of Kristopher Carter, Michael McCuistion and Lolita Ritmanis (BATMAN: THE KILLING JOKE, BATMAN RETURN OF THE CAPED CRUSADERS, JUSTICE LEAGUE) unleash a powerful musical odyssey of heroic thrills, chills, drama, bravery and heart! This is some of the most striking and vibrant music in series Animation today, with the musical highlights of the beloved show assembled across this deluxe 2-CD presentation. Produced by the composers and mastered by James Nelson, this special release features courageous art design by Dan Goldwasser and exclusive, in-depth liner notes by writer John Takis. This is a limited edition of 1000 Units.

TRACK LISTING:

DISC 1
-------------------------------
1. Young Justice: Outsiders Main Title§ 0:26

PRINCES ALL
2. Anna Has Monster Heart Attack* 2:43
3. Prince Brion Asks For Help** 0:28
4. Royal Assassination* 1:32
5. Tube To A New Adventure* 0:43

ROYAL WE
6. Space Trek 3016* (Source) 0:31
7. To The Palace** 0:52
8. Tigress Meets Halo* 1:27
9. Brion Experiment Continues* 1:37

EMINENT THREAT
10. Vertigo Tortures Dr. Jayce** 1:50

PRIVATE SECURITY
11. Raging And Rapid*** 1:07
12. Over The Bridge / Around The Bend** 1:27

AWAY MISSION
13. Attack Launched*** 1:08
14. Forager Intervenes*** 0:40
15. Brion Is Enraged*** 0:41
16. An Authentic Villain*** 1:50
17. Brion Turns To Leave** 0:34
18. Wrapped In A Memory*** 1:48
19. Forager Banished** 2:23

RESCUE OP
20. Black Spider Arrives*** 1:26
21. Kids Confront Sensei* 3:23

EVOLUTION
22. The Armada Approaches* 0:46
23. The Spirit Is Forged** 0:39
24. Armada*** 2:32
25. Kalibak Joins The Fight* 2:11
26. Ancient Babylon And Beyond** 0:55
27. Vandal Battles Starro*** 1:29

TRIPTYCH
28. S.T.A.R. Labs Machine Heist** 1:36
29. JL Heroes Street Fight** 1:23
30. Bring Back The Horror*** 0:25
31. AntiLight*** 1:03

HOME FIRES
32. Family Family Family*** 1:18
33. Main Man Sneak Attack* 2:03
34. Lobo Dispatches Forager** 2:20
35. Forager Emerges** 0:56
36. Light And More Light*** 1:22

EXCEPTIONAL HUMAN BEINGS
37. I Like The Sound Of That*** 0:28
38. What’s In A Name*** 1:12
39. JL Battle Bane’s Gang** 3:48
40. Bash Bashford Arrives*** 1:05

ANOTHER FREAK
41. Fred Bugg With Two G’s** 1:35
42. Looking Backward Or Ahead** 1:28
43. Fatherbox In Control* 1:01
44. Indigo*** 0:42
45. HaloCyborg Standoff* 3:33

NIGHTMARE MONKEYS
46. He’s Dead Tom* 0:56
47. How Does This Fit*** 1:51
48. Waterfall Flashback** 0:25
49. Ready To Get Back To Life** 1:01
50. All The Kids Are Doing It** 0:46

TRUE HEROES
51. Danger Morph*** 0:51
52. Halo Horror House* 1:44
53. Might Be Ready To Be Heroes*** 1:12
TOTAL DISC TIME 73:12
DISC 2
-------------------------------
TRUE HEROES (CONT.)
1. Off To The Halloween Dance** 0:46
2. Arriving In Bialya** 1:12
3. Bittersweet Reunion** 1:43
4. Rescue And Escape** 1:13

INFLUENCE
5. Not Their Biosigns*** 1:39
6. You Have A Choice** 0:53
7. Just Me*** 2:01
8. Granny Disciplines Barda* 1:22
9. Granny Activates Machine* 2:56

LEVERAGE
10. First Covert Mission** 1:40
ILLUSION OF CONTROL
11. Harvest Festival Montage** 1:16

FIRST IMPRESSION
12. Launch The Outsiders*** 2:37
13. Forager Misses Bioship*** 0:22
14. Reach Ships Attack** 1:53
15. Enter The Outsiders*** 1:19
16. Getting Used to It*** 0:34
17. It’s Not The Reach** 0:39
18. Mothership Crashes* 2:15
19. AntiLight Report*** 0:39

EARLY WARNING
20. More Outsiders Success* 1:51

ELDER WISDOM
21. Penthouse Battle** 1:51
22. Not Quite Right*** 0:47
23. If Not Us, Then Whom** 2:11
24. Not Hero Behavior*** 2:18

QUIET CONVERSATIONS
25. Pain*** 0:14
26. You Are Very Brave*** 0:51
27. Fighting While Planning** 2:04
28. The Unhappy One*** 0:30
29. Admitting Abuse*** 0:37

UNKNOWN FACTORS
30. Oracle Calls Aquaman** 1:43
31. Nervous About Genes*** 0:28
32. Busy Tower Life* 1:52
33. Planting A Seed*** 1:37
34. I Hope You Learned A Lesson** 2:39

ANTISOCIAL PATHOLOGIES
35. Pit Excursion* 1:33
36. Thinking About This*** 0:26
37. Spill Your Secrets*** 3:24
TERMINUS
38. Can’t Be Trusted*** 1:05
39. Wally Psychic Videogame Flashback* 1:56
40. Captured Heroes*** 1:50
41. The Age Of Darkseid Begins** 0:57

INTO THE BREACH
42. Halo In Excelsis* 1:58

OVERWHELMED
43. Patience** 0:41
44. What Would Superman Do** 1:28
45. Artemis Will Never Walk Alone* 3:30
46. Markovia Here We Come** 0:48

NEVERMORE
47. Brion Usurps Throne* 2:04
48. I Am The Superboy** 0:49
49. All’s Well That Ends Wait Is That A Cliffhanger* 1:49
50. Young Justice: Outsiders End Credits Long Version§ 0:55
TOTAL DISC TIME 73:45
TOTAL ALBUM TIME 2:26:57

§ composed by Kristopher Carter,
Michael McCuistion and Lolita Ritmanis
* composed by Kristopher Carter
** composed by Michael McCuistion
*** composed by Lolita Ritmanis

Zitat

TEEN TITANS GO! Vs TEEN TITANS: LIMITED EDITION
LLLCD 1510
Music by Jason Lazarus
Limited Edition of 1000 Units
RETAIL PRICE: $15.98

STARTS SHIPPING AUGUST 28

TTGvTT-Web.jpgOrder starting at 12 noon (pst) on 8/25 at www.lalalandrecords.com and get your CD booklet autographed by composer Jason Lazarus at no additional charge. Autographs are available while supplies last and are NOT guaranteed.

NOTE: For this title only, the composer’s autograph is located on the BACK cover of the additional CD booklet included with your order.

La-La Land Records, DC, and Warner Bros. Animation present the original score to the acclaimed 2019 DC Animated Movie TEEN TITANS GO! Vs TEEN TITANS. Composer Jason Lazarus (TV min-series ARE YOU AFRAID OF THE DARK?) crafts a wonderfully brilliant original score, full of comedic fun and heroic excitement – finding the perfect pitch for this vastly entertaining and action-packed tale in which the present-day Teen Titans take on their classic 2003 counterparts, only to band together to fight common enemies! The album producers of this special CD release are Joseph Trapanese and Dan Goldwasser, with mastering by James Nelson, and colorful art design by Dan Goldwasser. This is a limited edition of 1000 Units.

TRACK LISTING:

1. Titans Vs Titans 1:30
2. The Unkindness 1:32
3. Titans of Infinite Earths 1:00
4. Face Yourself 0:26
5. A Portal Opens 1:01
6. Meet Your Challengers 1:25
7. Countdown 0:44
8. Tournament of Champions 2:21
9. A Crack in Her Gem 0:57
10. Master of Games 0:37
11. Who We Are 0:36
12. Get Them Back 0:24
13. Lord of Madness 0:26
14. A Raven’s Power 0:44
15. Amends 0:57
16. Inner Demon 1:30
17. Unleashed 2:24
18. Bigger Problems 1:53
19. Sinister Plan 1:05
20. Hatching a Plan 0:51
21. Polar Infiltration 2:26
22. Not So Silent Night 1:58
23. Into the Multiverse 0:58
24. Out of Patience 0:42
25. Hexagon 0:55
26. Reinforcements 1:17
27. Under Siege 2:35
28. No Time For a Plan 0:45
29. Tug of The War 1:14
30. Lessons Learned 1:20
31. Worlogog (Instrumental) 0:45
32. More Serious 0:49
33. In Sync 1:02
34. We Are Titans (Alternate Version - Instrumental) 1:36
TOTAL ALBUM TIME: 41:52

Zitat

THE WRETCHED: LIMITED EDITION
LLLCD 1535
Music by Devin Burrows
Limited Edition of 1000 Units
RETAIL PRICE: $15.98

STARTS SHIPPING AUGUST 28th

wretched-cover_Web.jpgOrder starting at 12 noon (pst) on 8/25 at www.lalalandrecords.com and get your CD booklet autographed by composer Devin Burrows at no additional charge. Autographs are available while supplies last and are NOT guaranteed.

La-La Land Records proudly presents composer Devin Burrows’ (DEADHEADS) original motion picture score to the acclaimed big-screen horror/thriller/fantasy sensation THE WRETCHED, starring John-Paul Howard, Piper Curda and Jamison Jones, and written and directed by The Pierce Brothers. Composer Burrows pulls inspiration from both modern and classic film scoring motifs and unleashes a thrillingly nail-biting orchestral ride that buoys the film’s outlandish witch-driven scares as well as its brooding, haunting atmospherics and character-driven drama. This is a notable genre score from one of 2020’s most celebrated horror offerings. Produced by the composer, and mastered by Tom Hutten, this is a limited edition CD release of 1000 units featuring bewitching art direction by Dan Goldwasser and exclusive, in-depth liner notes by writer Daniel Schweiger.

TRACK LISTING:

1. Something In The Basement 1:05
2. The Road To Amity Marina 0:32
3. Woods 1:15
4. The Wretched Appears 0:28
5. I Don’t Have A Son 1:38
6. Twigs 0:35
7. Morning Cartoons 0:41
8. Enveloped By The Woods 0:26
9. Alone With Mom 1:12
10. Don’t Let Her In 2:33
11. Something Under The Porch 0:29
12. Watching Netflix 1:48
13. Witchipedia 1:10
14. Honey... Beer? 0:44
15. Missing Picture, Broken Picture 1:13
16. Eva Ernst Is In My Fruit Cellar 4:52
17. Wretched Revelation 0:28
18. We’re Going To Get You Some Help 1:13
19. Put One In His Brain 1:09
20. Barn 2:40
21. Stag Skull 1:24
22. Out Of Sarah Into Memories 1:48
23. Broken Window 0:48
24. Wretched Encounter 1:20
25. Must Have Been One Of Her Nightmares 1:28
26. Starcrush 0:48
27. Goodbye 3:58

TOTAL ALBUM TIME: 37:59

 

  • 2 Wochen später...
Geschrieben

Modern Harmonic veröffentlichen im Oktober Scores von Whit Boyd zu zwei Sexploitation-Streifen aus dem Jahr 1969:

MHCD-226_900.jpg

Zitat

 

Glorious audio swagger discovered buried
deep in this mess of a film!

Every minute previously unreleased outside of being buried in the mess of a film.

Organ lead groove with a swagger only the undead could muster.

Includes the entire infamous film on DVD and copious notes on the copulation conquests of Alucard!

From out of a rotted tomb crawls the full score for the “film” Dracula (The Dirty Old Man)! Uncovered by archivist George Gimarc, these tapes, untouched for nearly 50 years and mislabelled "Sex Monsters," are finally dusted off and cut to phonograph for your audible appreciation. And you’ve never heard the music sound this good–the sound that made it into the film is an utter stake through the heart. Rumor has it that the audio from the original cut was so bad that they went back and redubbed everything (à la Woody Allen’s What’s Up, Tiger Lily?) to comedic effect. Who knew that buried under all that jabberwocky was a funk leaning jazz soundtrack that really grooves? This album comprises the highlights of the film score accompanied by audio cues believed to be Whit Boyd instructing the musicians in what was likely a live performance while watching the film, with nearly a half-hour more of vampire grindin’ groove exclusive to the CD!

On your choice of blood red vinyl with a liner insert or CD, both including a DVD of the entire awful film and more!

 

 

MHCD-227_PartyGirls_900.jpg

Zitat

 

• Long lost soundtrack to a (still) lost film, joining the party for the first time!

• Your choice of gold vinyl with a replica of the original pressbook or CD with over twenty minutes of bonus swagger!

• Deep funk groove that even includes a wild cover of a popular James Brown cut!

• Features witty liners from Lisa Petrucci of Something Weird Video!


 

An Organ Grindin’ Funky Good Time!

While this 1969 Whit Boyd film may be lost to obscurity, thanks to the discovery of the original audio reels this funk-fueled soundtrack is finally seeing the light of day! Sexy-time sounds of grooving organ, bass, drums, and brass, there’s even a down and dirty booty-shaker of a James Brown cover. The perfect accompaniment to get you in the mood for a lascivious love-in!

Party Girls was released the same year as the nutty horror nudie comedy, Dracula (The Dirty Old Man). Both movies reflect the changing mores of the time and feature full frontal nudity and simulated sex scenes. By 1969, obscenity laws were relaxed so bush and beaver were the new standard for adult motion pictures (and often the carpet didn’t match the drapes, haha!).

What blows our minds is that Party Girls had an original music soundtrack (not just library music or a mix of random local garage rock or jazz instrumentals like so many other regional productions at the time). They actually went to the trouble of composing a film score with a hell of a lot of soul. But sadly, nothing is actually known about who composed and performed the music, but we know they were commissioned by Whit, so we’ve embraced the name the Whit Boyd Combo. The original audio session reels were discovered in an abandoned shed and rescued by Dallas area disc jockey and music historian, George Gimarc, something which adds to the mystique and makes us wonder even more who could be responsible for the funky soundtrack.

 

 

Gast Stefan Jania
Geschrieben
vor 54 Minuten schrieb Oliver79:

Im Laufe des Monats veröffentlicht Télé 80 Francis Lais Musik zu dem bizarren Weihnachtsmärchen J'ai rencontré le Père Noel (1984) erstmals auf CD.

j-ai-rencontre-le-pere-noel.jpg

Das Album gibt es seit drei Jahren schon für sehr wenig Geld (€5,99 lossless) digital von Playtime, z.B. hier:

https://www.qobuz.com/de-de/album/jai-rencontre-le-pere-noel-bande-originale-du-film-francis-lai/3700403514704

Geschrieben

Am Freitag liefern Music Box Records zwei neue Veröffentlichungen aus: Ein drittes Set mit eher unbekannten französischen Filmscores (darunter Arbeiten von Pierre Jansen, Michel Portal und Patrice Mestral) sowie eine CD mit zwei Scores von Krishna Levy.

 

les-bo-introuvables-rare-soundtracks-vol

Zitat

 

Original Motion Picture Soundtracks: CE CHER VICTOR, ON A VOLÉ LA CUISSE DE JUPITER, NUIT D’OR, LE RETOUR DE MARTIN GUERRE, L'ARGENT DES AUTRES, PAROLE DE FLIC

World Premiere CD Release. 3-CD set.
16-page CD booklet with French and English liner notes by Nicolas Magenham.

In collaboration with Gruppo Sugar, EMI Music Publishing, Sony ATV et Musiques & Solutions, Music Box Records presents a 3-CD set featuring six French soundtracks composed between 1975 and 1985: Ce cher Victor (Cher Victor) composed by Bernard Gérard, On a volé la cuisse de Jupiter (Jupiter's Thigh) composed by Georges Hatzinassios, Nuit d’or (Golden Night) composed by Pierre Jansen, Le Retour de Martin Guerre (The Return of Martin Guerre) composed by Michel Portal, L’Argent des autres (Other People’s Money) composed by Patrice Mestral and Parole de flic (Cop's Honour) composed by Pino Marchese.

''Let’s get down to business''…This could be the motto of this third Rare Soundtracks box set. Indeed, even though the collection retains its legendary light-heartedness and flamboyancy (Philippe de Broca’s popular cinema or Alain Delon’s films from the 1980s), it ventures this time in an apparently harsher – but just as fascinating ‒ musical territory: contemporary scores by Patrice Mestral, Pierre Jansen and Michel Portal. Like the Yin and the Yang, these radically different musical styles provide a rich and comprehensive overview of what French film music had to offer in the 1970s and 1980s. Light or sepulchral, tenderly melancholic or wild, all these scores eventually take the same route: originality and/or rejection of wall-to-wall scoring.

Discs 1 and 2 have been remastered from the original master tapes and recording sessions. Disc 3 features the remastered vinyl presentations. This 3-CD boxset includes a 16-page booklet with liner notes by Nicolas Magenham. The release is limited to 300 units. 

 

contre-enquete-mordburo.jpg

Zitat

 

World Premiere CD Release. 
8-page CD booklet with liner notes by Sylvain Pfeffer.

In collaboration with Pathé Films and Gruppo Sugar, Music Box Records presents the premiere CD release of two Krishna Levy scores: Contre-enquête (Counter Investigation, 2006) and Mordbüro (1996).

For Contre-enquête, Franck Mancuso, a former policeman and co-scriptwriter of 36th Precinct (2004) with Olivier Marchal and Julien Rappeneau, delivered a dark film with gripping suspense served by the performance of Jean Dujardin in one of his first dramatic roles. Krishna Levy composed a very gloomy score in order to emphasize the chilling atmosphere of the feature film. Some musical pieces are reminiscent of Bernard Herrmann’s works for Hitchcock thrillers. The score for Mordbüro is more romantic and colourful and dominated by a main theme in the form of a waltz.

Remastered from the original recording sessions, the program has been assembled, produced and supervised by Krishna Levy and Édouard Dubois. The 8-page booklet features liner notes by Sylvain Pfeffer, discussing the films and the scores, based on an original interview with Krishna Levy. The release is limited to 300 units.

 

 

Geschrieben
vor 2 Stunden schrieb Oliver79:

Am Freitag liefern Music Box Records zwei neue Veröffentlichungen aus: Ein drittes Set mit eher unbekannten französischen Filmscores (darunter Arbeiten von Pierre Jansen, Michel Portal und Patrice Mestral) sowie eine CD mit zwei Scores von Krishna Levy.

Das 3 CD-Set bietet schon einen äußerst seltsamen musikalischen Mischmasch. Ziemlich konzeptlos zusammmengestellt das Ganze. Zum Glück habe ich Jansen´s NUIT D´OR, die für mich beste Musik auf dem Set, ohnehin auf LP, denn wegen den anderen Titeln (das Meiste davon gabs früher schon auf LPs Ende 70er/Anfang 80er) würde ich das Set niemals kaufen. Und die Tracks aus NUIT D´OR sind genau dieselben wie auf der alten Platte:
https://www.discogs.com/de/Pierre-Jansen-Nuit-Dor-La-Decade-Prodigieuse-Bande-Originale-Du-Films/release/5923442

Leider auch ziemlich klar, daß sich von Jansens ALICE OU LA DERNIÈRE FUGUE nach wie vor keine Bänder eingefunden haben, denn sonst würde Music Box wohl kaum NUIT D´OR auf diesem sehr heterogenen Set nun neben Hinz und Kunz verbraten. Sie haben einfach nicht gewußt wohin damit und jetzt landen die 20 Minuten halt irgendwo auf diesem Set.
Michel Portals LE RETOUR DE MARTIN GUERRE habe ich auch noch auf LP und eigentlich nur wegen der B-Seite - nämlich Delerues JULIA - überhaupt behalten. Mit der Portal-Musik selbst konnte ich seit eh und je so gut wie nichts anfangen, finde ich abseits vom Film schon recht nervtötend.

Von daher passe ich selbstverständlich bei dem 3 CD-Set und werde mir dagegen aber wohl den Krishna Levy zulegen, der schon von den Hörclips her wieder einen recht guten Eindruck macht. Die typischen Levy-Stilismen bei der Melodieführung sind unüberhörbar.

Geschrieben

Am 25. September bringt GAD Records einen weiteren TV-Score von Andrzej Korzynksi:

cd_133_korzynski_janka-uai-720x720.jpg

Zitat

 

Einer der farbenfrohsten und bewegendsten Soundtracks in der Arbeit von Andrzej Korzyński. Musik aus der groß angelegten Serie, die ganze Generationen in Polen und Deutschland großzog. Anzüge des polnischen Rundfunkorchesters unter der Leitung von Jan Pruszak schließlich auf CD.

"Janka" ist ein ausgezeichnetes Familienkino, das im frühen zwanzigsten Jahrhundert spielt und sowohl Teenager als auch Erwachsene in seine Handlung einbezieht. Es ist auch die erstaunliche Musik von Andrzej Korzyński, eine der interessantesten Erkenntnisse von ihm seit der Wende der 1980er und 1990er Jahre. Die Musik für "Janka" war eine andere - nach "Urwis z Doliny Młynów" und "Klementynka und Klemens" - die Frucht der Zusammenarbeit zwischen dem Regisseur Janusz Łęski und dem Komponisten.

Grundlage dieser Veröffentlichung sind die Aufnahmen vollständiger Partituren aus allen drei Serien, die vom polnischen Rundfunkorchester unter der Leitung von Jan Pruszak anlässlich von Originalaufnahmen aufgenommen wurden. In einem neuen, kompakten Ganzen angeordnet, beschreiben sie musikalisch ein idyllisches, farbenfrohes Universum, das von Janusz Łęski geschaffen wurde. In den weiten, singenden Themen der Streichersektion hallt ab und zu die Faszination für das Werk von Gustav Mahler wider, und die geschickt arrangierten Momente der Spannung und Unsicherheit erinnern an große Hollywood-Produktionen. Ein absoluter Kanon in der Ausgabe von Andrzej Korzyński.

Die Aufnahmen wurden von den Originalbändern aus den Archiven des Komponisten remastered. In der Broschüre Fotos vom Set und ein kurzer Text über die Serie und Musik. Das Album setzt die Filmreihe GAD Records fort, in der unter anderem "Specht" von Henryk Kuźniak und Juliusz Loranc, "Doktor Murek" von Lucjan Kaszycki oder "Das Leben von Kamil Kurant" von Wojciech Głuch. Weitere Titel in Vorbereitung.

 

 

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